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Moses and Frances Asch Collection

Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Names:
Courlander, Harold, 1908-1996  Search this
Guthrie, Woody, 1912-1967  Search this
Jenkins, Ella  Search this
Leadbelly, 1885-1949  Search this
Ramsey, Frederic, 1915-1995  Search this
Seeger, Pete, 1919-2014  Search this
Extent:
841 Cubic feet
Type:
Collection descriptions
Archival materials
Business records
Correspondence
Phonograph records
Photographic prints
Audiotapes
Date:
1926-1986
bulk 1948-1986
Summary:
This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.
Scope and Contents:
The Moses and Frances Asch Collection measures 841 cubic feet and dates from 1926-1987, with some contemporary, relevant correspondence, clippings, and ephemera added after 1987.

Most of the collection consists of audio recordings (commercial 78 rpm and long-playing records, open reel tapes, acetate discs, and test pressings), correspondence with recording artists and producers, artwork, photographs, ephemera, clippings, record production materials, writings, and business papers relating to Folkways Records. Materials relating to Folkways Records can be found primarily in the Correspondence, Folkways Production, Business Records, Photographs, Artwork, Sound Recordings, and Film series.

The collection also contains some biographical materials and personal correspondence, including materials related to Asch's first business, Radio Laboratories, located in the Biographical Materials series. Correspondence, ephemera, photographs, record production materials, business papers, and recordings relating to Asch's record labels before Folkways Records (Asch Recordings, Disc Company of America, Cub Records) are located in the Early Label Materials series as well as the Audio Recordings and Photographs series.
Arrangement note:
The collection is arranged in 10 series:

Series 1: Correspondence, 1942-1987

Series 2: Folkways Production, 1946-1987

Series 3: Business Records, 1940-1987

Series 4: Woody Guthrie papers, 1927-1985

Series 5: Early Label Materials, 1940-1949

Series 6: Biographical Materials, 1926-1987

Series 7: Photographs

Series 8: Artwork

Series 9: Audio Recordings

Series 10: Film

At this time, the collection is partially processed. Please contact rinzlerarchives@si.edu for more information.
Biographical/Historical note:
The son of Yiddish writer Sholem Asch, Moses Asch was born in Poland in 1905. His childhood was spent in Poland, France, Germany, and New York. While young, Asch developed an interest in radio electronics, which ultimately lead him to his life's work, recording the music and sounds of the world. He established several record labels in succession, sometimes partnering with other record companies. Two of his fist record companies, Asch Recordings and DISC Co. of America, went bankrupt. They were followed by his best-known label, Folkways Records, which was founded in 1948 with Marian Distler (1919-1964). He was still working on Folkways recordings when he died in 1986.

Folkways Records sought to document the entire world of sound. The 2,168 titles Asch released on Folkways include traditional and contemporary music from around the world, spoken word in many languages, and documentary recordings of individuals, communities, and current events. Asch's business practices revolved around the commitment to keep every recording issued by Folkways in print, despite low sales. Asch stayed afloat by cutting costs where he could (such as color printing) and offering a high-quality product, meticulously recorded and accompanied by extensive liner notes. In doing this, he could charge a slightly higher price than other commercial outfits. Despite a tenuous relationship with financial solvency, Folkways grew to be not only one of the most important independent record companies in the United States in the 20th century, but also one of the largest and most influential record companies in the world.

Moses Asch's record labels featured famous and lesser known American writers, poets, documentarians, ethnographers, and grass roots musicians on commercial recordings. American folk icon Woody Guthrie recorded on the Asch, Disc, and Folkways labels, and the Asch Collection includes some of his correspondence, lyrics, drawings, and writings. The collection also includes correspondence with other notable musicians and artists such as John Cage, Langston Hughes, Margaret Walker, Huddie "Lead Belly" Ledbetter, Pete Seeger, Peggy Seeger, Ewan MacColl, Alan Lomax, Henry Cowell, and Kenneth Patchen. Also in the collection are ethnographic field notes and photographs by as well as correspondence with Béla Barók, Sidney Robertson Cowell, Harold Courlander, Helen Creighton, Laura Boulton, and Samuel Charters. Asch hired various prominent artists and graphic designers including David Stone Martin, Ben Shahn, John Carlis, and Ronald Clyne to create album cover art for his recordings. Much of the original art and designs for these covers can be found in the Asch Collection.

Asch's output of recordings on various labels, including published recordings, open reel master tapes, outtakes, and acetate disks, in addition to his business papers, correspondence, photographs, and other files were acquired by the Smithsonian Institution in 1987. The collection came to the Smithsonian with the understanding that all 2168 titles under the Folkways label would be kept available in perpetuity.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Provenance:
Ralph Rinzler arranged the Smithsonian's acquisition of the Moses and Frances Asch Collection in 1987, beginning with Asch before his death in 1986 and continuing with extensive discussions between Rinzler and the Asch family. Since its acquisition, archivist Jeff Place and others have added contemporary, relevant correspondence with Folkways artists and related individuals.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk music  Search this
Folk dance music  Search this
Electronic music  Search this
Oral interpretation of poetry  Search this
Oral interpretation of fiction  Search this
Music -- 20th century  Search this
Music -- 19th century  Search this
Music -- 18th century  Search this
Jazz  Search this
Folk music -- United States  Search this
World music  Search this
Sounds  Search this
Vocal music  Search this
Popular music -- 20th century -- United States  Search this
Genre/Form:
Business records
Correspondence
Phonograph records
Photographic prints
Audiotapes
Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH
See more items in:
Moses and Frances Asch Collection
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk533b8a927-559a-44ac-98d2-f32d871058b4
EDAN-URL:
ead_collection:sova-cfch-asch
Online Media:

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
United Negro College Fund, American, founded 1944  Search this
Billy Dee Williams, American, born 1937  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
National Urban Affairs Council, American, founded 1971  Search this
National Association of Market Developers, American, founded 1953  Search this
Prince Hall Freemasonry, founded 1784  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Harold Washington, American, 1922 - 1987  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National Medical Association, American, founded 1895  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Morehouse College, American, founded 1867  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Carats, Inc., American, founded 1959  Search this
National Bar Association, American, founded 1925  Search this
National Urban League, American, founded 1910  Search this
African Methodist Episcopal Church, American, founded 1816  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Shriners International, American, founded 1870  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
National Pharmaceutical Association, American, founded 1947  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
Arthur Ashe Jr., American, 1943 - 1993  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
People United to Save Humanity, American, founded 1971  Search this
369th Veterans Association, American  Search this
Eubie Blake, American, 1887 - 1983  Search this
Dance Theatre of Harlem, American, founded 1969  Search this
National Coalition of 100 Black Women, American, founded 1981  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 1/2 in. (27.5 × 21.4 × 1.3 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Bahamas, Caribbean, North and Central America
Houston, Harris County, Texas, United States, North and Central America
Atlanta, Fulton County, Georgia, United States, North and Central America
Date:
1983
Topic:
African American  Search this
Advertising  Search this
African Methodist Episcopal  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Methodist  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Social life and customs  Search this
Sororities  Search this
The Black Church  Search this
Travel  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.17
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd516419a20-d7d3-4570-a5c9-78bd4c89cfee
EDAN-URL:
edanmdm:nmaahc_2012.167.17
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Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
National Association of Broadcasters, American  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
National Association of Black Social Workers, American, founded 1968  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
The Girl Friends, Inc., American, founded 1927  Search this
Duke Ellington, American, 1899 - 1974  Search this
National Medical Association, American, founded 1895  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
John Albert Morsell, American, 1912 - 1974  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Insurance Association, American, founded 1921  Search this
National Urban League, American, founded 1910  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Dental Association, American, founded 1913  Search this
CBS Broadcasting, Inc., American, founded 1927  Search this
American Bridge Association, American, founded 1932  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1923  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Nettie B. Smith, American  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Medical Association, American, founded 1895  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
John Warren Davis, American, 1888 - 1980  Search this
Shriners International, American, founded 1870  Search this
Congressional Black Caucus, American, founded 1971  Search this
National Business League, American, founded 1900  Search this
National Alliance of Postal and Federal Employees, American, founded 1913  Search this
369th Veterans Association, American  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
National Council of Negro Women, founded 1935  Search this
Clifton Herman Johnson, American, 1921 - 2008  Search this
Bessie Smith, American, 1894 - 1937  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 3/8 in. (27.5 × 21.4 × 0.9 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Date:
1975
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Black Press  Search this
Business  Search this
Calypso (Music)  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Funeral customs and rites  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Law  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religion  Search this
Sororities  Search this
Television  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Women's organizations  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.9
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Movement:
Colonization movement
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c80d5f1b-2384-44ae-91b1-bb42a6fc4395
EDAN-URL:
edanmdm:nmaahc_2012.167.9
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Sri Venkatesa Suprabhatam

Performer:
Subbulakshmi, M. S., 1916-2004  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Type:
Archival materials
Phonograph records
Place:
India
Date:
196x
Contents:
Sri venkatesa suprabhatam--Bharayami--Sri Rangapura vihara.
Local Numbers:
FP-RINZ-LP-1564

Odeon.1009
Publication, Distribution, Etc. (Imprint):
India Odeon 196x
General:
Vocal music. M.S. Subbulakshmi Responsibility: recited by Srimati M.S. Subbulakshmi.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Religious  Search this
Spoken word  Search this
Indians  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-1564
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk50a5ca433-7974-49de-8842-24dd77d5e522
EDAN-URL:
ead_component:sova-cfch-rinz-ref6784

Armstrong Manual Training School yearbook

Names:
Public Schools of the District of Columbia  Search this
Collection Photographer:
Apeda Studio (New York, N.Y.)  Search this
Camuzzi, M.  Search this
Harris & Ewing  Search this
Collection Creator:
Sommariva, Emilio, Photographer, 1883-1956  Search this
Harris, Fred (photographer)  Search this
Scurlock Studio (Washington, D.C.)  Search this
Extent:
59 Pages (7 1/2 x 12 inches.)
Type:
Archival materials
Pages
Catalogues
Place:
Washington (D.C.) -- African Americans
Date:
1902-1903
Biographical / Historical:
Armstrong Manual Training School, built in 1902, was authorized by congress as a vocational high school for African American youth in Washington, DC. The school was named for Samuel C. Armstrong (1839-1893), a white commander of an African American Civil War regiment and founder of Hampton Institute, now University. Designed by local architect Waddy B. Wood, the Renaissance Revival building provided carpentry, machine, foundry, and blacksmith workshops. In addition, the school taught chemistry and physics. Dr. Wilson Bruce Evans, the father of performing artist Lillian Evans Tibbs, served as founding principal. Duke Ellington, William "Billy"Eckstein, and John Malachi are among a host of Armstrong graduates who became prominent in their profession. In 1996 the school was placed on the National Register of Historic Places in the District of Columbia.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans  Search this
Genre/Form:
Catalogues
Collection Citation:
Evans-Tibbs collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of the Estate of Thurlow E. Tibbs, Jr.
Identifier:
ACMA.06-016, Item ACMA 06-016.2
See more items in:
Evans-Tibbs Collection
Evans-Tibbs Collection / Series 1: Lillian Evans Tibbs papers / 1.1: Biographical Materials / Wilson Bruce Evans--Armstrong Manual Training School
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa709f608e6-1f0d-43ce-b393-f179dc537c4b
EDAN-URL:
ead_component:sova-acma-06-016-ref1278
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Musical Recordings: African Music

Creator:
Anacostia Neighborhood Museum  Search this
Names:
Anacostia Community Museum  Search this
Anacostia Neighborhood Museum  Search this
Collection Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Hutchinson, Louise Daniel  Search this
Extent:
1 Sound recording (open reel, 1/4 inch)
Type:
Archival materials
Sound recordings
Music
Place:
Africa
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1970s
Scope and Contents:
Instrumental and vocal music from African cultures including Akonodey by Akan Adowa musicians, Dance Of The Witch Doctor by Festival Music Of The Princess Of Dahomey, and Ewe Chorus with drum, rattle, gong.
Music. Undated.
Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans  Search this
African culture  Search this
Music  Search this
Genre/Form:
Sound recordings
Music
Citation:
Musical Recordings: African Music, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.03-031, Item ACMA AV003448
See more items in:
Out of Africa: from West African Kingdoms to Colonization exhibition records
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa720668385-fce6-4b9b-b21b-9264d50a7990
EDAN-URL:
ead_component:sova-acma-03-031-ref1017

Aka Pygmy Music

Recorder:
Arom, Simha  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Aka (African people)  Search this
Mbuti (African people)  Search this
Type:
Archival materials
Phonograph records
Date:
1973
Contents:
Mongombi ; Dikoboda sombe: solo ; Dikaboda sombe: duet ; Bosobe ; Bobangi ; Kokoyandongo ; Nzenzenze ; Balibo sassa ; Mbola ; Nzombi: solo ; Nzombi: duet ; Epanda ; Mombimbi ; Monzoli.
Local Numbers:
FW-ASCH-LP-1540

Phillips.6586 016
Publication, Distribution, Etc. (Imprint):
Phillips 1973
General:
Principally vocal music. Recorded in 1971. Unesco collection; Musical sources. 1, The primeval cultures, 2
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Mbuti (African people) -- Music.  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-1540
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b6047a74-b4ab-4057-8f27-ae302af5b708
EDAN-URL:
ead_component:sova-cfch-asch-ref16832

D8048 "Ivory Coast-Baule Vocal Music" photographs, production materials

Collection Creator:
UNESCO  Search this
Container:
Box 10, Folder 395
Type:
Archival materials
Date:
1993
General note:
File was not housed in a binder like other document groups
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
See more items in:
UNESCO Collection of Traditional Music of the World records
UNESCO Collection of Traditional Music of the World records / Series 1: Textual records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b0034194-9722-4898-86e4-111c8867b346
EDAN-URL:
ead_component:sova-cfch-unes-ref1066

"Shanno Khurana: North Indian Vocal Music of the Rampur Gharana," correspondence, texts

Collection Creator:
UNESCO  Search this
Container:
Box 13, Folder 487[a]
Type:
Archival materials
Date:
1998-2000, 2002-2003, undated
General note:
File was not housed in a binder like other document groups.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
See more items in:
UNESCO Collection of Traditional Music of the World records
UNESCO Collection of Traditional Music of the World records / Series 1: Textual records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5a0c97f6c-da10-4716-9301-6c3edc2fbdc9
EDAN-URL:
ead_component:sova-cfch-unes-ref1312

"Shanno Khurana: North Indian Vocal Music of the Rampur Gharana," correspondence

Collection Creator:
UNESCO  Search this
Container:
Box 13, Folder 487[b]
Type:
Archival materials
Date:
1998-2000, 2002, undated
General note:
File was not housed in a binder like other document groups.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
See more items in:
UNESCO Collection of Traditional Music of the World records
UNESCO Collection of Traditional Music of the World records / Series 1: Textual records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk58ae18bcd-a093-4a48-983b-3ead9abd3116
EDAN-URL:
ead_component:sova-cfch-unes-ref1314

Russian Orthodox Chants/ Chants Orthodoxes Russes

Artist:
Uspenskii. sobor (Moscow, Russia)  Search this
Polyakov, Petr  Search this
Performer:
Uspenskii. sobor (Moscow, Russia)  Search this
Polyakov, Petr  Search this
Moskovskii? novodevichii? monastyr  Search this
Collection Creator:
UNESCO  Search this
Extent:
1 Sound disc (digital, 4 3/4 in.)
Culture:
Russians  Search this
Type:
Archival materials
Sound discs
Place:
Russia
Moscow (Russia)
Date:
1989
Contents:
Bells of the Novodevichy convent (1:12) -- My soul doth magnify the Lord / P. Chesnokov (6:44) -- The King of heaven : Dogmatik : tone 8 : Znamenny chant / P. Turchaninov (2:21) -- Who is so great a god as our God? : the Great Gradual / D. Bortnyansky (2:44) -- Magnificat : Znamenny chant / P. Grebenshchikov (2:22) -- Hymn to the Birth-Giver of God : Chant of the Optina Hermitage / arr. by Matfey Mormyl (1:49) -- It is meet : Athonite chant / D. Yaichkov (2:43) -- Gradual : tone 2 / P. Tretyakov (3:42) -- O now bless the Lord / R. Riutov (4:52) -- I will open my mouth : Heirmos. Canticles 1, 3, 6, 8, 9 / V. Lirin (4:12) -- Establish, o Lord / A. Kosolapov (1:58) -- The Hymn for St. Daniel, prince of Moscow : Chant of the Sedmiezernaya Hermitage (1:41) -- Queen of the heavenly host / N. Kochanovsky (1:25) -- Hymn for the Hodegetria : tone 4 : Traditional chant (1:11) -- Thou dost intercede for all, o Good One. Stanza : tone 2 : Chant of the Optina Hermitage (1:32) -- Thou, the Guide of those who stray. Stanza for the Lauds : tone 4 : Chant of the Optina Hermitage (1:45) -- The hymn for the day [Dormition of the most holy Birth-Giver of God] : tone 1 : Traditional chant (1:06) -- O marvel, wonderful. Stanza for "Lord, I have cried" : tone 1 : Chant of the Kievo-Pecherskaya lavra (1:18) -- At the sovereign command of God. Stanza at the entrance (3:45) -- The Birth-Giver of God, constant in supplication : Collect hymn for the Dormition : Chant of the Kievo-Pecherskaya lavra (2:13) -- Adorned with the divine glory : Heirmos of the canon for the Dormition / A. Lvov (0:47) -- Megalynarion for the Dormition / P. Turchaninov (2:19) -- O, ye apostles : Protogogicon for the Dormition : Greek chant (2:22) -- Litany of fervent supplication / P. Chesnokov (5:43) -- The beatitudes, with the hymns for the Hodegetria : Chant of the Kievo-Pecherskaya lavra (2:45) -- A mercy of peace : op. 10, no 4 / P. Chesnokov (4:31) -- The angel cried : Megalynarion to Holy Easter / P. Chesnokov (3:01) -- Bells of the Novodevichy convent (1:39).
Track Information:
101 Bells of Novodevichy Convent / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

102 My Soul Doth Magnify the Lord / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

103 The King of Heaven / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

104 Who is So Great as God as Our God / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

105 The Magnificat / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

106 Hymn to the Birth- Giver of God from the Service to All the Saints Who Glorified in the Land of Russia / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

107 It is Met / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

108 Gradual / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

109 O Now Bless the Lord / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

110 I Will Open My Mouth / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

111 Establish O Lord / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

112 The Hymn for St. Daniel, Prince of Moscow / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

113 Queen of the Heavenly Host / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

114 The Hymn for the Hodegetria / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

115 Thou Dost Intercede for All, Good One / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

116 Thou, the Guide of Those Who Stray / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

117 The Hymn for the Day / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

118 O Marvel Wonderful I / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

119 At the Sovereign Command of God / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

120 The Birth-Giver of God Constant in Supplication / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

121 Adorned with the Divine Glory / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

122 Megalynarion for the Dormition / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

123 O Ye Apostles / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

124 Litany of Fervent Supplication / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

125 The Beatitudes with the Hymns for the Hodegetria / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

126 A Mercy of Peace / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

127 The Angel Cried / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.

128 Bells of the Novodevichy Convent / Uspenskii. sobor (Moscow, Russia), Moskovskii. novodevichii. monastyr, Petr Polyakov.
Local Numbers:
UN-COMM-CD-08301-7

UNESCO.8301
Publication, Distribution, Etc. (Imprint):
Paris, France Audivis 1989
General:
Commercial

Russian chants (harmonized), and other sacred vocal music; includes hymns for the Feast of the Smolensk Icon of the Mother of God (Hodegetria), for the Dormition of the most holy Birth-Giver of God, and for the divine liturgy. Brief descriptive notes in English and French (7 p.) inserted in container.
Restrictions:
Restrictions on access.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Russia -- Songs and music  Search this
Religious  Search this
Choral music  Search this
Chants  Search this
Religion  Search this
Christianity  Search this
Collection Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.UNES, Item UNESCO.8301
See more items in:
UNESCO Collection of Traditional Music of the World records
UNESCO Collection of Traditional Music of the World records / Series 2: Audio records / Commercial Recordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk52821835b-8a17-4844-908a-ff2400a43679
EDAN-URL:
ead_component:sova-cfch-unes-ref2103

North India: Dhrupad and Khyal: Vocal Music/ Musique Vocale

Recorder:
Daniâelou, Alain (liner notes)  Search this
Junius, Manfred M.  Search this
Performer:
Rajvedi, P.S.  Search this
Dagar, Moinuddin  Search this
Dagar, Nasir Aminuddin Khan, 1924-  Search this
Chhatrapati, Raja  Search this
Dagar, Suraya  Search this
Chatterjee, Robin Kumar, 1942-  Search this
Ahmad, Nazir  Search this
Bhatt, Kedarnath  Search this
Dagar Brothers  Search this
Collection Creator:
UNESCO  Search this
Extent:
1 Sound disc (digital, 4 3/4 in.)
Culture:
Sudanese  Search this
Gumuz (African people)  Search this
Type:
Archival materials
Sound discs
Place:
India
Date:
1971
Contents:
Alap and dhrupad (29:35) -- Alap and khyal (22:51).
Track Information:
101 Alap and Dhrupad / Dagar Brothers, Moinuddin Dagar, Nasir Aminuddin Khan Dagar, Raja Chhatrapati, Suraya Dagar. Drum,Lute.

102 Atap and Khyal / Robin Kumar Chatterjee, Nazir Ahmad, Kedarnath Bhatt, P.S. Rajvedi Lute,Sarangi,Tabla.
Local Numbers:
UN-COMM-CD-08076-9

UNESCO.8076
Publication, Distribution, Etc. (Imprint):
Paris, France Audivis 1971
General:
Commercial

Recorded 1965-1971. Previously issued in 1971. Compact disc. Analog recordings. Program notes by Alain Danierlou in English and French on container insert.
Restrictions:
Restrictions on access. rr.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Music -- India  Search this
World music  Search this
Dhrupad  Search this
Khayāl  Search this
Lute  Search this
Drum  Search this
Sarangi  Search this
Tabla  Search this
Collection Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.UNES, Item UNESCO.8076
See more items in:
UNESCO Collection of Traditional Music of the World records
UNESCO Collection of Traditional Music of the World records / Series 2: Audio records / Commercial Recordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5a2d00b4a-1bec-4cfb-9ad6-2b39313dc2e2
EDAN-URL:
ead_component:sova-cfch-unes-ref2114

Co.te d'Ivoire : Baule vocal music = musique vocale Baouler

Creator:
Zemp, Hugo (liner notes)  Search this
Collection Creator:
UNESCO  Search this
Extent:
1 Sound disc (digital, 4 3/4 in.)
Culture:
Côte d'Ivoire  Search this
Côte d'Ivoire  Search this
Baule (African people)  Search this
Type:
Archival materials
Sound discs
Contents:
Kpanda dance (3:27) --Song to conclude the Kpanda dance (2:28) --Dance for the Queens' masks (6:27) --Dance of the elephant mask (3:36) --Dance of the excised girls (2:52) -- Music of a guardian spirit (3:52) --Little girls' sung games (4:24) --Song with forked harp accompaniment (3:09) --Song accompanied on the musical bow (3:23) --War song (3:19) -- Song with harp-lute accompaniment (3:36) --Song with sanza accompaniment (3:03) --Song of two little girls (2:31)
Track Information:
101 Kpanda dance.

102 Song to conclude the Kpanda dance.

103 Dance for the Queens' masks.

104 Dance of the elephant mask.

105 Dance of the excised girls.

106 Music of a guardian spirit.

107 Little girls' sung games.

108 Song with forked harp accompaniment.

109 Song accompanied on the musical bow.

110 War song.

111 Song with harp-lute accompaniment.

112 Song with sanza accompaniment.

113 Song of two little girls.
Local Numbers:
UNESCO.8048
Publication, Distribution, Etc. (Imprint):
Paris, France Audivis
Date/Time and Place of an Event Note:
Recorded in: Côte d'Ivoire.
General:
Commercial

Reissue of the LP of the same title issued in 1972 in the Musical Atlas series. Compact disc. Descriptive and ethnographic notes in English and French by Hugo Zemp (11 p.) in container.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Collection Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.UNES, Item UNESCO.8048
See more items in:
UNESCO Collection of Traditional Music of the World records
UNESCO Collection of Traditional Music of the World records / Series 2: Audio records / Commercial Recordings
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk57af94ecd-35f3-489a-a9d5-bdb016d43c2b
EDAN-URL:
ead_component:sova-cfch-unes-ref2156

D8076 "North India-Vocal Music-Dhrupad and Khyal" (reissue), correspondence, mock ups, photographs

Collection Creator:
UNESCO  Search this
Container:
Box 8, Folder 318
Type:
Archival materials
Date:
1997-1998, undated
General note:
File was not housed in a binder like other document groups
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
UNESCO Collection of Traditional Music of the World records, Ralph Rinzler Folklikfe Archives and Collections, Smithsonian Institution.
See more items in:
UNESCO Collection of Traditional Music of the World records
UNESCO Collection of Traditional Music of the World records / Series 1: Textual records
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk550732ff9-d184-41d6-85e8-f265d3ee45a0
EDAN-URL:
ead_component:sova-cfch-unes-ref877

Audio Log Sheets

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
See more items in:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival / Series 2: China: Tradition and the Art of Living / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ab5b1868-2ba6-4cd9-81df-a8f5761996a0
EDAN-URL:
ead_component:sova-cfch-sff-2014-ref1051
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  • View Audio Log Sheets digital asset number 1

New York City at the Smithsonian

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
At first, it might seem like an oxymoron to talk about the "folklore" or "folklife" of one of the world's most modern cities, but daily life in New York would be impossible without this body of shared urban traditions, of collective community knowledge, customs, historical memories, and cultural understandings that constitutes the folklife of the city. lt provides the basic ground rules that shape how New Yorkers interact with their families, their colleagues, and their fellow New Yorkers. From subway etiquette to local street food to stickball games, these traditions give New York City its unique sense of place.

ln addition to a shared urban culture, most New Yorkers also have one or more reservoirs of specialized traditional knowledge, which they have acquired from their ethnic and/or religious upbringing, working in a particular occupation, or living in a specific area of the city. The innumerable, multifaceted ways in which these factors interact are what make New York and New Yorkers so fascinating. Of course, it was impossible to cover all aspects of New York's culture in a single event, but by approaching city culture thematically, and by carefully selecting examples that highlight different aspects of work, life, and leisure in New York, New York City at the Smithsonian sought to acquaint Festival visitors with both the ordinary and extraordinary aspects of life in Gotham.

What gives New York a sense of being different is not merely tbe myriad ethnic and interest groups that are found in the city, but the complex ways in which they overlap and interact. The physical landscape of New York - the lack of space, the reliance on mass transit by people of vastly differing backgrounds, neighborhoods which are home to both the very rich and the extremely poor - makes it impossible for New Yorkers to ignore the influence of "others." From kosher Chinese restaurants to lrish hip-hop groups to Mexican pizzas, cultures from all corners of the globe have influenced one another in New York, in part because of their physical proximity.

The 2001 Smithsonian Folklife Festival celebrated just a few of the innumerable manifestations of traditional culture in New York City. More importantly, fieldwork leading up to the Festival allowed the Smithsonian, working in close collaboration with city-based cultural organizations and ethnic and occupational communities, to document daily life in New York City at the turn of the millennium. Material collected during the course of this research, as well as information recorded during and after the Festival, will significantly enrich the Smithsonian's archival holdings about New York City. A century from now, when scholars and writers want to know what it was like to live in New York in 2001, to work on Broadway, to drive a taxi, to trade stocks on Wall Street, or teach English in a school filled with recent immigrants, they can turn to the documentation collected by this project. That body of documentation - and the recordings and photographs made during the Festival itself - took on increased importance with the events of September 11, 2001, barely three months after the Festival had closed, which emphasized to all observers how the cultural values of New Yorkers, vividly on display to Festival visitors, also provided them a reservoir of resiliency to surmount those tragic events.

Nancy Groce was Senior Curator for the program, supported by several Area Curators: Ray Allen, music; Marion Jacobson, urban fashion; Annie Hauck-Lawson, foodways; Cathy Ragland, music; Ethel Raim, music; Henry Sapoznik, media; Brian Thompson, Wall Street; Kay Turner, Wall Street; and Steve Zeitlin, neighborhood. Arlene Reiniger was Program Coordinator.

An Advisory Committee included: Ruth Abram, Director, Lower East Side Tenement Museum; Gladys Pena Acosta, Director, RAICES; Ray Allen, Director, American Studies Program, Brooklyn College/CUNY; Gage Averill, Chair, Music Department, New York University; Fatima Bercht, Chief Curator, El Museo del Barrio; Melody Capote, Executive Director, Caribbean Culture Center/African Diaspora Institute; Barbara Cohen-Stratyner, Curator, New York Public Library for the Performing Arts; Cara De Silva, Food Historian; Miriam De Uriarte, Director of Education, El Museo del Barrio; Howard Dodson, Director, Schomburg Center for Research in Black Culture/NYPL; Sharon E. Dunn, Senior Assistant for the Arts, New York City Board of Education; Juan Flores, Professor, Black and Puerto Rican Studies, Hunter College/CUNY; Laura Hansen, Director, Place Matters, Municipal Art Society; John Haworth, Assistant Director, National Museum of the American Indian; Ellie Hisama, Director, Institute for Studies in American Music, Brooklyn College/CUNY; Barbara Kirshenblatt-Gimblett, Professor, Performance Studies Department, NYU; Leah Krauss, Program Officer, The New York Community Trust; Susana Torruella Leva!, Executive Director, El Museo del Barrio; Robert MacDonald, Executive Director, Museum of the City of New York; Fay Chew Matsuda, Executive Director, Museum of Chinese in the Americas; Ethel Raim, Executive Director, Center for Traditional Music and Dance; Jan Seidler Ramirez, Vice President of Public Affairs, New York Historical Society; Frances A. Resheske, Vice President of Public Affairs, Consolidated Edison Company; Joseph Sciarra, Academic Programs, Calandra Italian American Institute, Queens College; Gabrielle Shubert, Director, New York Transit Museum; Pravina Shukla, Assistant Professor, Folklore Department, Indiana University; John Kuo Wei Tchen, Director, Asian/Pacific/American Studies Program & Institute, NYU; Brian Thompson, Director, Museum of American Financial History; Michael Wallace, Historian and Author, CUNY; Steve Wheeler, Archivist, New York Stock Exchange; Theodora Yoshikami, Multicultural Program, American Museum of Natural History; Steven Zeitlin, Executive Director, City Lore: The Center for Urban Culture.

The program was produced in collaboration with New York's Center for Traditional Music and Dance and City Lore, with major funding from the New York City Council, the New York City Department of Cultural Affairs, Howard P. Milstein, and the New York Stock Exchange. The Leadership Committee was co-chaired by The Honorable Daniel Patrick Moynihan and Elizabeth Moynihan and corporate chairman Howard P. Milstein. Major support was provided by Amtrak, Con Edison, the Recording Industries Music Performance Trust Funds, Arthur Pacheco, and the Metropolitan Transportation Authority. Major contributors included The New York Community Trust, The Coca-Cola Company, The Durst Foundation, the May & Samuel Rudin Family Foundation, Leonard Litwin, Bernard Mendik, and Stephen and Judy Gluckstern. Additional donors included Emigrant Savings Bank, Jeffrey Gural, Lester Morse, Richard Schwartz, Michael Bloomberg, Keyspan Energy, Martin Segal, and Earle Mack.
Researchers:
Jerald Albarelli, Ray Allen, Emily Botein, Lori Branston, Kathleen Condon, Martha Cooper, Amanda Dargan, Andrew Davis, Tony DeNonno, Sonia Estreich, Makale Faber, Kwali Farbes, Michael Greene, Laura Hansen, Annie Hauck-Lawson, Marion Jacobson, Denise Lynn, Elena Martinez, Cathy Ragland, Ethel Raim, Henry Sapoznik, Roberta Singer, Les Slater, Scott Spencer, Brian Thompson, Kay Turner, Tom Van Buren, Li Wangsheng, Bill Westerman, Lois Wilken, Steven Zeitlin
Presenters:
Judy Adamson, Ray Allen, Dwight Blocker Bowers, Kathleen Condon, Andrew Davis, James Early, Makale Faber, Juan Flores, Annie Hauck-Lawson, Marion Jacobson, Barbara Kirshenblatt-Gimblett, Wangsheng Li, Elena Martinez, Cathy Ragland, Ethel Raim, Kristin Richard, Henry Sapoznik, Les Slater, Brian Thompson, Kay Turner, Tom Van Buren, Meg Ventrudo, Cynthia Vidaurri, George Zavala, Steve Zeitlin
Participants:
Arts & Artists

Wilfreda "Bio" Feliciano, muralist, Tats Cru

Hector "Nicer" Nazario, muralist, Tats Cru

Sotero "BG 183" Ortiz, muralist, Tats Cru

Gaspar Ingui, neon sign maker

Robbie Ingui, neon sign maker

Theresa Ingui, neon sign maker

Backstage Broadway

Judy Adamson, costume maker, Barbara Matera

Jarred Aswegan, costume maker, Barbara Matera

Gary Brouwer, theatrical milliner

Kimberly Cea, actress

Edie Cowan, director, choreographer

Brian Healy, prop maker, armorer, Costume Armour

Bob Kelly, wig maker, make-up artist

Polly Kinney, costume maker, Barbara Matera

Janice Lorraine, actress

Terry Marone, Gypsy Robe, Actors' Equity

Barbara Matera, costume maker

Nino Novel lino, prop maker, Costume Armour

Peter Ray, prop maker, Costume Armour

Woody Regan, rehearsal pianist

Linda Rice, wig maker, Bob Kelly

Tom Rocco, actor

Tom Schneider, theatrical milliner

Scott Sliger, make-up artist, Bob Kelly

Josephine Spano, costume maker, Barbara Matera

Patricia Sullivan, costume maker, Barbara Matera

Brian Wolfe, prop maker, Costume Armour

Leslie Wolfe, prop maker, Costume Armour

Building Trades

George Andrucki, sheet metal worker, Local 28

Stan Bernstein, sheet metal worker, Local 28

William Bush, water tank builder

Adonis Cegisman, water tank builder

Ryszard Danielewski, water tank builder

John DeGeorge, water tank builder

Robin Delk, sheet metal worker, Local 28

Nicholas Maldarelli, sheet metal worker, Local 28

Leah Rambo, sheet metal worker, Local 28

Andrew Rosenwach, water tank builder

Thomas Schlitz, sheet metal worker, Local 28

George Treanor, sheet metal worker, Local 28

Arthur Tyburski, sheet metal worker, Local 28

Urban Fashion & Garment Industry

Britt Bowers, window display and design, Fashion Institute of Technology

Vanessa Burgos, needle trade worker, Garment Industry Development Corporation

Lidia Carrera, needle trade worker, UNITE! Local 23-25

Esther Cheung, needle trade worker, Garment Industry Development Corporation

Mary Costantini, mannequin sculptor

Linda Dworak, director, Garment Industry Development Corporation

Shiniji Horimura, window display and design, Fashion Institute of Technology

Elizabeth Jacobsen, window display and design, Fashion Institute of Technology

Anne Kong, window display and design, Fashion Institute of Technology

Anne Liu, needle trade worker, Garment Industry Development Corporation

Nicole Mata, window display and design, Fashion Institute of Technology

Adrienne Muken, window display and design, Fashion Institute of Technology

Ana Perez, needle trade worker, Garment Industry Development Corporation

Ramon Roman, window display and design, Fashion Institute of Technology

Isabel Toledo, fashion designer

Ruben Toledo, fashion designer

Monica Williamson, window display and design, Fashion Institute of Technology

May Xian, needle trade worker, Garment Industry Development Corporation

Foodways

Salvator Bartolomeo, Italian cook

Kam-Chung Chan, Chinese cook

Cara De Silva, food researcher, writer

Makale Faber, West African cook

Mark Federman, Jewish appetizing

Trevor Fraser, West Indian, Caribbean cook

Theresa lngui, Polish, German cook

Barbara Kirshenblatt-Gimblett, food historian

Alana Grace Lawson, Polish cook

Vertamae Grosvenor, African-American cook

Molly O'Neill, food writer and chef

Ming Hua Qian, Chinese cook

Donald Ross, bagel and bialy maker

Esta Ross, bagel and bialy maker

Steve Ross, bagel and bialy maker

Community Media

Clay Berry, producer, African-American radio

Kathleen Biggins, host, Irish-American radio

Joe Franklin, host, entertainment community

Debi Jackson, producer, African-American radio

Hal Jackson, host, African-American radio

Bill Jaker, 1939-, radio historian

René Lopez, host, Latino radio

Henry Sapoznik, host, Yiddish radio

Music, Dance & Performance

Wrickford Dalgetty, Caribbean song

Julio Diaz, Latin dancer

Tony DeMarco, Irish fiddle

Linda Hickman, Irish flute

D.J. Angola, turntablist

D.J. Rehka, turntablist

ABDOULAYE DIABATE & SUPER MANDEN -- ABDOULAYE DIABATE & SUPER MANDENAbdoulaye Diabate, director, vocals, guitarChiek Barry, bassMoussa Cissoko, n'goni, guitarAboubakar Diabate, djembeMamadou Diabate, 1975-, koraTapani Sissoko, vocalsAbou Sylla, bala

APOLLO THEATRE, AMATEUR NIGHT AT THE APOLLO -- APOLLO THEATRE, AMATEUR NIGHT AT THE APOLLOVanessa Brown, Amateur Night assistantJoseph Gray, lead vocalsJane Harley, Kemet ProductionsMonteria Ivey, hostSteve Jones, production managerC.P. Lacey, The ExecutionerShirley Matthews, coordinating producerMoni-J, hostessDavid Rodriguez, executive director

RAY CHEW & THE CREW -- RAY CHEW & THE CREWRay Chew, musical directorMike Ciro, guitarBobby Douglas, keyboardArtie Reynolds, bassRalph Rolle, drums

CHERISH THE LADIES -- CHERISH THE LADIESSean Conner, step dancerDeirdre Connolly, tin whistle, vocalsMary Coogan, guitar, banjo, mandolinKatie Fox, step dancerDonna Long, piano, fiddleJoanie Madden, director, tin whistle, flute, vocalsPaul McKeown, sound engineerMary Rafferty, accordion, tin whistleMarie Reilly, fiddle

CHERES UKRAINIAN FOLK ENSEMBLE -- CHERES UKRAINIAN FOLK ENSEMBLEAndriy Milavsky, leader, woodwindsVictor Cebotari, accordionGeorge Cheremush, violinAlexander Fedoriouk, cymbaly (hammered dulcimer)Oleh Ivanyschuk, contrabass

DAVID DAVID -- DAVID DAVIDLauterio Polanco, director, lead vocals, accordionAdriel Espaillat, guieraAdelso Fernandez, bajoKenny Fernandez, tamboraMenecio Martinez, pianoHector Mota, saxophoneFernando Rodreguez, conga

FRISNER AUGUSTIN AND LA TROUPE MAKANDAL -- FRISNER AUGUSTIN AND LA TROUPE MAKANDALFrisner Augustin, 1948-2012, lead drums, vocalsRaymond Charles, third drumSteve Deats, second drumSmith Destin, dancerKethelyne Jean-Louis, dancerKesler Pierre, percussionSandy St. Cyr, dancer

HANGUK: SOUNDS OF KOREA (KOREAN TRADITIONAL PERFORMING ARTS ASSOCIATION) -- HANGUK: SOUNDS OF KOREA (KOREAN TRADITIONAL PERFORMING ARTS ASSOCIATION)Gee Soak Back, percussionHyung Joan Kim, percussionChii-Seung Kwon, percussionJi-Young Park, dancer, percussionSue Yeon Park, dancer, percussionKathy Soh, dancer, percussionMaggie Soh, percussion

LOS AFORTUNADOS -- LOS AFORTUNADOSFelix Sanabria, director, congas, bata, percussionFrancisco Cotto, bassPedro Domeich, dancer, vocalsAlbert Lusink, trumpetAbraham Rodriguez, vocals, percussionMichael Rodriguez, percussionBrandon Rosser, percussionSusan Richardson Sanabria, dancerAdam Tully, tres guitar

LOS MACONDOS -- LOS MACONDOSJorge L. Marquez, bajoEugenio R. Ortega, accordion, lead vocalsJuan A. Ortega, caja vallenata, vocalsDavid Pacheco, timbalesGuillermo E. Penate, guieroMario A. Rodriguez, congas

LOS PLENEROS DE LA 21 -- LOS PLENEROS DE LA 21Juan J. Gutierrez, leader, tamboreroAlberto Cepeda, güiro, tamboreroRoberto Cepeda, vocals, bailador de bomba, güiro, maraca, tamboreroJose Lantigua, keyboardHector Matos, vocals, tamboreroEdgardo Miranda, cuatroDonald Nicks, bassJose Rivera, vocals, tamboreroDomingo Tanco, vocalsNellie Tanco, vocals, bailadora de bomba, tamboreraVictor Velez, vocals, tamborero

MERITA HALILI & THE RAIF HYSENI ORCHESTRA -- MERITA HALILI & THE RAIF HYSENI ORCHESTRAGezim Halili, clarinet, saxophoneMerita Halili, vocalsRaif Hyseni, accordionArtan Kushi, dajreTome Lleshaj, bass guitarEdmond Xhani, laouta

MESAOUDA JUDEO-ARABIC ENSEMBLE -- MESAOUDA JUDEO-ARABIC ENSEMBLEMarc Hazan, vocalsJoshua Levitt, naiHaig Manoukian, oudTomer Tzur, percussion

MUKTHAMBAR FINE ARTS, INC. -- MUKTHAMBAR FINE ARTS, INC.A. Balaskandan, violinBala Ganesh, mrudangist (Asian Indian drum)Aarati Ramanand, dancerSaavitri Ramanand, vocals

MUSIC FROM CHINA -- MUSIC FROM CHINASusan Cheng, director, daruanChung Bun Chiu, percussionWai Wah Law, vocalsGao Renyang, dizi, xiaoGuowei Wang, erhu, zhong hu, daohuTienjou Wang, gou hu, zhong huHerman Wong, concert managerMin Xiaofen, pipaHelen Yee, yang qinYing Ying Zhu, vocals

SAU FAMILY ORCHESTRA -- SAU FAMILY ORCHESTRAZoran Muncan, keyboardErnie Sau, button accordionMichael Sau, button accordionVinnie Sau, violin

SHASHMAQAM BUKHARAN JEWISH CULTURAL GROUP -- SHASHMAQAM BUKHARAN JEWISH CULTURAL GROUPAbokhay Aminov, vocals, doyra (drum)Tavriz Aronova, ensemble memberDavid Davidov, tarFiruza Junatan, dancerShumiel Kuyenov, doyra (drum)Boris Kuknariyev, accordionIzro Malakov, vocals

SIMON SHAHEEN & QANTARA -- SIMON SHAHEEN & QANTARASimon Shaheen, director, oud, violinOlga Chirino, keyboardsBilly Drewes, soprano saxJamie Haddad, world percussionFrancois Moutin, contrabassAdam Rogers, acoustic and electric guitarBassam Saba, flute, naiLuis Santiago, Latin percussionNajib Shaheen, oudSteve Sheehan, world percussionSoraya, vocalsMartin Zarzar, world percussion

SON MUNDANO -- SON MUNDANOBobby Allende, bongosJimmy Bosch, 1962-, tromboneNelson Gonzalez, Cuban tresNelson Gonzalez, Jr., lead vocalsOscar Hernandez, electric pianoRene Lopez, Jr., congasLuis Rosa, vocalsJoe Santiago, upright bass

VISION BAND

X-ECUTIONERS -- X-ECUTIONERSD.J. AngolaTotal EclipsePeter KangRoc RaiderMista SinistaRob Swift

YURI YUNAKOV ENSEMBLE -- YURI YUNAKOV ENSEMBLELauren Brody, keyboard, vocalsCatherine Foster, clarinetIvan Milev, accordionGeorge Petrov, drumsCarol Silverman, vocalsYuri Yunakov, 1958-, saxophone

Neighborhood & Community Life -- Neighborhood & Community LifeLori Brandston, urban sports and gamesSam Chwat, speech therapist, dialect coachMichael E. Clark, Citizens Committee for New York CitySonia Estreich, Citizens Committee for New York CityMichael Greene, urban sports and gamesLaura Hansen, Place Matters, Municipal Art SocietyRoberta Jones, storytellerJessica Katz, Citizens Committee for New York CityAnnie Lanzilloto, storyteller, performance artistMoe Maloney, community activist, "Mayor of Windsor Terrace"Rosalyn Perry, storytellerLiz Sevcenko, Memory Map, Lower East Side Tenement Museum

Street Life, Festival, Celebration

Mikey Enoch, steel pan tuner

Richie Richardson, Caribbean carnival costume maker

Les Slater, Caribbean carnival culture

Transit

Carissa Amash, New York Transit Museum

Bruce Alexander, subway engineer, MTA

Chris Creed, subway engineer, MTA

Sandra Lane, subway operator, MTA

Anthony Palombella, bus operator, MTA

Luz Montano, New York Transit Museum

Tarin Reid, subway operator, MTA

Charles Sachs, Sr., curator, New York Transit Museum

Gabrielle Shubert, director, New York Transit Museum

Mark Watson, New York Transit Museum

Wall Street

Richard Anderson, Jr., stock market investor, speaker

Richard Anderson, Sr., stock market investor, analyst

Richard Baratz, caricaturist, stock certificate engraver, American Bank Note Company

Madeline Boyd, trader, New York Stock Exchange

Victoria Chukwuka, New York Metro Coordinator, Stock Market Game

Joseph Cicchetti, trader, New York Mercantile Exchange

Anthony DeMarco, trader, New York Board of Trade

Joe Gabriel, engineer, plant manager, New York Stock Exchange

Michael Geoghan, clerk, New York Mercantile Exchange

John E. Herzog, founder, Museum of American Financial History

Scott Hess, trader, New York Mercantile Exchange

Myron Kandel, senior financial editor, CNN

Michael LaBranche, specialist, New York Stock Exchange

Gary Lapayover, trader, New York Mercantile Exchange

Michel Mark, New York Mercantile Exchange

Mark Tomasko, financial printer, engraving historian

Nancy Norton Tomasko, financial printer

Steve Wheeler, archivist, New York Stock Exchange

Jason Zweig, columnist, -- Money -- Magazine

Generations: a centennial tribute to Margaret Mead

THE FLOWERS FAMILY SINGERS -- THE FLOWERS FAMILY SINGERSRev. James N. Flowers, Jr., director, vocals, Ft. Washington, MarylandAnthony Flowers, vocals, keyboard, Seat Pleasant, MarylandYolanda Flowers, vocals, Capital Heights, MarylandMarie Hickson, vocals, Capital Heights, MarylandDorothy McDowell, vocals, Upper Marlboro, MarylandMargie Pickett, vocals, Landover, MarylandErma Reed, vocals, Landover, MarylandMildred Scruggs, vocals, Capital Heights, Maryland

WALKER CALHOUN AND THE RAVEN ROCK DANCERS -- WALKER CALHOUN AND THE RAVEN ROCK DANCERSWalker Calhoun, director, vocals, drum, rattle, Cherokee, North CarolinaAndrew Calhoun, dancer, Cherokee, North CarolinaJennifer Calhoun, dancer, Cherokee, North CarolinaChris Mahan, dancer, Cherokee, North CarolinaVelma Mahan, dancer, Cherokee, North CarolinaDelana Smith, dancer, Cherokee, North CarolinaPatrick Smith, dancer, vocals, Cherokee, North Carolina

THE SAU FAMILY ORCHESTRA, RIDGEWOOD, QUEENS, NEW YORK -- THE SAU FAMILY ORCHESTRA, RIDGEWOOD, QUEENS, NEW YORKZoran Muncan, keyboard, Ridgewood, Queens, New YorkAksenti Sau, piano accordion, Ridgewood, Queens, New YorkErnie Sau, button accordion, Ridgewood, Queens, New YorkMichael Sau, button accordion, Ridgewood, Queens, New YorkNikica Sau, keyboard, Ridgewood, Queens, New YorkVinnie Sau, violin, Ridgewood, Queens, New York
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.2001, Series 4
See more items in:
Smithsonian Folklife Festival records: 2001 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5fa8116c3-ad1f-4df7-ae92-1bfaad7778fa
EDAN-URL:
ead_component:sova-cfch-sff-2001-ref34

Special Events

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The fourth annual Ralph Rinzler Memorial Concert featured the revival of interest in klezmer music, traditional instrumental music of the Jews of Eastern Europe. Heavily influenced by the existing folk genres in the area - e.g., Romanian, Russian, Polish, Ukrainian, Hungarian, Bulgarian, Gypsy - and traditional Jewish cantillation, klezmer was filtered through Jewish ears and consciousness. Immigrant klezmer musicians who came from Eastern Europe to America during the early 20th century found a ready market for their skills. Many large American cities had Jewish neighborhoods filled with large young families. Yiddish was spoken by the vast majority. The newly arrived klezmorim found work using the old repertoire at weddings, society, labor union, and synagogue functions. Those adept at reading music could also find employment in Yiddish theaters. American-born musicians began to perform klezmer music in the mid-1920s.

After 1960, however, klezmer music became dormant, awaiting rediscovery and revitalization through the efforts of the dedicated scholars and performers of the klezmer revival. Many of the revivalists, such as those who were featured in the Rinzler Concert, returned to Jewish music after serious careers in Anglo American old time music. They have redefined the old music, lending a patina of artistry to the old, once-derogatory term klezmer, that had conjured up the image of a musical simpleton only capable of playing old Yiddish tunes poorly.

The 1998 Festival also celebrated Folkways at 50 through a series of concerts. Folkways Records was a touchstone of the early folk music revival through its support of many influential artists and its participation in many events. Its founder Moses Asch housed Sing Out! magazine during its early years; he recorded at the Newport Folk Festival; he published the recordings of generations of researchers and scholars - including some such as Ralph Rinzler who would eventually have a major influence on the Smithsonian Folklife Festival. Moreover, the philosophies of Folkways and the Folklife Festival were similar: to celebrate cultural diversity and human artistry; to provide an educational framework through which to understand cultural manifestations; and to encourage people to delve as deeply as they wish into the subject matter by providing substantial supplemental material - liner notes in the case of Folkways and program books and sign panels in the case of the Folklife Festival. Three 50th anniversary concerts included:

Children's Matinee

Music for children was one of the most influential parts of Folkways Records - many people heard their first Folkways record in a classroom. Moses Asch thought children should be exposed to good, authentic music from many cultural traditions. This concert celebrated not only the contributions of musicians who perform for children but the creativity of children themselves.

Folkways Founders/U.S. Postal Service Folk Musicians Stamp Concert

In 1998 the U.S. Postal Service issued a stamp series commemorating four important figures in the folk music revival of the 1950s and 1960s: Lead Belly, Woody Guthrie, Sonny Terry, and Josh White. All four artists recorded for Moses Asch. To honor these men who played prominent roles in both Folkways and 20th-century American music, musicians whose styles have been strongly influenced by them performed at an evening concert.

Heartbeat: Voices of First Nations Women Concert

Because most traditional Native women's music is performed in private settings - in their homes or during tribal ceremonies - very little of this music has been heard outside the women's own communities. Some of the artists featured on a new Smithsonian Folkways recording of Native women's music were featured in a concert that celebrated both the release of the album (itself an outgrowth of a 1995 Festival program) and the half-century that Folkways Records and Smithsonian Folkways Recordings had been introducing wider audiences to community-based music.

Henry Sapoznik was Curator of the Ralph Rinzler Memorial Concert, and Kate Rinzler was Coordinator. For the children's matinee and Folkways Founders concerts, Anthony Seeger and Amy Horowitz were Curators and Ivy Young was Coordinator. For Heartbeat: Voices of First Nations Women, Howard Bass and Rayna Green were Curators.

The Ralph Rinzler Memorial Concert was made possible with support from The Recording Industries Music Performance Trust Funds, the Ruth Mott Fund, Friends of the Festival, and Kate Rinzler. Support for Folkways at 50 came from BMI (the American performance rights organization), the United States Postal Service, M.A.C.E. (Mississippi Action for Community Education), Global Arts/Media Foundation, P.A.C.E.R.S. (Program for Academic and Cultural Enhancement of Rural Schools) Small Schools Cooperative & Community Celebration of Place Project, KOCH International, Smithsonian Magazine, Smithsonian Institution National Museum of American History, TRO, The Richmond Organization, Columbia Records and Sony Music Entertainment, Michael Asch, Walter Beebe and the New York Open Center, Andrew Dapuzzo and Disctronics, David Glasser, Charlie Pilzer, and Airshow Mastering, Inc., Judith DeMaris Hearn, Ella Jenkins, Richard Kurin, Mark Miller and Queens Group, Inc., Microsoft Corporation/Media Acquisitions Department, Arnold L. Polinger, Razor & Tie Entertainment, and The Recording Industries Music Performance Trust Funds.
Participants:
Folkways at 50 Anniversary Concerts

Children's Matinee

Ella Jenkins, Chicago, Illinois

Larry Long, Minneapolis, Minnesota

Slater Huff, Packers Bend, Alabama

CHILDREN FROM MONROE HIGH SCHOOL, PACKERS BEND, ALABAMA -- CHILDREN FROM MONROE HIGH SCHOOL, PACKERS BEND, ALABAMAAngel Carstarphen, Packers Bend, AlabamaLaKecia Carstarphen, Packers Bend, AlabamaPaulette Carstarphen, Packers Bend, AlabamaAdrienn Cheeseboro, Packers Bend, AlabamaKimberly Cheeseboro, Packers Bend, AlabamaLatonya Cheeseboro, Packers Bend, AlabamaYshika Cheeseboro, Packers Bend, AlabamaRapheal Davis, Packers Bend, AlabamaDomoneek McCoy, Packers Bend, AlabamaTromesha Packer, Packers Bend, AlabamaBryant Timmons, Packers Bend, AlabamaPatricia Tunstall, Packers Bend, Alabama

CHILDREN FROM T.W. MARTIN HIGH SCHOOL, GOODSPRINGS, ALABAMA -- CHILDREN FROM T.W. MARTIN HIGH SCHOOL, GOODSPRINGS, ALABAMAShawn Bromley, Goodsprings, AlabamaCourtney Dotson, Goodsprings, AlabamaJon Dotson, Goodsprings, AlabamaStephanie Hicks, Goodsprings, AlabamaRyan Logan, Goodsprings, AlabamaBrandon Morris, Goodsprings, AlabamaJada Parker, Goodsprings, AlabamaCameo Raney, Goodsprings, AlabamaBrandon Reynolds, Goodsprings, AlabamaJosh Salter, Goodsprings, AlabamaLandon Waid, Goodsprings, AlabamaSabrina Williams, Goodsprings, Alabama

Folkways Founders, U.S. Postal Service Folk Musicians Stamp Concert

Arlo Guthrie, Housatonic, Massachusetts

Abe Guthrie, Housatonic, Massachusetts

Annie Guthrie, Housatonic, Massachusetts

Cathy Guthrie, Housatonic, Massachusetts

Sarah Guthrie, Housatonic, Massachusetts

Toshi Reagon, Brooklyn, New York

Josh White, Jr., Detroit, Michigan

THE WILLIE FOSTER BLUES BAND -- THE WILLIE FOSTER BLUES BANDWillie Foster, 1922-, Greenville, MississippiJohn Horton, III, Greenville, MississippiRoosevelt Rogers, Greenville, MississippiRichard E. Taliaferro, Greenville, MississippiLarry Wright, Leland, Mississippi

Heartbeat: Voices of First Nations Women Concert

Sharon Burch, Santa Rosa, California

Cedric Goodhouse, Fort Yates, North Dakota

Sissy Goodhouse, Fort Yates, North Dakota

Christina Gonzalez, Schurz, Nevada

Delgadina Gonzalez, Schurz, Nevada

JOY HARJO AND POETIC JUSTICE -- JOY HARJO AND POETIC JUSTICECharlie Baca, Albuquerque, New MexicoRichard Carbajal, Phoenix, ArizonaJoy Harjo, Hollywood, CaliforniaDerek James, Los Angeles, CaliforniaJohn Williams, Albuquerque, New MexicoSusan Williams, Albuquerque, New Mexico

Judy Trejo, Wadsworth, Nevada

TZO'KAM -- TZO'KAMJoyce Fossella, Vancouver, British Columbia, CanadaJudy Lemke, North Vancouver, British Columbia, CanadaIrma Rabang, Sumner, WashingtonMaria Stiglich, Langley, British Columbia, CanadaFreda Wallace, Vancouver, British Columbia, CanadaFlora Wallace, Vancouver, British Columbia, CanadaRussell Wallace, North Vancouver, British Columbia, Canada

Mary Youngblood, Sacramento, California

Ralph Rinzler Memorial Concert

Sid Beckerman, clarinet

Lauren Brody, accordion, piano, vocals

Steven Greenman, violin

Margot Leverett, clarinet, saxophone

Paul Pincus, tenor saxophone

Mark Rubin, bass, tuba

Henry Sapoznik, banjo, vocal, producer, director

Peter Sokolow, keyboard, vocal, musical director

Michael Spielzinger, drums

Steven Weintraub, dance instructor
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1998, Series 5
See more items in:
Smithsonian Folklife Festival records: 1998 Smithsonian Folklife Festival
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk53d2039c2-0605-4994-b705-d53a980428a9
EDAN-URL:
ead_component:sova-cfch-sff-1998-ref45

Lithuanian Fieldwork: Veronika Povilioniene – Lithuanian vocal music. Spoken words in unidentified language. Written material accompanies tape.

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
1988
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0872
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 6: Music from the Peoples of the Soviet Union / 6.1: Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5a6091432-f6d7-4e0b-8340-fda32b4cb446
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref985

Lithuanian Fieldwork: Veronika Povilioniene – Lithuanian vocal music.

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
Type:
Archival materials
Sound recordings
Date:
1988
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988, Item FP-1988-CT-0875
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Smithsonian Folklife Festival records: 1988 Festival of American Folklife / Series 6: Music from the Peoples of the Soviet Union / 6.1: Fieldwork
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5c4b4cadd-6575-4f4d-8e4c-5ebd646b0524
EDAN-URL:
ead_component:sova-cfch-sff-1988-ref988

Festival Recordings: French Music Stage: French Instrumental and Vocal Music; Bagpipe Workshop

Creator:
Smithsonian Institution. Festival of American Folklife. French/French-American Program 1983 Washington, D.C.  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (sound tape reel, 7 inch reel, 1/4 inch tape)
sound-tape reel (analog, 7 in.)
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Date:
1983 July 01
Local Numbers:
FP-1983-7RR-0243
Publication, Distribution, Etc. (Imprint):
United States French/French-American Program 1983
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1983.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1983 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1983, Item FP-1983-7RR-0243
See more items in:
Smithsonian Folklife Festival records: 1983 Festival of American Folklife
Smithsonian Folklife Festival records: 1983 Festival of American Folklife / Series 4: French/French American Program / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk543bf70d8-0ce7-4f3d-a5be-439a5ead389a
EDAN-URL:
ead_component:sova-cfch-sff-1983-ref2293

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