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Walker Garden

Slide manufacturer:
Van Altena, Edward  Search this
Creator:
Walker, John Y. G., Mrs  Search this
Garden Club of the Oranges  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)
Type:
Archival materials
Photographs
Lantern slides
Place:
New Jersey -- Orange
United States of America -- New Jersey -- Essex County -- Orange
Date:
[between 1914 and 1949?]
General:
Mount reads: "Edward Van Altena."
Historic plate number: "42."
Historic plate caption: "Mrs. John Y. G. Walker."
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Ponds  Search this
Stairs  Search this
Chairs  Search this
Bulbs  Search this
Flowering trees  Search this
Containers  Search this
Lawns  Search this
Outdoor furniture  Search this
Dogwoods  Search this
Genre/Form:
Lantern slides
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item NJ019001
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / New Jersey / NJ019: Orange -- Walker Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref20802

Washington -- Macomber Garden

Former owner:
Williams, John  Search this
Nicholls, William  Search this
Owens, Isaac  Search this
Lumsdon, William  Search this
Jones, Sallie  Search this
Plummer, James  Search this
Pearson, Drew  Search this
Walker, John  Search this
Landscape architect:
Williamson, Samuel H.  Search this
Gardener:
Jacoby, Len  Search this
Jacoby, Chris  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Macomber Garden (Washington, D.C.)
United States of America -- District of Columbia -- Washington
Scope and Contents:
The folder includes a worksheet and a copy of the garden plan.
General:
This 108' x 30' garden is designed to complement the Federal style of its companion house and uses simple straight lines with brick for paths and walls. There are three sitting areas connected by paths that lead back along both sides of a long rill. An evenly spaced line of river birch runs along one wall and across the back. There are no lawns or formal beds, but there is an informal woodland planting of shrubs and perennials. The proportions are elegant and soothing in this urban woodland setting.
Persons associated with the property include: John Williams (former owner, ca. 1806); Isaac Owens (former owner, ca. 1815-1835); William Nicholls (former owner, 1835-1856); William O. Lumsdon and heirs (former owners, 1856-1887); Sallie Jones (former owner, 1887-1903); James Plummer (former owner, 1921-1939); Drew Pearson (former owner, ca. 1930s); John Walker (former owner, 1939-1991); Samuel H. Williamson (landscape architect, 1991-1992); Len Jacoby (gardener, 1992 to date); and Chris Jacoby (gardener, 1992 to date).
Related Materials:
Macomber Garden related holdings consist of 1 folder (21 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Washington (D.C.)  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File DC041
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / District of Columbia
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref5933

Walker, John

Collection Creator:
Henri Gallery (Washington, D.C.)  Search this
Container:
Box 48, Folder 16
Type:
Archival materials
Date:
1972-1975
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Henri Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Henri Gallery records, circa early 1900s, 1940-1996, bulk 1957-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Henri Gallery records
Henri Gallery records / Series 2: Alphabetical Files / 2.1: Name Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-henrgall-ref1087

Walker, John Alan

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 161, Folder 8
Type:
Archival materials
Date:
1988
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Leo Castelli Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 7: Castelli Graphics / 7.1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-leocast-ref13847

MS 4164 Photostat copies of letters from John Walker to Edmund Jennings

Collector:
Swanton, John Reed, 1873-1958  Search this
Creator:
Walker, John  Search this
Harrison, Fairfax, 1869-1938  Search this
Addressee:
Jennings, Edmund  Search this
Bushnell, David I., Jr. (David Ives), 1875-1941  Search this
Names:
Lamhatty  Search this
Walker, John  Search this
Culture:
Tawasa  Search this
Indians of North America -- Southern States  Search this
Type:
Collection descriptions
Archival materials
Date:
undated
Scope and Contents:
Contents: Letter of John Walker [to Edmund Jennings] concerning Lamhatty, a Tawasa Indian refugee, enclosing a vocabulary obtained from him. January 16, 1707/8. Photostat copy of Autograph letter signed and A. enclosure in Virginia Historical Society, Richmond, Virginia. 2 pages. Letter of John Walker [to Edmund Jennings] concerning military commissions. June 12, 1707. Photostat copy of Autograph letter signed in Virginia Historical Society, Richmond, Virginia. 1 page. Letter of Fairfax Harrison to D. I. Bushnell, Jr. enclosing transcripts of these two letters and a brief biographical note on John Walker. August 10, 1928. Typescript letter signed. 1 page. Enclosures: Typescript Document with A. notations. 3 pages.
Local Numbers:
NAA MS 4164
Topic:
U. S. Army -- military commissions  Search this
Language and languages -- Documentation  Search this
Citation:
Manuscript 4164, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4164
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms4164

[E. Howard Clock Orders Ledger Volume 9, book.]

Author:
E. Howard Clock Co.  Search this
Collection Creator:
Howard, Edward  Search this
E. Howard Clock Co.  Search this
Collection Donor:
Blackwell, Dana  Search this
Extent:
1 Volume (Ink on paper, 11.4" x 8.8".)
Container:
Box 14
Type:
Archival materials
Text
Volumes
Ledgers (account books)
Place:
Massachusetts -- 19th century
Boston (Mass.) -- 19th century
Date:
November 1, 1889 - April 1, 1891
Scope and Contents:
(AC*0776.07.10)
Listing of clock orders.
Collection Restrictions:
The collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Clock and watch making  Search this
Clock and watch makers  Search this
Clocks and watches  Search this
Genre/Form:
Ledgers (account books) -- 1840-1900
Collection Citation:
E. Howard Clock Company Records, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
E. Howard Clock Company Records
E. Howard Clock Company Records / Series 7: Clock Orders
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0776-ref28
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  • View [E. Howard Clock Orders Ledger Volume 9, book.] digital asset number 1

If you don't, somebody will [music]

Composer:
Ellington, Duke, 1899-1974  Search this
Tennyson, Bill  Search this
Walker, John  Search this
Collection Creator:
Boatwright, Ruth Ellington, 1914-2004  Search this
Extent:
1 Item (manuscript, 32 cm.)
Container:
Box 12, Folder 1-2
Type:
Archival materials
Manuscripts
Music
Piano vocal scores
Scope and Contents:
1 score
If you don't, somebody will is contained in one folder consisting of 1 two page piano vocal score in F Major concert -- in pencil -- in unidentified hand.
Piano vocal score lyrics begin "If you've got a gal and she's very neat ...". Score appears incomplete. -- from the Ruth Ellington Collection.
General:
Handwriting and other details have been reported based on the notes of David Berger, Andrew Homzy, Dr. Theodore Hudson, Walter van de Leur, Wayne Shirley, and Dr. Mark Tucker.
Condition: fair.
Related Materials:
Ruth Ellington Collection Music Manuscripts (Series 3), 1940-1991
Collection Restrictions:
Collection is open for research. Researchers must handle unprotected photographs with gloves. Copyright restrictions. Contact staff for information. Only reference copies of audiovisual materials are available for use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- United States -- 20th century  Search this
Genre/Form:
Manuscripts -- Music -- 20th century
Music
Piano vocal scores
Collection Citation:
Ruth Ellington Collection, 1923-1992, Archives Center, National Museum of American History.
See more items in:
Ruth Ellington Collection of Duke Ellington Materials
Ruth Ellington Collection of Duke Ellington Materials / Series 1: Music Manuscripts, Scripts, and Compositional Materials / 1.1: Music Manuscripts
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0415-ref1404

Harvard Society for Contemporary Art (Walker, John, III)

Collection Creator:
Carnegie Institute, Museum of Art  Search this
Container:
Box 59, Folder 20
Type:
Archival materials
Date:
1929-1931
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Carnegie Institute Museum of Art records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
See more items in:
Carnegie Institute, Museum of Art records
Carnegie Institute, Museum of Art records / Series 1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carninst-ref3471

Walker

Collection Creator:
Panofsky, Erwin, 1892-1968  Search this
Container:
Box 12, Folder 31
Type:
Archival materials
Date:
1948-1966
Scope and Contents note:
Walker, D. P.

Walker, John

Walker, Robert
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Erwin Panofsky papers are owned by the Archives of American Art, Smithsonian Institution. The donor, Gerda Panofsky, owns copyright, where applicable.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Erwin Panofsky papers
Erwin Panofsky papers / Series 1: Correspondence / 1.1: Colleagues, Scholars, Students and Other Individuals
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-panoerwi-ref647

Walker, John (Trustee)

Collection Creator:
American Academy in Rome  Search this
Container:
Box 24, Folder 8
Type:
Archival materials
Date:
1940-1944
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information.
Collection Rights:
The American Academy in Rome records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
American Academy in Rome records, 1855-2012. Archives of American Art, Smithsonian Institution.
See more items in:
American Academy in Rome records
American Academy in Rome records / Series 3: New York Office / 3.1: Records of Staff / Roscoe Guernsey (Executive Secretary)
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ameracar-ref1147

Walker, John III (Associate in Charge of the School of Fine Arts, Rome)

Collection Creator:
American Academy in Rome  Search this
Container:
Box 6, Folder 9
Type:
Archival materials
Date:
1936
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information.
Collection Rights:
The American Academy in Rome records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
American Academy in Rome records, 1855-2012. Archives of American Art, Smithsonian Institution.
See more items in:
American Academy in Rome records
American Academy in Rome records / Series 2: Board of Trustees Records / 2.3: Records of Officers / 2.3.1: Presidents / John Russell Pope
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ameracar-ref276

Walker, John III (Associate in Charge, School of Fine Arts, Rome)

Collection Creator:
American Academy in Rome  Search this
Container:
Box 6, Folder 51
Type:
Archival materials
Date:
1939
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information.
Collection Rights:
The American Academy in Rome records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
American Academy in Rome records, 1855-2012. Archives of American Art, Smithsonian Institution.
See more items in:
American Academy in Rome records
American Academy in Rome records / Series 2: Board of Trustees Records / 2.3: Records of Officers / 2.3.1: Presidents / James Kellum Smith
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ameracar-ref338

Yearbook

Collection Creator:
Davis, Benjamin O., Jr., 1912-  Search this
Container:
Box 6, Folder 8
Type:
Archival materials
Date:
1945
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
See more items in:
Benjamin O. Davis Jr. Collection
Benjamin O. Davis Jr. Collection / Series 2: Military Career / 2.3: Materials Arranged by Posting / 2.3.8: Godman Field (Fort Knox, KY), Base Commander
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1992-0023-ref1825
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Yearbook (photographic copy)

Collection Creator:
Davis, Benjamin O., Jr., 1912-  Search this
Container:
Box 6, Folder 9
Type:
Archival materials
Date:
1945
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
See more items in:
Benjamin O. Davis Jr. Collection
Benjamin O. Davis Jr. Collection / Series 2: Military Career / 2.3: Materials Arranged by Posting / 2.3.8: Godman Field (Fort Knox, KY), Base Commander
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1992-0023-ref1826
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  • View Yearbook (photographic copy) digital asset number 1

Transcripts— Interviews with Other Individuals

Collection Creator:
Gedeon, Lucinda H.  Search this
Container:
Box 1, Folder 23
Type:
Archival materials
Date:
1980-1981
Scope and Contents:
This file includes transcripts of interviews with Davis Roberts, Charles Griffin, William Carter, Margaret Burroughs, Sophie Wessel, Lawrence Jones, Raymond Price, John Scott with Martin Payton, John Biggers, Camille Billops, Steve Gardner, David Brown, Bob Blackburn, Bill Pajud, Douglas Glasgow, David Driskell, Margaret Walker, John Oliver Killens, Esther Jackson, Ernest Crichlow, Mel Williamson, Bob Lucas, Samella Lewis, Jacob Lawrence, and Fran White. Also included are excerpts from interviews in the Hatch-Billops archives. Excerpted statements are from William MacBride, Charles Alston, Herman Bailey, Margaret Burroughs, and Richard Hunt.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Citation:
Lucinda H. Gedeon research material on Charles W. White, 1940-1997, bulk 1980-1981. Archives of American Art, Smithsonian Institution.
See more items in:
Lucinda H. Gedeon research material on Charles W. White
Lucinda H. Gedeon research material on Charles W. White / Series 1: Lucinda H. Gedeon Research Material on Charles W. White
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-gedeluci-ref14

Oral history interview with William Morris

Interviewee:
Morris, William, 1957-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University, Chico -- Students  Search this
Central Washington University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Carlos Borromeo Basilica (Carmel, Calif.)  Search this
Benaroya, Jack, 1921-2012  Search this
Benaroya, Rebecca  Search this
Campbell, Joseph, 1904-1987  Search this
Carpenter, James, 1949-  Search this
Chihuly, Dale, 1941-  Search this
Demarco, Ricky  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Hydman-Vallien, Ulrica, 1938-2018  Search this
Jung, C. G. (Carl Gustav), 1875-1961  Search this
Karan, Donna, 1948-  Search this
Kirkpatrick, Joey  Search this
Libenský, Stanislav, 1921-2002  Search this
Lipofsky, Marvin, 1938-2016  Search this
Lipski, Donald, 1947-  Search this
Mace, Flora, 1949-  Search this
Marioni, Dante, 1964-  Search this
Moore, Benjamin P.  Search this
Oppenheim, Dennis, 1938-2011  Search this
Pfaff, Judy, 1946-  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo, 1932-2001  Search this
Seguso, Livio, 1930-  Search this
Signoretto, Pino, 1944-  Search this
Smith, Kiki, 1954-  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil, 1938-  Search this
Extent:
7 Items (Sound recording: 7 wav files (5 hr., 5min.), digital)
105 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
British Isles -- Description and Travel
Date:
2009 July 13-14
Scope and Contents:
An interview of William Morris conducted 2009 July 13-14, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Morris' home, in Stanwood, Washington.
William Morris speaks of his decision to stop working in glass in 2005; his deep connection to the natural world; working now with stone; the longstanding theme of man and nature in his work; his influence on the studio glass movement; use of installations; relationship to the greater art world; Cache [1993]; the importance of working in a team, particularly with Jon Ormbrek; studio practice and philosophy of working in the studio; series Man Adorned and first use of the human form; how his work evolves artistically; the influence of his travels on his work and his particular affinity for Mesoamerican culture; the process of choosing his subjects; growing up in Carmel, California, and frequenting the museum at the Carmel Mission Basilica; his early fascination with Native American artifacts and history in the museum; childhood spent hiking in the hills around Carmel and youth spent camping and rock-climbing; art instruction during childhood; ceramics work in high school; introduction to ideas of Carl Jung and Joseph Campbell by his high school teacher, Lloyd Baskerville; undergraduate work at California State University, Chico, working with Vernon Patrick; first experience with glass in high school, through the Fort Ord military base crafts department; brief studies at Central Washington University in Ellensburg, Washington; arriving at Pilchuck Glass School, Stanwood, Washington, in 1977 as a shop assistant/maintenance person; his first encounter with Dale Chihuly; 10 years as Chihuly's main assistant and de facto apprenticeship; his greater overall technical education at Pilchuck; the development of his own team as he continued to work with Chihuly; working with Chihuly and Italo Scanga; the synergy of working in a group and artistic cross-pollination at Pilchuck; the influence and mentorship of Judy Pfaff; working with Italian glass masters at Pilchuck; the influence of Pino Signoretto; his trip with Chihuly to the British Isles, which inspired his series Stone Vessels and series Standing Stones in the mid-1980s; his practice of working in series; series Petroglyph Vessels, and the beginning of narrative in his work; the importance of naiveté, experimentation, and a "confidence in innocence"; series Artifacts; the influence of Donald Lipski on Morris' installations; series Burial Urns and series Burial Rafts; series Canopic Jars; commissions for George Stroemple; the genesis of the series Rhyton; the transcendental/mythic qualities in his work; series Crow and Raven; more discussion of series Man Adorned; series Rattles; collaboration with fashion designer Donna Karan; the importance of glass as a material, and the importance of "play"; the value of an apprentice-type program; his work in bronze and with Nancy Graves; series Cinerary Urns and coming to terms with the deaths of close friends; series Mazorca; series Idolo and Idolito; series Native Species (2006); series Fish Traps; more discussion of his decision to leave glassworking; documentary film Creative Nature, 2008; "Myth, Object, and the Animal" exhibition; the adventurous spirit of the American studio glass movement, particularly in the early years; his preference for short workshops rather than longer teaching sessions; the aesthetic continuity of his work throughout his career; his appreciation of the community of collectors of glass art. He also recalls Ken Wiese, Robert and Terrie Kvenild, Bertil and Ulrica Vallien, Gary Galbraith, Stan Price, Dennis Oppenheim, Kiki Smith, Dante Marioni, Livio Seguso, Marvin Lipofsky, Benjamin Moore, Jamie Carpenter, Checco Ongaro, Lino Tagliapietra, Ricky DeMarco, Flora Mace, Joey Kirkpatrick, Trumaine Mason, Karen Willenbrink, Ross Richmond, Randy Walker, John Hauberg, Stanislav Libenský, Graham Graham, Charlie Cowles, George and Dorothy Saxe, and Jack and Rebecca Benaroya.
Biographical / Historical:
William Morris (1957- ) is a glass artist in Stanwood, Washington.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 5 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Sculptors -- Washington (State) -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.morris09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-morris09

Folder 9 Walker, John Brisbane - Walker and Co., William

Collection Creator::
Smithsonian Institution. Office of the Secretary  Search this
Container:
Box 66 of 192
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 31, Smithsonian Institution, Office of the Secretary, Correspondence
See more items in:
Correspondence
Correspondence / Series 1: General Incoming Correspondence, 1888-1927. Arranged Alphabetically. / Box 66
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0031-refidd1e10996

Volume (130)

Type:
Archival materials
Date:
July 1867–Dec. 1868
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1909, Item 4.19.2.1
See more items in:
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 4: Subordinate Field Offices / 4.19: Hillsboro (Agent) / 4.19.2: Letters Sent
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1909-ref279
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Volume (105)

Type:
Archival materials
Date:
June 11–Sept. 11, 1867
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1909, Item 4.16.1.1
See more items in:
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Field Offices for the State of North Carolina, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 4: Subordinate Field Offices / 4.16: Greensboro (Subassistant Commissioner) / 4.16.1: Letters Sent
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1909-ref224
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  • View Volume (105) digital asset number 1

[Walker, John,]

Collection Correspondent:
Hanson, James A.  Search this
Conner, Stuart W.  Search this
Dempsey, Hugh A.  Search this
Brasser, Ted J.  Search this
DeMallie, Raymond  Search this
Schaeffer, Claude E.  Search this
Taylor, Colin F.  Search this
Collection Creator:
Ewers, John C. (John Canfield), 1909-1997  Search this
Container:
Box 9
Type:
Archival materials
Text
Date:
1976
Collection Restrictions:
The John Canfield Ewers papers are open for research.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
John Canfield Ewers papers, National Anthropological Archives, Smithsonian Institution
See more items in:
John Canfield Ewers Papers
John Canfield Ewers Papers / Series 5: Artists of the Old West / Artists:
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-1998-35-ref4389

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