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William James papers, 1883-1957

Creator:
James, William, 1882-1961  Search this
Subject:
Duveneck, Elizabeth Boott  Search this
James, Catherine Barber  Search this
James, Henry  Search this
James, Marcia Ames  Search this
James, William  Search this
Warner, Langdon (1881-1955)  Search this
James, Alexander  Search this
De Glehn, Jane Erin Emmet  Search this
Thayer, Abbott Handerson  Search this
Type:
Scrapbooks
Citation:
William James papers, 1883-1957. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American -- Massachusetts  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8238
(DSI-AAA_SIRISBib)210409
AAA_collcode_jamewill
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210409

George Leslie Stout papers, 1855, 1897-1978

Creator:
Stout, George L. (George Leslie)  Search this
Subject:
Sachs, Paul J. (Paul Joseph)  Search this
Gardner, G. Peabody (George Peabody)  Search this
Ivins, William Mills  Search this
Marceau, Henri  Search this
Hall, Ardelia Ripley  Search this
Howe, Thomas Carr  Search this
Sizer, Theodore  Search this
Buck, Richard D.  Search this
Warner, Langdon (1881-1955)  Search this
Constable, W. G. (William George)  Search this
Moore, Lamont  Search this
Worcester Art Museum  Search this
Isabella Stewart Gardner Museum  Search this
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
Fogg Art Museum  Search this
Type:
Photographs
Sketches
Sketchbooks
Citation:
George Leslie Stout papers, 1855, 1897-1978. Archives of American Art, Smithsonian Institution.
Topic:
Museum directors -- United States  Search this
World War, 1939-1945 -- Art and the war  Search this
Art -- Conservation and restoration  Search this
Theme:
Diaries  Search this
Diaries  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)13421
(DSI-AAA_SIRISBib)211684
AAA_collcode_stougeor
Theme:
Diaries
Diaries
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211684
Online Media:

George Leslie Stout papers

Creator:
Stout, George L. (George Leslie)  Search this
Names:
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
Fogg Art Museum  Search this
Isabella Stewart Gardner Museum  Search this
Worcester Art Museum  Search this
Correspondent:
Buck, Richard D.  Search this
Constable, W. G. (William George), 1887-1976  Search this
Gardner, G. Peabody (George Peabody)  Search this
Hall, Ardelia Ripley  Search this
Howe, Thomas Carr, 1904-1994  Search this
Ivins, William Mills, 1881-1961  Search this
Marceau, Henri, 1896-1969  Search this
Moore, Lamont  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Sizer, Theodore, 1892-1967  Search this
Warner, Langdon (1881-1955)  Search this
Extent:
6.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Sketchbooks
Date:
1855
1897-1978
Summary:
The papers of conservator and museum director George Leslie Stout measure 6.4 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs.

There is a 0.2 linear foot addition to this collection acquired in 2020 that includes four diaries, 1944-1946, kept by George Stout as a member of the Monuments, Fine Arts and Archives Section (MFAA) of the U.S. Army (known as the Monuments Men). The diaries describe Stout's experiences surveying war-caused damages in France, Germany, and Japan, and the recovery of Nazi impounded art works. Also included is a hand-made booklet that includes a "Glossary of Cha-no-yu Terms," which consists of quotes about Japanese art and tea drinking.
Scope and Contents:
The papers of conservator and museum director George Leslie Stout measure 6.4 linear feet and date from 1855, 1897-1978. Stout was head of the conservation department at Harvard University's Fogg Art Museum, director of the Worcester Art Museum and Isabella Stewart Gardner Museum in Massachusetts, and a member of the Monuments, Fine Art and Archives (MFAA) Section of the U.S. Army during World War II. The bulk of the collection consists of correspondence with family, friends, colleagues and professional associations. There are letters from fellow Monuments Men who served in the MFAA section such as Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner and several other prominent arts administrators. The papers also contain biographical materials, writings, sketches and one sketchbook, military records, printed materials, and photographs.

There is a 0.2 linear foot addition to this collection acquired in 2020 that includes four diaries, 1944-1946, kept by George Stout as a member of the Monuments, Fine Arts and Archives Section (MFAA) of the U.S. Army (known as the Monuments Men). The diaries describe Stout's experiences surveying war-caused damages in France, Germany, and Japan, and the recovery of Nazi impounded art works. Also included is a hand-made booklet that includes a "Glossary of Cha-no-yu Terms," which consists of quotes about Japanese art and tea drinking.

Biographical materials include college and graduate school transcripts, various certificates, four small appointment books and passports.

Correspondence is between George Leslie Stout and family, friends, colleagues, professional associations and fellow Monuments Men. Family correspondence is with Stout's immediate and extended family, the bulk of which is from Stout to his wife Margaret and his son Thomas. Correspondents in the Monuments Men correspondence include Thomas Carr Howe, Ardelia Hall, Lamont Moore, Theodore Sizer, Langdon Warner, and many others. There is also substantial correspondence with friends and professional colleagues in the museum and art world, such as Walter Beck, Richard D. Buck, William George Constable, Earl of Crawford, George Peabody Gardner, Jr., William Ivins, Jr., Henri Marceau, and Paul Sachs, among many others.

Writings by Stout consist of typescript drafts and published articles, speeches, and miscellaneous notes. Most of the writings concern art conservation and the speeches are memorials for two of Stout's colleagues. Notes consists of drafts for the texts of holiday cards Stout designed, biographical notes, and images and captions for The Care of Pictures. There are also three conference papers on art conservation written by other people.

Subject files document Stout's conservation projects as a consultant for museums, universities, galleries and other organizations. Also found in this series are documents relating to Stout's work after retiring from the Isabella Gardner Museum and his membership or participation in various arts programs and organizations.

A separate series contains files relating to Stout's World War II service in the Monuments, Fine Arts & Archives (MFAA) Section. Found here are official military records, publications by Monuments Men, and a few scattered photographs. Military records include directives, reports, certificates and a bronze star medal. There are articles and books written by various Monuments Men such as Langdon Warner, Lincoln Kirstein and Theodore Sizer. There are also scattered photographs, only two of which depict tout (including one group photograph with Lamont Moore, Walker Hancock and other Monuments Men.) There are also 12 negatives with 4 prints depicting La Gleize Church and the town of Ambleve, Belgium in 1945. There are also four diaries documenting Stout's experiences in the MFAA Section in Europe and Japan from 1944-1946.

Personal business records include assorted legal and estate papers as well as financial papers such as receipts, travel expenses and donations.

Printed materials consists of news clippings, bulletins, brochures, press releases, conference papers, and magazine and journal articles, most of it related to art conservation.

Artwork includes pencil and ink drawings and sketches, mostly of travel scenes, people, and animals. There is one sketchbook of the human figure. Many sketches were loosely grouped together by Stout with titles such as "Pool Doodles" or "Park and Zoo." The is also one caricature of Eric Brown by Murray Pease.

The papers include photographs and negatives, mostly personal photographs of friends, family, relatives and colleagues. There are also photographs of art conservation conferences and travel photographs. Additional scattered photographs are located in the series containing the Monuments Men files.
Arrangement:
This collection is arranged as 9 series.

Missing Title

Series 1: Biographical Materials, circa 1919-1977 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1922-1978 (2.5 linear feet; Box 1-3, OV 8)

Series 3: Writings, 1927-1978 (0.5 linear feet; Box 3-4)

Series 4: Subject Files, 1918, 1943-1978 (1 linear feet; Box 4, OV 8-9)

Series 5: Monuments, Fine Arts & Archives Section Files, 1918, 1942-1955, 1972-1975 (0.5 linear feet; Box 5, 10)

Series 6: Personal Business Records, 1938-1978 (0.1 linear feet; Box 5)

Series 7: Printed Materials, 1926-1977 (0.8 linear feet; Box 5-6, OV 9)

Series 8: Sketchbooks, circa 1924-circa 1938, 1970-1977 (0.1 linear feet; Box 6)

Series 9: Photographic Materials, circa 1855, 1897-1978 (0.2 linear feet; Box 6-7)
Biographical / Historical:
George Leslie Stout (1897-1978) was a museum director and prominent art conservator in Massachusetts. Stout was head of the conservation department at Harvard University's Fogg Art Museum, and director of the Worcester Art Museum and Isabella Stewart Gardner Museum, Massachusetts. During World War II, Stout served in the U.S. Army Monuments, Fine Art and Archives (MFAA) and played a leading role in the protection, location, and recovery of art work stolen by the Nazis.

Born in Winterset, Iowa in 1897, George Leslie Stout was the oldest of six children and attended Winterset High School and served in the U.S. army during World War I. Following the war, Stout studied at the State University of Iowa, received his B.A. in 1921, worked for a few years, and married Margaret Hayes in 1924 with whom he had two sons, Robert and Thomas. He attended Harvard graduate school in 1926 and graduated with a Master of Art in 1929. Stout began working as a lecturer and conservator at Harvard's Fogg Art Museum, later becoming the head of the conservation department in 1933, a position he held until 1947.

During World War II, Stout re-enlisted in the U.S. Navy, having served in the reserves since World War I. Stout was one of the first members of the Monuments, Fine Arts & Archives (MFAA) Section of the U.S. army. He was appointed to the MFAA Section for the Twelfth Army Group in 1944 and was one of the first Monuments Men to arrive at Normandy, France. He was later appointed Lieutenant Commander of the MFAA Section. Many of the Monuments Men's stolen art recovery achievements were directed by George Leslie Stout. Stout supervised the inventory and removal of looted art hidden by the Nazis in the salt mines of Merkers and Ransbach in Thuringia, Germany. Stout oversaw the organization, packing, and shipping of several thousand objects including paintings by Rubens and Goya, along with precious antiquities. At the Altaussee salt mines in Austria, he was in charge of the unit that recovered a large cache of stolen artwork that included Michelangelo's Madonna and Child and the Ghent Altarpiece or The Adoration of the Mystic Lamb by Hubert and Jan van Eyck. There, he also worked very closely with fellow Monuments Men Thomas Carr Howe. Stout went on to locate and recover looted artwork in other repositories in Germany, France, and the Netherlands. He maintained a relationship with many of his fellow Monuments Men after the war.

Stout left Europe in the latter half of 1945, then went to Japan where he served as the Chief of the Arts and Monuments Division at Headquarters of the Supreme Commander for the Allied Powers, Tokyo until the middle of 1946. After the war Stout received the Bronze Star and the Army Commendation Medal for his army service and work as a Monuments Man in Europe.

Stout resumed his position as the head of the conservation department at the Fogg Art Museum when he returned to America. In 1947 he became the director of the Worcester Art Museum in Massachusetts where he stayed until 1955, when he became the director of the Isabella Stewart Gardner Museum in Boston where he worked until his retirement in 1970. Stout wrote numerous articles about art conservation and wrote two books: Painting Materials, A Short Encyclopaedia (1942), co-authored with Harvard colleage R. J. Gettens, and Care of Pictures (1948). Stout died in Menlo Park, California in 1978 and was widely recognized as a distinguished art conservator.
Related Materials:
Also found in the Archives of American Art is an oral history interview with George Stout conducted by Paul Karlstrom in 1978.
Provenance:
George Leslie Stout donated his papers to the Archives of American Art in 1978. In that same year, Robert Stout, son of George Leslie Stout, loaned four diaries to the Archives of American Art for microfilming. The four diaries were acquired at auction by the Archives in 2020 with generous donations from Paul Neely, David Copperfield in memory of Kelly Asbury, Deborah Lehr and John Rogers, Ambassador Nicholas F. Taubman, The Whitney and Elizabeth MacMillan Foundation, Jeffrey P. Cunard and Mariko Ikehara; The Elbrun and Peter Kimmelman Family Foundation, Inc.; Peter and Paula Lunder; William and Christine Ragland in memory of William McKenzie Ragland Lt. JG, U.S. Navy, Pacific Theater, WWII; The Kurin Family in honor of WWII Veteran Saul Kurin, Paul and Corine Wegener, and Judy and Bob Huret.
Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. For more information, please contact Reference Services.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conservators -- California  Search this
Arts administrators  Search this
Topic:
Museum directors -- United States  Search this
World War, 1939-1945 -- Art and the war  Search this
Art -- Conservation and restoration  Search this
Genre/Form:
Photographs
Sketches
Sketchbooks
Citation:
George Leslie Stout papers, 1855, 1897-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stougeor
See more items in:
George Leslie Stout papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ccad7a5c-748e-4881-8fc3-5bf2bf18a811
EDAN-URL:
ead_collection:sova-aaa-stougeor
Online Media:

Carl Whiting Bishop Collection

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Extent:
20 Linear feet
Type:
Collection descriptions
Archival materials
Negatives
Photographic prints
Manuscript
Place:
China
Date:
1923-1934
Summary:
An associate curator and associate in archaeology at the Freer Gallery of Art from 1922 to 1942, the collection of Carl Whiting Bishop (1881-1942) document his Gallery-sponsored travels to China from 1923 to 1934 and include an unpublished manuscript describing his archaeological research in China; line drawings; rubbings; maps; note cards; and nearly 4,000 glass and film negatives with corresponding original silver prints. These document his expeditions in northern and central China, illustrating archaeological sites in Henan, Shanxi, and Hebei provinces. Specific digs include the large neolithic site at Wanquan, Shanxi, and sixth century C.E. tombs near Fenyin. Additional images show Chinese cityscapes, daily life and customs, topography, temples, pagodas, caves, and sculpture.
Scope and Contents:
The professional papers and official records of Carl Whiting Bishop include his unpublished two-volume manuscript, [not before 1940]; and photographs, nearly 4,000 images, 1915-1934; and undated. These materials document over a twenty-five year period in the course of Bishop's research and archaeological activities. They were retained at the Freer Gallery of Art after Bishop's death in 1942, and were supplemented with an addition received in 1956 from his widow Daisy Furscott Bishop.

The manuscript was prepared in a typescript format, over 421 pages of text, with photographic illustrations, and completed by Bishop sometime after 1939. Properly titled Archaeological Research in China 1923-1934, this unpublished manuscript constituted a field report that chronicled Bishop's Gallery-sponsored expeditions in northern and central China during the period 1923 to 1934. The reader is provided with a record of the day-to-day operations completed, of obstacles and opposition encountered, and the results obtained from their work. Key diplomatic and scientific representatives from the West and China are recorded who aided and contributed to the investigations. Moreover, there are descriptions of the academic, social and political climate in China during a period of civil war and economic strife. Against this background, Bishop also discussed their efforts in view of the history of China, with commentary on the country's geography, topography, climate, flora and fauna, mineral products, and ancient customs and legends.

The earliest still photographic prints in the Bishop Papers date from his employ at the University of Pennsylvania Museum, where he conducted archaeological reconnaissance from 1915 to 1918 in China, Korea, and Japan. All subsequent images were created or collected by Bishop and his assistant Kuang-zung Tung during the Freer Gallery-sponsored expeditions of 1923-1934. Further descriptions of these materials may be found under Series 2 and Series 3 in this finding aid.

In the transliteration into English of the names of Chinese characters, Bishop followed the Wade-Giles system, with a few exceptions to those rules for certain well known and commonly used place-names, especially those of cities, towns, territorial divisions, and bodies of water. We have retained Bishop's romanization except in certain areas where clarification was needed. The Chinese personal and place-names have been kept as they appeared in his captions.
Arrangement:
Series 1: Manuscript/Writings 1915-1934 and undated

Series 2: Photography Prints

Series 3: Negatives

Series 4: Drawings, Rubbings, and Maps
Biographical / Historical:
Carl Whiting Bishop (1881-1942) was an archaeologist, anthropologist, and specialist in the field of East Asian studies. Born in Tokyo, Japan, on July 12, 1881, he was the son of a Methodist missionary, the Reverend Charles Bishop. Except for a twelve-month residence in the United States during 1889-90, Bishop spent the first sixteen years of his life in Japan, before returning to this country in 1898 for college preparatory work at Northwestern Academy, Evanston, Illinois. He studied at Hampden-Sydney College and in 1912 received an A.B. degree from DePauw University. In 1913 he was awarded the degree of Master of Arts by the Department of Anthropology, Columbia University, where he studied with the noted German anthropologist, Franz Boas (1858-1942). That same year he received his first scientific appointment as a member of the Peabody Museum Expedition to Central America.

From 1914-18 Bishop served as Assistant Curator in Oriental Art at the University of Pennsylvania Museum, where on an expedition for that museum he made his first trip to China. Under the auspices of the university, he conducted archaeological reconnaissance during 1915 and 1916 in China, Korea, and Japan, and again conducted archaeological surveys in 1917 and 1918, although no systematic excavations were carried out at that time. When the United States entered World War I on the side of the Allied Powers, Bishop enlisted in the United States Navy and was made assistant naval attaché, serving in China in the years 1918-20, with the rank of lieutenant, junior grade. He returned to Columbia University in 1921 to assume the position of Assistant in Anthropology, a post he held until the end of the academic season in 1922.

Effective 10 April 1922, Bishop was appointed as Associate Curator of the Freer Gallery of Art by then director John Ellerton Lodge (1878-1942). Asked to undertake important archaeological work, Bishop headed the gallery's first expedition to China, sponsored jointly by the FGA and the Museum of Fine Arts, Boston, lasting from 20 February 1923 to 6 August 1927. From 16 November 1929 to 11 April 1934, he headed another expedition, sent out this time by the Freer Gallery alone. When conditions in China made further efforts impractical, Bishop returned to Washington in 1934, where he remained at the gallery as Associate in Archaeology until the time of his death on 16 June 1942.

Carl Whiting Bishop was a member of a number of learned societies: the American Oriental Society, the American Archaeological Society, the Anthropological Society, the American Society for the Advancement of Science, the American Geographical Society, and he served on the advisory board of the American Council of Learned Societies until his death.

1881, July 12 -- Born in Tokyo, Japan

1898 -- Attends Northwestern Academy in Evanston, Illinois for college preparatory work Attends Hampden-Sydney College

1912 -- Receives A.B. degree from DePauw University

1913 -- Receives Master of Arts from Department of Anthropology from Columbia University, where he studied with Franz Boas

1914 -- Begins serving as Assistant Curator in Oriental Art at the University of Pennsylvania Museum

1915-1918 -- Makes several archaeological survey trips to China, Korea and Japan

1918-1920 -- Enlists in the U.S. Navy, serving as assistant naval attaché in China

1921 -- Serves as Assistant Professor in Anthropology at Columbia University

1922, April 10 -- Becomes Associate Curator of the Freer Gallery of Art

1923-1927 -- Heads the Freer Gallery's first expedition to China, co-sponsored by the Boston Museum of Fine Arts

1929-1934 -- Heads the second Freer-sponsored expedition to China

1934 -- Returns to US and serves as Associate in Archaeology at the Freer Gallery of Art

1942, June 16 -- Dies.
Related Materials:
Additional Bishop material may be found in the following collections also found in the the Archives of the Freer Gallery of Art and the Arthur M. Sackler Gallery:

Li Chi Reports, 1926-1929, regarding Li's reconnaissance work at Shi-yin Ts'un, Shansi Province, and the excavation at Anyang.

Archibald Gibson Wenley Papers, 1924-1926, including field diaries, notes, and photographs documenting his participation in the FGA expedition work in China.

Charles Lang Freer Papers, including 1915 correspondence between Freer and Bishop; newspaper clippings related to Bishop, and documents dated 1912-1913, relating to Freer's support for a proposed American School of Archeology in China.

A number of objects from the FGA expeditions, including bronzes, ceramics, and stone sculpture, have been accessioned into the permanent art collection of the Freer Gallery of Art. Additionally, remnants of antiquities, potteries, and metalwork accumulated during the field work, have been placed in the Freer Gallery Study Collection. Records for these items are retained with the Galleries' Registrar's Office.

Additional Bishop material may be found in the Smithsonian Institutional Archives:

Expedition Records, including correspondence of Carl Whiting Bishop, 1914; 1923-1942, nearly 3,000 letters arranged alphabetically by correspondent name; a manuscript catalogue of expedition acquisitions, Peking, 1923-1925; financial records, 1923-1934, including expedition fund ledgers, account statements, and receipts; and newspaper clippings, 1924-1932, documenting the gallery's field work and general archaeological work being conducted around the world at that time.

Smithsonian Institutional Archives, Central Files, Bishop folders, 1923-1942, including expedition letters, field reports, and photographs sent to John E. Lodge.

Personnel and Special Events Photograph Collection, containing portrait photographs of Bishop.

Additional Bishop matieral may be found in the University of Pennsylvania Museum Archives, Philadelphia:

Documentation of University of Pennsylvania Museum-sponsored field work in East Asia may be found there that includes records of C.W. Bishop, dated 1914-1927 (measuring about .5 linear foot), much of it created during his tenure as the Museum's Assistant Curator of Oriental Art from 1914-1918. Included are Bishop's journals consisting of daily entries for two trips to China for the University of Pennsylvania Museum; letters to and from G.B. Gordon, C.W. Harrison, and Jane McHugh, written during Bishop's travel in China and subsequent to his return; and detailed financial accounts of expenditures during the China travels. Additionally, the repository houses a group of Bishop's negatives taken in China to visually record the expedition work.
Provenance:
Gift of Carl Whiting Bishop.
Restrictions:
Collection is open for research.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Archaeology -- China  Search this
Photography -- China  Search this
Genre/Form:
Negatives
Photographic prints
Manuscript
Citation:
The Carl Whiting Bishop Collection. FSA.A.02. Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
Identifier:
FSA.A.02
See more items in:
Carl Whiting Bishop Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc31125ea37-fbdf-4cd0-b413-1b022a34356b
EDAN-URL:
ead_collection:sova-fsa-a-02
Online Media:

Manuscript and Research Material

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Collection Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Type:
Archival materials
Photographic prints
Manuscripts
Place:
China
Date:
1915-1933
Scope and Contents:
This series contains Bishop's unpublished typed manuscript entitled Archaeological Research in China 1923-1934—Washington, D.C.: Freer Gallery of Art, [n.d.] 2v. : some ill.; 27cm., a field report that chronicled the two Gallery-sponsored expeditions; various drafts and research notes in Box 2, which are organized according to their original order from their envelopes and notecards based on subject.
The papers concern Bishop's Gallery-sponsored travels to China, 1923 to 1927 and from 1929-1934, while acting as Associate Curator at the Freer Gallery of Art. The collection includes a large collection of still prints and maps.The earliest still photographic prints in the Bishop Papers date from his employ at the University of Pennsylvania Museum, where he conducted archaeological reconnaissance from 1915 to 1918 in China, Korea, and Japan. All subsequent images were created or collected by Bishop and his assistant Kwang-zung Tung during the Freer Gallery-sponsored expeditions of 1923-1934. This selection of digitized prints showcase prints which are not reflected in the Bishop manuscript or the photograph books. These selected images include place views of various excavations that featured prominently in the Bishop manuscript as well as the writings of A.G. Wenley and Dr Li Chi, who accompanied Bishop during his archaeological excavations in China. These include place views of Shansi, Shensi, Hsi-yin-Ts'un, Yu Ho Chen, Yun Kang and Peitaiho. In addition, images from Bishop's photographs of Mongolia, Manchuria and Nanjing, which are focused less on the excavation activities and depict more of the social and physical landscape of the areas Bishop visited, were chosen to reflect the comprehensive nature of Bishop's still print collection.
This series contains Bishop's unpublished typed manuscript entitled Archaeological Research in China 1923-1934. it is a field report that chronicled the two Freer Sackler Gallery sponsored expeditions. There are various drafts and research notes in box two.
Carl Whiting Bishop, Series 1: Manuscript and Research Material
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 1
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Genre/Form:
Photographic prints
Manuscripts
Collection Citation:
The Carl Whiting Bishop Collection. FSA.A.02. Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
Identifier:
FSA.A.02, Series 1
See more items in:
Carl Whiting Bishop Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3bf9db205-f49b-479c-b605-ed056920104d
EDAN-URL:
ead_component:sova-fsa-a-02-ref11

Appendices I-III, Bibliography

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Collection Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Container:
Box 1, Folder 12
Type:
Archival materials
Manuscripts
Place:
China
Date:
1923-1934
Scope and Contents:
This unpublished manuscript constituted a field report that chronicled Bishop's Gallery-sponsored expeditions in northern and central China during the period 1923 to 1934. The reader is provided with a record of the day-to-day operations completed, of obstacles and opposition encountered, and the results obtained from their work. Key diplomatic and scientific representatives from the West and China are recorded who aided and contributed to the investigations. Moreover, there are descriptions of the academic, social and political climate in China during a period of civil war and economic strife. Against this background, Bishop also discussed their efforts in view of the history of China, with commentary on the country's geography, topography, climate, flora and fauna, mineral products, and ancient customs and legends.The manuscript consists of an introduction, 19 numbered chapters, 3 appendices and a series of plates and figures related to his text.
Archaeological Research in China (Appendices)
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 1.01.02
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Genre/Form:
Manuscripts
Collection Citation:
The Carl Whiting Bishop Collection. FSA.A.02. Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
Identifier:
FSA.A.02, File FSA A.02 1.01.02
See more items in:
Carl Whiting Bishop Collection
Carl Whiting Bishop Collection / Series 1: Manuscript and Research Material / 1.1: Manuscript
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3c3e96910-cd92-484e-aea8-a6fd0182069f
EDAN-URL:
ead_component:sova-fsa-a-02-ref23

Archaeological Research in China, 1923-1934 (Plates and Text Figures): Plates 1-50

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Collection Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Container:
Box 1, Folder 13
Type:
Archival materials
Manuscripts
Photographs
Place:
China
Date:
1923-1934
Scope and Contents:
This unpublished manuscript constituted a field report that chronicled Bishop's Gallery-sponsored expeditions in northern and central China during the period 1923 to 1934. The reader is provided with a record of the day-to-day operations completed, of obstacles and opposition encountered, and the results obtained from their work. Key diplomatic and scientific representatives from the West and China are recorded who aided and contributed to the investigations. Moreover, there are descriptions of the academic, social and political climate in China during a period of civil war and economic strife. Against this background, Bishop also discussed their efforts in view of the history of China, with commentary on the country's geography, topography, climate, flora and fauna, mineral products, and ancient customs and legends.The manuscript consists of an introduction, 19 numbered chapters, 3 appendices and a series of plates and figures related to his text.
Archaeological Research in China (Plates and Figures)
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 1.01.03
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Genre/Form:
Manuscripts
Photographs
Collection Citation:
The Carl Whiting Bishop Collection. FSA.A.02. Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
Identifier:
FSA.A.02, File FSA A.02 1.01.03
See more items in:
Carl Whiting Bishop Collection
Carl Whiting Bishop Collection / Series 1: Manuscript and Research Material / 1.1: Manuscript
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc381f10a5c-eac1-48b2-b4e6-23b91b9b71a8
EDAN-URL:
ead_component:sova-fsa-a-02-ref24

Photography Prints

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Collection Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Type:
Archival materials
Photographic prints
Place:
China
Date:
1915-1933
Scope and Contents:
This series contains images from Bishop's travels on different media. There are small amounts of oversize photos, line drawings, rubbings and maps, and a few collected photo postcards, 1915-1933. The bulk of this series consists of original, undated silver prints (nearly three-quarters have corresponding glass and film negatives in Series 4). The nearly 3,000 images were arranged and indexed by Bishop into subject headings using a decimal system. These may have been captioned with date, description, location, and negative number. Most of the photographs were taken, and in large part developed, by Bishop and his assistant Kwang-zung Tung, under rough-and-ready field conditions.

The earliest photos are from Bishop's archaeological reconnaissance in China, Korea, and Japan during 1915-1918, for the University of Pennsylvania Museum of the University of Pennsylvania. The majority of the images document FGA sponsored expeditions to China during 1923-1934. Specific digs are shown, including the American, Japanese, and Chinese archaeologists and laborers who worked on the excavations; Chinese cityscapes, villages, landscapes, waterscapes, general scenes, transportation modes, courtyards, pagodas, palaces, temples, the T'ien-lung Shan Buddhist caves, bronzes, ceramics, et al.; and also a few sites in Hong Kong, Mongolia, Korea, Japan, and the Philippines. Postcards depict the peoples of Korea, and civil war scenes around Beijing.

Numeric List and Subject Index to Bishop Still Photo Prints (Box 15-21): Note: Still prints in Box 15-21 have been arranged numerically according to Bishop's decimal system. For additional caption information, see the Subject Index that follows the Numeric List. The Subject Index was compiled by Sarah Newmeyer.
The papers concern Bishop's Gallery-sponsored travels to China, 1923 to 1927 and from 1929-1934, while acting as Associate Curator at the Freer Gallery of Art. The collection includes a large collection of still prints and maps.The earliest still photographic prints in the Bishop Papers date from his employ at the University of Pennsylvania Museum, where he conducted archaeological reconnaissance from 1915 to 1918 in China, Korea, and Japan. All subsequent images were created or collected by Bishop and his assistant Kwang-zung Tung during the Freer Gallery-sponsored expeditions of 1923-1934. This selection of digitized prints showcase prints which are not reflected in the Bishop manuscript or the photograph books. These selected images include place views of various excavations that featured prominently in the Bishop manuscript as well as the writings of A.G. Wenley and Dr Li Chi, who accompanied Bishop during his archaeological excavations in China. These include place views of Shansi, Shensi, Hsi-yin-Ts'un, Yu Ho Chen, Yun Kang and Peitaiho. In addition, images from Bishop's photographs of Mongolia, Manchuria and Nanjing, which are focused less on the excavation activities and depict more of the social and physical landscape of the areas Bishop visited, were chosen to reflect the comprehensive nature of Bishop's still print collection.
Carl Whiting Bishop, Series 2: Photography Prints
Arrangement:
This is a miscellaneous selection of still prints which are part of the Bishop collection, Series 2: Prints and Maps, 1915-1933.
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 2
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Genre/Form:
Photographic prints
Collection Citation:
The Carl Whiting Bishop Collection. FSA.A.02. Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
Identifier:
FSA.A.02, Series 2
See more items in:
Carl Whiting Bishop Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3ae29727b-c8dc-445c-a114-83cc6ae489e1
EDAN-URL:
ead_component:sova-fsa-a-02-ref30

Manuscript

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Collection Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Type:
Archival materials
Manuscripts
Place:
China
Date:
1923-1934
Scope and Contents:
This subseries contains a draft copy of Bishop's Archaeological Research in China (1923-1934) manuscript. There are various edits and comments throughout the draft copy. There are also various plate, figures, and maps that Bishop intended to include with the article.
This unpublished manuscript constituted a field report that chronicled Bishop's Gallery-sponsored expeditions in northern and central China during the period 1923 to 1934. The reader is provided with a record of the day-to-day operations completed, of obstacles and opposition encountered, and the results obtained from their work. Key diplomatic and scientific representatives from the West and China are recorded who aided and contributed to the investigations. Moreover, there are descriptions of the academic, social and political climate in China during a period of civil war and economic strife. Against this background, Bishop also discussed their efforts in view of the history of China, with commentary on the country's geography, topography, climate, flora and fauna, mineral products, and ancient customs and legends.The manuscript consists of an introduction, 19 numbered chapters, 3 appendices and a series of plates and figures related to his text.
Archaeological Research in China (manuscript)
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 1.01.01
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Genre/Form:
Manuscripts
Collection Citation:
The Carl Whiting Bishop Collection. FSA.A.02. Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
Identifier:
FSA.A.02, Subseries 1.1
See more items in:
Carl Whiting Bishop Collection
Carl Whiting Bishop Collection / Series 1: Manuscript and Research Material
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc354d4adb9-17e5-41ac-a188-46a973751c1c
EDAN-URL:
ead_component:sova-fsa-a-02-ref347

Photograph Book 1

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Collection Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Type:
Archival materials
Place:
China
Date:
1931-1933
Scope and Contents:
The papers concern Bishop's Gallery-sponsored travels to China, 1923 to 1927 and from 1929-1934, while acting as Associate Curator at the Freer Gallery of Art. The collection includes four photograph books created by Bishop. They have been maintained in their original order.
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 2.02.01
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Collection Citation:
The Carl Whiting Bishop Collection. FSA.A.02. Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
Identifier:
FSA.A.02, Item FSA A.02 2.02.01
See more items in:
Carl Whiting Bishop Collection
Carl Whiting Bishop Collection / Series 2: Photography Prints / 2.2: Photographs, Duplicates, and Visual Materials
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc310742a75-11b1-421b-9fcc-598bcffc687a
EDAN-URL:
ead_component:sova-fsa-a-02-ref946

Photograph Book 2

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Collection Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Type:
Archival materials
Place:
China
Date:
1931-1933
Scope and Contents:
The papers concern Bishop's Gallery-sponsored travels to China, 1923 to 1927 and from 1929-1934, while acting as Associate Curator at the Freer Gallery of Art. The collection includes four photograph books created by Bishop. They have been maintained in their original order.
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 2.02.02
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Collection Citation:
The Carl Whiting Bishop Collection. FSA.A.02. Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
Identifier:
FSA.A.02, Item FSA A.02 2.02.02
See more items in:
Carl Whiting Bishop Collection
Carl Whiting Bishop Collection / Series 2: Photography Prints / 2.2: Photographs, Duplicates, and Visual Materials
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3d808f814-f688-4d2b-9275-f2d0f1f77537
EDAN-URL:
ead_component:sova-fsa-a-02-ref947

Photograph Book 3

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Collection Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Type:
Archival materials
Place:
China
Date:
1931-1933
Scope and Contents:
The papers concern Bishop's Gallery-sponsored travels to China, 1923 to 1927 and from 1929-1934, while acting as Associate Curator at the Freer Gallery of Art. The collection includes four photograph books created by Bishop. They have been maintained in their original order.
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 2.02.03
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Collection Citation:
The Carl Whiting Bishop Collection. FSA.A.02. Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
Identifier:
FSA.A.02, Item FSA A.02 2.02.03
See more items in:
Carl Whiting Bishop Collection
Carl Whiting Bishop Collection / Series 2: Photography Prints / 2.2: Photographs, Duplicates, and Visual Materials
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc319f069aa-56cc-479f-9e3e-a5d33285f295
EDAN-URL:
ead_component:sova-fsa-a-02-ref948

Photograph Book 4

Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Names:
Bishop, Carl Whiting, 1881-1942  Search this
Tung, Kuang-zung.  Search this
Warner, Langdon (1881-1955)  Search this
Wenley, A. G. (Archibald Gibson), 1898-1962  Search this
Collection Creator:
Bishop, Carl Whiting, 1881-1942  Search this
Type:
Archival materials
Place:
China
Date:
1931-1933
Scope and Contents:
The papers concern Bishop's Gallery-sponsored travels to China, 1923 to 1927 and from 1929-1934, while acting as Associate Curator at the Freer Gallery of Art. The collection includes four photograph books created by Bishop. They have been maintained in their original order.
Biographical / Historical:
Carl Whiting Bishop was an Associate Curator and Associate in Archaeology at the Freer Gallery of Art from 1922 to 1942.
Local Numbers:
FSA A.02 2.02.04
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Archaeology  Search this
Archaeological expeditions  Search this
Collection Citation:
The Carl Whiting Bishop Collection. FSA.A.02. Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
Identifier:
FSA.A.02, Item FSA A.02 2.02.04
See more items in:
Carl Whiting Bishop Collection
Carl Whiting Bishop Collection / Series 2: Photography Prints / 2.2: Photographs, Duplicates, and Visual Materials
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3f343fca3-d047-4936-86f8-3086c9e8b4d5
EDAN-URL:
ead_component:sova-fsa-a-02-ref949

Oral history interview with Daniel Varney Thompson, 1974 September 25-1976 November 2

Interviewee:
Thompson, Daniel V. (Daniel Varney), 1902-1980  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Berenson, Bernard  Search this
Forbes, Edward Waldo  Search this
Ivins, William Mills  Search this
Meeks, Everett  Search this
Warner, Langdon (1881-1955)  Search this
Courtauld Institute of Art  Search this
Harvard University  Search this
Yale University  Search this
Fogg Art Museum  Search this
Type:
Sound recordings
Interviews
Place:
China -- description and travel
India -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Daniel Varney Thompson, 1974 September 25-1976 November 2. Archives of American Art, Smithsonian Institution.
Topic:
Painting -- Technique  Search this
Art -- History -- Study and teaching  Search this
Cave paintings  Search this
Painting, Medieval -- Study and teaching  Search this
Painting, Medieval -- Technique  Search this
Record number:
(DSI-AAA_CollID)13166
(DSI-AAA_SIRISBib)212102
AAA_collcode_thomps74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212102
Online Media:

Oral history interview with Daniel Varney Thompson

Interviewee:
Thompson, Daniel V. (Daniel Varney), 1902-1980  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Courtauld Institute of Art -- Faculty  Search this
Fogg Art Museum  Search this
Harvard University -- Faculty  Search this
Yale University -- Faculty  Search this
Berenson, Bernard, 1865-1959  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Ivins, William Mills, 1881-1961  Search this
Meeks, Everett, 1879-1954  Search this
Warner, Langdon (1881-1955)  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
China -- Description and Travel
India -- description and travel
Date:
1974 September 25-1976 November 2
Scope and Contents:
An interview of Daniel Varney Thompson conducted 1974 September 25-1976 November 2, by Robert F. Brown, for the Archives of American Art.
Thompson speaks of authenticating a painting by Leonardo Da Vinci; teaching at Harvard University with Edward Waldo Forbes; his 1923-1925 expedition to India and China with Langdon Warner and Fogg Art Museum personnel to study cave paintings; setting up the art history department at Yale with Everett Meeks and teaching tempera painting; his studies in Europe and work at the Courtauld Institute in London; and translating manuscripts dealing with medieval painting techniques and media. He recalls Bernard Berenson and William Mills Ivins.
Biographical / Historical:
Daniel V. Thompson (1902-1980) was an art historian, conservator, professor, and chemist engineer. Thompson studied techniques of medieval and Renaissance painting. He was a professor at the Courtald Institute, London, 1938-1947.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 7 digital wav files. Duration is 6 hr., 55 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript is available on the Archives of American Art's website.
Occupation:
Art historians -- Interviews  Search this
Conservators -- Interviews  Search this
Topic:
Painting -- Technique  Search this
Art -- History -- Study and teaching  Search this
Cave paintings  Search this
Painting, Medieval -- Study and teaching  Search this
Painting, Medieval -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.thomps74
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw921bd090b-d04a-442e-a5cd-f3bf7ae9b230
EDAN-URL:
ead_collection:sova-aaa-thomps74
Online Media:

Langdon Warner Report

Creator:
Warner, Langdon (1881-1955)  Search this
Names:
Warner, Langdon (1881-1955)  Search this
Extent:
2 Copies (Two copies of a bound volume of 226 typed pages, with 48 mounted silver gelatin prints with captions, 194p, 29 x 22 cm.)
Type:
Collection descriptions
Archival materials
Copies
Reports
Photographs
Place:
China
Japan
Angkor Wat (Cambodia)
Date:
1915
Scope and Contents:
A report prepared by archaeologist and art historian Langdon Warner on his travels of 1913-1914 to investigate the founding of an American school of Chinese archaeology to be established in Beijing. Warner's travels included Europe, Japan, Korea, China and Indo-China. Warner spoke with scholars, administrators and officials, and travelled to museums and archaeological sites. Warner traveled with his wife. The report contains two parts; the first being a summary of his travels, and the second, a series of recommendations for the proposed school.
Biographical / Historical:
Langdon Warner was an archaeologist and historian of Asian art in the first half of the 20th century. He was born on August 1, 1881 in Cambridge, Massachusetts and educated at Harvard University, which he graduated from in 1903. Between acting in various positions at museums across the country, most notably the Museum of Fine Arts, Boston, the Nelson-Atkins Museum, the Philadelphia Museum of Art, the Cleveland Museum of Art, and the Harvard Fogg Museum of Art, he travelled extensively in Asia. Including an 1913-14 trip sponsored by the Smithsonian Institution to explore the possibility of founding an American School of Chinese Archaeology in Beijing. Accompanied by his wife, their journey included visits to Europe, Japan, Korea, China, and Indochina. He spoke with scholars, administrators, and officials, and travelled to museums and archaeological sites. He compiled a two-part report: a summary of his travels and a series of recommendations for the proposed school.

During World War II, Warner taught a course on Japanese language, culture, and history to Civil Affairs Officers and acted as a Special Consultant for the U.S. Army's Monuments, Fine Arts and Archives program, the so-called "Monuments Men." He created the Official List of Monuments for Japan, China, Korea, and Thailand. Warner spent the summer of 1946 working as an Expert Consultant to the Arts and Monuments Division of the Civil Information and Education Section under the Supreme Commander for the Allied Powers. Upon his return to Massachusetts, he resumed working at the Fogg Museum of Art until his retirement in 1950. During his career, he wrote numerous books on Asian art such as The Enduring Art of Japan, The Long Old Road in China, and Japanese Sculpture of the Tempyo Period: Masterpieces of the Eighth Century. Warner died on June 9, 1955 in Cambridge, Massachusetts and was posthumously awarded the Order of the Sacred Treasures by the Japanese government for his efforts to preserve Japanese art and monuments during and after the war.
Local Numbers:
FSA A1994.07
Other Archival Materials:
Landon Warner Papers, circa late 18th century-1987 (bulk 1900-1959). Houghton Library, Harvard University 

Langdon Warner Photograph Collection, 1903-1950. Houghton Library, Harvard University. 

Langdon Warner Records, 1916-1929 (bulk 1917-1923). Philadelphia Museum of Art Archives. 
Provenance:
Gift 1994
Restrictions:
Collection is open for research.
Topic:
Archaeology  Search this
Art, Asian -- Collectors and collecting  Search this
Genre/Form:
Reports
Photographs
Citation:
The Warner Report, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C., Gift of Katherine Graham, 1994.
Identifier:
FSA.A1994.07
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc30c0b2b8e-d24f-44e8-9b05-a253fa48a5b1
EDAN-URL:
ead_collection:sova-fsa-a1994-07
Online Media:

Oral history interview with Rosamond Forbes Pickhardt, 1995 Feb. 13

Interviewee:
Pickhardt, Rosamond Forbes, 1908-2004  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Zimmerman, Harold K.  Search this
Ross, Denman Waldo  Search this
Pickhardt, Carl E.  Search this
Forbes, Edward Waldo  Search this
Iacovleff, Alexandre  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Rosenberg, Jakob  Search this
Thompson, Daniel V. (Daniel Varney)  Search this
Tobey, Mark  Search this
Warner, Langdon (1881-1955)  Search this
Fogg Art Museum  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Rosamond Forbes Pickhardt, 1995 Feb. 13. Archives of American Art, Smithsonian Institution.
Topic:
Authors -- Massachusetts -- Sherborn -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12965
(DSI-AAA_SIRISBib)215823
AAA_collcode_pickha95
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215823
Online Media:

Japanese sculpture of the Suiko period / by Langdon Warner ... with an historical introduction by Lorraine d'O. Warner

Author:
Warner, Langdon 1881-1955  Search this
Physical description:
80 p., 145 leaves ofplates : ill. ; 41 cm
Type:
Books
Date:
1923
To 794
Topic:
Sculpture, Japanese  Search this
Buddhist art  Search this
Call number:
NB1053.2 .W3
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_872120

Buddhist wall-paintings : a study of a ninth-century grotto at Wan Fo Hsia / by Langdon Warner

Author:
Warner, Langdon 1881-1955  Search this
Physical description:
xv, 33 p., [47] p. of plates : ill., map ; 32 cm
Type:
Books
Place:
China
Xinjiang Uygur Zizhiqu
Date:
1938
Topic:
Mural painting and decoration  Search this
Buddhist art  Search this
Decoration and ornament  Search this
Call number:
ND2849.S5 W3
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_872930

The long old road in China / by Langdon Warner

Author:
Warner, Langdon 1881-1955  Search this
Physical description:
viii, 168 p., [17] leaves of plates : ill., maps ; 26 cm
Type:
Books
Place:
China
Date:
1926
Topic:
Description and travel  Search this
Call number:
DS710 .W35 1926
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_882748

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