Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Company Collection.
1 Photographic print ((mounted on cardboard), black and white, mount 8.5 x 10.5 in.)
Type:
Archival materials
Photographic prints
Place:
United States of America -- Pennsylvania -- Lancaster County -- Ronks
Date:
08/09/1923
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Compiled September 2010 by AAG Volunteer, Marca Woodhams
Abbreviation Key for McFarland Color Cards
AAS: -- All-America Selections. Source: AAS.
Amling: -- A. F. Amling Co., Maywood, Illinois. Later Amlings Flowers, Chicago, Illinois. Source: FL '31
Armstrong: -- Armstrong Nurseries, Ontario, California, est. 1889. Roses and fruit trees. Source: FL '31, JSA, ARM
Arnold Arb: -- Arnold Arboretum, Harvard University, Jamaica Plain, Massachusetts. Source: FL '31, AA
B&A: -- Bobbink & Atkins, East Rutherford, New Jersey. Roses. Source: FL '31
Babcock: -- Babcock Peony Gardens, Jamestown, New York. George B. Babcock. Peonies. Source: FL '31, WEIN
Bailey: -- Mrs. Charles D. Bailey, Clerksville [Clarksville], Tennessee. Peonies. Source: FL '31
B.H.: -- Breeze Hill, Harrisburg, Pennsylvania. Home of J. Horace McFarland.
Bobbink & Atkins: -- Bobbink & Atkins, East Rutherford, New Jersey. Roses. Source: FL '31, TB p.219
Bodger Seeds: -- John Bodger and Sons, Inc., El Monte, California. Founded in 1890. Wholesale flower seed business. Heirloom standards-Gleam Nasturtium, Crackerjack Marigolds, Zinnia Envy, etc. Source: BOD, LOMPOC
Bosley: -- Bosley Nursery, Mentor, Ohio. Specialized in roses. Source: FL '31, MENT
Breck: -- Joseph Breck & Co., Boston, Massachusetts. Founded in 1818. Source: FL '32
Breeze Hill: -- Breeze Hill, Harrisburg, Pennsylvania. Home of J. Horace McFarland. Source: TB
Clint McDade: -- Founder of Rivermont Orchids, Signal Mountain, Tennessee. Also Clint McDade & Sons and Semmes Nursery [specialized in camellias and azaleas]. Orchid hybridizer. Source: AOS, AZO, PF
Conard & Jones: -- Conard & Jones Co., West Grove, Pennsylvania. Established in 1897. Roses and flowering plants. Source: FL '31
Conard-Pyle: -- Conard-Pyle, West Grove, Pennsylvania. After 1907 when Pyle purchased Conard & Jones Co. Roses. Source: FL '31
CP: -- Conard-Pyle, West Grove, Pennsylvania. Source: FL '31
C.P.: -- Conard-Pyle, West Grove, Pennsylvania. Source: FL '31
CP Co.: -- Conard-Pyle, West Grove, Pennsylvania. Source: FL '31
Dreer: -- Henry A. Dreer, Inc., Philadelphia, Pennsylvania. Founded 1838. Seed and florist. Source: FL '31, TB p. 219
Eichelberger
Farr: -- Bertrand H. Farr Wyomissing Nursery Co., Wyomissing, Pennsylvania. Founded 1908. Nursery. Later called Farr Nursery and Landscape Company. Source: FL '31, FARR
Gl. St. Mary: -- Glen St. Mary Nursery Company , Glen St. Mary, Florida. Founded in 1882. Citrus plants, the weaver dogwood, magnolia St. Mary, and the George L. Taber azalea. Source: FL '31, , TB, MYFL
Glen St. Mary Nursery: -- Glen St. Mary Nursery Company , Glen St. Mary, Florida. Founded in 1882. Citrus plants, the weaver dogwood, magnolia St. Mary, and the George L. Taber azalea. Source: FL '31, TB, MYFL
Greenbriar: -- Greenbrier Farms, Chesapeake, Viriginia. Started by Robert Earl Thrasher. Fruit trees.
G.S.M.: -- Glen St. Mary Nursery Company , Glen St. Mary, Florida. Founded in 1882. Citrus plants, the weaver dogwood, magnolia St. Mary, and the George L. Taber azalea. Source: FL '31, TB, MYFL
Hastings: -- H. G. Hastings Seed Co., Atlanta, Georgia. Founded 1889. Source: ART, VSC
Herbst Brothers, 92 Warren Street, New York, NY: -- Herbst Brothers, Seedsmen, Inc., New York, New York. Seedsmen. Source: OSU
Hicks: -- Hicks Nurseries, Inc., Westbury, New York. Founded 1853. Trees. Source: FL '30, HICKS
Hume: -- H. Harold Hume [Hardrada Harold Hume], botanist and dean of the College of Agriculture, University of Florida. Azaleas of the Glenn Dale type named after him. Source: PA
IK
Indian Spring Farms: -- Indian Spring Farms, Inc., Baldwinsville, New York. Asters and peonies. Source: SHACK
J&P: -- Jackson & Perkins, Newark, New York. Founded in 1872. Roses. Source: FL '31
Jackson & Perkins: -- Jackson & Perkins, Newark, New York. Founded in 1872. Roses. Source: FL '31
J. H. Hill: -- Joseph H. Hill Co., Richmond, Indiana. Son of Edward Gurney Hill who started a business in 1881 called Hill & Co., later E. G. Hill Co., Richmond, Indiana. Later with his brothers-in-law, Fred Lemon and Earl Mann, he formed a distribution company called Hill Floral Products Co. The company closed in 2007. Roses. Source: FL '31, HR, AARS
Kelway: -- James Kelway. Kelways Plants, Ltd., Langport, Somerset Levels, England. Founded in 1851. Peonies. Source: CB
Lemoine: -- Victor Lemoine, Nancy, France. 1852 first mention of work in Revue Horticole. Hybridist of lilacs. Also Portulaca grandiflora, Begonias, Peony, Pelargoniums. Son Emile and Grandson Henri Lemoine carried on the business until 1960. Source: CB, TAY
Lindley Nurs.: -- J. Van Lindley Nursery Co., Pomona, North Carolina and Lindley Nursery, Greensboro, North Carolina. Formerly Pomona Nursery est. in 1877. Peach trees. Source: FL '30, '31, GHM
Livingston: -- Livingston Seed Co., Columbus, Ohio. Founded in 1850. Tomatoes, etc. Source: VSC
Lohrman Seed Co.: -- Lohrman Seed Co., 404 Macomb, Detroit, Michigan. Est. 1893. Source: OSU
Market
Masonic Home "E" town: -- Masonic Home, Elizabethtown, Pennsylvania. Est. 1910. Now called Masonic Village.
McGinness: -- C. R. McGinnis, Reading, Pennsylvania. Rose hips. Source: FL '32
Miche
Miss Trump: -- Bess E. Trump, Harrisburg, Pennsylvania. Source: TRUMP, ARA
Mrs. Bailey: -- Mrs. Charles D. Bailey, Clerksville [Clarksville], Tennessee. Peonies. Source: FL '31
Murrell: -- Edwin Murrell est. Portland Nurseries, Shrewsbury, Shropshire, England. Rose nursery and seed shop. Sons Owen and Edwin Foley Murrell ran shop starting in 1928. Hilda Murrell, daughter of Owen ran Edwin Murrell Ltd. during its golden years, 1949-1970. Roses. Source: GAR
N.C.
Oberlin Peony Gardens: -- Oberlin Peony Gardens, Sinking Spring, Pennsylvania. Tritomas and tree peony propagation. Source: OSU
ART: -- "F. J. Cooledge and Sons Company - Hastings' Seed Company." -- Marietta Street ARTery Association -- . Web. 22 Apr. 2010. -- http://www.artery.org/Cooledge-HastingsSeedCo.htm
AZO: -- "Did you ever wonder how an orchid hybrid got its name and information about the hybridizer?" -- The Arizona Orchidist -- , v.43 n.6, June 2007 p.4 [Clint McDade and Rivermont Orchids, Signal Mountain, Tennessee; later Semmes Orchids, Alabama]
BONN: -- "Book of Bonawitz and Bonewitz, part 2, chapter 18, page 1, Feb. 1969." -- Lee R. Bonnewitz -- . 1969. Web. 10 Jun.2010. -- http://bonnewitz.org/Part2/18-01.htm
BRIS: -- A Catalogue of forest trees, evergreen and flowering shrubs, fruit trees, herbaceous, green-house, and hot-house plants, cultivated and sold by John Miller, nurseryman, seedsman, and florist -- . Bristol, CT: Bristol Nursery, 1826.
BURP: -- "The legacy of W. Atlee Burpee." -- W. Atlee Burpee & Co -- . 2010. Web. 17 Jun. 2010. -- http://www.burpee.com/contentarticle.do?itemID=574
CB: -- Carsten Burkhardt's Web Project Paeonia List of breeders, growers, nurseries, etc -- . Web. 10 Jun. 2010 [James Kelway and Victor Lemoine] -- http://www.paeo.ed/h1/sau_sil/wister/buch/135_137.html
DAV: -- PlantFiles -- Detailed information on garden epony Paeonia lactiflora 'Walter Faxon.' Web. 2010 -- http://davesgarden.com/guides/pf/go/190366
FARR: -- "History of Farr Nursery and Landscape Company." -- Farr Nursery and Landscape Company -- . 2002. Web. 15 Apr. 2010. -- http://farrnursery.com/history.php
FL: -- Breeze Hill Gardens (Harrisburg, Pa.) -- Finding-list of plants at Breeze Hill Gardens, Harrisburg, Penna., at the residence of J. Horace McFarland. . .: including trial gardens of the J. Horace McFarland Company -- . Harrisburg, PA: s.n., 1930-1932. [These volumes were annotated by Glendon A. Stevens, J. Horace McFarland's gardener.]
GAR1: -- "Non-competitive exhibits," -- The Garden an illustrated weekly journal of horticulture in all its branches -- , v.62 n.1606, August 30, 1902 p.156. [Edward Murrell]
GAR2: -- "Victor Lemoine, plant hybridist, an appreciation." -- The Garden Magazine -- , May 1917 p. 234. Web. 20 Apr. 2010 -- http://www.earthlypursuits.com/GardenMag/GardenMag0517-234.htm
GEL: -- Gelderen, D. M. van, Piet C. Jong, Herman John Oterdoom. -- Maples of the world -- . Portland, OR: Timber Press, 1994. p.309. [Gulf Stream Nursery, Virginia]
HAR: -- Harper, Raymond L. -- A history of Chesapeake, Virginia -- . Charleston, SC: The History Press, 2008. p.62. [Greenbrier Farms Nursery, Chesapeake, Virginia; later Greenbrier Nursery Products]
MENT: -- "History of Mentor Timeline." -- City of Mentor -- . Web. 2010. [Bosley Nursery, Mentor, OH] -- http://cityofmentor.com/wp-content/uploads/History-Timeline.doc
MOB: -- "Clint McDade dies." -- Mobile Register -- , Thursday, October 2, 1986.
MRM: -- McFarland, J. Horace. -- Memoirs of a Rose Man -- . Emmaus, PA: Rodale Press, 1949.
MYFL: -- "The great Floridians 2000 program." -- My Florida.com, Division of Historical Resources -- . Web. 15 Apr. 2010. [official portal of the state of Florida] [Glen St. Mary Nursery Co., FL] -- http://www.flheritage.com/services/sites/floridians/?section=g
NY1: -- The Talk of the Town, "The Flower Man," -- The New Yorker -- , April 7, 1928, p. 17. [Max Schling]
NY2: -- Harriman, Margaret Case, Profiles, "For Any Occasion," -- The New Yorker -- , July 18, 1936, p. 18. [Max Schling]
OSU: -- "Nursery and seed trade catalogues, 1832-1966." -- Oregon State University Libraries, Special Collections -- . 2010.
PA: -- "J. Horace McFarland Papers Container Listings, MG-85 American Civic Association Correspondence, 1908-1924, Box 5." -- Pennsylvania State Archives -- . Web. 15 Apr. 2010. -- http://www.phmc.state.pa.us/Bah/dam/mg/ys/m85ys3.htm
ROE: -- Fusco, Mary Ann Castronovo. "A family of some cultivation." -- New York Times, New Jersey Weekly Desk -- , March 28, 1999. Web. 18 Jun. 2010 [Julius Roehrs Co., East Rutherford, NJ] -- http://www.juliusroehrs.com/inthenews.html
SHACK: -- "Baldwinsville's premiere flower businesses 1902-1934. The story behind the Museum's Heritage Peony Collection, Indian Spring Farms, Inc. and H. B. Williams Aster specialist." -- Museum at the Shacksboro Schoolhouse -- . 2008. Web. 15 Apr. 2010. -- http://www.shacksboromuseum.com/flower_farms.htm
STAR: -- "Our story." -- Stark Bro's Nurseries & Orchards Co -- . 2010. Web. 21 Apr. 2010. -- http://ww.starkbros.com/About/ourStory.jsp
TAY: -- Taylor, Judith. "The legacy of Victor Lemoine: hybridizing on a heroic scale." -- Rare Book Review -- , June 2004 p. 42-43. Web. 20 Apr. 2010 -- http://horthistoria.com/?p=115
TB: -- Morrison, Ernest. -- J. Horace McFarland: A Thorn for Beauty -- . Harrisburg, PA: commissioned by the Commonwealth of Pennsylvania and the Pennsylvania Historical and Museum Commission, 1995.
TRUMP: -- Trump, Bess E. -- Handbook of botanical names of trees, shrubs, flowers, grasses, bulbs, etc -- . Harrisburg, PA: J. Horace McFarland Co., [19 ?]
VSC1: -- "Seed company histories and timelines, including selected seed related organizations." -- Victory Seed Company. 2009 -- . Web. 22 Apr. 2010 -- http://www.saveseeds.org/seedsmen/company_history.html
VSC2: -- "A.W. Livingston & Company, a business timeline." -- Victory Seed Company -- . Web. 22 Apr. 2010. -- http://www.saveseeds.org/biography/livingston/history.html
WALL: -- "Waller Flowerseed Company and Lionel Waller. " Web. 21 Apr. 2010. [website by the grandson of Lionel Waller] -- http://wanderingthewest.com/waller/wallerseed.html
WEIN: -- Weinard, F. F. and Dorner, H. B. -- Peonies: single and Japanese in the Illinois trial garden -- . Urbana, IL: University of Illinois Agricultural Experiment Station, 1938. [Babcock Peony Gardens, Jamestown, NY; Bonnewitz Gardens (Lee R. Bonnewitz), Van Wert, OH]
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, J. Horace McFarland Company Collection.
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Pianos, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Patagonia. The Nature Conservancy Patagonia-Sonoita Creek Preserve. From Patagonia, head SW along Pennsylvania Avenue until it crosses Sonoita Creek. Population is along floodplains., Arizona, United States, North America
United States of America -- Pennsylvania -- Allegheny -- Pittsburgh
Scope and Contents:
The folder includes worksheets, copy of a Lamont Button Christmas card, and other photocopies.
General:
Architect Lamont H. Button built this house for his family in the late 1920s, on a 60 by 175 foot lot that had belonged to a farm with a cherry orchard on the edge of town. Re-using discarded Belgian blocks from a street project in Pittsburgh he built a tall house with European arts and crafts features such as the deeply inset arched front door with a ceramic tile attributed to Pewabic Pottery set in a millstone as the stoop. The house is adjacent to Frick Park and landscaping of the sloped site blurs the transition between its grounds and the park. The garden in front of the house is densely planted with Japanese maples, a weeping weigela, magnolia, holly, lace-cap hydrangea and Japanese snowbell. There are stone paths and a stone bridge across a dry river rock stream that leads to a stone bench set among white azaleas. Under plantings in the front yard include pachysandra, Lenten rose, geranium, epimedium, strawberry, spring bulbs, Japanese anemones, and daisies. The doorway is wreathed by ivy and a climbing rose arches over a bay window.
There is a narrow walkway to the rear garden between the house and a grape arbor. The bluestone patio is shady and has a wall fountain with a rill cut into the patio and down the steps to the park. Plants include hosta, fern, cyclamen, lilies, astilbe, and white climbing hydrangeas, with pots on the steps and a window box filled with colorful annuals. Wisteria and fall clematis grow on an iron trellis. Steps lead down to a lower green garden paved with river gravel with a bench between two green Asian rice pots. There is an ancient oak tree thought to be at least 125 years old anchoring this garden with an understory of Solomon's seal, jack in the pulpit, and ferns. Wind chimes in the trees and a hammock for reading are in another secret garden further down the hill.
Persons associated with the garden include: Lamont Hartung and Blanche Button (former owners, 1927); Albert and Wiggins (former owners, dates unknown); Nicholas and Louise Criss (former owners, 1958-1995); Lamont Hartung Button, AIA (architect, 1920s?); Sarah Drake, AIA (architect, 1995); Joel C. LeGall, ASLA (landscape architect); Rob Weaver (metal work)
Related Materials:
Cherrytree House related holdings consist of 1 folder (22 digital images)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Various--Folk group with Hawes, Hawes and Glazer--Down in the valley; South african music; The Evening Birds--Wimoweh (Mbube); The Weavers--Wimoweh; Peter Hurd---Mexican sequence (3X); Home Sweet Home; Pennsylvania Dutch; Pete Seeger--Daughter will you marry; Pearl Bryan; Lead Belly--Titanic; Robin Hood; Sachs sequence; Chinese lute; Dock Boggs--Sugar baby; Spanish bagpipes; Romanian bagpipes; Indian bagpipes
Local Numbers:
FW-ASCH-7RR-2195
General:
CDR copy; selections drawn from the Folkways catalog to accompany a lecture by Moses Asch.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
There is power in a union -- I am a union woman -- Hard times in the mill -- Dark as a dungeon -- Oh, my God, them 'taters -- The death of Harry Simms -- Farther along -- Union burying ground -- Monkey Ward can't make a monkey out of me -- Too old to work -- Dreadful memories -- What shall we do for the striking seamen? -- Mother Jones -- Chief Aderholt -- Ludlow massacre -- Down on Roberts' farm -- Hard times in Colman's mines -- A weaver's life is like an engine.
Track Information:
101 There is Power in a Union / Guitar.
102 I Am a Union Woman / Guitar.
103 Hard Times in the Mill / Guitar.
104 Dark as a Dungeon / Guitar.
105 Oh, My God, Them 'Taters / Guitar.
106 The Death of Harry Simms / Guitar.
107 Farther Along / Guitar.
108 Union Burying Ground / Guitar.
109 Monkey Ward Can't Make a Monkey Out of Me / Guitar.
201 Too Old to Work / Guitar.
202 Dreadful Memories / Guitar.
203 What Shall We Do for the Striking Seamen? / Guitar.
204 Mother Jones / Guitar.
205 Chief Aderholt / Guitar.
206 Ludlow Massacre / Guitar.
207 Down on Robert's Farm / Guitar.
208 Hard Times in Coleman's Mines / Guitar.
209 A Weaver's Life is Like an Engine / Guitar.
Local Numbers:
FW-ASCH-LP-3930
Riverside.12607
Publication, Distribution, Etc. (Imprint):
New York Riverside 1955
General:
Program notes by John Greenway and editor on container.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
Cultural Conservation was identified by the Smithsonian as a scientific and humanistic concern for the continued survival of the world's traditional cultures. Like its sister concept, environmental conservation, it grew from several related insights of scientists and humanists over the preceding quarter century.
First, living individuals and groups exist within ever-widening webs of relationships that form systems. The concept of ecosystem, for example, has helped us to understand interrelationships between natural species and to devise strategies for conserving threatened parts of our environment. In the understanding of traditional cultures as well we are learning to look at larger economic, political and social contexts as elements in systems of which traditional cultures are also parts. Seeing them in these larger contexts allows planning for their continued vitality.
Second, the world's resources are limited, not unlimited. When cultures die, because their practitioners die or are forced or induced to give up their culture, great resources of understanding are lost. We all lose evidence of the variety of human cultural possibilities. Lost as well is native peoples' knowledge of their environment, based on intimate, painstaking observations compiled over generations - knowledge that may provide crucial information about managing ecosystems and the uses of particular plants. And aesthetic systems as complex and meaningful as any in humankind perish or leave artifacts devoid of their original meanings.
But more importantly, the people whose cultures are defaced, if they remain alive, lose the essential human tool for comprehending and coping with the world, for understanding and integrating their lives, and for orienting and raising their children. The effects of their loss - social dysfunction and alienation - may last for generations.
Finally, the Smithsonian has come to understand that it is possible to foster the continued vitality of "endangered species" - natural or cultural - without dismantling or derailing national and international economic, political and social institutions. Conservation can be made part of development plans. In the cultural sphere, this enables the bearers of traditional culture themselves to adapt their ideas and actions to a changing environment. They have done this when necessary for hundreds of years, within the context of their own cultural thought, on their own terms.
Cultural conservation had been an underlying, if implicit, principle of the Festival of American Folklife since its beginning in 1967. In 1985 the Festival inaugurated a program that explicitly explored the question of cultural conservation from several points of view. The exhibit examined the kinds of contexts in which cultural conservation becomes a necessary concern; it documented efforts on the part of the keepers of tradition themselves to conserve their own culture in the face of a changing social and physical environment; and it explored the efforts of U.S. public cultural institutions to address the problem of cultural conservation. Festival visitors were invited to participate in and comment on the exhibit, the performances by keepers of these valued traditions, and the discussions of various aspects of this important topic.
Marjorie Hunt served as Cultural Conservation Program Coordinator, and Ann Dancy as Assistant Coordinator.
Consultants and fieldworkers:
Consultants
George Abrams, Greig Arnold, Duncan Earle, Alicia MarĂa GonzĂ¡lez, Rayna Green, Bess Hawes, Glenn Hinson, Stephanie Honeywood, Alan Jabbour, Robert Laughlin, Dorothy Sara Lee, Maxine Miska, Emily Norton, Frank Proschan, Bernice Reagon, Daniel Sheehy, Nicholas Spitzer, Nancy Sweezy, Ken Taylor, Bob Teske, Terry Zug
Fieldworkers
Roland Freeman, Marjorie Hunt, Yvonne Lockwood, Frank Proschan
Foodways fieldworkers
Olivia Cadaval, Yuet-fung Ho, Janet Theophano
Presenters:
Morrie Abrams, Barry Ancelet, Greig Arnold, Hal Cannon, Walter Murray Chiesa, Duncan Earle, Alicia MarĂa GonzĂ¡lez, Rayna Green, Glenn Hinson Louise Jeffredo, Dorothy Sara Lee, Phyllis May, Mick Moloney, Barry Lee Pearson, Frank Proschan, Daniel Sheehy, Nicholas Spitzer, John Vlach
Foodways presenters
Cheryl Brauner, Olivia Cadaval, Alicia MarĂa GonzĂ¡lez, Laurie Kalb, Tim Lloyd, Frank Proschan, Janet Theophano
Participants:
Crafts
Greig Arnold, 1951-, Makah woodcarver, Neah Bay, Washington
Miguel Caraballo, Sr., mask maker, Ponce, Puerto Rico
Miguel Caraballo, Jr., mask maker, Ponce, Puerto Rico
Greg Colfax, Makah woodcarver, Neah Bay, Washington
Lorenzo Martinez, violin player, Albuquerque, New Mexico
Robert D. Martinez, 1963-, guitar player, Albuquerque, New Mexico
Roberto Martinez, 1929-, vihuelaplayer, Albuquerque, New Mexico
Mayan Marimba Music
Jeronimo Composeco, Indiantown, Florida
Pedro Diaz, Willingboro, New Jersey
Pedro Franciso, Indiantown, Florida
Juan Gaspar, Indiantown, Florida
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
William Jones World War II Scrapbook, NASM.2006.0067, National Air and Space Museum, Smithsonian Institution.
