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Portrait of a Young Woman

Alternate Title:
Woman Pouring Tea
Artist:
George Biddle, 24 Jan 1885 - 6 Nov 1973  Search this
Identified as:
Helen Adams Keller, 27 Jun 1880 - 1 Jun 1968  Search this
Medium:
Oil on canvas
Dimensions:
Sight (Accurate): 75.5 x 62.8cm (29 3/4 x 24 3/4")
Type:
Painting
Date:
1914
Topic:
Costume\Robe\Bathrobe  Search this
Container\Tea service\Teapot  Search this
Helen Adams Keller: Female  Search this
Helen Adams Keller: Literature\Writer  Search this
Helen Adams Keller: Education and Scholarship\Educator\Lecturer  Search this
Helen Adams Keller: Society and Social Change\Reformer\Social reformer  Search this
Helen Adams Keller: Literature\Writer\Novelist  Search this
Helen Adams Keller: Society and Social Change\Reformer\Humanitarian  Search this
Helen Adams Keller: Literature\Writer\Essayist  Search this
Helen Adams Keller: Society and Social Change\Disability\Blind  Search this
Helen Adams Keller: Society and Social Change\Disability\Deaf  Search this
Helen Adams Keller: Presidential Medal of Freedom  Search this
Portrait  Search this
Credit Line:
Owner: Washington State University Museum of Art
Object number:
WA030100
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm438d5d8da-9265-41a3-ada5-7398344c46e6
EDAN-URL:
edanmdm:npg_WA030100

Racist Stereotypes and Cultural Appropriation in American Sports 1

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
Lectures
YouTube Videos
Uploaded:
2013-02-11T14:52:20.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_NWpy7ozOwTU

Racist Stereotypes and Cultural Appropriation in American Sports 1

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
Lectures
YouTube Videos
Uploaded:
2013-02-13T18:57:39.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt__gd0QmJDhcQ

Could the Toxins Your Grandmother Inhaled Affect You?

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2017-10-25T15:34:09.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_hCDEM0b_DGk

John Mathews Friel papers, 1956-1978

Creator:
Friel, John Mathews, 1938-1971  Search this
Type:
Sketchbooks
Citation:
John Mathews Friel papers, 1956-1978. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8244
(DSI-AAA_SIRISBib)210415
AAA_collcode_friejohn
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210415

John Mathews Friel papers

Creator:
Friel, John Mathews, 1938-1971  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1956-1978
Scope and Contents:
Biographical data; correspondence; sketchbooks; notebooks of writings; clippings and magazine articles; photos and slides of Friel and of his works of art; and miscellany. Also included are letters to Friel's mother concerning his death, memorial lectures, and an exhibition.
Biographical / Historical:
Painter; San Francisco, Calif. Born in Pullman, Washington. Studied art at Washington State University, at the Brooklyn Museum, and at the Los Angeles Art School. Died by suicide in 1971.
Provenance:
Donated 1980 by Mr. and Mrs. John B. Friels, John Matthew Friel's parents.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Painting, American  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.friejohn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93edacb77-7e34-40fa-81cc-83bf8cbbfe49
EDAN-URL:
ead_collection:sova-aaa-friejohn

Cap Of Fur And Feathers

Donor Name:
Accession Number Unknown  Search this
Culture:
Blackfoot (Niitsitapi, Siksikaitsitapi)  Search this
Object Type:
Hat
Place:
Not Given, Dakota Territory, United States, North America
Topic:
Ethnology  Search this
Accession Number:
000000
USNM Number:
E7130-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/33875fa3a-530a-4d47-bd64-6cdb5cca9791
EDAN-URL:
edanmdm:nmnhanthropology_8476199
Online Media:

Northwest Chicanos

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(2 folders; see also: Arreguín, Alfredo)
Container:
Box 21, Folder 25-26
Type:
Archival materials
Date:
1976-1993
Scope and Contents note:
(brochures; reprint of The Unique Psycho-Historical Experience of the Mexican-American People by Rodolfo Alvarez, 1971; letters to TYF from: Rodolfo Alvaraz, 12/02/1969; and from Teres Elguezabal de Pyne, Washington State University, 022/1971; documents related to an independent study done with TYF; exhibition catalog essays by TYF on Alfredo Arreguín and Susan Lytle; flyer; meeting minutes of the Chicano Education Association, 02/23/1974; letter to TYF from Pat [former student of TYF]; "Chicano Cultural Expression in the Pacific Northwest Directory Chican/Latino Cultural Interpreters; photograph; exhibition announcements; clippings; reports from Evergreen State College; note to TYF from B. Thomas, 08/28/1988; photocopy of letter to Erasmo Gamboa from TYF, 06/03/1988; color photographs, not labeled)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90ca66b04-1f3f-4d8f-9d94-63212c9c3390
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1279

Sand Creek Massacre: 17 Closing Remarks - Otis Halfmoon

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2014-10-16T19:49:21.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_6owep47Zhbs

Sacred encounters : Father De Smet and the Indians of the Rocky Mountain West / Jacqueline Peterson with Laura Peers

Author:
Peterson, Jacqueline 1943-  Search this
Peers, Laura L (Laura Lynn)  Search this
Washington State University De Smet Project  Search this
Cheney Cowles Memorial Museum  Search this
Jesuits Missouri Province Archives  Search this
Subject:
Smet, Pierre-Jean de 1801-1873  Search this
Jesuits  Search this
Physical description:
192 p. : ill. (some col.), maps ; 28 x 25 cm
Type:
Exhibitions
Place:
Rocky Mountains
Date:
1993
C1993
Topic:
Indians of North America--Missions  Search this
Missionaries  Search this
Missions  Search this
Call number:
E78.R63 P47 1993X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_475437

Muhlenbergia filiformis (Thurb. ex S. Watson) Rydb.

Preparation:
Photograph
Place:
USA, Washington State University Greenhouse
Taxonomy:
Plantae Monocotyledonae Poales Poaceae Chloridoideae
Published Name:
Muhlenbergia filiformis (Thurb. ex S. Watson) Rydb.
See more items in:
Botany
Non-specimen graphic
Plant Image Collection
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3baf73adf-4054-419f-a75f-b7442a805014
EDAN-URL:
edanmdm:nmnhbotany_10322647

William Radford Thomas Papers

Collection Creator:
Thomas, William Radford, 1930-  Search this
Extent:
0.4 Linear feet (Box 1)
Type:
Archival materials
Date:
1972-1975
Scope and Contents:
Found are records relating to the planning and execution of Expo '74 in Spokane, Washington and Sightings (1975), an exhibition held at Eastern Washington State University. Files may contain business and financial records; correspondence between administrators and participants; scattered photographs; research and preparation records such as resumes, lists, and copies of articles; printed material consists of clippings concerning the events and that produced by the events; and writings including poetry by others including Kunimasa Kuriyama and welcome notes, likely by Thomas.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Radford Thomas papers, 1972-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.thomwilr, Series 1
See more items in:
William Radford Thomas papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dd128998-e281-4334-9f61-860592b08388
EDAN-URL:
ead_component:sova-aaa-thomwilr-ref3

Max Beckmann papers

Creator:
Beckmann, Max, 1884-1950  Search this
Names:
Beckmann, Mathilde Q.  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1917-1954
Summary:
The papers of painter and educator Max Beckmann measure 1.4 linear feet and date from 1917 to 1954. The collection documents Beckmann's art career in Germany as well as New York and includes biographical material, correspondence, printed material and photographs.
Scope and Contents:
The papers of painter and educator Max Beckmann measure 1.4 linear feet and date from 1917 to 1954. The collection documents Beckmann's art career in Germany as well as New York and includes biographical material, correspondence, printed material and photographs.

Biographical material consists of an art class student register, art organization membership card, bibliography, customs forms for a pet, exhibition price lists, and assorted travel identification documents.

Correspondence is with universities, museums and galleries regarding teaching positions, lectures, exhibitions and art sales. There are also numerous letters and telegrams with his wife Mathilde.

Printed material includes clippings, catalogs, postcards, and miscellany.

Photographs are of Max Beckmann, family, friends, exhibition installations, and houses. Most of the series consists of photographic prints, but there are also a few negatives. Many of the photographs are annotated in German.
Arrangement:
The collection is arranged as four series.

Series 1: Biographical Material, 1939-1954 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1922-1950 (Boxes 1-2; 1 linear foot)

Series 3: Printed Material, circa 1937-1950 (Box 2; 4 folders)

Series 4: Photographs, 1917-1950 (Box 2; 7 folders)
Biographical / Historical:
Max Beckmann (1884-1950) was a painter and educator who was born and educated in Germany and based in New York after World War II.

Max Beckmann was born in 1884 in Leipzig, Germany. He studied art at the Weimar-Saxon Grand Ducal Art Academy from 1900 to 1902 and graduated with honors. During World War I, he volunteered as a medical orderly from 1914 t0 1915, an experience that haunted him and deeply impacted his artwork. Beckmann's art is considered part of the German New Objectivity movement.

In 1925, Beckmann's first marriage to Minna Tube ended in divorce, and he married Mathilde von Kaulbach. That same year he began teaching art at the Städelschule Academy of Fine Art in Frankfurt. By the late 1920s he had several major exhibitions in museums and galleries in Germany and Switzerland, had his first exhibition in the US (1926), and his paintings were acquired by the National Gallery in Berlin.

When Hitler was appointed Chancellor of Germany in 1933 and the Nazis came to power, marking the end of the Weimar Republic, modern art was quickly suppressed and derisively referred to as "degenerate art." Consequently, Beckmann lost his teaching job at the Frankfurt Art Academy and several of his paintings were included in the Degenerate Art or Entartete Kunst exhibition (1937) in Munich. Shortly thereafter, Beckmann left Germany and never returned to the country again.

Beckmann and his wife Mathilde settled in Amsterdam, where they stayed for approximately ten years. Beckmann continued to paint during this time. After the end of World War II, Beckmann immigrated to the United States where he taught, painted, and regularly exhibited his work. He taught art at Washington State University in St. Louis, Missouri, for a time and then became an art professor at the Brooklyn Museum's Art School in New York. Max Beckmann died in 1950.
Related Materials:
The Max Beckmann Archive in Munich, Germany also holds papers of Max Beckmann including correspondence, clippings, photographs and artifacts.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 1213-1214 and 1237) including ten personal diaries of Max Beckmann and three notebooks containing lists of works, sketches, and some daily entries of activities and observations. Loaned materials were returned to the donor and are not described in the collection container inventory.
Provenance:
Mathilde Q. Beckmann, the artist's widow, loaned diaries and notebooks for microfilming in 1977 and donated additional material in 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- Germany  Search this
Topic:
Art -- Germany  Search this
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Max Beckmann papers, 1917-1954. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.beckmax
See more items in:
Max Beckmann papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94fa3c2f4-e038-4b91-bc70-e56db9b0ba8b
EDAN-URL:
ead_collection:sova-aaa-beckmax
Online Media:

"Post Secondary Needs of Indians in Washington State [University of Washington] - Academic Affairs"

Collection Creator:
Medicine, Beatrice  Search this
Container:
Box 56
Type:
Archival materials
Date:
bulk 1973-1982
Collection Restrictions:
Materials relating to student grades, letters of recommendation, and evaluations have been restricted.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Beatrice Medicine papers, National Anthropological Archives, Smithsonian Institution.
See more items in:
Beatrice Medicine papers
Beatrice Medicine papers / Series 21: Reports
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a7307869-25ed-480d-a50e-3a182e934693
EDAN-URL:
ead_component:sova-naa-1997-05-ref1287

Architecture for Social Justice Award, Washington State University

Collection Creator:
Ostroff, Elaine  Search this
Container:
Box 29, Folder 5
Type:
Archival materials
Date:
[2003?]
Collection Restrictions:
Collection is open for research.

Reference copies for audio and moving images materials do not exist. Use of these materials requires special arrangement. Gloves must be worn when handling unprotected photographs and negatives.

Social Security numbers and other personally identifiable information has been rendered unreadable and redacted. Researchers may use the photocopies in the collection. The remainder of the collection has no restrictions.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Elaine Ostroff Universal Design Papers, 1965-2009, Archives Center, National Museum of American History
See more items in:
Elaine Ostroff Universal Design Papers
Elaine Ostroff Universal Design Papers / Series 4: Adaptive Environments
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8976dd0cc-9644-44fd-b5e1-50958584ff5f
EDAN-URL:
ead_component:sova-nmah-ac-1356-ref677

Oral history interview with Carmen Lomas Garza

Interviewee:
Garza, Carmen Lomas  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Galería de la Raza (San Francisco, Calif.)  Search this
Extent:
5 Sound cassettes (Sound recording (4 hrs.), analog)
122 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1997 Apr. 10-May 27
Scope and Contents:
An interview of Carmen Lomas Garza conducted 1997 Apr. 10-May 27, by Paul Karlstrom, for the Archives of American Art.
Lomas Garza discusses her working environment at Hunter Point Shipyard, a former naval facility on San Francisco Bay, near Candlestick Park, occupied by artists and small businesses; growing up in Kingsville, Tex., near Corpus Christi; her education at Texas A and I University (now Texas A and M) and graduating from the University of Texas at Austin with a B.S. in art education (1969); her activism in the Chicano movement during her college years; joining the farm workers march in Kingsville in 1965; installing an art show for MAYO (Mexican Workers Youth Organization) conference in 1969; the impact upon her of MAYO's walkout at Robstown High School, Tex., while she was a student teacher there, in protest of the lack of Mexican American teachers and curriculum; joining Galeria de La Raza in San Francisco, 1976, while a graduate student at Washington State University and the effect it had on the development of her career as an artist; the inspiration of her mother, who painted "lotteria tablas" (figures on boards; game cards); her interest in children's art; using family experiences for her "monitos" or "little figures" (cards painted with sets of fifteen numbers); and preserving her Mexican-American traditions as a basis for her identity.
Biographical / Historical:
Carmen Lomas Garza (1948-) is a painter from California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview received from a donation to AAA from the Los Angeles women's art organization Double X.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- California  Search this
Topic:
Latino and Latin American artists  Search this
Chicano artists  Search this
Chicano art movement  Search this
Chicano movement  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.garza97
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw969c66988-f4a2-4dc1-b7b5-45db54768100
EDAN-URL:
ead_collection:sova-aaa-garza97
Online Media:

Niimíipuu (Nez Perce) and Umatilla delegation visit to Washington, D.C.

Names:
Joseph (Nez Percé Chief), 1840-1904  Search this
Collection Creator:
Capron, Allyn K.  Search this
Extent:
8 Photographic prints
Culture:
Niimíipuu (Nez Perce)  Search this
Cayuse  Search this
Umatilla  Search this
Type:
Archival materials
Photographic prints
Place:
Washington (D.C.)
Date:
1900
Scope and Contents:
This series of portraits contains 8 rare photographic prints of a joint Nimiipuu (Nez Perce) and Umatilla delegation visit to Washington, D.C. in 1900. The portraits were taken by an unknown photographer and depict both Native and non-Native individuals, some of whom remain unidentified. This delegation visit was one of many Chief Joseph (Hin-mah-too-yah-lat-kekt) made in his lifetime to advocate for the return of the Nimiipuu (Nez Perce) from the Colville Indian Reservation to their original tribal lands in Wallowa Valley, Oregon, from which they had been forcibly removed. During this visit in 1900, Chief Joseph met with General Nelson A. Miles, who had captured Chief Joseph in 1877, at the War Department. General Miles then introduced Chief Joseph to the Secretery of the Interior, Ethan Allen Hitchcock. Chief Joseph urged both men to use their influence to restore the original Nimiipuu land, but this request was not granted.

The delegates appearing in this series includes Cayuse delegate Chief Paul Showaway and Nimiipuu (Nez Perce) delegates Chief Joseph (Hin-mah-too-yah-lat-kekt), Stephen J. Reuben, and Chief Peo Peo Tholekt (Peopeotahlikt/Peo Peo T'olikt/Peo-Peo-Ta-Lakt/George Peo-peo-tah-likt/Bird Alighting). Stephen J. Reuben was Chief Joseph's nephew, and acted as an interpreter for this visit. This series was possibly photographed outside of 1111 Masachussets Avenue, Washington, D.C. Additional identifications were provided by Nakia Williamson-Cloud, Nez Perce Tribe Cultural Resource Program, 2003.

Photographic prints include P13196-P13203.

Note: Although these photographs were originally catlogued as having been taken in 1889, contemporary newspaper accounts and related photographic collections attest to this delegation visit occurring in the year 1900.
Related Materials:
Washington State University Library possesses additional photographs from this delegation visit. See WSU's National Park Service (NPS) Nez Perce Historic Images Collection (images EPE-HI-2928 and NEPE-HI-3232).
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Captain Allyn Capron photograph collection, image #, NMAI.AC.152; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.152, Series 4
See more items in:
Captain Allyn Capron photograph collection
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4743e66e2-3e3f-444b-beaa-808ef9a113d6
EDAN-URL:
ead_component:sova-nmai-ac-152-ref11

Chief Peo Peo Tholekt and Chief Paul Showaway

Collection Creator:
Capron, Allyn K.  Search this
Extent:
1 Photographic print
Culture:
Niimíipuu (Nez Perce)  Search this
Cayuse  Search this
Type:
Archival materials
Photographic prints
Date:
1900
Scope and Contents:
Photograph depicting Chief Peo Peo Tholekt (Nimiipuu [Nez Perce]), left, and Chief Paul Showaway (Cayuse), right, posed outside of a brick building. Both men wear traditional clothing. This photograph was likely taken in March or April of 1900, possibly at 1111 Massachusetts Avenue, during a delegation visit to Washington, D.C. led by Chief Joseph. The photographer is unknown.
Related Materials:
Washington State University Library possesses a photograph depicting this scene from a slightly different angle. The photographic identifier is NEPE-HI-3232.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Captain Allyn Capron photograph collection, image #, NMAI.AC.152; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.152, Item P13198
See more items in:
Captain Allyn Capron photograph collection
Captain Allyn Capron photograph collection / Series 4: Niimíipuu (Nez Perce) and Umatilla delegation visit to Washington, D.C.
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv41b37773f-4a97-4925-b56f-35aeaa64f356
EDAN-URL:
ead_component:sova-nmai-ac-152-ref14

Chief Paul Showaway

Collection Creator:
Capron, Allyn K.  Search this
Extent:
1 Photographic print
Culture:
Cayuse  Search this
Type:
Archival materials
Photographic prints
Date:
1900
Scope and Contents:
Portrait depicting Chief Paul Showaway (Cayuse) wearing traditional clothing and standing on a lawn in front of a fence. His clothes include bandolier sashes, a fringed hide jacket, and a feather headdress. This photograph was likely taken in March or April of 1900, possibly at 1111 Massachusetts Avenue, during a delegation visit to Washington, D.C. led by Chief Joseph. The photographer is unknown.
Related Materials:
Washington State University Library possesses an uncropped version of this photograph with the identifier NEPE-HI-2928.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Captain Allyn Capron photograph collection, image #, NMAI.AC.152; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.152, Item P13203
See more items in:
Captain Allyn Capron photograph collection
Captain Allyn Capron photograph collection / Series 4: Niimíipuu (Nez Perce) and Umatilla delegation visit to Washington, D.C.
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4f3810c1d-ded7-4027-9ff9-855d194590c5
EDAN-URL:
ead_component:sova-nmai-ac-152-ref19

Point Xeroxes - Washington State University (2 folders)

Collection Correspondent:
Hanson, James A.  Search this
Conner, Stuart W.  Search this
Dempsey, Hugh A.  Search this
Brasser, Ted J.  Search this
DeMallie, Raymond  Search this
Schaeffer, Claude E.  Search this
Taylor, Colin F.  Search this
Collection Creator:
Ewers, John C. (John Canfield), 1909-1997  Search this
Container:
Box 16
Type:
Archival materials
Text
Date:
undated
Collection Restrictions:
The John Canfield Ewers papers are open for research.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
John Canfield Ewers papers, National Anthropological Archives, Smithsonian Institution
See more items in:
John Canfield Ewers Papers
John Canfield Ewers Papers / Series 2: Research and Subject Files / De Smet Project:
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw34dcf9fbd-cb82-4550-a31f-db315313a82d
EDAN-URL:
ead_component:sova-naa-1998-35-ref3398

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