Search Results

Creator:

Morgan, Anne  Search this

Vanderbilt, W. K., Mrs  Search this

Landscape architect:

Williams, Beatrice  Search this

Allen, Nellie B.  Search this

Provenance:

Bedford Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slide (col.)

Type:

Archival materials

Slides

Sketches

Place:

New York (State) -- Mount Kisco

United States of America -- New York -- Westchester County -- Mount Kisco

Date:

1930

General:

Sketch for arbor. Original pencil and watercolor drawing lent by Bedford Garden Club. Sketch

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Plan views  Search this

Perspective drawings  Search this

Arbors  Search this

Roses  Search this

Genre/Form:

Sketches

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item NY401010

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / New York / NY401: Mount Kisco -- Othahuagon

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb68f235a8d-c618-4037-afae-539892b14002

EDAN-URL:

ead_component:sova-aag-gca-ref28188

Creator:

White, John  Search this

Extent:

1 Glass negative

Culture:

Algonquian -- Southern  Search this

Indians of North America -- Northeast  Search this

Algonquin (Algonkin)  Search this

Type:

Archival materials

Glass negatives

Photographs

Scope and Contents:

Original watercolor made by John White in 1585 and is in the British Museum.

Local Numbers:

BAE GN.18714

Topic:

Algonquin  Search this

Algonqian  Search this

Genre/Form:

Photographs

See more items in:

Bureau of American Ethnology negatives

Bureau of American Ethnology negatives / Additional Materials / White, John

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3e59bca8c-6903-4c50-bf42-a99357a06e61

EDAN-URL:

ead_component:sova-naa-photolot-176-ref13264

Creator:

McCauley, C. A. H. (Charles Adam Hoke), 1847-1913  Search this

Extent:

1 Drawing (watercolor, 6.5 x 10 inches)

Container:

Box 342297 / 363200, Folder 1

Culture:

Haida  Search this

Type:

Collection descriptions

Archival materials

Graphic Materials

Drawings

Works of art

Watercolors

Place:

Prince of Wales Island (Alaska)

North America

Date:

1894 August 7

Scope and Contents:

The collection conists of a watercolor drawing by C.A.H. McCauley. The drawing is captioned: "Totem Pole of the Brown Bear & Crow (or Raven) Family of Klinquan, a village of the Haida Indians, 3 miles from Hunter's Point, in Cordova Bay, Prince of Wales Island, Alaska, Drawn by C.A.H McCauley, U.S.A. Aug. 7, 1894... 10 pm."

Local Numbers:

NAA MS 342,397

USNM Accession Number 106507

USNM Catalog Number 342397

Related Materials:

The Department of Anthropology object collections holds additional items collected by McCauley in Accession 106507.

The U.S. Military Academy Library, Special Collections holds the C.A.H. McCauley papers.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Totem poles  Search this

Genre/Form:

Works of art

Drawings

Watercolors

Citation:

C. A. H. McCauley drawing of the totem pole of the Brown Bear and Crow (or Raven) Family, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS342397

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw367227778-dfdf-4a8e-a21f-42e46f482964

EDAN-URL:

ead_collection:sova-naa-ms342397

Artist:

Unidentified Artist  Search this

Copy after:

Thomas Nast, 27 Sep 1840 - 7 Dec 1902  Search this

Sitter:

Ulysses Simpson Grant, 27 Apr 1822 - 23 Jul 1885  Search this

Medium:

Chromolithograph on paper

Dimensions:

Image: 33.2 × 18.8 cm (13 1/16 × 7 3/8")

Sheet: 35.4 × 23.1 cm (13 15/16 × 9 1/8")

Type:

Print

Date:

1872

Topic:

Interior  Search this

Home Furnishings\Furniture\Seating\Chair  Search this

Equipment\Smoking Implements\Cigar  Search this

Personal Attribute\Facial Hair\Mustache  Search this

Costume\Jewelry\Chain  Search this

Personal Attribute\Facial Hair\Beard  Search this

Costume\Dress Accessory\Neckwear\Tie\Bowtie  Search this

Ulysses Simpson Grant: Male  Search this

Ulysses Simpson Grant: Natural Resource Occupations\Agriculturist\Farmer  Search this

Ulysses Simpson Grant: Politics and Government\Cabinet member\Secretary of War  Search this

Ulysses Simpson Grant: Military and Intelligence\Army\Officer\Civil War army officer  Search this

Ulysses Simpson Grant: Military and Intelligence\Army\Officer\General  Search this

Ulysses Simpson Grant: Politics and Government\President of US  Search this

Ulysses Simpson Grant: Congressional Gold Medal  Search this

Portrait  Search this

Credit Line:

National Portrait Gallery, Smithsonian Institution

Object number:

NPG.87.78

Restrictions & Rights:

CC0

See more items in:

National Portrait Gallery Collection

Data Source:

National Portrait Gallery

GUID:

http://n2t.net/ark:/65665/sm4d5c52233-022d-4516-9333-46062095f76c

EDAN-URL:

edanmdm:npg_NPG.87.78

Author:

Nakahara, Mari  Search this

Blood, Katherine  Search this

Exhibiting institution:

Library of Congress  Search this

Subject:

National Cherry Blossom Festival (Washington, D.C.)  Search this

Physical description:

ix, 85 pages color illustrations 21 cm

Type:

Exhibitions

Expositions

Guidebooks

Guidebook

travel guidebooks

Exhibition catalogs

Guides touristiques

Place:

Washington (D.C.)

Date:

2020

Topic:

Spring festivals  Search this

Japanese flowering cherry  Search this

Flower festivals  Search this

Fêtes de l'équinoxe de printemps  Search this

Cerisier du Japon  Search this

Festivals floraux  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1115691

Container:

Box 1 of 5

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Record Unit 7051, Columbian Institute, Records

See more items in:

Records

Records / Series 2: CORRESPONDENCE OF THE COLUMBIAN INSTITUTE - FACSIMILES / Box 1

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-faru7051-refidd1e546

Collection Creator:

Guesde, Louis, 1844-1924  Search this

Extent:

68 Drawings (watercolor on paper, approximately 11 x 15 inches)

Container:

Box 1

Type:

Archival materials

Graphic Materials

Drawings

Scope and Contents:

A set of 68 watercolor drawings, numbered 39 through 50. These drawings are described in "The Guesde Collection of Antiquities in Pointe-à-Pitre, Guadeloupe, West Indies" by Otis T. Mason.

Local Number:

Formerly known as MS 7484

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use

Collection Citation:

MS 7464 Louis Guesde drawings of Carib stone tools, National Anthropological Archives, Smithsonian Institution

See more items in:

MS 7464 Louis Guesde drawings of Carib stone tools

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw325ea3156-fb54-4b53-b1b8-4450fd41d086

EDAN-URL:

ead_component:sova-naa-ms7464-ref3

Collection Creator:

Stable Gallery  Search this

Container:

Box 2, Folder 9

Type:

Archival materials

Date:

1961-1965

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Lichtenstein Foundation.

See more items in:

Stable Gallery records

Stable Gallery records / Series 2: Artist Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b90b509a-b41a-4774-895d-c05868156a96

EDAN-URL:

ead_component:sova-aaa-stabgall-ref51

Artist:

Rethi, Lili, 1894-1969  Search this

Extent:

8 Cubic feet (21 boxes, 8 map folders)

Type:

Collection descriptions

Archival materials

Bookplates

Books

Christmas cards

Drawings

Newspaper clippings

Photographs

Transcripts

Watercolor drawings

Date:

1918-1969

Summary:

Papers document artist and illustrator Lili Réthi who was best known for her drawings of industrial subjects such as bridges, construction scenes and mines.

Scope and Contents:

Drawings, sketches, watercolors, biographical material, photographs, printed material, correspondence and books relating to the career of artist and illustrator Lili Réthi. The bulk of the collection consists of originals and copies of Réthi's drawings and sketches for various projects in Europe and the United States.

Arrangement:

The collection is arranged into five series.

Series 1: Biographical Materials, 1928-1968

Series 2: Projects, 1918-1969

Series 3: Exhibits, 1940-1943, 1965

Series 4: Portraits, 1919-1965

Series 5: Illustrated Books, 1916-1969

Biographical / Historical:

Lilly (Lili) Maria Réthi (1894-1969) was born in Vienna, Austria to Leopold Réthi (1857-1924), a professor of medicine and Marie née Mauther (1863-1955). Réthi had one sister, Elizabeth "Elsie" (1889-1970). Lili attended the Viennese Kunstschule für Frauen und Mädchen (The Art School for Women and Girls), established in 1897. The school existed until 1945, but it closed to Jewish women artists in 1938, when the school was subordinated to the municipality of Vienna and used to inculcate Nazi ideology. (Ben-Eli, 1999). Réthi learned to sketch the human form at the Vienna Anatomical Institute—training, no doubt, that her physician father encouraged. This training, which sharpened her sense of form and function, helped her later when drawing complicated machinery and illustrating Victor Hecht's book, Leitfaden der Physikalisch-Therapeutischen, (Guide to Physical Therapy, 1916). Réthi became fascinated with construction at a young age. "When I was a little girl in Vienna, I used to take walks and watch men building houses. I was fascinated by the men working as well as the excitement of watching the building grow." (Constructor, December 1967, page 25) Her burgeoning interest would grow, and she became one of the best-known illustrators of engineering, construction, and industrial sites. She was named a Royal Society of Art Fellow in 1961.

During the inter-war years (1918-1939) Réthi interrupted her academic studies to work across Europe, illustrating sites in Austria, Belgium, Czechoslovakia, Denmark, France, Germany, the Netherlands, and Switzerland. The bulk of her work captured coal mines, coal yards, factories, chemical plants, blast furnaces, iron foundries, shipyards, steel production, buildings, aircraft, and bridges.

In 1929, Réthi moved to Berlin where she worked recording engineering projects and was an illustrator for the magazine "Der Bücherkreis" (Book Circle). She illustrated many of the "Dortmunder Union" activities during this period. The Union, a vertically integrated mining group (mining and iron and steel production), was founded in 1872 and was located in the Ruhr area of Germany. This work for the Union resulted in an exhibition in Berlin at the Verein Deutscher Ingenieure (1931) and "Wien- Berlin: Das Gesicht zwei Städte" (Vienna and Berlin: The Face of Two Cities") (1932); at the World Power Conference in Stockholm (1933); and the Technical Museum of Vienna (1934). While in the Ruhr, Rethi documented workers, elevating their significance as subjects in their own right. She recorded the working conditions, many of which depicted harsh and dangerous physical labor. Her published work Germinal (1924) highlighted, through seven lithographs, the terrible conditions in French mines. Her work with the Union provided exposure and elevated her growing artistic status, especially with the Third Reich. With war imminent in Europe, the erosion of her personal rights as a Jewish woman, and a commission invitation by Hermann Göring to create propaganda images for the Nazi Regime, she left for England, never to return to her homeland in Austria.

Her portfolio of work is immense and while she primarily focused on engineering, industrial and construction sites, trade publications, industry magazines and newspapers, she branched into other areas. She illustrated the German version of Upton Sinclair´s Letters to Judd, an American Workingman (Briefe an einen Arbeiter, Leipzig- Wien, 1932) and was widely published in Austrian, Danish and German newspapers such as Aften-Avisen, Bergland Wien, Børsen, Der Welt Spiegel, Beitbilder, and VDI Nachrichten. Later projects included books, primarily for children, commissions to sketch churches, portraits of individuals, illustrated book plates, pamphlets, and Christmas cards. Catholic entities such as St. John the Divine and the Capuchin Friars in New York, also sought her services to sketch church interiors and illustrate brochures. And, in 1950, Réthi sketched the interior renovation (1948-1952) of the White House during the Truman Administration.

The Illustrated London News hired Réthi in 1937 to sketch the coronation of King George. While in England, she also created sketches for a booklet issued by the London, North Eastern Railway (L.N.E.R.) posters for the London, Midland and Scottish Railway (L.M.S.) and the General Post Office (GPO): Post Office Motor Transport Depot (1937); the Post Office Underground Mail Train (1935); and LMS Crewe Works, Building Coronation Class Engine (1937). The Illustrated London News sent her to the 1939 New York World's Fair where her introduction and love of New York City was launched. Réthi arrived in the United States on March 23, 1939, and became a citizen in 1944.

In the United States, Réthi continued illustrating engineering and construction activities, many of which were major post war projects. Réthi was attracted to the great industrial scene of 1940s America, and New York City provided a fertile location for most of her projects. The first public showing of her work in the United States was at the Architectural League of New York (1940) and her "American Industry at War" exhibit was held at the Metropolitan Museum of Art (1943). She documented some of the most significant projects in North America such as the New York City Pavilion at the World's Fair (1964), the United Nations Building (1949), the Pan Am Building (1962), Pennsylvania Station (1965), and the World Trade Center (1967-1968).

She had commissions from Surveyer, Nenniger & Chênevert (an engineering and construction firm that used her images on company Christmas cards), Sperry Gyroscope Company, U.S. Tobacco Company, Turner Construction, Walsh Construction, Atlas Steel Plant, Bliss Manufacturing, George A. Fuller Company, Standard Chemicals, and the United States Pipe and Foundry Company, to name a few.

Réthi also worked with several book publishers, especially, McGraw-Hill and Harcourt Brace. She illustrated over 40 books, many for children. Her work also appeared on the covers of many trade publications and magazines such as Pencil Points, Service, Factory, Product Engineering, and the Journal of the American Society of Automotive Engineers. Réthi was one of a few, if not the only female artist who devoted her career to portraying engineering works.

Related Materials:

Materials at the Smithsonian Institution

Archives Center, National Museum of American History

Division of Mechanical and Civil Engineering Bridges Reference Collection, NMAH.AC.1577

Contains negatives and prints of drawings for the Verranzo-Narrows Bridge, New York, New York

Smithsonian Instituton Archives

Records, circa 1948-1988

Contains documentation about a Lili Réthi exhibit, 1964-1965, curated by the then Museum of the History of Technology.

Archives of American Art

Associated American Artists Records, circa 1934-1983

Includes three file folders in the Series: Artists Files about Lili Réthi.

Materials at Other Organizations

Hagley Museum and Library

Sperry Gyroscope Company Division photographs and films (1986-273)

Contains Lili Réthi graphic arts, 1943, consisting of 24 reproductions.

Provenance:

The collection was bequeathed by Lili Réthi to the United States National Museum (now known as the National Museum of American History) through Herbert G. Fenison in 1971.

Restrictions:

Collection is open for research. Unprotected photographs must be handled with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Occupation:

Artists  Search this

Book illustrators  Search this

Illustrators  Search this

Topic:

Bridges  Search this

Buildings  Search this

Construction  Search this

Construction and civil engineering  Search this

Engineering -- 20th century  Search this

Illustrated books, Children's  Search this

Women artists -- United States  Search this

Genre/Form:

Bookplates

Books -- 20th century

Christmas cards

Drawings -- 20th century

Newspaper clippings

Photographs -- Black-and-white photoprints -- Silver gelatin -- 19th-20th century

Transcripts -- 20th century

Watercolor drawings

Citation:

Lili Réthi Papers, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0749

See more items in:

Lili Réthi Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep876ee6154-c5e2-4c2f-a217-9c4044b6a002

EDAN-URL:

ead_collection:sova-nmah-ac-0749

Creator:

Bannister, Edward Mitchell, 1828-1901  Search this

Names:

Providence Art Club  Search this

Whittaker, George W.  Search this

Extent:

0.6 Linear feet

Type:

Collection descriptions

Archival materials

Scrapbooks

Date:

1866-1901

Summary:

The Edward Mitchell Bannister scrapbook measures 0.6 linear feet and dates from 1866-1901. The scrapbook contains approximately 102 pencil, charcoal, and watercolor drawings by Bannister, newspaper clippings and writings about Bannister and his exhibitions, a poem, and an exhibition catalog.

Scope and Contents:

The Edward Mitchell Bannister scrapbook measures 0.6 linear feet and dates from 1866-1901. The scrapbook contains approximately 102 pencil, charcoal, and watercolor drawings depicting landscapes with cattle, trees, brambles, rolling clouds, a few figure studies, seascapes, and Bibical scenes, by Bannister. The scrapbook also includes newspaper clippings and writings about Bannister including reviews of his exhibitions and tributes by George W. Whitaker, John Nelson Arnold, and T. Thomas Fortune; a 1901 poem about Bannister written by William E. Smith; and an exhibition catalog of the Edward Mitchell Bannister Memorial exhibition held at the Providence Art Club in May 1901.

Arrangement:

The collection is arranged as one series. The scrapbook has been disbound but contents remain in their original order and are arranged in three parts.

Biographical / Historical:

Edward Mitchell Bannister (1828-1901) was a Canadian-born African American landscape and portrait painter in Boston, Massachusetts and Providence, Rhode Island. He was among Providence's leading painters during the 1870s and 1880s and was one of the few African American painters of the nineteenth century to win significant recognition.

Bannister moved to Boston in 1848 where he enrolled in evening classes at the Lowell Institute and learned to paint. He settled in Rhode Island with his wife in 1870 and in 1876 won the first-prize bronze medal at the Philadelphia Centennial Exposition. Subsequently his growing reputation resulted in many commissions which allowed him to devote himself full-time to painting.

Bannister was an original board member of the Rhode Island School of Design and a respected art critic. Following his death in 1901 the Providence Art Club, of which he was a founding member, held a memorial exhibition of his paintings owned by Providence collectors.

Provenance:

The scrapbook was donated to the Archives of America Art in 1984 by Alan and Melvin S. Frank. The scrapbook was previously on loan to the National Museum of American Art.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Landscape painters -- Rhode Island -- Providence  Search this

Portrait painters -- Rhode Island -- Providence  Search this

Landscape painters -- Massachusetts -- Boston  Search this

Portrait painters -- Massachusetts -- Boston  Search this

Topic:

African American artists  Search this

African American painters  Search this

Genre/Form:

Scrapbooks

Identifier:

AAA.bannedwa

See more items in:

Edward Mitchell Bannister scrapbook

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw98cb721c3-9a05-400e-b3e1-6b45e4dadfda

EDAN-URL:

ead_collection:sova-aaa-bannedwa

Collection Creator:

White, Charles, 1918-1979  Search this

Container:

Box 4, Folder 65

Type:

Archival materials

Date:

1940-1975

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation. Funding for the digitization was provided by the Roy Lichtenstein Foundation and the Alice L. Walton Foundation.

See more items in:

Charles W. White papers

Charles W. White papers / Series 3: Writings / 3.1: Writings by White

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ecf58d57-0859-4f7b-b2a1-3a17786b0774

EDAN-URL:

ead_component:sova-aaa-whitchar-ref197

Collection Creator:

White, Charles, 1918-1979  Search this

Container:

Box 1, Folder 5

Type:

Archival materials

Date:

circa 1941-circa 1975

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation. Funding for the digitization was provided by the Roy Lichtenstein Foundation and the Alice L. Walton Foundation.

See more items in:

Charles W. White papers

Charles W. White papers / Series 1: Biographical Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93d341657-9dcb-4c11-98ea-f84e1e6f538a

EDAN-URL:

ead_component:sova-aaa-whitchar-ref20

Collection Creator:

White, Charles, 1918-1979  Search this

Container:

Box 11, Folder 31

Type:

Archival materials

Date:

1970-1979

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation. Funding for the digitization was provided by the Roy Lichtenstein Foundation and the Alice L. Walton Foundation.

See more items in:

Charles W. White papers

Charles W. White papers / Series 7: Printed Material / 7.3: Other Printed Material / 7.3.2: Artist Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90a1b82f1-cef3-448d-94dc-6787baa19f99

EDAN-URL:

ead_component:sova-aaa-whitchar-ref472

Collection Creator:

Reid, Robert Dennis, 1924-2000  Search this

Container:

Box 1, Folder 3

Type:

Archival materials

Date:

1963-1975, circa 1960s

Collection Restrictions:

The collection is open for research. Use requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Robert Dennis Reid papers, 1961-1977. Archives of American Art, Smithsonian Institution.

See more items in:

Robert Dennis Reid papers

Robert Dennis Reid papers / Series 3: Printed Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9aea43517-5361-4151-9396-9ea9910d83bc

EDAN-URL:

ead_component:sova-aaa-reidrobd-ref20

Collection Creator:

Reid, Robert Dennis, 1924-2000  Search this

Container:

Box 1, Folder 5

Type:

Archival materials

Date:

1964, 1971, 1974

Collection Restrictions:

The collection is open for research. Use requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Robert Dennis Reid papers, 1961-1977. Archives of American Art, Smithsonian Institution.

See more items in:

Robert Dennis Reid papers

Robert Dennis Reid papers / Series 3: Printed Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e650e1ee-a36a-4322-9bfe-4703435154ee

EDAN-URL:

ead_component:sova-aaa-reidrobd-ref22

Creator:

LaFarge, Edward H. (Edward Hooper), 1901-1981  Search this

Subject:

Washburn, Gordon B. (Gordon Bailey)  Search this

Hatch, John Davis  Search this

Rhode Island School of Design  Search this

Citation:

Edward H. La Farge papers, 1928-1974. Archives of American Art, Smithsonian Institution.

Topic:

Art -- Study and teaching -- Rhode Island  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)5791

(DSI-AAA_SIRISBib)208630

AAA_collcode_lafaedwa

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208630

Creator:

Allan, William George, 1936-  Search this

Subject:

McGrath, James A.  Search this

Nauman, Bruce  Search this

McCracken, Philip  Search this

Type:

Silkscreen prints

Citation:

William George Allan papers, 1953-1974. Archives of American Art, Smithsonian Institution.

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)5801

(DSI-AAA_SIRISBib)208641

AAA_collcode_allawill

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208641

Creator:

Miller, Joseph Maxwell, 1877-1933  Search this

Citation:

Joseph Maxwell Miller papers, [ca. 1887-1931]. Archives of American Art, Smithsonian Institution.

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)5807

(DSI-AAA_SIRISBib)208647

AAA_collcode_milljose

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208647

Creator:

Bannister, Edward Mitchell, 1828-1901  Search this

Subject:

Whittaker, George W.  Search this

Providence Art Club  Search this

Type:

Scrapbooks

Citation:

Edward Mitchell Bannister scrapbook, 1866-1901. Archives of American Art, Smithsonian Institution.

Topic:

African American artists  Search this

African American painters  Search this

Theme:

African American  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)5848

(DSI-AAA_SIRISBib)208688

AAA_collcode_bannedwa

Theme:

African American

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208688

Creator:

Harnly, Perkins, 1901-1986  Search this

Citation:

Perkins Harnly papers, 1946-1985. Archives of American Art, Smithsonian Institution.

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)7129

(DSI-AAA_SIRISBib)209263

AAA_collcode_harnperk

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209263