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Warhol, Andy, 1928-1987

Collection Creator:
Rosenblum, Walter, 1919-2006  Search this
Extent:
1 Photograph
Container:
Binder 52
Type:
Archival materials
Photographs
Photographs
Collection Restrictions:
Researcher may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Collection Rights:
Copyright to photographs from the Walter Rosenblum Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Walter Rosenblum Collection, Photograph Archives, Smithsonian American Art Museum
See more items in:
Walter Rosenblum photographs
Walter Rosenblum photographs / Series 1: Photographs of artists' works
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
GUID:
https://n2t.net/ark:/65665/ih794a5bb69-9b26-4740-a5b5-2b7c051fdef6
EDAN-URL:
ead_component:sova-saam-photo-ros-ref659

Andy Warhol letter to Russell Lynes

Creator:
Warhol, Andy, 1928-1987  Search this
Lynes, Russell, 1910-1991  Search this
Warhol, Andy, 1928-1987  Search this
Subject:
Warhol, Andy  Search this
Type:
Correspondence
Date:
1949
Record number:
(DSI-AAA)24078
See more items in:
Managing editor Russell Lynes correspondence with artists, 1946-1965
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_24078

An Andy Warhol double bill

Creator:
Warhol, Andy, 1928-1987  Search this
Wagstaff, Samuel J., 1921-1987  Search this
Warhol, Andy, 1928-1987  Search this
Type:
Printed Materials
Date:
1970 August 28-29
Record number:
(DSI-AAA)12125
See more items in:
Samuel J. Wagstaff papers, circa 1932-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12125

Andy Warhol and Edward Melcarth on Radio New York with John Wingate

Creator:
Warhol, Andy, 1928-1987  Search this
Melcarth, Edward, 1914-1973  Search this
Warhol, Andy, 1928-1987  Search this
Subject:
Wingate, John  Search this
Type:
Sound Recording
Date:
circa 1967
Topic:
Experimental films  Search this
Record number:
(DSI-AAA)20330
See more items in:
Edward Melcarth papers, [ca. 1930-1974]
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20330

Andy Warhol interview, 1978

Creator:
Kurcfeld, Michael  Search this
Warhol, Andy, 1928-1987  Search this
Kurcfeld, Michael  Search this
Subject:
Ace Gallery (Los Angeles, Calif.)  Search this
Type:
Interviews
Sound recordings
Topic:
Journalists -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)21712
(DSI-AAA_SIRISBib)398525
AAA_collcode_kurcmich
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_398525

Gregory Battcock papers

Creator:
Battcock, Gregory, 1937-  Search this
Names:
Bronx Museum of the Arts  Search this
International Association of Art Critics  Search this
Trylon & perisphere  Search this
William Paterson College of New Jersey -- Faculty  Search this
Battcock, Elizabeth  Search this
Beker, Gisela  Search this
Brown, Cee  Search this
Burton, Scott  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Carsman, Jon, 1944-  Search this
Christo, 1935-  Search this
Dalí, Salvador, 1904-  Search this
Dreva, Jerry, 1945-1997  Search this
Frank, Peter, 1950-  Search this
George, John  Search this
Glusberg, Jorge  Search this
Goldstein, Al  Search this
Halbert, Jacques  Search this
Hess, Emil, 1889-1945  Search this
Levine, Les, 1935-  Search this
Livingston, Braniff  Search this
McGeehan, Robert, 1933-  Search this
Morley, Malcolm, 1931-  Search this
Nakagawa, Naoto, 1944-  Search this
Neri, Julio  Search this
Paik, Nam June, 1932-2006  Search this
Partch, Harry, 1901-1974  Search this
Peña, Rolando, 1942-  Search this
Picard, Lil  Search this
Pocock, Philip  Search this
Schult, Ha, 1939-  Search this
Van Baron, Judith  Search this
Varble, Stephen  Search this
Warhol, Andy, 1928-  Search this
Wechter, Vivienne Thaul  Search this
Whyte, Ron  Search this
Extent:
10.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Scrapbooks
Diaries
Photographs
Interviews
Date:
1952-circa 1980
Summary:
The papers of New York art critic, writer, educator, and painter, Gregory Battcock, measure 10.6 linear feet and date from 1952 to circa 1980. The collection includes biographical material, correspondence, published and unpublished writings, artists' files, personal business records, printed materials, scrapbooks, photographic materials, and artifacts that detail his involvement in both the mainstream and fringe art scenes of the 1970s.
Scope and Contents:
The papers of New York art critic, writer, educator, and painter, Gregory Battcock, measure 10.6 linear feet and date from 1952 to circa 1980. The collection includes biographical material, correspondence, published and unpublished writings, artists' files, personal business records, printed materials, scrapbooks, photographic materials, and artifacts that detail his involvement in both the mainstream and fringe art scenes of the 1970s.

Biographical materials contain address lists, six appointment books, a diploma and certificate, family history, identification documents, interviews, resumes, obituaries, a William Paterson College of New Jersey teaching file, and membership files for The Bronx Museum, International Association of Art Critics, and other organizations. Correspondence is with Battcock's mother, Elizabeth; friends and colleagues Peter Frank, John George, Al Goldstein, Braniff Livingston, Robert McGeehan, Julio Neri, Judith Van Baron, Ron Whyte, and others regarding social events, reprint permissions, book projects, travel arrangements, real estate, and freelance work.

Writings and notes include personal journal entries, drafts for articles and essays, manuscripts for published and unpublished works including "The Story of Film" and Breaking the Sound Barrier: A Critical Anthology of the New Music, his dissertation titled "Constructivism and Minimal Art: Some Critical, Theoretical and Aesthetic Correlations," book proposals, lectures, limericks, restaurant reviews, notes and writings by Jorge Glusberg and Vivienne Thaul Wechter.

Files for artists contain mostly printed material on Gisela Beker, Cee Brown, Jon Carsman, Christo, Jerry Dreva, Jacques Halbert, Emil Hess, Les Levine, Naoto Nakagawa, Nam Jun Paik, Harry Partch, Lil Picard, Philip Pocock, HA Schult, Andy Warhol, and others. The file for Salvador Dalí contains one video recording. Battcock's personal business records include contracts and payments for his writing, real estate papers, business agreements, papers regarding his father's estate, a loan agreement for Andy Warhol's "Self Portrait," and files detailing the theft of two painting by Malcom Morley from Battcock's residence.

Found in printed materials are clippings, exhibition announcements and catalogs, flyers, post cards, magazines, press releases, issues of Trylon & Perisphere and Gay magazines, and other material that features Battcock's writings. Additional clippings of Battcock's writings that appeared in the New York Free Press, New York Review of Sex and Politics, Domus, The Soho Weekly News, New York Arts Journal, Gay, and other publications are contained in ten scrapbooks.

Photographs are of Battcock, colleagues and friends, works of art from his personal collection, travel, and artists Alexander Calder, Andy Warhol, Nam Jun Paik, Julio Neri, Rolando Peña, Stephen Varble, and Scott Burton. Several keys with a detached keychain labeled 'studio' are in artifacts.
Arrangement:
This collection is arranged as 9 series.

Missing Title

Series 1: Biographical Materials, 1958-1980 (0.4 linear feet; Box 1)

Series 2: Correspondence, 1960s-circa 1980 (2.7 linear feet; Boxes 1-3, 12)

Series 3: Writings and Notes, 1966-1980 (2.7 linear feet; Boxes 4-6)

Series 4: Artists' Files, 1960s-1980 (0.6 linear feet; Box 6)

Series 5: Personal Business Records, 1966-1980 (0.5 linear feet; Box 6-7)

Series 6: Printed Materials, 1952-1980 (1.4 linear feet; Boxes 7-8, 12-13)

Series 7: Scrapbooks, 1959-1980 (1.1 linear feet; Boxes 8-9, 12)

Series 8: Photographic Materials, 1960s-1980 (1.0 linear feet; Boxes 9-11)

Series 9: Artifacts, circa 1970s (0.1 linear feet; Box 11)
Biographical / Historical:
Gregory Battcock (1937-1980) was an art critic, writer, educator, and painter from New York, N.Y. He attended Michigan State University, the Accademia di Belle Arti in Rome, and Hunter College for his undergraduate and graduate studies before receiving his Ph.D. from New York University in 1978. His dissertation was titled "Constructivism and Minimal Art: Some Aesthetic, Theoretical and Critical Correlations."

Battcock was a prolific writer and wrote numerous articles as a correspondent for Art & Artists and Domus magazines. His column, "The Last Estate," appeared in Gay magazine as well as other publications. In 1977, Battcock co-founded the short-lived magazine, Trylon & Perisphere, with his close friend, playwright Ron Whyte. Even though only three issues were printed, the magazine exhibited Battcock's predilection for art society gossip, and provocative imagery and prose. E.P. Dutton & Co., Inc. published several of Battcock's books including Why Art: Casual Notes on the Aesthetics of the Immediate Past, Breaking the Sound Barrier: A Critical Anthology of the New Music, and Idea Art: A Critical Anthology. In addition to his writing career, Battcock taught fine art at William Paterson College of New Jersey, was art critic for New York Free Press from 1967 to 1970, Editor-in-Chief of Arts Magazine from 1973 to 1975, and appeared in the Andy Warhol films The Illiac Passion, Horse, and Batman Dracula.

Battcock was murdered in Puerto Rico on December 25, 1980. At the time of his death he was working on "The Story of Film," which remains unpublished, and The Art of Performance: A Critical Anthology, which was published posthumously in 1984.
Related Materials:
Also found at the Archives of American Art is an audio interview recorded on December 11, 1969 with Gregory Battcock for the University Roundtable radio series. The recording forms part of the WFUV radio interviews relating to art, 1969-1973 collection.
Provenance:
The Gregory Battcock papers were donated in 1992 by Nancy Mahl, an artist who occupied a studio in Jersey City, N.J. that had formerly been leased by a moving and storage company, and who came upon Battcock's papers in the building. The papers had been shipped to the Jersey City building without the knowledge of Ron Whyte (executor of Battcock's estate) and the Rev. Paul William Bradley, who had arranged to have Battcock's papers stored after his death. Additional papers were donated 2003 by Rev. Paul W. Bradley, who inherited the papers after the death of his partner Ron Whyte.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Constructivism (Art)  Search this
Educators -- New York (State) -- New York  Search this
Minimal art  Search this
Painters -- New York (State) -- New York  Search this
Art -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- Study and teaching  Search this
Art thefts  Search this
Genre/Form:
Video recordings
Scrapbooks
Diaries
Photographs
Interviews
Citation:
Gregory Battcock Papers, 1952-circa 1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.battgreg
See more items in:
Gregory Battcock papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9173ed1ab-2aac-4e20-85fe-1a96e7acf785
EDAN-URL:
ead_collection:sova-aaa-battgreg
Online Media:

Castelli Graphics records

Creator:
Castelli Graphics (Firm)  Search this
Names:
Arnold, Eve  Search this
Baltz, Lewis, 1945-2014  Search this
Brown, James, 1951-  Search this
Castelli, Antoinette  Search this
Cumming, Robert, 1943-  Search this
Gibson, Ralph, 1939-  Search this
Johns, Jasper, 1930-  Search this
Kelly, Ellsworth, 1923-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Mark, Mary Ellen, 1940-  Search this
Namuth, Hans  Search this
Nauman, Bruce, 1941-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rosenquist, James, 1933-  Search this
Sonnier, Keith, 1941  Search this
Stella, Frank  Search this
Warhol, Andy, 1928-  Search this
Extent:
45.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1965-2001
Summary:
The records of Castelli Graphics measure 45.7 linear feet and date from 1965 to 2001. Administrative files, correspondence, exhibition and project files, artists' files, financial and legal records, inventory and stock records, printed materials, and photographic materials document the activities of the New York art gallery and publishing firm founded by Antoinette Castelli.
Scope and Contents:
The records of Castelli Graphics measure 45.7 linear feet and date from 1965 to 2001. Administrative files, correspondence, exhibition and project files, artists' files, financial and legal records, inventory and stock records, printed materials, and photographic materials document the activities of the New York art gallery and publishing firm founded by Antoinette Castelli.

Administrative files include documents about the gallery's history, three appointment books, floor plans, mailing lists, notes, and advertising plans. Correspondence is with artists, dealers and collectors, and others. Exhibition and project files document exhibitions of artwork by Eve Arnold, Robert Rauschenberg, Keith Sonnier, Roy Lichtenstein, Mary Ellen Mark, Hans Namuth, Frank Stella, and Jasper Johns, and many others, as well as, records of a book project and sales promotion projects.

Artists' files are for Lewis Baltz, James Brown, Robert Cumming, Ralph Gibson, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Bruce Nauman, Robert Rauschenberg, James Rosenquist, Frank Stella, and Andy Warhol. Client and collector files include business records for individual clients and organizations.

A few legal files, appraisals, check stubs, consignment and loan documents, invoices, royalty statements, and ledgers are in financial and legal records. Inventory and stock records contain inventory, exhibition, and sales lists. Printed materials include exhibition catalogs and announcements. Photographs and negatives are of exhibition installations and works of art. 3D negatives and snapshots are also included.
Arrangement:
The collection is arranged as nine series.

Series 1: Administrative Records, 1969-1997 (1.5 linear feet; Boxes 1-2)

Series 2: Correspondence, 1979-1997 (3.0 linear feet; Boxes 2-5)

Series 3: Exhibition and Project Files, 1975-1997 (1.0 linear feet; Boxes 5-6)

Series 4: Artists' Files, 1965-2001 (17.0 linear feet; Boxes 6-23, 47)

Series 5: Client and Collector Files, 1966-1997 (4.5 linear feet; Boxes 23-27)

Series 6: Financial and Legal Records, 1969-1997 (12.2 linear feet; Boxes 28-39, 47)

Series 7: Inventory and Stock Records, 1970-1995 (2.0 linear feet; Boxes 39-41)

Series 8: Printed Materials, 1969-1997 (0.8 linear feet; Boxes 41-42)

Series 9: Photographic Materials, circa 1970-circa 1993 (3.5 linear feet; Boxes 42-46)
Biographical / Historical:
Castelli Graphics (est. 1969, closed 1997) was an art gallery and publishing firm in New York, NY.

The gallery was founded by Antoinette (Toiny) Castelli, wife of Leo Castelli, in 1969 and focused on prints and graphic arts. The gallery promoted prominent artists such as Richard Artschwager, Ellsworth Kelly, Roy Lichtenstein, Mary Ellen Mark, Bruce Nauman, Robert Rauschenberg, Eve Sonneman, Andy Warhol, and many others. After the death of Toiny in 1987, the gallery remained opened until 1997.
Related Materials:
Also found at the Archives of American Art are the Leo Castelli Gallery Records, circa 1880-2000, bulk 1957-1999, which include 16 linear feet of additional Castelli Graphics records.
Provenance:
The Castelli Graphics records were donated in 2011 by Jean-Christophe Castelli, son of Leo and Antoinette Castelli.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Function:
Art galleries, Commercial -- New York (State)
Publishing houses -- New York (State)
Genre/Form:
Photographs
Citation:
Castelli Graphics records, 1965-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.castgrap
See more items in:
Castelli Graphics records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99103675c-32f0-4a00-b00b-9bd9e16a08dc
EDAN-URL:
ead_collection:sova-aaa-castgrap
Online Media:

Oral history interview with Henry Geldzahler

Interviewee:
Geldzahler, Henry  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Endowment for the Arts  Search this
Bellamy, Richard  Search this
Bingham, Lois A.  Search this
Castelli, Leo  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Hale, Robert Beverly, 1901-1985  Search this
Hoving, Thomas, 1931-  Search this
Lowe, Harry, 1922-  Search this
Rorimer, James J. (James Joseph), 1905-1966  Search this
Scull, Robert C.  Search this
Stella, Frank  Search this
Stevens, Roger L.  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
2 Sound tape reels (Sound recording, 7 in.)
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1970 Jan. 27
Scope and Contents:
An interview of Henry Geldzahler conducted 1970 Jan. 27, by Paul Cummings, for the Archives of American Art. Geldzahler speaks of his youth and family background; his early interests; his education at Yale and Harvard; the decision to pursue an art career; working with the Metropolitan Museum of Art for Robert Beverly Hale; working with James Rorimer; his first exhibit; artists and curators he has been associated with; working with Roger Stevens at the National Endowment for the Arts; public interest in museums; working with Thomas Hoving; his opinion of critics; and how he selects works for exhibitions. He recalls Richard Bellamy, Harry Lowe, Lois Bingham, Robert Scull, Leo Castelli, Frank Stella, Andy Warhol, and Rene D'Harnoncourt.
Biographical / Historical:
Henry Geldzahler (1935-1994) was a curator in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Curators -- New York (State) -- New York -- Interviews  Search this
Function:
Art museums -- New York (State) -- New York
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.geldza70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw930961b87-e75b-4509-b6de-2f4dadabd532
EDAN-URL:
ead_collection:sova-aaa-geldza70

Oral history interview with Douglas Crimp

Interviewee:
Crimp, Douglas  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Names:
ACT UP (Organization)  Search this
Century 21 Exposition (1962 : Seattle, Wash.)  Search this
Gay Activists Alliance  Search this
Rutgers University -- Faculty  Search this
Tulane University -- Students  Search this
University of Rochester -- Faculty  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Baker, Elizabeth C., 1934-  Search this
Belaygue, Christian  Search this
Bordowitz, Gregg  Search this
Cooke, Lynne  Search this
Copjec, Joan  Search this
Duchamp, Marcel, 1887-1968 -- Bride stripped bare by her bachelors, even  Search this
Elovich, Richard  Search this
Jonas, Joan, 1936-  Search this
Kohlmeyer, Ida, 1912-1997  Search this
Krauss, Rosalind E.  Search this
Lemann, Bernard, 1905-  Search this
Leonard, Zoe  Search this
Michelson, Annette  Search this
Olander, William  Search this
Owens, Craig  Search this
Robinson, Marilynne  Search this
Santos, René, 1954-1986  Search this
Torm, Fernando  Search this
Waldman, Diane  Search this
Warhol, Andy, 1928-1987  Search this
Wodiczko, Krzysztof  Search this
Wolfe, Daniel, 1960-  Search this
Extent:
5 Items (Sound recording: 5 sound files (6 hr., 2 min.), digital, wav)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Germany -- description and travel
New York (N.Y.) -- Description and Travel
Date:
2017 January 3-4
Scope and Contents:
An interview with Douglas Crimp, conducted 2017 January 3-4, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Crimp's home in New York, New York.
Crimp speaks of growing up in Coeur d'Alene, Idaho; his athleticism in water skiing and ice skating; sibling rivalry as a child; seeing art for the first time at the Seattle World Fair; being closeted and conflicted as a young gay man in 1950s Idaho; attending Tulane University in New Orleans and the culture shock he experienced there; his first year in Tulane's rigorous architecture program and ultimately changing his major to art history; the pageantry of Mardi Gras parades and the gay society he explored; writing an undergraduate paper analyzing Marcel Duchamp's "The Large Glass"; deciding to go to New York City; finding his voice as an art critic while beginning his career at Art News and Art International; his extensive analysis of Joan Jonas; attending Firehouse dances sponsored by Gay Activist Alliance and coming into his sexuality; being a patient of esteemed doctor Dr. Dan William; first learning of the AIDS crisis and epidemic through a New York Times article in 1981 describing a gay cancer; receiving an NEA art critic grant and spending a year in Germany from 1985-86; returning to find friends and acquaintances sick with HIV/AIDS or having died from it; the Dia Conversations; his role as editor of October and bringing queerness and AIDS to the forefront; joining ACT UP; the genesis of October's AIDS double issue in 1987-1988 and its success; how the journal issue changed the course of his career and steered him to teach gay studies and further his work with AIDS activism; the inner workings of ACT UP meetings; the sense of community ACT UP provided and the empowerment everyone felt; noting a sense of personal and professional urgency during the crisis; the timeline of his AIDS writings; his reaction to seeing the AIDS quilt for the first time at the March on Washington; writing to a wide, non-academic audience; his 1988 course at Rutgers University on AIDS video; his complex relationships with Rosalind Krauss and Annette Michelson; the poor coverage of the AIDS epidemic in the media and how it informed his writing; the understanding of the need for safe sex practices and writing "How to Have Promiscuity in an Epidemic;" teaching courses on AIDS at the University of Rochester and how his teaching interest evolved into queer theory and studies; evaluating Warhol's work with a queer lens; writing about his experience with queer life in New York City in the 1970s to counter the condescending conservative narrative; his current writing projects and interests; experience in demonstrations held by ACT UP; and the tremendous communal support he felt during his seroconversion. Crimp also recalls Marilynne Summers (Robinson), Bernard Lemann, Marimar Benetiz, Ida Kohlmeyer, Lynn Emory, Diane Waldman, Betsy Baker, Lucinda Hawkins, Christian Belaygue, Krzysztof Wodiczko, Rosalind Krauss, Joan Copjec, Gregg Bordowitz, Terri Cafaro, Rene Santos, Craig Owens, Fernando Torm, Bill Olander, Richard Elovich, Daniel Wolfe, Hector Caicedo, Lynne Cooke, and Zoe Leonard.
Biographical / Historical:
Douglas Crimp (1944- 2019) was a professor and art critic in New York, New York. Alex Fialho (1989- ) is a curator and arts writer who is the Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art critics -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York  Search this
Topic:
AIDS activists  Search this
AIDS (Disease) and the arts  Search this
Art -- History -- Study and teaching  Search this
AIDS (Disease)  Search this
Mardi Gras  Search this
NAMES Project AIDS Memorial Quilt  Search this
Queer theory  Search this
Activists (LGBTQ)  Search this
Queer studies  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.crimp17
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e66e4a69-54ae-4305-93f0-716e7ce030f4
EDAN-URL:
ead_collection:sova-aaa-crimp17
Online Media:

Oral history interview with Joseph A. Helman

Interviewee:
Helman, Joseph A., 1937-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Blum Helman Gallery  Search this
Sotheby's (Firm)  Search this
St. Louis Art Museum  Search this
Albers, Josef  Search this
Blum, Irving, 1930-  Search this
Castelli, Leo  Search this
Crawford, Ralston, 1906-1978  Search this
Davis, Ronald, 1937-  Search this
Greenberg, Ronald K.  Search this
Johns, Jasper, 1930-  Search this
Kaprow, Allan  Search this
Kelly, Ellsworth, 1923-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Oldenburg, Claes, 1929-  Search this
Pulitzer, Emily Rauh  Search this
Rauschenberg, Robert, 1925-2008  Search this
Saarinen, Eero, 1910-1961  Search this
Scull, Robert C.  Search this
Serra, Richard, 1938-  Search this
Stella, Frank  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
4 Items (Sound recording: 4 wav files (2 hr.,19 min.), digital)
53 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Italy -- description and travel
Date:
2010 January 4
Scope and Contents:
An interview of Joseph A. Helman conducted 2010 January 4, by James McElhinney, for the Archives of American Art, at Helman's home in New York, New York.
Helman recalls three major events from his early life--the exhibition "Masterpieces from the Berlin Museums: 1948-1949," the film "Lust for Life," and collecting--that led to his career as an art dealer; buying his first painting, which was a Jasper Johns work; meeting the art dealer Leo Castelli; opening his first gallery in St. Louis in 1969; selling his gallery to Ronald Greenberg and moving to Italy with his family; attending the Sotheby's auction of the Robert C. Scull Collection in 1973; teaming up with Irving Blum to open the Blum Helman Gallery in New York City; organizing exhibitions of established and emerging artists. Helman speaks about his relationship with Emily Rauh Pulitzer and the St. Louis Art Museum; his Happening with Allan Kaprow; the story behind Claes Oldenburg's drawing Tongue Cloud, over St. Louis, 1975; discovering the work of Ralston Crawford; introducing American art to Spain. In addition, Helman discusses the contemporary art market; collectors and the process of collecting; and the redefinition of Pop art to include British and American artists of the 1980s. Throughout the interview Helman mentions the various artists he has represented, exhibited or collected such as Richard Serra, Robert Rauschenberg, Josef Albers, Roy Lichtenstein, Ellsworth Kelly, Andy Warhol, Frank Stella, Ronald Davis, and Bryan Hunt.
Biographical / Historical:
Joseph A. Helman (1937- ) is an art dealer and collector in New York, New York.
General:
Originally recorded on 1 sound disc. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr.,19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art dealers -- New York (State) -- New York -- Interviews  Search this
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Art -- Economic aspects  Search this
Art, American -- Spain  Search this
Pop art  Search this
Happenings (Art)  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.helman10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9038a91ca-30d6-4b56-9410-8ca0e87c657f
EDAN-URL:
ead_collection:sova-aaa-helman10
Online Media:

Oral history interview with Dennis Oppenheim

Interviewee:
Oppenheim, Dennis, 1938-2011  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
Biennale di Venezia  Search this
Olympic Games (29th : 2008 : Beijing, China)  Search this
Acconci, Vito, 1940-  Search this
Aycock, Alice  Search this
Irwin, Robert, 1928-  Search this
Levai, Pierre  Search this
Lipski, Donald, 1947-  Search this
Nauman, Bruce, 1941-  Search this
Serra, Richard, 1938-  Search this
Sonnier, Keith, 1941-2020  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
49 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 June 23-24
Scope and Contents:
An interview of Dennis Oppenheim conducted 2009 June 23-24, by Judith Olch Richards, for the Archives of American Art, at Oppenheim's studio, in New York, N.Y. Oppenheim speaks of his work in the past 15 years; the evolution of his work and its lack of continuity; his use of writing as a catalyst for constructing works and the importance of language in conceptual art; the role of the audience and the effects of positive reaction to one's work; the risks involved in moving away from successful work to find another avenue; experimentation and the ability to exhibit failures; the emotionality and detached qualities of Abstract Expressionism during the 1950s; the experimental side of studio art in comparison to public art; the seniority felt by fine artists over the applied arts, such as architecture, during the 1950s and 1960s; listening to the public opinion, including those that do not come from the art world; the theoretical progression of works such as, "Jump and Twist," [1999], and "Device to Root Out Evil," [1997]; how to react to controversial work; his lack of representation by galleries and dealers; his staff of assistants and his more theoretical role in the operation; his lack of fellowship with other artists and his dislike of collaboration; the Venice Biennale in 1997; the Olymics in Beijing in 2008; his current work and on-going commissions. Oppenheim also recalls Andy Warhol, Pierre Levai, Vito Acconci, Bruce Nauman, Robert Irwin, Richard Serra, Alice Aycock, Keith Sonnier, and Donald Lipski.
Biographical / Historical:
Dennis Oppenheim (1938- ) is a conceptual artist and sculptor in New York, N.Y. Judith Olch Richards (1947- ) is former executive director of iCI in New York, N.Y. Oppenheim was educated at California College of Arts and Crafts and Stanford University.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 4 hrs., 31 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Conceptual artists -- New York (State) -- New York -- Interviews  Search this
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.oppenh09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974529ce4-e824-4f1c-b0b8-440874daa659
EDAN-URL:
ead_collection:sova-aaa-oppenh09
Online Media:

Leo Castelli Gallery records

Creator:
Leo Castelli Gallery  Search this
Names:
Amsterdam (Netherlands). Stedelijk Museum  Search this
Castelli Graphics (Firm)  Search this
Castelli-Sonnabend Tapes and Films, Inc.  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
Ileana Sonnabend (Gallery)  Search this
Jewish Museum (New York, N.Y.)  Search this
Multiples, Inc.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Sidney Janis Gallery  Search this
Whitney Museum of American Art  Search this
Artschwager, Richard, 1923-  Search this
Barry, Robert, 1936-  Search this
Bloom, Barbara, 1951-  Search this
Castelli, Leo  Search this
Christo, 1935-  Search this
Chryssa, 1933-  Search this
Daphnis, Nassos, 1914-  Search this
Darboven, Hanne  Search this
Epstein, Ethel Steuer  Search this
Flavin, Dan, 1933-  Search this
Gorgoni, Gianfranco  Search this
Heller, Ben, 1925-  Search this
Johns, Jasper, 1930-  Search this
Judd, Donald, 1928-  Search this
Kiesler, Frederick  Search this
Klapheck, Konrad, 1935-  Search this
Koons, Jeff  Search this
Landsman, Stanley, 1930-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Marisol, 1930-2016  Search this
Morris, Robert, 1931-2018  Search this
Namuth, Hans  Search this
Nauman, Bruce, 1941-  Search this
Paik, Nam June, 1932-  Search this
Panza, Giuseppe  Search this
Parker, Raymond, 1922-  Search this
Power, Alan  Search this
Powers, John, 1916-  Search this
Powers, Kimiko  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rosenquist, James, 1933-  Search this
Rowan, Carolyn  Search this
Rowan, Robert  Search this
Ruscha, Edward  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Scull, Ethel  Search this
Scull, Robert C.  Search this
Serra, Richard, 1938-  Search this
Starn, Doug  Search this
Starn, Mike  Search this
Stella, Frank  Search this
Tremaine, Burton  Search this
Tremaine, Emily Hall, 1908-1987  Search this
Twombly, Cy, 1928-  Search this
Tworkov, Jack  Search this
Warhol, Andy, 1928-  Search this
Weiner, Lawrence  Search this
Extent:
215.9 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Video recordings
Sketches
Transcripts
Sound recordings
Notes
Visitors' books
Photographs
Notebooks
Awards
Date:
circa 1880-2000
bulk 1957-1999
Summary:
The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.
Scope and Content Note:
The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and audio and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.

The records document the gallery's daily business operations, exhibitions, spaces/buildings, collaborations and joint ventures with other galleries and museums, and its relationship with many artists, dealers, and clients. Artists particularly well-represented throughout the collection include Hanne Darboven, Dan Flavin, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Richard Serra, Frank Stella, Andy Warhol, and Lawrence Weiner.

Records pre-dating the gallery's establishment in 1957 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of works of art, and scattered personal business records of Leo Castelli.

General Correspondence is extensive at circa 25 linear feet and consists primarily of the gallery's and Leo Castelli's named and subject correspondence files concerning the gallery's daily operations, exhibitions, artwork installation and fabrication, appraisals, inquiries, loans, sales, consignments, personal and business relationships with artists, and other topics. The general correspondence is arranged either by name of correspondent or topic, and is with museums and galleries, collectors, business associates, artists, employees, and friends. Notes, scattered photographs and slides, and printed materials are often found as enclosures. Leo Castelli's personal correspondence is also found here and consists primarily of solicitations, requests for advice, notes of thanks, congratulations, and invitations.

Letters written by artists in the gallery's stable are somewhat limited. There are scattered letters from artists Christo, Chryssa, Nassos Daphnis, Hanne Darboven, Marisol, Dan Flavin, Jasper Johns, Frederick Kiesler, Robert Morris, Hans Namuth, Bruce Nauman, Nam June Paik, Ray Parker, James Rosenquist, Edward Ruscha, Salvatore Scarpitta, Frank Stella, Cy Twombly, and Jack Tworkov. There are also letters about artists in this series filed under the artists' name.

Collectors and dealers represented within the correspondence include the De Menil family, Mrs. Henry Epstein, Ben Heller, Giuseppe Panza, Alan Power, John and Kimiko Powers, Robert and Carolyn Rowan, Robert and Ethel Scull, and Burton and Emily Tremaine. Museums and galleries for which there is considerable correspondence includes the Dwan Gallery, Ferus Gallery, the Jewish Museum, Museum of Modern Art, Sidney Janis Gallery, Stedelijk Museum, Whitney Museum of American Art, and the Ileana Sonnabend Galerie.

The materials arranged in General Correspondence were originally marked by the gallery as "correspondence" files upon accessioning, and, are thus arranged into their own series. However, in some cases, there appears to be little difference between the General Correspondence and the Administrative Files. Thus, researchers are encouraged to reference both series.

Administrative Files document a wide variety of the gallery's activities and business. Essentially, these are files that were arranged by the gallery according to subject or topic and cover almost all activities except specific exhibitions. These files include records and correspondence about buildings and space, advertising, appraisals, auctions, consignments, loans, miscellaneous business correspondence, index cards, business arrangements with artists, information about artists, interviews with artists (transcripts), history of the gallery, mailings, photograph requests, shipping, and other topics. Few items are in digital format. There are staff notebooks and files and Leo Castelli's notebooks and notes from the late 1950s through the early 1990s. Extensive outgoing chronological correspondence filed in this series dates from 1964-1977. Also found are transcripts of interviews with Leo Castelli, biographical material, some of it in digital format, and scattered photographs.

Researchers should note that the Administrative Files often overlap and complement the General Correspondence. However, they focus slightly more distinctly on gallery business activities and are arranged mostly by subject or topic, except for the chronological business correspondence. Researchers are encouraged to reference both series. For example, correspondence with and about Jasper Johns may be found in both series, but the administrative files most likely focus on a specific loan, consignment, or business activity or transaction.

Exhibition files provide a thorough history of the gallery's exhibitions, as well as the fabrication and installation of artwork for exhibitions. These files include correspondence, exhibition catalogs, guest books, lists of exhibitions by artist and by year, press releases, sketches and notes, and scattered financial records. Photographs document over 650 exhibitions at Leo Castelli Gallery, including The Ninth Street Show organized by Castelli in 1951, and over 200 exhibitions at other galleries.

Extensive artists' files comprise approximately 40% of the records and are a rich resource of printed and compiled information about the careers of over 120 artists and their relationship with Leo Castelli and the gallery. There are exhibition announcements and catalogs, flyers, invitations, magazine articles and clippings, newspaper clippings, posters, press releases, photographs, and a handful of books. Nearly half of the series is comprised of black and white photographs of artwork, presumably handled by the Leo Castelli Gallery.

Additional printed materials include exhibition announcements, flyers, invitations, magazine articles and clippings, newspaper clippings, press releases, and exhibition posters. Exhibition catalogs are filed with the exhibitions files. The general archives files provide a chronological history of the gallery and its exhibitions. There are also files concerning Leo Castelli and numerous art-related topics. Exhibition posters are found here as well.

Artwork is limited and includes a few works of art and signed posters. Artists represented here include photographer Gianfranco Gorgoni, Robert Morris, Bruce Nauman, Richard Serra and Andy Warhol, as well as others.

The records of the subsidiary Castelli Graphics New York consist of correspondence and administrative files relating to general operations and the sale and loan of prints. Also found are exhibition files, sales records, and scattered financial records. The series provides a wealth of information about Castelli Graphics collaborations with Multiples Inc. in the 1970s.

Also found in the collection are records of Castelli/Sonnabend Tapes and Films, a joint business venture between Leo Castelli Gallery and Sonnabend Gallery from 1974-1985. Records include correspondence, administrative files, exhibition files, artists' files, printed materials, sales and rental records, photographs, and financial records.

The importance and stature of Leo Castelli and the Leo Castelli Gallery to the arts community in New York City and beyond is documented by numerous awards and recognitions, such as framed and unframed certificates, plaques, statues, medals, and scattered photographs.

Nearly seven linear feet of photographs include professional black and white original prints, scattered color photographs, color transparencies, slides and negatives, and disassembled photo albums. The photographs primarily depict social and art events and functions; family and friends of Leo Castelli; and portraits of Leo Castelli and artists and of Leo Castelli with artists, including Richard Artschwager, Jasper Johns, Roy Lichtenstein, Bruce Nauman, Robert Rauschenberg, James Rosenquist, Salvatore Scarpitta, Richard Serra, Frank Stella, and Andy Warhol. Photographs of exhibitions and exhibition installations are filed with the exhibition files.

Sound and video recordings include sound and video art, performances, interviews with artists and Leo Castelli, recordings from and of exhibitions, and television publicity recorded on sound cassettes, phonograph records (vinyl and lacquer), videocassettes (U-matic, VHS, Betamax), and videocartridges. Artists represented include Vito Acconci, Robert Barry, Barbara Bloom, Hannah Collins, Hanne Darboven, Dan Flavin, Laura Grisi, Jasper Johns, Jeff Koons, Roy Lichtenstein, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Ed Ruscha, Salvatore Scarpitta, Doug and Mike Starn, and Lawrence Weiner, among others.

See Index for list of Exhibitions at the Leo Castelli Gallery and Castelli Graphics
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Correspondence, 1948-1999, bulk 1957-1997 (24.4 linear feet; Boxes 1-23, 191, OVs 233-236)

Series 2: Administrative Files, 1941-1999, bulk 1970s-1990s (17.3 linear feet; Boxes 24-39, 192-193, OVs 237-238, 0.001 GB; ER01-ER02)

Series 3: Exhibition Files, 1951-1999, bulk 1957-1998 (18.7 linear feet; Boxes 40-56, 192, 194-196, 308-309, OVs 239-241, 280)

Series 4: Artists Files, 1913-1999, bulk 1960s-1990s (80.8 linear feet; Boxes 57-133, 197-208, OVs 242-243)

Series 5: Printed Materials, 1949-1998 (23.5 linear feet; Boxes 134-153, 209-211, OVs 244-274, 276, 300, RDs 301-306)

Series 6: Artwork, circa 1960s-1990s (1.8 linear feet; Boxes 153, 212-213, OVs 275, 277-278, RD 307)

Series 7: Castelli Graphics, circa 1950-1999, bulk mid 1970s-early 1990s (16 linear feet; Boxes 154-169)

Series 8: Castelli/Sonnabend Tapes + Films, 1969-1998 (5.6 linear feet; Boxes 170-174, 214, OVs 279-281)

Series 9: Awards and Recognition, 1962-1998 (6.9 linear feet; Boxes 175-176, 215-228, OVs 282)

Series 10: Photographs, circa 1880-1997, bulk 1960s-1990s (6.6 linear feet; Boxes 177-180, 229-231, OVs 283-299)

Series 11: Sound and Video Recordings, 1959-2000 (9.7 linear feet; Boxes 181-190, 232)
Historical Note:
Leo Castelli (1907-1999) was one of America's most noted contemporary art dealers and opened the Leo Castelli Gallery in New York City in 1957. The gallery showcased cutting edge American contemporary art, including Surrealism, Abstract Expressionism, Neo-Dada, Pop Art, Op Art, Color Field painting, Hard-edge painting, Lyrical Abstraction, Minimal Art, Conceptual Art, and Neo-expressionism, among other movements.

Leo Castelli was born as Leo Krauss on September 4, 1907 in Trieste, of Italian and Austro-Hungarian Jewish origin. He married art dealer Ileana Sonnabend in 1932 and the couple lived in Paris up until World War II. They had a daughter, Nina Castelli Sundell. In Paris, Castelli opened his first gallery in 1939. At that time, he was interested in the European Surrealists.

For years after Castelli moved to New York, he worked in his father-in-law's garment business. However, he organized his first American exhibition in 1951, the famous Ninth Street Show of 1951, a seminal event of Abstract Expressionism.

In 1957, he opened the Leo Castelli Gallery in his townhome on E. 77th Street between Madison and Fifth Avenues in New York City. Castelli initially featured European Surrealism, but also curated exhibitions of American Abstract painters, including Jackson Pollock, Willem de Kooning, Cy Twombly, Friedel Dzubas, and Norman Bluhm.

In 1958, Castelli discovered Pop artists Robert Rauschenberg and Jasper Johns and forged a life-long nurturing relationship with both artists. The gallery then began focusing more on Pop Art, Minimalism and Conceptual Art. Beginning in the early 1960s, Castelli's stable included Richard Artschwager, Lee Bontecou, Chryssa, John Chamberlain, Ronald Davis, Dan Flavin, Donald Judd, Ellsworth Kelly, Joseph Kosuth, Roy Lichtenstein, Robert Morris, Bruce Nauman, Larry Poons, James Rosenquist, Ed Ruscha, Salvatore Scarpitta, Richard Serra, Frank Stella, Andy Warhol, and Lawrence Weiner.

Leo and Ileana divorced in 1959, and Ileana returned to Europe. She later moved back to New York and opened a gallery close to Castelli's. The two remained close and together they established the joint venture of Castelli-Sonnabend Films and Tapes to accommodate artists interested in new media.

In the 1970s Leo Castelli opened a downtown SoHo branch of the Leo Castelli Gallery at 420 West Broadway. In the 1980s he opened a second larger downtown exhibition space on Greene Street also in SoHo.

Leo Castelli's second wife was Antoinette Castelli, with whom he also opened Castelli Graphics, an art gallery devoted to prints and photographs, mostly those by Castelli artists. The couple also had a son together, Jean-Christophe Castelli. In 1995 Leo Castelli married Italian art historian Barbara Bertozzi Castelli. She directs the Leo Castelli Gallery today, showing many of the same artists of the gallery's past.

Leo Castelli's unparalleled eye for quality, combined with his extraordinary skill for nurturing and promoting new art and artists, secured his position as one of the most respected and influential advocates of contemporary art for nearly five decades.
List of Exhibitions:
Below is a chronological listing of over 850 exhibitions and events held at the Leo Castelli Gallery from 1957 to 1999; included are exhibitions at 4 E 77 St (1957-1989), 65 Thompson (1989-1994), 108th St Warehouse (1968-1970), 142 Greene St (1980-1988), 420 W Broadway (1971-1999), and 578 Broadway (1988-1997). Castelli Graphics exhibitions from 1969-1996 and Castelli/Sonnabend Tapes and Films exhibitions from 1974-1984 are also included and are noted when known.

Note that this list is not comprehensive. In particular, Castelli Graphics exhibitions from the 1980s and early 1990s are incomplete. Sources used to compile this index include exhibition schedules and lists, installation photographs, announcements, clippings, and other printed materials from the Leo Castelli Gallery records, and the Leo Castelli Gallery website (www.castelligallery.com).

Exhibitions are listed in chronological order by title, if known, and gallery address.

1957 SeasonFeb. -- First Exhibition: de Kooning, Delaunay, Dubuffet, Giacometti, Hartley, Leger, Mondrian, Picabia, Pollock, David Smith, van Doesburg; 4 E 77 St

Mar. 4-23, 1957 -- Jon Schueler; 4 E 77 St

Mar. 25 - Apr. 13, 1957 -- Viseux; 4 E 77 St

Apr. 15 - May 4, 1957 -- Paul Brach; 4 E 77 St

May 6-25, 1957 -- New Work: Bluhm, Budd, Dzubas, Johns, Leslie, Louis, Marisol, Ortman, Rauschenberg, Savelli; 4 E 77 St

1957-1958 SeasonOct. 1-26, 1957 -- Norman Bluhm; 4 E 77 St

Oct. 28 - Nov. 16, 1957 -- Horia Damian; 4 E 77 St

Nov. 18 - Dec. 14, 1957 -- Marisol; 4 E 77 St

Dec. 17, 1957 - Jan. 18, 1958 -- Collector's Annual; 4 E 77 St

Jan. 20 - Feb. 8, 1958 -- Jasper Johns; 4 E 77 St

Feb. 10 - Mar. 1, 1958 -- Friedel Dzubas; 4 E 77 St

Mar. 4-29, 1958 -- Robert Rauschenberg; 4 E 77 St

Apr. 1-26, 1958 -- Giuseppe Capogrossi; 4 E 77 St

Apr. 29 - May 31, 1958 -- Pioneers 1910-1950: de Kooning, Delaunay, Domela, Dubuffet, Giacometti, Hartley, Kandinsky, Leger, Miro, Picabia, Pollock, Schwitters, Smith, van Doejburg; 4 E 77 St

1958-1959 SeasonSept. 30 - Oct. 25, 1958 -- Angelo Savelli; 4 E 77 St

Oct. 28 - Nov. 22, 1958 -- Group Exhibition: Bluhm, Brach, Dzubas, Johns, Marisol, Rauschenberg, Schueler; 4 E 77 St

Nov. 25 - Dec. 20, 1958 -- Esteban Vicente, Drawings; 4 E 77 St

Jan. 6-24, 1959 -- Nassos Daphnis; 4 E 77 St

Jan. 27 - Feb. 14, 1959 -- Salvatore Scarpitta, Extramurals; 4 E 77 St

Feb. 17 - Mar. 7, 1959 -- Al Newbill; 4 E 77 St

Mar. 10-28, 1959 -- Gabriel Kohn; 4 E 77 St

Mar. 31 - Apr. 18, 1959 -- Norman Bluhm, Jean Dubuffet, and Robert Rauschenberg; 4 E 77 St

Apr. 21 - May 9, 1959 -- Jon Schueler; 4 E 77 St

May 12-30, 1959 -- Group Exhibition: Brach, Dzubas, Johns, Sander, Twombly; 4 E 77 St

1959-1960 SeasonOct. 6-17, 1959 -- Opening Exhibition of the New Gallery: Bluhm, Brach, Daphnis, Johns, Kohn, Rauschenberg, Sander, Scarpitta, Stella, Twombly; 4 E 77 St

Oct. 20 - Nov. 7, 1959 -- Work in Three Dimensions: Chamberlain, Follet, Giles, Johns, Klein, Kohn, Marisol, Nevelson, Ortman, Rauschenberg, Scarpitta; 4 E 77 St

Nov. 10-28, 1959 -- Ludwig Sander; 4 E 77 St

Dec. 1-26, 1959 -- Paul Brach; 4 E 77 St

Jan. 5-23, 1960 -- William Giles; 4 E 77 St

Jan. 26 - Feb. 13, 1960 -- Norman Bluhm; 4 E 77 St

Feb. 15 - Mar. 5, 1960 -- Jasper Johns; 4 E 77 St

Mar. 8-26, 1960 -- Nassos Daphnis; 4 E 77 St

Mar. 29 - Apr. 16, 1960 -- Robert Rauschenberg; 4 E 77 St

Apr. 19 - May 7, 1960 -- Salvatore Scarpitta; 4 E 77 St

May 10-28, 1960 -- Edward Higgins; 4 E 77 St

May 31 - June 25, 1960 -- Summary 1959-1960: Bluhm, Bontecou, Daphnis, Higgins, Johns, Kohn, Langlais, Rauschenberg, Sander, Scarpitta, Stella, Twombly, Tworkov; 4 E 77 St

1960-1961 SeasonSept. 27 - Oct. 15, 1960 -- Frank Stella; 4 E 77 St

Oct. 18 - Nov. 5, 1960 -- Cy Twombly; 4 E 77 St

Nov. 9 - Dec. 3, 1960 -- Lee Bontecou; 4 E 77 St

Dec. 6, 1960 - Jan. 7, 1961 -- Robert Rauschenberg, 34 Illustrations for Dante's Inferno; 4 E 77 St

Jan. 10-28, 1961 -- Frederick Kiesler; 4 E 77 St

Jan. 31 - Feb. 25, 1961 -- Jasper Johns, Drawings and Sculpture; 4 E 77 St

Feb. 28 - Mar. 18, 1961 -- Jack Tworkov; 4 E 77 St

Mar. 21 - Apr. 8, 1961 -- Bernard Langlais; 4 E 77 St

Apr. 11-29, 1961 -- Yves Klein, Le Monochrome; 4 E 77 St

May 2-20, 1961 -- Ludwig Sander; 4 E 77 St

May 23 - June [10], 1961 -- Sculpture and Relief: Bontecou, Chamberlain, Higgins, Scarpitta; 4 E 77 St

1961-1962 SeasonSept. 22 - Oct. 14, 1961 -- An Exhibition in Progress: Bontecou, Chamberlain, Daphnis, Higgins, Johns, Langlais, Moskowitz, Rauschenberg, Scarpitta, Stella, Twombly, Tworkov; 4 E 77 St

Oct. 17 - Nov. 4, 1961 -- Nassos Daphnis; 4 E 77 St

Nov. 7 - Dec. 5, 1961 -- Robert Rauschenberg; 4 E 77 St

Dec. 8, 1961 - Jan. 10, 1962 -- Group Exhibition: Bontecou, Johns, Langlais, [Lichtenstein], Scarpitta, Tworkov; 4 E 77 St

Jan. 13 - Feb. 6, 1962 -- John Chamberlain; 4 E 77 St

Feb. 10 - Mar. 3, 1962 -- Roy Lichtenstein; 4 E 77 St

Mar. 10 - Apr. 5, 1962 -- Robert Moskowitz; 4 E 77 St

Apr. 7-21, 1962 -- Group Exhibition: Bontecou, Chamberlain, Daphnis, Higgins, Rauschenberg, Scarpitta, Stella; 4 E 77 St

Apr. 28 - May 19, 1962 -- Frank Stella; 4 E 77 St

May 26 - June 30, 1962 -- Drawings: Bontecou, Johns, Lichtenstein, Moskowitz, Rauschenberg, Stella, Tworkov; 4 E 77 St

1962-1963 SeasonSept. 22 - Oct. 13, 1962 -- Group Exhibition: Chamberlain, Higgins, Johns, Klapheck, Rauschenberg, Scarpitta, Stella, Tinguely, Tworkov; 4 E 77 St

Oct. 16 - Nov. 7, 1962 -- John Chamberlain and Frank Stella; 4 E 77 St

Nov. 10 - Dec. 6, 1962 -- Lee Bontecou; 4 E 77 St

Dec. 8, 1962 - Jan. 9, 1963 -- Gerald van de Wiele; 4 E 77 St

Jan. 12 - Feb. 7, 1963 -- Jasper Johns; 4 E 77 St

Feb. 9 - Mar. 7, 1963 -- Jack Tworkov; 4 E 77 St

Mar. 9-30, 1963 -- Nassos Daphnis; 4 E 77 St

Apr. 2-25, 1963 -- Group Exhibition: Chamberlain, Higgins, Kiesler, Lichtenstein, Moskowitz, Rauschenberg, Stella, Twombly; 4 E 77 St

Apr. 27 - May 16, 1963 -- Salvatore Scarpitta; 4 E 77 St

May 20 - June 30, 1963 -- Group Drawing Exhibition: Bontecou, Daphnis, Johns, Lichtenstein, Moskowitz, Rauschenberg, Stella, Tworkov, van de Wiele; 4 E 77 St

1963-1964 SeasonSept. 28 - Oct. 24, 1963 -- Roy Lichtenstein; 4 E 77 St

Oct. 26 - Nov. 21, 1963 -- Robert Rauschenberg; 4 E 77 St

Nov. 23, 1963 - Jan. 2, 1964 -- Edward Higgins; 4 E 77 St

Jan. 4 - Feb. 6, 1964 -- Frank Stella; 4 E 77 St

Feb. 8 - Mar. 12, 1964 -- Group Exhibition: Chamberlain, Johns, Lichtenstein, Rauschenberg, Stella; 4 E 77 St

Mar. 14 - Apr. 9, 1964 -- Cy Twombly; 4 E 77 St

Apr. 11-30, 1964 -- John Chamberlain; 4 E 77 St

May 2 - June 3, 1964 -- Introducing Artschwager, Christo, Hay, Watts; 4 E 77 St

June 6-30, 1964 -- Group Exhibition: Chamberlain, Lichtenstein, Rauschenberg, Scarpitta, Stella, Twombly, Tworkov; 4 E 77 St

1964-1965 SeasonSept. 26 - Oct. 22, 1964 -- Group Exhibition: Artschwager, Lichtenstein, Rosenquist, Stella, Warhol; 4 E 77 St

Oct. 24 - Nov. 19, 1964 -- Roy Lichtenstein, Landscapes; 4 E 77 St

Nov. 21 - Dec. 28, 1964 -- Andy Warhol, Flower Paintings; 4 E 77 St

Jan. 9-27, 1965 -- John Chamberlain, Paintings; 4 E 77 St

Jan. 30 - Feb. 24, 1965 -- Richard Artschwager; 4 E 77 St

Feb. 27 - Mar. 24, 1965 -- Nassos Daphnis; 4 E 77 St

Mar. 27 - Apr. 14, 1965 -- Salvatore Scarpitta, Racing Cars; 4 E 77 St

Apr. 17 - May 13, 1965 -- James Rosenquist, F-111; 4 E 77 St

May 15 - June 9, 1965 -- Robert Rauschenberg, Oracle; 4 E 77 St

1965-1966 SeasonOct. 2-21, 1965 -- Group Exhibition: [Chamberlain], Johns, Lichtenstein, Poons, Rauschenberg, Stella, [Warhol]; 4 E 77 St

Oct. 23 - Nov. 17, 1965 -- Robert Bart; 4 E 77 St

Nov. 20 - Dec. 11, 1965 -- Roy Lichtenstein, Brushstrokes and Ceramics; 4 E 77 St

Dec. 14, 1965 - Jan. 5, 1966 -- Benefit Drawing Exhibition for the Foundation for the Contemporary Performance Arts; 4 E 77 St

Dec. 14, 1965 - Jan. 5, 1966 -- Group Exhibition; 4 E 77 St

Jan. 8 - Feb. 2, 1966 -- Jasper Johns; 4 E 77 St

Feb. 5 - Mar. 2, 1966 -- Donald Judd; 4 E 77 St

Feb. 12 - Mar. 2, 1966 -- Cy Twombly, Drawings; 4 E 77 St

Mar. 5 - Apr. 2, 1966 -- Frank Stella; 4 E 77 St

Apr. 6-27, 1966 -- Andy Warhol, Wallpaper and Clouds; 4 E 77 St

Apr. 30 - May 25, 1966 -- James Rosenquist; 4 E 77 St

May 28 - June 13, 1966 -- Christo, Storefront; 4 E 77 St

June 14-30, 1966 -- Group Exhibition: Bontecou, Johns, Judd, Lichtenstein, Poons, Rauschenberg, Rosenquist, Stella, Warhol; 4 E 77 St

1966-1967 SeasonOct. 8 - Nov. 8, 1966 -- Lee Bontecou; 4 E 77 St

Nov. 12 - Dec. 3, 1966 -- Edward Higgins; 4 E 77 St

Dec. 6-10, 1966 -- Benefit Group Exhibition for Experiments in Art and Technology, Inc.; 4 E 77 St

Dec. 7, 1966 - Jan. 5, 1967 -- Stanley Landsman; 4 E 77 St

Dec. 14, 1966 - Jan. 5, 1967 -- Group Exhibition: Artschwager, Lichtenstein, Rosenquist, Warhol; 4 E 77 St

Jan. 7-31, 1967 -- Larry Poons; 4 E 77 St

Feb. 4-26, 1967 -- Tenth Anniversary Exhibition: Artschwager, Bontecou, Chamberlain, Daphnis, Higgins, Johns, Judd, Lichtenstein, Morris, Poons, Rauschenberg, Rosenquist, Scarpitta, Stella, Twombly, Warhol; 4 E 77 St

Mar. 4-28, 1967 -- Robert Morris; 4 E 77 St

Apr. 1967 -- New Work: Chamberlain, Lichtenstein, Stella; 4 E 77 St

May 1967 -- Robert Rauschenberg, Revolvers; 4 E 77 St

1967-1968 SeasonOct. 7-26, 1967 -- Cy Twombly; 4 E 77 St

Oct. 28 - Nov. 18, 1967 -- Roy Lichtenstein; 4 E 77 St

Nov. 25 - Dec. 23, 1967 -- Frank Stella; 4 E 77 St

Dec. 30, 1967 - Jan. 23, 1968 -- Richard Artschwager, Sculptures and Reliefs; 4 E 77 St

Jan. 27 - Feb. 17, 1968 -- Bruce Nauman; 4 E 77 St

Feb. 24 - Mar. 16, 1968 -- Jasper Johns; 4 E 77 St

Mar. 23 - Apr. 11, 1968 -- Ron Davis; 4 E 77 St

Apr. 20 - May 11, 1968 -- Robert Morris; 4 E 77 St

May 18 - June 8, 1968 -- Jack Krueger; 4 E 77 St

1968-1969 SeasonSept. 14-28, 1968 -- Nassos Daphnis; 4 E 77 St

Oct. 12-26, 1968 -- Robert Rauschenberg, White Paintings; 4 E 77 St

Nov. 2-23, 1968 -- Larry Poons; 4 E 77 St

Nov. 30 - Dec. 21, 1968 -- Cy Twombly; 4 E 77 St

Dec. 4-28, 1968 -- 9 at Leo Castelli: Anselmo, Bollinger, Hesse, Kaltenbach, Nauman, Saret, Serra, Sonnier, Zorio; 108th St Warehouse

Jan. 4-25, 1969 -- Donald Judd; 4 E 77 St

Feb. 1-22, 1969 -- John Chamberlain; 108th St Warehouse

Feb. 3-22, 1969 -- David Diao, Richard Pettibone, and Peter Young; 4 E 77 St

Mar. 1-22, 1969 -- Robert Morris; 4 E 77 St

Mar. 1-22, 1969 -- Robert Morris, A Continuous Project Altered Daily; 108th St Warehouse

Mar. 29 - Apr. 19, 1969 -- James Rosenquist, Horseblinders; 4 E 77 St

Mar. 29 - Apr. 19, 1969 -- Salvatore Scarpitta, Racing Cars; 108th St Warehouse

Apr. 26 - May 17, 1969 -- Robert Rauschenberg, Carnal Clocks; 4 E 77 St

Apr. 26 - May 17, 1969 -- Jack Krueger; 108th St Warehouse

May 24 - June 14, 1969 -- Bruce Nauman; 4 E 77 St

May 24 - June 21, 1969 -- 4 Painters for Spring: Bower, Cibula, Kalina, Roth, Yrisarry; 108th St Warehouse

June 21 - July 31, 1969 -- Group Exhibition: Chamberlain, Judd, Lichtenstein, Rauschenberg, Serra, Sonnier, Stella, Young; 4 E 77 St

1969-1970 SeasonSept. 20 - Oct. 11, 1969 -- Group Exhibition: Lichtenstein, Serra, Stella, Warhol; 4 E 77 St

Oct. 18 - Nov. 8, 1969 -- Ron Davis; 4 E 77 St

Oct. 18 - Nov. 8, 1969 -- Ron Davis; 108th St Warehouse

Nov. - Dec., 1969 -- Joseph Kosuth; 4 E 77 St

Nov. 13, 1969 -- Robert Rauschenberg, Moonshot Series (Castelli Graphics); 4 E 77 St

Nov. 18 - Dec. 6, 1969 -- Frank Stella; 4 E 77 St

Dec. 11-13, 1969 -- Benefit Exhibition, Art for the Moratorium; 4 E 77 St

Dec. 16, 1969 - Jan. 10, 1970 -- Richard Serra; 108th St Warehouse

Jan. 10-31, 1970 -- Jasper Johns, Drawings; 4 E 77 St

Jan. 17-24, 1970 -- Rafael Ferrer; 108th St Warehouse

Feb. 7-28, 1970 -- Dan Flavin, Tatlin Monuments; 4 E 77 St

Feb. 7-28, 1970 -- Robert Morris, Earthwork Projects (Castelli Graphics); 4 E 77 St

Mar. 7-28, 1970 -- Keith Sonnier; 4 E 77 St

Mar. 7-28, 1970 -- Keith Sonnier; 108th St Warehouse

Apr. 11 - May 9, 1970 -- Donald Judd; 4 E 77 St

Apr. 11 - May 9, 1970 -- Donald Judd; 108th St Warehouse

May 16-30, 1970 -- James Rosenquist; 4 E 77 St

June 11-27, 1970 -- Benefit Exhibition for the New York Studio School; 4 E 77 St

June 30 - Aug. 28, 1970 -- Group Exhibition: Chamberlain, Johns, Judd, Lichtenstein, Morris, Rauschenberg, Rosenquist, Stella, Twombly, Warhol; 4 E 77 St

1970-1971 SeasonSept. 19-26, 1970 -- Benefit Exhibition for Referendum '70: Daphnis, Flavin, Johns, Judd, Lichtenstein, Morris, Rauschenberg, Rosenquist, Stella, Twombly, Warhol; 4 E 77 St

Sept. 26 - Oct. 24, 1970 -- Roy Lichtenstein, New Editions: Lithographs, Sculpture, Reliefs (Castelli Graphics); 4 E 77 St

Oct. 3-18, 1970 -- Group Exhibition: Flavin, Judd, Lichtenstein, Rauschenberg, Stella, Twombly; 4 E 77 St

Oct. 24 - Nov. 14, 1970 -- James Rosenquist; 4 E 77 St

Nov. 21 - Dec. 12, 1970 -- Dan Flavin, Untitled (to Barnett Newman); 4 E 77 St

Dec. 19, 1970 - Jan. 9, 1971 -- Group Graphics Exhibition: Artschwager, Bontecou, Daphnis, Johns, Judd, Lichtenstein, Morris, Nauman, Rauschenberg, Rosenquist, Schlossberg, Stella, Twombly, Warhol (Castelli Graphics); 4 E 77 St

Jan. 16 - Feb. 6, 1971 -- Ron Davis; 4 E 77 St

Feb. 13 - Mar. 6, 1971 -- Bruce Nauman; 4 E 77 St

Mar. 13 - Apr. 9, 1971 -- Roy Lichtenstein, Mirror Paintings; 4 E 77 St

Apr. 17 - May 8, 1971 -- John Chamberlain; 4 E 77 St

Apr. 27 - May 8, 1971 -- Robert Barry; 4 E 77 St

May 8 - June 5, 1971 -- Douglas Huebler; 4 E 77 St

May 18 - June 12, 1971 -- Lee Bontecou; 4 E 77 St

June 26 - Sept. 24, 1971 -- Group Exhibition: Davis, Flavin, Kosuth, Lichtenstein, Rosenquist, Stella, Warhol; 4 E 77 St

1971-1972 SeasonSept. 25 - Oct. 9, 1971 -- Group Film Exhibition: Jonas, Morris, Nauman, Serra, Sonnier; 420 W Broadway

Oct. 2-16, 1971 -- Joseph Kosuth, The Eighth Investigation, Proposition Three; 4 E 77 St

Oct. 16 - Nov. 6, 1971 -- Robert Rauschenberg; 420 W Broadway

Oct. 23 - Nov. 13, 1971 -- Dan Flavin; 4 E 77 St

Nov. 20 - Dec. 11, 1971 -- Nassos Daphnis; 4 E 77 St

Nov. 20 - Dec. 11, 1971 -- Bruce Nauman; 420 W Broadway

Dec. 18, 1971 - Jan. [2], 1972 -- Group Film Exhibition; 420 W Broadway

Dec. 18, 1971 - Jan. 15, 1972 -- Lewis Baltz (Castelli Graphics); 4 E 77 St

Dec. 18, 1971 - Jan. 15, 1972 -- Richard Hamilton, Graphics (Castelli Graphics); 4 E 77 St

Jan. 15 - Feb. 5, 1972 -- Cy Twombly; 420 W Broadway

Jan. 22 - Feb. 12, 1972 -- Roy Lichtenstein, Entablature Drawings; 4 E 77 St

Jan. 22 - Feb. 12, 1972 -- Larry Stark (Castelli Graphics); 4 E 77 St

Feb. 12, 1972 -- Lawrence Weiner; 420 W Broadway

Feb. 19, 1972 -- Richard Landry, Concert; 420 W Broadway

Feb. 19 - Mar. 16, 1972 -- Object Show (Castelli Graphics); 4 E 77 St

Feb. 19 - Mar. 25, 1972 -- Group Exhibition: Flavin, Judd, Kosuth, Lichtenstein, Morris, Serra, Stella; 4 E 77 St

Feb. 26 - Mar. 18, 1972 -- Keith Sonnier, Films and Videotapes; 420 W Broadway

Mar. 18 - Apr. 13, 1972 -- Andy Warhol, Electric Chairs (Castelli Graphics); 4 E 77 St

Mar. 25 - Apr. 15, 1972 -- Michael Balog; 420 W Broadway

Apr. 1-15, 1972 -- Richard Artschwager; 4 E 77 St

Apr. 15-29, 1972 -- Robert Barry, Projections; 420 W Broadway

Apr. 15 - May 6, 1972 -- James Rosenquist (Castelli Graphics); 4 E 77 St

Apr. 18 - May 6, 1972 -- Robert Morris, Hearing; 420 W Broadway

Apr. 22 - May 13, 1972 -- Robert Morris, Projects; 4 E 77 St

May 6-20, 1972 -- Jasper Johns (Castelli Graphics); 4 E 77 St

May 6-20, 1972 -- Douglas Huebler; 420 W Broadway

May 13, 1972 -- Philip Glass, Concert; 420 W Broadway

May 20 - June 10, 1972 -- Frank Owen; 4 E 77 St

May 20 - June 10, 1972 -- Donald Judd and Richard Serra; 420 W Broadway

May 20 - June 12, 1972 -- Robert Rauschenberg, Tares (Castelli Graphics); 4 E 77 St

May 27 - June 17, 1972 -- Richard Serra, Drawings; 420 W Broadway

June 17 - Sept. 6, 1972 -- Summer Group Exhibition: Chamberlain, Judd, Lichtenstein, Morris, Stella, Twombly, Warhol; 420 W Broadway

June 17 - Sept. [23], 1972 -- Summer Group Exhibition: Chamberlain, Flavin, Judd, Lichtenstein, Morris, Rauschenberg, Rosenquist, Warhol; 4 E 77 St

1972-1973 SeasonSept. 7-23, 1972 -- Furniture Designed by Artists: Chamberlain, Judd, Lichtenstein, Morris, Stella, Twombly, Warhol; 420 W Broadway

Sept. 11-23, 1972 -- Larry Stark, Fifty States (Castelli Graphics); 4 E 77 St

Sept. 30 - Oct. 21, 1972 -- Group Drawing Exhibition: Barry, Bontecou, Daphnis, Flavin, Huebler, Johns, Judd, Kosuth, Lichtenstein, Morris, Nauman, Owen, Rauschenberg, Rosenquist, Ruscha, Serra, Sonnier, Stella, Twombly, Warhol; 4 E 77 St

Sept. 30 - Oct. 24, 1972 -- Satirical/Political Cartoons, Benefit for American Peace Action Coalition (Castelli Graphics); 4 E 77 St

Oct. 7-21, 1972 -- New Works: Judd, Morris, Nauman, Rauschenberg, Serra, Stella; Videotapes: Jonas, Landry, Mann, Morris, Nauman, Serra, Sonnier; 420 W Broadway

Oct. 27-28, 1972 -- Benefit Exhibition for the New York Collection for Stockholm; 420 W Broadway

Oct. 28 - Nov. 11, 1972 -- Frank Stella, Race Track (Castelli Graphics); 4 E 77 St

Oct. 28 - Nov. 15, 1972 -- Jasper Johns, From Robert Scull Collection (Castelli Graphics); 4 E 77 St

Nov. 4-25, 1972 -- Joseph Kosuth, The Ninth Investigation, Proposition One; 4 E 77 St

Nov. 4-25, 1972 -- Dan Flavin, an exposition of cool white and warm white circular fluorescent light; 420 W Broadway

Nov. 9-25, 1972 -- Andy Warhol, Mao Prints [Castelli Graphics]; 420 W Broadway

Nov. 18 - Dec. 9, 1972 -- Roy Lichtenstein, Mirrors (Castelli Graphics); 4 E 77 St

Dec. 2-23, 1972 -- Joseph Kosuth, Early Works: Protoinvestigations; 420 W Broadway

Dec. 2-24, 1972 -- Robert Rauschenberg, Made in Tampa [Castelli Graphics]; 4 E 77 St

Dec. 9-23, 1972 -- Gianfranco Gorgoni, Photographs from the book "The New Avant-Garde"; 420 W Broadway

Dec. 16-30, 1972 -- Cirrus Editions: Anderson, Balog, Card Celmins, Cooper, Goode, Nauman, Price, Ruscha (Castelli Graphics); 4 E 77 St

Jan. 4-6, 1973 -- Joan Jonas, Performance; 420 W Broadway

Jan. 6-27, 1973 -- Richard Serra, Prints from Gemini (Castelli Graphics); 4 E 77 St

Jan. 6-27, 1973 -- Frank Stella; 4 E 77 St

Jan. 13 - Feb. 3, 1973 -- Donald Judd; 420 W Broadway

Feb. 3-17, 1973 -- Edward Ruscha, Drawings; 4 E 77 St

Feb. 3-24, 1973 -- Group Show (Castelli Graphics); 4 E 77 St

Feb. 10 - Mar. 3, 1973 -- Jan Dibbets; 420 W Broadway

Feb. 24 - Mar. 10, 1973 -- Roy Lichtenstein, Still Lifes; 4 E 77 St

Mar. 3-23, 1973 -- Robert Rauschenberg, Horsefeathers XIII (Castelli Graphics); 4 E 77 St

Mar. 10-24, 1973 -- Nassos Daphnis, Retrospective 1958-1972; 420 W Broadway

Mar. 14-16, 1973 -- Lawrence Weiner, Film screening "A First Quarter"; 420 W Broadway

Mar. 17-31, 1973 -- Nassos Daphnis, Monoprints; 4 E 77 St

Mar. 17-31, 1973 -- Bruce Nauman, Floating Room; 4 E 77 St

Mar. 24 - Apr. 14, 1973 -- Bruce Nauman (Castelli Graphics); 4 E 77 St

Mar. 31 - Apr. 21, 1973 -- Dan Flavin, 40th Birthday Drawing Exhibition; 420 W Broadway

Mar. 31 - Apr. 21, 1973 -- Robert Rauschenberg, Venetian Series; 420 W Broadway

Apr. 7-28, 1973 -- Ellsworth Kelly, Curved Series; 4 E 77 St

Apr. 27 - May 19, 1973 -- Group Show, Mirrors (Castelli Graphics); 4 E 77 St

Apr. 28 - May 19, 1973 -- Hanne Darboven; 420 W Broadway

May 5-26, 1973 -- Paul Waldman, Recent Paintings; 4 E 77 St

May 19 - June 6, 1973 -- Laura Grisi, Pebbles; 420 W Broadway

May 26 - June 7, 1973 -- James Rosenquist, Horseblinders (Castelli Graphics); 4 E 77 St

May 26 - June 16, 1973 -- James Rosenquist; 420 W Broadway

June [3] - Sept. 15, 1973 -- Summer Group Exhibition: Darboven, Dibbets, Flavin, Huebler, Kosuth, Nauman, Rauschenberg, Rosenquist, Stella, Waldman, Warhol; 4 E 77 St

June 8-22, 1973 -- Don Judd, Woodcuts, Silkscreens (Castelli Graphics); 4 E 77 St

June 23 - Sept. 9, 1973 -- Roy Lichtenstein, Bulls (Castelli Graphics); 4 E 77 St

June 23 - Sept. 22, 1973 -- Summer Group Exhibition: Artschwager, Chamberlain, Davis, Kelly, Lichtenstein, Morris, Owen, Rauschenberg, Rosenquist, Stella; 420 W Broadway

1973-1974 SeasonSept. 10-28, 1973 -- Ellsworth Kelly, Black and White Prints from Gemini (Castelli Graphics); 4 E 77 St

Sept. 22 - Oct. 16, 1973 -- Group Exhibition: Flavin, Judd, Kelly, Lichtenstein, Rosenquist, Stella; 4 E 77 St

Sept. 29 - Oct. 20, 1973 -- Videotapes by Twelve Artists: Benglis, Chamberlain, Freed, Jonas, Kos, Landry, Mann, Morris, Nauman, Serra, Sonnier, Weiner; 420 W Broadway

Sept. 29 - Nov. 16, 1973 -- Stockholm Show (Castelli Graphics); 4 E 77 St

Oct. 18 - Nov. 10, 1973 -- Benefit Exhibition for the Committee to Save Venice: Cornell, Dine, Frankenthaler, Johns, Kelly, Lichtenstein, Louis, Noland, Oldenburg, Olitski, Rauschenberg, Stella; 4 E 77 St

Nov. 1-3, 1973 -- Group Film Exhibition: Chamberlain, Jonas, Ruscha, Weiner; 420 W Broadway

Nov. 1-14, 1973 -- Group Show: Artschwager, Lichtenstein, Rosenquist, Warhol; 420 W Broadway

Nov. 10 - Dec. 1, 1973 -- Douglas Huebler; 420 W Broadway

Nov. 15 - Dec. 1, 1973 -- Hans Namuth, Photographs; 420 W Broadway

Nov. 17 - Dec. 7, 1973 -- Lewis Baltz, Photographs (Castelli Graphics); 4 E 77 St

Nov. 17 - Dec. 15, 1973 -- Richard Artschwager; 4 E 77 St

Dec. 8, 1973 - Jan. 12, 1974 -- Group Show of New Prints: Balog, Petersen, Rauschenberg, Sonnier (Castelli Graphics); 4 E 77 St

Dec. 8, 1973 - Jan. 12, 1974 -- John Chamberlain; 420 W Broadway

Dec. 15, 1973 - Jan. 19, 1974 -- Edward Ruscha, Retrospective Show, Graphics from the Collection of Donald Marron (Castelli Graphics); 4 E 77 St (upstairs)

Jan. 12-26, 1974 -- [García] Uriburu (Castelli Graphics); 4 E 77 St

Jan. 19 - Feb. 9, 1974 -- Robert Barry; 420 W Broadway

Feb. 2-16, 1974 -- James Rosenquist (Castelli Graphics); 4 E 77 St

Feb. 2-23, 1974 -- Ron Davis; 4 E 77 St

Feb. 16 - Mar. 2, 1974 -- Group Drawing Exhibition: Artschwager, Bontecou, Chamberlain, Daphnis, Darboven, Davis, Flavin, Huebler, Johns, Judd, Kelly, Lichtenstein, Morris, Nauman, Oldenburg, Owen, Rauschenberg, Rosenquist, Ruscha, Serra, Stella, Twombly; 420 W Broadway

Feb. 23 - Mar. 9, 1974 -- Keith Sonnier, Video Still Screens (Castelli Graphics); 4 E 77 St

Mar. 2-23, 1974 -- Dan Flavin; 4 E 77 St

Mar. 9-30, 1974 -- Keith Sonnier, Amplified Local Time: Radio Installation; 420 W Broadway

Mar. 16 - Apr. 6, 1974 -- Bruce Nauman (Castelli Graphics); 4 E 77 St

Mar. 30 - Apr. 20, 1974 -- Edward Ruscha; 4 E 77 St

Apr. 6-20, 1974 -- Roy Lichtenstein (Castelli Graphics); 4 E 77 St

Apr. 6-27, 1974 -- Robert Morris, Voice; 420 W Broadway

Apr. 27 - May 11, 1974 -- Jasper Johns (Castelli Graphics); 4 E 77 St

Apr. 27 - May 18, 1974 -- Claes Oldenburg; 4 E 77 St

May 4-25, 1974 -- Robert Rauschenberg and Cy Twombly; 420 W Broadway

May 18 - June 1, 1974 -- Robert Rauschenberg, Pages and Fuses (Castelli Graphics); 4 E 77 St

May 28 - June 15, 1974 -- Lucia Wilcox; 4 E 77 St

June, 1974 -- Ron Davis (Castelli Graphics); 4 E 77 St

June, 1974 -- Richard Landry, Concert; 420 W Broadway

June 1-15, 1974 -- Group Video Exhibition: Acconci, Baldessari, Bell, Benglis, Campus, Gillette, Girouard, Haxton, Holt, Jonas, Kos, Landry, Mann, Morris, Oldenburg, Palestine, Serra, Smithson, Wegman (Castelli/Sonnabend Tapes + Films); 420 W Broadway

June 1-15, 1974 -- Richard Landry, Photographs (Castelli Graphics); 420 W Broadway

June 21 - Sept. 14, 1974 -- Group Exhibition: Darboven, Flavin, Judd, Lichtenstein, Morris, Oldenburg, Rauschenberg, Ruscha, Stella, Warhol; 4 E 77 St

June 21 - Sept. 14, 1974 -- Group Graphics Exhibition: Artschwager, Baltz, Bontecou, Daphnis, Huebler, Johns, Judd, Kelly, Lichtenstein, Morris, Nauman, Oldenburg, Petersen, Pistoletto, Rauschenberg, Rosenquist, Ruscha, Serra, Sonnier, Stella, Twombly, Warhol (Castelli Graphics); 420 W Broadway

1974-1975 SeasonSept. 21 - Oct. 4, 1974 -- Frank Stella, Eccentric Polygons (Castelli Graphics); 4 E 77 St

Sept. 21 - Oct. 5, 1974 -- Jasper Johns, Recent Four Panel Prints (Castelli Graphics); 4 E 77 St

Sept. 21 - Oct. 12, 1974 -- Group Sculpture Show, In Three Dimensions: Artschwager, Bontecou, Chamberlain, Daphnis, Flavin, Judd, Kelly, Lichtenstein, Morris, Nauman, Oldenburg, Rauschenberg, Rosenquist, Scarpitta, Serra, Sonnier, Stella, Waldman; 420 W Broadway

Oct. 5-19, 1974 -- Peter Mauss, Recent Photographs (Castelli Graphics); 4 E 77 St

Oct. 12-26, 1974 -- Richard Serra, Drawings; 4 E 77 St

Oct. 19 - Nov. 9, 1974 -- Lawrence Weiner; 420 W Broadway

Oct. 26 - Nov. 9, 1974 -- Claes Oldenburg, Selected Show of Prints from 1968-1974 (Castelli Graphics); 4 E 77 St

Nov. 2 - 30, 1974 -- Roy Lichtenstein, Artist's Studio Paintings; 4 E 77 St

Nov. 12-30, 1974 -- James Rosenquist, Selected Show of Prints from 1965-1974 (Castelli Graphics); 4 E 77 St

Nov. 16-30, 1974 -- Hanne Darboven, 24 Songs; 420 W Broadway

Nov. 21, 1974 -- Philip Glass, Concert; 420 W Broadway

Dec. 7-21, 1975 -- Robert Rauschenberg, Hoarfrost Series; 420 W Broadway

Dec. 7, 1974 - [Jan. 4], 1974 -- Michelangelo Pistoletto, New Multiples (Castelli Graphics); 4 E 77 St

Dec. 7, 1974 - Jan. 4, 1975 -- Robert Rauschenberg, Hoarfrost Editions (Castelli Graphics); 4 E 77 St

Dec. 14, 1974 - Jan. 11, 1975 -- Andy Warhol, Hand Colored Flowers (Castelli Graphics); 420 W Broadway

Jan. 4-18, 1975 -- Bruce Nauman, Cones/Cojones; 420 W Broadway

Jan. 11-25, 1975 -- Edward Ruscha, Domestic Tranquility, Four New Lithographs (Castelli Graphics); 4 E 77 St

Jan. 11 - Feb. 2, 1975 -- Salvatore Scarpitta, Sleds; 4 E 77 St

Jan. 15-18, 1975 -- Peter Campus and Paul Kos, Videotapes (Castelli/Sonnabend Tapes + Films); 420 W Broadway

Jan. 25 - Feb. 8, 1975 -- Joseph Kosuth, The Tenth Investigation, Proposition Four; 420 W Broadway

Feb. 1-15, 1975 -- Group Show: Huebler, Morris, Nauman, Sonnier (Castelli Graphics); 4 E 77 St

Feb. 8-22, 1975 -- Keith Sonnier, Air to Air; 4 E 77 St

Feb. 15 - Mar. 8, 1975 -- Nassos Daphnis, A Continuous Painting; 420 W Broadway

Feb. 26 - Mar. 1, 1975 -- Benefit Exhibition for the Merce Cunningham Portfolio: Cage, Johns, Morris, Nauman, Rauschenberg, Stella, Warhol; 4 E 77 St

Feb. 26 - Mar. 1, 1975 -- Joan Jonas and Charlemagne Palestine, Videotapes (Castelli/Sonnabend Tapes + Films); 420 W Broadway

Mar. 5-8, 1975 -- Frank Gillette and William Wegman, Videotapes (Castelli/Sonnabend Tapes + Films); 420 W Broadway

Mar. 8 - Apr. 5, 1975 -- Ellsworth Kelly, Sculptures; 4 E 77 St

Mar. 15-29, 1975 -- Richard Artschwager, Drawings; 420 W Broadway

Mar. 15-29, 1975 -- Larry Stark, Silkscreens on Canvas; 420 W Broadway

Mar. 15 - [Apr. 5], 1975 -- Richard Landry, "1, 2, 3, 4" from Videotapes (Castelli Graphics); 4 E 77 St

Apr. 2-5, 1975 -- Benefit Exhibition for the Allen Memorial Art Museum, Oberlin College; 420 W Broadway

Apr. 12-26, 1975 -- Ellsworth Kelly, New Prints (Castelli Graphics); 4 E 77 St

Apr. 12-26, 1975 -- Dan Flavin, Flourescent Light; 420 W Broadway

Apr. 12 - May 3, 1975 -- Ellsworth Kelly, Gray Series Paintings; 4 E 77 St

Apr. 19 - May 3, 1975 -- James Klosty, Around and About Merce Cunningham, Photographs 1968-1972; 420 W Broadway

May 3-17, 1975 -- Richmond Jones, Photographs (Castelli Graphics); 4 E 77 St

May 3-31, 1975 -- Frank Stella, Metal Reliefs; 420 W Broadway

May 10-31, 1975 -- Ron Davis, Paintings; 4 E 77 St

May 10-31, 1975 -- Laura Grisi, Stripes; 420 W Broadway

May 24 - June 7, 1975 -- Laura Grisi, New Graphics (Castelli Graphics); 4 E 77 St

June 7 - Sept. 5, 1975 -- Summer Group Exhibition: Artschwager, Chamberlain, Darboven, Grisi, Huebler, Judd, Kelly, Kosuth, Lichtenstein, Morris, Nauman, Owen, Rauschenberg, Rosenquist, Warhol; 420 W Broadway

June 7 - Sept. 20, 1975 -- Summer Group Exhibition, Black and White: Kelly, Rauschenberg, Ad Reinhardt, Serra, Stella; 4 E 77 St

June 14-28, 1975 -- Bruce Nauman, New Graphics (Castelli Graphics); 4 E 77 St

July 7-25, 1975 -- Group Exhibition (Castelli Graphics); 4 E 77 St

1975-1976 SeasonSept. 13-27, 1975 -- Autumn Group Exhibition: Artschwager, Chamberlain, Davis, Lichtenstein, Nauman, Oldenburg, Rauschenberg, Rosenquist, Scarpitta; 420 W Broadway

Sept. 27 - Oct. 18, 1975 -- James Rosenquist, Drawings; 4 E 77 St

Oct. 4-18, 1975 -- Robert Rauschenberg, Bones and Unions (Castelli Graphics); 4 E 77 St

Oct. 4-25, 1975 -- Jan Dibbets; 420 W Broadway

Oct. 11-25, 1975 -- Frank Owen; 420 W Broadway

Oct. 25 - Nov. 15, 1975 -- Hans Namuth, Photographs (Castelli Graphics); 4 E 77 St

Nov. 1-15, 1975 -- Robert Rauschenberg, Bones and Unions (Castelli Graphics); 420 W Broadway

Nov. 1-22, 1975 -- Roy Lichtenstein, Recent Paintings; 420 W Broadway

Nov. 22 - Dec. 13, 1975 -- Group Exhibition: Flavin, Judd, Kelly, Morris, Stella; 4 E 77 St

Nov. 29 - Dec. 20, 1975 -- Lewis Baltz, The New Industrial Parks Near Irving, CA, 1974 (a portfolio of 51 photographs) (Castelli Graphics); 420 W Broadway

Nov. 29 - Dec. 20, 1975 -- Paul Waldman, Recent Paintings; 420 W Broadway

Jan. 3-17, 1976 -- Ralph Gibson, Photographs (Castelli Graphics); 4 E 77 St

Jan. 10-24, 1976 -- Robert Barry, Recent Drawings; 420 W Broadway

Jan. 10-24, 1976 -- Alan Charlton; 420 W Broadway

Jan. 24 - Feb. 14, 1976 -- Jasper Johns; 4 E 77 St

Jan. 31 - Feb. 14, 1976 -- Peter Campus; 420 W Broadway

Jan. 31 - Feb. 14, 1976 -- Peter Campus and Frank Gillette, Videotapes (Castelli/Sonnabend Tapes + Films); 420 W Broadway

Feb. 10, 1976 -- Lawrence Weiner, Film screening, "A Second Quarter"; 420 W Broadway

Feb. 21 - Mar. 13, 1976 -- Robert Rauschenberg, Jammers; 420 W Broadway

Feb. 21 - Mar. 13, 1976 -- Keith Sonnier, Abaca Code; 420 W Broadway

Feb. 28 - Mar. 20, 1976 -- Joseph Cornell; 4 E 77 St

Mar. 20 - Apr. 10, 1976 -- Dan Flavin, Colored Fluorescent Light; 420 W Broadway

Mar. 20 - Apr. 10, 1976 -- Donald Judd; 420 W Broadway

Mar. 27 - Apr. 17, 1976 -- John Chamberlain; 4 E 77 St

Apr. 17 - May 8, 1976 -- Robert Morris; 420 W Broadway

Apr. 22-24, 1976 -- Benefit Drawing Exhibition for the New York Studio School; 4 E 77 St

Apr. 24 - May 15, 1976 -- Laura Grisi; 420 W Broadway

May 1-22, 1976 -- Hanne Darboven, For Jean-Paul Sartre; 4 E 77 St

May 15 - June 5, 1976 -- Douglas Huebler; 420 W Broadway

May 22 - June 12, 1976 -- Gianfranco Gorgoni, Photographs; 420 W Broadway

May 29 - June 12, 1976 -- Robert Adams, Photographs (Castelli Graphics); 4 E 77 St

June 19 - Sept. 10, 1976 -- Summer Group Exhibition: Artschwager, Chamberlain, Daphnis, Dibbets, Flavin, Judd, Kelly, Lichtenstein, Morris, Nauman, Noland, Oldenburg, Owen, Rauschenberg, Serra, Stella, Weiner; 420 W Broadway

June 26 - Sept. 10, 1976 -- Summer Group Drawing Exhibition: Artschwager, Barry, Bontecou, Darboven, Flavin, Morris, Ruscha; 4 E 77 St

1976-1977 SeasonSept. 11 - Oct. 2, 1976 -- Portraits: Cohen, Eggleston, Gibson, Gossage, Kelly, Namuth, Sonneman, Warhol (Castelli Graphics); 4 E 77 St

Sept. 15 - Oct. 2, 1976 -- Daniel Buren, To Transgress; 420 W Broadway

Sept. 25 - Oct. 16, 1976 -- Cy Twombly, Watercolors; 4 E 77 St

Oct. 9-30, 1976 -- Robert Morris, Black and White Felts; 420 W Broadway

Oct. 9-30, 1976 -- Paul Kos, Tokyo Rose (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Oct. 23 - Nov. 13, 1976 -- Kenneth Noland; 4 E 77 St

Nov. 2-27, 1976 -- Bruce Nauman; 420 W Broadway (back room)

Nov. 6 - Dec. 4, 1976 -- Claes Oldenburg; 420 W Broadway

Dec. 11-18, 1976 -- Poppy Johnson, Performance; 420 W Broadway (middle room)

Dec. 11-22, 1976 -- Group Exhibition: Chamberlain, Kelly, Lichtenstein, Noland, Oldenburg, Rauschenberg, Rosenquist, Stella, Warhol; 420 W Broadway

Jan. 8-29, 1977 -- Andy Warhol, Still Life Paintings and Drawings; 420 W Broadway

Feb. 5-26, 1977 -- Ellsworth Kelly; 420 W Broadway

Mar. 5-19, 1977 -- Robert Barry, Donald Judd, Robert Morris, and Keith Sonnier; 420 W Broadway

Mar. 5-26, 1977 -- Hans Namuth and Georg Reisner, Photographs from the Spanish Civil War; 4 E 77 St

Mar. 5-26, 1977 -- Beryl Korot, Text and Commentary (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Mar. 5 - Apr. 2, 1977 -- Robert Rauschenberg (Castelli Graphics); [4 E 77 St]

Mar. 26 - Apr. 16, 1977 -- Louis Cane; 420 W Broadway

Mar. 28, 1977 -- Brazos River: Videotape by Viola Farber, Robert Rauschenberg, and David Tudor; 420 W Broadway

Apr. 2-16, 1977 -- Frank Gillette, Mecox (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Apr. 23 - May 21, 1977 -- Robert Rauschenberg, Spreads and Scales; 420 W Broadway

Apr. 30 - May 21, 1977 -- Billy Apple, Extension of the Given; 420 W Broadway

May 7-28, 1977 -- Drawings: Artschwager, Flavin, Johns, Judd, Kelly, Lichtenstein, Morris, Nauman, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Twombly, Waldman, Warhol (Castelli Graphics); 4 E 77 St

May 7-28, 1977 -- Drawings - Castelli Uptown; 420 W Broadway

May 28 - June [18], 1977 -- Mia Westerlund Roosen; 420 W Broadway

May 28 - Sept. 17, 1977 -- Summer Group Exhibition: Flavin, Judd, Kelly, Kosuth, Lichtenstein, Rauschenberg, Ruscha, Warhol; 420 W Broadway

1977-1978 SeasonSept. 24 - Oct. 15, 1977 -- James Rosenquist, Recent Paintings; 420 W Broadway

Oct. 15 - Nov. 12, 1977 -- Jasper Johns (Castelli Graphics); 4 E 77 St

Oct. 22 - Nov. 12, 1977 -- Architecture I: Abraham, Ambasz, Meier, Pichler, Rossi, Stirling, Venturi and Rauch; 420 W Broadway

Nov. 19 - Dec. 17, 1977 -- Roy Lichtenstein, Sculptures; 420 W Broadway

Nov. 25 - Dec. 17, 1977 -- William Eggelston, Color Photographs, 1966-1977 (Castelli Graphics); 420 W Broadway (middle room)

Jan. 7-28, 1978 -- Numerals 1924-1977; 420 W Broadway

Feb. 4-25, 1978 -- Bruce Nauman; 420 W Broadway (front room)

Feb. 4-25, 1978 -- Billy Apple, Extension of the Given; 420 W Broadway (front office)

Feb. 4-25, 1978 -- Dan Flavin; 420 W Broadway (middle room)

Feb. 4-25, 1978 -- Robert Barry, A Wall Drawing; 420 W Broadway (back room)

Mar. 4-25, 1978 -- Donald Judd; 420 W Broadway

Mar. 4-25, 1978 -- Paul Waldman; 420 W Broadway

Apr. 1-15, 1978 -- Keith Sonnier, Black Ground Series Drawings; 420 W Broadway (middle room)

Apr. 1-29, 1978 -- Hanne Darboven, Card-Index, Filing Cabinet; 420 W Broadway

Apr. 22-29, 1978 -- Barbaralee Diamonstein, Inside New York's Art World; 420 W Broadway (middle room)

May 6 - June 24, 1978 -- Joseph Cornell, Collages 1931-1972; 420 W Broadway

June 10-24, 1978 -- Alan Sonfist; 420 W Broadway (middle room)

July 5 - Sept. 23, 1978 -- Summer Group Exhibition: Dibbets, Flavin, Judd, Lichtenstein, Morris, Noland, Oldenburg, Rauschenberg, Ruscha, Serra, Sonnier; 420 W Broadway

1978-1979 SeasonSept. 30 - Oct. 21, 1978 -- Jan Dibbets, Structure Panoramas 1977-78; 420 W Broadway (front room)

Sept. 30 - Oct. 21, 1978 -- Douglas Huebler, Mediations; 420 W Broadway (middle room)

Oct. 28 - Nov. 18, 1978 -- Group Exhibition: Chamberlain, Johns, Kelly, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Warhol; 420 W Broadway

Oct. 28 - Nov. 18, 1978 -- Laura Grisi; 420 W Broadway (middle room)

Dec. 2-20, 1978 -- Film/Video 1976-78: Baldessari, Benglis, Campus, Downey, Freed, Girouard, Haxton, Holt, Jonas, Kos, Rappaport, Wegman, Wiener (Castelli/Sonnabend Tapes + Films); 420 W Broadway

Jan. 6-27, 1979 -- Frank Stella, Indian Birds, Painted Metal Reliefs; 420 W Broadway

Feb. 3-24, 1979 -- Donald Judd, Survey of Work; 420 W Broadway

Mar. 3-24, 1979 -- Robert Morris, 6 Mirror Works; 420 W Broadway (front room)

Mar. 3-24, 1979 -- Robert Barry and Carole Gallagher, Again and Again; 420 W Broadway (middle room)

Mar. 31 - Apr. 21, 1979 -- Hans Namuth, Todos Santos: Portraits (Castelli Graphics); 4 E 77 St

Mar. 31 - Apr. 21, 1979 -- Lawrence Weiner; 420 W Broadway (front room)

Mar. 31 - Apr. 21, 1979 -- Mia Westerlund Roosen; 420 W Broadway (middle room)

Apr. 28 - May 19, 1979 -- Roy Lichtenstein, Recent Paintings; 420 W Broadway

May 26 - June 16, 1979 -- Joseph Kosuth, Text/Context (New York); 420 W Broadway

May 26 - June 16, 1979 -- Keith Sonnier, Expanded Sel Series; 420 W Broadway

June 23 - Sept. 15, 1979 -- Summer Group Exhibition: Andre, Daphnis, Flavin, Judd, Kelly, Lichtenstein, Morris, Noland, Owen, Rauschenberg, Ruscha, Serra, Stella, Twombly; 420 W Broadway

1979-1980 SeasonSept. 22 - Oct. 13, 1979 -- Richard Artschwager; 420 W Broadway

Oct. 20 - Nov. 10, 1979 -- Dan Flavin, 1960's and 1970's Installations; 420 W Broadway

Nov. 17 - Dec. 15, 1979 -- Kenneth Noland; 420 W Broadway

Jan. 5-19, 1980 -- Michele Zaza; 420 W Broadway (middle room)

Jan. 5-26, 1980 -- Hanne Darboven; 420 W Broadway

Jan. 19 - Feb. 9, 1980 -- Jasper Johns; 4 E 77 St

Jan. 22-26, 1980 -- Barbaralee Diamonstein, Inside New York's Art World (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Feb. 2-23, 1980 -- Salvatore Scarpitta; 420 W Broadway

Feb. 2-23, 1980 -- Charles Gaines, Falling Leaves; 420 W Broadway (middle room)

Feb. 19 - [Mar. 15], 1980 -- Leo Castelli: A New Space: Judd, Lichtenstein, Morris, Nauman, Rauschenberg, Serra, Stella; 142 Greene St

Mar. 1-22, 1980 -- Nassos Daphnis, Paintings From the 50's; 420 W Broadway

Mar. 1-22, 1980 -- Robert Barry, Wall Piece; 420 W Broadway (back office)

Mar. 29 - Apr. 19, 1980 -- Robert Rauschenberg; 420 W Broadway

Apr. [5] - May 10, 1980 -- Ellsworth Kelly, "Color Panels for a Large Wall," 1978, from the Central Trust Company, Cincinnati; 142 Greene St

Apr. 12 - May 3, 1980 -- Ellsworth Kelly, Prints 1978-1980 (Castelli Graphics); 4 E 77 St

Apr. 26 - May 17, 1980 -- Bruce Nauman; 420 W Broadway

Apr. 26 - May 17, 1980 -- Cletus Johnson, Theaters; 420 W Broadway (middle room)

May 17 - June 21, 1980 -- James Rosenquist; 420 W Broadway

May 24 - June 14, 1980 -- Claes Oldenburg; 142 Greene St

May 24 - June 14, 1980 -- Claes Oldenburg; 420 W Broadway

1980-1981 SeasonSept. 13 - Oct. 18, 1980 -- Group Exhibition: Lichtenstein, Nauman, Stella, Judd, Warhol, Kelly; 142 Greene St

Sept. 20 - Oct. 11, 1980 -- Edward Ruscha, New Paintings; 420 W Broadway (front room)

Sept. 20 - Oct. 11, 1980 -- Peter Young, Homage to Agnes Martin; 420 W Broadway

Sept. 27 - Oct. 18, 1980 -- Roy Lichtenstein (Castelli Graphics); 4 E 77 St

Oct. 18 - Nov. 22, 1980 -- Architecture II Houses For Sale: Ambasz, Eisenman, Gregotti, Isozaki, Moore, Pelli, Price, Ungers; 420 W Broadway

Oct. 25 - Nov. 15, 1980 -- Hans Namuth, Pollock Painting, 1950-1951 (Castelli Graphics); 4 E 77 St

Oct. 25 - Nov. 15, 1980 -- Robert Morris; 142 Greene St

Nov. 1980 -- Group Exhibition; 420 W Broadway (rear office)

Nov. 29 - Dec. 6, 1980 -- Barbaralee Diamonstein, American Architecture Now (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Nov. 29 - Dec. 13, 1980 -- Benefit Exhibition for Foundation for Contemporary Performance Arts, Inc.; 420 W Broadway

Nov. 29 - Dec. 20, 1980 -- James Turrell; 142 Greene St

Dec. 13-20, 1980 -- Group Installation: Huebler, Kosuth, Nauman, Sonnier; 420 W Broadway (middle room)

Jan. 10 - Feb. 7, 1981 -- Jasper Johns, Drawings 1970-1980; 420 W Broadway

Jan. 17 - Feb. 21, 1981 -- James Rosenquist, Star Thief; 142 Greene St

Feb. 14-28, 1981 -- Lawrence Weiner; 420 W Broadway (front room)

Feb. 14-28, 1981 -- Edward Ruscha, Drawings; 420 W Broadway (middle room)

Feb. 28 - Apr. 4, 1981 -- Richard Serra, Slice; 142 Greene St

Mar. 7-28, 1981 -- Paul Waldman; 420 W Broadway

Mar. 7-28, 1981 -- Laura Grisi; 420 W Broadway (middle room)

Mar. 12 - Apr. 4, 1981 -- Richard Serra, Film screenings, "Railroad Turnbridge" and "Steelmill/Stahlwerk" (Castelli/Sonnabend Tapes + Films); 142 Greene St

Apr. 4 - May 2, 1981 -- Julian Schnabel; 420 W Broadway

Apr. 4 - May 2, 1981 -- Douglas Huebler, Crocodile Tears; 420 W Broadway (middle room)

Apr. 11 - May 9, 1981 -- Ellsworth Kelly; 142 Greene St

Apr. 18 - May 9, 1981 -- Michael Harvey, Film screenings, "Sub Rosa" and "Dead Letter" (Castelli/Sonnabend Tapes + Films); 142 Greene St

May 13, 1981 -- Joan Jonas, Upsidedown and Backwards (Castelli/Sonnabend Tapes + Films); 142 Greene St

May 16-30, 1981 -- Artists' Benefit For the Trisha Brown Dance Company; 142 Greene St

May 16 - Sept. 4, 1981 -- Dan Flavin, Barred Corridors; 420 W Broadway

1981-1982 SeasonSept. 15 - Oct. 31, 1981 -- Donald Judd; 142 Greene St (lower gallery)

Sept. 19 - Oct. 10, 1981 -- Richard Serra (Castelli Graphics); 4 E 77 St

Sept. 19 - Oct. 10, 1981 -- Robert Barry and Carole Gallagher, Collaboration; 420 W Broadway

Oct. 17 - Nov. 7, 1981 -- Charles Gaines, Landscape: Assorted Trees with Regressions; 420 W Broadway

Oct. 17 - Nov. 7, 1981 -- Roy Lichtenstein; 420 W Broadway

Nov. 14 - Dec. 19, 1981 -- Richard Artschwager; 420 W Broadway

Nov. 17-21, 1981 -- Barbaralee Diamonstein, Visions and Images - American Photographers on Photography (Castelli/Sonnabend Tapes + Films); 420 W Broadway (middle room)

Nov. 21 - Dec. 12, 1981 -- Hermine Freed, Beads + Marbles [Castelli/Sonnabend Tapes + Films]; 142 Greene St (lower gallery)

Nov. 21 - Dec. 19, 1981 -- Hanne Darboven; 142 Greene St

Nov. 28 - Dec. 19, 1981 -- Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc.; 420 W Broadway (middle room)

Nov. 28 - Dec. 23, 1981 -- Julian Schnabel; 142 Greene St

Jan. 9-30, 1982 -- Bruce Nauman, Violins, Violence, Silence; 142 Greene St

Jan. 9-30, 1982 -- Andy Warhol, Dollar Signs; 142 Greene St (lower gallery)

Jan. 9-30, 1982 -- Andy Warhol, Reversals; 420 W Broadway (front room)

Jan. 9 - Feb. 13, 1982 -- Hans Namuth, Portraits; 420 W Broadway (middle room)

Feb. 6-27, 1982 -- Claude Viallat; 142 Greene St

Feb. 6-27, 1982 -- Louis Cane; 420 W Broadway

Feb. 20 - Mar. 27, 1982 -- Dan Flavin, Donald Judd, Richard Serra; 420 W Broadway (middle room)

Mar. 6-27, 1982 -- Mia Westerlund Roosen; 142 Greene St

Mar. 6-27, 1982 -- David Salle; 420 W Broadway (front room)

Mar. 20-27, 1982 -- Sandro Chia; 142 Greene St (lower gallery)

Apr. 3-24, 1982 -- Richard Serra, "Marilyn Monroe-Greta Garbo," 1981,-(A Sculpture for Gallery-Goers.); 142 Greene St

Apr. 3-24, 1982 -- Joseph Kosuth; 420 W Broadway

Apr. 3-24, 1982 -- Richard Serra; 420 W Broadway

Apr. 3 - May 1, 1982 -- Frank Gillette; 142 Greene St

May 1-22, 1982 -- Keith Sonnier; 420 W Broadway

June 1 - Oct. 23, 1982 -- Summer Group Show: Chia, Johns, Kelly, Lichtenstein, Rauschenberg, Rosenquist, Ruscha, Salle, Schnabel, Stella, Warhol; 420 W Broadway

Summer 1982 -- Castelli and His Artists 25 Years; 420 W Broadway

1982-1983 SeasonSept. 11 - Oct. 9, 1982 -- 25th Anniversary Exhibition of Leo Castelli, Castelli and His Artists 25 Years: Artschwager, Barry, Bontecou, Chamberlain, Daphnis, Darboven, Dibbets, Flavin, Grisi, Huebler, Johns, Johnson, Judd, Kelly, Kosuth, Lichtenstein, Morris, Nauman, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Salle, Scarpitta, Schnabel, Serra, Sonnier, Stella, Twombly, Waldman, Warhol, Weiner, Westerlund Roosen; 142 Greene St

Oct. 16-23, 1982 -- Barbaralee Diamonstein, Interior Design: The New Freedom; 142 Greene St

Oct. 16-23, 1982 -- Architectural Drawings and Models: Skowhegan School of Painting and Sculpture Charrette Competition Entries; 420 W Broadway

Oct. 16 - Nov. 6, 1982 -- Group Show: Flavin, Nauman, Oldenburg, Serra, Stella; 142 Greene St

Oct. 30 - Nov. 20, 1982 -- Frank Stella; 420 W Broadway

[Nov. 20 - Dec. 12, 1982] -- Salvatore Scarpitta, American Cycle: 1958-1982; 142 Greene St

Nov. 27 - Dec. 18, 1982 -- John Chamberlain; 420 W Broadway

Dec. 31, 1982 - Jan. 29, 1983 -- Robert Rauschenberg; 142 Greene St

Jan. 8-29, 1983 -- Margrete Sørensen; 142 Greene St (lower gallery)

Jan. 8-29, 1983 -- Robert Morris, Psychomachia; 420 W Broadway

Feb. 3-24, 1983 -- Robert Morris; 142 Greene St

Feb. 3-26, 1983 -- Diane Blell; 142 Greene St (lower gallery)

Feb. 5-26, 1983 -- Robert Longo; 142 Greene St

Feb. 5-26, 1983 -- Gerard Garouste; 420 W Broadway

Mar. 5-26, 1983 -- Robert Mapplethorpe; 142 Greene St

Mar. 5-26, 1983 -- Douglas Huebler; 142 Greene St (lower gallery)

Mar. 5-26, 1983 -- Nassos Daphnis; 420 W Broadway

Mar. 5-26, 1983 -- Sandy Skoglund; 420 W Broadway (middle room)

Apr. 2-23, 1983 -- Julian Schnabel; 142 Greene St

Apr. 2-23, 1983 -- Jan Dibbets; 420 W Broadway

Apr. 2-23, 1983 -- Ellsworth Kelly, Robert Morris, and Bruce Nauman; 420 W Broadway (middle room)

Apr. 30 - June 3, 1983 -- Donald Judd; 420 W Broadway

Apr. 30 - June 4, 1983 -- Sandro Chia; 142 Greene St

Apr. 30 - June 4, 1983 -- Julian Schnabel; 142 Greene St (lower gallery)

May 11 - June 30, 1983 -- Michael Smith, Government Approved Home Fallout snack bar (Castelli Graphics); 43 West 61st St

June [11] - Aug. [4], 1983 -- Drawings/Photographs; 420 W Broadway

Summer 1983 -- Summer Show, Sculpture; 142 Greene St

1983-1984 SeasonSept. 17 - Oct. 8, 1983 -- Robert Rauschenberg, Photogravures (Castelli Graphics); 4 E 77 St

Sept. 24 - Oct. 15, 1983 -- Ken Price; 420 W Broadway (front room)

Sept. 24 - Oct. 15, 1983 -- Robert Barry; 420 W Broadway (middle room)

Oct. 1-[22], 1983 -- James Rosenquist; 142 Greene St

Oct. 22 - Nov. 19, 1983 -- Architectural "Follies": Drawings and Models; 420 W Broadway

Oct. 29 - Nov. 5, 1983 -- Barbaralee Diamonstein, Handmade in America; 142 Greene St (lower gallery)

Nov. 12-26, 1983 -- Marvin Torffield, Pandora's Tears; 142 Greene St (lower gallery)

Dec. 3-17, 1983 -- 8 x 8 to Celebrate the Temporary Contemporary; 142 Greene St (lower gallery)

Dec. 3, 1983 - Jan. 14, 1984 -- Roy Lichtenstein, Greene St Mural; 142 Greene St

Dec. 3, 1983 - Jan. 14, 1984 -- Roy Lichtenstein; 420 W Broadway

Jan. 21 - Feb. 18, 1984 -- Ellsworth Kelly, Corten Wall Sculptures; 420 W Broadway

Jan. 28 - Feb. 25, 1984 -- Jasper Johns, Paintings; 142 Greene St

Feb. 18 - Mar. 10, 1984 -- Richard Serra; 420 W Broadway

Mar. 3-17, 1984 -- Artists Call Against US Intervention in Central America; 142 Greene St (lower gallery)

Mar. 3-31, 1984 -- Edward Ruscha; 142 Greene St

Mar. 10-31, 1984 -- Castelli Graphics 15th Anniversary Exhibition: Graphics, Photographs, Drawings, and Multiples (Castelli Graphics); 4 E 77 St

Mar. 17 - Apr. 7, 1984 -- David Salle; 420 W Broadway

Mar. 31 - Apr. 21, 1984 -- Lucio Pozzi; 142 Greene St (lower gallery)

Apr. 3-28, 1984 -- Dan Flavin; 142 Greene St

Apr. 14 - May 12, 1984 -- Paul Waldman; 420 W Broadway

Apr. 28 - May 19, 1984 -- Eve Sonneman; 142 Greene St (lower gallery)

May 19 - June 9, 1984 -- Jean-Charles Blais; 420 W Broadway

June 6, 1984 -- Michael Smith, Video: Go For It Mike (Castelli/Sonnabend Tapes + Films); 142 Greene St

June 15 - July 27, 1984 -- Summer Group Exhibition: Flavin, Judd, Kelly, Morris, Rauschenberg, Serra, Stella; 142 Greene St

June 23 - Sept. 8, 1984 -- Summer Group Exhibition: Artschwager, Blell, Chia, Johns, Judd, Kelly, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Salle, Warhol; 420 W Broadway

1984-1985 SeasonSept. 15-29, 1984 -- Billy Apple, Survey: 1962-1974; 142 Greene St

Sept. 15 - Oct. 6, 1984 -- Hanne Darboven, Ansichten '82; 420 W Broadway

Oct. 6 - Nov. 3, 1984 -- Bruce Nauman; 142 Greene St

Oct. 13 - Nov. 10, 1984 -- Charles Simonds; 420 W Broadway

Oct. 19, [1984] -- Mitchell Kriegman, Video, "The Effect of Gravity on Dogs" (Castelli/Sonnabend Tapes + Films); 142 Greene St

Nov. 17 - Dec. 15, 1984 -- Donald Judd; 142 Greene St

Nov. 17 - Dec. 15, 1984 -- Keith Sonnier; 142 Greene St (lower gallery)

Nov. 17 - Dec. 15, 1984 -- Donald Judd; 420 W Broadway

Nov. 29 - Dec. 8, 1984 -- Cunningham Dance Foundation Benefit Art Sale; 420 W Broadway

Jan. 5-26, 1985 -- Sandro Chia; 420 W Broadway

Jan. 12 - Feb. 9, 1985 -- Robert Morris; 142 Greene St

Feb. 2-23, 1985 -- Richard Artschwager; 420 W Broadway

Feb. 16 - Mar. 23, 1985 -- Nassos Daphnis; 142 Greene St

Mar. 2-23, 1985 -- Joseph Kosuth; 420 W Broadway

Mar. 2-23, 1985 -- Ralph Gibson; 420 W Broadway (middle room)

Mar. 30 - Apr. 13, 1985 -- Group Exhibition: Flavin, Judd, Morris, Nauman, Serra, Warhol; 420 W Broadway (front room)

Mar. 30 - Apr. 13, 1985 -- Ellsworth Kelly, New Wall Reliefs; 420 W Broadway (middle room)

Mar. 30 - Apr. 20, 1985 -- Francesco Clemente; 142 Greene St

Apr. 20 - May 11, 1985 -- Gerard Garouste; 420 W Broadway (front room)

Apr. 20 - May 11, 1985 -- Charles Gaines; 420 W Broadway (middle room)

Apr. 27 - May 18, 1985 -- James Rosenquist; 142 Greene St

May 18 - June 15, 1985 -- Dan Flavin; 420 W Broadway (front room)

May 18 - June 15, 1985 -- Dianne Blell; 420 W Broadway (middle room)

June 22 - July 27, 1985 -- Summer Group Exhibition: Chia, Lichtenstein, Rosenquist, Serra, Sonnier, Warhol, Weiner, Westerlund Roosen; 142 Greene St

1985-1986 SeasonSept. 7-21, 1985 -- Group Exhibition: Artschwager, Ruscha, Salle, Scarpitta, Sonnier, Warhol, Weiner; 142 Greene St

Sept. 28 - Oct. 19, 1985 -- Keith Sonnier; 142 Greene St

Sept. 28 - Oct. 19, 1985 -- Jiri Georg Dokoupil; 420 W Broadway

Oct. 26 - Nov. 16, 1985 -- Keith Haring; 142 Greene St

Oct. 26 - Nov. 16, 1985 -- Bruce Nauman; 420 W Broadway (front room)

Oct. 26 - Nov. 16, 1985 -- Judy Tompkins; 420 W Broadway (middle room)

Nov. 15 - Dec. 7, 1985 -- Roy Lichtenstein, Landscapes (Castelli Graphics); 4 E 77 St

Nov. 23 - Dec. 21, 1985 -- Roy Lichtenstein; 420 W Broadway (front room)

Nov. 23 - Dec. 21, 1985 -- Gianfranco Gorgoni; 420 W Broadway (middle room)

Nov. 30 - Dec. 21, 1985 -- Mario Merz; 142 Greene St

Jan. 11 - Feb. 1, 1986 -- Hanne Darboven; 142 Greene St

Jan. 11 - Feb. 1, 1986 -- Group Exhibition: Chia, Judd, Nauman, Rauschenberg, Ruscha, Sonnier, Warhol, Westerlund Roosen; 142 Greene St (lower gallery)

Jan. 11 - Feb. 1, 1986 -- Robert Ryman; 420 W Broadway (front room)

Jan. 11 - Feb. 1, 1986 -- Douglas Huebler; 420 W Broadway (middle room)

Feb. 8 - Mar. 1, 1986 -- Laura Grisi; 142 Greene St

Feb. 8 - Mar. 1, 1986 -- Edward Ruscha; 420 W Broadway (front room)

Feb. 8 - Mar. 1, 1986 -- Nassos Daphnis; 420 W Broadway (middle room)

Mar. 8-29, 1986 -- Robert Combas; 420 W Broadway (front room)

Mar. 8-29, 1986 -- Dan Rodan; 420 W Broadway (middle room)

Mar. 8 - Apr. 5, 1986 -- Richard Serra, Prints; 142 Greene St

Apr. 5 - May 3, 1986 -- David Salle; 420 W Broadway

Apr. 5 - May 3, 1986 -- Jean Kallina; 420 W Broadway (office)

Apr. 12 - May 3, 1986 -- Miquel Barceló; 142 Greene St

May 10 - June 14, 1986 -- Robert Therrien; 420 W Broadway

May 17 - June 14, 1986 -- Joseph Kosuth, Selected Works, 1965-1986; 142 Greene St

June 14 - Sept. 13, 1986 -- Summer Group Exhibition: Barceló, Dokoupil, Kosuth, Morris, Moskowitz, Nauman, Oldenburg, Rauschenberg, Ruscha, Scarpitta, Serra, Stella, Warhol; 142 Greene St

June 14 - Sept. 13, 1986 -- Summer Group Exhibition: Artschwager, Blais, Blell, Brown, Chia, Combas, Gibson, Johns, Kelly, Kosuth, Lichtenstein, Morris, Nauman, Rauschenberg, Rosenquist, Ruscha, Ryman, Salle, Serra, Therrien; 420 W Broadway

1986-1987 SeasonSept. 19-27, 1986 -- The Law and Order Show; 420 W Broadway

Sept. 20 - Oct. 11, 1986 -- Mia Westerlund Roosen, Sculpture and Drawings, 1983-1986; 142 Greene St

Oct. 4-11, 1986 -- Barbaralee Diamonstein, Color Video Selections; 142 Greene St (lower gallery)

Oct. 4-25, 1986 -- James Brown; 420 W Broadway

Oct. 18-25, 1986 -- Skowhegan: A Ten-Year Retrospective; 142 Greene St

Nov. 1-22, 1986 -- Lawrence Weiner; 142 Greene St

Nov. [1]-22, 1986 -- Robert Therrien, 1st Installation; 142 Greene St (lower gallery)

Nov. 1-22, 1986 -- Robert Rauschenberg, Gluts; 420 W Broadway

Dec. 13, 1986 - Jan. 24, 1987 -- Claes Oldenburg, Coosje van Bruggen, and Frank Gehry, The Course of the Knife; 142 Greene St

Dec. 13, 1986 - Jan. 24, 1987 -- Claes Oldenburg, Coosje van Bruggen, and Frank Gehry, The Course of the Knife; 420 W Broadway

Jan. 31 - Mar. 7, 1987 -- XXXth Anniversary, the first fifteen years, part 1: Artschwager, Bontecou, Chamberlain, Daphnis, Johns, Kelly, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Scarpitta, Stella, Twombly, Warhol; 142 Greene St

Jan. 31 - Mar. 7, 1987 -- Group Exhibition: Artschwager, Barceló, Flavin, Grisi, Simonds; 142 Greene St (lower gallery)

Jan. 31 - Mar. 7, 1987 -- Robert Therrien, 2nd Installation; 142 Greene St (lower gallery)

Jan. 31 - Mar. 7, 1987 -- Jasper Johns; 420 W Broadway

Mar. 7-28, 1987 -- Charles Gaines, Numbers + Trees; 142 Greene St

Mar. 14 - Apr. 4, 1987 -- XXXth Anniversary, the first fifteen years, part 2: Barry, Darboven, Dibbets, Flavin, Grisi, Huebler, Judd, Kosuth, Morris, Nauman, Serra, Sonnier, Waldman, Weiner; 142 Greene St

Mar. 14 - Apr. 4, 1987 -- Roy Lichtenstein; 420 W Broadway

Mar. 26 - May 2, 1987 -- Group Exhibition: Grisi, Nauman, Rauschenberg, Rosenquist, Warhol; 142 Greene St (lower gallery)

Apr. 18 - May 2, 1987 -- Jean-Charles Blais; 142 Greene St

Apr. 18 - May 9, 1987 -- Dan Flavin, A New Work; 420 W Broadway

Apr. 18 - May 9, 1987 -- Ti Shan Hsu; 420 W Broadway

May [9]-30, 1987 -- Group Show: Kosuth, Morris, Oldenburg, Serra, Stella, Therrien; 142 Greene St

May 12 - June 27, 1987 -- Robert Therrien, 3rd Installation; 142 Greene St (lower gallery)

May 16 - June 6, 1987 -- Richard Artschwager, Bruce Nauman, and Frank Stella; 420 W Broadway

June 4-13, 1987 -- Art Against Aids; 142 Greene St

June 20 - July 31, 1987 -- Andy Warhol; 142 Greene St

1987-1988 SeasonSept. 26 - Oct. 17, 1987 -- Richard Serra, Three Sculptures; 142 Greene St

Oct. 3-31, 1987 -- Miquel Barceló; 420 W Broadway

Oct. 24 - Nov. 14, 1987 -- Peter Schuyff; 142 Greene St

Nov. 7-28, 1987 -- Meyer Vaisman; 420 W Broadway

Nov. 21 - Dec. 19, 1987 -- Edward Ruscha; 142 Greene St

Nov. 21 - Dec. 19, 1987 -- Edward Ruscha; 420 W Broadway

Dec. 5-22, 1987 -- Similia/Dissimilia; 420 W Broadway

Jan. 9-30, 1988 -- Robert Morris; 142 Greene St

Jan. 9-30, 1988 -- Mike Bidlo, Picasso's Women; 142 Greene St (lower gallery)

Jan. 9-30, 1988 -- Richard Artschwager, Drawings; 420 W Broadway

Jan. 9-30, 1988 -- Group Exhibition: Artschwager, Kelly, Lichtenstein, Rosenquist, Ruscha, Warhol; 420 W Broadway

Feb. 6-27, 1988 -- Hanne Darboven; 142 Greene St

Feb. 6-27, 1988 -- Paul Waldman; 420 W Broadway (front room)

Feb. 6-27, 1988 -- Cletus Johnson; 420 W Broadway (middle room)

Mar. 5-12, 1988 -- School of Visual Arts Alumni Show, 1977-87; 142 Greene St

Mar. 5-26, 1988 -- Nassos Daphnis; 420 W Broadway

Mar. 26 - Apr. 16, 1988 -- Chryssa, Cityscapes 1980-88; 142 Greene St

Apr. 2-23, 1988 -- Gerard Garouste; 420 W Broadway

Apr. 23 - May 14, 1988 -- James Rosenquist; 142 Greene St

Apr. 30 - May 21, 1988 -- Robert Therrien; 420 W Broadway

May [28] - June 18, 1988 -- Richard Artschwager, His Peers and Persuasions, 1963-1988; 142 Greene St

May 28 - July 31, 1988 -- Frank O. Gehry, Furniture; 420 W Broadway

May 28 - July 31, 1988 -- Edward Ruscha, Drawings; 420 W Broadway

1988-1989 SeasonSept. 17 - Oct. 15, 1988 -- Joseph Kosuth; 578 Broadway

Sept. 17 - Oct. 22, 1988 -- The Last Show: Kelly, Lichtenstein, Serra, Stella; 142 Greene St

Sept. 24 - Oct. 15, 1988 -- Mike and Doug Starn; 420 W Broadway

Oct. 5 - Nov. 12, 1988 -- Jasper Johns, Bruce Nauman, and David Salle; 420 W Broadway

Oct. 22 - Nov. 19, 1988 -- Robert Cumming (Castelli Graphics); 578 Broadway

Oct. 22 - Nov. 19, 1988 -- Bruce Nauman and Richard Serra; 578 Broadway

Nov. 19 - Dec. 22, 1988 -- Robert Therrien; 420 W Broadway

Dec. 8-30, 1988 -- Benefit for Foundation for Contemporary Performing Arts, Inc.; 420 W Broadway

Circa 1989 -- Castelli Graphics 1969-1989 (Castelli Graphics); 4 E 77 St

Jan. 7-28, 1989 -- Keith Sonnier; 420 W Broadway

Jan. 7-28, 1989 -- Robert Barry; 578 Broadway

Feb. 4-25, 1989 -- Richard Artschwager; 420 W Broadway

Feb. 4-25, 1989 -- David Lynch; 578 Broadway

Mar. 4-25, 1989 -- James Rosenquist, Joseph Kosuth, and Meyer Vaisman; 420 W Broadway

Mar. 4-25, 1989 -- Dianne Blell; 578 Broadway

Apr. 1-22, 1989 -- James Brown; 578 Broadway

Apr. 1-29, 1989 -- Dan Flavin, To the Citizens of the Republic of France on the 200th Anniversary of their Revolution; 420 W Broadway

Apr. 8 - May 13, 1989 -- Walter De Maria; 65 Thompson

May 6-27, 1989 -- Edward Ruscha; 420 W Broadway (front room)

May 6-27, 1989 -- Charles Simonds, Wall Smears and Rocks; 420 W Broadway (middle room)

May 19 - July 1, 1989 -- Roy Lichtenstein, Bronze Sculpture 1976-1989; 65 Thompson

May 20 - June 10, 1989 -- Dan Flavin; 578 Broadway

June 3-24, 1989 -- Summer Group Show: Artschwager, Johns, Kosuth, Rosenquist, Ruscha, Salle, Sonnier, Starn Twins; 420 W Broadway (front room)

June 3-24, 1989 -- Mike and Doug Starn; 420 W Broadway (middle room)

1989-1990 SeasonSept. 16 - Oct. 14, 1989 -- Lewis Baltz (Castelli Graphics); 578 Broadway

Sept. 23 - Oct. 14, 1989 -- Richard Serra, 8 Drawings: Weights and Measures; 420 W Broadway

Oct. 14 - Nov. 30, 1989 -- Dan Flavin, (To Sabine) Fall, 1989; 65 Thompson

Oct. 21 - Nov. 11, 1989 -- Roy Lichtenstein, Reflections; 420 W Broadway

Oct. 21 - Nov. 11, 1989 -- Group Drawing Show: Artschwager, Barry, Brown, Flavin, Johns, Kelly, Kosuth, Lichtenstein, Morris, Nauman, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Salle, Starn Twins, Therrien, Vaisman, Weiner; 578 Broadway

Nov. 18 - Dec. 21, 1989 -- Miquel Barceló, Paintings; 420 W Broadway

Nov. 18 - Dec. 21, 1989 -- Miquel Barceló, Drawings from Mali; 578 Broadway

Nov. 18 - Dec. 21, 1989 -- Recent Prints (Castelli Graphics); 578 Broadway

Dec. 1, 1989 - Feb. 24, 1990 -- Dan Flavin, (To Sabine) Winter, 1989; 65 Thompson

Jan. 6-27, 1990 -- Roni Horn, Thicket No. 1; 420 W Broadway

Jan. 6-27, 1990 -- Hanne Darboven, Requiem For M. Oppenheimer; 420 W Broadway (front room)

Jan. 6-27, 1990 -- The 60's Revisited: New Concepts/New Materials; 578 Broadway

Jan. 6-27, 1990 -- Edward Ruscha, Selected Portfolios (Castelli Graphics); 578 Broadway

Feb. 3-24, 1990 -- Nassos Daphnis, Thirty Years With Leo Castelli; 420 W Broadway (front room)

Feb. 3-24, 1990 -- Robert Therrien; 420 W Broadway (middle room)

Feb. 3-24, 1990 -- Douglas Huebler; 578 Broadway

Feb. 3-24, 1990 -- Robert Petersen, Selected Works (Castelli Graphics); 578 Broadway

Mar. 3-24, 1990 -- Bruce Nauman; 65 Thompson

Mar. 3-31, 1990 -- Bruce Nauman; 420 W Broadway

Mar. 3-31, 1990 -- Ellsworth Kelly, Portraits: Recent Prints from Gemini G.E.L. (Castelli Graphics); 578 Broadway

Mar. 3-31, 1990 -- Bernar Venet, Drawings Scale: 1 (Castelli Graphics); 578 Broadway

Apr. 1990 -- John Gutmann, Talking Picture; 578 Broadway

Apr. 7-28, 1990 -- Robert Morris; 420 W Broadway

Apr. 7-28, 1990 -- Taking the Picture: Photography and Appropriation; 578 Broadway

Apr. 7 - May 12, 1990 -- Hiroshi Teshigahara, Echizen Ware; 65 Thompson

May 5-26, 1990 -- Robert Rauschenberg, Currents '70 (Castelli Graphics); 578 Broadway

May 5 - June 2, 1990 -- Jan Dibbets; 420 W Broadway

May 12 - July 28, 1990 -- Ellsworth Kelly; 65 Thompson

June 9 - Sept. 15, 1990 -- Group Exhibition of Gallery Artists: Artschwager, Johns, Kosuth, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Salle, Sonnier, Starn Twins, Stella, Vaisman, van Bruggen, Weiner; 420 W Broadway

1990-1991 SeasonSept. 22 - Oct. 13, 1990 -- Robert Barry; 420 W Broadway

Sept. 22 - Oct. 13, 1990 -- David Salle, Recent Prints (Castelli Graphics); 578 Broadway

Oct. 20 - Nov. 17, 1990 -- James Rosenquist; 420 W Broadway

Oct. 20 - Nov. 17, 1990 -- Cletus Johnson; 578 Broadway

Oct. 20 - Nov. 17, 1990 -- Roy Lichtenstein, Reflections Series (Castelli Graphics); 578 Broadway

Nov. 27, 1990 - Jan. 12, 1991 -- Claes Oldenburg and Coosje van Bruggen; 420 W Broadway

Nov. 27, 1990 - Jan. 12, 1991 -- Claes Oldenburg, Works from Gemini G.E.L., 1988-1990 (Castelli Graphics); 578 Broadway

Nov. 27, 1990 - Jan. 12, 1991 -- Robert Watts; 578 Broadway

Dec. 8, 1990 - Feb. 9, 1991 -- Frank Stella, New Work; 65 Thompson

Jan. 19 - Feb. 9, 1991 -- Lawrence Weiner; 420 W Broadway

Jan. 19 - Feb. 9, 1991 -- Chryssa; 420 W Broadway (middle room)

Jan. 19 - Feb. 9, 1991 -- Lewis Baltz, Rule without Exception (Castelli Graphics); 578 Broadway

Jan. 19 - Feb. 9, 1991 -- Hanne Darboven, Urzeit; 578 Broadway

Feb. 16 - Mar. 9, 1991 -- Jasper Johns; 420 W Broadway

[Feb. 16 - Mar. 9, 1991] -- [Robert Cumming; 578 Broadway]

Mar. 9 - Apr. 6, 1991 -- Robert Morris; 65 Thompson

Mar. 16 - Apr. 6, 1991 -- Richard Artschwager; 420 W Broadway

Mar. 16 - Apr. 6, 1991 -- James Brown, Prints (Castelli Graphics); 578 Broadway

Apr. 13 - May 4, 1991 -- Bertrand Lavier; 420 W Broadway

Apr. 13 - May 4, 1991 -- Roy Lichtenstein, Interior Series (Castelli Graphics); 578 Broadway

Apr. 13 - May 11, 1991 -- Group Drawing Show: Janie Lee Master Drawings; 65 Thompson

May 11-25, 1991 -- Edward Ruscha, Prints; 578 Broadway

May 11 - June 1, 1991 -- Edward Ruscha; 420 W Broadway

[May 11 - June 1, 1991] -- [Charles Simonds; 420 W Broadway (middle room)]

May 21 - [June 22], 1991 -- Robert Therrien; 65 Thompson

June 1-22, 1991 -- Charles Gaines; 578 Broadway

June 5-22, 1991 -- Group Drawings Exhibition; 578 Broadway

[July 16 - Nov. 9], 1991 -- Frank Stella; 65 Thompson

Summer 1991 -- Summer Group Exhibition: Artschwager, Flavin, Johns, Kelly, Lichtenstein, Nauman, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Salle, Starn Twins, Stella, Therrien, Vaisman, Warhol, Weiner; 420 W Broadway

1991-1992 SeasonSept. 21 - Oct. 12, 1991 -- Dianne Blell, Wild Lives, Photographic Portraits Documenting Africa's Vanishing Wildlife; 420 W Broadway

Sept. 21 - Oct. 12, 1991 -- Group Exhibition: Johns, Kelly, Lavier, Lichtenstein, Starn Twins, Stella, Ruscha; 420 W Broadway (middle room)

Oct. 19 - Nov. 16, 1991 -- Paul Waldman; 420 W Broadway

Oct. 26 - Nov. 30, 1991 -- Robert Rauschenberg, Print Survey in Themes, 1952-1992; 578 Broadway

Nov. 23 - Dec. 14, 1991 -- Jean-Pierre Raynaud; 420 W Broadway

Dec. 14, 1991 - Feb. 1, 1992 -- Group Exhibition, Large Scale Prints: Kosuth, Morris, Nauman, Rauschenberg, Rosenquist, Serra, Starn Twins; 578 Broadway

Jan. 4-25, 1992 -- Pruitt-Early; 420 W Broadway

Feb. 1-29, 1992 -- Roy Lichtenstein, Interiors; 65 Thompson

Feb. 1-29, 1992 -- Roy Lichtenstein, Interiors; 420 W Broadway

Feb. 1-29, 1992 -- Leo Castelli XXXV Anniversary, Installation; 578 Broadway

Feb. 8-29, 1992 -- Salvatore Scarpitta, Early Works; 578 Broadway

Mar. 7-28, 1992 -- Laura Grisi; 420 W Broadway

Mar. 7-28, 1992 -- Hans Namuth; 578 Broadway

[Apr. - July], 1992 -- Elyn Zimmerman, Portals and Passages; 65 Thompson

Apr. 4-25, 1992 -- Keith Sonnier; 65 Thompson

Apr. 4-25, 1992 -- Charles Simonds, Stugg. Thebb?The Singing Monkey, 1992; 420 W Broadway

Apr. 4-25, 1992 -- Keith Sonnier; 420 W Broadway

Apr. 4-25, 1992 -- Keith Sonnier, Prints, Drawings and Multiples 1990-1992; 578 Broadway

May 2-23, 1992 -- Mike and Doug Starn; 420 W Broadway

May 9 - June 6, 1992 -- James Brown, Survey of Work 1986-1992; 578 Broadway

May 30 - June 13, 1992 -- Summer Group Exhibition: Flavin, Lichtenstein, Kosuth, Nauman, Rauschenberg, Warhol, Rosenquist, Ruscha, Salle, Starn Twins, Therrien; 420 W Broadway

June 6 - July 31, 1992 -- Group Exhibition, Drawings, Prints, Multiples, Photographs; 578 Broadway

June 23 - July 31, 1992 -- The Guggenheim in Europe: Architectural Models and Drawings; 420 W Broadway

Aug. 17 - Sept. 19, 1992 -- Summer Group Exhibition 1992, Part II: Artshwager, Lichtenstein, Kosuth, Nauman, Rauschenberg, Rosenquist, Ruscha, Salle, Starn Twins, Therrien, Warhol; 420 W Broadway

1992-1993 SeasonSept. 19 - Oct. 24, 1992 -- Dan Flavin, Donald Judd, Robert Morris, Minimalist Works; 578 Broadway

Sept. 26 - Oct. 17, 1992 -- Meyer Vaisman, Turkey; 420 W Broadway

Sept. 26 - Nov. 7, 1992 -- Group Architecture Exhibition, Angels and Franciscans: Innovative Architecture from Los Angeles and San Francisco; 65 Thompson

Oct. 24 - Nov. 14, 1992 -- Miquel Barceló; 420 W Broadway

Oct. 31 - Dec. 5, 1992 -- Bruce Nauman, Richard Serra, Keith Sonnier, Post-Minimal Works; 578 Broadway

Nov. 14, 1992 - Jan. 9, 1993 -- Andrew Lord, Modelling: A Sculpture of 27 Pieces and Related Works; 65 Thompson

Nov. 21 - Dec. 19, 1992 -- Ellsworth Kelly; 420 W Broadway (front room)

Nov. 21 - Dec. 19, 1992 -- Roy Lichtenstein, Waterlilies; 420 W Broadway (middle room)

Dec. 12, 1992 - Jan. 30, 1993 -- Group Sculpture Exhibit, Object Lessons; 578 Broadway

Jan. 9 - Feb. 6, 1993 -- Jasper Johns, 35 Years with Leo Castelli; 420 W Broadway

Jan. 16-23, 1993 -- Benefit for Cunningham Dance Foundation; 65 Thompson

Jan. 30 - Mar. 13, 1993 -- Richard Long; 65 Thompson

Feb. 6 - Mar. 6, 1993 -- Word Play: Darboven, Kosuth, Ruscha, Weiner; 578 Broadway

Feb. 13 - Mar. 13, 1993 -- Blind Color: Calle, Charlton, Klein, Manzoni, Rauschenberg, Richter, Rinehardt; 420 W Broadway

Feb. 13 - Mar. 13, 1993 -- Sophie Calle, Last Seen; 420 W Broadway

Mar. 20 - Apr. 17, 1993 -- Frank Stella and James Rosenquist, New Prints; 65 Thompson

Mar. 20 - Apr. 17, 1993 -- James Rosenquist; 420 W Broadway

Mar. 20 - Apr. 17, 1993 -- James Rosenquist, Prints from "Welcome to the Water Planet" and "House of Fire"; 578 Broadway

Mar. 20 - Apr. 17, 1993 -- Keith Sonnier, Robert Morris, and Robert Rauschenberg, Soft Ware; 578 Broadway

Apr. 24 - May 22, 1993 -- Hanne Darboven; 420 W Broadway

Apr. 24 - May 29, 1993 -- Group Exhibition, Graphic Works; 578 Broadway

May 15 - July 31, 1993 -- Summer Group Exhibition: Chamberlain, Long, Lord, Morris, Rauschenberg, Sonnier, Stella; 65 Thompson

May 29 - Oct. 2, 1993 -- British and American Sculpture: Cragg, Deacon, Kapoor, Long, Kelly, Nauman, Serra, Stella; 420 W Broadway

June 5 - July 24, 1993 -- Group Exhibition, Faces and Figures; 578 Broadway

1993-1994 SeasonSept. 25 - Oct. 23, 1993 -- Robert Morris; 65 Thompson

Sept. 25 - Oct. 23, 1993 -- Robert Morris, Blind Time Drawings; 578 Broadway

Sept. 25 - Nov. 27, 1993 -- Group Exhibition: Artschwager, Kosuth, Morris, Ruscha, Starn Twins, Vaisman; 578 Broadway

Oct. 16 - Nov. 6, 1993 -- Joseph Kosuth, The Thing-in-itself is found in its Truth through the loss of its immediacy; 420 W Broadway

Oct. 30 - Nov. 27, 1993 -- Charles Simonds, Retrospective; 578 Broadway

Nov. 12 - Dec. 4, 1993 -- Robert Therrien; 420 W Broadway

Dec. 3, 1993 - Jan. 15, 1994 -- Frank Stella, Moby Dick Deckle Edges (New Prints from Tyler Graphics); 578 Broadway

Dec. 4, 1993 - Jan. 15, 1994 -- Andrew Lord; 578 Broadway

Dec. 9, 1993 - Jan. 8, 1994 -- Benefit for Foundation for Contemporary Performance Arts; 420 W Broadway

Jan. 22 - Feb. 19, 1994 -- Bruce Nauman, Falls, Pratfalls, and Sleights of Hand; 420 W Broadway

Jan. 22 - Mar. 5, 1994 -- Robert Morris; 578 Broadway

Jan. 22 - Mar. 5, 1994 -- Bruce Nauman, Prints and Drawings; 578 Broadway

Feb. 26 - Apr. 2, 1994 -- Robert Rauschenberg, Scores (Off Kilter Keys); 65 Thompson

Feb. 26 - Apr. 2, 1994 -- Robert Rauschenberg, Scores (Off Kilter Keys); 420 W Broadway

Mar. 12 - Apr. 2, 1994 -- Barbaralee Diamonstein, Inside the New York Art World; 578 Broadway

Mar. 12 - Apr. 2, 1994 -- Group Exhibition: Lord, Nauman, Rauschenberg, Starn Twins, Stella, Therrien; 578 Broadway

Apr. 9 - May 7, 1994 -- Mike and Doug Starn, Spectroheliographs; 420 W Broadway

Apr. 9 - May 14, 1994 -- Lee Bontecou, Edward Higgins, and Robert Moskowitz, Sculpture and Painting from the Early 1960's; 578 Broadway

Apr. 30 - June 18, 1994 -- Sandro Chia, New Paintings; 65 Thompson

May 17 - June 11, 1994 -- Hannah Collins, Signs of Life; 420 W Broadway

May 21 - June 25, 1994 -- Jasper Johns, The Prints of Jasper John 1960-1993; 578 Broadway

June 18 - Sept. 10, 1994 -- Summer Group Exhibition; 420 W Broadway

July 5 - Oct. 8, 1994 -- Group Sculpture Exhibition, Major Works: Artschwager, Judd, Flavin, Lichtenstein, Nauman, Rauschenberg, Starn, Therrien; 578 Broadway

1994-1995 SeasonSept. 17 - Oct. 8, 1994 -- Richard Meier, Sculpture; 420 W Broadway

Oct. 8 - Nov. 12, 1994 -- Dan Flavin, Selected Works 1969-1990; 578 Broadway

Oct. 15 - Nov. 12, 1994 -- James Rosenquist; 420 W Broadway

Nov. 19 - Dec. 17, 1994 -- Roy Lichtenstein, Nudes; 420 W Broadway

Nov. 19 - Dec. 23, 1994 -- Roy Lichtenstein, Nudes: 9 Color Relief Prints; PACT 95 International America's Cup Class Yacht; 578 Broadway

Jan. 7-28, 1995 -- Lawrence Wiener, Stones + Stones + Stones; 420 W Broadway

Jan. 14 - Feb. 11, 1995 -- Robert Morris, Malaprops; The Fallen and the Saved; 578 Broadway

Feb. 4-25, 1995 -- James Brown; 420 W Broadway

Feb. 18 - Mar. 18, 1995 -- Richard Artshwager, Robert Therrien, and Edward Ruscha; 578 Broadway

Mar. 4-25, 1995 -- Kenneth Noland; 420 W Broadway

Mar. 25 - Apr. 29, 1995 -- Robert Rauschenberg, Tribute 21; 578 Broadway

Apr. 1-22, 1995 -- Hannah Collins; 420 W Broadway

Apr. 1-22, 1995 -- Edward Ruscha, Anamorphic Paintings; 420 W Broadway

Apr. 29 - May 20, 1995 -- Miquel Barceló; 420 W Broadway

May 6 - June 2, 1995 -- New Editions: Johns, Nauman, Rauschenberg, Ruscha; 578 Broadway

May 31 - June 30, 1995 -- Barbara Bloom, Pictures from the Floating World; 420 W Broadway

June 10 - July 8, 1995 -- Frank Stella, Imaginary Places (Castelli Graphics); 578 Broadway

June 10 - July 8, 1995 -- Summer Group Exhibition: Collins, Lichtenstein, Rauschenberg, Rosenquist, Ruscha, Vaisman; 578 Broadway

July 11 - Sept. 1, 1995 -- Summer Group Exhibition; 420 W Broadway

1995-1996 SeasonSept. 16 - Oct. 14, 1995 -- Group Sculpture Exhibition: Flavin, Judd, Kelly, Serra; 578 Broadway

Sept. 16 - Oct. 14, 1995 -- Edward Ruscha, Sayings, Puddinhead Wilson; 578 Broadway

Sept. 18 - Oct. 7, 1995 -- Hanne Darboven, South Korean Calendar; 420 W Broadway

Oct. 14 - Nov. 4, 1995 -- Nassos Daphnis, Energies in Outer Space; 420 W Broadway

Oct. 21 - Nov. 18, 1995 -- Joseph Kosuth, Editions The Past 10 Years; 578 Broadway

Nov. 11 - Dec. 16, 1995 -- Frank Stella, Free Standing Murals; 420 W Broadway

Dec. 2, 1995 - Jan. 13, 1996 -- Frank Stella, Editions; 578 Broadway

Jan. 13 - Feb. 3, 1996 -- Paul Waldman; 420 W Broadway

Jan. 30 - Feb. 10, 1996 -- Bailey House Auction; 578 Broadway

Feb. 10 - Mar. 9, 1996 -- Group Exhibition, New Works by Gallery Artists: Johns, Lichtenstein, Morris, Nauman, Rauschenberg, Rosenquist, Ruscha, Sonnier, Stella, Therrien; 420 W Broadway

Feb. 17 - Mar. 16, 1996 -- Collage - Gallery Artists: Brown, Darboven, Lichtenstein, Nauman, Rauschenberg, Ruscha, Starn Twins, Therrien, Vaisman; 578 Broadway

Mar. 16 - Apr. 13, 1996 -- Robert Therrien; 420 W Broadway

Mar. 23 - Apr. 20, 1996 -- Photography: Calle, Collins, Kosuth, Ruscha, Starn Twins, Therrien; 578 Broadway

Apr. 20 - May 18, 1996 -- James Rosenquist, Horizon Home Sweet Home; 420 W Broadway

Apr. 20 - May 24, 1996 -- Roy Lichtenstein, Eight New Prints; 578 Broadway

May 28 - July 26, 1996 -- Ralph Gibson, Infanta; 420 W Broadway

May 28 - July 26, 1996 -- Group Drawing Exhibition, Works on Paper: Chryssa, Daphnis, Darboven, Johns, Lichtenstein, Morris, Nauman, Rauschenberg, Ruscha, Serra, Stella, Sonnier, Therrien, Weiner; 420 W Broadway

June 1 - July 26, 1996 -- Summer Group Show: Johns, Kosuth, Lichtenstein, Ruscha, Stella, Therrien; 578 Broadway

1996-1997 SeasonSept. 14 - Oct. 12, 1996 -- Gianfranco Gorgoni, 25 Years of Artists Portraits; 578 Broadway

Sept. 14 - Oct. 12, 1996 -- Ellsworth Kelly, Prints; 578 Broadway

Sept. 28 - Oct. 26, 1996 -- Roy Lichtenstein, Landscapes in the Chinese Style; 420 W Broadway

Oct. 19 - Dec. 14, 1996 -- Jasper Johns, Prints 1960-1996 (Castelli Graphics); 578 Broadway

Nov. 2 - Dec. 14, 1996 -- Bruce Nauman, Bronze Heads and End of the World; 420 W Broadway

Jan. 11 - Feb. 8, 1997 -- Robert Morris, Horizons Cut Between Clio and Mnemosyne; 420 W Broadway

Jan. 18 - Feb. 22, 1997 -- Robert Therrien, Drawings; 578 Broadway

Jan. 18 - Feb. 22, 1997 -- Andy Warhol, Prints; 578 Broadway

Feb. 15 - Mar. 15, 1997 -- Lawrence Weiner, Then Now + Then; 420 W Broadway

Mar. 1-22, 1997 -- Dan Flavin; 578 Broadway

Mar. 22 - Apr. 26, 1997 -- Keith Sonnier, Alternating Currents; 420 W Broadway

Mar. 29 - Apr. 5, 1997 -- The Printmaking Workshop Benefit Exhibition and Auction; 420 W Broadway

Apr. 17 - May 17, 1997 -- Columbia University MFA Exhibition; 420 W Broadway

May 3 - June 7, 1997 -- Edward Ruscha, Cityscapes and "O" Books; 420 W Broadway

July - Sept., 1997 -- Summer Group Show: Kosuth, Morris, Serra; 420 W Broadway

1997-1998 SeasonSept. 27 - Oct. 18, 1997 -- Joseph Kosuth; 420 W Broadway

Oct. 25 - Nov. 15, 1997 -- 40 Years of Exploration and Innovation Part 1: Bontecou, Chryssa, Cornell, Johns, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Ruscha, Twombly, Warhol; 420 W Broadway

Nov. 22 - Dec. 13, 1997 -- 40 Years of Exploration and Innovation Part 2: Daphnis, Flavin, Judd, Kelly, Morris, Serra, Stella, Therrien, Waldman; 420 W Broadway

Jan. 10-31, 1998 -- 40 Years of Exploration and Innovation Part 3: Barry, Darboven, Dibbets, Grisi, Huebler, Kosuth, Nauman, Scarpitta, Sonnier, Starn Twins, Weiner; 420 W Broadway

Feb. 7 - Mar. 14, 1998 -- Dan Flavin, Some Drawings and Installations of Fluorescent Light; 420 W Broadway

Mar. 28 - Apr. 25, 1998 -- Hannah Collins, True Stories; 420 W Broadway

May 2 - June 6, 1998 -- Mike and Doug Starn, Black Hole Sun Burned; 420 W Broadway

June 24 - Aug. 29, 1998 -- Summer Show; 420 W Broadway

1998-1999 SeasonSept. 26 - Oct. 31, 1998 -- Robert Morris, The Rationed Years; 420 W Broadway

Nov. - Dec., 1998 -- Joseph Kosuth, Richard Serra, Keith Sonnier; 420 W Broadway

Jan. - Feb. 1999 -- Robert Rauschenberg, Arcadian Survey; 420 W Broadway
Related Material:
Available in the Archives of America Art are three oral history interviews with Leo Castelli. Paul Cummings interviewed Castelli between May 14, 1969 and June 8, 1973; Barbara Rose in July, 1969; and Andrew Decker on May 22, 1997.
Separated Materials:
The Archives of American Art also holds items lent for microfilming (reel N68) including printed material. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Leo Castelli loaned printed material for microfilming in 1968. Leo Castelli's wife, Barbara Bortuzzo Castelli, and his children, Nina Castelli Sundell and Jean-Christophe Castelli, donated the Leo Castelli Gallery records to the Archives of American Art in 2007.
Restrictions:
Use of original records requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- History -- New York (State)New York  Search this
Painting, Modern -- 20th century -- History -- New York (State)New York  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Interviews
Video recordings
Sketches
Transcripts
Sound recordings
Notes
Visitors' books
Photographs
Notebooks
Awards
Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.leocast
See more items in:
Leo Castelli Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a74e5e8f-9538-4152-8f10-6561763eb241
EDAN-URL:
ead_collection:sova-aaa-leocast
Online Media:

Oral history interview with John Outterbridge

Creator:
Outterbridge, John, 1933-2020  Search this
Interviewer:
Bassing, Allen, 1932-  Search this
Names:
American Academy of the Fine Arts -- Students  Search this
Chicago Academy of Fine Arts -- Students  Search this
Compton Communicative Arts Academy  Search this
Pasadena Art Museum  Search this
Alexander, Peter, 1939-  Search this
Coplans, John  Search this
Di Suvero, Mark, 1933-  Search this
Dickson, Charles  Search this
Gilmore, Robert  Search this
Powell, Judson  Search this
Puerefoy, Noel  Search this
Rauschenberg, Robert, 1925-2008  Search this
Sera, Richard  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
13 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1973 January 3
Scope and Contents:
Interview of John W. Outterbridge conducted 1973 January 3, by Allen Bassing, for the Archives of American Art.
Outterbridge speaks of his family background and how that influenced him to lean toward the arts; attending Agriculture & Technical University and majoring in engineering even though he wanted to become an artist; joining the Army in order to get the G.I. Bill so he could afford school; painting during his three-year stint in the service, and how his company commander admired his work and got him a studio; attending the Chicago Academy of Art, then the American Academy of Art after leaving the military; moving to Los Angeles to pursue a career as an artist full-time; quitting painting and deciding to focus on sculpture; working at the Pasadena Art Museum, and how it disturbed him that there weren't any Black artists being represented in the shows he was installing there; getting involved with the Compton Communicative Arts Academy just as it was starting; and the present situation of the Compton Communicative Arts Academy and where he sees it going. He recalls Andy Warhol, Peter Alexander, Richard Serra, Robert Rauschenberg, Mark di Suvero, John Coplans, Judson Powell, Noel Puerefoy, Charles Dickson, Bobby Gilmore, and many others.
Biographical / Historical:
John Outterbridge (1933-2020) was an art administrator, painter, and sculptor from Los Angeles, California.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1959 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
This transcript is open for research. No audio exists. Contact Reference Services for more information.
Occupation:
Arts administrators -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Topic:
African American artists  Search this
African American painters  Search this
African American sculptors  Search this
African American military personnel  Search this
Genre/Form:
Interviews
Identifier:
AAA.outter73
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw909ebd196-ac6f-4c3f-8b60-786de9253c6b
EDAN-URL:
ead_collection:sova-aaa-outter73
Online Media:

Oral history interview with George Condo

Interviewee:
Condo, George  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Devo (Musical group)  Search this
Massachusetts College of Art -- Students  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Bishofberger, Bruno  Search this
Clements, Dawn  Search this
Dagley, Mark  Search this
Dahn, Walter, 1954-  Search this
Haring, Keith  Search this
Herman, Roger  Search this
Hughes, Frederick W., 1943-2001  Search this
Kantor, Ulrike  Search this
Kelly, Gene, 1912-1996  Search this
Sharp, Willoughby  Search this
Smith, Rupert Jasen  Search this
Tyrrell, Susan  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
5 Items (sound files (3 hr., 19 min.) Audio, digital, wav)
88 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Date:
2017 May 5-June 20
Scope and Contents:
An interview with George Condo conducted 2017 May 5 and June 20, by Christopher Lyon, for the Archives of American Art, at Condo's studio in New York, New York.
Condo speaks of his childhood and adolescence in New England; his Italian grandparents and heritage; his early obsession with drawing; the mathematical dimension of his mind; his Catholic upbringing and its influence on his art; exposure to literature, art, and music through his family; his decision to pursue visual art rather than music; the influence of jazz on his approach to making art; his understanding of tradition and originality; the influence of a wide range of literature on his approach to making art; dropping out of Mass College of Art; playing in a Boston punk rock band called The Girls in the late 1970s; moving to New York in 1981; working on Andy Warhol's silk-screening assembly line; moving to Los Angeles in 1982; being shown in Ulrike Kantor's gallery with Roger Herman's help; formative trips to Europe in the 1980s; important romantic relationships; changes in the New York art world in the 1990s; developing the concept of Artificial Realism; and his appreciation for the old masters of painting. Condo also recalls Dawn Clements, Keith Haring, Jean-Michel Basquiat, Devo, Mark Dagley, Rupert Smith, Fred Hughes, Susan Tyrrell, Gene Kelly, Willoughby Sharp, Walter Dahn, Bruno Bischofberger, and others.
Biographical / Historical:
George Condo (1957- ) is a contemporary visual artist working in New York, New York. Christopher Lyon (1949- ) is a publisher and writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- New York (State) -- New York  Search this
Jazz  Search this
Music  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Photo-realism  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Punk rock music  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.condo17
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c2fc582c-0e52-4a03-9166-815594b66f8e
EDAN-URL:
ead_collection:sova-aaa-condo17
Online Media:

The Louis K. Meisel Gallery selected records

Creator:
Louis K. Meisel Gallery  Search this
Names:
Baeder, John  Search this
Baldessari, John, 1931-  Search this
Battcock, Gregory, 1937-  Search this
Bourdon, David  Search this
Close, Chuck, 1940-  Search this
Eddy, Don, 1944-  Search this
Estes, Richard, 1932-  Search this
Flack, Audrey  Search this
Goings, Ralph  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E.  Search this
Meisel, Louis K.  Search this
Meisel, Susan Pear  Search this
Messer, Thomas M.  Search this
Rivers, Larry, 1925-2002  Search this
Rose, Barbara  Search this
Sadat, Anwar, 1918-1981  Search this
Stamos, Theodoros, 1922-1997  Search this
Taylor, Elizabeth, 1932-2011  Search this
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Warhol, Andy, 1928-  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1964-2003
Summary:
The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.
Scope and Contents note:
The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.

Among the correspondents are John Baeder, Chuck Close, Don Eddy, Richard Estes, Audrey Flack, Ralph Goings, Richard McClean, Theodoros Stamos, and others. Also found are letters from Larry Rivers, Anwar el-Sadat, Robert Hughes, and Tom Messer.

Writings include a typescript by Louis K. Meisel on becoming an art dealer. A subject file on art historian Gregory Battcock contains several reviews, scattered materials including letters, clippings, lists, press releases, and a photograph of Battcock with David Bourdon, Hilton Kramer, Rosalind Krauss, Barbara Rose, and others attending an International Art Association of Art Critics conference. There are subject files on Jason Seley containing photographs, correspondence, and printed materials.

Photographs include a photograph of Louis K. Meisel and his wife, Susan Meisel with Photorealists artists at a book party. Also found are photographs of John Baldesarri with Herbert and Dorothy Vogel; and Andy Warhol and Elizabeth Taylor.
Arrangement note:
The collection is arranged as 4 series:

Missing Title

Series 1: Correspondence, 1964-2003 (Box 1; 0.2 linear feet)

Series 2: Writings, circa 1970s (Box 1; 1 folder)

Series 3: Subject Files, 1974-1981 (Box 1; 5 folders)

Series 4: Photographs, circa 1980s-1993 (Box 1; 0.1 linear feet)
Biographical/Historical note:
Louis K. Meisel (1942- ) opened the Louis K. Meisel Gallery on Prince Street in the SoHo neighborhood of New York City in 1966. The gallery has promoted the work of realist painters, sculptors, and photographers. Louis K. Meisel Gallery has also championed another genre of American realism, the Pin-up; the gallery has an extensive collection of vintage and contemporary Pin-ups. Artists represented include: John Baeder, Robert Bechtle, Charles Bell, Chuck Close, Audrey Flack, Ronald Kleemann, Mel Ramos, and Theodoros Stamos, among others.

Born in 1942 in Brooklyn, Louis K. Meisel has had a varied career as an art dealer, writer, and collector. Meisel attended Columbia University, 1964 and the New School for Social Research in New York, 1963-1965. Credited with coining the phrase, Photorealism in the late 1960s, Meisel defined the qualities of the Photorealist artist.

Louis K. Meisel has written numerous books and articles on Photorealism, the American Pin-Up, and other art-related topics. He has also lectured at academic and art-related institutions, including the Arts and Crafts Center in Pittsburgh, Pennsylvania, 1978; Wharton School, University of Pennsylvania, 1980, 2002; the Natural History Museum, Smithsonian Institution, 1993; and the Ringling School of Art and Design in Sarasota, Florida, 2002. His collecting interests have been wide-ranging. In addition to his extensive collection of Photorealist paintings and Pin-up illustrations, Meisel is a collector of 1940s Moderne, tin toys, Art Deco statues, and naturalia.

Since 2000, Louis K. Meisel, in partnership with Frank Bernarducci, has operated the Bernarducci. Meisel. Gallery on 57th Street in New York as a venue for established and emerging artists.
Provenance:
The Louis K. Meisel Gallery selected records were donated by Louis K. Meisel in 1990 and 2009.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Citation:
Louis K. Meisel Gallery selected records, 1973-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.louikmei
See more items in:
The Louis K. Meisel Gallery selected records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bf3597b2-9438-4ef2-b79d-6cbbfb307938
EDAN-URL:
ead_collection:sova-aaa-louikmei
Online Media:

Oral history interview with Elaine Sturtevant

Interviewee:
Sturtevant, Elaine  Search this
Interviewer:
Hainley, Bruce  Search this
Lobel, Michael  Search this
Names:
Anthony Reynolds Gallery  Search this
Bianchini Gallery  Search this
Galerie J  Search this
Galerie Thaddaeus Ropac (Salzburg, Austria)  Search this
Museum für Moderne Kunst (Frankfurt am Main, Germany)  Search this
Deleuze, Gilles, 1925-1995  Search this
Duchamp, Marcel, 1887-1968  Search this
Foucault, Michel, 1926-1984  Search this
Givaudan, Claude  Search this
Johns, Jasper, 1930-  Search this
Kiefer, Anselm, 1945-  Search this
Kittleman, Udo  Search this
Kosuth, Joseph.  Search this
Maenz, Paul  Search this
Obrist, Hans Ulrich  Search this
Oldenburg, Claes, 1929-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reynolds, Anthony  Search this
Ropac, Thaddäus J.  Search this
Ruf, Beatrix  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
71 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2007 July 25-26
Scope and Contents:
An interview of Elaine Sturtevant conducted 2007 July 25-26, by Bruce Hainley and Michael Lobel, for the Archives of American Art, at the Archives of American Art, in New York, New York.
Sturtevant speaks of her exhibitions, Raw Power at Galerie Thaddaeus Ropac in Paris 2007; Cold Fear at the Anthony Reynolds Gallery in London, 2006; Brutal Truth at the Museum für Moderne Kunst, Frankfurt, Germany, 2004; America America at Galerie J in Paris in 1966; Sturtevant at the Bianchini Gallery in New York in 1965; and others. She also talks about her work Hate Kill Falsity, 2006; the process of installing shows to present a totality of work instead of individual pieces; the concept of "copy" and its misattributions in her art; her interest in opening minds and engendering thinking; her master's degree in language and interest in the writings of Gilles Deleuze and Michel Foucault; possessing confidence in her work to continue creating amidst years of misunderstanding and criticism; Abstract Expressionism and Pop art as catalysts in developing the philosophical concept of her work; frustration at being asked personal questions about the artists she was associated with; the reception of her art in Europe; using video as a medium to articulate visibility; and welcoming different interpretations of her work. Sturtevant also recalls Thaddaeus Ropac, Anthony Reynolds, Udo Kittelmann, Anselm Kiefer, Jasper Johns, Robert Rauschenberg, Andy Warhol, Hans-Ulrich Obrist, Beatrix Ruf, Claude Givaudan, Claes Oldenburg; Marcel Duchamp, Paul Maenz, Joseph Kosuth, and others.
Biographical / Historical:
Elaine Sturtevant (1924-2014) was a multi-media artist in Paris, France and New York, N.Y. Bruce Hainley is a writer from Los Angeles, California. Michael Lobel is an art historian from New York, New York.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 3 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Women artists  Search this
Abstract expressionism  Search this
Pop art  Search this
Video art  Search this
Multimedia (Art)  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.sturte07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98afd59ca-2482-43b8-a1fb-40e23d958231
EDAN-URL:
ead_collection:sova-aaa-sturte07
Online Media:

Dorothy Gees Seckler Collection of Sound Recordings Relating to Art and Artists

Creator:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Art in America  Search this
Velvet Underground (Musical group)  Search this
Asher, Elise, 1914-  Search this
Avery, Sally  Search this
Beck, Margit, 1915-1997  Search this
Bellow, Saul  Search this
Bultman, Fritz, 1919-1985  Search this
Cale, John  Search this
Cavallon, Giorgio, 1904-1989  Search this
Cohen, Jean  Search this
Cunningham, Merce  Search this
De Diego, Julio, 1900-  Search this
Drexler, Rosalyn  Search this
Flexner, James Thomas, 1908-2003  Search this
Frankenthaler, Helen, 1928-2011  Search this
Freed, William, 1904-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gelb, Jan, 1906-1978  Search this
Gorelick, Shirley, 1924-2000  Search this
Greenwood, Marion, 1909-1970  Search this
Hofmann, Hans, 1880-1966  Search this
Jones, John  Search this
Kahn, Wolf, 1927-  Search this
Karolik, Maxim  Search this
Katz, Alex, 1927-  Search this
Marcus, Marcia, 1928-  Search this
Margo, Boris, 1902-1995  Search this
Martin, Fletcher, 1904-1979  Search this
McLuhan, Marshall, 1911-1980  Search this
Middleman, Raoul F., 1935-  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Nico, 1938-1988  Search this
Noguchi, Isamu, 1904-1988  Search this
Orlowsky, Lillian, 1914-2004  Search this
Pearlstein, Philip, 1924-  Search this
Refregier, Anton, 1905-  Search this
Rivers, Larry, 1925-2002  Search this
Ross, Alvin, 1920-1975  Search this
Rothschild, Judith  Search this
Saint-Phalle, Niki de, 1930-  Search this
Segal, George, 1924-2000  Search this
Shahn, Ben, 1898-1969  Search this
Tinguely, Jean, 1925-  Search this
Ustinov, Peter  Search this
Warhol, Andy, 1928-  Search this
Whyte, William Hollingsworth  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1962-1976
Summary:
The Dorothy Gees Seckler collection of sound recordings relating to art and artists measures 1.6 linear feet and dates from 1962 to 1976. Recordings include 17 interviews conducted by Seckler, one interview by John Jones, and 17 additional recordings of mostly contemporary art-related programs and interviews taped from radio and television broadcasts. Recordings are on 26 sound cassettes and 25 sound tape reels.
Scope and Contents:
The Dorothy Gees Seckler collection of sound recordings relating to art and artists measures 1.6 linear feet and dates from 1962 to 1976. Recordings include 20 interviews conducted by Seckler, one interview by John Jones, and 17 additional recordings of mostly contemporary art-related programs and interviews taped from radio and television broadcasts. Recordings are on 26 sound cassettes and 25 sound tape reels.

Interviews with Artists consist of 17 interviews by Dorothy Seckler with artists including Elise Asher, Fritz Bultman, Judith Rothschild, Giorgio Cavallon, Marcia Marcus, Jean Cohen, William Freed, Lillian Orlowsky, Shirley Gorelick, Hans Hofmann, Wolf Kahn, Raoul Middleman, Robert Motherwell, Helen Frankenthaler, Olin Orr, Larry Rivers, Alvin Ross, George Segal, Jean Tinguely, and Niki de Saint Phalle. Several interviews are with two subjects at once. Many of these interviews were conducted in Provincetown, Massachusetts, and are referenced in her introduction to the catalog for the exhibition Provincetown Painters, 1890's – 1970's held at the Everson Museum and the Provincetown Art Association in 1977, and several interviews were conducted as research for articles Seckler wrote and published in Art in America. Also found are group interviews on specific subjects, including an interview with Julio de Diego, Marion Greenwood, Fletcher Martin, and Anton Refregier on the Woodstock art colony, and with Sally Avery, Boris Margo, Jan Gelb, Margit Beck and others on Op Art. In September of 1966, Seckler recorded some of Andy Warhol's Exploding Plastic Inevitable in Provincetown, which includes a performance by Nico and the Velvet Underground, as well as an interview with one of the band's members, John Cale. A single interview conducted by John Jones of George Segal appears to have been copied by Seckler to prepare for her April 1966 interview of Segal.

Broadcast materials include sound recordings of television and radio broadcast programs taped off the air presumably by Seckler. Most programs are interviews, with subjects including Maxim Karolik, James Thomas Flexner, R. Buckminster Fuller, Merce Cunningham, Alex Katz, Phillip Pearlstein, Roslyn Drexler, Barnet Newman, Saul Bellow, Ben Shahn, Marshall McLuhan, Isamu Noguchi, Andrew Wyeth, and William H Whyte. Other recordings include documentary programs related to contemporary art, book reviews, and a comedy performance with actor Peter Ustinov.

Photographs include 12 color slides from October of 1967 that appear to have been shot in Provincetown, Mass. Subjects include Dorothy Seckler and two other unidentified women.
Arrangement:
This collection is arranged in 3 series.

Series 1: Interviews with Artists, 1962-1976 (1 linear foot; Box 1)

Series 2: Broadcast Materials, 1962-1972 (0.8 linear feet; Boxes 2-3)

Series 3: Photographs, 1967 (1 folder; Box 3)
Biographical / Historical:
Dorothy Gees Seckler was an art historian, critic, journalist, and artist active in New York City and Provincetown, Mass. Born Dorothy Elizabeth Gees in Baltimore, MD in 1910, she completed the program in Advertising Design at Maryland Institute College of Art in 1931 and was awarded a traveling scholarship upon graduation, which she used to study in Europe. She later received a masters degree from Columbia University in Art History and Art Education, and worked during World War II as head of an illustration unit in the Army's Judge Advocate General's office.

After the war, she worked at the Museum of Modern Art as an art historian in the education office until 1950, when she began writing for ARTnews magazine, reviewing New York gallery shows for its "Gallery Notes" section, and exploring painters' processes in the "Paints a Picture" series. She later served as contributing editor for Art in America from the late 1950s through the late 1960s, where her published work included features on Robert Rauschenberg and Louise Nevelson, as well as broad surveys of contemporary art such as "A Folklore of the Banal" (Winter 1962) and "Audience is His Medium" (February 1963). She taught at New York University and City College of New York, and wrote a long essay on the history of the Provincetown's art colony, published in Art in America in 1959, and later updated for the catalog for the 1977 exhibition Provincetown Painters, 1890's - 1970's. Between 1962 and 1968, she conducted thirty oral history interviews for the Archives of American Art and served as one of its manuscript collectors.

Throughout her career as a writer and critic, Seckler painted and worked in collage, and her work was shown in several Provincetown galleries, and in the Provincetown Art Center and Museum. She married Jerome Seckler in 1937 and they had one son. Seckler received the American Federation of Arts Award for outstanding writing in the field of American Art in 1952. She died in 1994.
Related Materials:
Other related materials in the Archives' collections include several additional interviews conducted by Seckler for its oral history program, a full recording and transcript of the August 28, 1963 symposium on pop art, for which brief sound notes are found in this collection, and a transcript of the John Jones interview with George Segal in the John Jones interviews with artists collection, 1965 Oct. 5-1965 Nov. 12.
Separated Materials:
In 2012, several duplicates of recordings Seckler made for the Archives of American Art's oral history program were removed from the collection including: Peter and Riva Dechar (1965 and 1967), David von Schlegell (1967), Joan Mitchell (1965), Theresa Schwartz (1965), Paul Burlin (1962), Ibram Lassaw (1964), Jack Tworkov (1962), Allan Kaprow (1968), Edwin Dickinson (1962), Nathan Halper (1963), Louise Nevelson (1964-1965), Karl Knaths (1962), and Stephen Greene (1968). Joan Mitchell's 1965 oral history interview remains with the Seckler collection because reel 2 of this recording also contains a discussion of optical art that belongs in the Seckler collection. The oral history interview has been digitized and is available through the Archives' oral history program.
Provenance:
The bulk of the collection, including the interviews with the Provincetown artists, was donated 1995 by Don Seckler, son of Dorothy Seckler. The source of acquisition for the Seckler interviews with the Woodstock artists is unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Topic:
Optical art  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Dorothy Gees Seckler collection of sound recordings relating to art and artists, 1962-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.seckdoro
See more items in:
Dorothy Gees Seckler Collection of Sound Recordings Relating to Art and Artists
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9af226ceb-11fb-469d-ae6f-d35718934f26
EDAN-URL:
ead_collection:sova-aaa-seckdoro

Philip Pearlstein papers

Creator:
Pearlstein, Philip, 1924-  Search this
Names:
WBAI Radio (New York, N.Y.)  Search this
WRFM (Radio station : New York, N.Y.)  Search this
Barnet, Will, 1911-2012  Search this
Blaine, Michael  Search this
Cantor, Dorothy  Search this
Close, Chuck, 1940-  Search this
Downes, Rackstraw  Search this
Dückers, Alexander, 1939-  Search this
Field, Richard  Search this
Haas, Richard, 1936-  Search this
Hampleman, Jean  Search this
Kelly, W. J.  Search this
Levine, Jack, 1915-2010  Search this
McCarthy, David, 1960-  Search this
Shaman, Sanford Sivitz  Search this
Storr, Robert  Search this
Tamburini, Fernando  Search this
Tsao, Vivian, 1950-  Search this
Updike, John  Search this
Viola, Jerome  Search this
Wallin, Leland  Search this
Ward, John  Search this
Warhol, Andy, 1928- -- Photographs  Search this
Witkin, Jerome  Search this
Yezzi, David  Search this
Extent:
31.8 Linear feet
16.68 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketches
Slides (photographs)
Sound recordings
Transcripts
Video recordings
Date:
circa 1940-2008
Summary:
The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.
Scope and Contents:
The papers of New York artist Philip Pearlstein measure 31.8 linear feet and 16.68 GB and date from circa 1940 to 2008. The collection is comprised of biographical material, correspondence, interviews and transcripts, writing projects and lectures, personal business records, printed material, three scrapbooks, photographs and moving images, documentary production material, digital records, sound and video recordings, and motion picture film that documents Pearlstein's career as a painter and educator.

Biographical material includes appointment books, several awards, annotated calendars, a catalogue raisonné working list, identification card, membership files, resumes, and one sound recording. Correspondence is with Will Barnet, Chuck Close, Rackstraw Downes, Richard Haas, Jack Levine, Robert Storr, John Updike, Leland Wallin, Jerome Witkin, family, galleries and museums, students, colleagues, artists, arts organizations, and includes a digital recording.

Also found are sound recordings and transcripts of interviews with Pearlstein by Vivian Tsao, Michael Blaine, Sanford Sivitz Shaman, David McCarthy, and broadcast stations WRFM and WBAI. Writing projects and lectures by Pearlstein consist of student work, numerous articles and essays, sound and video recordings of lectures and speeches, letters, memorials, miscellaneous manuscripts and notes, and a U.S. and U.S.S.R. Workshop Exchange project proposal. Writings by others about Pearlstein are by W.J. Kelly, Alexander Dückers, Richard Field, John Ward, Jerome Viola, Robert Storr, and David Yezzi.

Personal business records contain agreements, consignment and loan documents, donations, financial material, exhibition files, insurance and inventories, recommendations written by Pearlstein, reproduction permissions, digital recordings, and teaching files for various institutions. Art reproductions, clippings, exhibition announcements and catalogs for exhibitions of artwork by Pearlstein and others, magazines and journals, newsletters, postcards, and publicity files that include one digital recording are in printed materials.

Two scrapbooks are of Egyptian and Roman architecture and objects accompanied by notes and a small amount of sketches, and one scrapbook is printed material regarding Pearlstein's work and exhibitions. Artwork is by Jean Hampleman, Fernando Tamburini, and unidentified artists. Photographs and moving images that include video recordings and motion picture film of Pearlstein in the studio, portraits, and candids; personal photographs of family, travel, and classmates including Andy Warhol and Dorothy Cantor; artist's models; events and exhibitions; and works of art.

Completed and unedited video and sound recordings, computer graphics footage, soundtrack material, and administrative records for the 1985 documentary video production Philip Pearlstein Draws the Artist's Model are also in this collection.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical Material, 1964-2008 (0.8 linear feet; Boxes 1, 36, OV42)

Series 2: Correspondence, circa 1955-2008 (8.5 linear Feet; Boxes 1-10, OVs 42-43, 0.168 GB; ER01)

Series 3: Interviews and Transcripts, 1957-2003 (0.5 linear Feet; Box 10)

Series 4: Writing Projects and Lectures, circa 1945-2008 (2.5 linear Feet; Boxes 10-13, 37-38, 8.26 GB: ER02-ER13)

Series 5: Personal Business Records, 1955-2007 (1 linear Feet; Boxes 13-14, 3.77 GB: ER14-ER15)

Series 6: Printed Materials, 1946-2008 (3.0 linear Feet; Boxes 14-21, 36, OVs 42-43)

Series 7: Scrapbooks, circa 1953-1970s (0.4 linear Feet; Box 22)

Series 8: Artwork, undated, 1967-2004 (0.2 linear Feet; Box 22, OV 42)

Series 9: Photographs and Moving Images, 1940s-2008 (3.3 linear Feet; Boxes 22, 37, 39-41, 4.18 GB; ER16-ER18)

Series 10: Philip Pearlstein Draws the Artist's Model, Documentary Production Material, 1983-1991 (8.5 linear Feet; Boxes 23-30, SAV 31-35)
Biographical / Historical:
Philip Pearlstein (1924- ) is a painter and educator based in New York, N.Y.

Pearlstein was born in Pittsburgh, Pennsylvania, and he attended classes at the Carnegie Museum of Art as a child. While still in high school, his paintings were reproduced in Life magazine after winning Scholastic magazine's high school art competition. After graduating from high school Pearlstein enrolled in the Carnegie Institute of Technology's (CIT) art school, but left after a year to serve in the Army during World War II. He gained knowledge of printing, drafting, and sign painting while stationed in Florida and Italy. After the war he returned to CIT as a student and became art editor of the engineering school's Carnegie Technical magazine. During this time Pearlstein met his wife, Dorothy Cantor, and became close friends with Andy Warhol, both classmates at CIT. Pearlstein moved to New York City with Warhol after receiving his Bachelor of Fine Arts in 1949. In 1955, he completed his thesis on Francis Picabia and received a Master of Arts in art history from New York University's Institute of Fine Arts.

As Pearlstein's career evolved, he became known for his realistic nudes and landscapes. Many of Pearlstein's paintings were inspired by his travels to the western United States, Peru, Egypt, and to Italy as a 1958 Fulbright Grant recipient. His work has been exhibited throughout the United States and internationally, and he has worked closely with the Tanager and Alan Frumkin Galleries in New York. In addition to his painting career, Pearlstein was an instructor at Pratt Institute from 1959 to 1963 and at Brooklyn College from 1963 to 1988. He is also a member of the National Academy of Design and the American Academy of Arts and Letters, serving as president from 2003 to 2006.

Pearlstein continues to work and live in New York, N.Y.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Philip Pearlstein conducted by Paul Cumming, June 8 to August 10, 1972.
Provenance:
The papers were donated in multiple installments by Philip Pearlstein from 1975 to 2009.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Rights:
Audio visual material "Philip Pearlstein Draws the Artists' Model": Authorization to quote or reproduce for purposese of publication requires written permission from Pearlstein or his heirs. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- New York (State) -- New York  Search this
Topic:
Architecture -- Egypt  Search this
Architecture, Roman  Search this
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Photographs
Scrapbooks
Sketches
Slides (photographs)
Sound recordings
Transcripts
Video recordings
Citation:
Philip Pearlstein papers, circa 1940-2008. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pearphil
See more items in:
Philip Pearlstein papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ae8de1cb-660c-49be-b009-d765ed771ebe
EDAN-URL:
ead_collection:sova-aaa-pearphil
Online Media:

Oral history interview with Rosalyn Drexler

Interviewee:
Drexler, Rosalyn  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Garth Greenan Gallery  Search this
Hunter College -- Students  Search this
Kornblee Gallery  Search this
Reuben Gallery  Search this
Alloway, Lawrence, 1926-1990  Search this
Baraka, Amiri, 1934-2014  Search this
Barthelme, Donald  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Bruce, Lenny  Search this
Carmines, Al  Search this
Cornell, Joseph  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Dine, Jim, 1935-  Search this
Doyle, Tom  Search this
Drexler, Sherman  Search this
Geldzahler, Henry  Search this
Gilman, Richard, 1923-2006  Search this
Hess, Thomas B.  Search this
Hesse, Eva, 1936-1970  Search this
Hirshhorn, Joseph H.  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kent, Allegra  Search this
Klein, William  Search this
Kline, Franz, 1910-1962  Search this
Kroll, Jack  Search this
Marx, Chico, 1887-1961  Search this
Monroe, Marilyn, 1926-1962  Search this
Neel, Alice, 1900-1984  Search this
Newman, Barry  Search this
Perelman, S. J. (Sidney Joseph), 1904-1979  Search this
Rosenberg, Harold, 1906-1978  Search this
Samaras, Lucas, 1936-  Search this
Sontag, Susan, 1933-2004  Search this
Teer, Barbara Ann, 1937-2008  Search this
Warhol, Andy, 1928-1987  Search this
Youskevitch, Igor, 1912-1994  Search this
Extent:
82 Pages (Transcript)
5 Items (Sound recording: 5 sound files (3 hr., 26 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 May 17-June 2
Scope and Contents:
An interview with Rosalyn Drexler conducted 2017 May 17 and June 2 by Christopher Lyon, for the Archives of American Art, at Garth Greenan Gallery in New York, New York.
Drexler discusses her childhood in the Bronx; her experiences studying dance and music; her higher education at Hunter College; attending films and the Yiddish Theater; meeting her husband Sherman Drexler; her time as a professional wrestler; her memories of traveling to the South and encountering Jim Crow segregation; she describes learning about art from Sherman Drexler and her joint exhibition with Sherman; her early work in sculpture; participating in Happenings with Jim Dine; joining Anita Reuben's gallery; her debut as a playwright; her experience writing "I am the Beautiful Stranger;" the changing public perception of her and being classified as an artist; her decision to become a painter and appropriating images for her work; the influence of S. J. Perelman on her plays; her play about Joseph Cornell and ballerina Allegra Kent, and interviewing Allegra Kent; her recent artwork and preparing for her 2017 show at Garth Greenan Gallery; her artwork from the 1980s and 1990s; her comedy writing and sense of humor. Drexler also recalls Chico Marx, Jack Newfield, Igor Youskevitch, Ivan Karp, Anita Reuben, Lucas Samaras, Richard Gilman, Al Carmines, Amiri Baraka, Barbara Ann Teer, Franz Kline, Elaine De Kooning, Bill de Kooning, Andy Warhol, Jack Kroll, Lawrence Alloway, Tom Hess, Barney Newman, Harold Rosenberg, Susan Sontag, Joe Hirshhorn, Henry Geldzahler, Donald Barthelme, Kornblee Gallery, Eva Hesse, Tom Doyle, William Klein, Marilyn Monroe, Alex Katz, Alice Neel, Basquiat, Saturday Night Live, and Lenny Bruce, among others.
Biographical / Historical:
Rosalyn Drexler (1926- ) is a sculptor, playwright, and novelist in New York, New York. Christopher Lyon (1949- ) is a writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Authors -- New York (State) -- New York  Search this
Playwrights -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Women wrestlers  Search this
Segregation -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Happenings (Art)  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.drexle17
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90bfba5d5-5e75-43b8-a9a5-bfc6e1c0120e
EDAN-URL:
ead_collection:sova-aaa-drexle17
Online Media:

Oral history interview with Robert Scull

Interviewee:
Scull, Robert C.  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Andrejevic, Milet, 1925-  Search this
Bellamy, Richard  Search this
De Maria, Walter, 1935-2013  Search this
Di Suvero, Mark, 1933-  Search this
Heizer, Michael, 1944-  Search this
Johns, Jasper, 1930-  Search this
Karp, Ivan C., 1926-2012  Search this
Kline, Franz, 1910-1962  Search this
Leslie, Alfred, 1927-  Search this
Newman, Barnett, 1905-1970  Search this
Rosenquist, James, 1933-  Search this
Rutherford, Judith  Search this
Segal, George, 1924-2000  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1972 June 15-28
Scope and Contents:
Interview of Robert Scull conducted by 1972 June 15-28, Paul Cummings, for the Archives of American Art. Scull speaks of his early life and education in New York City; attending night classes at the Art Students League; the importance of museum visits; becoming assistant art director for Saks 34th Street; financially successful ventures; the start of his collection in 1954; his criteria for acquisition; his relationships with artists; the pop art scene; portraits of Scull by various artists; the effects of publicity surrounding his collection; his interest in the future of art; the disposition of his collection; critics; relationships with dealers and museums.
He recalls Barnett Newman, Richard Bellamy, Franz Kline, Jasper Johns, James Rosenquist, George Segal, Andy Warhol, Alfred Leslie, Ivan Karp, Mark Di Suvero, Michael Heizer, Walter De Maria, Milet Andrejevic, and Judith Rutherford.
Biographical / Historical:
Robert Scull (1917-1986) was a collector from New York, N.Y.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 5 digital wav files. Duration is 4 hr., 28 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art -- Collectors and collecting -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.scull72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92e6d142c-02e1-45d2-8775-abf54ad8de91
EDAN-URL:
ead_collection:sova-aaa-scull72
Online Media:

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