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Oral history interview with Walter Nottingham

Interviewee:
Nottingham, Walter, 1930-2012  Search this
Interviewer:
Owen, Carol, 1936-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Catholic Church  Search this
Cranbrook Academy of Art -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
St. Cloud State University -- Students  Search this
United States -- Montgomery G.I. Bill  Search this
University of Wisconsin--River Falls -- Faculty  Search this
Constantine, Mildred  Search this
Crane, Jim  Search this
Drutt, Helen Williams  Search this
Johnson, Meda  Search this
Kaufman, Glen  Search this
Knodel, Gerhardt  Search this
Larsen, Jack Lenor  Search this
Merritt, Francis Sumner, 1913-2000  Search this
Miller, Don  Search this
Moran, Lois  Search this
Nordness, Lee  Search this
Nottingham, Karron  Search this
Penning, Pauline  Search this
Ross, Shelley  Search this
Rossbach, Ed  Search this
Strengell, Marianne, 1909-1998  Search this
Extent:
29 Pages (Transcript)
4 Items (Sound recording: 4 sound files (1 hr., 41 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Mexico City (Mexico) -- description and travel
Date:
2002 July 14-18
Scope and Contents:
An interview of Walter Nottingham conducted 2002 July 14-18, by Carol Owen, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the studios of Idyllwild Arts, in Idyllwild, California. Nottingham speaks of his enthusiasm for basketball; being an altar boy and, as such, surrounded by beautiful fabrics at an early age; attending St. Cloud State University on the GI Bill; his teachers Jim Crane and Pauline Penning; serving as an art consultant for public schools in Jackson, Michigan; the lasting influence of an exhibition of battle flags at the Metropolitan Museum; articulating aging and decay through self-taught weaving; developing a fiber art program at University of Wisconsin, River Falls; attending Cranbrook Academy of Art and working with Glen Kaufman and Meda Johnson. He discusses specific works including his "Yahooties", that combine both his grandmother's and mother's crochet work; his trip to Mexico City on a National Endowment for the Arts grant in 1974; forming the company Off the Wall with his eldest daughter Karron and their decorative design commissions; the influence of his Catholic upbringing, oriental philosophy, and spirituality in his work; and techniques and materials. Nottingham recalls Shelly Ross, Helen Drutt, Francis Merritt, Don Miller, Lois Moran, Jack Lenor Larsen, Marianne Strengell, Mildred Constantine, Gerhardt Knodel, Lee Nordness, Ed Rossbach, and others.
Biographical / Historical:
Walter Nottingham (1930-2012) is a fiber artist from Hilo, Hawaii. Carol Owen is a fiber artist from Pittsboro, North Carolina.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 1 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Weavers -- Wisconsin -- Interviews  Search this
Self-taught artists  Search this
Topic:
Art -- Technique  Search this
Crocheting  Search this
Decorative arts  Search this
Fiber artists -- Hawaii -- Interviews  Search this
Weavers -- Hawaii -- Interviews  Search this
Weaving -- Equipment and supplies  Search this
Weaving -- Study and teaching  Search this
Weaving -- Technique  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.nottin02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93e03a8ff-6563-405b-8f81-0532a2e21dfd
EDAN-URL:
ead_collection:sova-aaa-nottin02
Online Media:

[Trade catalogs from Englewood Top and Panel Co.]

Company Name:
Englewood Top and Panel Co.  Search this
Notes content:
"Engco" products ; supplies for reed weaving classes ; drawing boards ; clay modeling boards and tools ; peg boards ; hand rests for draftsmen ; drawing kits ; wood dowels ; book racks ; waste baskets made of plywood
Includes:
Trade catalog and price lists
Black and white images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Chicago, Illinois, United States
Date:
1900s
Topic (Romaine term):
Artists; drafting; crafts materials and supplies  Search this
Educational institutions; equipment and supplies (includes playground equipment)  Search this
Topic:
"Schools -- Furniture, equipment, etc."  Search this
Artists' materials  Search this
Handicraft  Search this
Mechanical drawing  Search this
Playgrounds  Search this
Record ID:
SILNMAHTL_36244
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_36244

[Trade catalogs from Learning Products, Inc.]

Company Name:
Learning Products, Inc.  Search this
Related companies:
Special Education Materials, Inc. (Yonkers, NY ; distributor)  Search this
Notes content:
early learning and special education products and teaching aids: "Snap Wall" ; "Giant Konnecto" ; "Block Pen" ; "Lock 'N' Stack" blocks ; "Versa-Flex" blocks ; "Mini Konnecto" ; ride-on toys ; "Versatrain" ; "Socio-Scenes" puzzle ; "Wire Weave" ; hexagon puzzle ; "Boatslide" ; "Playsink" ; "Educube"
Includes:
Trade catalog and price lists
Color images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
St. Louis, Missouri, United States
Date:
1900s
Topic (Romaine term):
Educational institutions; equipment and supplies (includes playground equipment)  Search this
Toys and games  Search this
Topic:
"Schools -- Furniture, equipment, etc."  Search this
Games  Search this
Playgrounds  Search this
Toy making  Search this
Toys  Search this
Record ID:
SILNMAHTL_36815
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_36815

[Trade catalogs from Garland Mfg. Co. (ME)]

Company Name:
Garland Mfg. Co. (ME)  Search this
Notes content:
Equipment and supplies for the textile industry (1905) ; soft face mallets and hammers for use in non-marring applications ; The company was founded back in 1866, and was incorporated in 1873. The original products were items called pickers made of water buffalo hide for use on textile looms to weave cloth. These pickers moved the shuttle back and forth from one end of the loom to the other and water buffalo hides were used because it was such a tough material. These items were made until the year 1900 when the company started making rawhide mallets and rawhide faced hammers, once again out of water buffalo hides because of the toughness of the material. These items are still being made today. http://www.garlandmfg.com/plastics/aboutus.html
Includes:
Trade catalog and price lists
Black and white images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Saco, Maine, United States
Date:
1900s
Topic (Romaine term):
Textiles and textile machinery  Search this
Topic:
Textile fabrics  Search this
Textile machinery industry  Search this
Record ID:
SILNMAHTL_17688
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_17688

Oral history interview with Jere Osgood, 2001 September 19-October 8

Interviewee:
Osgood, Jere, 1936-  Search this
Osgood, Jere, 1936-  Search this
Interviewer:
Gold, Donna, 1953-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Furniture design  Search this
Furniture making -- Technique  Search this
Furniture making -- Denmark  Search this
Furniture making -- Equipment and supplies  Search this
Furniture making -- Study and teaching  Search this
Woodworkers -- New Hampshire -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13109
(DSI-AAA_SIRISBib)228159
AAA_collcode_osgood01
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_228159
Online Media:

Oral history interview with Walter Nottingham, 2002 July 14-18

Interviewee:
Nottingham, Walter, 1930-2012  Search this
Nottingham, Walter, 1930-2012  Search this
Interviewer:
Owen, Carol, 1936-  Search this
Subject:
Constantine, Mildred  Search this
Crane, Jim  Search this
Drutt, Helen Williams  Search this
Johnson, Meda  Search this
Kaufman, Glen  Search this
Knodel, Gerhardt  Search this
Larsen, Jack Lenor  Search this
Moran, Lois  Search this
Merritt, Francis Sumner  Search this
Miller, Don  Search this
Nordness, Lee  Search this
Nottingham, Karron  Search this
Penning, Pauline  Search this
Ross, Shelley  Search this
Rossbach, Ed  Search this
Strengell, Marianne  Search this
Catholic Church  Search this
Cranbrook Academy of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
St. Cloud State University  Search this
United States  Search this
University of Wisconsin--River Falls  Search this
Type:
Interviews
Sound recordings
Place:
Mexico City (Mexico) -- Description and travel
Topic:
Art -- Technique  Search this
Crocheting  Search this
Decorative arts  Search this
Fiber artists -- Hawaii -- Interviews  Search this
Weavers -- Hawaii -- Interviews  Search this
Weaving -- Equipment and supplies  Search this
Weaving -- Study and teaching  Search this
Weaving -- Technique  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12090
(DSI-AAA_SIRISBib)238990
AAA_collcode_nottin02
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_238990
Online Media:

Oral history interview with Chunghi Choo, 2007 July 30-2008 July 26

Interviewee:
Choo, Chunghi, 1938-  Search this
Choo, Chunghi, 1938-  Search this
Interviewer:
Milosch, Jane, 1964-  Search this
Subject:
Thomas, Richard C.  Search this
Bush, Cody  Search this
Chateauvert, Jocelyn  Search this
Kaufman, Glen  Search this
Fujio, Yuho  Search this
Grotell, Maija  Search this
McFadden, David Revere  Search this
Kao, Ruth  Search this
Lechtzin, Stanley  Search this
Lee, Sang-Bong  Search this
Larsen, Jack Lenor  Search this
Mayer-VanderMey, Sandra  Search this
Saarinen, Loja  Search this
Raab, Rosanne  Search this
Merkel-Hess, Mary  Search this
Park, No Soo  Search this
Smith, Paul J.  Search this
Yeun, Kee-ho  Search this
Cranbrook Academy of Art  Search this
University of Iowa  Search this
Haystack Mountain School of Crafts  Search this
Penland School of Handicrafts  Search this
Museum of Modern Art (New York, N.Y.)  Search this
University of Northern Iowa  Search this
Victoria and Albert Museum  Search this
Ihwa Yŏja Taehakkyo  Search this
Museum für Kunsthandwerk Frankfurt am Main  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Place:
Korea (South) -- History -- April Revolution, 1960
Topic:
Decorative arts  Search this
Metal-work  Search this
Jewelers -- Interviews  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Korean War, 1950-1953  Search this
Korean American art  Search this
Korean American artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Women artists  Search this
Women textile artists  Search this
Theme:
Asian American  Search this
Women  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)13621
(DSI-AAA_SIRISBib)271722
AAA_collcode_choo07
Theme:
Asian American
Women
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_271722
Online Media:

Oral history interview with Mary Lee Hu, 2009 March 18-19

Interviewee:
Hu, Mary Lee, 1943-  Search this
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Baldridge, Mark S.  Search this
Choo, Chunghi  Search this
Christensen, Hans  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred  Search this
Fike, Phillip G.  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent)  Search this
Marshall, John  Search this
Matsukata, Miye  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti  Search this
American Craft Council  Search this
Cleveland Institute of Art  Search this
Cranbrook Academy of Art  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
University of Washington  Search this
Type:
Sound recordings
Interviews
Place:
Afghanistan -- Description and travel
Australia -- description and travel
China -- description and travel
Indonesia -- description and travel
Iran -- description and travel
Nepal -- description and travel
Ohio -- Description and travel
Papua New Guinea -- Description and travel
Tibet (China) -- Description and travel
Turkey -- description and travel
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15659
(DSI-AAA_SIRISBib)282415
AAA_collcode_hu09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282415
Online Media:

Oral history interview with Mary Lee Hu

Interviewee:
Hu, Mary Lee, 1943-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Cleveland Institute of Art -- Students  Search this
Cranbrook Academy of Art -- Students  Search this
Lawrence Arts Center  Search this
Miami University (Oxford, Ohio) -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
University of Washington -- Faculty  Search this
Baldridge, Mark S., 1946-  Search this
Choo, Chunghi  Search this
Christensen, Hans, 1924-1983  Search this
Dingeldein, Otto  Search this
Eikerman, Alma  Search this
Farafol, Daphne  Search this
Fenster, Fred, 1934-  Search this
Fike, Phillip G., 1927-1997  Search this
Halper, Vicki  Search this
Ho, Ron  Search this
Kidman, Hero  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Marshall, John, 1936-  Search this
Matsukata, Miye, 1922-1981  Search this
Matzdorf, Kurt  Search this
McMurray, James  Search this
Moty, Eleanor  Search this
Noffke, Gary  Search this
Pujol, Eleanor  Search this
Seppä, Heikki  Search this
Turner, Gary  Search this
Warashina, Patti, 1940-  Search this
Extent:
8 Items (Sound recording: 8 wav files (5 hr., 42 min.), digital)
163 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Afghanistan -- Description and Travel
Australia -- Description and Travel
China -- Description and Travel
Indonesia -- Description and Travel
Iran -- Description and Travel
Nepal -- Description and Travel
Ohio -- Description and Travel
Papua New Guinea -- Description and Travel
Tibet (China) -- Description and Travel
Turkey -- description and travel
Date:
2009 March 18-19
Scope and Contents:
An interview of Mary Lee Hu conducted 2009 March 18-19, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Hu's home and studio, in Seattle, Washington.
Hu speaks of growing up outside Cleveland, Ohio; her early interest in making objects; attending the Lawrence Art Center camp in Kansas at the age of 16 where she first experimented with metals; her like of working with tools in order to create something; taking metal smith classes at the Cleveland Institute of Art during high school; attending Miami University in Ohio for two years followed by two years an Cranbrook Academy of Art; working as a TA with L. Brent Kington at Southern Illinois University in Carbondale; her collaborative work in both textiles and metals while at Carbondale which lead to her first experimentation in weaving silver wire; creating a body of work for her Master's thesis in which all the pieces were woven wire; various works, their origins, when, where and why they were created, including her Neckpiece, Choker, Bracelet, Brooch and Ring series; her aesthetic interest in patterns, line and positive/negative space; a limited interest in and use of color in her work; the transition from silver to gold wire; a progressively larger interest in the history of jewelry and body adornment which eventually became a lecture at the University of Washington, where she taught for 26 years; numerous trips around the world to countries such as China, Tibet, Nepal, Afghanistan, Iran, Turkey, Australia, Papua New Guinea and Indonesia; a strong interest in ethnic and native jewelry/body adornment practices; the various purposes which jewelry can serve in society; her involvement with the Society of North American Goldsmiths and the American Craft Council; her technique based teaching practices; the role that modern technology plays in teaching, learning, and making jewelry; the lack of support and funds for metals programs in universities around the country; her library, which includes aver 2,000 books about the history of jewelry and body adornment; her collection of jewelry from around the world; her want to create beautiful and functional jewelry; the public and private aspects to jewelry and it's role in museums; current projects and the importance to maintain interest of metals in younger generations. Hu also recalls Gary Turner, Hans Christensen, Otto Dingeldein, Heikki Seppä, Hero Kielman, Phil Fike, Patti Warashina, Gary Noffke, Elliott Pujol, Chonghi Choo, Daphne Farafo, Vicki Halper, Ron Ho, Miye Matsukata, Alma Eikermann, Mark Baldridge, Kurt Matzdorf, Eleanor Moty, Fred Fenster, John Marshall, James McMurray, and others.
Biographical / Historical:
Mary Lee Hu (1943- ) is a metalsmith in Seattle, Washington. Smith was educated at Cranbrook Academy of Art and Southern Illinois University. She teaches at the University of Washington.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Body adornment  Search this
Jewelry  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Study and teaching  Search this
Jewelry making -- Technique  Search this
Metal-workers -- Washington (State) -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hu09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a23bb6bc-66a5-4900-9a0f-031b4e2ab83d
EDAN-URL:
ead_collection:sova-aaa-hu09
Online Media:

Oral history interview with Chunghi Choo

Interviewee:
Choo, Chunghi  Search this
Interviewer:
Milosch, Jane  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Students  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Ihwa Yŏja Taehakkyo  Search this
Museum für Kunsthandwerk Frankfurt am Main  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Students  Search this
University of Iowa -- Faculty  Search this
University of Northern Iowa  Search this
Victoria and Albert Museum  Search this
Bush, Cody  Search this
Chateauvert, Jocelyn  Search this
Fujio, Yuho  Search this
Grotell, Maija  Search this
Kao, Ruth  Search this
Kaufman, Glen  Search this
Larsen, Jack Lenor  Search this
Lechtzin, Stanley, 1936-  Search this
Lee, Sang-Bong  Search this
Mayer-VanderMey, Sandra  Search this
McFadden, David Revere  Search this
Merkel-Hess, Mary  Search this
Park, No Soo  Search this
Raab, Rosanne  Search this
Saarinen, Loja  Search this
Smith, Paul J.  Search this
Thomas, Richard C., 1917-1988  Search this
Yeun, Kee-ho  Search this
Extent:
75 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Korea (South) -- History -- April Revolution, 1960
Date:
2007 July 30-2008 July 26
Scope and Contents:
An interview of Chunghi Choo conducted 2007 July 30-2008 July 26, by Jane Milosch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Iowa City, Iowa.
Choo speaks of establishing the Metalsmithing and Jewelry program at the University of Iowa in Iowa City; the elaborate equipment, tools, and safety protection used in the studio; her experience teaching silent metalforming at Haystack Mountain School of Crafts in Deer Isle, Maine; participating in international workshops and seminars in Korea; the extensive world traveling she does with her husband, Dr. Charles Read, including destinations in Scandinavia, Thailand, Austria, Italy, and South Africa, among others; the house she designed in Iowa City; her love of the city and being surrounded by treasured friends, a supportive university, and beautiful environments; an interest in creative cooking and appreciation for diverse dishes from all around the world; her childhood and young adulthood in Inchon, Korea; growing up with an appreciation for beautiful art objects and classical music; an early interest and talent in drawing; attending Ewha Women's University as generations of women in her family had previously; experiences during the Korean War and April 19 Revolution in 1961; coming to the United States in 1961 as a student; studying English, ceramics, enameling, and stone cutting for one semester at Penland School of Crafts in Penland, N.C.; attending Cranbrook Art Academy in Bloomfield Hills, Michigan and studying metalsmithing with Richard Thomas, ceramics with Maija Grotell, and weaving with Glen Kaufman; living with Mrs. Loja Saarinen during her three and a half years at Cranbrook; teaching general craft at the University of Northern Iowa in Cedar Rapids from 1965-1968; pioneering the mixed-media studies with her students at UNI; accepting the challenge to build a metalsmithing and jewelry program at the University of Iowa in Iowa City in 1968; learning and teaching electroforming; the development of the electro-appliqué technique; extensive donor support and fundraising for the Metalsmithing and Jewelry program and its students; finding inspiration in nature, East Asian calligraphy, classical music, and travel; her long friendship with Jack Lenor Larsen and the great influence he has had on her work; being represented in major art museums and institutions world-wide, including the Museum of Modern Art in New York City, Victoria and Albert Museum in London, Museum fur Kunsthandwerk in Frankfurt, Germany, and many others; the joy she has when her students succeed and surpass her; and plans for future work, writing projects, and travel. Choo also speaks of the 2008 flooding of Iowa City and the state of Iowa during which her studio was severely damaged and many things were lost. Choo also recalls Park, No Soo; Lee, Sang Bong; Ruth Kao; Stanley Lechtzin; Yuho Fujio; David McFadden; Paul J. Smith; Rosanne Raab; Cody Bush; Jocelyn Chateauvert; Mary Merkel Hess; Sandra Mayer-VanderMey; Kee-ho Yeun, and others.
Biographical / Historical:
Chunghi Choo (1938- ) is a Korean American educator, metalsmith, jeweler, and textile and mixed media artist based in Iowa City, Iowa. Interviewer Jane Milosch is a curator from Silver Spring, Maryland.
General:
Originally recorded 5 sound discs. Reformatted in 2010 as 27 digital wav files. Duration is 5 hr., 22 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Occupation:
Metal-workers -- Iowa -- Iowa City  Search this
Jewelers -- Iowa -- Iowa City  Search this
Textile designers -- Iowa -- Iowa City  Search this
Mixed-media artists -- Iowa -- Iowa City  Search this
Topic:
Decorative arts  Search this
Metal-work  Search this
Jewelers -- Interviews  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Asian American art  Search this
Asian American artists  Search this
Korean War, 1950-1953  Search this
Korean American art  Search this
Korean American Artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Women artists  Search this
Women textile artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.choo07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91d0f3d3d-e648-47b2-9282-e395b73f635f
EDAN-URL:
ead_collection:sova-aaa-choo07
Online Media:

Oral history interview with Jere Osgood

Interviewee:
Osgood, Jere, 1936-  Search this
Interviewer:
Gold, Donna, 1953-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
64 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 September 19-October 8
Scope and Contents:
An interview of Jere Osgood conducted 2001 September 19 and Oct. 8, by Donna Gold, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Osgood's home, in Wilton, N.H.
Osgood describes his early childhood years in Staten Island, N.Y.; the influence of his architect grandfather and handyman father; his early interest in architecture; visiting museums with his mother and aunt; Vermont vacations; high school; and reading "Popular Science," "Popular Mechanics," and "Wildlife Magazine." He describes his architecture studies at the University of Illinois and the subsequent use of parabolic and catenary curves when making bowls; attending the School for American Craftsmen in the 1960s when it was "thriving"; selling bookends at America House; exhibiting in "Young Americans" (Museum of Contemporary Crafts, 1962); teaching at Boston University; studying bookbinding and weaving in a folk art school in Denmark in 1960; the distinction between "furniture makers" and "furniture designers" in Denmark; working in his father's basement workshop; setting-up a workshop in Connecticut; the appeal of root forms; developing lamination techniques; making curved forms; and experimenting with various woods. Teaching at the Philadelphia College of Art, Rochester Institute of Technology (RIT), and Boston University are discussed in detail, as are his typical workday, his design process and means of evaluating form, the growing craft industry, and sculptural furniture. Osgood recalls his teacher Tage Frid.
He also discusses his works of art including Elliptical Shell Desks, a walnut Semainaire, Writing Desk (1986), Angels in the Snow (1986), and Cylinder Front Desk (1989). He comments on selling his work at Pritam & Eames (East Hampton, N.Y.); the influence of Wharton Esherick on his career in the late 1950s; commissions; furniture making at RIT and the North Bennett School in Boston; his experiences teaching at Penland, Haystack, Arrowmont, and Peters Valley Craft Center; his involvement with organizations such as the New Hampshire Furniture Masters' Association, American Craft Council, and The Furniture Society; the importance of good photography; the economics of the craft business; and his appreciation of pure form.
Biographical / Historical:
Jere Osgood (1936- ) is a woodworker from Wilton, N.H. Donna Gold (1953- ) is an art writer from Stockton Springs, Maine.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 12 digital wav files. Duration is 5 hrs., 46 min.
Related Materials:
Oral history: Renimiscenses of Jere Osgood; Columbia University. Oral History Research Office, Box 20, Room 801 Butler Library, New York, NY 10027.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Furniture design  Search this
Furniture making -- Technique  Search this
Furniture making -- Denmark  Search this
Furniture making -- Equipment and supplies  Search this
Furniture making -- Study and teaching  Search this
Woodworkers -- New Hampshire -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.osgood01
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw920115902-1269-4b86-92af-d819c54daddd
EDAN-URL:
ead_collection:sova-aaa-osgood01
Online Media:

Warshaw Collection of Business Americana Subject Categories: Textiles

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
12.77 Cubic feet (consisting of 26.5 boxes, 1 folder, 7 oversize folders, 2 map case folders, 1 flat box (partial), plus digital images of some collection material.)
Type:
Collection descriptions
Archival materials
Print advertising
Periodicals
Publications
Advertising cards
Advertising mail
Printed ephemera
Patterns
Catalogues
Designs (textile)
Sales catalogs
Business cards
Legal records
Contracts
Textiles
Trade catalogs
Exhibition catalogs
Advertising
Advertisements
Mail order catalogs
Business records
Designs
Printed material
Labels
Instructional materials
Trademarks
Legal documents
Trade cards
Legislation (legal concepts)
Ephemera
Samples
Manuals
Sample books
Design patents
Advertising fliers
Illustrations
Catalogs
Sales letters
Business letters
Correspondence
Manufacturers' catalogs
Commercial correspondence
Letterheads
Invoices
Photographs
Sales records
Printed materials
Fabrics
Trade literature
Business ephemera
Receipts
Commercial catalogs
Date:
1784-1970
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This material is concentrated on the 19th century United States textile manufacture and trade, and the sale of textiles in the form of bale, bolt, roll, and fabric to commercial vendors or consumers as source material to make other goods. The first series contains day-to-day records of dealers and vendors, plus advertising and marketing material. Artisan and home production of goods are virtually not covered but are a couple of incidental publications related to arts, crafts (rugs, weaving, looms), and more refined work such as tapestry. The import/export of textiles is well represented with a large volume of records, which may also provide some insight into the shipping industry.

There is not much on the infrastructure of the industry in the way of directories, trade journals, trade associations, along with manufacturing and plants, though there are a few examples of each. There are virtually no catalogues, except for a few thin ones that were filed by company name. While not extensive, the sample books and swatches offer a glimpse into product lines. Material types offers limited, specific information on certain varieties such as cotton, wool, linen, rayon, etc. Thread might be incidentally present but is not specifically included since there is already a dedicated subject category for it.

There is a healthy sampling of product labels. A handful of intellectual property related documents cover protections of designs, plus patents and trademarks. There is a small bulk of publications related to tariffs and the wool industry.

Clothing patterns, home economics, sewing and seamstresses, household use of textiles (furniture covering, as a cleaning tool, bedding/pillows, etc.) are not covered within this category. Researchers should also look at any of a number of other Warshaw categories, particularly those related to clothing, hosiery, dry goods, furniture, curtains, etc. for period popularity of certain materials and patterns.
Arrangement:
Textiles is arranged in three subseries.

Missing Title

Business Records and Marketing Material

Genre

Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Textiles is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Trade associations  Search this
Patents  Search this
Cotton textile industry  Search this
Fabrics, including spinning and weaving  Search this
Tapestry  Search this
Cotton  Search this
Textile manufacture  Search this
Textile design -- United States -- History -- 20th century -- Sources  Search this
Textile crafts  Search this
Textile  Search this
Retail trade  Search this
Tapestry -- Design  Search this
Textiles -- India  Search this
Labels -- Design  Search this
Textile fabrics in art  Search this
Textile fibers, Synthetic -- Equipment and supplies  Search this
Cotton picking machinery  Search this
Wool, Artificial  Search this
Cotton manufacture  Search this
Textile fabrics  Search this
Cotton picking  Search this
Textile fabrics -- 20th century  Search this
Textile fibers, Synthetic  Search this
Trademarks -- Design  Search this
Silk industry  Search this
Textile fibers, Synthetic Dyeing  Search this
Textile industry  Search this
Cotton industry  Search this
Tapestry -- Technique  Search this
Cotton growing  Search this
Cotton -- 1890-1910  Search this
Textile mills  Search this
Synthetic fabrics  Search this
Consumer goods -- Catalogs  Search this
Textile industry -- 1900-1910  Search this
Genre/Form:
Print advertising
Periodicals
Publications
Advertising cards
Advertising mail
Printed ephemera
Patterns
Catalogues
Designs (textile)
Sales catalogs
Business cards
Legal records
Contracts
Textiles
Trade catalogs
Exhibition catalogs
Advertising
Advertisements
Mail order catalogs
Business records
Designs
Printed material
Labels
Instructional materials
Trademarks
Legal documents
Trade cards
Legislation (legal concepts)
Ephemera
Samples
Manuals
Sample books
Design patents
Advertising fliers
Illustrations
Catalogs
Sales letters
Business letters
Correspondence
Manufacturers' catalogs
Commercial correspondence
Letterheads
Invoices
Photographs
Sales records
Printed materials
Fabrics
Trade literature
Business ephemera
Publications -- Business
Receipts
Commercial catalogs
Citation:
Warshaw Collection of Business Americana Subject Categories: Textiles, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Textiles
See more items in:
Warshaw Collection of Business Americana Subject Categories: Textiles
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8452a33db-9793-45c0-890c-a0dc6c7e8893
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-textiles
Online Media:

[Trade catalogs on cotton machinery : automatic warp-drawing machines, automatic axminster tubing machines, automatic lease-picking machines, steel warp beam trucks, warp beam tape, moistening machines ... ]

Author:
American Warp-Drawing Machine Company  Search this
Smithsonian Libraries American History Trade Literature Collection DSI  Search this
Physical description:
<1> v. : ill
Type:
Catalogs
Trade catalogs
Date:
18uu
[18--]-
Topic:
Cotton machinery  Search this
Textile machinery  Search this
Drawing in (Weaving)--Equipment and supplies  Search this
Woolen and worsted machinery  Search this
Call number:
052883
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_696107

The history and principles of weaving by hand and by power [microform] / by Alfred Barlow

Author:
Barlow, Alfred  Search this
Physical description:
xii, 443 p. : ill. ; 28 cm
Type:
Microforms
Date:
1965
1879
Topic:
Weaving  Search this
Hand weaving  Search this
Textile fabrics  Search this
Lace and lace making--Equipment and supplies  Search this
Call number:
mfm 2291
mfm2291
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_419577

Weber und Schnitzer in Westafrika / Stadt Freiburg i. Br., Museum für Völkerkunde ; Eva Gerhards (Hrsg.) ; mit einem Beitrag von Daniel Mato

Author:
Gerhards, Eva  Search this
Mato, Daniel 1934-  Search this
Museum für Völkerkunde der Stadt Freiburg im Breisgau  Search this
Physical description:
47 p. : chiefly ill., map ; 17 x 24 cm
Type:
Books
Place:
Africa, West
Date:
1987
C1987
Topic:
Hand weaving  Search this
Hand weaving--Equipment and supplies  Search this
Wood-carving  Search this
Call number:
TT848.W373 1987X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_427175

A weaver's garden / Rita Buchanan ; illustrations by Steve Buchanan

Author:
Buchanan, Rita  Search this
Physical description:
x, 230 p., [16] p. of plates : ill. (some col.) ; 24 cm
Type:
Books
Date:
1987
C1987
Topic:
Hand weaving--Equipment and supplies  Search this
Dye plants  Search this
Fiber plants  Search this
Gardening  Search this
Call number:
TT848.B76 1987X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_318638

Technology of handweaving : equipment and its use / S.A. Zielinski ; Robert Leclerc, editor

Author:
Zielinski, Stanislaw A  Search this
Leclerc, Robert  Search this
Physical description:
80 p. : ill. ; 25 cm
Type:
Books
Date:
1979
C1979
Topic:
Hand weaving--Equipment and supplies  Search this
Textile machinery  Search this
Call number:
TT848 .Z66
TT848.Z66
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_152574

Non-European looms in the collections at Bankfield Museum, Halifax [by] R.A. Innes

Author:
Bankfield Museum  Search this
Innes, R. A. FMA  Search this
Physical description:
64 pages illustrations, 7 plates 25 cm
Type:
Exhibitions
Date:
1959
Topic:
Looms  Search this
Weaving--Equipment and supplies  Search this
Textile machinery  Search this
Call number:
TS1493 .B218
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_54656

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