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General Thomas Sidney Jesup

Artist:
Charles Bird King, 26 Sep 1785 - 18 Mar 1862  Search this
Sitter:
Thomas Sidney Jesup, 1788 - 1860  Search this
Medium:
Oil on canvas
Dimensions:
113 × 86 cm (44 1/2 × 33 7/8")
Type:
Painting
Date:
c. 1818-1819
Topic:
Weapon\Sword  Search this
Costume\Dress Accessory\Glove  Search this
Costume\Dress Accessory\Epaulet  Search this
Exterior\Military Camp  Search this
Costume\Dress Accessory\Belt  Search this
Thomas Sidney Jesup: Male  Search this
Thomas Sidney Jesup: Military\Army\Officer  Search this
Portrait  Search this
Credit Line:
Owner: Washington Cathedral
Object number:
DC990446
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4dd8e815b-bef3-4e09-bd33-846114ecd5cc
EDAN-URL:
edanmdm:npg_DC990446

clip

Physical Description:
metal, iron (overall material)
Measurements:
overall: 1/2 in x 1 5/8 in x 1 3/8 in; 1.27 cm x 4.1275 cm x 3.4925 cm
Object Name:
clip
Object Type:
catches
Place made:
United States: Pennsylvania, Philadelphia
Date made:
ca 1928
Credit Line:
Gift of Howard Keyser
ID Number:
DL.72.0034B
Catalog number:
72.0034B
Accession number:
299610
See more items in:
Cultural and Community Life: Domestic Life
Domestic Furnishings
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b2-a41c-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1459600
Online Media:

clip

Physical Description:
metal, iron (overall material)
Measurements:
overall: 1/2 in x 1 1/2 in x 7/8 in; 1.27 cm x 3.81 cm x 2.2225 cm
Object Name:
clip
Object Type:
catches
Place made:
United States: Pennsylvania, Philadelphia
Date made:
ca 1928
Credit Line:
Gift of Howard Keyser
ID Number:
DL.72.0034A
Catalog number:
72.0034A
Accession number:
299610
See more items in:
Cultural and Community Life: Domestic Life
Domestic Furnishings
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b2-9af4-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_318755
Online Media:

Playbill for Porgy and Bess

Published by:
Playbill, American, founded 1884  Search this
Used by:
Gershwin Theatre, American, founded 1972  Search this
Subject of:
Donnie Ray Albert, American, born 1950  Search this
Clamma Dale, American, born 1948  Search this
Wilma Shakesnider  Search this
Abraham Lind-Oquendo  Search this
Esther Hinds  Search this
Delores Ivory-Davis, American, born 1939  Search this
Robert Mosely, American, died 2002  Search this
Irene Oliver  Search this
George Gershwin, American, 1898 - 1937  Search this
Ira Gershwin, American, 1896 - 1983  Search this
DuBose Heyward, American, 1885 - 1940  Search this
Medium:
ink on paper
Dimensions:
H x W: 9 x 5 5/8 in. (22.9 x 14.3 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
1976
Topic:
African American  Search this
Broadway Theatre  Search this
Opera (Music)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.80
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd589248311-f352-40f2-8a55-eb199f77a588
EDAN-URL:
edanmdm:nmaahc_2011.45.80
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Playbill for Porgy and Bess digital asset number 1
Online Media:

Theodore Barbarossa papers, 1931-1991

Creator:
Barbarossa, Theodore, 1906-1992  Search this
Kennedy, Kennedy, Keefe and Carney (Firm)  Search this
Subject:
Feller, Richard T.  Search this
Hopper, Inslee  Search this
Washington Cathedral  Search this
National Shrine of the Immaculate Conception (Washington, D.C.)  Search this
Cathedral of the Assumption of the Blessed Virgin Mary (Baltimore, Md.)  Search this
Cathedral of St. John the Divine  Search this
St. Thomas' Church (New York, N.Y.)  Search this
Type:
Drawings
Topic:
Christian art and symbolism  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Record number:
(DSI-AAA_CollID)5852
(DSI-AAA_SIRISBib)208692
AAA_collcode_barbtheo
Theme:
Art Materials, Techniques, and Studio Art Education
Government Sponsorship of the Arts
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208692

Washington National Cathedral Stained Glass Formulae Collection

Creator:
Saint, Lawrence B., 1885-1961  Search this
Washington Cathedral  Search this
Extent:
9.3 Cubic feet (29 boxes)
Type:
Collection descriptions
Archival materials
Formulae, chemical
Glass samples
Place:
Washington (D.C.)
Date:
1926-1936
Summary:
This collection consists of chemical formulae developed by Lawrence Saint for use in his stained glass work at the Washington National Cathedral. There are supporting samples, records, and notes.
Scope and Contents:
This collection consists of 976 formulae developed by Lawrence Saint for making stained glass. A shoe box contains 3" x 5" index cards of the formulae. Included are duplicate formulae and some miscellaneous notes. There are also over eight hundred samples of glass for various formulae. Some of the formulae were missing when the collection was donated to the National Museum of American History. These are noted in the container list.
Arrangement:
This collection is divided into three series.

Series 1, Formulae, 1927-1933

Series 2, Notes and Records, 1926-1936

Series 3, Glass Samples, 1927-1933
Biographical / Historical:
Lawrence B. Saint was born in Pittsburgh in 1885. The work he did with stained glass, especially filming (the process of making a work of stained glass, old or new, look as if it is from the Middle Ages), influenced glassmakers everywhere. At thirteen, Saint was employed in Goeddel's wallpaper store. While at Goeddel's, Saint made sketches which impressed J. Horace Ruby, a former Goeddel's employee. Saint then began working under Ruby at Ruby Brothers Stained Glass Company. Saint's chores in the studio were to grind paint, trace patterns, sweep the floors, and build fires in the pot-bellied stove. Saint worked in this studio for four years. He saved enough money to put himself through the Pennsylvania Academy of Fine Arts in Philadelphia.

After art school, Saint was employed by the H. F. Petgen Company of Pittsburgh to design a large rose window for the Roman Catholic Church of Saint Peter and Saint Paul in East Liberty, Pennsylvania. It was a mosaic of color with symbols of the four evangelists of Christ. During his last year in art school, Saint met his future wife, Katherine Wright. Their honeymoon in Europe provided Saint time to study and copy medieval stained glass. Saint made at least three visits to Europe and collected sample glass from Chartres and other cathedrals. When Saint returned to the United States he designed and painted windows for eleven years under the direction of Raymond Pitcairn, promoter of medieval arts at Bryn Athyn Cathedral in Pennsylvania. During this period, Saint started to portray figures from life to record the faces of his generation. Between visits to Europe, Saint completed six windows in eleven years. Three were figure windows, three were two small roses, and one was a grisaille window. Grisaille is a style of monochromatic painting in shades of gray, used especially for the representation of relief sculpture, or to simulate one. After his work at Bryn Athyn, Saint worked out of his own stained glass studio.

He then went to work for the Washington National Cathedral as head of its stained glass studio. He designed and executed fourteen windows for the Cathedral: the North Rose Window, nine choir aisle windows, and four others in the north transept aisles. Saint experimented with recapturing the reds, blues, and other vibrant colors achieved by medieval glass makers using formulae based on spectroscopic analyses of scraps of 13th century glass. While working for the Cathedral, a fire broke out in Saint's studio. Many windows and materials were destroyed including a window depicting Moses. Saint's most famous work for the Cathedral was the North Rose Window entitled, "The Last Judgment." This window cost $22,687 and took twelve men to create. Saint made his own glass and applied his own process for filming it. Upon completion, Saint's work was displayed at the Free Library of Philadelphia in 1957 and in other cities. Saint said, 'I trust that my material, made public, will lead others to improve on my work...".
Provenance:
The collection was donated to the National Museum of History and Technology (now the National Museum of American History) by the Washington National Cathedral, through Richard T. Feller in 1977.
Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply.
Occupation:
Stained glass artists  Search this
Topic:
Glass, Colored  Search this
Glass painting and staining -- United States  Search this
Glass manufacture  Search this
Genre/Form:
Formulae, chemical
Glass samples
Citation:
Washington National Cathedral Stained Glass Formulae Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0090
See more items in:
Washington National Cathedral Stained Glass Formulae Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0090

Newman, David Dean

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 73, Folder 11
Type:
Archival materials
Date:
1957-1962
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref10740
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  • View Newman, David Dean digital asset number 1

Oral history interview with Frederick Hart

Interviewee:
Hart, Frederick, 1943-  Search this
Interviewer:
Pennington, Estill Curtis  Search this
Names:
Washington Cathedral  Search this
De Weldon, Felix, 1907-2003  Search this
Extent:
2 Items (Sound recording: 2 sound files, digital, wav file)
18 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 Nov. 23
Scope and Contents:
An interview of Frederick Hart conducted 1982 Nov. 23, by Estill Curtis Pennington, for the Archives of American Art.
Hart speaks of his training with the sculptor Felix de Weldon, his work on the Washington Cathedral, and his involvement with the Vietnam Veteran's Memorial.
Biographical / Historical:
Frederick Hart (1943-1999) was a sculptor from Washington, D.C. Born in Atlanta, Ga.; studied at the Univ. of South Carolina, the Corcoran Gallery, and American Univ.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Vietnam Veterans Memorial (Washington, D.C.)  Search this
Sculptors -- Washington (D.C.) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hart82
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hart82

Theodore Barbarossa papers

Creator:
Barbarossa, Theodore Cotillo, 1906-1992  Search this
Kennedy, Kennedy, Keefe and Carney (Firm)  Search this
Names:
Cathedral of St. John the Divine (New York, N.Y.)  Search this
Cathedral of the Assumption of the Blessed Virgin Mary (Baltimore, Md.)  Search this
National Shrine of the Immaculate Conception (Washington, D.C.)  Search this
St. Thomas' Church (New York, N.Y.)  Search this
Washington Cathedral  Search this
Feller, Richard T.  Search this
Hopper, Inslee  Search this
Extent:
0.8 Linear feet
8.6 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Drawings
Date:
1931-1991
Scope and Contents:
Biographical data; awards and citations; personal and business correspondence with: Inslee Hopper, consultant to the Chief of the Section of Fine Arts; Richard T. Feller, Clerk of Works for the Washington Cathedral; and Kennedy, Kennedy, Keefe and Carney (formerly Maginnis and Walsh and Kennedy), architects for the National Shrine of the Immaculate Conception in Washington, D.C. and the Cathedral of the Assumption of the Blessed Virgin Mary in Baltimore, Md. concerning his work at those churches; correspondence regarding his work at the Cathedral of St. John the Divine and the St. Thomas' Church, NYC, and others; sketches, drawings, etchings and studies for reliefs and sculpture; clippings; and photographs of Barbarossa and his sculpture.
ADDITION: Biographical data; awards and citations; military records; correspondence, mostly business but including a few letters from friends and fellow sculptors such as Richard Barthe, Walker Hancock, Thomas Lo Medico, and Heinz Warneke; writings; sketches, drawings, and etchings by Barbarossa and others; studies for relief and figural sculpture; photographs and slides of Barbarossa, others, and of his sculpture, notably of his commissioned sculpture for the New York World's Fair (1939), for several Treasury Dept. art projects in the 1930s, and for his post-WWII commissions for churches, primarily in Baltimore, Md., Washington, D.C. and NYC, and Catholic schools in Tarrytown and Yonkers, NY.
Biographical / Historical:
Sculptor; Belmont, Mass. Died 1992.
Provenance:
Donated 1980 by Theodore Barbarossa. Addition donated 1996 by Susan Gray Barbarossa, Barbarossa's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Topic:
Christian art and symbolism  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Genre/Form:
Drawings
Identifier:
AAA.barbtheo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-barbtheo

Andrew Dreselly papers

Creator:
Dreselly, Andrew, 1893-1985  Search this
Names:
Angel, John, 1881-1960  Search this
Cascieri, Arcangelo, 1902-1997  Search this
Keen, Edgar  Search this
Kirchmayer, John, 1860-1930  Search this
Pellegrini, Ernest, 1889-1955  Search this
Extent:
1.3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
1900-1981
Scope and Contents:
Correspondence, notes, art works, clippings, and photographs document the sculptural projects, primarily for churches, undertaken by Andrew Dreselly and his colleagues.
Correspondence (1927-1972), primarily letters exchanged with sculptors, architects, and other colleagues, concerning sculpture projects; two pages of writings, and 2 drawings (one annotated) concerning the ornamentation of the Governor's Palace in Williamsburg, Va.; eight pencil outlines for crucifixion figures will related reproductions; an outline and 2 rubbings depicting a memorial stone for Katherine Sullivan (1938); and several clippings (1929-1933).
Photographs include one, taken by his son David, of Dreselly (ca. 1981) and prints and ca. 1000 unprinted negatives (1900-ca. 1960) of Dreselly's work and that of his colleagues, including John Angel, Arcangelo Cascieri, Edgar Keen, Johann Kirchmayer, and Ernest Pellegrini. Among the projects are the Cathedral Church of St. John the Divine, St. James Cathedral, and the Riverside Baptist Church in New York City; the Governor's Palace in Williamsburg, Va.; the Washington Cathedral in Washington, D.C.; and the East Liberty Presbyterian Church in Pittsburgh, Pa.
Biographical / Historical:
Sculptor, wood carver; Cambridge, Mass. Born in Cambridge to Bavarian immigrant parents. In 1907, he was apprenticed to Johann Kirchmayer at W. F. Ross Company, becoming foreman of the woodcarving and modeling shop upon Kirchmayer's retirement in 1921. During the 1920s and 1930s, Dreselly worked, through the Ross Company, on many large church projects in New York, Washington, D.C., Pittsburgh, and Boston. Ancangelo Cascieri was Dreselly's apprentice. In 1943, Dreselly moved to the Schwamb Company and from 1948 until his retirement in 1967, he was head of carving and modeling at Irving & Casson.
Provenance:
Donated 1981 by Andrew Dreselly; a photograph of Dreselly was donated 1985 by his son, David Dreselly.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Wood-carvers  Search this
Sculptors  Search this
Topic:
Carving (Decorative arts) -- United States  Search this
Church decoration and ornament -- United States  Search this
Genre/Form:
Drawings
Identifier:
AAA.dresandr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dresandr

Viola bicolor Pursh

Preparation:
Photograph
Place:
United States, DC, Washington Cathedral, Rock Creek Park
Common name:
field pansy
Taxonomy:
Plantae Dicotyledonae Malpighiales Violaceae Violoideae
Published Name:
Viola bicolor Pursh
See more items in:
Botany
Non-specimen graphic
Plant Image Collection
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3c0a1044f-b5a7-4c93-aa83-d604904250d7
EDAN-URL:
edanmdm:nmnhbotany_10332645

Viola bicolor Pursh

Preparation:
Photograph
Place:
United States, DC, Washington Cathedral, Spring Garden
Common name:
field pansy
Taxonomy:
Plantae Dicotyledonae Malpighiales Violaceae Violoideae
Published Name:
Viola bicolor Pursh
See more items in:
Botany
Non-specimen graphic
Plant Image Collection
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/30891ede8-3a18-4bf7-92e5-572f5b0de1e1
EDAN-URL:
edanmdm:nmnhbotany_10332644

Viola sp.

Preparation:
Photograph
Place:
United States, DC, Washington Cathedral, Spring Garden
Common name:
violet
Taxonomy:
Plantae Dicotyledonae Malpighiales Violaceae Violoideae
Published Name:
Viola sp.
See more items in:
Botany
Non-specimen graphic
Plant Image Collection
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/36b08f63e-454d-4c12-bac1-d60148df4acd
EDAN-URL:
edanmdm:nmnhbotany_10327270

Viola x sororia

Preparation:
Photograph
Place:
United States, DC, Washington Cathedral, Spring Garden
Common name:
common blue violet
woody blue violet
woolly blue violet
Taxonomy:
Plantae Dicotyledonae Malpighiales Violaceae Violoideae
Published Name:
Viola x sororia
See more items in:
Botany
Non-specimen graphic
Plant Image Collection
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3dfe5dff8-e8fa-4455-be06-88b29a58090f
EDAN-URL:
edanmdm:nmnhbotany_10327298
Online Media:

Viola x sororia

Preparation:
Photograph
Place:
United States, DC, Washington, Washington Cathedral, Spring Garden
Common name:
common blue violet
woody blue violet
woolly blue violet
Taxonomy:
Plantae Dicotyledonae Malpighiales Violaceae Violoideae
Published Name:
Viola x sororia
See more items in:
Botany
Non-specimen graphic
Plant Image Collection
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/322983d1b-6d97-4783-8978-82f3de55ed64
EDAN-URL:
edanmdm:nmnhbotany_10327305

George Grey Barnard selected papers, 1895-1941

Creator:
Barnard, George Grey, 1863-1938  Search this
Subject:
Rockefeller, John D., Jr. (John Davison)  Search this
Roosevelt, Theodore  Search this
Topic:
Sculpture, American  Search this
Record number:
(DSI-AAA_CollID)9736
(DSI-AAA_SIRISBib)212036
AAA_collcode_barngeos
Theme:
The Art Market
Lives of American Artists
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212036

George Grey Barnard selected papers

Creator:
Barnard, George Grey, 1863-1938  Search this
Names:
Rockefeller, John D., Jr. (John Davison), 1874-1960  Search this
Roosevelt, Theodore, 1858-1919  Search this
Extent:
7 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1895-1941
Scope and Contents:
The microfilmed selected George Grey Barnard selected papers include correspondence with dealers, museums, John D. Rockefeller, and others; a few exhibition files; letters from Theodore Roosevelt; files on Barnard's Lincoln sculpture and Rainbow Arch; and drawings and sketches.

Files selected for microfilming in the correspondence subseries A, correspondence with individuals, include Piccirilli Bros., John D. Rockefeller, Jr., Lorado Taft, and Abbott Handerson Thayer and family. The two remaining subseries, correspondence with dealers and with museums were microfilmed in their entirety; among the correspondents are American Art Galleries, Brummer Gallery, G.J. De Motte, Jacques Seligmann, Yamanaka & Co., Metropolitan Museum of Art, Philadelphia Museum of Art, the Washington Cathedral, and many others.

Files on the Carnegie Institute Exhibition (1938), Grand Central Art Galleries Exhibition (1935), 1st Annual International Exhibition (1912-1913), and Theodore Roosevelt's letters to Barnard (1917 and 1937) were microfilmed. Files regarding Barnard's Lincoln statue and the Rainbow Arch were microfilmed in their entirety; only a few files, mainly sketches and drawings, were selected from subseries C regarding other sculpture projects.
Arrangement:
Material selected for microfilming from Series I-III: I. Correspondence (reels 3658-3661) II. Subjects (Exhibition files only, reels 3661-3662) III. Sculpture (Lincoln, Rainbow Arch, misc. sketches, reels 3662-3664)
Biographical / Historical:
George Grey Barnard (1863-1938) was an American sculptor, collector, and dealer, whose collection of medieval art formed the nucleus of the Cloisters, the branch of the Metropolitan Museum of Art dedicated to the art of the middle ages. Barnard was born to a Presbyterian minister and his wife in Bellefonte, Pennsylvania in 1863. While he was still a young boy, the family left Pennsylvania for the Midwest, eventually settling in Muscatine, Iowa. He married Edna Monroe in 1895 and had three children: Monroe, Vivia, and Barbara.
Related Materials:
The Archives of American Art also holds the George Grey Barnard papers, circa 1860-1969, bulk 1880-1938; the George Grey Barnard letters to Mr. Van der Weyde, [ca. 1910-1921]; and the Photograph of Barnard's sculpture of Lincoln.

The Philadelphia Museum of Art Archives holds the George Grey Barnard Papers. The Metropolitan Museum of Art, Cloisters Library holds the George Grey Barnard Collection (1889-1967).
Provenance:
Papers received at Philadelphia Museum of Art in 1945 along with the Barnard Abbaye of Medieval art, purchased from the Barnard estate. The collection consists of 18 linear feet of manuscript material, and 1 foot of special format materials, of which 4 feet were selected by the Archives of American Art for microfilming.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote, or reproduce requires written permission from Archivist, Philadelphia Museum of Art. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors  Search this
Topic:
Sculpture, American  Search this
Identifier:
AAA.barngeos
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-barngeos

Oral history interview with Frederick Hart, 1982 Nov. 23

Interviewee:
Hart, Frederick, 1943-1999  Search this
Interviewer:
Pennington, Estill Curtis  Search this
Subject:
De Weldon, Felix  Search this
Washington Cathedral  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Vietnam Veterans Memorial (Washington, D.C.)  Search this
Sculptors -- Washington (D.C.) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12957
(DSI-AAA_SIRISBib)212714
AAA_collcode_hart82
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212714

Washington D. C., Washington Cathedral

Collection Creator:
Wilbur H. Burnham Studios  Search this
Container:
Box 11
Type:
Archival materials
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Wilbur H. Burnham Studios records, circa 1901-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Wilbur H. Burnham Studios records
Wilbur H. Burnham Studios records / Series 6: Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wilbhbur-ref317

General

Collection Creator:
Wilbur H. Burnham Studios  Search this
Container:
Box 11, Folder 1-2
Type:
Archival materials
Date:
1940s-1960s
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Wilbur H. Burnham Studios records, circa 1901-1991. Archives of American Art, Smithsonian Institution.
See more items in:
Wilbur H. Burnham Studios records
Wilbur H. Burnham Studios records / Series 6: Project Files / Washington D. C., Washington Cathedral
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-wilbhbur-ref318

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