Search Results

Medium:

Opaque watercolor on paper

Dimensions:

H x W: 26.6 × 20.9 cm (10 1/2 × 8 1/4 in)

Type:

Painting

Origin:

Lahore, Punjab province, Pakistan

Date:

ca. 1800

Topic:

portrait  Search this

man  Search this

Pakistan  Search this

South Asian and Himalayan Art  Search this

Catherine and Ralph Benkaim Collection  Search this

Credit Line:

Purchase and partial gift from the Catherine and Ralph Benkaim Collection — funds provided by the Friends of the Freer and Sackler Galleries

Accession Number:

S2018.1.66

Restrictions & Rights:

Usage conditions apply

See more items in:

Freer Gallery of Art and Arthur M. Sackler Gallery Collection

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

GUID:

http://n2t.net/ark:/65665/ye337109449-a6f5-4b49-b25d-4d923edfb5b3

EDAN-URL:

edanmdm:fsg_S2018.1.66

Designer:

Mathilde Flögl, (Austrian, born Czech Republic, 1893–1950)  Search this

Maker:

Wiener Werkstätte, Vienna, Austria, 1903 – 1932  Search this

Medium:

Medium: glass beads, kidskin, silk cord Technique: embroidered

Dimensions:

H x W: 20.3 × 15.2 cm (8 × 6 in.)

Type:

costume & accessories

Drawstring bag

Made in:

Vienna, Austria

Date:

1927–1928

Credit Line:

Gift of Andrew Van Styn from the estate of Don Magner

Accession Number:

2019-28-33

Restrictions & Rights:

Usage conditions apply

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Textiles Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq47eb3fa98-e6d6-4422-afc8-a89ec4dc9b0f

EDAN-URL:

edanmdm:chndm_2019-28-33

Creator:

Smithsonian Astrophysical Observatory  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2013-03-04T15:26:25.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Astronomy  Search this

See more by:

ITAMPhysics

Data Source:

Smithsonian Astrophysical Observatory

YouTube Channel:

ITAMPhysics

EDAN-URL:

edanmdm:yt_1DsUJlrRqEA

Creator:

Smithsonian Astrophysical Observatory  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2013-03-04T15:25:12.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Astronomy  Search this

See more by:

ITAMPhysics

Data Source:

Smithsonian Astrophysical Observatory

YouTube Channel:

ITAMPhysics

EDAN-URL:

edanmdm:yt_4-eMGfFl28o

Creator:

Smithsonian Astrophysical Observatory  Search this

Type:

YouTube Videos

Uploaded:

2011-04-11T18:12:04.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Astronomy  Search this

See more by:

ITAMPhysics

Data Source:

Smithsonian Astrophysical Observatory

YouTube Channel:

ITAMPhysics

EDAN-URL:

edanmdm:yt_YeX2WsLiVhM

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

YouTube Videos

Uploaded:

2018-04-12T17:05:56.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_QJZkQa5QDeI

Creator:

D'Harnoncourt, Rene, 1901-1968  Search this

Names:

American Federation of Arts  Search this

Art in America  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Sarah Lawrence College -- Faculty  Search this

United States. Indian Arts and Crafts Board  Search this

Alvarez Bravo, Manuel, 1902-  Search this

Covarrubias, Miguel, 1904-1957  Search this

Durieux, Caroline, 1896-1989  Search this

Fosado, Víctor  Search this

Klumb, Henry, 1905-1984  Search this

Marriott, Alice  Search this

Tantaquidgeon, Gladys Iola  Search this

d'Harnoncourt, Sarah  Search this

Extent:

2.4 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Sketches

Scrapbooks

Drawings

Place:

Mexico -- description and travel

Date:

1921-1983

Summary:

The papers of Austrian born curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.

Scope and Contents:

The papers of Austrian-American curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), document d'Harnoncourt's activities, primarily in the 1930s and 1940s, particularly as they relate to Mexican and Native American art. D'Harnoncourt's career, including his arrival in Mexico in 1925, his curation of the exhibitions, Mexican Art (1930-1932), and Indian Art of the United States (1941), and his work for the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, are documented in small amounts of biographical material and correspondence, published writings, printed material, scrapbooks, photographs of d'Harnoncourt and colleagues, and photographs of works of art. The collection also contains a drawing of d'Harnoncourt, and photocopies of caricatures of d'Harnoncourt and others.

Biographical material consists of d'Harnoncourt's official Austrian departure documents for his travel to Mexico in 1925; pages of an appointment book from 1932; and notes on d'Harnoncourt's career that index publications in which he is mentioned amongst other things, prepared by Sarah d'Harnoncourt.

Correspondence and memoranda relate primarily to the Mexican Arts exhibition, (1930-1932) sponsored by the American Federation of Arts; the "Art in America" radio program, organized by the American Federation of Arts with the cooperation of the Museum of Modern Art; d'Harnoncourt's part time teaching position at Sarah Lawrence College in Bronxville; and his appointment as General Manager of the Indian Arts and Crafts Board. Later correspondence references research on d'Harnoncourt's work for the Indian Arts and Crafts Board, and includes information on d'Harnoncourt, provided in response to inquiries about him.

Writings by d'Harnoncourt include published articles on Mexican and Indian arts and crafts, a 1969 reprint of d'Harnoncourt's and Frederic H. Douglas's expanded version of the catalog for Indian Art of the United States, a foreword, and two seminar/symposium papers. Unpublished writings comprise two typescripts. The series also includes several writings by others.

Printed material includes announcements and exhibition catalogs, documentation of the "Art in America Program," published books belonging to and/or referencing d'Harnoncourt, Department of Interior publications, including some issued by the Indian Arts and Crafts Board, Museum of Modern art press releases, news clippings relating to d'Harnoncourt and his activities, and miscellaneous printed material.

Additional clippings from a dismantled scrapbook(s) document the Mexican Arts exhibition.

Artwork and artifacts include one original sketch in colored pencil of d'Harnoncourt by Austrian artist, Silverbauer, photocopies of caricatures and doodles by d'Harnoncourt, Miguel Covarrubias, and Caroline Durieux, and two Indian Arts and Crafts Board weaving samples.

Photographs are of d'Harnoncourt, Sarah d'Harnoncourt, and friends and colleagues. They include a photograph of d'Harnoncourt by Manuel Alvarez-Bravo; snapshots of others including Fred Davis; Sarah d'Harnoncourt and folk art specialist, Victor Fosado; fellow Indian Arts and Crafts Board members, architect Henry Klumb, Alice Marriot, and anthropologist, author, and tribal council member, Gladys Tantaquidgeon. Also found are three photographs of Mexican Art exhibition installations; fourteen photographs of Native Americans; three photographs showing covers and/or fronts pieces of d'Harnoncourts books Beast, Bird and Fish, Mexicana, The Hole in the Wall, and The Painted Pig; and photographs of artwork included in the Mexican Art exhibition and an exhibition of Australian Aboriginal Cave Paintings (1947).

Arrangement:

The collection is arranged as seven series.

Missing Title

Series 1: Biographical Material, 1925-circa 1978 (5 folders; Box 1)

Series 2: Correspondence and Memoranda, 1929-1981 (5 folders; Box 1)

Series 3: Writings, 1928-circa 1970s (0.4 linear feet; Box 1, OV 4)

Series 4: Printed Material, 1921-1979 (1.1 linear feet; Boxes 1-2, OV 4)

Series 5: Scrapbooks, 1930-1933 (0.3 linear feet; Box 2)

Series 6: Artwork and Artifacts, circa 1926-circa 1950s (3 folders; Box 3)

Series 7: Photographs, 1930-1983 (0.25 linear feet; Box 3, OV 4)

Biographical / Historical:

Austrian born curator, lecturer, and museum director, René d'Harnoncourt (1901-1968), was an authority on Native American art and Mexican arts and crafts. He curated and toured with a traveling exhibition, Mexican Art, from 1930-1932, guest curated the exhibition, Indian Art of the United States, for the Museum of Modern Art in 1941, served on the Department of the Interior's Indian Arts and Crafts Board from 1937-1944, and was Director of the Museum of Modern Art from 1949-1968.

D'Harnoncourt was born in Vienna, Austria, in 1901. He left Austria for Mexico in 1925, and began working for American, Frederick Davis, who owned a shop that sold Mexican antiquities and folk art in Mexico City. At this time, d'Harnoncourt made many important connections, including meeting American Ambassador to Mexico, Dwight Morrow, and his wife, Elizabeth Morrow. D'Harnoncourt illustrated several books in the early 1930s, including The Painted Pig (1930) and Beast, Bird and Fish (1933), both written by Elizabeth Morrow, and The Hole in the Wall (1931) and Mexicana: A Book of Pictures (1931). According to Sarah d'Harnoncourt, her husband considered himself an amateur in the field of book illustration, which he enjoyed as a means of self-amusement.

In 1929, d'Harnoncourt was asked to curate an extensive exhibition of Mexican art to travel to major cities in the United States, sponsored by the American Federation of Arts. D'Harnoncourt toured with this exhibition, Mexican Art, for two years, beginning at the Metropolitan Museum of Art in October, 1930.

D'Harnoncourt visited Austria briefly in 1932, then returned to the United States in 1933 and married Sarah Carr the same year. He became a naturalized United States citizen in 1939.

Between 1933 and 1944, d'Harnoncourt directed the radio program "Art in America," organized by the American Federation of Arts in cooperation with the Museum of Modern Art. He also taught art history at Sarah Lawrence College from 1934-1937. In 1936 he began working for the Indian Arts and Crafts Board of the Department of the Interior, becoming General Manager in 1937, and the Board's Chairman in 1944. As General Manager he curated an exhibition on Indian art for the San Francisco Golden Gate International Exposition in 1939, and installed an expanded version of the exhibition, Indian Art of the United States, as guest curator for the Museum of Modern Art in 1940-1941.

In 1944, d'Harnoncourt joined the Museum of Modern Art as Vice President in charge of Foreign Activities, focusing his work on Latin America, and as Director of the Department of Manual Industries, responsible for the preservation of Native American art and culture. In 1949 he was appointed Director of the Museum of Modern Art, and served in this capacity until his death in an automobile accident in 1968.

Related Materials:

An oral history of René d'Harnoncourt, interviewed by Isabel Grossner in 1968, can be found at Columbia University, Oral History Research Office, 801 Butler Library, 535 West 114 Street, New York, NY 10027.

Separated Materials:

The bulk of René d'Harnoncourt's papers are in the Museum Archives of the Museum of Modern Art. The Museum's 59.25 linear feet document, in particular, d'Harnoncourt's years with the Museum from 1944-1968. That collection also includes papers donated by Sarah d'Harnoncourt which relate to d'Harnoncourt's time in Mexico, from 1925-1932, and his work in the United States from 1933-1944. While these holdings may overlap occasionally with the papers in the Archives of American Art (some items at the Archives of American Art, for instance, may be photocopies of originals at the Museum), the bulk of the Archives' d'Harnoncourt papers appear to be distinct from those at the Museum.

The Archives of American Art also holds microfilm of material lent for microfilming (reels 2919-2931) including papers generated by d'Harnoncourt during his professional affiliation with the Museum of Modern Art, such as, personal files, three appointment notebooks, professional files including Latin American correspondence, exhibition files, files documenting outside affiliations, and departmental and special event files. Loaned materials were returned to the lender and are not described in the collection container inventory.

Provenance:

D'Harnoncourt's widow, Sarah d'Harnoncourt, donated the René d'Harnoncourt papers to the Archives of American Art in 1975, 1981, and 1984. An additional eleven linear feet of material was lent by the Museum of Modern Art's for microfilming in 1983.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Rights:

Reels 2919-2931: Authorization to publish requires written permission from Museum of Modern Art, New York, N.Y. MoMA requires full citation to include microfilm reel and frame numbers, and reference to MoMA as the owner of the Rene d'Harnoncourt papers. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art museum directors -- New York (State) -- New York  Search this

Art, Mexican  Search this

Art, Aboriginal Australian  Search this

Art -- Study and teaching  Search this

Latino and Latin American artists  Search this

Indian art -- Exhibitions  Search this

Cave paintings -- Austrailia  Search this

Curators -- New York (State) -- New York  Search this

Art, Latin American  Search this

Function:

Art museums -- New York (State)

Genre/Form:

Photographs

Sketches

Scrapbooks

Drawings

Citation:

René d'Harnoncourt papers, 1921-1983. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art

Identifier:

AAA.dharrene

See more items in:

René d'Harnoncourt papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9356d27d9-b5c7-460b-aed6-eb1caf6be354

EDAN-URL:

ead_collection:sova-aaa-dharrene

Author:

Lane, Terence 1946-  Search this

Hoffmann, Josef Franz Maria 1870-1956  Search this

National Gallery of Victoria  Search this

Subject:

Hoffmann, Josef Franz Maria 1870-1956  Search this

Gallia family  Search this

Physical description:

88 p. : ill. (some col.) ; 30 cm

Type:

Exhibitions

Place:

Austria

Vienna

Date:

1984

20th century

Topic:

Interior decoration  Search this

Decorative arts  Search this

Interior decoration--History  Search this

Decorative arts--History  Search this

Wohllebengasse 4 (Vienna, Austria)  Search this

Call number:

NK946.H711 L266 1984

NK946.H711L266 1984

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_229569

Extent:

83.1 cu. ft. (80 record storage boxes) (4 12x17 boxes) (2 16x20 boxes)

Type:

Collection descriptions

Archival materials

Manuscripts

Brochures

Clippings

Newsletters

Floor plans

Maps

Color photographs

Black-and-white photographs

Black-and-white negatives

Black-and-white transparencies

Color transparencies

Color negatives

Glass negatives

Audiotapes

Artifacts

Place:

Cameroon

Date:

circa 1927-2009

Descriptive Entry:

These papers document the life and work of Warren M. Robbins, covering a wide swath of his life, from his early career in the Foreign Service to his work in cross cultural communications and African art. A prolific writer, Robbins correspondence with such people as Maya Angelou, Ernie Barnes, Saul Bellow, Eliot Elisofon, Otto Fried, Buckminster Fuller, Francoise Gilot, Chaim Gross, S. I. Hayakawa, Harry Holtzman, Frances Humphrey Howard, Herbert H. Humphrey, Ben Shahn, and Margaret Mead document the close relationships he had with a wide range of people as well as reveal his personality and character.

The papers also include Robbins subject files and reveal his interests in African art, Piet Mondrian, and semantics among other things. Also included are records related to the creation and administration of the Museum of African Art, the work it took to get it included as part of the Smithsonian, its transfer, and the difficulties and conflicts Robbins experienced as a result. The records provide extensive coverage of the work involved in keeping the MAA a vibrant center of education, as well as documents the acquisition of collection material and the production of exhibitions.

The papers also contain materials related to publications, including Robbins' African Art in American Collections, both the 1966 and 1989 editions. Also included are materials related to his writings, lectures, and introductions of which he was known for. Of interest are the materials prepared by Roulhac Toledano in preparation for an unpublished work: Before and After the Smithsonian, The Legacy of Warren Robbins, Founder, National Museum of African Art: A Biography of Letters and Essays.

Other highlights include audio recordings from the dedication of the Museum of African Art on September 21, 1966, as well as recordings of lectures and interviews; records regarding the return of the Afo-A-Kom to the Kom people of Cameroon; records related to the acquisition of the Eliot Elisofon Photographic Archives; transcripts of oral history interviews; and the numerous awards and honors received by Robbins including the Joseph Henry Medal.

Materials include correspondence, memoranda, invitations, publications, articles, reports, images, sound recordings, transcripts, awards, clippings, newsletters, brochures, scrapbooks, pamphlets, mailings, maps, and floor plans. Some materials are in German and French.

Historical Note:

A graduate of the University of New Hampshire, BA, 1945 and the University of Michigan, MA, 1949, Warren Murray Robbins started his career as a secondary school teacher. He later served in the United States Foreign Service, holding a variety of educational and curatorial posts in Germany and Austria. After returning to the United States, Robbins established the Center for Cross Cultural Communication (CCCC) in 1962 to serve as an educational institute integrating, popularizing and utilizing the insights and perspectives of the social sciences and the arts to foster international and interracial understanding as well as communication between the academic world and a broader public audience.

Once of first major projects of the CCCC was the creation in 1964 of the Museum of African Art (MAA). The museum was the extension of an interest in African art that Robbins developed while in Europe. The museum was originally located in the Washington, DC residence of Frederick Douglass and became part of the Smithsonian Institution in1979 and was later renamed the National Museum of African Art (NMAfA) in 1981.

During the 15 years that the MAA was in operation, the CCCC operated under the Museum's name. Following the Museum's inclusion as part of the Smithsonian it reverted back to its original corporate name with the inclusion of Robbins' name in the title to become the Robbins Center for Cross-Cultural Communication.

From 1964 to 1982, Robbins was the Director of the MAA, later becoming the Founding Director Emeritus and Senior Scholar from 1982-1995. In June of 1995, the Smithsonian eliminated Robbins position as Founding Director Emeritus/Senior Scholar because of budgetary reasons. Subsequently Robbins sued the Smithsonian, but ultimately lost and was not able to be reinstated.

After leaving the Smithsonian, Robbins continued his work at the Robbins Center for Cross Cultural Communications to apply the perspectives and insights of the social sciences and the arts in public education with particular emphasis on interracial understanding. Robbins passed away on December 4, 2008.

Chronology:

September 4, 1923 -- Born - Worcester, Massachusetts

1928-1937 -- Midland Street Elementary School

1938-1941 -- Classical High School

1941-1945 -- University of New Hampshire, Durham - BA English

1945-1949 -- University of Michigan, Ann Arbor - MA History

August 1949-September 1950 -- Teacher, High School, Department of the Army, Dependent School System - Bremerhaven, Germany

September-December 1950 -- Teacher, High School, Department of the Army, Dependent School System - Nurnberg, Germany

January 1951-November 1951 -- Visiting Expert, Public Affairs Program, Department of State - Hicog, Germany

1951-1955 -- Education Officer, American Embassy, Department of State -Vienna, Austria

1955-1957 -- Cultural Affairs Officer, American Consulate General, United States Information Agency - Stuttgart, Germany

1957-1958 -- Public Affairs Officer, American Consulate General, United States Information Agency - Stuttgart, Germany

1958-1960 -- Deputy Chief, Cultural Centers and Program Unit, American Embassy - Bonn, Germany

1960-1961 -- Staff, U. S. Advisory Commission on Educational and Cultural Relations

1961-1962 -- Assistant to Deputy Assistant of State for Educational and Cultural Relations, Department of State

1962-1963 -- Course Chairman, Foreign Service Institute, Department of State

1962-2010 -- Founder and Director, Center for Cross Cultural Communications (CCCC) and later the Robbins Center for Cross Cultural Communications

1964 -- Museum of African Art founded as a part of CCCC

1964-1982 -- Founder and Director, Museum of African Art/National Museum of African Art

1966 -- Establishment of the Frederick Douglass Institute for Intercultural Understanding

1978 -- President Carter signs bill authorizing the transfer of MAA to the Smithsonian

1979, August 13 -- Museum of African Art officially becomes part of the Smithsonian

1981 -- Museum of African Art changed names to the National Museum of African Art

1982 -- Sabbatical to Africa

1982-1995 -- Founding Director Emeritus and Senior Scholar, National Museum of African Art

1987 -- National Museum of African Art building opens in the Quadrangle on the National Mall

1995, June -- Terminated from National Museum of African Art

2008, December 4 -- Warren M. Robbins passes away

Topic:

Museums -- Management  Search this

Museum directors  Search this

Museums -- Collection management  Search this

Museum techniques  Search this

Museums -- Educational aspects  Search this

Museum exhibits  Search this

Museum attendance  Search this

Museum finance  Search this

Museums -- Public relations  Search this

Museums and community  Search this

Art, African  Search this

Afo-A-Kom (Statue)  Search this

Kom (African people)  Search this

Cultural relations  Search this

Communication  Search this

Museum publications  Search this

Semantics  Search this

Museums -- Acquisitions  Search this

Genre/Form:

Manuscripts

Brochures

Clippings

Newsletters

Floor plans

Maps

Color photographs

Black-and-white photographs

Black-and-white negatives

Black-and-white transparencies

Color transparencies

Color negatives

Glass negatives

Audiotapes

Artifacts

Citation:

Smithsonian Institution Archives, Accession 11-001, Warren M. Robbins Papers

Identifier:

Accession 11-001

See more items in:

Warren M. Robbins Papers

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_collection:sova-sia-fa11-001

Container:

Box 2 of 2

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 03-145, Hirshhorn Museum and Sculpture Garden, Office of the Registrar, Loan Records

See more items in:

Loan Records

Loan Records / Box 2

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa03-145-refidd1e2239

Author:

Hoffmann, Josef Franz Maria 1870-1956  Search this

Author:

Noever, Peter 1941-  Search this

Oberhuber, Oswald  Search this

Österreichisches Museum für Angewandte Kunst  Search this

Hochschule für Angewandte Kunst (Vienna, Austria)  Search this

Historisches Museum der Stadt Wien  Search this

Subject:

Hoffmann, Josef (Architekt)  Search this

Wien Universität für Angewandte Kunst Sammlung (Oskar-Kokoschka-Zentrum)  Search this

Wien Österreichisches Museum für Angewandte Kunst, Gegenwartskunst  Search this

Physical description:

382 pages chiefly illustrations (some color) 28 cm

Type:

Exhibitions

Expositions

Wien (1987)

Exhibition catalogs

History

Place:

Austria

Autriche

Date:

1987

20th century

20e siècle

Topic:

Decorative arts--History  Search this

Arts décoratifs--Histoire--Expositions  Search this

Arts décoratifs--Histoire  Search this

Decorative arts  Search this

Ausstellung  Search this

Design  Search this

Katalog  Search this

Call number:

N6811.5.H53 A93 1987

N6811.5.H53A93 1987

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_336012

Author:

Hoffmann, Josef Franz Maria 1870-1956  Search this

Noever, Peter 1941-  Search this

Österreichisches Museum für Angewandte Kunst  Search this

Hochschule für Angewandte Kunst (Vienna, Austria)  Search this

IBM Gallery of Science and Art  Search this

Subject:

Hoffmann, Josef Franz Maria 1870-1956  Search this

Physical description:

331 p. : ill. (some col.) ; 29 cm

Type:

Exhibitions

Place:

Austria

Date:

1992

C1992

20th century

Topic:

Decorative arts--History  Search this

Call number:

NK946.H63 A4 1992

NK946.H63A4 1992

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_440438

Geologic Age:

Miocene

Preparation:

Dry

Place:

Grund, near Vienna, Austria

Published Name:

Porites astreoides Lamarck, 1816

Explanaria astroides Lamarck

Other Numbers:

catalog number : 3335

USNM Number:

64452

See more items in:

Invertebrate Zoology

Cnidaria

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/3c56442e5-ae57-44d4-be1f-a4a50c345a00

EDAN-URL:

edanmdm:nmnhinvertebratezoology_36484

Collection Creator:

André Emmerich Gallery  Search this

Container:

Box 61, Folder 36

Type:

Archival materials

Date:

1975, 1992-1993

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Leon Levy Foundation.

See more items in:

André Emmerich Gallery Records and André Emmerich Papers

André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9cec61759-0e88-4287-8858-77efd96179fe

EDAN-URL:

ead_component:sova-aaa-andremmg-ref3054

Manufacturer:

Du Paquier Porcelain Manufactory, Austrian, active 1719 – 1864  Search this

Medium:

hard paste porcelain, vitreous enamel, gold; brass

Dimensions:

H x diam. (a: plate): 4.3 × 33.6 cm (1 11/16 × 13 1/4 in.)

H x W x D (b: stand): 15.2 × 12.7 × 18.5 cm (6 in. × 5 in. × 7 5/16 in.)

Type:

ceramics

Decorative Arts

plate and stand

Object Name:

plate and stand

Manufactured in:

Vienna, Austria

Date:

19th–mid- 19th century

Credit Line:

Bequest of Cornelie J. Oppenheim

Accession Number:

1956-34-2-a,b

Restrictions & Rights:

CC0

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Product Design and Decorative Arts Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq42fc43b70-af24-46f2-892a-e71ca258f20e

EDAN-URL:

edanmdm:chndm_1956-34-2-a_b

Artist:

Johann Grund, Austrian, born Vienna, Austria 1808-died Baden-Baden, Germany 1887  Search this

Medium:

oil on canvas

Dimensions:

36 5/8 x 17 3/8 in. (93.0 x 44.0 cm)

Type:

Painting

Date:

1863-1867

Topic:

Figure female  Search this

State of being\emotion\sorrow  Search this

Literature\Goethe\Faust  Search this

Architecture Interior\civic\prison  Search this

State of being\other\imprisonment  Search this

Credit Line:

Smithsonian American Art Museum, Gift of Laura Dreyfus Barney and Natalie Clifford Barney in memory of their mother, Alice Pike Barney

Object number:

1939.11.6

Restrictions & Rights:

CC0

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7b5d7ddf1-dcf6-4d97-9402-ef390598b1f6

EDAN-URL:

edanmdm:saam_1939.11.6

Artist:

Swoboda, R. L.  Search this

Type:

Paintings

Exhibition Catalogs

Date:

1876

Topic:

State of Being--Other--Enslaved  Search this

Ethnic  Search this

Figure group  Search this

Control number:

AECI 03890239

Data Source:

Pre-1877 Art Exhibition Catalogue Index

EDAN-URL:

edanmdm:siris_aeci_79809

Collection Performer:

Lincoln, Abbey, 1930 -  Search this

Adderly, Nat, 1931-2000  Search this

Wilson, Nancy, 1937-  Search this

Mbulu, Letta  Search this

Adderley, Cannonball  Search this

Montgomery, Wes, 1925-1968  Search this

Horn, Shirley, 1934-  Search this

Collection Donor:

Levy, Devra Hall  Search this

Collection Creator:

Levy, John, 1912-2012  Search this

Container:

Box 21, Folder 1

Type:

Archival materials

Date:

2002-05-10

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

John and Devra Hall Levy Collection, Archives Center, National Museum of American History.

See more items in:

John and Devra Hall Levy Collection

John and Devra Hall Levy Collection / Series 6: Nancy Wilson / 6.3: Performance Materials

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8dfdbd924-96ad-4e58-976d-579e83403c6e

EDAN-URL:

ead_component:sova-nmah-ac-1221-ref1036

Designer:

Leopold Blonder, Austrian, 1893 - 1932  Search this

For:

Wiener Werkstätte, Vienna, Austria, 1903 – 1932  Search this

Medium:

Brush and gouache, graphite on paper

Dimensions:

H x W: 17.5 × 13.7 cm (6 7/8 × 5 3/8 in.)

Sheet: 31.8 × 45.2 cm (12 1/2 × 17 13/16 in.)

Type:

textile designs

Drawing

Object Name:

Drawing

Made in:

Vienna, Austria

Date:

1911–14

Credit Line:

Museum purchase from Smithsonian Collections Acquisition and Decorative Arts Association Acquisition Funds

Accession Number:

1988-62-25

Restrictions & Rights:

Usage conditions apply

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

GUID:

http://n2t.net/ark:/65665/kq4be66a262-ad46-498a-8e0e-1ca02eb740ea

EDAN-URL:

edanmdm:chndm_1988-62-25

Creator:

Smithsonian Astrophysical Observatory  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2013-03-04T15:25:24.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Astronomy  Search this

See more by:

ITAMPhysics

Data Source:

Smithsonian Astrophysical Observatory

YouTube Channel:

ITAMPhysics

EDAN-URL:

edanmdm:yt_Gqi7sO5_zwg