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Seth Eastman at Dighton Rock

Artist:
Horatio B. King, active 1850 - 1879  Search this
Sitter:
Seth Eastman, 1808 - 1875  Search this
Medium:
Daguerreotype
Dimensions:
Image: 10.8 x 13.9cm (4 1/4 x 5 1/2")
Type:
Photograph
Place:
United States\Massachusetts\Bristol\Dighton Rock
Date:
1853
Topic:
Exterior\Landscape  Search this
Nature & Environment\Plant\Tree  Search this
Nature & Environment\Rock  Search this
Seth Eastman: Male  Search this
Seth Eastman: Visual Arts\Artist\Painter  Search this
Seth Eastman: Visual Arts\Artist\Illustrator  Search this
Seth Eastman: Visual Arts\Artist\Painter\Watercolorist  Search this
Portrait  Search this
Credit Line:
Owner: J. Paul Getty Museum
Object number:
84.XT.182
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4c8407405-a239-40c7-9089-951e04f287cb
EDAN-URL:
edanmdm:npg_84.XT.182

Katharine Lane Weems papers

Creator:
Weems, Katharine Lane, 1899-  Search this
Names:
Brookgreen Gardens  Search this
World's Columbian Exposition (1893 : Chicago, Ill.) -- Photographs  Search this
Cornell, Katharine, 1893-1974  Search this
Cresson, Margaret French, 1889-1973  Search this
Gildersleeve, Basil L. (Basil Lanneau), 1831-1924  Search this
Grafly, Charles, 1862-1929  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Huntington, Anna Hyatt, 1876-1973  Search this
Kroll, Leon, 1884-1974  Search this
Lane, Gardiner M., 1859-1914  Search this
Lane, Katharine Ward, 1862-1893  Search this
Manship, Paul, 1885-1966  Search this
Marans, Moissaye, 1902-1977  Search this
Monjo, Enric, 1895-1976  Search this
Putnam, Brenda, 1890-1975  Search this
Weinman, Adolph A. (Adolph Alexander), 1870-1952  Search this
Wong, Anna May, 1905-1961  Search this
Extent:
14.8 Linear feet
3 Items (rolled docs)
Type:
Collection descriptions
Archival materials
Sketchbooks
Video recordings
Place:
Saranac Lake N.Y. -- Photographs
Date:
1865-1989
Scope and Contents:
Biographical material, extensive diaries, correspondence, notes, writings, business records, sketchbooks and drawings, project files, scrapbooks, printed materials, photographs and slides, motion picture film, and videotape relating to Weem's education and career as a sculptor. Also included are ca. 1 foot of papers of Weems' aunt, watercolorist Katharine Ward Lane (1862-1893), including letters, diaries, sketchbooks and photographs.
REEL 724: Biographical sketch, 1974; letters from Frederic Bartlett, George Demetrios, Walker Hancock, Leon Kroll, Lee Lawrie, Moissaye Marans, Adolph Alexander Weinman, and others; four sketchbooks, 1954-1965, containing pencil drawings of animals; a scrapbook of clippings, 1924-1941; and printed material.
UNMICROFILMED: Biographical material includes sketches and documents, and biographical information on Weems grandfather, Basil Lanneau Gildersleeve, and father, Gardiner Lane. Diaries (74 v.), 1906-1983, contain entries relating to art studies and her development as a sculptor; some include clippings and photographs. Correspondence, 1898-1989, includes letters from Gifford Beal, Margaret French Cresson, Charles Grafly, John Gregory, Walker Hancock, Malvina Hoffman, Anna Hyatt-Huntington, Paul Manship, Brenda Putnam, Gurdon Tarbox, and Adolph Weinman, discussing Weems' work and participation in various sculpture organizations. There are four notebooks on art history; recipes for clay and plaster; notes on patinas for bronze; lecture notes; lists of Weems' works and exhibitions; an exhibition guest book, 1931-1957; poems, 1933-1981; invoices and receipts, 1919-1981; copyright records, 1928-1978; and art work, including 15 v. of sketchbooks, 1913-1964, drawings and tracings of animal figures. and a copper printing plate mounted on a wood block.
Fourteen project files contain letters, drawings, photographs, and printed material on: an enlarging machine, the Saltus Medal for Merit, the frieze and Rhinoceros sculpture for the Biological Laboratories at Harvard, 1930-1942, including 7 reels of 16mm motion picture film (with script transferred to VHS), the Lotta Fountain, 1939-1974, Legion of Merit Medal, 1949-1952, War Department project, 1946, Goodwin Medal, 1949-1952, Wallace Goodrich Plaque, 1954, Hospital Teaching Clinic, 1955, Boston Museum of Science, 1964-1965, "Dolphins by the Sea" for the New England Aquarium, 1969-1979, Heredities Limited, 1971-1974, and the Museum School, 1977.
Included are two scrapbooks, one of clippings about the work of other artists and one containing poems, clippings of landscapes, animals, works by others, and autographed photographs of actresses Katharine Cornell and Anna May Wong and sculptor Brenda Putnam. Printed material includes clippings, 1911-1989; exhibition announcements and catalogs, 1922-1981; bulletins, programs, brochures on artists, organizations, Brookgreen Gardens, and supplies; reproductions of art works, and the books, Odds Were Against Me (1985, Weems autobiography, and Enrique Monjo (1955), inscribed by Mongo.
Photographs and slides, 1902-1988, are of Weems, family members, artists Charles Grafly, Walker Hancock, and Anna Hyatt-Huntington, Weems' house "The Chimneys," her studio, gardens, animals, works of art by Weems and others, exhibit installations, and views of New York City, Washington, D.C., Monticello, the University of Virginia, and Brookgreen Gardens. Nine albums, 1920-1980, contain photographs of an art class, Weems in her studio, her home, her friends, scenic views, and works of art. Videos and film include a videotape (5 min., U-matic) of an interview of Weems; a film, "From Clay to Bronze," showing the creation of Weems' sculpture "Dark Warrier" (transferred to VHS); motion picture film of the making of the sculpture "Rhinoceros" (transferred to digital betacam, VHS and DVD), and a home movie of a day at the beach, circa 1935.
The papers' of Weems' aunt, Katharine "Kitty" Ward Lane (d. 1893), include Lane's letters, 1898-1893, to her brother (Weems' father) and to other family members; a travel diary from Germany, 1886; notes; financial records, 1891-1892; 10 sketchbooks; printed material; and photographs, 1865-1893, of Lane, early views of Saranac Lake, and 9 views of the Columbia Exposition, 1893.
Biographical / Historical:
Sculptor; Boston, Mass. Died 1989. Specialized in animal sculpture. Studied at the School of the Museum of Fine Arts, Boston under Charles Grafly, Anna Hyatt-Huntington, George Demetrios, and Brenda Putnam. She married F. Carrington Weems in 1947. Named after her aunt, watercolor painter Katharine Ward Lane, who died in 1893.
Provenance:
Material on reel 724 lent for microfilming by Weems, 1974. The four sketchbooks on reel 724 were subsequently donated in 1989. Unmicrofilmed papers were donated 1975 and 1982 by Weems, and in 1989 by her estate. Eighteen diaries (1961-1965, 1967-1976 [1969 not included], 1978, and 1981-1983) and an apppointment book for 1966 donated by the Schlesinger Library, Radcliffe College, 1991.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Watercolorists -- Massachusetts -- Boston  Search this
Topic:
Women sculptors -- Massachusetts -- Boston  Search this
Animal sculpture -- United States  Search this
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Sketchbooks
Video recordings
Identifier:
AAA.weemkath
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weemkath

Oral history interview with Agnes Abbot

Interviewee:
Abbot, Agnes Anne, 1897-1992  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Hibbard, A. T. (Aldro Thompson) (1886-1972)  Search this
Woodbury, Charles H. (Charles Herbert), 1864-1940  Search this
Extent:
75 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 August 25-1982 January 15
Scope and Contents:
An interview of Agnes Abbot conducted 1981 August 25-1982 January 15, by Robert Brown, for the Archives of American Art.
Abbot speaks of her early education in Berlin; training at the Child-Walker School in Boston under Aldro T. Hibbard and Charles H. Woodbury; and her early years as a studio art instructor at Wellesley College.
Biographical / Historical:
Agnes A. Abbot (1897-1992) was a painter and watercolorist from Wellesley, Massachusetts.
General:
Originally recorded on 2 sound cassettes and 2 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 4 hrs., 2 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Interviews  Search this
Art teachers -- Interviews  Search this
Topic:
Painting, Modern -- 20th century -- Massachusetts  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.abbot81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-abbot81

Ross Turner letters

Creator:
Turner, Ross, 1847-1915  Search this
Extent:
2 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1884-1913
Scope and Contents:
Letter to Miss Phelps, May 14, 1884; and letter to Mrs. Nevins, Nov. 8, 1913, concerning a lecture Turner is to give at the Salem Women's Club.
Biographical / Historical:
Watercolorist, painter, illustrator; Salem, Mass.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators -- Massachusetts -- Salem  Search this
Watercolorists -- Massachusetts -- Salem  Search this
Topic:
Painting, American  Search this
Identifier:
AAA.turnross
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-turnross

Maurice Brazil and Charles Prendergast selected papers

Creator:
Prendergast, Maurice Brazil, 1858-1924  Search this
Prendergast, Charles, 1863-1948  Search this
Names:
Brooks, Van Wyck, 1886-1963  Search this
Glackens, Edith  Search this
Glackens, Ira, 1907-1990  Search this
Glackens, William J., 1870-1938  Search this
Hartley, Marsden, 1877-1943  Search this
Pach, Walter, 1883-1958  Search this
Sargent, John Singer, 1856-1925  Search this
Extent:
1 Microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
[ca.1865]-1992
Scope and Contents:
Selected material from the Prendergast Archive, Williams College, Williamstown, Mass. Included are: a descriptive list of contents on the microfilm; letters from Maurice to his brother Charles during trips to Paris, 1907, and Venice, 1911-1912, and a draft of a letter to William Glackens about Marsden Hartley, ca. 1908, with transcriptions by the Prendergast Archive; letters to Charles and his wife, Eugenie, 1900-1956, from John Singer Sargent, Van Wyck Brooks, Walter Pach, Ira Glackens, Edith Glackens, and others. Also included are Maurice's address book, ca. 1914-1923?; Charles' diaries of trips to France, 1927 and 1929, containing 3 pencil sketches;
Maurice's and Charles' diary and addresses, 1918-1925; and a partial record of the Prendergast/Germaine family history recorded in a Bible and birth and death documents of family members. Miscellany pertaining to Maurice includes a sketch on his Macbeth Gallery exhibition catalog, 1900; an informal translation of an article on Paul Cezanne, ca. 1908; a notebook p. inscribed with his name and address; and a bronze medal awarded for third prize in an American oil painting exhibition at the Corcoran Gallery of Art.
Miscellany of Charles includes his driver's license, a sketch; notes; and signatures. Also included are a photograph of their painting "The Spirit of the Hunt," inscribed by them to a friend, 1918; printed material collected by them; a list of their books; photographs of Maurice, Charles, family, friends, and of works of art by other artists.
Biographical / Historical:
Maurice: painter, watercolorist, illustrator and graphic artist; Boston, Mass. and New York, N.Y. Charles: painter, sculptor, craftsman, and framemaker; Boston, Mass., New York, N.Y. and Westport, Conn. Maurice was an Impressionist and early modernist. He painted scenes along the Massachusetts and Maine coasts as well as in Paris, Venice, Rome, and French coastal towns; exhibited with "The Eight" (1908), and was a contributor to the Armory show (1913). Charles achieved prominence as a craftsman and framemaker (1891-1912), and later specialized in painted, gilded, and incised panels of exotic and folk subjects (1912-1948).
Provenance:
Loaned for microfilming in 1992 by the Prendergast Archive and Study Center. Located in the Williams College Museum of Art, Williamstown, Mass., it contains archival materials pertaining to the Prendergasts, donated by Mrs. Charles Prendergast, as well as research materials and files amassed for the publication of MAURICE BRAZIL PRENDERGAST, CHARLES PRENDERGAST: A CATALOG RAISONNE (1990).
Restrictions:
Patrons must use microfilm copy.
Topic:
Art, Modern -- 19th century -- United States  Search this
Art, Modern -- 20th century -- United States  Search this
Modernism (Art)  Search this
Identifier:
AAA.prenmaur
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-prenmaur

Waldo Peirce papers

Creator:
Peirce, Waldo, 1884-1970  Search this
Names:
American Ambulance Corps (Paris, France)  Search this
Eastman, Max, 1883-1969  Search this
Hemingway, Ernest, 1899-1961  Search this
Kent, Rockwell, 1882-1971  Search this
Peirce, Alzira, 1908-  Search this
Peirce, Anna Gabrielle, 1937-  Search this
Peirce, Ellen Larsen  Search this
Peirce, Jonathan W.  Search this
Peirce, Michael, 1930-  Search this
Peirce, William, 1930-  Search this
Thomas, Elbert  Search this
Extent:
1.8 Linear feet ((partially microfilmed on 6 reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1903-1970
Scope and Contents:
Correspondence; scrapbooks; photographs and photo albums; art works; sketchbooks; catalogs; and clippings.
REELS 162-163: 181 letters received and 32 letters sent; a copy of a speech, 1939, by Elbert Thomas on the Jefferson Memorial; watercolors; catalogs; and clippings.
REEL 2025: Three pencil drawings and 25 watercolors of Civil Defense classes, Haverstraw, New York, 1942.
REEL 2329: Two scrapbooks, 1955-1963, containing illustrated postcards and letters with illustrated envelopes which Peirce sent to his son Jonathan, while Jonathan was in school, a photo and a clipping; illustrated postcards and letters with illustrated envelopes from Peirce to Jonathan; a photo album, 1915-1917, of Peirce and others in the American Ambulance Corps in Paris; and a 1958 photo of Peirce and a 1959 photo of Peirce with Ernest Hemingway.
REEL 3025: Five sketchbooks, ca. 1929-1940, containing ca. 500 watercolor, pen and ink, pencil, and charcoal sketches of his children, Mike, Bill, and Anna, his wife, Alzira, scenes at Castine, Maine, friends, and other subjects.and 4 photograph albums, 1903-1956, containing snapshots of Peirce, his family, friends Ernest Hemingway, Max Eastman, Rockwell Kent, and others, taken mainly in France, Castine and Searsport, Maine, Key West, Florida and Provincetown, Massachusetts.
REEL 3470: A self-portrait sketch, ca. 1950.
UNMICROFILMED: Six sketchbooks, ca. 1920-1944, containing pencil sketches and notes.
REEL 1817 AND SCANNED: Five photographs of Waldo Peirce, previously microfilmed under Photos of Artists II, and subsequently scanned and returned to the Peirce papers.
Biographical / Historical:
Painter, watercolorist; Searsport, Maine.
Provenance:
Material on reels 162-163 and 1817 lent for microfilming 1972-1973 by Ellen Peirce, Peirce's fourth wife and widow. She donated material on reel 2025 and sketchbooks on reel 3025, 1980-1983. Material on reel 2329 lent for microfilming 1981 by Jonathan W. Peirce, son of Ellen & Waldo Peirce; photographs on reel 3025 and unmicrofimed sketchbooks deposited 1978 by Michael Peirce, son of Alzira & Waldo Peirce; sketch on reel 3470 donated 1977 by John L. Jones.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Watercolorists -- Maine  Search this
Topic:
Watercolor painting  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.peirwald
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-peirwald

Nelly Littlehale Murphy papers

Creator:
Murphy, Nelly Littlehale  Search this
Names:
Murphy, Hermann Dudley, 1867-1945  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1846-1945
Scope and Contents:
Clippings, exhibition catalogs, and photographs documenting Murphy's work as a painter and illustrator in the Massachusetts area. The clippings are comprised of reviews for Nelly Murphy and her husband, painter Hermann Dudley Murphy, and his 1945 obituary. The exhibtion catalogs, many of them illustrated, range from 1846 (National Academy of Design catalog inscribed to Murphy) to 1942 (her memorial exhibition). Photographs depict paintings and Murphy and her husband. Other materials consist of an original pencil sketch, 4 reproductions, a 4 page inventory of her paintings, a 1941 letter inventorying her work, and a short original essay entitled "The Land That Never Was".
Biographical / Historical:
Born 1867, died ca. 1942. Painter, illustrator, and etcher, noted for her watercolor paintings of landscapes and flowers. Lived and exhibited in the Massachusetts area. Nellie Littlehale married Herman Daniel Umbstaetter in 1893. In 1916, she married again, to painter Hermann Dudley Murphy.
Provenance:
The donors, Alexander B. Samoiloff and Dudley D. B. Samoiloff, are the sons of Nelly Littlehale Murphy's stepdaughter, Caroline Bowles Murphy Samoiloff.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Watercolorists  Search this
Landscape painters -- Massachusetts  Search this
Topic:
Women painters -- Massachusetts  Search this
Watercolor painting -- Massachusetts  Search this
Identifier:
AAA.murpnell
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-murpnell

Dodge Macknight papers

Creator:
MacKnight, Dodge, 1860-1950  Search this
Names:
Fitzgerald, Desmond, 1846-1926  Search this
Extent:
18 Items ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1888-1950
Scope and Contents:
An essay, "The Canyon Country of Utah"; correspondence; a scrapbook of clippings; two exhibition catalogs; three photographs of Macknight; and the first of a limited edition of DODGE MACKNIGHT, WATER COLOR PAINTER, by Desmond Fitzgerald, 1917.
Biographical / Historical:
Watercolorist, painter; Sandwich, Mass. During the 1920's Vose Gallery, Boston, sold out every one of MacKnight's paintings. He also used the name W. Dodge Macknight.
Provenance:
Lent for microfilming 1980 by Mr. and Mrs. George W. Bruce, the niece of Dodge Macknight.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Massachusetts  Search this
Watercolorists -- Massachusetts  Search this
Topic:
Watercolor painting, American  Search this
Identifier:
AAA.mackdodg
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mackdodg

Charles Hopkinson papers

Creator:
Hopkinson, Charles, 1869-1962  Search this
Names:
Shurcliff, Joan Hopkinson  Search this
Shurcliff, William A.  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Sketchbooks
Photographs
Date:
1892-1993
Summary:
The papers of Massachusetts portait painter and watercolorist Charles Hopkinson date from 1892 to 1993 and measure 1.4 linear feet. The papers are comprised primarily of 17 sketchbooks and loose sketches. Also found are printed materials and three photographs of Hopkinson, as well as writings about Hopkinson written by his daughter Joan Hopkinson Shurcliff and her husband William Shurcliff.
Also found at the Archives is a small miscellaneous manuscript collection of five letters to Chauncey Stillman from Charles Hopkinson.
Scope and Contents:
The papers of Massachusetts portrait painter and watercolorist Charles Hopkinson date from 1892 to 1993 and measure 1.4 linear feet. The papers are comprised primarily of 17 sketchbooks and loose sketches. Also found are printed materials and three photographs of Hopkinson, as well as writings about Hopkinson written by his daughter Joan Hopkinson Shurcliff and her husband William Shurcliff.
Arrangement:
The collection is arranged as 4 series.

Series 1: Writings and Notes, 1987-1993 (0.2 linear feet; Box 1)

Series 2: Printed Material, 1988-1991 (2 folders; Box 1)

Series 3: Photographs, 1938-1961 (1 folder; Box 1)

Series 4: Sketchbooks and Artwork, 1892-1957 (1.2 linear feet; Box 1-3)
Biographical / Historical:
Portrait and watercolor painter Charles Hopkinson (1869-1962) was active in Cambridge, Massachusetts.

Charles Hopkinson was born in Cambridge, Massachusetts to Mary Watson and John Prentiss Hopkinson. He attended his father's school, Hopkinson School and later Harvard University. As a result of summers spent sailing and sketching boats in Northeast Harbor, Maine, he developed a love of art. After drawing cartoons for the Harvard Lampoon, Hopkinson decided to pursue a career as an artist. He studied at the Art Student's League and Académie Julian. Charles Hopkinson was noted for his oil portraits but showed his watercolors with the "Boston Five." He exhibited his works in Boston and New York City.

Hopkinson married fellow art student Angelica Rathbone in 1893. The pair divorced by 1899 while living in France. Afterwards, Hopkinson travelled to Roscoff, Brittany where he produced many watercolor and oil paintings. He returned to Massachusetts and married Elinor Curtis in 1903. Together, they had five daughters, Harriot (Mrs. Alfred Rive), Mary (Mrs. John Heysham Gibbon, Jr. later Mrs. Lovell Thompson), Isabella (Mrs. James Addison Halsted), Elinor (Mrs. James Henderson Barr), and Joan (Mrs. William Asahel Shurcliff).
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels N-68-106, 482, 486, 515, 634-639) including biographical material, family correspondence, writings, business records, printed materials, and 96 sketchbooks. While six of the sketchbooks were later donated, all other loaned materials was returned to the lender and are not described in the collection container inventory.
Provenance:
Portions of the collection were loaned for microfilming between 1969-1973. Charles Hopkinson's daughters and granddaughters, Joan Hopkinson Shurcliff, Harriot Rive, Elinor Barr, Mrs. John M. Clarke and Mrs. James Masek, donated additional material in 1973 and 1992.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Please contact reference services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Watercolorists -- Massachusetts  Search this
Portrait painters -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Genre/Form:
Sketches
Sketchbooks
Photographs
Citation:
Charles Hopkinson and Hopkinson family papers, 1892-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hopkchar
See more items in:
Charles Hopkinson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hopkchar

Laura Coombs Hills papers

Creator:
Hills, Laura Coombs, 1859-1952  Search this
Names:
Stevens, Laura  Search this
Extent:
0.2 Linear feet ((94 items))
Type:
Collection descriptions
Archival materials
Date:
1900-1952
Scope and Contents:
Biographical sketch; letters from Hills, 1946-1951; watercolor sketches for needlepoint designs; published needlepoint designs, 1913; FAIRYLAND AN ENCHANTMENT, a program illustrated by Hills to benefit the Women's Educational and Industrial Union, Boston, 1900; 20 watercolor, oil and ink sketches; clippings, 1951-1952; photos of Hills, her studio, and family. Included is a tintype of Hills and Laura Stevens.
Biographical / Historical:
Miniature painter and watercolor painter; Boston, Mass. Specialized in miniatures in pastel. Exhibited in many Expos.
Provenance:
The donor, Elizabeth Swan, is the great-niece of Laura Hills.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Miniature painters -- Massachusetts -- Boston  Search this
Watercolorists -- Massachusetts -- Boston  Search this
Topic:
Women painters -- Massachusetts -- Boston  Search this
Needlework  Search this
Function:
Artists' studios -- Massachusetts -- Boston
Identifier:
AAA.hilllaur
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hilllaur

The life and art of Robert Swain Gifford / by Robert Swain Ross, Jr

Creator:
Ross, Robert Swain  Search this
Names:
Gifford, R. Swain (Robert Swain), 1840-1905  Search this
Extent:
169 Pages ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Thesis (B.A.) - Princeton University, 1966.
Biographical / Historical:
Robert Swain Gifford was a watercolorist and etcher; New Bedford, Mass. Robert Swain Ross is his great-grandson.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Etchers -- Massachusetts -- New Bedford  Search this
Watercolorists -- Massachusetts -- New Bedford  Search this
Identifier:
AAA.rossrobe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rossrobe

Elizabeth Hamilton Thayer Huntington papers

Creator:
Huntington, Elizabeth Hamilton Thayer, 1878-1963  Search this
Extent:
1 Item (partial microfilm reel)
Type:
Collection descriptions
Archival materials
Date:
[ca. 1903-1961]
Scope and Contents:
Letters; notes; a typescript of an unpublished autobiography (1942); sketches; a scrapbook containing letters, catalogs, and clippings; and photographs of Huntington, her house and her work.
Biographical / Historical:
Painter; Wellesley Hills, Mass.
Provenance:
Lent for microfilming 1991 by Samuel Robbins, a collector who purchased the materials.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Landscape painters -- Massachusetts  Search this
Painters -- Massachusetts  Search this
Still-life painters -- Massachusetts  Search this
Watercolorists -- Massachusetts  Search this
Topic:
Painting, American  Search this
Women painters -- Massachusetts  Search this
Painting, Modern -- 20th century -- Massachusetts  Search this
Identifier:
AAA.hunteliz
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hunteliz

Ellen Hale and Hale Family papers

Creator:
Hale, Ellen Day, 1855-1940  Search this
Names:
Hale, Edward Everett, 1822-1909  Search this
Hale, Emily P.  Search this
Hale, Herbert Dudley, 1866-1909  Search this
Hale, Lilian Westcott, 1880-1963  Search this
Hale, Robert Beverly, 1901-1985  Search this
Hale, Susan, 1833-1910  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Diaries
Sketches
Date:
circa 1860-1952
Summary:
The Ellen Hale and Hale family papers measure 3 linear feet and date from circa 1860 to 1952. Found within the papers are biographical material for Ellen Day and Edward Everett Hale; personal correspondence from Ellen Day and Lillian Westcott Hale; diaries by Ellen Day and Susan Hale; an appraisal of the Hale estate and personal business records for Ellen Day and Edward Everett Hale; printed material; sketchbooks and sketches by Ellen Day and Herbert Dudley Hale; and travel photographs of the Hale family.
Scope and Contents:
The Ellen Hale and Hale family papers measure 3 linear feet and date from circa 1860 to 1952. Found within the papers are biographical material for Ellen Day and Edward Everett Hale; personal correspondence from Ellen Day and Lillian Westcott Hale; diaries by Ellen Day and Susan Hale; an appraisal of the Hale estate and personal business records for Ellen Day and Edward Everett Hale; printed material; sketchbooks and sketches by Ellen Day and Herbert Dudley Hale; and travel photographs of the Hale family.

Biographical materials consist of publications related to Edward Everett Hale's 80th birthday celebration; Ellen Day Hale's calling cards, calendar, and engagement books; and Robert Beverly Hale's calendar.

Correspondence is primarily Ellen Day Hale's and Lillian Westcott Hale's personal and business correspondence, and a letter from Margaret C. Hale to Arthur Hale.

Writings include 9 diaries by Ellen Day Hale, 1 diary by Emily P. Hale, and 19 diaries by Susan Hale; an essay by Arthur Hale; Herbert Dudley Hale's word game book; Susan Hale's travel instructions to a niece; and a notebook listing the likes and dislikes of various Hale family members.

Personal business records consist of Edward Everett and Emily P. Hale's account and tax records; Ellen Day Hale's art supply receipts, royalty statements, tax records, and a check register; Lillian Westcott Hale's receipts; and Susan Hale's notes on an appraisal of the Hale estate.

Printed material includes various clippings, invitations, and programs kept by the Hale family, and Ellen Day Hale's travel postcards.

Artwork includes 22 sketchbooks by Ellen Day Hale, 5 sketchbooks by Herbert Dudley Hale; and 7 sketchbooks by other artists.

Photographs are travel snapshots taken during travels in Mexico.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical materials, circa 1875-1925 (6 folders; Box 1)

Series 2: Correspondence, circa 1861-1951 (4 folders; Box 1)

Series 3: Writings, 1878-1933 (0.9 linear feet; Box 1-2)

Series 4: Personal business records, 1909-1952 (8 folders; Box 2)

Series 5: Printed material, 1862-1933 (5 folders; Box 2)

Series 6: Artwork, circa 1860-1925 (1.5 linear feet; Box 2-3)

Series 7: Photographs, circa 1890-1901 (1 folder; Box 3)
Biographical / Historical:
Writer, publisher, and clergyman Edward Everett Hale (1822-1909) and his wife, Emily Perkins Hale, were well regarded members of Boston society. After graduating from Boston Latin School at age 13, Hale enrolled directly into Harvard University and graduated second in his class in 1839. He became a licensed Unitarian minister in 1842 and was a church pastor from 1846 to 1899. In the 1860s, Hale began publishing short stories in the Atlantic Monthly, Harper's New Monthly Magazine, and other periodicals. In 1869, he co-founded the Christian Examiner, which later merged with Scribner's Magazine in 1875, and founded Lend a Hand in 1886. He and his wife had one daughter and eight sons. Three of those sons died in childhood, and a fourth, Robert Beverly Hale, died as a young adult.

Writer and artist Susan Hale (1833-1910) was schooled at home by tutors before enrolling in George B. Emerson's school. She was a self-taught artist who learned to paint and draw early in life. In 1872, she traveled to Europe to pursue formal art instruction and, upon her return to Boston, began giving lessons in watercolors. From 1873 to 1885, she maintained a studio at the Boston Art Club, wrote articles for Boston papers, edited literary collections for fundraisers, lectured on popular fiction, and eventually became a literary celebrity. Beginning in the mid-1880s, Hale began traveling the country and abroad giving lectures in the winter and visiting Edward Everett's family in Matunuck, Rhode Island in the summer. In between her travels, she continued to publish books, including a traveling series for young readers, and an instruction book on painting techniques.

Artist and teacher Ellen Day Hale (1854-1939) was the eldest of the Hale children. She received her early art training from her aunt, Susan Hale, and received formal art training from Boston artists William Rimmer, William Morris Hunt, and Helen Knowlton. Hale continued her education at the Pennsylvania Academy of Fine Arts, and in 1877, opened a portrait studio where she taught private students. In the early 1880s, Hale traveled through Europe before settling in Paris to study at the Académie Julian for three years. In 1883, she met fellow artist and lifelong companion Gabrielle de Veaux Clements. In 1893, they purchased a home near Gloucester, Massachusetts named "The Thickets," where they opened their studio to women artists and taught various painting, printing, and etching techniques. After the death of her mother, from 1904 to 1909, Hale moved to Washington, D.C. to act as hostess for her father, who had been appointed Chaplain of the U.S. Senate. After her father's death, Hale continued to produce paintings, and together with Clements, summered at the artists' colony at Folly Cove on Cape Ann, Massachusetts, and frequently traveled abroad in the winters.

Arthur Hale (1859-1939) was a general agent for the American Railway Association and an employee of the Pennsylvania Railroad Company. In 1899, he married Camilla Conner, with whom he had one daughter.

Architect Herbert Dudley Hale (1866-1908) graduated from Harvard in 1888 and studied architecture abroad at the École des Beaux Art in Paris, where he graduated among the first in his class. After his return to Boston around the turn of the century, Hale married Margaret Marquand, with whom he had five children, and established the architecture firm Hale and Rogers with James Gamble Rogers.

Writer Robert Beverly Hale (1869-1895) graduated from Harvard in 1892 and published numerous stories and articles in the Atlantic Monthly, Harper's Weekly, and Youth's Companion. Elsie and Other Poems was published in 1894, and Six Stories and Some Verses was published posthumously after Hale's death in 1895.

Artist Lillian Westcott Hale (1881-1963) was the wife of fellow artist Philip Leslie Hale, the third eldest of the Hale children. Hale received a scholarship to attend the Boston Museum School of Fine Arts, where she met Philip and married him halfway through her studies. Hale held her first solo show in 1908, the same year her daughter was born, and continued to produce work for exhibitions through the 1920s. She was the recipient of the 1915 Panama-Pacific Exposition gold medal, the National Academy's Shaw Memorial Prize (1915), and the National Academy of Design's Altman Prize (1927). She continued producing works until her death in 1963.
Related Materials:
The Archives of American Art also holds two collections related to the Hale family, including the Philip Leslie Hale papers and the Edward Everett Hale letter to an unidentified person. Smith College's Sophia Smith Collection also holds papers of the Hale family, including Nathan, Sr., and Sarah Preston Everett Hale; Edward Everett and Emily Perkins Hale; Ellen Day Hale; and Philip and Lilian Westcott Hale. .
Separated Materials:
Printed books and monographs in the collection were transferred to the National Portrait Gallery Library in 1978.
Provenance:
The Ellen Hale and Hale family papers were donated in 1978 and 1984 by Nancy Hale Bowers, the niece of Ellen Day Hale, and the grand-daughter of Edward Everett and Emily P. Hale.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters  Search this
Topic:
Women painters -- Massachusetts  Search this
Artists -- Massachusetts  Search this
Art, American  Search this
Watercolorists  Search this
Genre/Form:
Photographs
Sketchbooks
Diaries
Sketches
Citation:
Ellen Hale and Hale family papers, circa 1860-1952. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.halefami
See more items in:
Ellen Hale and Hale Family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halefami

Agnes Anne Abbot papers

Creator:
Abbot, Agnes Anne, 1897-1992  Search this
Names:
Barr, Alfred H., Jr., 1902-1981  Search this
Brown, Alice Van Vechten  Search this
Heyl, Bernard Chapman, 1905-  Search this
McKee, Douglas  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Date:
1921-1976
Summary:
The papers of Agnes Anne Abbot measure 0.6 linear feet and date from 1921 to 1976. The collection consists of biographical information, correspondence, writings and notes, personal business records, printed material, photographs of works of art, and artwork.
Scope and Contents:
The papers of Agnes Anne Abbot measure 0.6 linear feet and date from 1921 to 1976. The collection consists of biographical information, correspondence, writings and notes, personal business records, printed material, photographs of works of art, sketchbooks and artwork.

Correspondence is from Abbot's family and friends and includes some letters written by Abbot to her mother, sister, and brother. Other correspondents include Alfred Barr, Alice Van Vechten Brown, Bernard Heyl, and Douglas McKee. Artwork includes ten sketchbooks depicting Abbot's travels throughout Europe, Africa, and the United States.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Material, 1927-1949 (3 folders; Box 1)

Series 2: Correspondence, 1926-1951 (0.1 linear feet; Box 1)

Series 3: Writings and Notes, circa 1930-circa 1940 (3 folders; Box 1)

Series 4: Personal Business Records, 1927-1965 (2 folders; Box 1)

Series 5: Printed Material, 1964-1968 (2 folders; Box 1)

Series 6: Photographs, 1960-1976 (4 folders; Box 1)

Series 7: Sketchbooks and Artwork, 1921-1965 (0.3 linear feet; Box 1-2)
Biographical / Historical:
Watercolorist and educator Agnes Anne Abbot (1897-1992) was active in Wellesley and Boston, Massachusetts.

Born in Germany in 1897, Agnes Anne Abbot spent summers in the Boston area. In 1917, her family moved to the United States and settled in Boson where Abbot attended the School of Fine Arts and Crafts. From 1920 to 1963, Abbot taught at Wellesley College. She traveled extensively throughout Africa, Europe, and the United States. Agnes Anne Abbot died in Boston, Massachusetts in 1992.
Related Materials:
The Archives of American Art holds an oral history with Agnes Anne Abbot conducted by Robert Brown on August 25, 1981 to January 15, 1982.
Provenance:
Agnes Anne Abbot donated her papers to the Archives of American Art in several installments from 1979 to 1987.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Watercolorists -- Massachusetts  Search this
Topic:
Educators -- Massachusetts  Search this
Women artists -- Massachusetts  Search this
Genre/Form:
Photographs
Sketchbooks
Citation:
Agnes Anne Abbot papers, 1921-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.abboagne
See more items in:
Agnes Anne Abbot papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-abboagne

Charles Hopkinson papers, 1892-1993

Creator:
Hopkinson, Charles, 1869-1962  Search this
Subject:
Shurcliff, Joan Hopkinson  Search this
Shurcliff, William A.  Search this
Type:
Sketches
Sketchbooks
Photographs
Record number:
(DSI-AAA_CollID)9020
(DSI-AAA_SIRISBib)211209
AAA_collcode_hopkchar
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211209
Online Media:

Ellen Hale and Hale Family papers, circa 1860-1952

Creator:
Hale, Ellen Day, 1855-1940  Search this
Subject:
Hale, Herbert Dudley  Search this
Hale, Susan  Search this
Hale, Edward Everett  Search this
Hale, Emily P.  Search this
Hale, Lilian Westcott  Search this
Hale, Robert Beverly  Search this
Type:
Photographs
Sketchbooks
Diaries
Sketches
Topic:
Women painters -- Massachusetts  Search this
Artists -- Massachusetts  Search this
Art, American  Search this
Watercolorists  Search this
Record number:
(DSI-AAA_CollID)7632
(DSI-AAA_SIRISBib)209795
AAA_collcode_halefami
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209795
Online Media:

Massachusetts Fieldwork: American Indian Crafts

Creator:
Smithsonian Institution. Festival of American Folklife. Massachusetts Program 1988 Washington, D.C.  Search this
Wachs, Eleanor F. (field worker)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Massachusetts
Date:
1987 July 10
Contents:
FRANK B. JAMES. SCRIMSHAW, KNOT TYING, BEADWORK, WATERCOLORIST, SILVERSMITH, MUSICIAN.
Local Numbers:
FP-1988-CT-0144
Date/Time and Place of an Event Note:
Recorded in: Massachusetts, United States, July 10, 1987.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0144
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 4: Ingenuity and Tradition: The Common Wealth of Massachusetts / 4.1: Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref1148

Oral history interview with Agnes Abbot, 1981 August 25-1982 January 15

Interviewee:
Abbot, Agnes Anne, 1897-1992  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Hibbard, A. T. (Aldro Thompson) (1886-1972)  Search this
Woodbury, Charles H. (Charles Herbert)  Search this
Type:
Sound recordings
Interviews
Topic:
Painting, Modern -- 20th century -- Massachusetts  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)12915
(DSI-AAA_SIRISBib)211916
AAA_collcode_abbot81
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211916
Online Media:

Maurice Brazil and Charles Prendergast selected papers, [ca.1865]-1992

Creator:
Prendergast, Maurice Brazil, 1858-1924  Search this
Prendergast, Charles, 1863-1948  Search this
Subject:
Glackens, William J.  Search this
Hartley, Marsden  Search this
Pach, Walter  Search this
Brooks, Van Wyck  Search this
Glackens, Edith  Search this
Glackens, Ira  Search this
Sargent, John Singer  Search this
Topic:
Art, Modern -- 19th century -- United States  Search this
Art, Modern -- 20th century -- United States  Search this
Modernism (Art)  Search this
Record number:
(DSI-AAA_CollID)13419
(DSI-AAA_SIRISBib)214583
AAA_collcode_prenmaur
Theme:
Diaries
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214583

Truman Seymour papers

Creator:
Seymour, Truman, 1824-1891  Search this
Names:
Corelli, Gabriel  Search this
Weir, John F. (John Ferguson), b. 1841  Search this
Weir, Robert Walter, 1803-1889  Search this
Extent:
131 Items ((on 5 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1844-1974
bulk 1844-1890
Scope and Contents:
Photographs, sketchbooks, and personal papers.
REELS 940-942: Several loose sketches and 26 sketchbooks, mostly in pencil and watercolor and done in the U.S., Italy, France, England, North Africa, Switzerland, Germany, Spain, and Morocco; biographical material; two letters to John F. Weir, one from Weir's father Robert, both referring to the Civil War; 2 awards; a booklet "Pre-Raphaelitism," 1851; exhibition material, 1974; and a folio of watercolors by Gariel Corelli.
REEL 1007: 44 copy prints made from slides of watercolors by Seymour; and one slide of a color chart by him (not microfilmed).
REEL 1038: 7 sketchbooks, 1880-1885, executed while traveling in Italy, Spain, and Germany and often dated and identified. Most of the sketches are in pencil. Included among them are 13 watercolors and a color wheel.
Biographical / Historical:
Painter and watercolorist; Massachusetts.
Provenance:
Material on reels 940-942 and 1007 lent 1975 by DeWolf Perry, Seymour's grandnephew. Material on reel 1038 lent 1976 by DeWolf's brother, John Weir Perry. 44 copy prints on reel 1007 were made from slides lent by DeWolf Perry.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Watercolor painting -- 19th century  Search this
Painting, Modern -- 19th century  Search this
Identifier:
AAA.seymtrum
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-seymtrum

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