1 Binder (contact sheets and prints, black and white)
1 Boxe (35 mm negatives, black and white, 8.5"x10.75"x2.5")
0.44 Cubic feet (2 boxes contain the extent details for this collection, Box 1 is 0.24 cubic feet and Box 2 is 0.2 cubic feet)
Type:
Collection descriptions
Archival materials
Binders
Photographic prints
Correspondence
Contact sheets
Black-and-white negatives
Place:
Chicago (Ill.)
New York (N.Y.)
Date:
1957 - 1961
Summary:
Original photographs and negatives taken by Robert C. Malone.
Scope and Contents:
The Robert C. Malone photographs document the performances of folk singers. The collection dates from 1957 to circa 1961. Photographic materials include 16 rolls of negatives, contact sheets made from the negatives, and 14 prints. The collection features photographs of the Weavers and Cisco Houston. The collection also includes a small amount of correspondence, including two letters from Robert C. Malone to the Center for Folklife and Cultural Heritage concerning the donation of the collection, and two letters from Lee Hays to Robert C. Malone. A handful of Malone's prints are housed with the Lee Hays papers in the Rinzler Archives and are not included in the finding aid.
Arrangement note:
Arranged in 6 series: (1) University of Chicago; (2) Old Town School of Folk Music, Chicago, Ill.; (3) One Sheridan Square, N.Y.; (4) Cisco Houston's Last Performance; (5) Miscellaneous People; (6) Correspondence and Miscellaneous. Contact sheets and prints arranged in 1 binder; negatives are stored in a separate binder. Series VI, Correspondence and Miscellaneous, is filed separately. Materials are arranged chronologically.
Biographical/Historical note:
Robert C. Malone is currently retired and lives in Ridgewood, New Jersey. Between 1957-1961, Robert C. Malone moved between Chicago and New York photographing folk singers such as the Weavers and Cisco Houston.
Through contact with Robert Koppelman, a scholar working with the Lee Hays Papers in the Rinzler Archives, Robert C. Malone heard about the Archives and wrote to offer his photos to the Archives collections.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired the Robert C. Malone Photograph Collection in 1998. In a letter dated 19 January 1999, Mr. Malone gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of his photographs with the request that his work be credited.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The Lee Hays papers measures 7.85 cubic feet and dates from 1923 to 1981. The collection includes original writings, correspondence, and miscellaneous projects by Lee Hays; business records, interviews and features related to Lee Hays, including photographs; clippings saved by Lee Hays; and audiorecordings made by Lee Hays.
Scope and Contents:
The Lee Hays papers, which date from 1923-1981, contain personal and business correspondence; typescripts of Lee Hays' fiction, non-fiction, scripts and poetry; miscellaneous project and idea materials; business documents; and audiorecordings made by Lee Hays. The collection measures 7.85 cubic feet.
Arrangement:
The Lee Hays papers, are divided into seven series: 1) Correspondence, 2) Business, 3) Projects and Writings, 4) Collected Texts, 5) Interviews, 6) Features on Lee Hays and 7) Audio Recordings.
The Correspondence Series is divided into two subseries: 1) Personal, and 2) Business.
The Projects and Writings series is divided into six subseries: 1) Songs, 2) Non-Fiction, 3) Fiction, 4) Musical Productions, 5) Radio Scripts, and 6) Cisco Houston Project.
When possible, folders are arranged within series and subseries in alphabetical order by file title, and within folders in chronological order with undated items at the top.
Biographical / Historical:
Lee Hays (1914-1981) was an influential American singer, songwriter, author, and activist. His legacy, both literary and musical, emphasizes the dynamic relationship between traditional culture and contemporary events and issues. As is clear from his essay "The Folk Song Bridge", Hays conceived of "folk music" as a living, breathing "process". Born in Arkansas in 1914 to a Methodist preacher, Hays' first experiences with music revolved around the church. His political awakening came later, when he returned to Arkansas from Ohio in 1934. Under the wing of mentors such as Claude Williams and Zilphia Horton (maiden name: Zilphia Johnson), Hays began to fight for the cause of sharecroppers and union workers. His musical ability and passion for social justice came together as he used music to represent the voice of labor, replacing the religious motifs of traditional and gospel songs with pro-union themes.
Upon moving to the North in 1940, Hays met Pete Seeger, another musician of the Folk Revival. Hays and Seeger shared the common goal of spreading political topical songs, and their collaborations with Woody Guthrie and Millard Lampell led to the creation of the Almanac Singers the same year. Later, the four band members, along with other musicians such as Burl Ives and Sis Cunningham, established the People's Songs organization and publication to create and distribute labor songs. However, interpersonal conflicts with members, including Pete Seeger, led to Hays' pressured resignation from both of these endeavors. He moved in with his mentor, Walter Lowenfels, and began to focus more on his writing. Though Hays was a prolific writer whose work spanned articles, essays, short stories, poetry, and songs, he is rarely recognized for his literary achievement. His writing often centered on the social and political themes for which he is best known—labor rights, racism, poverty and inequality—and used vernacular culture and narrative to address those problems.
Seeger and Hays eventually made amends, and in 1948 they formed The Weavers with Fred Hellerman and Ronnie Gilbert, bringing music of the Folk Revival to a national audience. However, as the Red Scare impacted the American political climate into the 1950s, the Weavers were blacklisted and ultimately had to disband. Though he was under investigation by the House Un-American Activities Committee (HUAC) and had no steady income, Hays continued to write both fiction and non-fiction during the three year blacklisting. In 1955, the Weavers finally reunited for a highly successful revival under manager Harold C. Leventhal, but as years passed, the group split up again, and Hays began to focus on other projects. It was at this time that he produced the bulk of his memoirs, began a project on Cisco Houston, and recorded folk music for children with his group The Baby Sitters. In 1980, the Weavers reunited for a concert in Carnegie Hall and Hays' last performance with them was in 1981. Hays died in 1981 as a result of diabetic cardiovascular disease.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Provenance:
The Ralph Rinzler Folklife Archives and Collections at the Center for Folklife and Cultural Heritage acquired the "Lee Hays Archives" in 1992 as a donation from Harold C. Leventhal and Doris Kaplan, who acquired the collection upon Lee Hays' death in 1981. The donation included materials produced by Lee Hays, as well as materials of interest to him that were found in his possession.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Political ballads and songs -- United States Search this
1. ACT-056 Radio: World War II news 2. ACT-057 Woody Guthrie, Cisco Houston, Sonny Terry "Jackhammer Blues" 3. ACT-059 samples of musical instruments 4. ACT-059 Aunt Molly Jackson "Story Behind Hungry Ragged Blues" 5. ACT-059 Woody Guthrie "Talking Dust Bowl" 6. ACT-059 Bess Hawes, Folk Group "Down in the Valley" 7. ACT-059 South African street musicians 8. ACT-059 versions of "Mbube" 9. ACT-059 Mexican folk song
Track Information:
101 World War II Radio Program (ACT-056).
102 Jackhammer John (ACT-057) / Cisco Houston, Woody Guthrie. Guitar. English language.
103 Folk Music Lecture: Samples of Musical Instruments (ACT-059).
104 Story of Hungry Ragged Blues (ACT-059) / Aunt Molly Jackson. English language.
106 Down in the Valley (ACT-059) / Bess Lomax Hawes. Guitar. English language.
107 Folk Music Lecture: South African Street Musicians (ACT-059).
108 Mbube (Wimoweh)(ACT-059).
108 Wimoweh (ACT-059) / Weavers (Musical group), Pete Seeger. Banjo. English language.
109 Folk Music Lecture: Mexican Folk Song (ACT-059).
Local Numbers:
FP-CDR-0187-7
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only; No duplication.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Darling Corey.--Kisses sweeter than wine.--Pay me my money down.--Greensleeves.--Rock Island Line.--Around the world.--Wimoweh.--Venga Jaleo.--Suliram.--Sholom chavarim.--Lonesome traveller.--I know where I'm going.--Woody's rag and 900 miles.--Sixteen tons.--Follow the drinking gourd.--When the saints go marching in.--I've got a home in that rock.--Hush little baby.--Go where I send thee.--Goodnight Irene.
Track Information:
101 Darling Corey / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
102 Kisses Sweeter than Wine / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
103 Pay Me My Money Down / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
104 Greensleeves / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
105 Rock Island Line / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
106 Flop Eared Mule / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
106 Bright Shines the Moon / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
106 Artza Aleinu / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
106 Hey Li-Lee Hey Li-Lee Lo / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
107 Wimoweh / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
108 Venga Jaleo / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
109 Suliram (Indonesian Lullaby) / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
110 Sholom Chavarim / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
201 Lonesome Traveler / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
202 I Know Where I'm Going / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
203 Woody's Rag / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
203 900 Miles / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
204 Sixteen Tons / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
205 Follow the Drinking Gourd / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
206 When the Saints Go Marching In / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
207 I've Got a Home in That Rock / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
208 Hush Little Baby / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
209 Children, Go Where I Send Thee / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
210 Irene (Goodnight Irene) / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
Local Numbers:
FW-ASCH-LP-0652
Vanguard.9010
Publication, Distribution, Etc. (Imprint):
New York Vanguard
Date/Time and Place of an Event Note:
Recorded in: New York (N.Y.), United States, New York, 1955.
General:
The Weavers consist of Pete Seeger, Ronnie Gilbert, Lee Hays and Fred Hellerman. Ballads and folk-songs performed by the Weavers; with acc. of banjo, guitars, and recorder. Durations on labels. "Electronically re-recorded to simulate stereo." Program notes on container. Production notes: Recorded Dec. 24, 1955 at Carnegie Hall, New York.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
This land is your land / Woody Guthrie --Aweigh, Santy Ano --Wild goose grasses --Meet the Johnson boys --Aunt Rhodie --Tina --Eres alta --Come little donkey / Fred Hellerman --Kum bachura --All night long --You old fool -- Every night --Let the midnight special --Bury me -- Almost done --Empty pockets blues / Lee Hays, Pete Seeger --Howard's dead and gone.
Track Information:
101 This Land is Your Land / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
102 Aweigh, Santy Ano / Weavers (Musical group), Fred Hellerman, Ronnie Gilbert. Guitar,Banjo.
103 Wild Goose Grasses / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
104 Meet the Johnson Boys / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
105 Go Tell Aunt Rhodie / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
106 Tina / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
107 Eres Alta / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
108 Come Little Donkey / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
109 Kum Bachura / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
201 All Night Long / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
202 You Old Fool (Our Goodman) (Child No. 274)/ Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
203 Every Night / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
204 The Midnight Special / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
205 Bury Me Beneath the Willow / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
206 On a Monday (Almost Done) / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
207 Empty Pocket Blues (Barrel of Money Blues) / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
208 Poor Howard (Howard's Dead and Gone) / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
Local Numbers:
FW-ASCH-LP-1619
Vanguard.9024
Publication, Distribution, Etc. (Imprint):
New York Vanguard 1958
General:
Sung in English, Xhosa, Spanish or Hebrew. Notes: Ballads and folk-songs, with instrumental acc. Program notes on container. Performer(s): Weavers (Pete Seeger, vocals, banjo ; Ronnie Gilbert, vocals ; Fred Hellerman, vocals, guitar ; Lee Hayes, vocals); some works replace Seeger with Erik Darling, vocals, banjo.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Banks of Marble / Weavers (Musical group), Pete Seeger. Guitar.
201 If I Had a Hammer (Hammer Song) / Weavers (Musical group), Pete Seeger. Guitar.
Local Numbers:
FW-ASCH-78-0555
Hootenanny.101
Publication, Distribution, Etc. (Imprint):
Hootenanny
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Darling Corey (2 min., 13 sec.) --In a jocular vein (1 min., 29 sec.) --Get up and go (2 min., 43 sec.) --Tomorrow lies in the cradle (2 min., 48 sec.) --Wasn't that a time (2 min., 58 sec.) -- Dark as a dungeon (3 min., 46 sec.) --Hay una mujer (4 min., 46 sec.) --Venga jaleo (2 min., 21 sec.) --Kisses sweeter that wine (3 min., 30 sec.) --When I'm down for the count (2 min., 36 sec.) --All night long (4 min., 45 sec.) --Something about the women (5 min., 28 sec.) --We wish you a merry Christmas (2 min., 30 sec.) --Wimoweh ( 1 min., 50 sec.) --Goodnight Irene (3 min., 39 sec.).
Track Information:
101 Darling Corey / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
102 In a Jocular Vein / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
103 Get Up and Do / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
104 Tomorrow Lies in the Craddle / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
105 Wasn't That a Time / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
106 Dark as a Dungeon / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
107 Hay una Mujer / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
108 Venga Jaleo / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
201 Kisses Sweeter than Wine / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
202 When I'm Down for the Count / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
203 All Night Long / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
204 Something about the Women / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
205 We Wish You a Merry Christmas / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
206 Wimoweh / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
207 Irene (Goodnight Irene) / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
Local Numbers:
FP-RINZ-LP-0426
Loom.1681
Publication, Distribution, Etc. (Imprint):
Loom 1981
General:
Folk-songs. Production notes: "Recorded on location at Carnegie Hall, N.Y. on November 28/29, 1980."
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Tzena, Tzena / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
102 On Top of Old Smoky / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
103 Drill, Ye Tarriers, Drill / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
104 Fi-Li-Mi-Oo-Ree-Ay / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
105 Over the Hills / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
106 Clementine / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
107 The Frozen Logger / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
108 Boll Weevil / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
109 Talking Blues / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
110 I Don't Want to Get Adjusted / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
111 So Long, It's Been Good to Know You / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
201 Michael, Row the Boat Ashore / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
202 Sloop John B / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
203 Two Brothers / Weavers (Musical group), Pete Seeger, Ronnie Gilbert. Guitar,Banjo.
204 Ragaputi / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
205 Wasn't That a Time / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
206 Go Tell it on the Mountain / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
207 Poor Little Jesus / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
208 Mi Y'Malel / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
209 Santa Claus is Coming (It's Almost Day) / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
210 We Wish You a Merry Christmas / Weavers (Musical group), Lee Hays, Pete Seeger. Guitar,Banjo.
Local Numbers:
FP-RINZ-LP-0266
Vanguard.9013
Publication, Distribution, Etc. (Imprint):
New York Vanguard
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 When the Saints Go Marching In / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
102 Banks of Marble / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
103 Woke Up This Morning / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
104 Rambling Boy / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
105 Poor Liza / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
106 Train Time / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
107 Wimoweh / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
201 San Francisco Bay Blues / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
202 Guantanamera / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
203 If I Had a Hammer (Hammer Song) / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
204 Come Away, Melinda / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
205 Study War No More (Down By the Riverside) / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
206 Irene (Goodnight Irene) / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
207 Round the World / Weavers (Musical group), Lee Hays, Pete Seeger. Banjo,Guitar.
Local Numbers:
FP-RINZ-LP-0649
Vanguard.9130
Publication, Distribution, Etc. (Imprint):
New York Vanguard
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
