Depicts dismounted men, several of whom are carrying lances, standing near a mounted man wearing a war bonnet, possibly representing a warrior society meeting. A painted horse is picketed in the foreground. Inscriptions on recto read "Etahdleuh", "Koba", and "My friend Burnet I gave this the picture." Inscriptions on verso read "From my friend Koba thank him very much."
NAA INV 08547626
OPPS NEG 92-10953
OPPS NEG 77-13
NAA MS 39C
Identified based on a comparison of this item with other works attributed to Etahdleuh.
MS 39C 023
Manuscript 39C, National Anthropological Archives, Smithsonian Institution
Half-length, standing, outdoors. War bonnet, hairpipe breastplate, fringed buckskin shirt, feather fan. Cf. Negative 42933 F. A Comanche. --Letter of Dr E. R. Rhoades (part Kiowa), Oklahoma City, 3/28/60. Presumably not Come up in Water, if Comanche as judged by Rhoades.
The collection brings together images by well-known Western photographers such as A.F. Randall, John Grabill, C.S. Fly, Stanley Morrow, Ben Wittick and John Choate. Primarily images of famous Indian leaders, as well as other portraits and scenes.
Negatives: organized in individual sleeves; arranged by negative number
Prints: organized in folders; arranged by print number
General Nelson A. Miles fought for the Union in some of the Civil War's most crucial battles, including Fredericksburg, Chancellorsville and the Appomatox campaign. Wounded four times, he rose in rank to become a major general of volunteers and was awarded the Congressional Medal of Honor for his personal bravery at Chancellorsville. After the Civil War, Miles played a leading role in nearly every phase of the army's campaign against the tribes of the Great Plains. Three of the greatest Indian leaders---Sitting Bull, Chief Joseph, and Geronimo---surrendered to him. In 1874-1875, he was a field commander in the force that defeated the Kiowa, Comanche and Southern Cheyenne along the Red River. In 1876-1877, he led the winter campaign that scoured the northern Plains after Custer's defeat at the Little Bighorn, forcing the Lakota and their allies onto reservations. Then, in the winter of 1877, he drove his troops on a forced march across Montana to intercept the Nez Percé band led by Chief Joseph that had eluded or defeated every unit sent against it over the course of a 1,500 mile retreat from Oregon to the Canadian border.
The 1890 Ghost Dance "uprising" on the Lakota reservations brought Miles back into the field once again. In an effort to restore peace throughout the area, Miles directed troop movements that inadvertently panicked many Lakota bands into leaving their reservations and led both to Sitting Bull's death and to the massacre of Big Foot's band at Wounded Knee. Miles reacted to these developments by working aggressively to implement his longstanding belief that the Lakota should be forcibly disarmed and placed under military control. In his later years, Miles commanded the troops that put down the Pullman strike riots in 1894, and was commander of the army during the Spanish-American War. He retired from service in 1903, confirmed in his belief that graduates of West Point had an unfair advantage in promotion and were on the whole less capable of command than those who rose through the ranks as he had.
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Copyright: National Museum of the American Indian
General Nelson A. Miles collection, 1869-1892, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
Includes photographs of individual tribal members, artifacts; and the following archeological sites: Hawikku (Hawikuh), Zuni Pueblo, New Mexico; Mill Creek, Tehama County, California; Coachilla Valley, California; Sandal Cave, New Mexico; Eagle Canyon, Texas; Thea Heye Cave, Pyramid Lake, Nevada; Crown Peak, Chisos Mountains, Texas; Pueblo Grande, Nevada; Salt Caves, St. Thomas, Nevada; Chuckawalla Cave, Nevada; Lovelock Cave, Pershing County, Nevada; other sites in Nevada; cacti in Brewster County, Texas and California; archaeological sites in Arkansas, Florida, Missouri, New York, and Tennessee Collection also includes a variety of scenic shots in different states; shots of persons, identified and unidentified; personal photographs of Harrington, his son, and one of his wives (ELH); and photographs taken during his expeditions to Cuba and Ecuador. Includes photographs of the Alibamu, Apache, Catawba, Cherokee, Chitimacha, Choctaw, Chumash, Comanche, Delaware, Iowa, Iroquois, Kaw, Kickapoo, Kiowa, Klamath, Koasati, Maidu, Mattaponi, Mohegan, Nanticoke, Narragansett, Navajo, Niantic (Nyantic),Ojibwa (Chippewa), Osage, Paiute, Pamunkey, Peoria, Pit River, Potawatomi, Quapaw, Sac and Fox (Sauk and Fox), Seminole, Shawnee, Tolowa, Tulare, Wampanoag, Wichita, Wyandot, Yara, and Zuni tribes.
Collection arranged by format and item number.
Mark Raymond Harrington was born on the campus of the University of Michigan in Ann Arbor on July 6, 1882. He received his BS in 1907 and his MA in 1908 from Columbia University, where he studied under Franz Boas. He met George Heye while working at Covert's Indian store in New York in 1908 and Heye hired him shortly thereafter. Harrington spent from 1908-1911 visiting and collecting from tribes in the east and Midwest for Heye. From 1911-1915 Harrington was assistant curator at the University of Pennsylvania Museum. From 1916-1917 he conducted archeological surveys in Cuba and Arkansas, after which he spent a short time in the U.S. Army during the First World War. After his return in 1919 he started a series of archeological surveys in Tennessee, Arkansas, Missouri, Oklahoma, Nevada, and Texas. Harrington worked for George G. Heye as an archaeologist, ethnologist, field collector, and curator, primarily along the eastern seaboard, in the south, Midwest, west, Cuba and Ecuador, from 1908 to 1928. He then joined the staff of the Southwest Museum as curator until his retirement in 1964. He died in San Fernando, California on June 30, 1971. Harrington is the author of many books and several hundred articles. A partial bibliography can be found in the Mark Raymond Harrington manuscript collection in the archives of the National Museum of the American Indian, Cultural Resource Center, Suitland, Maryland.
Access restricted. For information on this collection consult the NMAI photo archivist at 301-238-1400 or NMAIphotos@si.edu.
Copyright restrictions apply. Contact archives staff for information.
Image number 011 "Holiday Handcraft" has been removed from the slideshow due to culutral sensitivity.
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to email@example.com.
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Albums probably assembled by William Henry Jackson, mostly containing portraits of Native American delegates in Washington, D.C. and photographs made on US Geological Surveys (including the Hayden and Powell surveys). Photographs from the field include John K. Hillers' photographs of the Southwest, photographs of Fort Laramie (possibly by Alexander Gardner), Orloff R. Westmann's photographs of Taos Pueblo, and Jackson's photographs of Crow, Shoshoni, Pawnee, and Nez Perce Tribes and related sites. Most of the photographs were made circa 1860s-1870s.
The albums were probably by Jackson while working under Ferdinand V. Hayden for the United States Geological Survey of the Territories. The reason for their creation is uncertain, though it may have been a project set up by Hayden or a continuation of William Henry Blackmore's tradition of publishing albums. Some of the albums include captions pasted from Jackson's Descriptive Catalogue of Photographs of North American Indians (1877) while others have handwritten captions.
William Henry Jackson (1843-1942) was an American painter, photographer and explorer. Born in New York, he sold drawings and retouched photographs from an early age. After serving in the Civil War, he opened a photography studio in Omaha, Nebraska, with his brother Edward. As photographer for the US Geological and Geographical Surveys (1870-1878), he documented the American west and published the first photographs of Yellowstone. When the surveys lost funding in 1879, Jackson opened a studio in Denver, Colorado, and also worked for various railroad companies. Many of Jackson's photographs were displayed at the World's Columbian Exhibition in Chicago (1893), for which he was the official photographer.
Local Call Number(s):
NAA Photo Lot 4420
Location of Other Archival Materials:
Original negatives for many of the photographs in this collection can be found in the National Anthropological Archives in the BAE historical negatives.
The National Museum of the American Indian Archives holds William Henry Jackson photographs and negatives.
Additional Jackson photographs held in National Anthropological Archives Photo Lot 4605, MS 4801, Photo Lot 14, Photo Lot 24, Photo Lot 29, Photo Lot 37, Photo Lot 40, Photo Lot 60, Photo Lot 93, Photo lot 143, Photo Lot 87-2P, Photo Lot 87-20, and Photo Lot 90-1.
Correspondence from Jackson held in the National Anthropological Archives in MS 4517, MS 4881, MS 4821, and collections of personal papers.
Army Medical Museum photographs prepared under the supervision of John Shaw Billings and Washington Matthews, and created by superimposing images of several skulls for comparative purposes. Each image has a caption that includes tribal or racial identification, number of skulls photographed, photograph number, negative number, and data on photographic technique.
The collection represents of Aleut, Apache, Arapaho, Cheyenne, Comanche, Dakota, Eskimo, Hidatsa, Navajo, Oglala, Ojibwa, Paiute, Piegan, Ponca, Wichita, African American, Hawaiian, people, and people of San Miguel and San Nicholas Islands (California).
The United States Army Medical Museum (AMM, renamed the National Museum of Health and Medicine in 1989) was established by US Army Surgeon General William A. Hammond in 1862. Its initial focus was on collecting specimens of unusual pathology, mostly taken from victims of the American Civil War. By 1867, the museum had expanded to include medical, microsopical, anatomical, comparative anatomics, and other sections. The anatomical collection grew in part as a result of Circular No. 2 of 1867, which authorized military medical officers to collect cranial specimens from deceased Native Americans. Additionally, the AMM made an arrangement with the Smithsonian Institution, by which the Smithsonian transferred their collection of human remains in exchange for ethnological artifacts. AMM photographed and measured many of the specimens in its collection as part of the museum's anthropological research.
Local Call Number(s):
NAA Photo Lot 6A
Location of Other Archival Materials:
Additional Army Medical Museum photographs of skulls can be found in the National Anthropological Archives in Photo Lot 6B, Photo Lot 73-26C, Photo Lot 78-42, Photo Lot 83-41, and Photo Lot 97.
The National Anthropological Archives holds microfilm of the papers of Washington Matthews, circa 1864-1905, and records concerning skeletal material transferred to the Smithsonian Institution from the Army Medical Museum.
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United States Army Medical Museum composite photographs of skulls, circa 1884-1885