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Oral history interview with Eleanor Ward

Interviewee:
Ward, Eleanor, 1912-1984  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Stable Gallery (New York, N.Y.)  Search this
Cornell, Joseph  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
16 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1972 February 8
Scope and Contents:
An interview of Eleanor Ward conducted 1972 February 8, by Paul Cummings, for the Archives of American Art. Ward speaks of her family background and early interest in art; starting the Stable Gallery; the first Stable Annual Exhibition, 1953; Abstract Expressionist artists she showed; the success of the Stable Gallery's shows; her own collection; collectors; the gallery's move to 74th Street; the gallery scene in New York; finding new artists; the influence of critics; the reasons for the closing of the Stable Gallery. She recalls Joseph Cornell, Andy Warhol, and other artists.
Biographical / Historical:
Eleanor Ward (1912-1984) was an art dealer from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 13 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Art dealers -- New York (State) -- New York -- Interviews  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ward72
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ward72

Oral history interview with Rosalyn Drexler

Interviewee:
Drexler, Rosalyn  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Garth Greenan Gallery  Search this
Hunter College -- Students  Search this
Kornblee Gallery  Search this
Reuben Gallery  Search this
Alloway, Lawrence, 1926-1990  Search this
Baraka, Amiri, 1934-2014  Search this
Barthelme, Donald  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Bruce, Lenny  Search this
Carmines, Al  Search this
Cornell, Joseph  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Dine, Jim, 1935-  Search this
Doyle, Tom, 1928-  Search this
Drexler, Sherman  Search this
Geldzahler, Henry  Search this
Gilman, Richard, 1923-2006  Search this
Hess, Thomas B.  Search this
Hesse, Eva, 1936-1970  Search this
Hirshhorn, Joseph H.  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kent, Allegra  Search this
Klein, William  Search this
Kline, Franz, 1910-1962  Search this
Kroll, Jack  Search this
Marx, Chico, 1887-1961  Search this
Monroe, Marilyn, 1926-1962  Search this
Neel, Alice, 1900-1984  Search this
Newman, Barry  Search this
Perelman, S. J. (Sidney Joseph), 1904-1979  Search this
Rosenberg, Harold, 1906-1978  Search this
Samaras, Lucas, 1936-  Search this
Sontag, Susan, 1933-2004  Search this
Teer, Barbara Ann, 1937-2008  Search this
Warhol, Andy, 1928-1987  Search this
Youskevitch, Igor, 1912-1994  Search this
Extent:
82 Pages (Transcript)
5 Items (Sound recording: 5 sound files (3 hr., 26 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 May 17-June 2
Scope and Contents:
An interview with Rosalyn Drexler conducted 2017 May 17 and June 2 by Christopher Lyon, for the Archives of American Art, at Garth Greenan Gallery in New York, New York.
Drexler discusses her childhood in the Bronx; her experiences studying dance and music; her higher education at Hunter College; attending films and the Yiddish Theater; meeting her husband Sherman Drexler; her time as a professional wrestler; her memories of traveling to the South and encountering Jim Crow segregation; she describes learning about art from Sherman Drexler and her joint exhibition with Sherman; her early work in sculpture; participating in Happenings with Jim Dine; joining Anita Reuben's gallery; her debut as a playwright; her experience writing "I am the Beautiful Stranger;" the changing public perception of her and being classified as an artist; her decision to become a painter and appropriating images for her work; the influence of S. J. Perelman on her plays; her play about Joseph Cornell and ballerina Allegra Kent, and interviewing Allegra Kent; her recent artwork and preparing for her 2017 show at Garth Greenan Gallery; her artwork from the 1980s and 1990s; her comedy writing and sense of humor. Drexler also recalls Chico Marx, Jack Newfield, Igor Youskevitch, Ivan Karp, Anita Reuben, Lucas Samaras, Richard Gilman, Al Carmines, Amiri Baraka, Barbara Ann Teer, Franz Kline, Elaine De Kooning, Bill de Kooning, Andy Warhol, Jack Kroll, Lawrence Alloway, Tom Hess, Barney Newman, Harold Rosenberg, Susan Sontag, Joe Hirshhorn, Henry Geldzahler, Donald Barthelme, Kornblee Gallery, Eva Hesse, Tom Doyle, William Klein, Marilyn Monroe, Alex Katz, Alice Neel, Basquiat, Saturday Night Live, and Lenny Bruce, among others.
Biographical / Historical:
Rosalyn Drexler (1926- ) is a sculptor, playwright, and novelist in New York, New York. Christopher Lyon (1949- ) is a writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Authors -- New York (State) -- New York  Search this
Playwrights -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Happenings (Art)  Search this
Women wrestlers  Search this
Wrestling  Search this
Segregation -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.drexle17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-drexle17

Oral history interview with Dennis Adrian

Interviewee:
Adrian, Dennis, 1937-  Search this
Interviewer:
Silverman, Lanny  Search this
Names:
Akron Art Museum  Search this
Art Institute of Chicago  Search this
Chicago Art and Artists: Oral History Project  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Madison Art Center  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
New York University  Search this
Portland Art Museum (Or.)  Search this
University of Chicago -- Students  Search this
Acconci, Vito, 1940-  Search this
Achilles, Rolf  Search this
Alloway, Lawrence, 1926-1990  Search this
Anderson, Jeremy, 1921-1982  Search this
Artner, Alan G.  Search this
Barnes, Robert, 1934-  Search this
Baum, Don, 1922-  Search this
Brown, Roger, 1941-1997  Search this
Carlson, Victor I.  Search this
Castelli, Leo  Search this
Conner, Bruce, 1933-2008  Search this
Coplans, John  Search this
Cornell, Joseph  Search this
Coronado, Francisco Vásquez de, 1510-1554  Search this
Dubuffet  Search this
Florsheim, Lillian H.  Search this
Frumkin, Allan  Search this
Garver, Thomas H.  Search this
Golub, Leon, 1922-2004  Search this
Guston, Philip, 1913-1980  Search this
Hanson, Philip, 1943-  Search this
Hoffman, Rhona, 1934-  Search this
Ito, Miyoko, 1918-1983  Search this
Kind, Phyllis, 1933-2018  Search this
Leaf, June, 1929-  Search this
Lee, Sherman E.  Search this
Maxon, John, 1916-  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Newman, Muriel Kallis Steinberg  Search this
Nicholson, Natasha, 1945-  Search this
Parker, Dorothy, 1893-1967  Search this
Pearlstein, Philip, 1924-  Search this
Petlin, Irving, 1934-2018  Search this
Ramberg, Christina  Search this
Rossi, Barbara, 1940-  Search this
Schulze, Franz, 1927-2019  Search this
Sleigh, Sylvia  Search this
Spero, Nancy, 1926-2009  Search this
Swinton, Tilda  Search this
Voulkos, Peter, 1924-2002  Search this
Warhol, Andy, 1928-1987  Search this
Westermann, H. C. (Horace Clifford), 1922-  Search this
Wilde, Oscar, 1854-1900  Search this
Wiles, Bertha Harris, 1896-  Search this
Extent:
4 Items (Sound recording: 4 sound files (4 hr., 18 min.), digital, wav)
173 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2015 October 8-9
Scope and Contents:
An interview with Dennis Adrian conducted 2015 October 8-9, by Lanny Silverman, for the Archives of American Art's Chicago Art and Artists: Oral History Project, at Adrian's home in Seaside, Oregon.
Adrian speaks of growing up in Astoria; traveling to Chicago and New York; Cannon Beach; aging and getting older; his origins; curators and curating; visual sensibilities; the Portland Public Library; opera; his parents, grandparents, and family; Finnish sensibility and humor; Portland Art Museum and classes for children; curator as voyeur; credit and accomplishments; hands on experiences; Artforum; art history; attending University of Chicago; homosexuality and coming out; looted European masterworks; Botticelli; exposure to real art; connoisseurship; collectors and collecting; a Robert Louis Stevenson letter; violin making; growing into yourself; Chicago; war; New York University; Frumkin Gallery; New York; the art world; Madison Art Center; Akron Art Museum; friendship and role models; Art Institute of Chicago; meeting Mies van der Rohe; meeting idols; education; Oscar Wilde and Dorothy Parker; Museum of Contemporary Art, Chicago; Monster Roster; traveling; Chicago art politics; writing and critics; Eurocentric curators; Chicago as an undervalued city; Dog Day Afternoon; discovering art; New York sightings; and experiences running into artists. Adrian also recalls Roger Brown, Ruth Horwich, Gilda Buchbinder, Don Baum, Sherman Lee, Victor Carlson, Peter Voulkos, Lawrence Alloway, Rhona Hoffman, Allan Frumkin, June Leaf, Leon Golub, Jeremy Anderson, Robert Barnes, Tom Garver, Bruce Conner, Natasha Nicholson, H. C. Westermann, Franz Schulze, Bertha Harris Wiles, Muriel Newman, Aaron James Spire, Lillian Florsheim, John Maxon, Greg Knight, P.B. Maryan, Philip Pearlstein, Sylvia Sleigh, Nancy Spero, Irving Petlin, John Coplans, Alan Artner, Alice Shaddle, Phyllis Kind, Andy Warhol, Joseph Cornell, Tilda Swinton, Leo Castelli, Philip Guston, Dubuffet, Pussy Pepke, Bumpy Rogers, Barbara Rossi, Christina Ramberg, Philip Hanson, Miyoko Ito, Mark Jackson, Rolf Achilles, and Vito Acconci.
Biographical / Historical:
Dennis Adrian (1937- ) is an art critic, educator, and curator in Chicago, Illinois. Lanny Silverman (1947- ) is a curator at the Chicago Cultural Center in Chicago, Illinois.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art critics -- Illinois -- Chicago -- Interviews  Search this
Topic:
Art, American -- Illinois -- Chicago  Search this
Art -- Collectors and collecting  Search this
Art -- History  Search this
Art -- Study and teaching  Search this
Art thefts -- Europe  Search this
Curators -- Illinois -- Chicago -- Interviews  Search this
Educators -- Illinois -- Chicago -- Interviews  Search this
Homosexuality  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.adrian15
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-adrian15

Oral history interview with Dennis Oppenheim

Interviewee:
Oppenheim, Dennis, 1938-2011  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
Biennale di Venezia  Search this
Olympic Games (29th : 2008 : Beijing, China)  Search this
Acconci, Vito, 1940-  Search this
Aycock, Alice  Search this
Irwin, Robert, 1928-  Search this
Levai, Pierre  Search this
Lipski, Donald, 1947-  Search this
Nauman, Bruce, 1941-  Search this
Serra, Richard, 1938-  Search this
Sonnier, Keith, 1941-2020  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
49 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 June 23-24
Scope and Contents:
An interview of Dennis Oppenheim conducted 2009 June 23-24, by Judith Olch Richards, for the Archives of American Art, at Oppenheim's studio, in New York, N.Y. Oppenheim speaks of his work in the past 15 years; the evolution of his work and its lack of continuity; his use of writing as a catalyst for constructing works and the importance of language in conceptual art; the role of the audience and the effects of positive reaction to one's work; the risks involved in moving away from successful work to find another avenue; experimentation and the ability to exhibit failures; the emotionality and detached qualities of Abstract Expressionism during the 1950s; the experimental side of studio art in comparison to public art; the seniority felt by fine artists over the applied arts, such as architecture, during the 1950s and 1960s; listening to the public opinion, including those that do not come from the art world; the theoretical progression of works such as, "Jump and Twist," [1999], and "Device to Root Out Evil," [1997]; how to react to controversial work; his lack of representation by galleries and dealers; his staff of assistants and his more theoretical role in the operation; his lack of fellowship with other artists and his dislike of collaboration; the Venice Biennale in 1997; the Olymics in Beijing in 2008; his current work and on-going commissions. Oppenheim also recalls Andy Warhol, Pierre Levai, Vito Acconci, Bruce Nauman, Robert Irwin, Richard Serra, Alice Aycock, Keith Sonnier, and Donald Lipski.
Biographical / Historical:
Dennis Oppenheim (1938- ) is a conceptual artist and sculptor in New York, N.Y. Judith Olch Richards (1947- ) is former executive director of iCI in New York, N.Y. Oppenheim was educated at California College of Arts and Crafts and Stanford University.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 4 hrs., 31 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Conceptual artists -- New York (State) -- New York -- Interviews  Search this
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.oppenh09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-oppenh09

Oral history interview with Joseph A. Helman

Interviewee:
Helman, Joseph A., 1937-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Creator:
Widgeon Point Charitable Foundation  Search this
Names:
Blum Helman Gallery  Search this
City Art Museum of St. Louis  Search this
Sotheby's (Firm)  Search this
Widgeon Point Charitable Foundation  Search this
Albers, Josef  Search this
Blum, Irving, 1930-  Search this
Castelli, Leo  Search this
Crawford, Ralston, 1906-1978  Search this
Davis, Ronald, 1937-  Search this
Greenberg, Ronald K.  Search this
Johns, Jasper, 1930-  Search this
Kaprow, Allan  Search this
Kelly, Ellsworth, 1923-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Oldenburg, Claes, 1929-  Search this
Pulitzer, Emily Rauh  Search this
Rauschenberg, Robert, 1925-2008  Search this
Saarinen, Eero, 1910-1961  Search this
Scull, Robert C.  Search this
Serra, Richard, 1938-  Search this
Stella, Frank  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
4 Items (Sound recording: 4 wav files (2 hr.,19 min.), digital)
53 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Italy -- description and travel
Date:
2010 January 4
Scope and Contents:
An interview of Joseph A. Helman conducted 2010 January 4, by James McElhinney, for the Archives of American Art, at Helman's home in New York, New York.
Helman recalls three major events from his early life--the exhibition "Masterpieces from the Berlin Museums: 1948-1949," the film "Lust for Life," and collecting--that led to his career as an art dealer; buying his first painting, which was a Jasper Johns work; meeting the art dealer Leo Castelli; opening his first gallery in St. Louis in 1969; selling his gallery to Ronald Greenberg and moving to Italy with his family; attending the Sotheby's auction of the Robert C. Scull Collection in 1973; teaming up with Irving Blum to open the Blum Helman Gallery in New York City; organizing exhibitions of established and emerging artists. Helman speaks about his relationship with Emily Rauh Pulitzer and the St. Louis Art Museum; his Happening with Allan Kaprow; the story behind Claes Oldenburg's drawing Tongue Cloud, over St. Louis, 1975; discovering the work of Ralston Crawford; introducing American art to Spain. In addition, Helman discusses the contemporary art market; collectors and the process of collecting; and the redefinition of Pop art to include British and American artists of the 1980s. Throughout the interview Helman mentions the various artists he has represented, exhibited or collected such as Richard Serra, Robert Rauschenberg, Josef Albers, Roy Lichtenstein, Ellsworth Kelly, Andy Warhol, Frank Stella, Ronald Davis, and Bryan Hunt.
Biographical / Historical:
Joseph A. Helman (1937- ) is an art dealer and collector in New York, New York.
General:
Originally recorded on 1 sound disc. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr.,19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art dealers -- New York (State) -- New York -- Interviews  Search this
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Art -- Economic aspects  Search this
Art, American -- Spain  Search this
Happening (Art)  Search this
Pop art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.helman10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-helman10

Oral history interview with V. V. Rankine

Interviewee:
Rankine, V. V., 1920-2004  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
Betty Parsons Gallery  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
David Herbert Gallery  Search this
Institute of Contemporary Arts (Washington, D.C.)  Search this
Jefferson Place Gallery  Search this
Albers, Josef  Search this
Bader, Franz, 1903-1994  Search this
Brooks, James, 1906-1992  Search this
Callahan, Harry M.  Search this
Cunningham, Merce  Search this
Davis, Gene, 1920-1985  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Denney, Alice  Search this
Dorrance, Nesta  Search this
Downing, Thomas, 1928-1985  Search this
Duncan, Augustin  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gabo, Naum, 1890-1977  Search this
Gilliam, Sam, 1933-  Search this
Gorky, Agnes  Search this
Gorky, Arshile, 1904-1948  Search this
Graham, John, 1887-1961  Search this
Guston, Philip, 1913-1980  Search this
Halle, Kay  Search this
Hare, David, 1917-1992  Search this
Helburn, Theresa, 1887-1959  Search this
Johnson, Ray, 1927-1995  Search this
Kennedy, Kit  Search this
Kiesler, Frederick  Search this
Kinney, Gilbert H.  Search this
Krasner, Lee, 1908-1984  Search this
Lassaw, Ibram, 1913-2003  Search this
Leopold, Richard  Search this
Louis, Morris, 1912-1962  Search this
Magruder, Esther  Search this
Merrill, Kevin  Search this
Nelson, Wretha  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Bonnie  Search this
Noland, Kenneth, 1924-2010  Search this
Ozenfant, Amédée, 1886-1966  Search this
Pace, Stephen, 1918-2010  Search this
Parsons, Betty  Search this
Penn, Arthur, 1922-  Search this
Phillips, Duncan, 1886-1966  Search this
Pollock, Jackson, 1912-1956  Search this
Rauschenberg, Robert, 1925-2008  Search this
Renault, Jean  Search this
Richman, Robert  Search this
Russo, Alexander  Search this
Sheridan, Walt  Search this
Sherman, Saul  Search this
Snelson, Kenneth, 1927-2016  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Sweeney, James Johnson, 1900-  Search this
Thomas, Dylan, 1914-1953  Search this
Truitt, Anne, 1921-2004  Search this
Warhol, Andy, 1928-1987  Search this
Yektai, Manoucher, 1922-  Search this
Youngerman, Jack, 1926-2020  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1990 Mar. 2-22
Scope and Contents:
An interview of V. V. Rankine conducted 1990 Mar. 2-22, by Liza Kirwin, for the Archives of American Art.
Rankine discusses the evolution of her nickname, V.V.; discovering her dyslexia; growing up in Boston; auditioning for a part in, "The Philadelphia Story"; her art studies with Amedee Ozenfant from 1944 to 1946; her studies at Black Mountain College with Josef Albers and Willem De Kooning in 1947; her friendship with Morris Louis and watching him work; living with her brother-in-law Arshile Gorky, in New York City; her first one-woman show at the David Herbert Gallery in New York in 1962; exhibiting at the Betty Parsons Gallery in New York and at the Jefferson Place Gallery in Washington, D.C.; Robert Richman and the Institute of Contemporary Arts; the relationship between her painting and her sculpture; favorite shapes and materials; and her summer home in East Hampton and artist friends there. Rankine also recalls Robert Rauschenberg, Jack Youngerman, Manoucher Yektai, Betty Parsons, Ibram Lassaw, Buckminster Fuller, Elaine De Kooning, Arthur Penn, Richard Leopold, John Cage, Merce Cunningham, Ken Noland, Morris Louis, Ray Johnson, Kenneth Snelson, David Hare, Frederick Kiesler, Raphael Soyer, Moses Soyer, Jean Renault, Agnes Gorky, Esther Magruder, James Johnson Sweeney, Jim Brooks, John Graham, Phillip Guston, Duncan Phillips, Theresa Helburn, Augustine Duncan, Tom Downing, Gene Davis, Alice Denney, Nesta Dorrance, Kevin Merrill, Sam Gilliam, Dylan Thomas, Kay Halle, Kit Kennedy, Naum Gabo, President Lyndon B. Johnson, Anne Truitt, Wretha Nelson, Franz Bader, Louise Nevelson, Andy Warhol, Jackson Pollock, Bonnie Newman, Alexander Russo, Walt Sheridan, Gilbert Kinney, Saul Sherman, Steve Pace, Lee Krasner, and others.
Biographical / Historical:
V.V. Rankine (1920-2004) was a painter and sculptor from Washington, D.C. Variable forms of the artist's name are notably E. R. (Elvine Richard) Rankine, Vivian Scott Rankine, and her married name, Mrs. Paul Scott.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hrs., 53 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Washington (D.C.) -- Interviews  Search this
Topic:
Art, American  Search this
Sculptors -- Washington (D.C.) -- Interviews  Search this
Women artists -- Washington (D.C.)  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rankin90
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rankin90

Oral history interview with Antonio Homem

Interviewee:
Homem, Antonio  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Centre Georges Pompidou  Search this
Ileana Sonnabend (Gallery)  Search this
Acconci, Vito, 1940-  Search this
Baldessari, John, 1931-  Search this
Duchamp, Marcel, 1887-1968  Search this
Godard, Jean-Luc, 1930-  Search this
Guy, Michel  Search this
Ludwig, Peter, 1925-  Search this
Nauman, Bruce, 1941-  Search this
Panza, Giuseppe  Search this
Rauschenberg, Robert, 1925-2008  Search this
Sharp, Willoughby, 1936-2008  Search this
Sonnabend, Ileana  Search this
Sonnabend, Michael  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
4 Items (Sound recording: 4 sound files (4 hr.,10 min.), digital, wav)
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Paris (France) -- description and travel
Spain -- description and travel
Zurich (Switzerland)
Date:
2016 March 14-23
Scope and Contents:
An interview of Antonio Homem, conducted 2016 March 14 and 23, by James McElhinney, for the Archives of American Art at the Sonnabend Gallery in New York, New York.
Homem speaks of his early memories of art and his childhood in Portugal; going to museums in Paris and Spain; studying engineering at the ETH in Zurich, Switzerland; working in a gallery in Zurich; reading Proust; discussion of reading, understanding, and misunderstanding art and literature; meeting Ileana and Michael Sonnabend in 1965; subsequently working at the Sonnabend gallery from 1968; job responsibilities; opening galleries in New York in 1970 and 1971; Showing new artists, like Bruce Nauman, Vito Acconci, John Baldessari; Willoughby Sharpe, Shunk and Kender and the Pier 18 Project; the differences between collectors and gallery visitors of New York and Paris; the influence of the creation of the Centre Pompidou; his thoughts on the evolution of artistic taste; Duchamp; Pop art; Arte Povera; and evolution of art market from the 1970s to the present. Homem also recalls Ileana Sonnabend in detail, Robert Rauschenburg, Andy Warhol, Jean-Luc Godard, Michel Guy, Marcel and Giselle Boulois, Dr. Peter Ludwig, Count Panza, and others.
Biographical / Historical:
Antonio Homem is the director and owner of the Sonnabend Gallery in New York, New York. James McElhinney (1952- ) is a painter and educator of New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Topic:
Art dealers -- New York (State) -- New York -- Interviews  Search this
Conceptual art  Search this
Pop art  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.homem16
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-homem16

Oral history interview with John Outterbridge

Creator:
Outterbridge, John, 1933-2020  Search this
Interviewer:
Bassing, Allen, 1932-  Search this
Names:
American Academy of the Fine Arts -- Students  Search this
Chicago Academy of Fine Arts -- Students  Search this
Compton Communicative Arts Academy  Search this
Pasadena Art Museum  Search this
Alexander, Peter, 1939-  Search this
Coplans, John  Search this
Di Suvero, Mark, 1933-  Search this
Dickson, Charles  Search this
Gilmore, Robert  Search this
Powell, Judson  Search this
Puerefoy, Noel  Search this
Rauschenberg, Robert, 1925-2008  Search this
Sera, Richard  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
13 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1973 January 3
Scope and Contents:
Interview of John W. Outterbridge conducted 1973 January 3, by Allen Bassing, for the Archives of American Art.
Outterbridge speaks of his family background and how that influenced him to lean toward the arts; attending Agriculture & Technical University and majoring in engineering even though he wanted to become an artist; joining the Army in order to get the G.I. Bill so he could afford school; painting during his three-year stint in the service, and how his company commander admired his work and got him a studio; attending the Chicago Academy of Art, then the American Academy of Art after leaving the military; moving to Los Angeles to pursue a career as an artist full-time; quitting painting and deciding to focus on sculpture; working at the Pasadena Art Museum, and how it disturbed him that there weren't any Black artists being represented in the shows he was installing there; getting involved with the Compton Communicative Arts Academy just as it was starting; and the present situation of the Compton Communicative Arts Academy and where he sees it going. He recalls Andy Warhol, Peter Alexander, Richard Serra, Robert Rauschenberg, Mark di Suvero, John Coplans, Judson Powell, Noel Puerefoy, Charles Dickson, Bobby Gilmore, and many others.
Biographical / Historical:
John Outterbridge (1933-2020) was an art administrator, painter, and sculptor from Los Angeles, California.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1959 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. No audio exists. Contact Reference Services for more information.
Occupation:
Arts administrators -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American sculptors  Search this
Genre/Form:
Interviews
Identifier:
AAA.outter73
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-outter73

Marilyn (Reversal), (painting)

Painter:
Warhol, Andy 1928-1987  Search this
Subject:
Monroe, Marilyn  Search this
Medium:
Synthetic polymer and ink on canvas
Type:
Paintings
Date:
1979-1986
Topic:
Portrait female--Head  Search this
Performing Arts--Theater--Performer  Search this
Control number:
IAP 8G040007
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_476959

Oral history interview with Elaine Sturtevant

Interviewee:
Sturtevant, Elaine  Search this
Interviewer:
Hainley, Bruce  Search this
Lobel, Michael  Search this
Names:
Anthony Reynolds Gallery  Search this
Bianchini Gallery  Search this
Galerie J  Search this
Galerie Thaddaeus Ropac (Salzburg, Austria)  Search this
Museum für Moderne Kunst (Frankfurt am Main, Germany)  Search this
Deleuze, Gilles, 1925-1995  Search this
Duchamp, Marcel, 1887-1968  Search this
Foucault, Michel, 1926-1984  Search this
Givaudan, Claude  Search this
Johns, Jasper, 1930-  Search this
Kiefer, Anselm, 1945-  Search this
Kittleman, Udo  Search this
Kosuth, Joseph.  Search this
Maenz, Paul  Search this
Obrist, Hans Ulrich  Search this
Oldenburg, Claes, 1929-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reynolds, Anthony  Search this
Ropac, Thaddäus J.  Search this
Ruf, Beatrix  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
71 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2007 July 25-26
Scope and Contents:
An interview of Elaine Sturtevant conducted 2007 July 25-26, by Bruce Hainley and Michael Lobel, for the Archives of American Art, at the Archives of American Art, in New York, New York.
Sturtevant speaks of her exhibitions, Raw Power at Galerie Thaddaeus Ropac in Paris 2007; Cold Fear at the Anthony Reynolds Gallery in London, 2006; Brutal Truth at the Museum für Moderne Kunst, Frankfurt, Germany, 2004; America America at Galerie J in Paris in 1966; Sturtevant at the Bianchini Gallery in New York in 1965; and others. She also talks about her work Hate Kill Falsity, 2006; the process of installing shows to present a totality of work instead of individual pieces; the concept of "copy" and its misattributions in her art; her interest in opening minds and engendering thinking; her master's degree in language and interest in the writings of Gilles Deleuze and Michel Foucault; possessing confidence in her work to continue creating amidst years of misunderstanding and criticism; Abstract Expressionism and Pop art as catalysts in developing the philosophical concept of her work; frustration at being asked personal questions about the artists she was associated with; the reception of her art in Europe; using video as a medium to articulate visibility; and welcoming different interpretations of her work. Sturtevant also recalls Thaddaeus Ropac, Anthony Reynolds, Udo Kittelmann, Anselm Kiefer, Jasper Johns, Robert Rauschenberg, Andy Warhol, Hans-Ulrich Obrist, Beatrix Ruf, Claude Givaudan, Claes Oldenburg; Marcel Duchamp, Paul Maenz, Joseph Kosuth, and others.
Biographical / Historical:
Elaine Sturtevant (1924-2014) was a multi-media artist in Paris, France and New York, N.Y. Bruce Hainley is a writer from Los Angeles, California. Michael Lobel is an art historian from New York, New York.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 3 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Women artists  Search this
Abstract expressionism  Search this
Pop art  Search this
Video art  Search this
Multimedia (Art)  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sturte07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sturte07

Oral history interview with Douglas Crimp

Interviewee:
Crimp, Douglas  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Names:
ACT UP (Organization)  Search this
Century 21 Exposition (1962 : Seattle, Wash.)  Search this
Gay Activists Alliance  Search this
Rutgers University. Institute of Jazz Studies -- Faculty  Search this
Tulane University -- Students  Search this
University of Rochester -- Faculty  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Baker, Elizabeth C., 1934-  Search this
Belaygue, Christian  Search this
Bordowitz, Gregg  Search this
Cooke, Lynne  Search this
Copjec, Joan  Search this
Duchamp, Marcel, 1887-1968  Search this
Elovich, Richard  Search this
Jonas, Joan, 1936-  Search this
Kohlmeyer, Ida, 1912-1997  Search this
Krauss, Rosalind E.  Search this
Lemann, Bernard, 1905-  Search this
Leonard, Zoe  Search this
Michelson, Annette  Search this
Olander, William  Search this
Owens, Craig  Search this
Robinson, Marilynne  Search this
Santos, René, 1954-1986  Search this
Torm, Fernando  Search this
Waldman, Diane  Search this
Warhol, Andy, 1928-1987  Search this
Wodiczko, Krzysztof  Search this
Wolfe, Daniel, 1960-  Search this
Extent:
5 Items (Sound recording: 5 sound files (6 hr., 2 min.), digital, wav)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Germany -- description and travel
New York (N.Y.) -- Description and Travel
Date:
2017 January 3-4
Scope and Contents:
An interview with Douglas Crimp, conducted 2017 January 3-4, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Crimp's home in New York, New York.
Crimp speaks of growing up in Coeur d'Alene, Idaho; his athleticism in water skiing and ice skating; sibling rivalry as a child; seeing art for the first time at the Seattle World Fair; being closeted and conflicted as a young gay man in 1950s Idaho; attending Tulane University in New Orleans and the culture shock he experienced there; his first year in Tulane's rigorous architecture program and ultimately changing his major to art history; the pageantry of Mardi Gras parades and the gay society he explored; writing an undergraduate paper analyzing Marcel Duchamp's "The Large Glass"; deciding to go to New York City; finding his voice as an art critic while beginning his career at Art News and Art International; his extensive analysis of Joan Jonas; attending Firehouse dances sponsored by Gay Activist Alliance and coming into his sexuality; being a patient of esteemed doctor Dr. Dan William; first learning of the AIDS crisis and epidemic through a New York Times article in 1981 describing a gay cancer; receiving an NEA art critic grant and spending a year in Germany from 1985-86; returning to find friends and acquaintances sick with HIV/AIDS or having died from it; the Dia Conversations; his role as editor of October and bringing queerness and AIDS to the forefront; joining ACT UP; the genesis of October's AIDS double issue in 1987-1988 and its success; how the journal issue changed the course of his career and steered him to teach gay studies and further his work with AIDS activism; the inner workings of ACT UP meetings; the sense of community ACT UP provided and the empowerment everyone felt; noting a sense of personal and professional urgency during the crisis; the timeline of his AIDS writings; his reaction to seeing the AIDS quilt for the first time at the March on Washington; writing to a wide, non-academic audience; his 1988 course at Rutgers University on AIDS video; his complex relationships with Rosalind Krauss and Annette Michelson; the poor coverage of the AIDS epidemic in the media and how it informed his writing; the understanding of the need for safe sex practices and writing "How to Have Promiscuity in an Epidemic;" teaching courses on AIDS at the University of Rochester and how his teaching interest evolved into queer theory and studies; evaluating Warhol's work with a queer lens; writing about his experience with queer life in New York City in the 1970s to counter the condescending conservative narrative; his current writing projects and interests; experience in demonstrations held by ACT UP; and the tremendous communal support he felt during his seroconversion. Crimp also recalls Marilynne Summers (Robinson), Bernard Lemann, Marimar Benetiz, Ida Kohlmeyer, Lynn Emory, Diane Waldman, Betsy Baker, Lucinda Hawkins, Christian Belaygue, Krzysztof Wodiczko, Rosalind Krauss, Joan Copjec, Gregg Bordowitz, Terri Cafaro, Rene Santos, Craig Owens, Fernando Torm, Bill Olander, Richard Elovich, Daniel Wolfe, Hector Caicedo, Lynne Cooke, and Zoe Leonard.
Biographical / Historical:
Douglas Crimp (1944- 2019) was a professor and art critic in New York, New York. Alex Fialho (1989- ) is a curator and arts writer who is the Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art critics -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York  Search this
Topic:
AIDS activists  Search this
AIDS (Disease) -- Study and teaching  Search this
Art -- History -- Study and teaching  Search this
Gay activists  Search this
Gay and lesbian studies  Search this
HIV and AIDS  Search this
Mardi Gras  Search this
NAMES Project AIDS Memorial Quilt  Search this
Queer theory  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.crimp17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-crimp17

Mitch Tuchman papers relating to the book Painters Painting

Creator:
Tuchman, Mitch  Search this
Names:
Albers, Josef  Search this
Castelli, Leo  Search this
De Antonio, Emile.  Search this
De Kooning, Willem, 1904-1997  Search this
Frankenthaler, Helen, 1928-2011  Search this
Geldzahler, Henry  Search this
Greenberg, Clement, 1909-1994  Search this
Hess, Thomas B.  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Kramer, Hilton  Search this
Leider, Philip, 1929-  Search this
Motherwell, Robert  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Noland, Kenneth, 1924-2010  Search this
Olitski, Jules, 1922-2007  Search this
Pavia, Philip, 1915-2005  Search this
Poons, Larry  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rivers, Larry, 1925-2002  Search this
Rubin, William Stanley  Search this
Scull, Ethel  Search this
Scull, Robert C.  Search this
Stella, Frank  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1980-1989
Scope and Contents:
Papers related to Tuchman's co-authoring with Emile de Antonio the book Painters Painting: A History of American Modernism in the Words of Those Who Created It (Abbeville Press, 1984). The book was based on uncut transcripts and the film script from de Antonio's 1972 film Painters Painting, inspired by the Museum of Modern Art's exhibition, New York Painting and Sculpture: 1940-1970, curated by Henry Geldzahler. Included are correspondence; transcripts of interviews conducted by de Antonio of painters, critics, curators, and collectors; notes; drafts of the book; and a subject card file.
Interviewees include: Josef Albers, Leo Castelli, Willem de Kooning, Helen Frankenthaler, Henry Geldzahler, Clement Greenberg, Thomas Hess, Jasper Johns, Philip Johnson, Hilton Kramer, Philip Leider, Robert Motherwell, Louise Nevelson, Barnett Newman, Kenneth Noland, Jules Olitski, Philip Pavia, Larry Poons, Robert Rauschenberg, Larry Rivers, William Rubin, Ethel and Robert Scull, Frank Stella, and Andy Warhol.
Biographical / Historical:
Tuchman is an author and editor; Los Angeles, Calif.
Provenance:
Donated 1994 by Mitch Tuchman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art critics -- United States -- Interviews  Search this
Editors -- California -- Los Angeles  Search this
Topic:
Artists -- United States -- Interviews  Search this
Art -- Collectors and collecting -- Interviews  Search this
Art museum curators -- United States -- Interviews  Search this
Modernism (Art) -- United States  Search this
Abstract expressionism  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Identifier:
AAA.tuchmitc
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tuchmitc

Kit Schwartz interviews with artists

Creator:
Schwartz, Kit  Search this
Names:
Marianne Deson Gallery  Search this
O.K. Harris Gallery (New York, N.Y.)  Search this
Andre, Carl, 1935-  Search this
Arman, 1928-2005  Search this
Arneson, Robert, 1930-1992  Search this
Charlesworth, Sarah, 1947-2013  Search this
Graham, Dan, 1942-  Search this
Johnson, Ray, 1927-1995  Search this
Karp, Ivan C., 1926-2012  Search this
Kosuth, Joseph.  Search this
Paik, Nam June, 1932-  Search this
Warhol, Andy, 1928-1987  Search this
Wegman, William  Search this
Weiner, Lawrence, 1942-  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Date:
1977-1978
Scope and Contents:
A compendium of interviews for a project created by Kit Schwartz consisting of responses by 45 artists to the statement "People who live in glass houses should not throw stones" and responses from 90 artists to the question "Describe yourself as a person." Materials include sound recordings and corresponding transcripts of each response in two scrapbooks. Participants include Carl Andre, Arman, Robert Arneson, Sarah Charlesworth, Dan Graham, Ray Johnson, Ivan Karp, Joseph Kosuth, Nam June Paik, Andy Warhol, William Wegman, Lawrence Weiner, and others. Also included is a folder of background information on the project. The project was exhibited under the name "A New Portrait: A Semiographic Representation of Art During the Seventies" at the Marianne Deson Gallery, Ontario, Canada and the O.K. Harris Gallery, New York.
Biographical / Historical:
Kit Schwartz is a female author from Chicago, Illinois.
Provenance:
Transferred 2015 by Smithsonian American Art Museum, National Portrait Gallery Library via Anne Evenhaugen, Librarian.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Artists  Search this
Authors -- Illinois -- Chicago  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.schwkit
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schwkit

Andy Warhol interview, 1978

Creator:
Kurcfeld, Michael  Search this
Warhol, Andy, 1928-1987  Search this
Subject:
Ace Gallery (Los Angeles, Calif.)  Search this
Type:
Interviews
Sound recordings
Topic:
Journalists -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)21712
(DSI-AAA_SIRISBib)398525
AAA_collcode_kurcmich
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_398525

[Photographs of artists taken by Dena]

Photographer:
Dena, 1910-1987  Search this
Names:
De Kooning, Willem, 1904-1997  Search this
Dehner, Dorothy, 1901-1994  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Grooms, Red  Search this
Gross, Chaim, 1904-1991  Search this
Ortiz, Rafael Montanez  Search this
Segal, George, 1924-2000  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
9 Items (photographic prints, b&w, 44 x 34 cm. and smaller.)
Type:
Collection descriptions
Archival materials
Date:
[1964-1975]
Scope and Contents:
Included are photographs of: Dorothy Dehner, Willem De Kooning, Edwin Dickinson, Red Grooms,Chaim Gross, Rafael Montanez Ortiz, George Segal, Moses Soyer, Raphael and Rebecca Soyer.
Biographical / Historical:
Dena (1910-1987) was a photographer from New York, N.Y. Full name Dinah Rubinstein.
Provenance:
Donated by Dena. It is unclear if the photographs were used in a publication or exhibition. The photographs were initially placed in AAA's Photographs of Artists Collection I and II, separated by artist depicted, and microfilmed on reels 439-441 and 1817-1818. They have been subsequently scanned and compiled together under Dena
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Artists' studios -- Photographs  Search this
Artists -- United States -- Photographs  Search this
Women artists  Search this
Photography  Search this
Identifier:
AAA.dena
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dena

Ian Hornak papers

Creator:
Hornak, Ian, 1944-2002  Search this
Names:
Tibor de Nagy Gallery  Search this
Blake, Amanda  Search this
De Kooning, Willem, 1904-1997  Search this
Foote, John  Search this
Hartigan, Grace  Search this
Hornak, Ian, 1944-2002  Search this
Kasle, Gertrude, 1917-  Search this
Mitchell, Jack, 1925-  Search this
Nesbitt, Lowell, 1933-1993  Search this
Stella, Frank  Search this
Tillich, Hanna  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
2.8 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1955-1991
Scope and Contents:
Correspondence, photographs, artwork, and printed material regarding Ian Hornak's career as a representational painter and his involvement with the art world.
Correspondence is with friends, family, associates, and galleries including Lowell Nesbitt, Hanna Tillich, Gertrude Kasle, the Tibor de Nagy Gallery, the Fischbach Gallery, and the Katharina Rich Perlow Gallery. Photographs taken by Jack Mitchell and John Foote are of Hornak and Hornak's friends and family, including Hanna Tillich and Virgil Thompson. Additional photographs include Hornak with artists Andy Warhol, Grace Hartigan, Amanda Blake, Willem de Kooning and others and a printed card with reproduction of artwork by Frank Stella signed "Frank Stella '76". Also included are slides of Hornak's works of art and photo studies for his artwork including studies for a pencil portrait of the Gertrude Kasle family. Artwork includes drawings and sketchbooks. Printed material consists of newspaper and magazine clippings featuring Hornak, exhibition announcements, and catalogs.
Provenance:
Donated 2007 by Ian Hornak estate via Hornak's executor and nephew Eric Ian Spoutz. Spoutz donated 15 additional photographs and a printed card in 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- Michigan  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.hornian
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hornian

Virginia Field papers

Creator:
Field, Virginia  Search this
Names:
American Federation of Arts  Search this
Baker, Richard Brown  Search this
Von Wicht, John, 1888-1970  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
0.2 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1954-1974
Scope and Contents:
Correspondence, reports, notes, photographs, and printed material concerning Field's association with Asia House, American Federation of Arts, National Endowment of the Arts, and painter John Von Wicht.
REEL 2804: Illustrated letters from John Von Wicht to Field. Von Wicht writes of exhibiting his work, of seeing Field in New York, and of her newsletter. In the last letter of 1968, written two years before his death, he writes of being in the hospital, returning home soon, and returning to work.
UNMICROFILMED: Correspondence and business records, 1957-1973, mostly regarding NEA fellowship grants which enabled Field, as a representative of Asia House, to visit many museums across the country; a photograph of Von Wicht, 1966 by I. Grippi, and one of Andy Warhol and Richard Brown Baker taken by Field; a report by Field, "American Federation of Arts Domestic Exhibition Program," 1963; notes; and printed material, including information on the NEA grant, American Federation of Arts Newsletters, 1955-1957, the International Council of Museums interim report, 1967-1978, and clippings, 1959-1973.
Biographical / Historical:
Arts administrator; New York, N.Y. Assistant director for Asia House.
Provenance:
Donated by Virginia Field, 1981-1988.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Art -- Societies, etc.  Search this
Painters -- New York (State) -- New York -- Photographs  Search this
Identifier:
AAA.fielvirg
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fielvirg

Andy Warhol: artist file, [photographs]

Artist:
Warhol, Andy 1928-1987  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF003083
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_141818

Flowers, [graphic arts] / (photographed by Walter Rosenblum)

Artist:
Warhol, Andy 1928-1987  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
Ca. 1964
Topic:
Renthal Gallery  Search this
Object--Flower  Search this
Image number:
ROS R0001438
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_130901

In the Bottom of My Garden, [graphic arts] / (photographed by Peter A. Juley & Son)

Artist:
Warhol, Andy 1928-1987  Search this
Type:
Photograph
Date:
Ca. 1956
Topic:
Fantasy--Fairy  Search this
Allegory--Other--Nature  Search this
Image number:
JUL J0112791
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_112792

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