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Author:

Brooks, Alden Finney 1840-1932  Search this

Physical description:

[21] leaves 19 cm

Type:

Diaries

Sources

History

Place:

West (U.S.)

Oregon National Historic Trail

Overland Trails

Salt Lake City (Utah)

United States

Utah

Salt Lake City

West United States

Date:

19uu

19th century

Topic:

Artists  Search this

Frontier and pioneer life  Search this

Overland journeys to the Pacific--History  Search this

Pioneers  Search this

Overland journeys to the Pacific  Search this

Travel  Search this

History  Search this

Description and travel  Search this

Call number:

F593 .B76 1900z

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_1017698

Publisher:

E. H. Hart, Philadelphia, Pa.  Search this

Extent:

1 Stereograph (black and white)

Container:

Box 3

Type:

Archival materials

Stereographs

General:

Historic Image #: 70

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

hospital grounds  Search this

Hospitals  Search this

Urns  Search this

Pedestals  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Historic Gardens Stereograph Collection.

Identifier:

AAG.STR, Item STR021009

See more items in:

Historic gardens Stereograph collection

Historic gardens Stereograph collection / Gardens and Landscapes / United States / Virginia / Fort Monroe

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-str-ref4737

Creator:

Garden Club of America  Search this

Names:

New York Flower Show  Search this

Extent:

37,000 Slides (35mm slides)

33 Linear feet ((garden files))

3,000 Lantern slides

Type:

Collection descriptions

Archival materials

Slides

Lantern slides

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Slides (photographs)

Date:

circa 1920-present

Summary:

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

Biographical/Historical note:

The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.

Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- France  Search this

Gardens -- Italy  Search this

Gardens -- Japan  Search this

Gardens -- Mexico  Search this

Flower shows  Search this

Gardening -- United States -- societies, etc  Search this

Gardens -- England  Search this

Landscape architecture  Search this

Gardens -- United States  Search this

Gardens -- Spain  Search this

Gardens -- Scotland  Search this

Genre/Form:

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Lantern slides

Slides (photographs)

Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA

See more items in:

The Garden Club of America collection

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_collection:sova-aag-gca

Provenance:

Garden Club of Houston  Search this

Garden Club of Houston  Search this

Owners:

Houston Independent School District  Search this

Creator:

Karavias, Kellie  Search this

Burton, Carol  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Texas -- Houston -- Houston

Gregory Lincoln Education Center (Houston, Texas)

Scope and Contents:

16 digital images (2015-2017) and 1 file folder.

General:

Gregory-Lincoln Education Center is a fine arts magnet pre-K through 8th grade school on a 15- acre campus with many low-income and food-insecure students. In the 2011-2012 school year 14 raised gardens beds for vegetables, berries and herbs were installed and planted; the curriculum is called the Cultivated Classroom. Students grow organic food that they prepare and eat while learning about sustainability, science, math, reading, social studies and nutrition. Staple crops include squashes, tomatoes, cruciferous vegetables such as cabbage and cauliflower, berries, lettuces, beans and okra, some flowers and herbs. Other vegetables are planted each year on a trial basis. The initial garden has been expanded to include four more raised beds, 20 fruit trees, a chicken coop called The Chick-Inn, a grape arbor at the entrance, and a pollinator garden. The lay-out includes a reading circle, tool shed, compost center, picnic tables, a wash station and benches. Learning about healthy eating is an important aspect of the program, including acquiring food preparation skills for a lifetime, and cooking and learning about careers in the food industry at a nearby restaurant. Helpers in the garden include school staff, Urban Harvest employees, parents, and neighborhood volunteers who participate in a monthly "dig-it" day of weeding, mulching, and additional planting. The Garden Club of Houston supports this program through financial contributions to Urban Harvest, a non-profit that promotes community gardens.

Persons associated with the garden include: Houston Independent School District (owners, 1966- ); Urban Harvest (sponsor, 2011- ); Kellie Karavias (culinary arts teacher, 2011- ); Carol Burton (Urban Harvest coordinator, 2011- ) Names (role and dates of ownership/involvement). Example: Metropolitan District Commission (playground, Victory Garden, 1953- ); City of Cambridge (Morse School, 1953- ); Carl Koch (1912-1998) (architect, 1955); Design Partnership of Cambridge (renovation architects, 1999); Jane Hirschi, Director of City Sprouts (non-profit assisting in creating and maintaining school garden, 2001- ); Patricia Beggy (Morse school principal, 2004- ); Juliet and György Kepes (enamel panels artists, 1957); Tomie Arai (silk-screened mural artist, 1999).

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Texas -- Houston  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File TX199

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Texas

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref32840

Former chairman:

Ferguson, John C., 1920-2006  Search this

Director:

Ferguson, John Timothy, 1953-  Search this

Landscape architect:

Dahlkemper, Dan  Search this

Artist:

Burnes, Prudence  Search this

Designer:

Geiger, Mike  Search this

Volunteer gardeners:

The Seedlings Garden Club  Search this

Stone masons:

Geiger & Sons  Search this

Provenance:

Carrie T. Watson Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

World War II Memorial Garden (Erie, Pennsylvania)

United States of America -- Pennsylvania -- Erie County -- Erie

Scope and Contents:

The folder includes worksheets, a photocopy of an article, and other information.

General:

Created under the direction of the late John C. Ferguson, the World War II Memorial of Erie Pennsylvania was dedicated on November 11, 1999. The memorial is comprised of a garden and granite blocks engraved with the names of 727 soldiers from Erie County who died while in service during World War II, a brief pictorial history of the war, and images of a number of veterans who survived the war. The original landscaping for the site was designed to complement the memorial and to minimize maintenance needs. At its inception plantings included silver maples, a juniper hedge, pampas grasses, black-eyed Susans, and daylilies.

In 2001 John Ferguson asked his son, Tim Ferguson to assume responsibility for the upkeep of the landscape, which had been maintained by contracted professional landscaping crews. Tim took the opportunity to become more personally invested in the caretaking of the memorial and over the next few years he made various improvements to the property to enhance certain aspects of the memorial and to add more variety of color to the landscaping. Bradford pear trees were added to complement the scale of the monument, provide shade in the summer, and add color as they bloom in the spring. Shrub roses, an addition inspired by military cemeteries in France, Belgium and Luxembourg, and gold mop juniper were added for color; the black-eyed Susans were replaced with Ninebark, as well as arborvitae, and boxwood, to provide a sheltering effect and promote a more serene environment. Red and white geraniums are used to add color, as are tulips and daffodils, and dwarf Japanese Maples add additional privacy and screening and provide a thematic link to the Pacific Ocean theater of World War II.

Persons and groups associated with the garden include: John C. Ferguson (chairman, 1998-2006), John Timothy Ferguson (director, 2000-present), Erie School District (property owner), The Seedlings Garden Club (garden volunteers), Dan Dahlkemper (landscape architect, 1998-1999), Mike Geiger/Geiger & Sons (designer, stonemason, 1998-1999), Prudence Burnes (graphic artist, 1999)

Related Materials:

World War II Memorial Garden related holdings consist of 1 folder (9 digital images)

See others in:

Garden Club of American collection, ca. 1920- [ongoing].

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Pennsylvania -- Erie  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File PA693

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref16456

Provenance:

Pennsylvania Horticultural Society  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Glenwood Green Acres (Philadelphia, Pennsylvania)

United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia

Scope and Contents:

The folder includes a worksheet, narrative description of the garden and its history, and an abbreviated garden plan.

General:

This 140,000 square-foot community garden site is located at the northern edge of the Susquehanna Greene Countrie Towne, a low-income community in north central Philadelphia. Initiated in 1983 with assistance from the Pennsylvania Horticultural Society's Philadelphia Green program, the garden has been developed by the neighborhood on the former site of a warehouse complex destroyed by fire. By the third season in 1986 between 80 and 90 vegetable plots were flourishing. Two primary coordinators, both retired men, have handled the work in the common area, with the support of several other volunteers. They set up the wire fence, paths, raised beds, sheds, and watering system. The boards used for the raised beds and bricks for the pathways were recycled from a number of buildings being demolished in the area. Philadelphia Green provided fencing, a watering system, gravel, soil, woodchips, a paved driveway, trellis, a patio, plants, and benches. Although the garden was initially focused on vegetables, in 1990 plans were implemented for the East Hill, filled with trees, shrubs, and perennial flowers, set among boulders for dramatic effect. A pergola was erected as the entrance to the hillside garden, and additional plants were donated from exhibits and the Philadelphia Flower Show. In 1992, the commissioner of the Department of Licenses and Inspections entered into an agreement with the gardeners under which he put a caboose from his personal train collection along the back of the garden in exchange for replacement of fencing along two sides of the garden.

The group is well-organized, with elected officers and written by-laws. The gardeners are mostly in their 60s and 70s, while a few younger ones are in their 30s and 40s. Many of the gardeners are former residents of the neighborhood who travel back to Glenwood to work a garden plot each year. The community at large is supportive of the garden, which has won many prizes in the City Gardens Contest. The gate is never locked and visitors are often treated to the harvest and favorite recipes. The gardeners are renowned for their huge feasts in the summer when everyone is welcomed. The gardeners of Glenwood Green Acres have hosted Philadelphia Green workshops on many occasions. A special intergenerational project was conducted there in 1990 introducing youngsters to the heritage of southern agriculture. Demonstration plots of tobacco, cotton, and peanuts are still grown there.

Related Materials:

Glenwood Green Acres related holdings consist of 1 folder (6 35 mm. slides)

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Pennsylvania -- Philadelphia  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File PA353

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref16525

Provenance:

Planters Garden Club  Search this

Former owner:

Houston family  Search this

Owner:

Druim Moir Homeowners' Association  Search this

Architect:

G.W. and W.D. Hewitt  Search this

McGoodwin, Robert Rodes  Search this

Ironworker:

Yellin, Samuel  Search this

Head gardener:

Kraut, Charles  Search this

Garden manager:

Breman, Naomi  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Pennsylvania -- Philadelphia -- Philadelphia

Druim Moir Formal Garden

General:

27 digital images, 1 35mm slide (photograph), and 2 folders.

See also the Eleanor Weller Reade Collection for another copy of PA474001.

The Druim Moir Formal Garden was built in 1921 in the Chestnut Hill neighborhood of Philadelphia, Pennsylvania. Henry Howard Houston, a prominent Pennsylvania Railroad entrepreneur, constructed the Scottish baronial castle in 1886 on a 50-acre parcel on one of the highest points in the city. He named his home Drium Moir, which means "high ridge" in Gaelic. The castle was built with 54 rooms and a five-story tower. A dower home, Brinkwood, was also built on the property as a wedding present for Houston's second son, Samuel F. Houston. Both Druim Moir and Brinkwood were designed by the architectural firm G.W. and W.D. Hewitt, and were listed in the National Register of Historic Places in 1980.

In 1921, as a distraction from the tragedy of their son killed in action in World War I, Charlotte Houston commissioned a formal garden. It was designed by architect Robert Rodes McGoodwin, who planned a seven-level terrace axis, a bowling green, and a sunken garden below. Wrought iron gates connect each of the rooms, constructed by metalworker Samuel Yellin. The garden rooms were dug out of the slopes by returning World War I veterans.

In the 1990s, new boxwoods were planted as borders for the perennial beds, however the structure of the garden has not changed since 1921. Druim Moir is known for the architectural beauty of its walls made of local stone, terraces, and handcrafted ironworks. Many shrubs and trees from the original garden continue to thrive nearly a century after the garden's establishment. Currently, the formal garden is preserved by the Druim Moir Homeowners' Association in accordance with the original plan prepared by Robert Rodes McGoodwin. A team of part time gardeners, arborists, and community volunteers cultivate the gardens under the direction of three residents.

Persons associated with the garden include: Henry Howard Houston and Samuel F. Houston (former owners, 1886-1952); Edith Houston Brown and the Houston Foundation (former owners, 1953-1980); Druim Moir Corporation, Developer and Sales Agent (former owner, 1980); Druim Moir Homeowners' Association (current owner, 1981-), G.W. and W.D. Hewitt (architects, 1886) Robert Rodes McGoodwin (architect, 1921- 1922); Samuel Yellin (iron worker, 1921-1922), Charles Kraut (head gardener), Naomi Breman (garden manager, 2017-).

Related Materials:

Related images of the property are located at the Chestnut Hill Conservancy.

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Pennsylvania -- Philadelphia  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File PA474

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref32329

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Description:

The modern circus has been a form of public entertainment since the late 18th century; President George Washington attended John Bill Ricketts' circus in Philadelphia in 1793. In the nineteenth and early twentieth centuries, the circus introduced towns and cities across the country to a wider world through the dazzling sights, sounds, and stunts of the circus artists.

With a history of more than 2 centuries, Circus Arts are considered a heritage and traditional art form; its varied skills have been passed down in families through generations. More recently, troupes and circus schools have been established to train new generations in the specific skills of circus arts. This traditional art form has finally received national recognition; the NEA awarded the aerialist Dolly Jacobs the National Heritage Fellowship in 2015. She is the first circus performer to receive this prestigious NHF award.

Circus members belong to a highly distinctive occupational group, including experts in any one of several clusters of both performance and material arts. Working and performing together, they create a spectacle which induces surprise and amazement in the spectators. It is not just the single acts, it is the entire production and business of the circus that was represented in the Circus Arts program of the 2017 Folklife Festival.

Circus performance arts have focused primarily on various aspects of physical movement, strength, and endurance. The artists work on the outer boundaries of the potential for the human body and physique. These performance arts encompass five main disciplines of circus arts: acrobatics, aerials, clowning, equilibristic, and object manipulation. For each of these performance categories, teams and individuals from around the country and around the world were invited to demonstrate and perform at the festival.

The material arts of the circus include aspects of painting and drawing, design, costuming, and tent making, as well as derivative arts inspired by the circus, such as toy making and miniatures. Workshops for modeling these skills were set up around the festival grounds to enable visitors to view the intricacies of their production. Panels also discussed the interplay between the material and performance arts.

In the Circus Science tent, demonstrations and discussions presented the synergies of science and skill in different circus art forms. The circus Cookhouse was set up to display the culinary skills of circus chefs. Multiple forums were scheduled where circus stories could be shared, including topics such as the social circus, circus families, the history of the circus in American culture, and the changing circus landscape. These forums provided opportunities for experiential exploration of the life and work of circus people, encompassing both the family and community structures in which they thrive.

The emerging concept of the social circus was everywhere on display during the Circus Arts program. The training opportunities focused on the future roles of these young actors beyond their personal growth. By removing themselves from the professional/commercial entertainment arena, they have become participants in social change. This new concept brings needed revitalization to the traditional circus arts in the same year that, coincidentally, the largest American circus, Ringling Brothers, Barnum and Bailey Circus announced its closure due to business concerns.

This presentation on the National Mall spotlighted the occupational culture of Circus Arts at a critical moment in 2017. The Circus Arts program not only helped expand and elevate visitors' understanding and appreciation of a distinctive occupational group. It also championed the vitality of Circus Arts around the world, paving the way for future collaborations. It is in this exploration that myths can be displayed, tough questions can be raised, and the sharing of deep knowledge can take place between Festival participants and visitors.

Production Staff & Participants:

Production

Director: Sabrina Lynn Motley

Curator: Preston Scott

Co-curators: James Deutsch, Cristina Díaz-Carrera

Program Coordinator: Nichole Procopenko

Foodways Coordinator: Arnie Malin

D.C. Circus Day Coordinator: Marissa Walker

Interns: Isabella Barrengos, Maia Daniel, Miranda DiMase-Nordling, Taylor Heagler, Maris Jones, Michaela Podolny, Laura Yee

Lead Volunteer: Zakiya Williams

Advisors and Presenters: Hovey Burgess, David Carlyon, Janet M. Davis, LaVahn Hoh, Rodney Huey, Dominique Jando, Jennifer Lemmer Posey, Linda Simon, Deborah Walk, Matthew Wittmann Big Top Artistic Director: Pedro Reis

Big Top Production Team: Henry Barragan, Jesse Cogswell, Joe D'Emilio, Luis S. Garcia, Leigh Ketchum, Devin Nee, Amanda Scarpa, Mark Wilson, Atos Zamperla

Participants

Stars of the CircusDolly Jacobs

Rafael Palacios

Ambra Zerbini Bauer

Joseph Dominic Bauer

Marina Luna

Ella Storme

Olesya Fedotova

Rony Gomez

Diosmani Aguero

Leosvel Almeida Gutierrez

Kenneth Kenny Raskin

Circus Arts ConservatoryBarry Lubin

Diosmani Aguero

Leosvel Almeida Gutierrez

Luna Storme

Olesya Fedotova

Karen Bell

Robin Eurich

Jaime Hernandez Carranza, student

Keith Phillips, student

Big Apple CircusRay Slizewski, circus cook

Bindlestiff Family Circus

Circus BellaCarlo Gentile

Gianluca "Gianni Magi" Gentile

Gioia Mei "Tatlo" Gentile

Giulia "Trixie Love" Gentile

Giuseppina "Guisi", Gentile

Orlene Gentile

Circus CenterSteve Smith

Circus CultureAmy Cohen

Circus Harmony

Circus JuventasDan Butler

Makenna Cook

Piper Gibbs

Sophie Bauer

Circus SmirkusJacqueline Davis

Jennifer Agans

Amity Stoddard

Cirque des VoixElla Storme

Marina Luna

Pedro Reis

Dolly Jacobs

Rafael Palacios

Matuni Vaiaoga

Barry Lubin

Clowns without Borders

Happenstance Theater

Hebei Golden Eagle Acrobatic Troupe

Listo Trapeze VolantMiguel Cáceres

Medical Clown Project

New England Center for Circus Arts (NECCA)

Sailor Circus

School of Acrobatics and New Circus ArtsIan Jagel

Tyler Henry

UniverSoul CircusBone Breakers, Contorionists

Caribbean Dynasty Dancers

Chain Reaction, Acrobats

Daniel "Lucky" Malatsi, Ringmaster

Fresh the Clowns

Veronica Blair, Aerialist

Carlos Pinto Morales, Acrobatics

Sherrie Silver, Dancer

Wallenda Family TroupeAlessandro Wallenda

Tomas Wallenda

Wenatchee Youth CircusRebecca Geren

Jillian Davis

Lily-Ann Geren

Martin Talbot

Wise Fool New MexicoAmy Christian

Lisa Smith

Band of Jugglers

Unaffiliated PerformersPatrik Elmnert, Juggler

Craig Quat, Juggler

David Tetrault, Calliope

Jeffrey Raz, Clown

Kim Hawkins, Clown

Thom Wall, Juggler

Dominique Jando, Scholar

LaVahn Hoh

Sarah Chapman, Circus Cook

Tim Mack, Ringmaster

Collection Restrictions:

Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Collection Rights:

Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.

Collection Citation:

Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.2017, Series 2

See more items in:

Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

EDAN-URL:

ead_component:sova-cfch-sff-2017-ref17

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Description:

The festival this year will mark the 50-year anniversary of the Smithsonian Folklife Festival, an international exposition of living culture staged on the National Mall in Washington, D.C. Through music, dance, food, crafts, and stories, we learn about other cultures, about each other, about our intriguing differences and surprising similarities. This annual festival event is produced by the Smithsonian Institution's Center for Folklife and Cultural Heritage. Like other Smithsonian museums, the Festival includes exhibition-quality signs, photo-text panels, a program book/catalog, learning centers, a marketplace, and food concessions.

Tens of thousands of cultural exemplars have benefited from demonstrating their traditions at the Folklife Festival. The participants have returned home uplifted by the applause and appreciation they received. Most have been fortified in their determination to pass on their skill and artistry, their knowledge and wisdom to the next generation; many have been inspired to extend their cultural traditions for wider social, economic, and educational benefit.

The festival has become a national and international model of a research-based presentation of contemporary living cultural traditions. Over the past half century, it has brought more than twenty-three thousand musicians, artists, performers, craftspeople, workers, cooks, storytellers, and others to the National Mall to demonstrate the skills, knowledge, and aesthetics that embody the creative vitality of community-based traditions.

The Festival is a complex production, over the years drawing on the research and presentational skills of more than a thousand folklorists, cultural anthropologists, ethnomusicologists, and numerous other academic and lay scholars. Its production involves the expertise of hundreds of technical staff, the efforts of volunteers, and the backing of sponsors and supporters. At the same time, it is an exercise in cultural democracy, in which cultural practitioners speak for themselves, with each other, and to the public.

The Festival has strong impacts on policies, scholarship, and folks "back home." Many states and several nations have remounted Festival programs locally and used them to generate laws, institutions, educational programs, books, documentary films, recordings, and museum and traveling exhibitions. In many cases, the Festival has energized local and regional tradition bearers and their communities and, thus, helped to conserve and create cultural resources. Festival practice served as both the backdrop and inspiration for the consideration and ultimately the development of UNESCO's 2003 International Convention on the Safeguarding of the Intangible Cultural Heritage.

Production, Artists &Ensembles:

PRODUCTION

Reunion Curator:Betty Belanus

Reunion Coordinator: Kim Stryker

Program Interns: Sophie Auffret, Dannah King, Hannah Peterson, Sarah Wilbert

Rinzler Concert Coordinators: Marjorie Hunt, Arlene Reiniger

Dance Parties Lead Volunteer: Malissa Wilkins

ARTISTS & ENSEMBLES

• BeauSoleil Quartet avec Michael Doucet, Cajun Music

• Los Texmaniacs, Texas Mexican conjunto (tribute to Flaco Jiménez)

• Daniel Sheehy, Folklorist & ethnomusicologist

• The Chuck Brown Band, D.C., Go-go music (tribute to Chuck Brown). This dance party was co-presented with the Smithsonian Anacostia Community Museum in celebration of its fiftieth anniversary.

• Juan Gutiérrez with Los Pleneros de la 21, Puerto Rican bomba and plena. This concert and dance party was presented by the Smithsonian Latino Center in celebration of its twentieth anniversary.

• Mick Moloney and Billy McComiskey, Irish music and dance from the Mid-Atlantic region

• Artemio Posadas, Huastecan son

• Verónica Castillo, Mexican American ceramicist

• Norma Cantú, Mexican American folklorist & writer

• Alfonsina Salas, Hispanic Musician

• Irvin Trujillo, Lisa Trujillo, Hispanic weavers

• Yary Livan Cambodian ceramicist

• Roland Freeman, Photographer, documentarian

• Norman Kennedy, Scottish weaver, singer, storyteller

Collection Restrictions:

Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Collection Rights:

Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.

Collection Citation:

Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.2017, Series 3

See more items in:

Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

EDAN-URL:

ead_component:sova-cfch-sff-2017-ref22

Collection Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Type:

Archival materials

Description:

In a three-year cycle themed with World Migration at the Smithsonian Folklife Festival, this second year presents topics related to Migration across Generations. Visitors explore how American communities and cultures are transformed by the movements, displacements, and interactions of diverse populations over time, with the goal of obtaining insight into the growth of healthy inclusive communities across the country.

The focus this year is on the youth, young Americans whose families have arrived in this country within the last generations. These young people are Americans, raised in the United States. Some of them have been born here, others were brought here as part of a family group who immigrated. It is these first-generation Americans who live fully within a framework of biculturalism. Their parents and grandparents carry with them the language and customs of their country of origin, while the children spend their days in the local schools, becoming integrated as citizens of the United States.

Building on a small but innovative program from 2016, the 2017 program foregrounds the perspectives of youth, past and present. It invites intergenerational conversations about the interplay of migration, creativity, and culture, highlighting the social power of tradition and art. It focuses on how young people assume responsibility as bridge builders among communities, generations, and into the future. Today's generation of young people—ranging from their mid-teens into their mid-thirties—are the most racially diverse population in American history. As young Americans, they have a particular stake in the world they inherit together.

For this program, the National Mall became a space for performances, workshops, sports, visual arts demonstrations, and discussions. Themes of multilingualism, diversity and identity within and across cultural communities are addressed. These themes highlight the shifting notions of the sense of belonging, communication in both high-tech and traditional methods, and the disruptive and generative impacts of migration.

Production and Participants:

PRODUCTION

Director: Sabrina Lynn Motley

Curators: Olivia Cadaval, Amalia Cordova, Sojin Kim

Curatorial Advisors: Alissa Stern, Sebi Medina-Tayac

Project Interns: Michelle Aranda Coss, Juan Goncalves Borrega, Maryam Parhizkar, Jessie Riddle

American Anthropological Association Interns: Inigo Acosta, Demilde Adebayo, Addison Marry, Lauren Paniati

Lead Volunteer: Kenneth Robinson

Presenters: Citlalli Álvarez, Quique Avilés, Diana Baird N'Diaye, Camila Bryce-LaPorte, Regie Cabico, Norma Cantú, C. Daniel Dawson, Eduardo Díaz, Julia Garciá, Theo Gonzalves, Perla M. Guerrero, Mary S. Linn, Samir Meghelli, Mark Puryear, Toni Shapiro-Phim, Daniel Sheehy, Je Naè Taylor, Leslie Walker, Ranald Woodaman, Steve Velásquez, Steve Zeitlin

Advisory Committee: Quique Avilés, Christylez Bacon, Carline Brice-Mesilus, Caitlin Buckley, Ashesh Dangol, James Early, Lubna Ejaz, Julia García, Natalia Gardullo, Kumera Genet, Ted Gong, Perla M. Guerrero, Noelle Terefe Haile, Jada Hampton, Mary Houston, Isaia King, Lilia Knight, Hollis "Flash" Lashley, John Leguizamo, Ed Liebow, Von Martin, Suzanne Matthews-Williams, Phyllis May-Machunda, Eva McIntyre, Rebecca Medrano, Natalie Michel, Michael Morris, Alexis Neblett, Darren Neblett, ThienVinh Nguyen, Brenda V. Pérez Amador, Mark Puryear, Dayanita Ramesh, Anil Ranjit, Maribel Rodriguez, Hatum Saenz-Painemilla, Usman Sarwar, Joseph Sciorra, Andy Shallal, Khandeya Sheppard, Doreen Thompson, Amelia Tseng, Leslie Walker, Dennis Zotigh

Smithsonian Collaborators: Anacostia Community Museum, ARTLAB+ at the Hirshhorn Museum and Sculpture Garden, Asian Pacific American Center, National Museum of American History, Smithsonian Latino Center

ARTISTS and ENSEMBLES

• Sheila Kay Adams, Ballad singer, storyteller

• Noa Baum, Storyteller, educator

• Caporales Unidos, Washington, D.C., Bolivian Dance Troupe

• Capturing Fire, Washington, D.C., International Queer Poetry Summit and Slam

• CHELOVE, Muralist, visual Artist

• Chinese Youth Club of Washington, D.C., 9-Man volleyball team

• Christyles and Washington Sound Museum, Hip-hop artist; collaborative concert series

• City Lore and International Storytelling Center, Arts organizations of New York, Jonesborough, Tennessee

• DC Caribbean Collective, Music, dance, and history of the Caribbean

• DJ VicoVibes, DJ

• Fugees Family, Inc., Soccer drills, scrimmages

• Gandhi Brigade Youth Media, Media arts program

• Mestre João Grande, Capoeira Angola master

• PJ and Roy Hirabayashi, Japanese American taiko players

• House of Angklung, Indonesian music ensemble

• Ledward Kaapana, Ukulele and slack-key guitar player

• Kichwa Hatari, Indigenous language radio collective

• Kino Musica, Afro-soul band

• Los Pleneros de la 21, Music ensemble and cultural center

• Los Treinta, Salvadoran American artists

• MasPaz, Visual artist, muralist

• Muslim Community Center, Faith-based organization of Silver Spring, Maryland

• Philadelphia Folklore Project, Independent public agency, event producer

• Artemio Posadas, Master son huasteco musician

• San Francisco Kulintang Legacy, Filipino percussion ensemble

• Roberto "Professor Busho" Tapia, Roda Movements capoeira teacher

• Viajeros de las Americas, Alfombra artists

• Mestre Jelon Vieira, Capoeira master

• The Wong People, Kung fu and lion dance association

Collection Restrictions:

Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Collection Rights:

Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.

Collection Citation:

Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.2017, Series 4

See more items in:

Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

EDAN-URL:

ead_component:sova-cfch-sff-2017-ref27

Editor:

Ryan, Frank  Search this

Publisher:

Frank Graham (Newcastle upon Tyne)  Search this

Collection Creator:

Hardesty, Von, 1939-  Search this

Extent:

1 Document

Container:

Box 20, Folder 14

Type:

Archival materials

Text

Documents

Date:

1975

Scope and Contents:

Frank Ryan, The Book of the XV Brigade - Records of British American, Canadian and Irish Volunters in the XV International Brigade in Spain 1936-1938 (Newcastle upon Tyne, UK : Frank Graham, 1975). English language edition (photocopied excerpts, including "When the Avions Came Over").

Collection Restrictions:

No restrictions on access.

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Collection Citation:

Russian Aeronautical Collection, ACC. 2006-0034, National Air and Space Museum, Smithsonian Institution.

See more items in:

Russian Aeronautical Collection

Russian Aeronautical Collection / Series 2: Soviet Union (Interwar Years, 1918-1940)

Archival Repository:

National Air and Space Museum Archives

EDAN-URL:

ead_component:sova-nasm-2006-0034-ref731

Former owner:

Lockwood, Henrietta Sedgwick  Search this

Lockwood, John E.  Search this

Bulloch family  Search this

Horticulturist:

Zitter, Robin  Search this

Gardener:

Zitter, Robin  Search this

Landscape architect:

Weber, Nelva M.  Search this

Collection Creator:

Adams, Molly, 1918-2003  Search this

Type:

Archival materials

Place:

Lockwood Garden (Bedford, New York)

United States of America -- New York -- Westchester County -- Bedford

Scope and Contents:

The folders include worksheets, an abbreviated garden plan, a plan of the parterre garden, photocopies of articles about the garden, and a letter from Henrietta Lockwood to Nelva M. Weber.

General:

This garden in Westchester County was established in 1938 on an old farm. The owners, John and Henrietta Lockwood, began a process of remodeling, design, and land development that continued for over 60 years until Mrs. Lockwood's death. Growing places may be found throughout the multi-acre property (of the eventual 100+ acres all but 13 have been deeded to a local nature conservancy). A lean-to greenhouse on the north end of the kitchen wing provides the winter display area for streptocarpus, camellias and other potted plants. It is here that seeds of all sorts are sown and grown under fluorescent light until they are large enough to be taken to the much larger greenhouse across the drive. A winding path through a grassy meadow planted with apple trees leads from the house to the flower and vegetable gardens. The site now features a patterned design based on a medieval, four-part parterre garden--two diamond shapes and two round--using bricks as edging for the beds, and also includes four iron umbrella tripods that serve as supports for clematis. Beyond the flower garden is an extensive vegetable garden and berry patch that produce fresh summer harvests for the table as well as the freezer. Many varieties of clematis are found tumbling informally atop stone walls, weaving through bushes and climbing obediently up the tan house walls, reflecting the owner's passion for this plant. Daphne is another particular favorite.

Each fall on the east side of the guest house an ingenious portable greenhouse is erected to house many tender potted plants, particularly winter-flowering camellias. Nearby a rock ledge forms a terrace for the guest house; beyond is a severe drop into the cool, dark woods. Featured plants in this area include yellow corydalis, mimosa trees, ferns, and woodland flowers. Just outside the guest house potted fig trees and an arbor of grapes provide shade. Inside the main house is a tiny greenhouse. To the rear of the house, along the edge of the brick terrace, blue pansies bloom with spring flowers and are later joined by pots of standard fuchsias and roses. The old well house still stands in the middle of a brick terrace surround by white alyssum volunteers. Beautiful clay pots of unusual collected plants are everywhere. This is a perfect country garden with its meadow views and unusual plant combinations, a tribute to its owners' lifelong devotion to its design, development, and care.

Persons associated with the garden include: John E. and Henrietta Sedgwick Lockwood (former owners, 1938-2001); the Bulloch family (former owners, before 1938); Nelva M. Weber (landscape architect); and Robin Zitter (horticulturist and gardener, 1984 to date).

Related Materials:

Lockwood Garden related holdings consist of 2 folders (19 35 mm. slides; 2 photoprints; 1 120 mm. transparency; 29 negatives)

See others in:

Garden Club of America Collection, ca. 1920-[ongoing].

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- New York -- Bedford  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.

Identifier:

AAG.ADM, File NY464

See more items in:

Maida Babson Adams American garden collection

Maida Babson Adams American garden collection / Series 1: Garden Images / New York

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-adm-ref1271

Photographer:

Adams, Molly, 1918-2003  Search this

Landscape architect:

Weber, Nelva M.  Search this

Collection Creator:

Adams, Molly, 1918-2003  Search this

Type:

Archival materials

Place:

Suter garden (Mill River, Massachusetts)

United States of America -- Massachusetts -- Berkshire County -- Mill River

Scope and Contents:

The folder includes worksheets and photocopies of images, etc.

General:

A contemporary house with a mountain view had a professionally designed landscape comprising trees and shrubs combined with drifts of native herbaceous plants selected by the owner. To the south of the house grassy slopes and valleys allowed an unobstructed view of Canaan Mountain. North of the house a mature woodland of native white pines and mixed hardwoods had an understory of native plants. The best were kept and supplemented with exotics that tolerated shade and acid soil. Plantings included sweet woodruff, native wild ginger, European ginger, pink bleeding heart, and cream-colored foam flower. Additional clumps of lungwort and Solomon seal added darker tones and height, and clumps of ferns added texture. A curving walk of flat fieldstones crossed a lawn planted between the house and the woods. Looking north from the house there was a curving border of perennials and bulbs that received summer sun while the pine woodland protected it against winter winds. The plant selection for the border included hollyhock, foxglove, echinops, coral bells, pinks, daylilies, monarda, Shasta daisies, and peonies with creeping thyme and sedum for contrasting foliage. Another sunny spot held a small vegetable garden and orchard.

On the mountain side of the house, a bluestone terrace gave way to a grass terrace, shaded by a honey locust. Low growing shrubs and perennials were planted in foundation beds, including a specimen evergreen. Across the lawn a bed of low growing alpines included spreading mats of dianthus, several thyme varieties, and fuzzy gray leafed perennials. Large stones were placed on the slope to prevent erosion, and drought resistant spreading junipers, yucca, clumps of butterfly weed, a sweep of achillea, and volunteer natives completed the garden.

Related Materials:

Suter garden related holdings consist of 2 folders (7 35mm slides (photographs); 14 photographic prints; 30 negatives)

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Massachusetts -- Mill River  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Maida Babson Adams American garden collection.

Identifier:

AAG.ADM, File MA336

See more items in:

Maida Babson Adams American garden collection

Maida Babson Adams American garden collection / Series 1: Garden Images / Massachusetts

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-adm-ref698

Creator:

Smithsonian Gardens  Search this

Type:

YouTube Videos

Uploaded:

2013-05-21T14:52:49.000Z

YouTube Category:

Education  Search this

Topic:

Gardens  Search this

See more by:

SmithsonianGardens

Data Source:

Smithsonian Gardens

YouTube Channel:

SmithsonianGardens

EDAN-URL:

edanmdm:yt_6VfpuqkkwNA

Creator:

National Zoo  Search this

Type:

YouTube Videos

Uploaded:

2015-08-19T19:00:38.000Z

YouTube Category:

Pets & Animals  Search this

Topic:

Zoology;Animals;Veterinary medicine;Animal health  Search this

See more by:

SmithsonianNZP

Data Source:

National Zoo

YouTube Channel:

SmithsonianNZP

EDAN-URL:

edanmdm:yt_9BwUNPg9dX8

Creator:

National Zoo  Search this

Type:

YouTube Videos

Uploaded:

2018-12-12T19:28:07.000Z

YouTube Category:

Pets & Animals  Search this

Topic:

Zoology;Animals;Veterinary medicine;Animal health  Search this

See more by:

SmithsonianNZP

Data Source:

National Zoo

YouTube Channel:

SmithsonianNZP

EDAN-URL:

edanmdm:yt_HzVntzq-L94

Creator:

National Zoo  Search this

Type:

YouTube Videos

Uploaded:

2015-08-19T18:59:31.000Z

YouTube Category:

Pets & Animals  Search this

Topic:

Zoology;Animals;Veterinary medicine;Animal health  Search this

See more by:

SmithsonianNZP

Data Source:

National Zoo

YouTube Channel:

SmithsonianNZP

EDAN-URL:

edanmdm:yt_QPu8bXHqtUw

Creator:

National Zoo  Search this

Type:

YouTube Videos

Uploaded:

2012-09-21T16:44:15.000Z

YouTube Category:

Pets & Animals  Search this

Topic:

Zoology;Animals;Veterinary medicine;Animal health  Search this

See more by:

SmithsonianNZP

Data Source:

National Zoo

YouTube Channel:

SmithsonianNZP

EDAN-URL:

edanmdm:yt_a68EOkVMu-s

Creator:

National Zoo  Search this

Type:

YouTube Videos

Uploaded:

2014-11-26T18:27:06.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Zoology;Animals;Veterinary medicine;Animal health  Search this

See more by:

SmithsonianNZP

Data Source:

National Zoo

YouTube Channel:

SmithsonianNZP

EDAN-URL:

edanmdm:yt_pK9p7nuD3C4

Creator:

National Portrait Gallery  Search this

Type:

YouTube Videos

Uploaded:

2009-09-04T16:20:59.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

See more by:

NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_35k-ZweitEY