Festival Recordings: Narrative Stage: Cowboys continued: Native American & Hawaiian Music: NEA Folk Arts Program: Kmhmu
Creator:
Smithsonian Institution. Festival of American Folklife. Cultural Conservation Program 1985 Washington, D.C. Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
sound tape reel
1 Item (sound-tape reel, analog, 7 in.)
Type:
Archival materials
Place:
United States
Washington (D.C.)
Date:
1985 July 7
Local Numbers:
FP-1985-7RR-0431
Publication, Distribution, Etc. (Imprint):
United States Cultural Conservation Program 1985
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 7, 1985.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
[unlabelled-artifacts from different museums incl. USNM]; [unlabelled- Guarani cap-cape, feather dance skirt, Canela headband, Waiwai cheek otus]
Collection Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
[unlabelled- Guarani cap-cape, feather dance skirt, Canela headband, Waiwai cheek otus]; Brazil 19th-20th C Mus. Specs
Collection Restrictions:
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
These images depict the indigenous people of Peru, Bolivia, Suriname and Chile; the largest percentage of the images are of Panama and Guyana (British Guiana).
Scope and Contents:
The Verrill collection consists primarily of photographic materials made by Verrill in Guyana and Panama. Dating from 1917 and 1925, the Guyana photographs depict mostly Carib and Patamona but also Warao, Arecuna, Akawaio (Acawai), Akurio (Acuria), Arawak, Macushi (Macusi), Waiwai, and Taruma men and women. These are mostly informal portraits, but the photographs also document dwellings and various activities, such as weaving, spinning, fishing, and canoeing. Included in the Guyana materials are also nineteenth-century (ca. 1880?) albumen prints of portraits of Wapichana (Wapishana), Waiwai, Atorai, and Taruma men and women; Verrill most likely did not make these photographs. The Panama materials date from 1924 and 1925 and are primarily portraits of Teribe (Terraba), Ngäbe (Boorabi), Coclé Guaymi (Cocle), Guaymi, Kuna (Cuna), Emberá (Choikoi), and Sabanero men and women, but the photographs also depict dwellings, ceremonials, and canoes. Among the Panama materials are photographs depicting antiquities from Penonomé. The collection also consists of 1924 photographs of the indigenous peoples of Peru, Bolivia, and Chile and 1925 photographs of the indigenous peoples of Suriname and Peru.
Arrangement note:
Negatives Arranged by negative number (N10017-N10307, N10804-N10966, N11229-N11257, N29558, N34270, N34288-N34289, N34294, N34930-N34932, N36040-N36041, N36044, N41525)
Prints Arranged by print number (P00243-P00271, P00289-P00341, P00289-P00341, P02207-P02215, P06385-P06401, P06654-P06682, P06654-P06682, P06695-P06700, P06703, P07307, P07310-P07315, P07317, P07384-P07394, P09137-P09141, P18855)
Lantern slide Arranged by lantern slide number (L00076)
Biographical/Historical note:
Born in 1871 in New Haven, Connecticut, A. Hyatt Verrill was an illustrator, naturalist, explorer, and author of more than 105 books. From 1889 to 1928, he either explored, made ethnological expeditions to, or excavated in Bermuda, the West Indies, Guyana, Panama, Peru, Bolivia, Chile, and Surinam.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
A. Hyatt Verrill negatives, photographs and other materials, 1917-1926, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
