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H. E. Wood; Dept. Education, State of Florida, Vocational Education

Collection Creator:
Freeman, Ethel Cutler, 1886-1972  Search this
Container:
Box 28
Type:
Archival materials
Date:
1958 January 2
Collection Restrictions:
By Ethel Freeman's instructions, the collection was restricted for ten years dating from the receipt and signing of the release forms on October 12, 1972. Literary property rights to the unpublished materials in the collection were donated to the National Anthropological Archives.

Access to the Ethel Cutler Freeman papers requires an appointment.
Seminole recordings cannot be accessed without the permission of the Seminole Tribe.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
Ethel Cutler Freeman papers, National Anthropological Archives, Smithsonian Institution.
See more items in:
Ethel Cutler Freeman papers
Ethel Cutler Freeman papers / Series 5: Seminole Indians / Correspondence
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-xxxx-0166-ref1240

Joseph C. Farber photographs of Native American life

Creator:
Farber, Joseph C., 1903-  Search this
Names:
National Museum of Natural History (U.S.) -- Exhibitions.  Search this
National Museum of Natural History (U.S.). Department of Anthropology  Search this
Gorman, R. C. (Rudolph Carl), 1932-  Search this
Extent:
6,000 Contact prints (circa 6000 contact prints (proof sheets))
6,000 Acetate negatives (circa)
8 Color transparencies
1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))
Culture:
Arctic peoples  Search this
Pikuni Blackfeet (Piegan)  Search this
Onondaga  Search this
Taos Indians  Search this
Quinault  Search this
Tlingit  Search this
Akimel O'odham (Pima)  Search this
Tewa Pueblos  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southwest, New  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Diné (Navajo)  Search this
Eskimos  Search this
Sioux  Search this
Lummi  Search this
Haida  Search this
Indians of North America -- Plateau  Search this
Kootenai (Kutenai)  Search this
Kiowa  Search this
Mojave (Mohave)  Search this
Miccosukee Seminole (Mikasuki)  Search this
Indians of North America -- Northwest Coast of North America  Search this
Indians of North America -- Northeast  Search this
Niitsitapii (Blackfoot/Blackfeet)  Search this
Chehalis  Search this
Apache  Search this
Athapascan Indians  Search this
Cocopa  Search this
Niuam (Comanche)  Search this
Cherokee  Search this
Indians of North America -- Southern States  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Pueblo Indians  Search this
Acoma Pueblo  Search this
Type:
Collection descriptions
Archival materials
Contact prints
Acetate negatives
Color transparencies
Photographs
Place:
North Carolina
New York
New Mexico
Montana
South Dakota
Oklahoma
Arizona
California
Florida
Minnesota
Alaska
Alberta
Washington (State)
Barrow, Point (Alaska)
Yuma County (Ariz.)
Taos (N.M.)
Date:
circa 1970-1975
Scope and Contents note:
Photographs made as part of Joseph C. Farber's project to document modern NAtive American everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage is broad and varies from tribe to tribe. Included are portraits, as well as totem poles, carving, weaving, pottery, painitng, landscapes, boats and canoes, ceremonial regalia, camps, classes and vocational training, homes and traditional dwellings, construction projects, rodeos and powwows, dances, industries (including lumber), herding and ranching, agriculture, stores and storefronts, cliff dwellings, parades, crab cleaning, fishing, games, health care, legal processes, music, office work, sewing, vending, and a funeral. There are also photographs of R. C. Gorman (and a letter from Gorman to Farber) and Fritz Shoulder (some in color).

Farber's travels included Alaska (Point Barrow, Dead Horse, Glacier Bay, Haines, Hoona, Hydaberg, Ketchikan, Mount McKinley, Prudhoe Bay, Saxman, and Sitka); Alberta (Blackfeet Reservation); Arizona (Canyon de Chelly, Cocopa Reservation, Flagstaff, Kayenta, Monument Valley, Pima Reservation, Quechan Reservation, Mojave Reservation, and Yuma); California (Alcatraz, Oakland, and San Francisco); Florida (Big Cypress Reservation; Miccosukee Reservation); Minnesota (Minneapolis and Nett Lake); Montana (Northern Cheyenne Reservation); New Mexico (Acoma, Gallup, Navajo Forest, Picuris, Puye, San Ildefonso, Santa Clara, Santa Fe, Taos, San Ildefonso, Santa Clara, and Tesuque); New York (New York City and Onandaga Reservation); North Carolina (Cherokee Reservation); Oklahoma (Anadarko, Apache, Lawton, Stilwell, and Tahlequah); South Dakota (Rosebud and Wounded Knee); and Washington (Lummi Reservation, Nisqually River, Puyallup River, and Quinalt Reservation).
Biographical/Historical note:
Joseph C. Farber (1903-1994) was a successful New York businessman and professional photographer. He studied with Edward Steichen at the New York Camera Club in the 1920s. The prints in this collection resulted from a five-year project that involved travelling to Native communities throughout the United States to document modern Native American life. The project resulted in a book, Native Americans: 500 Years After (1975), as well as exhibits, including one in the National Museum of Natural History in 1976-1977.
Local Call Number(s):
NAA Photo Lot 78-1, NAA ACC 95-3
Location of Other Archival Materials:
Farber's photographs, previously located in Photo Lot 95-3 have been relocated and merged with Photo Lot 78-1. These photographs were also made by Joseph C. Farber and form part of this collection.
The National Museum of American History Archives Center holds the Joseph Farber Papers and Photographs, circa 1962-1990.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Photographs published in Farber's books still under copyright. Reproduction permission from artist's estate.
Topic:
Dwellings  Search this
Vocational education  Search this
Canoes and canoeing  Search this
Boats and boating  Search this
Dance  Search this
Powwows  Search this
Rodeos  Search this
Building  Search this
handicrafts  Search this
Totem poles  Search this
Agriculture  Search this
Livestock  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 78-1, Joseph C. Farber photographs of Native American life, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.78-1
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-78-1

Articles

Collection Creator:
Woman's Building (Los Angeles, Calif.)  Search this
Container:
Box 11, Folder 35
Type:
Archival materials
Date:
circa 1978-1980
Collection Citation:
Woman's Building records, 1970-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Woman's Building records
Woman's Building records / Series 2: Education Programs / 2.2: Feminist Studio Workshop
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-womabuil-ref527
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Robert Reid Papers

Collection Creator:
Reid, Robert, 1862-1929  Search this
Extent:
0.9 Linear feet (Boxes 1-2, OVs 3-5)
Type:
Archival materials
Date:
circa 1880-circa 1930
Scope and Contents:
There is one certificate is for the 1897 Clarke Prize presented to Robert Reid by the National Academy of Design for his painting Moonrise.

Letters are primarily from Robert Reid to his sister Sara Bigelow Reid and document a single year in Reid's life (1887) when he moved to Paris and traveled to Italy The letters serve as a diary of his activities through October of that year, and focus in particular on visits to Venice, and his preparations for and reactions to acceptance of his artwork by the Paris Salon, which he expresses in letters to his sister and in a letter to his Uncle, Alexander Napier. Additionally, the letters document his program of study in Paris, and his summer work in Étaples, France. Also found are three letters from Reid's cousin, Clara Field, who accompanied Reid to Naples and wrote to Sara Reid about their travels. In one 1930 letter from Whitney Warren to Sara Reid, Warren thanks her for sending her brother's sketchbook and letters to him.

Writings consist of an essay and journal entries entitled "Really Random Recollections of Charles D. Reid for Robert N. Reid" written by Robert Reid's brother Charles for his son Robert Newell Reid between 1918 and 1920. The writings relate family history and include journal entries relating to the end of the First World War through to October 1920.

Printed material about Reid includes several newspaper and journal articles, an announcement for Reid's figure painting class at Broadmoor Art Academy, and aSaturday Evening Post article in which an unidentified author shares personal recollections of Robert Reid. Other printed material includes an edition of the Harvard Lampoon.

Scrapbooks are dated by the estimated date of compilation but contain items that pre-date the folder dates. Scrapbooks 1 and 2 were compiled by Charles D. Reid for Robert Newell Reid and document Reid family history. They include family letters, photographs and news clippings, including several photographs of Robert Reid, three letters which the artist wrote to Robert N. Reid, a 1909 Reid exhibition announcement and a 1916 Reid exhibition catalog, as well as clippings about some of Reid's exhibitions and mural projects. The scrapbooks also include copies of a 1916 paper and related materials that Charles D. Reid wrote on "Early Transportation Conditions in New England." Scrapbook 3 consists primarily of correspondence between Charles D. Reid and various schools concerning his interest in vocational education and a 1913 paper he wrote on that subject. Scrapbook 4 has had most entries removed and is inscribed by Charles D. Reid's father "Jared Reid Jr., Hartford Ct., Jan. 1880." Charles D. Reid presumably removed the entries to place in Scrapbooks 1-3.

Photographs of Reid include a group of men (circa 1880s) with Reid in the back row; four photographs of Reid working on a mural, probably in the 1890s; and a 1927 portrait of Reid. Additional photographs of Reid can be found in the scrapbooks. Also found is a copy print of Reid's studio, photographs of Europe including Antwerp and Brussells in 1885 and Pas-de-Calais in 1888, photographs of works of art by Reid, and a photograph of the stage and crowd at an unidentified event.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Reid papers, circa 1880-circa 1930. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.reidrobe, Series 1
See more items in:
Robert Reid papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-reidrobe-ref1

The Tech, Massachusetts Institute of Technology

Collection Creator:
Brooks, Arthur Raymond, 1895-1991  Search this
Container:
Box 28, Folder 18
Type:
Archival materials
Text
Date:
August 3, 1918
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Arthur Raymond Brooks Collection, NASM.1989.0104, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur Raymond Brooks Collection
Arthur Raymond Brooks Collection / Series 2: Personal Materials / 2.13: Newspapers and newspaper supplements
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1989-0104-ref593
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Philanthropy Files

Collection Creator:
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Extent:
2 Linear feet (Boxes 15-17)
Type:
Archival materials
Date:
1902-1923
bulk 1915-1920
Scope and Contents note:
This series consists of files relating to some of Gertrude Vanderbilt Whitney's philanthropic activities spanning from before to just after the First World War, including her donations to various charities (especially war relief organizations), her sponsorship of the American Ambulance Field Hospital in Juilly, France during the First World War, and her support of the Greenwich House Social Settlement. Files primarily consist of correspondence, minutes, reports, and printed material. Among the Juilly Hospital files can be found a book of patient stories and photographs presented to Whitney as memento or token of appreciation, photographs and snapshots (mostly unidentified), a photograph album, and a certificate of service.

See Appendix for a list of correspondents from Series 6.
Arrangement note:
Files are arranged alphabetically.
Appendix: Correspondents from Series 6:
A

Aerial League of America

Air Service Memorial Fund

Alliance Francais

Allied Theatrical and Motion Picture Team

Alsace-Lorraine Society of America

American Artists Mutual Aid Association

American Bible Society

American Committee for Relief for Devastated France in the Near East

American Defense Society, Inc.

American Flying Club

American Free Milk and Relief for Italy, Inc.

American Forestry Association

American Friends of Musicians in France

American Fund for French Wounded

American Hospital in Nice, France

American Institute of Social Science

America International College

American Legion

American National Committee for Relief of Refugees in Russia

American Poets' Ambulances in Italy

American Red Plus

American Red Star Animal Relief

American Women's Hospitals in Europe

American Women's Magazine

Americanization Committee; New York State Woman Suffrage Party

America's Tribute to Britain

Art War Relief

Association for the Alleviation for the Condition of Orphan Children

Association to Promote Proper Housing for Girls

B

Babies Hospital of the City of New York

Babies' Welfare Association

Belgian Military Committee

Belgian Scholarship Committee

Bide-A-Wee Home, Association Inc.

Big Sisters, Inc.

Bird Club of Long Island

Blind and Crippled Relief Fund for American Soldiers and Sailors

Blind Men's Improvement Club of New York

Boy Scouts of American

Brearly League

British American Relief Association

British Canadian Recruiting Mission

British Canadian Patriotic Fund

British Great War Veterans of America, Inc.

British Pictorial Service

British War Relief Association, Inc.

C

Camp Fire Girls

Camp Merritt Fund

Camp Upton Community Hall

Cathedral of St. John the Divine

Catherine Breshkovsky Russian Relief Fund

Chalif Normal School of Dancing

Child Health Organization

Children on the Frontier (French-American)

Children's Hospitals of Luke

Citizens Union of the City of New York

City Club

City History Club

Civic Forum

Clear Pool Camp

Colony Club Ambulance Fund

Committee for Men Blinded in Battle

Committee for Relief in the Near East

Committee of Mercy

Committee on Colonial and National Art, Archaeological Institute of America

Committee on the Military Ball

Committee to Secure Rank for Nurses

Community Playhouse, Newport

Converence Committee on National Preparedness

Conference of Charities and Correction

Convalescent Relief Division, Bellvue Hospital

D

Diocoesan Missionary and Church Extension Society

Domestic and Foreign Missionary Society

Dover Patrol Fund

Duryea War Relief

E

East Side House Settlement

Educational Dramatic League

Emergency Aid of Pennsylvania

F

Federal Board for Vocational Education

Federation of Associations for Cripples

Free Milk for France

Freedom, Inc.

French Bureau

French Heroes Fund, including Lafayette Memorial Fund, Inc.

French Institute in the United States

French Tuberculous War Victims Fund

French War Emergency Fund

Friends of France

Friends of National Bible Institute

French Sailors Relief Committee

Fund to Aid the Devastated Villages in France

G

Garnett Fresh Air Home

General Committee on Army and Navy Chaplains

General Wartime Commission of the Church

Girl Scouts, Manhattan Council

Greater New York Philanthropic Society

H

Hebrew Sheltering and Immigrant Aid Society of America

Henry Street Settlement

Hero Land (Allied Bazaar), under the auspices of League of Allies

Historical Society of Nantucket, MA

Historical Society of Newport, RI

Home for Convalescent Babies

Home for the Aged

Hospital and House of Rest for Consumptives

Hospital Under the Three Flags

Humanitarian Duct and Magazine

I

Indian Rights Association

Institute of Applied Christianity

Italian War Relief Fund of America

Italy America Society

J

Joffre Tribute Committee

Junior American Guard

Junior Homeprojects Works

Junior League

Junior Patriots of America

K

Kings College Hospital

Knights of Columbus

Kowaiga School for Colored Youth

L

Ladies Kennel Association

Lady Beatty's War Relief Fund

Laying-in-a-Hospital

League for the Presentation for American Independence

League of the Allies

League of Catholics

League of Foreign Born Citizens

League of Nations

League to Enforce Peace

Le Salon

Liberty Film Committee

Liberty Loan Committee, 3rd, 4th, Fine Arts Liberty Loan Committee, Women's Liberty Loan Committee

M

Manhattan Eye, Ear and Throat Hospital

Manhattan Maternity and Dispensary

Maternity Center Association

Mayor's Committee of Women on National Defence

Militia of Mercy

Museum of French Art

Musicians Fund, Union Trust

Music School Settlement

N

Nassau County Association, Inc.

Nassau Hospital Association

National Aeronautic Committee

Natoinal Allied Relief Committee

National Arts Club

National Association of Audobon Society

National Bible Institute

National Child Welfare Association, Inc.

National Committee on Prisons and Prison Labor

National Council of Women (National Liberty Sing)

National Emergency Relief Society

National Historical Society

National Institute of Social Services

National Kindergarten Association

National League of Women's Service

National Patriotic Song Committee

National Phonograph-Records Recruiting Corp.

Navy League of the United States

Navy Relief Society

Neighborhood Association

Neighborhood Playhouse

Neighbors League of America

Netherlands Symphony Orchestra of New York

New York Anti-Vivisection Society

New York Association for the Blind

New York Bible Society

New York Committee of After Care of Infantile Paralysis Cases

New York Committee of the American Committee for Devastated France

New York Dispensary

New York Eye and Ear Infirmary

New York Kindergarten Association

New York Medical College and Hospital for Women

New York Nursery and Child's Hospital

New York Orthopaedic Dispensary and Hospital

New York Probation and Protective Association

New York Society for the Relief of the Ruptured and Crippled

New York Special Aid Society

New York Zoological Society

O

Orphan's Automobile Day Association of New York, Inc.

Open Stair Dwelling Co.

Our Dumb Friends League

Our Sacred Duty League

P

Park Fetes

Park Hospital and Training School

People's Institute

People's of America Society

People's University Extension Society of New York

Permanent Blind Relief War Fund for Soldiers and Sailors

Pilgrim Tercentenary Memorial Fund

Piper's Club

Playground and Recreation Association of America

Polish Victims Relief Fund

Presbyterian Hospital

Prison Assocation of New York

Professional Classes War Relief of America

Professional Women's League

Prospect Hill Day Nursery

Protestant Episcopal Church

R

Red Cross Christmas Seal Campaign

Red Cross Roll Call

Red Cross Shop

Refugees in Russia

Refugees Relief Fund

Relief Committee for Greeks of Asia Minor

Relief Fund for the Families of French Soldiers

Richmond Hill House

Riggs School, Inc.

Rocky Mountain Club of New York

Rose Sidgwick Memorial Fund

Ross Studios, Home Making and Motherhood Training

Roumanian Relief Committee of America

Russian Balalaika Orchestra

Russian Charity Society

S

Saint Ambrose Community Center

Saint Andrew's Convalescent Hospital

Saint Andrew's Hospital Coffee Stand Society

Saint Bartholomew's Church

Saint John's Guild

Saint Joseph's Convent and School

Saint Luke's Home for Aged Gentlewomen

Saint Luke's Hospital

Saint Mark's Hospital of New York City

Saint Mary's Free Hospital for Children

Salvation Army, War Work Campaign

School of Mothercraft War Service

Seamen's Church Institute

Secours Franco-American

Secours National

Serbian Aid Fund

Serbian Relief Commission of America

Seward Park Rehabilitation Center

Sheltering Arms

Sick Children's Transfer Society

Smith College Club

Snow Hill Normal and Industrial Institute

Society for Italian Women

Society for Relief of Destitute Blind

Society of American Singles

Society of Lying-in-a-Hospital

Society of the Friends of Music

Society of the New York Hospital

Stage Society

State Charities Aid Association

State Commission of Prisons in New York

Stony Wold Sanitarium Corp.

Sunshine Settlement, Inc.

Sun Tobacco Fund

T

Tank Corps League

Tenement House Committee

Traveler's Aid Society

Tribune Fresh Air Fund

Trinity Church

U

Union des Arts

Union Settlement

United Building Fund Campaign

United Committee on Christian Service for Relief in France and Belgium

United Committee on War Temperance Activities in the Army and Navy

United Hospital Fund

United Neighborhood Houses of New York

United Settlement Committee of Association of Neighborhood Workers

United States Food Administration

United States Junior Naval Reserve

United States Naval Forces Operation in European Waters

United War Work Campaign

V

Vacation Association, Inc.

Valentine's Manual of Old New York

Vassar College

Visiting Nurse Service

Vocational Committee of the Kips Bay Neighborhood Association

Voluntary Parenthood League

Volunteer Hospital

Volunteers of American, Volunteer Fresh Air and Outing Work

W

Wadsworth-Upton Tobacco Fund

War Department Commission on Training Camp Activities

War Industries Board

War Savings Metal Market

West Side Day Nursery

Woman's American Supply League

Woman's Auxiliary for Navy Recruiting, Inc.

Woman's Auxiliary of the French Hospital

Woman's Land Army of American, Inc.

Woman's Municipal League of New York

Woman's Naval Service, Inc.

Woman's Practical Law Association

Woman's Prison Association

Woman's Roosevelt Memorial Association

Woman's Section of the Navy League of the United States

Woman's League for Animals and Free Hospital

Women's National Committee

Woodcroft League of America

World's Talent Foundation

World's War Biographical Society

Worker's Bureau

Y

Yale University Glee, Banic and Mandolin Clubs

Yorkville Neighborhood Association

Yorkville Protective League Committee

YMCA, War Work Funds

YWCA, War Work Funds
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitgert, Series 6
See more items in:
Gertrude Vanderbilt Whitney papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-whitgert-ref604

Like It Is: Tuskegee Institute Show

Creator:
WABC-TV (Television station : New York, N.Y.)  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Tuskegee Institute  Search this
United Negro College Fund  Search this
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Collection Creator:
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Extent:
1 Sound recording (open reel, 1/4 inch)
Culture:
African American  Search this
Type:
Archival materials
Sound recordings
Place:
Washington (D.C.)
United States
Date:
undated
Scope and Contents:
'Like It Is' was a program focused on issues concerning African Americans and people of the African diaspora, hosted by Gilbert Edward Noble from 1968 until his death in 2012. In this episode, Dr. Frederick Douglass Patterson - former president of Tuskegee Institute and founder of the United Negro College Fund - was interviewed about black colleges, the role of the United Negro College Fund, competition in professional schools, admitting white students into black colleges, curriculum changes, liberal arts versus vocational education, and the Tuskegee Institute.
Television program. Sound only. Part of the Frederick Douglass Patterson collection. Dated Nov. 9.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Frederick Douglass Patterson papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African Americans  Search this
Universities and colleges  Search this
Universities and colleges, Black  Search this
Race  Search this
Education  Search this
Genre/Form:
Sound recordings
Citation:
Like It Is: Tuskegee Institute Show, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-010, Item ACMA AV005268
See more items in:
Frederick Douglass Patterson papers
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-06-010-ref1017

Correspondence

Collection Creator:
Knabenshue, A. Roy (Augustus Roy), 1876-1960  Search this
Container:
Box 2, Folder 13
Type:
Archival materials
Text
Date:
1942
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
A. Roy Knabenshue Collection, Acc. NASM.XXXX.0136, National Air and Space Museum, Smithsonian Institution.
See more items in:
A. Roy Knabenshue Collection
A. Roy Knabenshue Collection / Series 2: Career / 2.2: National Park Service
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0136-ref59
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Robert Reid papers

Creator:
Reid, Robert, 1862-1929  Search this
Names:
Reid, Charles D.  Search this
Reid, Sara Bigelow  Search this
Extent:
0.9 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
circa 1880-circa 1930
Summary:
The papers of New York painter Robert Reid measure 0.9 linear feet and date from circa 1880-circa 1930. The collection provides scattered documentation of Reid's career and family history through a certificate, letters, an essay of family recollections, scrapbooks containing letters, writings, printed material and family photographs, printed material about Reid, and photographs of Reid, his studio, travels, and works of art.
Scope and Contents:
The papers of New York painter Robert Reid measure 0.9 linear feet and date from circa 1880-circa 1930. The collection provides scattered documentation of Reid's career and family history through a certificate, letters, an essay of family recollections, scrapbooks containing letters, writings, printed material and family photographs, printed material about Reid, and photographs of Reid, his studio, travels, and works of art.

Letters are primarily from Robert Reid to his sister Sara Bigelow Reid and document a single year in Reid's life (1887) when he moved to Paris and traveled to Italy, serving as a diary of his activities through October of that year. Writings consist of an essay and journal entries entitled "Really Random Recollections of Charles D. Reid for Robert N. Reid" written by Robert Reid's brother Charles between 1918 and 1920. Scrapbooks 1 and 2 were compiled by Charles D. Reid and document Reid family history. Scrapbook 3 consists primarily of correspondence between Charles D. Reid and various schools concerning his interest in vocational education and a 1913 paper he wrote on that subject. Scrapbook 4 has had most entries removed and is inscribed by Charles D. Reid's father "Jared Reid Jr., Hartford Ct., Jan. 1880." Charles D. Reid presumably removed the entries to place in Scrapbooks 1-3.

Photographs of Reid include a group of men (circa 1880s) with Reid in the back row, of Reid working on a mural, and a 1927 portrait of Reid. Additional photographs of Reid are found in the scrapbooks. Also found is a copy print of Reid's studio, photographs of Europe, photographs of works of art by Reid, and a photograph of the stage and crowd at an unidentified event.
Arrangement:
Due to the small size of the collection the papers are arranged as one series.

Series 1: Robert Reid Papers, circa 1880-circa 1930 (Boxes 1-2; 0.9 linear feet)
Biographical / Historical:
Robert Reid (1862-1929) was a painter, muralist, craftsman, and teacher who worked primarily in New York City and Colorado.

Robert Reid was born in 1862 in Stockbridge Massachusetts and studied at the School of Painting and Drawing of the Museum of Fine Arts, Boston, from 1880-1884. He then moved to New York City and studied at the Art Students' League before moving to Paris in 1885, where he continued his studies at the Académie Julian over the next four years.

In 1887 Reid embarked on a tour of Italy that included visits to Milan, Venice, Florence, Rome and Naples. On his visits to Naples he was accompanied by several cousins, including Clara Field, who were on an extended European tour. Throughout the year Reid recorded his experiences and impressions in letters to his sister, Sara Bigelow Reid. In March of 1887 he submitted the first of three paintings to the Paris Salon, all of which were subsequently accepted.

In 1889 Reid returned to the United States and settled in New York City, teaching at the Cooper Union and the Art Students' League and painting portraits before embarking on various mural and decorative art projects. His first mural project was for one of the eight domes in the Liberal Arts Building of the World's Columbian Exposition in Chicago in 1892. In 1897 he painted allegories of the five senses for octagonal panels in the Library of Congress, and in 1899 executed a large allegorical mural for the New York Appellate Division Court House. The Boston State House includes three large panels, including "Paul Revere's Ride" and the "Boston Tea Party," painted by Reid between 1901 and 1904. His stained glass work included a 1906 series of ten windows for the Unitarian Memorial Church at Fairhaven, Massachusetts.

During the 1890s Reid's return to outdoor work and his easel paintings demonstrated a balance between decorative and Impressionist techniques, and were often of women in landscape settings holding or carrying flowers. In 1898 he exhibited as one of the Ten American Painters who seceded from the Society of American Artists in favor of a less traditional, more Impressionistic style.

In the 1920s Reid moved to Colorado Springs and taught at the Broadmoor Art Academy. Several years before his death, Reid taught himself to paint with his left hand after suffereing a stroke that resulted in paralysis of his right hand. He died in Clifton Springs, New York, in 1929.

H. Barbara Weinberg's 1975 essay "Robert Reid: Academic 'Impressionist'" (Archives of American Art Journal, Vol 15, No. 1, 1975) was used in the writing of this Biographical Note.
Provenance:
The collection was donated to the Archives of American Art by Joseph Bowdring in 1973. Bowdring purchased the papers along with Reid's paintings.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists' studios -- Photographs  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
Robert Reid papers, circa 1880-circa 1930. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.reidrobe
See more items in:
Robert Reid papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-reidrobe
Online Media:

Anna Walinska papers

Creator:
Walinska, Anna  Search this
Names:
Guild Art Gallery  Search this
Avery, Milton, 1885-1965  Search this
Beata, Welsing  Search this
Hacohen, Bracha  Search this
Littlefield, William Horace, 1902-1969  Search this
Nevelson, Louise, 1899-1988  Search this
Walinsky, Louis Joseph, 1908-2001  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Place:
Europe -- description and travel
Israel -- Description and Travel
Date:
1927-2002
bulk 1935-1980
Summary:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.
Scope and Contents:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Biographical material consists of awards, certificates, curriculum vitae, biographical outlines, exhibition lists, passports and other material. There is a partial transcript from a radio interview of Anna Walinska. Also included are limited financial records.

Correspondence includes Anna Walinska's letters to her family from her 1954-1955 trip abroad to multiple countries in Asia, the Middle East, and Europe. There is personal and professional correspondence with friends, artists and art institutions. Notable correspondents include Milton Avery, Louise Nevelson, Beata Welsing, Bracha Hacohen, William Littlefield, and Walinska's brother Louis Walinsky.

Writings consist of Walinska's notes, notebooks, lectures, essays, and a handwritten prospectus for Guild Art Gallery. There is one folder of writings by others about Walinska at the end of the series. There are four travel diaries that describe Walinska's trip around the world from 1954-1955, during which she traveled to many countries, and later trips to locations such as Israel and Trinidad.

Printed Material include clippings about Anna Walinska, group and solo exhibition catalogs, announcements, event invitations, and course catalogs for the Master Institute of United Art in New York City, where Walinska taught painting and drawing classes.

There are three scrapbooks: one scrapbook is about Guild Art Gallery, the second scrapbook is about the Holocaust exhibition, the third oversized scrapbook documents Walinska's career and activities overall.

Artwork consists of two bound sketchbooks as well as drawings and sketches in a variety of mediums from pencil and ink to watercolors and oils.

Photographs are of Walinska, friends, family, artists, artwork, exhibition installations, and other subjects. One album includes photos of Anna Walinska and her travels, along with images of friends and colleagues. The second album includes photographs of Walinska's solo exhibition at Sunken Meadow Gallery (1959). There is also one folder of photocopies of photos of assorted artwork by Walinska.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1927-2002 (Box 1; 11 folders)

Series 2: Correspondence, 1949-1995 (Box 1; 0.4 linear feet)

Series 3: Writings, circa 1935-circa 1983 (Box 1; 8 folders)

Series 4: Travel Diaries, 1954-1973 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1942-2002 (Boxes 1-2; 0.4 linear feet)

Series 6: Scrapbooks, circa 1929-1980 (Boxes 2, 4; 0.5 linear feet)

Series 7: Artwork, circa 1929-1963 (Box 3; 5 folders)

Series 8: Photographs, circa 1932-1980 (Box 3; 0.3 linear feet)
Biographical / Historical:
Anna Walinska (1906-1997) was a New York artist, teacher and gallery director who traveled widely and is most well known for her paintings related to the subject of the Holocaust.

Anna Walinska was born in London, England in 1906 to labor organization leader Ossip Walinsky and poet Rosa Newman Walinska. She had two siblings, Emily and Louis. The family immigrated to New York City in 1914, and Anna Walinska began studying at the Art Students League in 1918. In 1926, she travelled to Paris and studied art at the Academie de Grande Chaumier with Andre L'Hote. France was her primary residence until 1930.

In 1935, Walinska and artist Margaret Lefranc co-founded the Guild Art Gallery at West 57th Street in New York and gave Arshile Gorky his first solo exhibition in the city. The gallery closed its doors in 1937. In 1939, Walinska was the Assistant Creative Director of the Contemporary Art Pavilion at the New York World's Fair. During this time, Walinska also pursued her own art and exhibited work in numerous group shows.

From 1954 to 1955, Walinska traveled around the world, visiting the capitals and major cities of many countries in Asia, the Middle East and Europe. Places she went included Japan, Burma (now known as Myanmar), Pakistan, Greece, Italy, France and Spain. During her four month stay in Burma, she painted a portrait of Prime Minister U Nu and she later became a highly respected portrait artist who painted numerous illustrious subjects such as First Lady Eleanor Roosevelt, artists Louise Nevelson and Mark Rothko, and many others.

In 1957, Walinska became the artist-in-residence at the Riverside Museum where she also taught and exhibited with other artists. That same year, she had her first retrospective at the Jewish Museum in New York City.

Walinska exhibited widely and often. Holocaust: Paintings and Drawings, 1953-1978, which opened at the Museum of Religious Art at the Cathedral of St. John the Divine in New York City, is probably the most well-known of her exhibitions and it traveled across the country to several other sites such as the War Memorial Building in Baltimore and Mercy College of Detroit. Works from this exhibition were acquired by multiple museums to become part of their permanent collections.

Walinkska died on December 19, 1997 at the age of 91 in New York City. In 1999, there was a retrospective of her work titled Echoes of the Holocaust: Paintings, Drawings, and Collage, 1940-1989 held at Clark University's Center for Holocaust Studies. The Onisaburo Gallery at New York's Interfaith Center also held a solo exhibition titled Portraits of Faith (2000). Her art is part of the collections at the Denver Art Museum, National Portrait Gallery, National Museum of Women in the Arts, the Rose Art Museum, and other museums.
Related Materials:
The Archives of American Art also has the Guild Art Gallery records, which consists of material related to the gallery that was co-founded by Anna Walinska.
Provenance:
The papers were donated by Anna Walinska in two installations in 1976 and 1981. Rosina Rubin, Anna Walinska's niece, made a third donation of material in 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., research center.
Topic:
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Drawing--Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Holocaust, Jewish (1939-1945), in art  Search this
Women painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Painting -- New York (State) -- New York  Search this
Asia--Description and travel  Search this
Middle East--Description and travel  Search this
Trinidad and Tobago--Description and travel  Search this
Genre/Form:
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Citation:
Anna Walinska papers, 1927-2002, bulk 1935-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.walianna
See more items in:
Anna Walinska papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-walianna
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Online Media:

[Vocational Education]

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 395
Type:
Archival materials
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 6: NCAI Committees and Special Issues Files / 6.18: Self-Determination and Eduation / General
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-010-ref4911

Vocational Education - Background

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 395
Type:
Archival materials
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 6: NCAI Committees and Special Issues Files / 6.18: Self-Determination and Eduation / General
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-010-ref4912

Vocational Education: Correspondence

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 395
Type:
Archival materials
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 6: NCAI Committees and Special Issues Files / 6.18: Self-Determination and Eduation / General
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-010-ref4913

"Vocational Education Discretionary Programs"

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 395
Type:
Archival materials
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 6: NCAI Committees and Special Issues Files / 6.18: Self-Determination and Eduation / General
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-010-ref4915

National Center for Research in Vocational Education

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 356
Type:
Archival materials
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 6: NCAI Committees and Special Issues Files / 6.18: Self-Determination and Eduation / Education - Institutions and Organizations
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-010-ref4390

The Center for Vocational Education - Ohio State University

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 360
Type:
Archival materials
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 6: NCAI Committees and Special Issues Files / 6.18: Self-Determination and Eduation / Education - Institutions and Organizations
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-010-ref4445

Federal Board for Vocational Education

Collection Creator::
Smithsonian Institution. International Exchange Service  Search this
Container:
Box 18 of 37
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 509, Smithsonian Institution, International Exchange Service, Records
See more items in:
Records
Records / Box 18
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0509-refidd1e13915

Scrapbook: Return Surplus Lands to Indian People

Collection Creator:
Thorpe, Grace F.  Search this
Extent:
38 Photographic prints
Container:
Box 12
Box 2, Folder 1
Type:
Archival materials
Photographic prints
Date:
1971
Scope and Contents:
This scrapbook includes articles, newspaper clippings, letters and photographs from various events and marches Grace participated in regarding the fight for returning surplus lands to Native peoples. These events and materials include--Fishing Rights March (1970) in Yelm, Washington with the McCloud family; Fort Lawton "Surplus" March (1970) in Seattle, Washington; Pit River versus P.G..E. (1970) in Big Bend, California; DQU, Deganawidah Quetzalcoatl University founding (1971) in Davis, California; and documentation as National Commitee Director for the "Return Surplus Lands to Indian People".
Separated Materials:
The cover and back of the scrapbook binder are in Box 12 since they are oversized.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Grace F. Thorpe Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Grace F. Thorpe Collection
Grace F. Thorpe Collection / Series 4: Working on Behalf of Native Americans and Activism
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-085-ref108
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Scrapbook: Return Surplus Lands to Indian People digital asset number 1
  • View Scrapbook: Return Surplus Lands to Indian People digital asset number 2
  • View Scrapbook: Return Surplus Lands to Indian People digital asset number 3

Health award, Martha Washington Vocational School [acetate film photonegative]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Creator:
Defender (film manufacturer)  Search this
Names:
Martha Washington Vocational School (Washington, D.C.).  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 18
Type:
Archival materials
Photographs
Date:
[ca. 1930]
Scope and Contents:
"E Health Award, Martha Wash. Vocational" in ink on edge. Defender Safety Film edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans -- Vocational education -- 1930-1940  Search this
Portraits, Group -- 1930-1940 -- Washington (D.C.).  Search this
Vocational education  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref316
Online Media:

Vocational Education and Manpower Needs

Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Container:
Box 1
Type:
Archival materials
Date:
1964
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Category: Manpower, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Manpower
Warshaw Collection of Business Americana Subject Categories: Manpower / Corporate Documents and Training Materials / United States Department of Labor
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-manpower-ref529

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