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Correspondence

Collection Creator:
Dreier, Dorothea A., 1870-1923  Search this
Extent:
(Box 1-2; 1.2 linear feet)
Type:
Archival materials
Date:
1881-1925
Scope and Contents note:
This series contains the correspondence of Dorothea Dreier. Most of the letters are from family and close friends, who addressed her using affectionate nicknames, including "Dodo," "DAD," and "Dadakins." While the letters in this series span from 1881-1925, the majority of them date from 1913-1916, the period during which Drier was at Saranac Lake receiving treatments for her tuberculosis. Business and third-party correspondence, visiting cards, Christmas cards, telegrams, and postcards are also found in this series.
Arrangement note:
Due to the number of letters and correspondents this series has been divided into 2 subseries:

2.1: Family Correspondence, 1881-1923

2.2: Personal and General Correspondence, 1884-1925
Collection Restrictions:
The bulk of this collection has been digitized and is available online via the Archives of American Art's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothea A. Dreier papers, 1881-1941, bulk 1887-1923. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dreidoro, Series 2
See more items in:
Dorothea A. Dreier papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dreidoro-ref37

Personal and General Correspondence

Collection Creator:
Dreier, Dorothea A., 1870-1923  Search this
Type:
Archival materials
Date:
1884-1925
Scope and Contents note:
This subseries includes letters from close friends, visiting cards, notes, telegrams, postcards, third party correspondence and business correspondence. Additionally there is a folder of telegrams from Katherine Dreier informing friends and family of Dorothea's death and two folders of condolence letters received by the Dreier family.

Close friends and regular correspondents include the Bartlett sisters, Agnes, Mary and Maud, Charlotte Schetter, Ellen Kuhn Mahan, Rebecca Forbes, and fellow art student Lillian Miller. Through her travels in the Netherlands and her interest in Vincent van Gogh, Dreier became friends with the artists' sister Elisabeth du Quesne van Gogh and there are six postcards from her in this collection. A 1923 letter from Joseph Stella thanks "Miss Dreier" for purchasing his painting White Heron, but it is impossible to tell if he is referring to Dorothea or Katherine. Julius A. Gross, a local photographer, mentions visiting Dorothea's studio and describes the work found within his letters and includes rough sketches of paintings. He may have been contracted to photograph her work for her during her time at Saranac Lake for a proposed publication.

Other notable art world correspondents include Charles Harold Davis, the American Tonalist landscape painter, and Walter Shirlaw, a painter who not only was Dreier's teacher, but also a close friend. The Davis letters suggest that Dreier had hoped to study with him, but his letter of 1902 indicates that he would not be teaching that summer and suggests other painting instructors. Other letters discuss paintings that she purchased from the artist. Shirlaw's letters, along with those of his wife Florence, discuss the artist's plans to paint Dorothea's portrait, as well as current exhibitions, works that he has sold, and planned visits to the Dreier sisters, whom he affectionately labeled "the sisterhood." Several of his letters included illustrations.

Third party correspondence written to Katherine Dreier includes a letter from Walt Kuhn, dated October 14, 1914 that may refer to activities of the Cooperative Mural Workshop. The business correspondence for Dorothea Dreier includes letters related to household purchases, insurance policies, investment accounts and travel reservations. The folder of Katherine Dreier's business correspondence solely is related to work on her home in Stonington, Connecticut.
Collection Restrictions:
The bulk of this collection has been digitized and is available online via the Archives of American Art's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothea A. Dreier papers, 1881-1941, bulk 1887-1923. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dreidoro, Subseries 2.2
See more items in:
Dorothea A. Dreier papers
Dorothea A. Dreier papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dreidoro-ref60

Printed Material

Collection Creator:
Blackstone, Harriet, 1864-1939  Search this
Extent:
0.8 Linear feet (Boxes 2-3, 6)
Type:
Archival materials
Date:
1901-1984
Scope and Contents:
Found here are various publication documenting Blackstone's career including exhibition announcements, catalogs, and visiting cards as well as two published books Blackstone compiled. Additionally there are journals, magazines, newspaper clippings, and a museum catalog (most are written in English and a couple in French) that depict the artwork of Blackstone.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Harriet Blackstone papers, 1870-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blacharr, Series 5
See more items in:
Harriet Blackstone papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-blacharr-ref87

Visiting Cards

Collection Creator:
Blackstone, Harriet, 1864-1939  Search this
Container:
Box 2, Folder 33
Type:
Archival materials
Date:
1909-1934
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Harriet Blackstone papers, 1870-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Harriet Blackstone papers
Harriet Blackstone papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-blacharr-ref91

General Correspondence

Collection Creator:
Beaux, Cecilia, 1855-1942  Search this
Container:
Box 1, Folder 25
Type:
Archival materials
Date:
1889 February
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cecilia Beaux papers, 1863-1968. Archives of American Art, Smithsonian Institution.
See more items in:
Cecilia Beaux papers
Cecilia Beaux papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-beauceci-ref715
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Yatsuhashi Harumichi Papers

Creator:
Yatsuhashi Harumichi Family  Search this
Names:
Harvard University  Search this
Yamanaka & Company  Search this
Yatsuhashi family  Search this
Yamanaka, Sadajiro  Search this
Yatsuhashi, Harumichi, 1886-1982  Search this
Extent:
9 Linear feet
Type:
Collection descriptions
Archival materials
Catalogs
Correspondence
Printed material
Address books
Announcements
Sheet music
Diaries
Visiting cards
Photographs
Photograph albums
Books
Place:
Boston (Mass.)
New York (N.Y.)
Date:
1907-1976
Summary:
The Yatsuhashi Harumichi Family Papers (1906-1976) document the professional and personal lives of a Japanese-American family in Boston during the twentieth century. The patriarch, Yatsuhashi Harumichi (1886-1982), was an influential Asian art dealer and the papers also document the professional experiences of Asian art dealers in the United States during the early and mid 20th century. Mr. Yatsuhashi worked at the antiquities firm of Yamanaka & Company before starting his own Asian antiquities shop in 1945. Included in the papers, portions in Japanese, are correspondence; catalogues relating to the Alien Property Custodian's 1944 liquidation of Yamanaka & Company's New York branch's holdings; photographs depicting art objects and shop interiors, the Yatsuhashi family, Yamanaka & Company, and extended family, friends, and colleagues; and items belonging to Mr. Yatsuhashi's wife, Shigeki, and some of their children.
Scope and Contents:
The Yatsuhashi Harumichi Family Papers (1906-1976) document the professional and personal lives of a Japanese-American family in Boston during the twentieth century. The patriarch, Yatsuhashi Harumichi (1886-1982), was an influential Asian art dealer and the papers also document the professional experiences of Asian art dealers in the United States during the early and mid 20th century. Mr. Yatsuhashi worked at the antiquities firm of Yamanaka & Company before starting his own Asian antiquities shop in 1945. Included in the papers, portions in Japanese, are correspondence; catalogues relating to the Alien Property Custodian's 1944 liquidation of Yamanaka & Company's New York branch's holdings; photographs depicting art objects and shop interiors, the Yatsuhashi family; Yamanaka & Company, and extended family, friends, and colleagues; and items belonging to Mr. Yatsuhashi's wife, Shigeki, and some of their children.
Arrangement:
The collection has been organized into three series.

Series 1: Yatsuhashi Harumichi papers, 1912-1965, undated

— Subseries 1.1: Biographical information, undated

— Subseries 1.2: Correspondence, 1940-1980

— Subseries 1.3: Diary, 1912

— Subseries 1.4: Address book, undated

— Subseries 1.5: Printed materials, 1919-1965, undated

Series 2: Other family members, 1937, 1966, undated

— Subseries 2.1: Yatsuhashi Shigeki

— Subseries 2.2: Yatsuhashi S.

— Subseries 2.3: Yatsuhashi Masao

— Subseries 2.4: Yatsuhashi Sumiko

Series 3: Photographs, 1907-1976, undated

— Subseries 3.1:Still prints and portraits

— Subseries 3.2: Photo albums
Biography:
Asian art dealer and merchant Yatsuhashi Harumichi (1886- 1982) was born in Tano, Japan, on December 15, 1886. Upon completion of his studies in Osaka, Mr. Yatsuhashi secured employment in the Osaka office of the prestigious Asian antiquities firm, Yamanaka & Company. (For more information about Yamanaka & Company, please see: Lawton, T. (1995). Yamanaka Sadajiro: Advocate for Asian art. Orientations, 26 (1), 80-93.) In 1907 he joined Yamanka & Company's branch office in Boston, Massachusetts, as its general manager and treasurer of the company's Asian division. Located at 424 Boylston Street, the store was a center for Chinese art, as well as for Japanese assorted goods.

In 1913 Yatsuhashi married Shigeki. They produced two sons (Michio and Masao) and two daughters (Sumiko and Kukiye). (Harumichi Yatsuhashi, Oriental art authority and Brookline resident. (1982 December 3). The Boston Globe, obituaries.)

Following the United States' entrance into World War II, the Alien Property Custodian seized the Yamanaka shops in New York, Boston, and Chicago. The holdings were sold at auction in May and June, 1944. In 1945, Yatsuhashi Harumichi and his son Michio opened their own Asian art dealership at 420 Boylston Street in Boston.

Yatsuhashi Harumichi fostered exchange between his native and adopted homeland. He was a member and officer (president in 1931) of the Japan Society of Boston since 1921, an avid supporter of the Boston Marathon, and a founder of the Boston-Kyoto Sister City Foundation. (Boston Globe, 1982 December 4. )

Michio Yatsuhashi, who helped his father open the Yatsuhashi antique shop, died prematurely as a result of cancer in 1981. One year later, Mr. Yatsuhashi died in Boston at the age of 96. He was survived by his daughters, Sumiko and Kikuye and one son, Masao.

1886 December 15 -- Yatsuhashi Harumichi born in Japan

1905 -- Yatsuhashi Harumichi graduates college in Osaka, Japan

1905 -- Yatsuhashi Harumichi joins the antiquities firm of Yamanaka & Co.

1907 -- Yatsuhashi Harumichi joins the Boston branch of Yamanaka & Co.

1913 -- Yatsuhashi Harumichi and Shigeki marry

[ca. 1918 - 1919] -- Masao Yatsuhashi (son) born

1944 -- Yamanaka & Company New York, Boston, and Chicago shops are seized by the Alien Property Custodian and its holdings are sold at auction

1945 -- Yatsuhashi Harumichi and son Michio open an Asian antiquities shop in Boston

1961 -- Yatsuhashi Shigeki dies

1981 -- Michio Yatsuhashi dies

1982 December 1 -- Yatsuhashi Harumichi dies at Massachusetts General Hospital at the age of 96
Provenance:
The Yatsuhashi Harumichi Family Papers were donated the Archives by James Arthur Marinaccio in 1994.
Restrictions:
Collection is open for research.
Rights:
No restrictions on use.
Occupation:
Art dealers  Search this
Art dealers -- Japan  Search this
Art dealers -- Massachusetts -- Boston  Search this
Topic:
Alien property -- New York (State) -- New York  Search this
Alien property  Search this
Japanese American families -- Photographs  Search this
Japanese American families  Search this
Genre/Form:
Catalogs -- 1910-1960
Correspondence
Printed material
Address books
Announcements
Sheet music
Diaries
Visiting cards
Photographs
Photograph albums
Books
Citation:
Yatsuhashi Harumichi Family Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of James Arthur Marinaccio, 1994.
Identifier:
FSA.A1994.02
See more items in:
Yatsuhashi Harumichi Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_collection:sova-fsa-a1994-02
Online Media:

Biographical information

Collection Creator:
Yatsuhashi Harumichi Family  Search this
Type:
Archival materials
Date:
undated
Scope and Contents note:
Biographical information includes handwritten notes and a visiting card.
Collection Restrictions:
Collection is open for research.
Collection Rights:
No restrictions on use.
Collection Citation:
Yatsuhashi Harumichi Family Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of James Arthur Marinaccio, 1994.
Identifier:
FSA.A1994.02, Subseries 1.1
See more items in:
Yatsuhashi Harumichi Papers
Yatsuhashi Harumichi Papers / Series 1: Yatsuhashi Harumichi Papers
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a1994-02-ref22

Visiting card

Collection Creator:
Yatsuhashi Harumichi Family  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
No restrictions on use.
Collection Citation:
Yatsuhashi Harumichi Family Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of James Arthur Marinaccio, 1994.
See more items in:
Yatsuhashi Harumichi Papers
Yatsuhashi Harumichi Papers / Series 1: Yatsuhashi Harumichi Papers / 1.1: Biographical information
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a1994-02-ref24

Charles M. Kurtz papers

Creator:
Kurtz, Charles M. (Charles McMeen), 1855-1909  Search this
Names:
Albright Art Gallery (Buffalo, N.Y.)  Search this
American Art Association  Search this
Buffalo Fine Arts Academy  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Academy of Design (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Saint Louis Exposition and Music Hall Association (1883-1902 : Saint Louis, Mo.)  Search this
Southern Exposition (1885 : Louisville, Ky.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Starkweather family  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Avery, Samuel Putnam, 1822-1904  Search this
Cesnola, Luigi Palma di, 1832-1904  Search this
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Hallowell, Sara  Search this
Hambidge, Jay, 1867-1924  Search this
Hasbrouck, Du Bois Fenelon, b.1860  Search this
Irwin, Benoni, 1840-1896  Search this
Ives, Halsey Cooley, 1847-1911  Search this
Kurtz, Davis Brook Kurtz, 1826-1906  Search this
Kurtz, Julia Stephenson  Search this
Reid, Alexander  Search this
Rhodes, Charles Ward, d. 1905  Search this
Richardson, Mary Curtis, 1848-1931  Search this
Sedelmeyer, Charles  Search this
Thum, Patty P., 1853-1926  Search this
Wanamaker, John, 1838-1922  Search this
Wickenden, Robert J.  Search this
Photographer:
Pluschow, Guglielmo  Search this
Extent:
27.74 Linear feet
Type:
Collection descriptions
Archival materials
Menus
Photographs
Lithographs
Etchings
Address books
Engravings
Visiting cards
Diaries
Photogravures
Tempera paintings
Oil paintings
Sketches
Date:
1843-1990
bulk 1884-1909
Summary:
The papers of arts administrator, museum director, collector, dealer, and editor Charles M. Kurtz (1855-1909), measure 27.74 linear feet and date from 1843-1990 (bulk dates 1884-1909). The bulk of the collection consists of detailed chronological correspondence between Kurtz and his wife and family, friends, colleagues, and business associates that documents many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.
Scope and Content Note:
The Charles M. Kurtz papers measure 27.74 linear feet and date from 1843 to 1990 with the bulk of the material dating from 1884 to 1909. The bulk of the collection consists of chronological correspondence between Kurtz and his family, most notably his wife, friends, colleagues, and business associates. Kurtz's letters are amazingly detailed and document many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. The letters between Kurtz and his wife are most interesting for their descriptive commentary on late 19th century life and offer a complete picture of Kurtz's activities. Many of Kurtz's letters to Halsey C. Ives can be found in the Halsey C. Ives Papers. Some of the letters in the collection are illustrated. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.
Arrangement:
The collection is organized into twelve series.

Series 1: Biographical Information, 1885-1931, undated

Series 2: Correspondence, 1843-1940, undated

Series 3: Circulars/Requests for Submissions of Works of Art, 1886-1905

Series 4: Legal Records, 1881-1928

Series 5: Financial Records, 1870-1989, undated

Series 6: Diaries, 1894-1901

Series 7: Notes and Writings, 1872-1980, undated

Series 8: Scrapbooks, 1878-1909

Series 9: Printed Material, 1873-1990, undated

Series 10: Photographs, 1898-1990

Series 11: Photographs of Works of Art, undated

Series 12: Miscellany, undated
Biographical Note:
Charles M. Kurtz's name is known to many scholars and students of American art history. To some he is important for his critical writings, others are interested in his management of exhibitions for the Art Union and the American Art Association. Many are aware of him because of his publication of National Academy Notes, which continued for nine years. Still others are familiar with Kurtz in his role as an art administrator for late 19th century art exhibitions like those at the 1893 Columbian Exposition in Chicago and the St. Louis Fair, or for his accomplishments as the first director of the Albright Gallery in Buffalo, New York. Sometimes researchers have become familiar with his name through the sale catalogue for his considerable collection, which was sold at auction after his death in 1909. His career, which encompassed the last quarter of the nineteenth century and the first decade of the twentieth century, touched on virtually every aspect of art in America during that period.

Born in 1853 to Davis Brook Kurtz (1826-1906), an attorney, and Julia Wilder, Charles Kurtz enjoyed a genteel upbringing. The Kurtz family originated in Darmstadt, Germany, and migrated to America in the eighteenth century. D.B. Kurtz, a leading member of the Lawrence County bar, was also a vice-president of the National Bank of Lawrence County, Pennsylvania. As a local representative of many important railroad and business interests, he accumulated assets estimated at one million dollars by the time of his death, just three years before that of his son, Charles, the eldest of his five children. Unlike his brothers Louis, who also became an attorney, and Edward, a professor at Columbia University, Charles eschewed a professional career to enter the art world, as did his sisters Emily, an artist, and Catherine, a musician.

After his graduation from Washington and Jefferson College in Washington, Pennsylvania, Kurtz visited the Centennial Exposition, held in 1876 in Philadelphia, before coming to New York to study art at the National Academy of Design. These two activities foreshadowed the direction that his career would eventually take. As the chronology indicates, his early efforts revolve around writing for a variety of publications, most notably, his own National Academy Notes. In 1881 he took what was to be the first of many trips abroad to survey the art scene in Europe. Later in his career, his fascination with foreign art and his own entrepeneurial interests led him to become an outspoken opponent of tariffs on imported art.

Kurtz's personal life changed significantly in 1884 when he met Julia Stephenson, a physician's daughter and fledging art student from Harrodsburg, Kentucky. Throughout their courtship and after their marriage the couple was frequently separated. Consequently, they wrote lengthy letters which document not only their personal relationship but also Kurtz's aspirations and activities in the art world.

With his appointment as one of Halsey C. Ives's (1847-1911) chief assistants of the Fine Arts Department of the World's Columbian Exposition in 1891, Charles Kurtz's career achieved international stature. Among the most notable European artists he introduced into this country through circulating exhibitions were the Glasgow School, the Danish School, the Hungarian artist, Mihaly Munkacsy, and the subject of his final exhibition, the Spanish artist, Sorolla.

Throughout his life, Kurtz was plagued by health problems and, in 1899, illness forced him to resign as Assistant Director of Fine Arts for the United States for the Paris Exposition of 1900. Throughout the following decade, his work was increasingly interrupted by ill health. His death in 1909 at the age of 54, while sudden, was not entirely unexpected. However it most certainly cut short a cosmopolitan career that encompassed virtually every aspect of the art world and the pertinent issues of the day.

Kurtz is remembered for his editorial work with the National Academy of Design; as Art Director for the Southern Exposition, 1883-1886, and the St. Louis Exposition, 1894-1899 (where he introduced the Glasgow School of Painting); and as Assistant Chief/Director for the World's Columbian Exposition, the 1900 Paris Exposition, and the 1904 Louisiana Purchase Exposition. He was also director of the Buffalo Fine Arts Academy.

1855 -- Charles McMeen Kurtz born

1876 -- receives B.S. degree from Washington and Jefferson College, Washington, Pennsylvania

1876-78 -- studies at the National Academy of Design, N.Y. with Lemuel Wilmarth and William Morgan; writes a column, "New York Letters," for The Courant published in New Castle, Pennsylvania

1878 -- edits a small daily paper published during a "National Camp Meeting for the promotion of Holiness" held that summer in New Castle, Pa.; its critical stance resulted in his public denouncement and earned him a reputation as a journalist in western Pennsylvania; receives M.A. from Washington and Jefferson College

1878-79 -- becomes the local editor of The Guardian of New Castle

1879 -- publishes The Daily Reporter, a financial success

1881 -- publishes the first issue of National Academy Notes; travels in Europe, spending time in England, Holland, Belgium, Germany, Switzerland, Italy and France (Paris)

1881-82 -- prepares Illustrated Notes for Metropolitan Museum of Art exhibition

1882 -- writes "Art Notes" in The New York Tribune and resigns Dec. 23rd

1882-83 -- accepts position to write for Music and Drama, a new daily paper

1883 -- becomes the general manager of the American Art Union; exhibits a large collection of Art Union paintings in Buffalo, N.Y. and Louisville, Ky., where they became part of the Southern Exposition's first great art display

1883-86 -- accepts offer to become Director of the Art Department, Southern Exposition, Louisville, Kentucky

1884 -- edits Art Union magazine until December; applies for position to head the Art Department of the New Orleans World's Fair in September

1884-86 -- accepts a position offered by the American Art Association; terminates uncongenial relationship in March, 1886

1885 -- writes catalogues for the sale of the George Seney Collection and for the Watts exhibition at the Metropolitan Museum of Art, New York; October 1, marries Julia Stephenson (1861-1931), daughter of Dr. A. T. Stephenson of Harrodsburg, Kentucky; they had two daughters who survived them: Julia Wilder Kurtz (1889-1977), and Isabella Starkweather Kurtz (1901-1991); another daughter, Elizabeth Stephenson Kurtz (1886-1897), predeceased them

1886 -- terminates employment with the Art Association; daughter, Elizabeth Stephenson Kurtz, born

1886-87 -- manages the circulation of Mihaly Munkacsy's Christ Before Pilot for Charles Sedelmeyer to American venues: New York, Boston, St. Louis, Cincinnati, Kansas City, Minneapolis, Saint Paul, Nashville, Phildelphia, Indianapolis; tour generates $90,000 in ticket receipts

1889-91 -- February 24, appointed art critic ("Art Notes") and book reviewer for New York Daily Star; later literary and art editor of the Sunday Star

1890 -- writes for the Sunday edition The Press, a New York paper

1891 -- writes for The World; art editor for The New York Recorder; contributes to the New York Truth

1891-93 -- contributes to Chicago Evening Post ; writes artist biographies for The Chicago Graphic, a regional magazine; appointed Assistant Chief of the Department of Fine Arts of the World's Columbian Exposition

1894 -- contributes column, "Art at the Exposition" to St. Louis Life

1895 -- tours Denmark, Scotland, and France during the summer on behalf of the St. Louis Exposition

1894-99 -- appointed Director of the Art Department of the St. Louis Annual Exposition

1896 -- elected member of The Japan Society, London

1897 -- daughter, Elizabeth (Daisy), dies

1898 -- receives a diploma and medal "in recognition of valuable services in connection with the Fine Arts Exhibit" from the directors of the Trans-Mississippi International Exposition, Omaha

1899 -- appointed Assistant Director of Fine Arts for the United States Commission to the Paris Exposition of 1900; resigned in July due to ill health

1901-04 -- appointed Assistant Chief of the Department of Art of the Louisiana Purchase Exposition, August

1901 -- daughter, Isabella Starkweather Kurtz, born

1902 -- receives honorary Ph.D from Washington and Jefferson College "in recognition of distinguished ability and services as an art critic and writer"

1905 -- receives the cross of the Order of Merit from Prince Ferdinand of Bulgaria; appointed Director, Buffalo Fine Arts Academy and Albright Art Gallery, Buffalo, New York, in January; exhibits Glasgow paintings at Albright Art Gallery from November until the following April

1906 -- writes Academy Notes, a bulletin pubished by the Buffalo Fine Arts Academy and the Albright Art Gallery; father, D.B. Kurtz, dies in Newcastle, Pennsylvania

1907 -- accused of importing German pictures free of duty for exhibition purposes and then selling some for profit

1908 -- Honorary Doctor of Philosophy degree conferred by Washington and Jefferson College

1909 -- Charles M. Kurtz dies in Buffalo, New York on March 21

1910 -- Sale of the private collection of Charles M. Kurtz at auction, Fifth Avenue Art Galleries, February 24-25

1931 -- Widow, Julia Stephenson Kurtz dies October 30

1977 -- Daughter, Julia Wilder Kurtz, dies

1991 -- Daughter, Isabel Starkweather Kurtz, dies in Buffalo, N.Y.; remaining Charles M. Kurtz Papers bequeathed to the Archives of American Art and the National Academy of Design, New York
Related Material:
The St. Louis Exposition/Halsey C. Ives papers in the Archives of American Art contain material relating to Charles M. Kurtz.

Additional Charles Kurtz papers, 1870-1910, including 340 letters which discuss exhibitions, sales of art, patronage, atelier visits, and submissions to publications, and letters to his parents in which he discsses the art market and art world new; as well as manuscripts, notebooks, a diary, and printed ephemera relating to exhibitions and publications, are available at the Getty Research Institute, Research Library, Los Angeles, California.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel 4912) including Charles Kurtz's Glasgow painting diary. The loaned diary was returned to the lender and can now be found at the Yale Center for British Art in New Haven, Connecticut. This material is not described in the collection container inventory.
Provenance:
For many years, the Kurtz Papers were thought to have been destroyed in a fire. Isabel Kurtz, a school teacher who lived with her older sister in Buffalo, New York, was vague when initially approached about her father's papers by Archives Regional Director, Robert Brown in the mid-1980s. However upon her death in 1991, her will revealed that the papers were indeed in her house in Buffalo and the bulk of them were bequeathed to the Archives of American Art. Paintings and a diary relating to the Glasgow School were given to the Yale Center for British Art. That diary has subsequently been duplicated on microfilm and is now also available in the Archives. Scorch marks on some of the papers and also on the paintings given to Yale suggest that there was indeed a fire. The material that was not bequeathed to the Archives included duplicates of printed documents along with books from the Kurtz library and a coin collection, all of which were dispersed in an estate auction that was held in Buffalo in 1991.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
Glasgow painting diary, Microfilm reel 4912: Authorization to publish, quote, or reproduce requires written permission from Yale Center for British Art. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Editors -- United States  Search this
Art critics -- United States  Search this
Arts administrators -- United States  Search this
Topic:
Works of art  Search this
Glasgow school of painting  Search this
Exhibitions -- United States  Search this
Art, Scottish  Search this
Art -- Private collections  Search this
Art criticism  Search this
Art -- Collectors and collecting  Search this
Museum directors -- New York (State) -- Buffalo  Search this
Function:
Art museums -- New York (State)
Genre/Form:
Menus
Photographs
Lithographs
Etchings
Address books
Engravings
Visiting cards
Diaries
Photogravures
Tempera paintings
Oil paintings
Sketches
Citation:
Charles M. Kurtz papers, 1843-1990 (bulk 1884-1909). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kurtchar
See more items in:
Charles M. Kurtz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kurtchar
Online Media:

Diary, "Sophomore Days, Volume 1,"

Collection Creator:
McCoy, Esther  Search this
Container:
Box 6, Folder 16
Type:
Archival materials
Date:
1919
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Esther McCoy papers
Esther McCoy papers / Series 3: Personal Writings / 3.1: Diaries
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-mccoesth-ref145
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  • View Diary,

Benjamin W. Austin Liberian Autograph Collection

Names:
American Colonization Society  Search this
Cheeseman, Joseph James, 1843-1896  Search this
Extent:
0.06 Linear feet ((1 box) (4 folders))
Type:
Collection descriptions
Archival materials
Clippings
Correspondence
Lithographs
Signatures (names)
Place:
Liberia
Date:
circa 1862-1895
bulk 1884-1889
Summary:
The collection, which dates from circa 1812-1895 and measures .06 linear feet, is comprised of correspondence from Liberian elected officials and diplomats, and other individuals involved in the American Colonization Society. The primary recipient of these letters is Benjamin W. Austin, an American autograph collector and historian. The collection also includes a lithograph image of Joseph James Cheeseman, the president of Liberia from 1892 until his death in 1896; a collection of autograph cards bearing the signatures of other members of the Liberian government; and a newspaper clipping of an article on the American Colonization Society.
Scope amd Contents note:
The collection which dates from 1862 to 1895, bulk dates 1880-1889, documents an artificial grouping of letters, visiting cards, and articles that address the personalities of various early government officials of what was then the Republic of Liberia. Of particular interest are the series for letters addressed to Rev. Ben W. Austin who was at one time the secretary of the Northwestern Literary and Historical Society in Sioux City and later, the secretary of the Trinity Historical Society in Dallas, Texas. There is also an interesting letter from Joseph J. Roberts, the first President of Liberia.
Arrangement note:
The papers are arranged into two series. Folders are arranged alphabetically within series, while documents are organized chronologically.

Series 1: Correspondence

Series 2: Printed Material
Biographical/Historical note:
The roots of the country of Liberia can be traced to the American Colonization Society. The society was instrumental in the founding of the colony of Liberia in 1821. Controversial even at its beginnings, it advocated the removal of free people of color from the United States, where they suffered restrictive legislative rights, to Africa. It was thought in Africa, African Americans would enjoy freedoms that would always be denied to them by free whites in the Americas.

Originally begun as a colony of the United States, Liberia was governed by white agents until the appointment of Joseph Jenkins Roberts in 1842. In 1847 Liberia's legislative body voted to declare independence from the United States and elected Roberts as the first President.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
The Correspondence from the Republic of Liberia collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Slavery -- United States  Search this
Genre/Form:
Clippings
Correspondence
Lithographs
Signatures (names)
Citation:
Benjamin W. Austin Liberian Autograph Collection, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-049
See more items in:
Benjamin W. Austin Liberian Autograph Collection
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-06-049
Online Media:

Correspondence

Extent:
3 Items
Type:
Archival materials
Date:
1862 - 1895
Scope and Contents:
This series contains an artificial collection of correspondence and visiting cards (calling cards) from various dignitaries of the Republic of Liberia. Of particular interest is a letter from the first President of Liberia, Joseph J. Roberts and a series of letters sent to Rev. Ben W. Austin from different government officials.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Correspondence from the Republic of Liberia collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Benjamin W. Austin Liberian Autograph Collection, Anacostia Community Museum Archives, Smithsonian Institution.
Identifier:
ACMA.06-049, Series 1
See more items in:
Benjamin W. Austin Liberian Autograph Collection
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-06-049-ref10

Composite Group Portrait of Touring Lecturers for the American Literary Bureau

Creator:
American Literary Bureau  Search this
Subject:
Talmage, T. De Witt (Thomas De Witt) 1832-1902  Search this
Yates, Edmund 1831-1894  Search this
Perkins, Eli 1839-1910  Search this
Billings, Josh 1818-1885  Search this
Murray, W. H. H (William Henry Harrison) 1840-1904  Search this
Fields, James Thomas 1817-1881  Search this
Tilton, Theodore 1835-1907  Search this
Hay, John 1838-1905  Search this
Harte, Bret 1836-1902  Search this
Scott-Siddons, Mary Frances 1844-1896  Search this
Twain, Mark 1835-1910  Search this
Nasby, Petroleum V. 1833-1888  Search this
Schurz, Carl 1829-1906  Search this
Bellew, J. C. M (John Chippendall Montesquieu) 1823-1874  Search this
Chapin, E. H (Edwin Hubbell) 1814-1880  Search this
Cushman, Charlotte 1816-1876  Search this
Edgarton, Lillian  Search this
Stowe, Harriet Beecher 1811-1896  Search this
Saxe, John Godfrey 1816-1887  Search this
De Cordova, Raphael J. 1822-1901  Search this
Curtis, George William 1824-1892  Search this
Kilpatrick, Judson 1836-1881  Search this
Simpson, Matthew 1811-1884  Search this
Stanton, Elizabeth Cady 1815-1902  Search this
Anthony, Susan B (Susan Brownell) 1820-1906  Search this
Faithfull, Emily 1836?-1895  Search this
Gough, John B (John Bartholomew) 1817-1886  Search this
Field, Kate 1838-1896  Search this
Livingston, Anna  Search this
Collins, Wilkie 1824-1889  Search this
Taylor, Bayard 1825-1878  Search this
Griswold, A. Minor (Alphonso Minor) 1834-1891  Search this
Hale, Edward Everett 1822-1909  Search this
Sumner, Charles 1811-1874  Search this
Froude, James Anthony 1818-1894  Search this
Emerson, Ralph Waldo 1803-1882  Search this
Dickinson, Anna E (Anna Elizabeth) 1842-1932  Search this
Burritt, Elihu 1810-1879  Search this
Hepworth, George H (George Hughes) 1833-1902  Search this
Phillips, Wendell 1811-1884  Search this
Collyer, Robert 1823-1912  Search this
Beecher, Henry Ward 1813-1887  Search this
Tyndall, John 1820-1893  Search this
MacDonald, George 1824-1905  Search this
Parton, James 1822-1891  Search this
Physical description:
Cartes-de-visite (card photographs); 4 x 2.5;
Type:
Photographs
Date:
1868
Circa 1868-1869
Topic:
Portraits, Group  Search this
Local number:
SIA RU000095 [SIA_000095_B28_F02_001]
Restrictions & Rights:
No access restrictions. Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
No Copyright - United States
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_404545
Online Media:

E. D. Moore: Receipts, September 1907-February 1911

Collection Author:
Arnold, Cheney & Co.  Search this
Collection Collector:
Moore, Ernst D. (importer, trader)  Search this
Container:
Box 3, Folder 13-15
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish these photographs must be obtained directly from the donor, who retains copyright. See repository for details.
Collection Citation:
Ernst D. Moore Papers, 1888-1932, Archives Center, National Museum of American History.
See more items in:
Ernst D. Moore Papers
Ernst D. Moore Papers / Series 2: Other Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0321-ref100
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Diary

Collection Author:
Arnold, Cheney & Co.  Search this
Collection Collector:
Moore, Ernst D. (importer, trader)  Search this
Container:
Box 2, Folder 2-3
Type:
Archival materials
Date:
1908
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish these photographs must be obtained directly from the donor, who retains copyright. See repository for details.
Collection Citation:
Ernst D. Moore Papers, 1888-1932, Archives Center, National Museum of American History.
See more items in:
Ernst D. Moore Papers
Ernst D. Moore Papers / Series 2: Other Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0321-ref610
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E. D. Moore: Biographical Information

Collection Author:
Arnold, Cheney & Co.  Search this
Collection Collector:
Moore, Ernst D. (importer, trader)  Search this
Container:
Box 3, Folder 1
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish these photographs must be obtained directly from the donor, who retains copyright. See repository for details.
Collection Citation:
Ernst D. Moore Papers, 1888-1932, Archives Center, National Museum of American History.
See more items in:
Ernst D. Moore Papers
Ernst D. Moore Papers / Series 2: Other Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0321-ref88
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Ronald S. Korda Collection of Sports and Trading Cards

Creator:
Korda, Ronald S., -1996  Search this
Korda, Catherine  Search this
Extent:
57 Cubic feet (259 boxes, 1 oversized folder)
Type:
Collection descriptions
Archival materials
Albums
Baseball cards
Collecting cards
Posters
Programs
Stickers
Date:
1952-1996
Summary:
Sports and trading cards, 1952-1996, amassed by card collector Ronald S. Korda. The sports cards are subdivided by sport. Baseball cards, (1952-1996), comprise the vast majority of the sports cards, while football (1968-1996) and hockey (1968-1996) are the two next largest subseries. There are lesser quantities of cards for basketball, and only a few each for all other sports, such as racing, skiing, etc. Non-sports cards cover a large variety of popular culture topics, including motion pictures, television programs, popular music, toys, games, cars and trucks, comics, fantasy art, and many other subjects. Some ephemeral items are also included in the collection, such as sticker albums, posters and programs
Scope and Contents:
This collection is divided into two main series, Series 1, Sports; and Series 2, Non-Sports.

Series 1, Sports, comprises more than 90% of the collection. Within Series 1, the collection is divided into seven subseries:

Subseries 1.1: Baseball;

Subseries 1.2: Football;

Subseries 1.3: Hockey;

Subseries 1.4: Basketball;

Subseries 1.5: Other Sports;

Subseries 1.6: Sports programs, schedules and other paper ephemera; toys, souvenirs and novelty items;

Subseries 1.7: Sports card packaging.

Subseries 1.1 is the largest, with baseball cards making up approximately 70% of the entire Korda collection. Within the first three subseries, the cards are further subdivided into cards in sets, which are sleeved, and cards in packs, which are stored in card-sized boxes. Subseries D and E are in packs only. Both cards in sets and in packs have been arranged alphabetically by manufacturer, and thereunder, chronologically. Within sets, cards are arranged in numerical order by card number. In cases where, for baseball cards, titles of sets were unclear or ambiguous, the reference book Sports Collector's Digest's Standard Catalog of Baseball Cards (which in this finding aid will be referred to as Standard Catalog) was used to determine how card sets should be titled. Likewise, in the rare cases in which cards were not numbered within sets, the order used was that given in Standard Catalog. In the case of football and hockey, Beckett's Football Card Monthly and Beckett's Hockey Card Monthly were used as reference guides.

Series 2: Non-Sports, is arranged into twenty three subseries:

Subseries 2.1: Mass Media and Entertainment

Subseries 2.2: Education

Subseries 2.3: Comic Books and Strips

Subseries 2.4: Toys and action figures

Subseries 2.5: Literature

Subseries 2.6: Automotive Themes

Subseries 2.7: Crime and Law Enforcement

Subseries H: Military Topics

Subseries 2.8: Biography

Subseries 2.9: Fine Arts

Subseries 2.10: Adult Themes

Subseries 2.11: Beauty Contests

Subseries 2.12: Video Games

Subseries 2.13: Parodies

Subseries 2.14: Product Advertising

Subseries 2.15: Fantasy Art

Subseries 2.16: Monsters

Subseries 2.17: Card Games

Subseries 2.18: Stickers, patches and tattoos

Subseries 2.19: Toys, games, puzzles, post cards and posters

Subseries 2.20: Pogs, caps and gum wrappers

Subseries 2.21: Oversize of above topics

Subseries 2.22: Non-card items, relating to above topics

Subseries 2.1, Mass media and entertainment, is the largest of the non-sports categories, comprising movies, television and music. Other subseries are similarly subdivided. Unlike the majority of the sports cards, the non-sports cards are stored in small, card-sized cartons, which have been assigned the letters A through DD, and are stored in 4 Paige boxes and 1 document box. They are listed here according to titles of packs.
Arrangement:
The collection is divided into two series.

Series 1: Sports

Series 2: Non-sports
Biographical note:
Ronald Korda, an employee of NBC television and a man of modest, middle class means, began assembling his card collection in childhood after receiving a pack of cards as a party favor. After that initial inspiration, he began his collecting hobby which was his passion until his death in March, 1996. In the early years of his hobby, he collected baseball cards, later expanding to other sports as well as cards on diverse popular culture topics. Among these topics are films, television, popular music, science and nature, comics and magazines, toys and action figures, games, and products, and in addition to cards, there are stickers, sticker albums, tattoos, gum wrappers, puzzles, games and other novelty items. Numerous foreign issues are included. He amassed his collection by attending cards and collectibles shows and seeking out reputable dealers, and by purchasing factory sets when they became available. He was selective and careful, and in the case of the sports cards, succeeded in acquiring complete sets of virtually every series which he collected. (With the non-sports cards, he tended to collect samples rather than entire sets.) This thoroughness is what makes this collection rare and possibly unique among any card collections in public or private hands. With few exceptions, there are no cards missing, and virtually all are in mint or near mint condition. The Kordas could have sold their collection for a fortune, but felt it important that the collection stay together as a unit. Mr. Korda, in an emotional article entitled "Collections Should Live Forever" written for Baseball Hobby News, referred to his collection as "my card family" and expressed the fear that the family would be split up after he died. He approached the Smithsonian late in 1995. Just days before the Archives Center was to acquire the collection, Mr. Korda died. Finalization of his gift was completed by his wife.
History:
Although baseball and other trading cards date back to the nineteenth century, with some of the earliest accompanying packages of tobacco, they gained great popularity during the Depression with the advent of the bubble gum card. In the post-World War II years, and especially during the prosperous decade of the 1950s, they began to enjoy tremendous popularity, as the technology for producing them improved. The market rapidly expanded, and cards for other sports and other topics became popular, just as competition among manufacturers was heating up. The earliest trading cards accompanied packs of tobacco, but were eventually used to advertise gum, cookies, soft drinks, baked goods, hot dogs, and numerous other products. Card manufacturers, such as Topps, changed card formats with each new set, varying the presentation of statistics, vertical and horizontal orientation, use of action shots, candid shots and portraits, and inclusion of puzzles, games, fold-outs, and other novelties. They also added new features, such as trivia questions, cartoons, and holograms. As the hobby has changed, so have trading cards. Today's glossy, high-tech trading cards bear little resemblance to the tobacco cards of the 19th century or even to the cards produced during the "golden age" of cards in the 1950s. This collection represents a very diverse sampling of the card hobby from the 1950s to the 1990s.
Separated Materials:
Some card packaging was transferred to the Museum's Division of Cultural History (now Division of Cultural and Community Life).
Provenance:
The entire collection was donated to the Archives Center in April, 1996 by Mr. Korda's widow, Catherine Korda. Some of the card packaging was transferred by the Archives Center to the Division of Cultural History.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270

Use of this collection by researchers requires compliance with security procedures more stringent than those required for other collections in the Archives Center. This is due to the high value and rarity of some of the items in this collection. Autographed items, and cards valued at higher than $300 by Standard Catalog and Beckett's are stored separately, and may be seen only with special permission from the Reference Archivist, and then only in cases (such as photography or scanning) where it is deemed a necessity.

Color photocopies have been placed in sleeves where these items would normally be stored. When using card boxes, only six at a time may be requested from the Reference Archivist, and unlike other collections, may not be reserved in advance (i.e., on each separate research visit, a researcher must request boxes only for that visit.)

Card sleeves may be taken out of the binders for photocopying only with the permission and the supervision of the Archives Center staff. Cards may not be taken from sleeves, except with the permission and supervision of Archives Center staff. This may involve making advance arrangements with the Archives Center staff. These procedures are necessary for the preservation of this exceptional collection in perpetuity.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Baseball  Search this
Baseball players  Search this
Basketball  Search this
Basketball cards  Search this
Cards  Search this
Collectibles  Search this
Collectors and collecting  Search this
Football  Search this
Football cards  Search this
Football players  Search this
Hockey  Search this
Hockey players  Search this
Motion pictures  Search this
Popular music  Search this
Popular culture  Search this
Sports -- Collectibles  Search this
Sports -- 1950-2000  Search this
Sports cards  Search this
Television programs  Search this
Television personalities  Search this
Genre/Form:
Albums
Baseball cards
Baseball cards -- 1950-2000
Collecting cards
Posters -- 20th century
Programs -- Sports
Stickers
Citation:
Ronald S. Korda Collection of Sports and Trading Cards, 1952-1996, Archives Center, National Museum of American History. Gift of Catherine Korda.
Identifier:
NMAH.AC.0545
See more items in:
Ronald S. Korda Collection of Sports and Trading Cards
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0545
Online Media:

1994 Classic NFL Experience

Collection Creator:
Korda, Ronald S., -1996  Search this
Korda, Catherine  Search this
Container:
Box 207, Carton B
Type:
Archival materials
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270

Use of this collection by researchers requires compliance with security procedures more stringent than those required for other collections in the Archives Center. This is due to the high value and rarity of some of the items in this collection. Autographed items, and cards valued at higher than $300 by Standard Catalog and Beckett's are stored separately, and may be seen only with special permission from the Reference Archivist, and then only in cases (such as photography or scanning) where it is deemed a necessity.

Color photocopies have been placed in sleeves where these items would normally be stored. When using card boxes, only six at a time may be requested from the Reference Archivist, and unlike other collections, may not be reserved in advance (i.e., on each separate research visit, a researcher must request boxes only for that visit.)

Card sleeves may be taken out of the binders for photocopying only with the permission and the supervision of the Archives Center staff. Cards may not be taken from sleeves, except with the permission and supervision of Archives Center staff. This may involve making advance arrangements with the Archives Center staff. These procedures are necessary for the preservation of this exceptional collection in perpetuity.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ronald S. Korda Collection of Sports and Trading Cards, 1952-1996, Archives Center, National Museum of American History. Gift of Catherine Korda.
See more items in:
Ronald S. Korda Collection of Sports and Trading Cards
Ronald S. Korda Collection of Sports and Trading Cards / Series I: Sports / 1.2: Football cards, 1968-1996 / I-B-2: Football cards in packs, 1968-1996
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0545-ref4318

1994 Classic Pro Line Live

Collection Creator:
Korda, Ronald S., -1996  Search this
Korda, Catherine  Search this
Container:
Box 207, Carton B
Type:
Archival materials
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270

Use of this collection by researchers requires compliance with security procedures more stringent than those required for other collections in the Archives Center. This is due to the high value and rarity of some of the items in this collection. Autographed items, and cards valued at higher than $300 by Standard Catalog and Beckett's are stored separately, and may be seen only with special permission from the Reference Archivist, and then only in cases (such as photography or scanning) where it is deemed a necessity.

Color photocopies have been placed in sleeves where these items would normally be stored. When using card boxes, only six at a time may be requested from the Reference Archivist, and unlike other collections, may not be reserved in advance (i.e., on each separate research visit, a researcher must request boxes only for that visit.)

Card sleeves may be taken out of the binders for photocopying only with the permission and the supervision of the Archives Center staff. Cards may not be taken from sleeves, except with the permission and supervision of Archives Center staff. This may involve making advance arrangements with the Archives Center staff. These procedures are necessary for the preservation of this exceptional collection in perpetuity.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ronald S. Korda Collection of Sports and Trading Cards, 1952-1996, Archives Center, National Museum of American History. Gift of Catherine Korda.
See more items in:
Ronald S. Korda Collection of Sports and Trading Cards
Ronald S. Korda Collection of Sports and Trading Cards / Series I: Sports / 1.2: Football cards, 1968-1996 / I-B-2: Football cards in packs, 1968-1996
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0545-ref4319

1995 Classic NFL Draft Picks

Collection Creator:
Korda, Ronald S., -1996  Search this
Korda, Catherine  Search this
Container:
Box 207, Carton B
Type:
Archival materials
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270

Use of this collection by researchers requires compliance with security procedures more stringent than those required for other collections in the Archives Center. This is due to the high value and rarity of some of the items in this collection. Autographed items, and cards valued at higher than $300 by Standard Catalog and Beckett's are stored separately, and may be seen only with special permission from the Reference Archivist, and then only in cases (such as photography or scanning) where it is deemed a necessity.

Color photocopies have been placed in sleeves where these items would normally be stored. When using card boxes, only six at a time may be requested from the Reference Archivist, and unlike other collections, may not be reserved in advance (i.e., on each separate research visit, a researcher must request boxes only for that visit.)

Card sleeves may be taken out of the binders for photocopying only with the permission and the supervision of the Archives Center staff. Cards may not be taken from sleeves, except with the permission and supervision of Archives Center staff. This may involve making advance arrangements with the Archives Center staff. These procedures are necessary for the preservation of this exceptional collection in perpetuity.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ronald S. Korda Collection of Sports and Trading Cards, 1952-1996, Archives Center, National Museum of American History. Gift of Catherine Korda.
See more items in:
Ronald S. Korda Collection of Sports and Trading Cards
Ronald S. Korda Collection of Sports and Trading Cards / Series I: Sports / 1.2: Football cards, 1968-1996 / I-B-2: Football cards in packs, 1968-1996
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0545-ref4320

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