Search Results

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Varying Form:

Confederate Soldiers Home, formerly

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File VA271

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Virginia

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref32552

Creator:

Taylor, Prentiss, 1907-1991  Search this

Names:

American University (Washington, D.C.). Fine Arts Dept. -- Faculty  Search this

Golden Stair Press  Search this

Society of Washington Printmakers (Washington, D.C.)  Search this

Field, Rachel, 1894-1942  Search this

Hughes, Langston, 1902-1967  Search this

Hurston, Zora Neale  Search this

Kahlo, Frida  Search this

Landeck, Armin, 1905-  Search this

O'Neill, Eugene, 1888-1953  Search this

Pinckney, Josephine, 1895-1957  Search this

Rivera, Diego, 1886-1957  Search this

Robeson, Paul, 1898-1976  Search this

Robinson, Bill, 1878-1949  Search this

Stein, Gertrude, 1874-1946  Search this

Toklas, Alice B.  Search this

Van Doren, Mark, 1894-1972  Search this

Van Vechten, Carl, 1880-1964  Search this

Extent:

20.4 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Scrapbooks

Drawings

Writings

Sketchbooks

Prints

Sound recordings

Date:

1885-1991

Summary:

The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

Scope and Content Note:

The collection measures 20.4 linear feet, dates from 1885 to 1991 (bulk dates 1908-1986) and documents the career of Harlem Renaissance lithographer, teacher, and painter Prentiss Taylor. The collection consists primarily of subject/correspondence files (circa 16 ft.), reflecting Prentiss' career as a lithographer and painter, his association with figures prominent in the Harlem Renaissance, notably Carl Van Vechten and Langston Hughes, his activities as president of the Society of Washington Printmakers and other art organizations, his work in art therapy treating mental illness, and his teaching position at American University. The subject files contain mostly correspondence, but many include photographs and printed material. Also included are biographical, financial, legal and printed material; several hundred photographs; notes and writings; sketchbooks, drawings and a few prints by Taylor; and scrapbooks dating from 1885-1956.

The Langston Hughes files contain photocopies of letters from Hughes, greeting cards, ten original photographs of Hughes, and an autographed card printed with Hughes' poem, The Negro Speaks of Rivers. In addition, there is a contract between Hughes and Taylor, witnessed by Carl Van Vechten, forming the Golden Stair Press, through which many of Hughes' poems were printed with illustrations by Taylor. A rare edition of their first publication, The Negro Mother, is found here. Also found in this file is a 1932 final copy of Scottsboro Limited, another collaborative effort between Taylor and Hughes that focused on a case where nine black youths were falsely accused of raping two white women. The collection contains extensive correspondence about Taylor's lithograph of the same title and the printing of the publication. Other rare Harlem Renaissance publications found within Taylor's papers include Golden Stair Broadsides, Opportunity Journal of Negro Life, The Rebel Poet, and Eight Who Lie in the Death House, several of which were also illustrated by Taylor.

Prentiss Taylor's long association with Langston Hughes and other figures of the Harlem Renaissance stemmed from his early friendship with Carl Van Vechten. Taylor's papers contain correspondence with Van Vechten, autographed copies of Van Vechten's booklets, and numerous photographs of notable Harlem Renaissance figures, many taken by Van Vechten, including Zora Neale Hurston, Bill "Bojangles" Robinson, Eugene O'Neill, Diego Rivera and Frida Kahlo, Paul Robeson, and many others. Also found are period photographs of Charleston, South Carolina and Harlem street scenes.

95 letters from Rachel Field, 75 letters from Langston Hughes, 3 letters from Armin Landeck, 46 letters from Josephine Pinckney, 1 letter from Gertrude Stein, 7 letters from Alice B. Toklas, 1 postcard from Mark Van Doren, and 25 letters from Carl Van Vechten are photocopies. Originals of the Hughes and Toklas letters are located at the Yale University Library. Location of the remaining original letters are unknown.

The Prentiss Taylor papers offer researchers insight into the rich cultural documentation of the Harlem Renaissance and the development of twentieth-century printmaking as an American fine art.

Arrangement:

The collection is arranged into ten series. The largest series housing Subject Files is arranged alphabetically, primarily by name of correspondent, maintaining Taylor's original arrangement. The remaining series are arranged in chronological order. Oversized material from various series has been housed in Box 21 (Sol) and OV 22 and is noted in the Series Description/Container Listing Section at the appropriate folder title with see also/see references.

Series 1: Biographical Material, 1918-1985, undated (Box 1; 6 folders)

Series 2: Miscellaneous Receipts, 1929-1986, undated (Box 1; 11 folders)

Series 3: Insurance Records, 1960-1976 (Box 1; 1 folder)

Series 4: Notes, 1921-1984, undated (Box 1; 18 folders)

Series 5: Writings, 1924-1971, undated (Box 1-2; 51 folders)

Series 6: Art Work, 1916-1975, undated (Box 2; 14 folders)

Series 7: Scrapbooks, 1885-1956 (Box 2, 21; 10 folders)

Series 8: Printed Material, 1914-1990, undated (Box 2-3, 21; 29 folders)

Series 9: Photographs, 1908-1984, undated (Box 3, 21; 0.7 linear feet)

Series 10: Subject Files, 1885-1991, undated (Box 3-21, OV 22; 18.0 linear feet)

Biographical Note:

Prentiss Taylor was born in 1907 at the Washington, D. C. residence of his maternal grandmother, his birth assisted by his grandmother's cook, affectionately known as Cookie Belle.

In the 1920s, Taylor studied painting with Charles W. Hawthorne in Provincetown, but turned to lithography in the late 1920s to early 1930s during his enrollment at the Art Students League in New York City. He received further training in that medium at the George C. Miller workshop in New York. During this period, he also designed costumes for the American-Oriental Revue. Taylor worked primarily in the printmaking medium for the rest of his life, experimenting with various techniques and compositions and ultimately achieving a status as one this country's great lithographers. Taylor depicted mostly realistic and narrative scenes of subjects and themes that reflected his personal interests in music, architecture, religion and social justice.

During his time in New York, Taylor developed close friendships with poet Langston Hughes and writer Carl Van Vechten. He collaborated with Hughes in the formation of the Golden Stair Press to produce publications reflecting the ideas of the Harlem Renaissance. Taylor created a number of prints and illustration for the press and its publications.

After returning to Washington, D.C., Taylor's work was included in exhibitions at the Corcoran Gallery, the Smithsonian Institution, the Baltimore Museum of Art and the Virginia Museum of Fine Arts in Richmond. He was represented by the Franz Bader Gallery in Washington, D.C., and by the Bethesda Art Gallery in Maryland. In 1942, Taylor was elected President of the Society of Washington Printmakers, a position he held for thirty-four years. He also worked as an art therapist for more than thirty years and taught oil painting at American University from 1955-1975.

Prentiss Taylor died October 7, 1991 in Washington, D.C.

Related Material:

Prentiss Taylor papers are also located at the Yale University Library.

Separated Material:

The Archives of American Art also holds material lent for microfilming (reel 1392) including three notebooks detailing Taylor's lithographs, a gift and sales notebook, a guestbook, exhibition announcements, and a brochure. Lent materials were returned to the lender and are not described in the collection container inventory.

Provenance:

Prentiss Taylor lent the Archives of American Art material for microfilming in 1978. Papers were donated in 1978 and 1984 by Taylor, and in 1992 and 2004 by his companion, Roderick S. Quiroz, for the estate of Prentiss Taylor.

Restrictions:

The collection has been digitized and is available online via AAA's website.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art teachers -- Washington (D.C.)  Search this

Painters -- Washington (D.C.)  Search this

Topic:

Lithography -- 20th century -- Washington (D.C.)  Search this

Lithographers -- Washington (D.C.)  Search this

Art therapy  Search this

Harlem Renaissance  Search this

Printmakers -- Washington (D.C.)  Search this

Genre/Form:

Photographs

Scrapbooks

Drawings

Writings

Sketchbooks

Prints

Sound recordings

Citation:

Prentiss Taylor papers, 1885-1991. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Funding for the conservation of Prentiss Taylor's photograph album, 1929-1939, was provided by the Smithsonian Women's Committee.

Identifier:

AAA.taylpren

See more items in:

Prentiss Taylor papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-taylpren

Collection Creator:

Taylor, Prentiss, 1907-1991  Search this

Extent:

(3 folders)

Container:

Box 19

Reel 5933, Frame 657-797

Type:

Archival materials

Date:

1956-1978

Collection Restrictions:

The collection has been digitized and is available online via AAA's website.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Prentiss Taylor papers, 1885-1991. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art. Funding for the conservation of Prentiss Taylor's photograph album, 1929-1939, was provided by the Smithsonian Women's Committee.

See more items in:

Prentiss Taylor papers

Prentiss Taylor papers / Series 10: Subject Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-taylpren-ref1580

Collection Creator:

James Graham & Sons  Search this

Container:

Box 15, Folder 5

Type:

Archival materials

Date:

1958-1961

Collection Restrictions:

Use of original papers requires an appointment. Artwork Files (Boxes 63-71, 94) and some photographic materials (Box 93 and 101) require written permission to access.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund

See more items in:

James Graham & Sons records

James Graham & Sons records / Series 1: Alphabetical Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-jamegras-ref522

Collection Creator:

Richardson, Edgar Preston, 1902-1985  Search this

Richardson, Constance, 1905-  Search this

Container:

Box 9, Folder 30

Type:

Archival materials

Date:

1959-1961

Collection Restrictions:

Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.

See more items in:

E.P. (Edgar Preston) and Constance Richardson papers

E.P. (Edgar Preston) and Constance Richardson papers / Series 4: Writings and Notes / 4.2: Lectures and Talks

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-richedga-ref421

Collection Creator:

Tibor de Nagy Gallery  Search this

Container:

Box 3, Folder 15

Type:

Archival materials

Date:

1958-1966, 1989-1990

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Washington, D.C. research facility.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Tibor de Nagy Gallery records, 1941-1993. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund.

See more items in:

Tibor de Nagy Gallery records

Tibor de Nagy Gallery records / Series 1: Business Records and Correspondence / 1.1: Galleries, Museums, and Institutions

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-tibode-ref133

Collection Creator:

Perls Galleries  Search this

Container:

Box 41, Folder 36

Type:

Archival materials

Date:

1963, 1971, 1994-1995

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Perls Galleries records, 1937-1997. Archives of American Art, Smithsonian Institution.

See more items in:

Perls Galleries records

Perls Galleries records / Series 1: Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-perlgall-ref2080

Collection Creator:

Perls Galleries  Search this

Container:

Box 41, Folder 37

Type:

Archival materials

Date:

1941-1948, 1956-1957

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Perls Galleries records, 1937-1997. Archives of American Art, Smithsonian Institution.

See more items in:

Perls Galleries records

Perls Galleries records / Series 1: Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-perlgall-ref2081

Collection Creator:

Parsons, Betty  Search this

Container:

Box 22, Folder 81

Type:

Archival materials

Date:

1948-1977

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.

See more items in:

Betty Parsons Gallery records and personal papers

Betty Parsons Gallery records and personal papers / Series 3: Correspondence Files / 3.1: Institutions and Dealers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-parsbett-ref929

Collection Creator:

Leo Castelli Gallery  Search this

Container:

Box 22, Folder 10

Type:

Archival materials

Date:

1960-1974

Collection Restrictions:

Use of original records requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the partial digitization of this collection was provided by the Roy Lichtenstein Foundation.

See more items in:

Leo Castelli Gallery records

Leo Castelli Gallery records / Series 1: Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-leocast-ref9177

Interviewee:

Cheek, Leslie, 1908-  Search this

Interviewer:

Pennington, Estill Curtis  Search this

Extent:

38 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1982 June 8

Scope and Contents:

An interview of Leslie Cheek conducted 1982 June 8, by Buck Pennington, for the Archives of American Art.

Biographical / Historical:

Leslie Cheek (1908-1992) was a director of the Virginia Museum of Fine Arts in Richmond, Virginia.

General:

Originally recorded on 2 sound cassettes. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 26 min.

Provenance:

This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.

Topic:

Museum directors -- Virginia -- Richmond -- Interviews  Search this

Function:

Art museums -- Virginia -- Richmond

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.cheek82

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-cheek82

Creator:

Cheek, Leslie, 1908-  Search this

New Deal and the Arts Oral History Project  Search this

Interviewer:

Doud, Richard Keith  Search this

Names:

New Deal and the Arts Oral History Project  Search this

Extent:

5 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Date:

1964 March 9

Scope and Contents:

A summary by Richard Doud of an interview he conducted of Leslie Cheek for the Archives of American Art.

Cheek discusses theatre in Virginia; the Federal Theatre Project; and the WPA.

Biographical / Historical:

Leslie Cheek (1908-1992) was the director of the Virginia Museum of Fine Arts, in Richmond, Virginia.

Provenance:

Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.

Restrictions:

Use requires an appointment.

Topic:

Federal aid to the arts  Search this

Museum directors -- Virginia -- Richmond -- Interviews  Search this

Genre/Form:

Interviews

Identifier:

AAA.cheek64

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-cheek64

Creator:

Cheek, Leslie, 1908-  Search this

Names:

Baltimore Museum of Art  Search this

For us the living (1940-1942 : New York, N.Y.)  Search this

Museum of Modern Art (New York, N.Y.)  Search this

United States. Army. Camouflage Training Unit  Search this

Barr, Alfred H., Jr., 1902-1981  Search this

Mumford, Lewis, 1895-1990  Search this

Rockefeller, Abby Aldrich  Search this

Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this

Extent:

4.2 Linear feet ((partially microfilmed on 1 reel))

Type:

Collection descriptions

Archival materials

Date:

1940-1983

bulk 1940-1942

Scope and Contents:

Papers, ca. 1938-1988, including files kept during Cheek's tenure as director at the Baltimore Museum of Art, 1939-1942, as editor at "Architectural Forum" magazine, 1945-1947, "House Beautiful" magazine, 1947-1942, and as head of the U.S. Army Camouflage Training Unit, 1942-1945. Also included are files related to projects he undertook from 1968 to 1988, following his tenure as Director of the Virginia Museum of Fine Arts.

Biographical / Historical:

Leslie Cheek (1908-1992) was a museum director and editor in Virginia. Cheek studied Fine Arts and was trained in architecture and stage design. His work as director of the Baltimore Museum of Art was marked by innovative and theatrical exhibitions, and led to his selection by the trustees of the Museum of Modern Art as curator for a planned exhibit "For Us The Living," regarding the rise of Nazism and fascism in Europe.

Related Materials:

Also in the Archives are papers lent for microfilming on reel 4885 including material concerning the proposed exhibition, "For Us the Living," designed by Cheek with text written by Lewis Mumford for the Trustees of the Museum of Modern Art. The exhibit was never installed. Included are correspondence with Mumford, Abby Aldrich Rockefeller, Nelson Rockefeller, Alfred Barr, and others; draft "scenarios" or exhibition narratives; sketches; and blueprints, 1940-1942. Also included is Cheek's 1983 correspondence with American Heritage magazine regarding a proposed article about the exhibition.

Provenance:

Material on reel 4885 was lent for microfilming in 1993 by Mary Tyler Cheek, widow of Leslie Cheek. She donated the unmicrofilmed material, 1993. Mrs. Cheek deposited additional papers in the College of William and Mary (where Cheek had founded the Fine Arts Department in 1936), the Virginia State Library, and the Museum of Modern Art.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.

Occupation:

Museum directors  Search this

Editors  Search this

Designers  Search this

Topic:

Art -- Periodicals  Search this

Exhibitions -- Design  Search this

Function:

Art museums

Identifier:

AAA.cheelesl

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-cheelesl

Collection Creator:

Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this

Container:

Box 4, Folder 42

Type:

Archival materials

Date:

1960-1964

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Lawrence and Barbara Fleischman Papers, 1837-1984. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art.

See more items in:

Lawrence and Barbara Fleischman papers

Lawrence and Barbara Fleischman papers / Series 2: Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-fleilawr-ref342

Collection Creator:

Pomerantz, Louis  Search this

Container:

Box 19, Folder 29

Type:

Archival materials

Date:

1950s

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Washington D.C. research center. Use of audiovisual recordings with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Louis Pomerantz papers, 1937-1988, bulk 1950s-1988. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection is provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

See more items in:

Louis Pomerantz papers

Louis Pomerantz papers / Series 5: Project/Client Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-pomeloui-ref614

Creator:

Cheek, Leslie, 1908-1992  Search this

Hopper, Edward, 1882-1967  Search this

Cheek, Leslie, 1908-1992  Search this

Subject:

Virginia Museum of Fine Arts  Search this

Type:

Correspondence

Date:

1953 February 13

Record number:

(DSI-AAA)20928

See more items in:

Frank K. M. Rehn Galleries records, 1858-1969, bulk 1919-1968

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_20928

Creator:

Virginia Museum of Fine Arts  Search this

Virginia Museum of Fine Arts  Search this

Topic:

Art -- Southern States -- Exhibitions  Search this

Theme:

Communities, Organizations, Museums  Search this

Record number:

(DSI-AAA_CollID)7155

(DSI-AAA_SIRISBib)209289

AAA_collcode_virgmuse

Theme:

Communities, Organizations, Museums

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209289

Creator:

Sully, Julia, 1870-1948  Search this

Sully, Julia, 1870-1948  Search this

Subject:

Sully, Thomas  Search this

United States  Search this

Topic:

Portrait painting, American -- Virginia  Search this

Art -- Study and teaching -- Virginia  Search this

Women historians -- Virginia -- Richmond  Search this

Theme:

Art Theory and Historiography  Search this

Record number:

(DSI-AAA_CollID)9501

(DSI-AAA_SIRISBib)211699

AAA_collcode_sulljuli

Theme:

Art Theory and Historiography

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211699

Interviewee:

Cheek, Leslie, 1908-1992  Search this

Cheek, Leslie, 1908-1992  Search this

Interviewer:

Pennington, Estill Curtis  Search this

Type:

Sound recordings

Interviews

Topic:

Museum directors -- Virginia -- Richmond -- Interviews  Search this

Record number:

(DSI-AAA_CollID)13290

(DSI-AAA_SIRISBib)212589

AAA_collcode_cheek82

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212589

Interviewee:

Gassner, Mordi, 1899-1995  Search this

Gassner, Mordi, 1899-1995  Search this

Interviewer:

Pennington, Estill Curtis  Search this

Type:

Sound recordings

Interviews

Topic:

Art, American  Search this

Designers -- Virginia -- Drake's Branch -- Interviews  Search this

Muralists -- Virginia -- Drake's Branch -- Interviews  Search this

Theme:

Architecture & Design  Search this

Record number:

(DSI-AAA_CollID)12637

(DSI-AAA_SIRISBib)212689

AAA_collcode_gassne82

Theme:

Architecture & Design

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212689