Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian's Collections Care and Preservation Fund.
This series includes two transcripts of interviews of Johanson. There are photocopied and ink drawings for her designs of works and proposals for work, including the Con Edison Indian Point Visitors Center (1972), Columbus East High School (1973), Diptheria rock sculpture (1974), and proposals for public art in San Fransisco and Rockland County, New York. There are blueprints for the Fair Park Lagoon Sculpture in Dallas, Texas. Writings include personal statements about her artwork, notebooks, collection records for the Museum of Modern Art, a slide lecture, and the convocation address given at the Massachusetts College of Art in May, 1995. Published writings include a 1992 monograph by Johanson and several magazine and newsletter articles. Writings by others include student papers written about Johanson including a master's thesis.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Patricia Johanson papers, 1964-1998. Archives of American Art, Smithsonian Institution.
The Andorra Garden of Mr. and Mrs. George Q. Nichols (Lafayette Hill, Pennsylvania)
United States of America -- Pennsylvania -- Montgomery County -- Lafayette Hill
Scope and Contents:
The folder includes worksheets, photocopies of articles, plant lists, and other information.
General:
Set in a tree-filled valley The Andorra Garden of Mr. and Mrs. George Q Nichols was inspired by English cottage gardens, with an antique stone barn and stone walls as well a formal courtyard created by landscape designer Frederick Peck in the 1950s. The property comprises five acres that once were part of a tree farm and benefits from the remaining mature trees. The recent owners concentrated on growing flowering shrubs, perennials and annuals including New Dawn and Madam Alfred Carriere climbing roses, tree peonies, clematis, climbing and bush hydrangea, Oriental poppies, delphinium, acanthus, hollyhocks, columbines, and foxgloves. Flower arrangements filled the house and were entered into competition at the Philadelphia Flower Show. The design of the garden included flowering borders along axial gravel paths that led between the barn and the house with large swaths of lawn. Borders with roses, clematis and honeysuckle growing up trellises were planted on either side of the eight-foot high stucco walls that enclose the garden. Three arched entries into the old barn are echoed in an antique arch over a doorway in the walls, and in an enormous mirror mounted on the house. The formal courtyard near the house includes a restored octagonal garden bed with a fountain in the center. The stone fireplace from the original kitchen outbuilding is nearby.
Flowers in darker shades of maroon, brown and black were featured in the garden to provide contrast and definition to the spaces. Antique stone benches and wrought iron pieces were featured. A sculpture created from a hoe, rakes, a shovel, watering can, bucket, scythe and other tools mounted on the side of the barn commemorates all the work that went into this garden, and the ones that preceded it.
The area was settled in 1700s by Swiss German farmers and the original farmhouse and barn were built circa 1750. In 1850 Richard Wistar bought the property and named it Andorra Farm. He planted many trees and intended to build a mansion on his estate but died in 1863. In 1882 the property was purchased for further development by Henry Howard Houston and a tree farm was established, later owned and run by the nurseryman William Warner Harper. Although much of the surrounded acreage was sold and developed for housing the Houston family retained ownership of part of the original property. A granddaughter of Henry Houston, Eleanor Houston Smith and her husband Lawrence Smith, donated 100 acres in the 1970s to Fairmount Park. It is now the Wissahickon Environmental Center, and its visitors' center is in a nurseryman's cottage that was built around a sycamore tree although that tree is no longer standing.
Persons associated with the garden include Richard Wistar (former owner, 1850-1863); Henry Howard Houston and family (former owners, beginning in 1882); William Warner Harper (nurseryman and former owner of Andorra Tree Farm, 1920-1934); Lukens family (former owners, beginning in 1929); George and Audrey Nichols (former owners, 1976-2008); Frederick Peck (landscape designer, 1950's).
Related Materials:
The Andorra Garden of Mr. and Mrs. George Q. Nichols related holdings consist of 1 folder (16 35mm slides (photographs))
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Lafayette Hill Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Recorded in: Washington (D.C.), United States, June 27, 1981.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Sally K. Ride Papers, Acc. 2014-0025, National Air and Space Museum, Smithsonian Institution.
