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Dwinell Grant papers

Creator:
Grant, Dwinell, 1912-  Search this
Names:
Solomon R. Guggenheim Museum  Search this
Rebay, Hilla, 1890-1967  Search this
Extent:
2 Linear feet ((on 4 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Interviews
Sketchbooks
Video recordings
Date:
1923-1988
Scope and Contents:
Biographical material; correspondence; business records; writings; printed material; photograph albums; sketchbooks; and videocassettes.
REELS 4152-4153: Biographical material including a fraternity membership card, 6 resumes, a biographical account, a transcript of an interview of Grant, award certificates, and a diploma; correspondence, primarily dealing with Hilla Rebay of the Guggenheim Foundation from whom Grant received funding for film projects, and including project proposals and financial accounts, some letters also deal with the medical films he produced; letters and financial records concerning the sale of his paintings through the Olympia Gallery, Martin Diamond Fine Arts, Inc., and the Graham Gallery;
typescript writings expressing Grant's thoughts on art and religion; clippings; 17 programs from plays produced at Wittenberg College; 11 exhibition announcements and catalogs; 7 press releases; and 13 brochures and fliers concerning Grant's medical and other filmmaking projects; and two videotapes PROFILE OF DWINELL GRANT from "Profiles in Excellence" conducted by Gary Perdue, and an interview with Grant for ART BEAT;
REELS 4154-4155: writings, mostly from the 1980s, expressing Grant's thoughts and philosophies concerning himself and his art work, sometimes presented in the format of a journal; one album containing photographs of Grant, his family and friends, and nine albums of photographs of works and of gallery installations, annotated with information on sales, experiments with light, including a formula for stereoscopic drawing, notes on abstract films, medical illustrations, and dream fantasies; and two sketchbooks containing abstract drawings.
Biographical / Historical:
Painter, filmmaker; New York, N.Y. and New Hope, Pa. Born and raised in Ohio, Grant received early art training from his grandfather, Paul E. Henking. He also studied at the Dayton Art Institute and the National Academy of Design. In 1935, he began teaching at Wittenberg College in Ohio. He was primarily influenced by his association with Hilla Rebay and the Museum of Non-Objective Art (the Guggenheim), and from 1944-1948 worked on an unfinished film project for the Guggenheim. In 1947, he began producing medical teaching films and supplemented his income with work on medical books, while continuing to work on his paintings.
Provenance:
Loan, Reels 4154-4155: All material was assembled and edited by the donor specifically for microfilming by the Archives. The writings were copied into the notebook by Grant from other sources.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Filmmakers -- Pennsylvania  Search this
Painters -- Pennsylvania  Search this
Topic:
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Interviews
Sketchbooks
Video recordings
Identifier:
AAA.grandwin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-grandwin

Grant Records, 1984-1996

Creator:
Smithsonian Institution Office of the Provost  Search this
Subject:
Schneider, Barbara  Search this
Smithsonian Institution Assistant Secretary for the Arts and Humanities Special Exhibition Fund  Search this
Smithsonian Institution Office of the Assistant Provost for the Arts and Humanities Special Exhibition Fund  Search this
Smithsonian Institution Assistant Secretary for Museums  Search this
Smithsonian Institution Board of Regents  Search this
Physical description:
3 cu. ft. (3 record storage boxes)
Type:
Manuscripts
Collection descriptions
Books
Clippings
Black-and-white photographs
Videotapes
Color transparencies
Date:
1984
1984-1996
Topic:
Fund accounting  Search this
Museum exhibits  Search this
Research grants  Search this
Local number:
SIA Acc. 00-045
See more items in:
Grant Records 1984-1997 [Smithsonian Institution Office of the Provost]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_228775

Special Assistant Project Files, 1975-1996

Creator:
Smithsonian Institution Office of the Provost  Search this
Uniform title:
Gender perspectives: essays on women in museums (Monograph)  Search this
Museum Careers (Video recording : 1982)  Search this
Museums and community (Video recording : 1988)  Search this
Museums: a place to work: planning museum careers (Monograph)  Search this
The Educated eye (sound recording): a guide for collectors  Search this
Subject:
Glaser, Jane R  Search this
Kennedy, Roger G  Search this
Taylor, Joshua C (Joshua Charles) 1917-1981  Search this
Zenetou, Artemis A  Search this
American Association of Museums  Search this
International Council of Museums International Committee for the Training of Personnel  Search this
International Council of Museums  Search this
International Research and Exchanges Board  Search this
Memorial Caen Normandie (Museum)  Search this
Smithsonian Institution Office of Museum Programs  Search this
Smithsonian Kellogg Project  Search this
Smithsonian Institution Assistant Provost for the Arts and Humanities  Search this
Smithsonian Institution Assistant Secretary for the Arts and Humanities  Search this
Smithsonian Institution Office of Museum Programs Office of the Director  Search this
Gender Perspectives: The Impact of Women on Museums (Seminar) (1990: Washington, D.C.)  Search this
Physical description:
23 cu. ft. (23 record storage boxes)
Type:
Books
Collection descriptions
Brochures
Clippings
Manuscripts
Black-and-white photographs
Motion pictures (visual works)
Audiotapes
Videotapes
Date:
1975
1975-1996
Topic:
Museums--Educational aspects  Search this
Local number:
SIA Acc. 96-069
See more items in:
Special Assistant Project Files 1975-1995 [Smithsonian Institution Office of the Provost]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_252114

Men & Women: Costume and Gender TV Commercials Collection

Creator:
National Museum of American History (U.S.)  Search this
Names:
Men and Women: A History of Costume, Gender and Power (Exhibition) (Washington, D.C.: 1989)  Search this
Extent:
2 Cubic feet (6 boxes)
Type:
Collection descriptions
Archival materials
Commercials
Videotapes
Date:
1988-1989.
Scope and Contents:
A collection of television advertisements, used in the research for and in some cases, in the exhibition "Men and Women: A History of Costume, Gender and Power". Both U-Matic and VHS video formats are included.
Arrangement:
1 series.
General:
Videotape cassettes, 3/4", U-Matic.
Videotape cassettes, 1/2", VHS.
Provenance:
Transferred from the Office of Telecommunications in 2002.
Restrictions:
Unrestricted research access on site by appointment.,Unprotected films must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Broadcast advertising  Search this
Television advertising  Search this
Sex role in advertising  Search this
Costume -- advertising  Search this
Exhibitions -- Washington (D.C.)  Search this
Genre/Form:
Commercials
Videotapes -- 1980-1990
Citation:
Men & Women: Costume and Gender TV Commercials Collection, 1988-1989, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0529
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0529

Go Forth and Serve: African American Land Grant Colleges Audiovisual Collection

Creator:
National Museum of American History (U.S.)  Search this
Bunch, Lonnie G.  Search this
United States. Department of Agriculture  Search this
National Association of State Universities and Land-Grant Colleges.  Search this
Source:
Cultural History, Division of (NMAH, SI).  Search this
Former owner:
Cultural History, Division of (NMAH, SI).  Search this
Names:
Go Forth and Serve: Black Land Grant Colleges (Exhibition) (Washington, D.C.: 1990)  Search this
Howard University  Search this
Extent:
1 Cubic foot
18 videocassettes (vhs)
15 cassette tapes
38 videocassettes (video 8)
Type:
Collection descriptions
Archival materials
Videocassettes (vhs)
Cassette tapes
Videocassettes (video 8)
Videotapes
Oral history
Interviews
Audiotapes
Date:
1992-1993
Summary:
An oral history project that grew out of the exhibit "Go Forth and Serve" which commemorated the 100th anniversary of the drafting of the second Morrill Act, which provided funds for the founding of land grant schools of higher education for black students.
Scope and Contents:
Oral history interviews, on film and audio, on the subject of African American land grant colleges, conducted in conjunction with the exhibition "Go Forth and Serve" at the National Museum of American History in 1990.
Arrangement:
The collection is organized into one series. It is organized alphabetically by the name of college or university that is the subject of the interview.
Biographical / Historical:
"Go Forth and Serve", an exhibition curated by Lonnie Bunch and Spencer Crew, opened in March 1990 at the National Museum of American History to commemorate the 100th anniversary of the drafting of the second Morrill Act, which provided funds for the founding of land grant schools of higher education for black students. The exhibition was co-sponsored by the Department of Agriculture and the National Association of State Universities and Land-Grant Colleges. There was a subsequent newsletter, and oral interviews were conducted.
Provenance:
Collection made by the Smithsonian Institution Division of Cultural History, National Museum of American History.
Restrictions:
Collection is open for research. Reference copies must be used.
Rights:
Reproduction may be limited due to intellectual property rights. No releases exist.
Topic:
Alcorn State University  Search this
Tennessee State University  Search this
Fort Valley State University  Search this
South Carolina State University  Search this
Delaware State University  Search this
Prairie View A & M University  Search this
West Virginia State University  Search this
Langston University  Search this
Lincoln University (Jefferson City, Mo.)  Search this
University of Maryland Eastern Shore  Search this
Kentucky State University  Search this
State universities and colleges  Search this
Genre/Form:
Videotapes -- 1990-2000
Oral history -- 1950-2000
Interviews -- 1950-2000
Audiotapes -- 1950-2000
Citation:
Go Forth and Serve: African American Land Grant Colleges Audiovisual Collection, 1992-1993, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0614
See more items in:
Go Forth and Serve: African American Land Grant Colleges Audiovisual Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0614

Program in African American Culture Collection

Collector:
Maltsby, Portia  Search this
Creator:
Smithsonian Institution. Program in African American Culture  Search this
Extent:
100 Cubic feet (309 boxes)
Type:
Collection descriptions
Archival materials
Audiocassettes
Audiotapes
Videotapes
Photographs
Date:
1850-2004, undated
Summary:
The collection primarily documents the activities of the National Museum of American History's Program in African American Culture (PAAC) dating from 1979 through 2004. The Program in African American Culture (PAAC) created public programs documenting the black experience in the United States, as well as, other countries. Archival materials include photographs, programs, administrative files, magnetic tape, audiocassettes, U-matic and VHS video cassettes.
Scope and Contents:
The collection consists primarily of administrative files, audio, video, and photographic documentation of the programs presented by the Program in African American Culture (PAAC) from 1979 through 2004. There is a substantial amount of material documenting research conducted by the Program in African American Culture (PAAC) for its programming. In addition, administrative paperwork relating to the day-to-day activities of the Program in African American Culture (PAAC) are also included in the materials.

The collection is divided into four series. Series one consists of the material created for each program and is arranged in chronological order. Series two contains background materials and publications relating to subjects of program interest and is arranged in alphabetical order. Series three includes correspondence, contracts, resumes of presenters and performers and other forms of administrative files. Series four are materials relating to Smithsonian Institution or outside programs and performances.
Arrangement:
The collection is arranged into four series.

Series 1, Programs Files, 1979-2004, undated

Series 2, Research Files, 1850-1995, undated

Series 3, Administrative Files, 1850-1995, undated

Series 4, Interviews, Speaking Engagements and Performances, 1964-2000, undated
Biographical / Historical:
The Program in African American Culture (PAAC) is a Smithsonian Institution research and programming office located in the National Museum of American History that was created as an outgrowth of the African Diaspora component of the 1975 and 1976 Festival of American Folklife. Founding director, Bernice Johnson Reagon, developed the Program in Black Culture, as the PAAC was originally, as a center for researching and presenting topics of interest to the study of African American history and culture. Reagon is a song leader, composer, scholar, and social activist, who was a founding member of the Student Nonviolent Coordinating Committee (SNCC) Freedom Singers in the Albany Movement in Georgia. The Program, which was transferred to the National Museum of American History in 1983, provided, and continues to provide, a forum for the presentation of traditional and historical forms of African American cultural expression. To accomplish this, Program in African American Culture (PAAC) staff conducted thorough research, which resulted in public programs including conferences, concerts, colloquia, and seminars on a wide range of topics.
Related Materials:
Archives Center, National Museum of American History

Duke Ellington Collection (NMAH.AC.0301)

Ruth Ellington Collection of Duke Ellington Materials (NMAH.AC.0415)

Eugene D. Smallwood Gospel Music Collection (NMAH.AC.0456)

Wade in the Water Radio Series Collection (NMAH.AC.0516)

Moses Moon Civil Rights Movement Audio Collection (NMAH.AC.0556)

Bernice Reagon Johnson Collection of African American Sacred Music (NMAH.AC0653)

Edward and Gaye Collection of Duke Ellington Materials (NMAH.AC.0704)

Smithsonian Institution

Ralph Rinzler Folklife Archives and Collections

Smithsonian Institution Center for Folklife and Cultural Heritage, June 25-July 6, 1997 (CFCH.SFF.1997)

Smithsonian Institution Archivesemph>

Oral History Interview with Bernice Reagon Johnson, 1986 (Accession 009612)

National Museum of American History, Program in African American Culture, 1982-2002 (Accession 05-116)

National Museum of American History, Program in African American Culture, 1983-2004 (Accession 06-002)

National Museum of American History, Program in African American Culture, 1972-1999 (Accession 08-107)

National Museum of American History, Program in African American Culture, 1975-2000 (Accession 12-102)

National Museum of American History, Program in African American Culture, 1976-1999 (Accession 12-358)

National Museum of American History, Program in African American Culture, 1980-1992, 1961 (Accession 96-147)

Duke Ellington Collection Records, circa 1985-1993 (Accession 98-129)

National Museum of American History, Program in Black American Culture, circa 1976-1987 (Accession 98-136)
Provenance:
Collection created by the Program in African Amerian Culture at the Smithsonian Institution from 1979-1986.
Restrictions:
Collection is open for research. Use of reference audio and video cassette copies only.
Rights:
Reproduction fees for commercial use. Copyright restrictions. Contact staff for information.
Topic:
Civil rights  Search this
African American history  Search this
African American religion  Search this
Gospel music  Search this
African Americans -- Music  Search this
Civil rights movements  Search this
Jazz  Search this
Genre/Form:
Audiocassettes
Audiotapes
Videotapes
Photographs -- 1980-2000
Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0408
See more items in:
Program in African American Culture Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0408
Online Media:

Computer Oral History Collection

Creator:
Blanch, Gertrude  Search this
Bloch, Richard M.  Search this
Bradburn, James  Search this
Brainerd, John G.  Search this
Brown, George W.  Search this
Brown, Gordon S.  Search this
Buchholz, Werner  Search this
Burns, Robert  Search this
Atanasoff, John V.  Search this
Atchison, William  Search this
Auerbach, Issac  Search this
Bartik, Jean  Search this
Bauer, William  Search this
Beek, Allan  Search this
Bernstein, Mort  Search this
Bigelow, Julian  Search this
Coleman, [Ichel?]  Search this
Cohen, I. Bernhard  Search this
Computer History Forum.  Search this
COT Meeting.  Search this
Coombs, John  Search this
Crawford, Perry O.  Search this
Couret, Lynn  Search this
Campbell, Robert V.  Search this
Campaigne, Howard  Search this
Cannon, Edward  Search this
Canning, R.G.  Search this
Clem, Mary  Search this
Cass, James  Search this
CODASYL Meeting.  Search this
Clippinger, Richard F.  Search this
MIT Club Talks (Brown & Wiener).  Search this
Andrews, Ernest G.  Search this
American Federation of Information Processing Societies  Search this
Alt, Franz  Search this
Alrich, John  Search this
Association for Computing Machinery.  Search this
Association for Computing Machinery, 8/14/72  Search this
Argonne National Laboratories R.  Search this
Allard, Gerry  Search this
Aiken, Howard  Search this
Adams, Charles  Search this
Acton, Forman  Search this
Halstead, Maurice H.  Search this
Harmon, Leon  Search this
Harvey, Samuel  Search this
Hazen, Dean Harold  Search this
Gruenberger, Fred  Search this
Gunning, William  Search this
Hagen, Glenn E.  Search this
Hall, W.  Search this
Greenwald, Irwin  Search this
Greenwarld, Sidney  Search this
Griswold, Ralph E.  Search this
Grosch, Herbert R. J.  Search this
Goheen, Harry E.  Search this
Good, I.J.  Search this
Goteib, C.C.  Search this
Granholm, Jackson  Search this
Israel, David R.  Search this
Huskey, Harry D.  Search this
Kates, Josef  Search this
Juncosa, Mario  Search this
Householder, Alston S.  Search this
Horwitz, Bernhard R.  Search this
Hurd, Cuthbert R.  Search this
Howard, Bernard  Search this
Hopper, Grace Murray, 1906- (mathematician)  Search this
Holbrook, Bernard  Search this
Horner, Joseph  Search this
Horn, Robert J.  Search this
Herold, Henry  Search this
Herget, Paul  Search this
Holberton, Betty  Search this
Hertz, Ted  Search this
Elkins, Harold  Search this
Estrin, Gerald  Search this
Edwards, Walt  Search this
Elbourn, Robert  Search this
Eckert, J. Presper (John Presper), 1919-1995  Search this
Eddy, Robert Philip  Search this
Downey, William  Search this
Eckdahl, Donald  Search this
Dodd, Stephen  Search this
Dotts, Richard D.  Search this
Dietzhold, Robert  Search this
Dimsdale, Bernard  Search this
Desch, Joseph  Search this
Dickinson, Arthur H.  Search this
Curtiss, John H.  Search this
Dederick, [Louis?] S.  Search this
Glazer? T.  Search this
Givens, Wallace  Search this
Gill, Stanley  Search this
Geisler, Murray  Search this
Garrison, Ken  Search this
Frankel, Stanley  Search this
Forrester, Jay W.  Search this
Forrest, Cameron B.  Search this
Forbes, George  Search this
Fenaughty, Alfred L.  Search this
Fein, Louis  Search this
Feign, David  Search this
Farrand, William R.  Search this
Fall Joint Computer Conference, 12/6/72.  Search this
Fall Joint Computer Conference, 11/17/71.  Search this
Everett, Robert  Search this
Nelson, Eldred  Search this
Neisius, Vincent  Search this
Northrop, John  Search this
Neovius, G.  Search this
Parker, R.D.  Search this
Palevsky, Max  Search this
Phelps, Byron R.  Search this
Patrick, Robert  Search this
Pickrell, D.  Search this
Phister, Montgomery  Search this
Pollmyer, R.  Search this
Polachek, Harry  Search this
Quady, Emmett  Search this
Postley, John A. R.  Search this
Rajchman, Jan  Search this
Ream, Norman  Search this
Reed, Irving S.  Search this
Rees, Mina  Search this
Rhodes, Ida  Search this
Rice, Rex  Search this
Rochester, Nathaniel  Search this
Rogers, Jim  Search this
Rogers, Stanley  Search this
Rosenberg, Milton  Search this
Rosenthal, Paul R.  Search this
Rubinoff, Morris R.  Search this
Salzer, John M.  Search this
Samuel, Arthur L. R.  Search this
Sarkissian, Harold  Search this
Schuette, Roger  Search this
Serrell, Robert R.  Search this
King, Paul  Search this
Kilpatrick, Lester  Search this
Killian, James  Search this
Kaufold, Leroy R.  Search this
Lanzarotta, Sandy R.  Search this
Kreuder, Norman L.  Search this
Korn, Irving  Search this
Kirsch, Russell  Search this
Lovell, Clarence A.  Search this
Lehmer, Derrick H.  Search this
Legvold, Sam  Search this
Larson, Harry  Search this
Martin, Richard R.  Search this
Marden, Ethel  Search this
Madden, Don R.  Search this
Lowe, John  Search this
McPherson, John C.  Search this
Mendelson, Jerry  Search this
Mason, Daniel R.  Search this
Mauchly, John R.  Search this
Michel, J.G.L. R.  Search this
Miller, Frederick G.  Search this
Menzel, Donald H.  Search this
Metropolis, Nicholas C.  Search this
Mitchell, Joel  Search this
MITRE Meeting.  Search this
Mills, Roger L.  Search this
Morton, Paul  Search this
Mumford, Louis  Search this
Mock, Owen  Search this
Morse, Philip B.  Search this
Wilkinson, James H. R.  Search this
Wilkes, Maurice R.  Search this
Wizenbaum, Joe  Search this
Williams, Charles  Search this
Wieselman, Irving  Search this
Wiener, Robert  Search this
Wild, Arthur  Search this
Wieser, C. Robert  Search this
Wrench, John W. R.  Search this
Woodger, Michael  Search this
Yowell, E.C. R.  Search this
Youtz, Pat  Search this
Woo, Way Dong  Search this
Wolfe, Philip  Search this
Woodbury, William R.  Search this
Wood, Ben D.  Search this
Zemanek, Heinz  Search this
Zuse, Konrad  Search this
Smagorinsky, Joseph  Search this
Slutz, Ralph R.  Search this
Skramstad, Harold R.  Search this
Skillman, Sherwood R.  Search this
SIAM/SIGNUM Meeting.  Search this
SIAM-72.  Search this
SHARE XXXVIII.  Search this
SHARE Meeting for Pioneers.  Search this
Taylor, Norman  Search this
Tanaka, David  Search this
Strong, Jack  Search this
Stibitz, George  Search this
Steele, Floyd G. R.  Search this
Sprague, Richard E.  Search this
Snyder, Samuel  Search this
Smith, Charles V.L.  Search this
TV Program KQED.  Search this
Uncapher, Keith  Search this
Torfeh, Mark  Search this
Travis, Irven  Search this
Todd-Tausskky, Olga  Search this
Tomash, Erwin  Search this
Toben, Gregory  Search this
Todd, John  Search this
Wheeler, R.J.  Search this
Whirlwind Discussion.  Search this
Ware, Willis H.  Search this
Wegstein, Joseph Henry  Search this
Wagner, Frank  Search this
Wang, An R.  Search this
von Hippel, Arthur  Search this
von Neumann, John  Search this
Armer, Paul, 1924- (computer technician)  Search this
Rabinow, Jacob, 1910-  Search this
Source:
Computers, Information and Society, Division of (NMAH, SI).  Search this
Former owner:
Computers, Information and Society, Division of (NMAH, SI).  Search this
Extent:
43.5 Cubic feet (158 boxes)
Type:
Collection descriptions
Archival materials
Videotapes
Oral history
Audiotapes
Transcripts
Interviews
Date:
1969-1973, 1977
Summary:
The Computer Oral History Collection (1969-1973, 1977), was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 with the main objective to collect, document, house, and make available for research source material surrounding the development of the computer.
Scope and Contents:
This collection consists of approximately 43.5 cubic feet of material documenting the development of the computer.
ABC -- Atanasoff-Berry Computer

ACE -- Automatic Computing Engine

ACM -- Association for Computing Machinery

ALGOL -- ALGOLrithmic Language

ALWAC -- Axel Wenner-Gren Automatic Computer

ARPA -- Advanced Research Projects Agency

BACAIC -- Boeing Airplane Company Algebraic Interpretative Computing System

BARK -- Binar Automatisk Rela Kalkylator

BINAC -- Binary Automatic Computer

BIZMAC -- Business Machine

BMEW -- Ballistic Missile Early Warning (System)

BUIC -- Back-up Interceptor Control

CADAC -- Cambridge Digital Automatic Computer

CALDIC -- California Digital Computer

CEC -- Consolidated Electrodynamics Corporation

CEIR -- Council for Economic and Industry Research

COBOL -- Common Business-Oriented Language

CODASYL -- Conference on Data Systems Languages

CONAC -- Continental Automatic Command

COMTRAN -- Commercial Translator

CPC -- Card Programmed Calculator

CRC -- Computer Response Corporation

DARPA -- Defense Advanced Research Projects Agency

DINA -- Digital Network Analyzer

DDA -- Digital Differential Analyzer

EDSAC -- Electronic Delay Storage Automatic Calculator

EDVAC -- Electronic Discrete Variable Automatic Computer

EAM -- Electric [or Electronic] Accounting Machines [or Methods]

ENIAC -- Electronic Numerical Integrator and Automatic Computer

ERA -- Engineering Research Associates

ERMA -- Electronic Recording and Machine Accounting

FADAC -- Field Artillery Data Computer

FSQ -- Fixed Special eQuipment

IAS -- Institute for Advanced Study (Princeton University)

ICBM -- Intercontinental Ballistic Missile

ILLIAC -- Illinois Automatic Computer

INTERCOM -- Intercommunication System (Programming Language)

JOHNNIAC -- John [von Neumann's ] Integrator and Automatic Computer

JOSS -- Johnniac [John's Integrator and Automatic Computer] Open Shop System

LARK -- Livermore Atomic Research Computer

LAS -- Laboratories of Applied Science

LGP -- Librascope

MAC -- Magnetic Automatic Calculator/Multiple Access Computer

MADDIDA -- Magnetic Drum Digital Differential Analyzer

MAGIC -- Machine for Automatic Graphics Interface to a Computer

MANIAC -- Mathematical Analyzer, Numerical Integrator, and Computer

MIDAC -- Michigan [University of] Digital Automatic Computer

MIDSAC -- Michigan [University of} Digital Special Automatic Computer

MINAC -- Minimal Automatic Computer

MIT -- Massachusetts Institute of Technology

MITRE -- Massachusetts Institute of Technology Research Establishment

MX -- Missile, Experimental

NATDAN -- North American Digital Anaylzer

NATPAC -- North American Programmed Automatic Computer

NDRC -- National Defense Research Committee [of Office of Scientific Research and Development, World War II]

NELIAC -- Naval Electronics Laboratory International Algebraic Compiler

NORC -- Naval Ordnance Research Calculator [or computer] [Naval Ordnance Proving Ground]

NTDS -- Naval Tactical Data Systems

ONR -- Office of Naval Research

ORACLE -- Oak Ridge Automatic Computer and Logical Engine

ORDVAC -- Ordnance Discrete Variable Automatic Computer [AEC]

OSRD -- Office of Standard Reference Data [National Bureau of Standards]

PACT -- Project for the Advancement of Coding Techniques

QUAC -- Quadratic Arc Computer

RAMAC -- Random Access Memory Accounting Machine

RAYDAC -- Raytheon Digital Automatic Computer

REAC -- Reeves Electronic Analog Computer

RECOMP -- Reliable COMPuter

RESISTOR -- Reusable Surface Insulation Stresses [NASA computer program]

SCERT -- Systems and Computer Evaluation Review Technique

SCM -- Smith Corona Merchant

SEAC -- U.S. Bureau of Standards Eastern Automatic Computer

SHARE -- Society to Help Avoid Redundant Effort

SHOT -- Society for the History of Technology

SIAM -- Society for Industrial and Applied Mathematics

SILLIAC -- Sydney [version of the ] Illiac

SIMSCRIPT -- Simulation Script

SNOBOL -- String-Oriented Symbolic Language

SSEC -- Selective Sequence Electronic Calculator

SUBROC -- Submarine Rocket

SWAC -- U.S. Bureau of Standards Western Automatic Computer

TPM -- Tape Processing Machine

UDEC -- United Digital Electronic Computer

UNIVAC -- Universal Automatic Computer

WEIZAC -- Weizmann Automatic Computer [at Weizmann Institute]

WISC -- Wisconsin Integrally Synchronized Computer
NT=No Transcript

R=Restricted
Arrangement:
The collection is divided into six series.

Series 1: Transcripts, 1967-1973, 1977

Series 2: Supplemental Documentation, 1922-1974

Series 3: Patents, 1940-1973

Series 4: John Vincent Atanasoff's Materials, 1927-1968

Series 5: Audio Tapes, 1967-1974, 1977

Series 6: Video Tapes, 1968-1972
Biographical / Historical:
The Computer Oral History Collection (1969-1973, 1977), was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 with the main objective to collect, document, house, and make available for research source material surrounding the development of the computer. The project collected taped oral interviews with individuals who figured prominently in developing or advancing the computer field and supplemental written documentation--working papers, reports, drawings, and photographs. The AFIPS provided the "seed" money to support the project and to aid the Smithsonian with its expenditures. Interviews were conducted by I.B. Cohen, A. Dettinger, Bonnie Kaplan, Elizabeth Luebbert, William Luebbert, Robina Mapstone, Richard Mertz, Uta Merzbach, and Henry Tropp. In some instances, the audio tapes and/or transcripts are not "formal" interviews, but rather moderated panel discussions/meetings, or lectures delivered by interviewees.
Related Materials:
The Archives Center contains several "computer" related collections:

American National Standards Institute, 1969-1979

Association for Computing Machinery Collection, 1958-1978 (Washington, D.C., Chapter)

N.W. Ayer Advertsing Agency Records, 1889-1972

Paul Armer Collection, 1949-1970

Robert G. Chamberlain Numerical Control Collection, 1954-1984

J. Childs Numerical Control Collection, 1952-1970

Computer Standards Collection, 1958-1978

Computer World Smithsonian Awards Collection, 1989-2001

Data Processing Digest Collection, 1955-1974

Max Holland Machine Tool Industry Collection, c. 1941-1990

Grace Murray Hopper Collection, 1944-1965

Information Age Exhibition Records, 1979-1990

Institute for Advanced Study Computer Project Records, 1950-1957

Instrument Society of America Collection, 1911-1969

Odex I Walking Robot Collection, 1973-1986

Jacob Rabinow Papers, 1910-1917; 1947-1990

Terry M. Sachs Collection, 1965-1969

Scientists and Inventors Portrait File, c. 1950-1980

Share Numerical Analysis Project Records, 1964-1970

SHARE Records, c. 1954-1984

Cliff Shaw papers, c. 1954-1985

Society for the History of Technology (SHOT) Records, 1956-1992

Warshaw Collection of Business Americana, c. 1754-1965

Whirlwind I Computer Collection, 1945-1959

B.H. Worsley, 1946-1959

Within the National Museum of American History there are other related collections that may be found in the Division of Medicine and Science. These collections contain both artifacts and documents. Artifacts include: digital computing machines, automatic digital computers and electronic calculators, logic devices, card and tape processors, slide rules, integrators and integraphs, harmonic analyzers and synthesizers, differential analyzers, other analog computing devices, space measurement and representation, time measurement, and combination space and time measurement. Documentation includes the Electronic Computers History Collection and the Mathematical Devices History Collection. Photographs and video materials can also be found. The Smithsonian Institution Archives contains administrative documentation regarding the Computer History Project.
Provenance:
The Computer Oral History Collection was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 and was concluded in 1973. This collection was transferred to the Archives Center in approximately 1986 from the Division of Information, Technology & Society, formerly known as the Division of Electricity.
Restrictions:
The collection is open for research use.

Reference copies do not exist for all of the audio. Use of these materials requires special arrangement with Archives Center staff.

Original audio tapes are stored offsite. Contact repository for details.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Scientists  Search this
Physicists  Search this
Computers  Search this
Mathematics  Search this
Mathematicians  Search this
Engineers  Search this
Genre/Form:
Videotapes
Oral history
Audiotapes
Transcripts
Interviews -- 1950-2000
Citation:
Computer Oral History Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0196
See more items in:
Computer Oral History Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0196
Online Media:

Stag's Leap Wine Cellars Documentation Project

Collector:
National Museum of American History (U.S.)  Search this
Stag's Leap Wine Cellars (Napa, California)  Search this
Extent:
3 Cubic feet (11 boxes)
Type:
Collection descriptions
Archival materials
Interviews
Newsletters
Videotapes
Audiotapes
Business records
Clippings
Photographs
Oral history
Date:
1960-2006
Summary:
The collections documents the growth and development of the American wine industry, 1996-2002, using the Stag's Leap Wine Cellars as a case study. Materials include oral and video histories, photographs, business records, and printed materials.
Scope and Contents:
The Stag's Leap Wine Cellars (SLWC) Documentation Project was conducted by an inter-disciplinary team at the National Museum of American History. It is a part of a larger effort by the Museum's American Food and Wine team to document and interpret the changing ways in which Americans have produced, prepared, and consumed their food and drink, especially in the years after World War II. Team members are Nanci Edwards (Office of Project Management and former Collections Manager of the Museum's Agriculture Collection), John Fleckner (Senior Archivist, Archives Center), Rayna Green (Curator, Division of Home and Community Life), and Paula Johnson (Curator, Division of Work and Industry). Jeff Tinsley of the Smithsonian's Office of Photographic Services accompanied the team and shot many of the slides and color photographs.

This collection chronicles the growth and development of American viticulture and viniculture from its revival in the 1960s to the present. It offers a case study in the art and business of making fine wine from the bud to the bottle. Warren Winiarski, founder of SLWC in California's Napa Valley, is deeply interested in the legacy of American winemaking and his winery's place within its broader history. The Winiarski family has generously participated and financially supported the creation of this collection.

The documentation touches on all aspects of the wine business, including picking grapes in the vineyards, making wine in the cellar, marketing it from the business office, and promoting its sales in the tasting room and around the globe. SLWC employees describe the land, the work, the tools, the technical processes, the passions, and the motivations that create SLWC's world famous wines. The collection also provides insights into wider patterns of American immigration history, agricultural and environmental history, ethnic community development, land use in the West, product marketing, and consumerism.

The archival collection is mainly comprised of recorded oral history interviews, documentary photographs, and video footage created by the documentation team in 1997. It also includes company newsletters, vineyard and winery production data sheets, wine labels, and related printed materials collected in 1997 with additional materials added occasionally.

It is divided into seven series, including interviews and abstracts, audiotapes, photographs and slides, videotapes, business records, and printed materials.
Arrangement:
Series 1: Interview Transcripts and Abstracts, 1997, 2003

Series 2: Oral History Interview Sound and Video Recordings, 1996-1997

Subseries 2.1: Sound Recordings, 1997

Subseries 2.2: Video Tapes, 1996-1997

Series 3: Photographs, circa 1960-2000

Series 4: Video Tapes, undated

Subseries 3.1: Family Photographs: circa 1960-1980

Subseries 3.2: Smithsonian Documentary Photographs: 1997, 2000

Series 5: Business Records, 1974-1998

Series 6: Printed Materials, 1994-2005

Series 7: Stag's Leap Wine Cellars Thirtieth Anniversary, 2003
Biographical / Historical:
The history of Stag's Leap Wine Cellars is a family history. It is also a story, in microcosm, of the development of Napa Valley, California as an international wine region and of the rising global acclaim for California wines. Building on the skills and knowledge of earlier Napa winemakers, Warren Winiarski became one of the most influential vintners in the region and his premium wines some of the most prized.

Winiarski arrived in Napa Valley in 1964 with his wife, Barbara, and their children. Like many Napa winemakers of this era, he left behind another career, in his case, an academic position at the University of Chicago to create a family business in a rural setting. At the time, Napa was just beginning to rebuild its reputation after Prohibition, a devastating vine disease, and the widespread production of cheap wines had soured the image of California wines. After apprenticing with several local winemakers, including Lee Stewart and Robert Mondavi, he purchased the land and winery that would become Stag's Leap Wine Cellars (SLWC) in 1972. Winiarski's choice of land was based, in part, Nathan Fay's success in growing Cabernet Sauvignon grapes in an adjoining vineyard; Winiarski later added Fay's property to SLWC.

To commemorate the American bicentennial in 1976, a blind wine tasting at L'Academie du Vin in Paris pitted the best of America's new wines against French classics. Stunning the international wine community, many American wines outscored their French counterparts, with SLWC's 1973 Cabernet Sauvignon taking first place in its division. The accomplishment brought SLWC and Napa Valley worldwide recognition. It excited a great demand for California wines and a new appreciation for American winemaking techniques, which combined new scientific methods with Old World traditions.

The Paris Tasting added momentum to changes already underway in the cultural, financial, and physical landscape of the Napa Valley. It spurred the development of many new wineries, the expansion of acreage under grape cultivation, and the growth of the region's tourism industry. Stag's Leap Wine Cellars was an integral part of these transformations. It continues to play a vital role in the region and the wine industry.
Related Materials:
Materials in the Archives Center

American Wine History Documentation Project Records, 1976-2002, Archives Center collection # 817, has recorded interviews, photographs, and other documentary materials created and collected by the American Food and Wine History team.
Separated Materials:
The Division of Work and Industry holds many artifacts from SLWC, including a wine barrel, grape picking knives, shovels, and other vineyard tools; lab equipment used in winemaking; wine bottles, labels, glasses, and other consumer products; and a bottle of the award winning 1973 Cabernet Sauvignon. See accessions: 1998.0181 and 1998.3058.
Restrictions:
Collection is open for research. Only reference copies of audiovisual materials may be used.
Topic:
Wine industry  Search this
Wine and wine making  Search this
Genre/Form:
Interviews -- 2000-2010
Newsletters -- 20th century
Videotapes -- 1990-2000
Audiotapes -- 1990-2000
Business records -- 20th century
Clippings -- 1950-2000
Photographs -- 20th century
Oral history -- 1990-2000
Citation:
Stag's Leap Wine Cellars Documentation Project, 1960-2002, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0816
See more items in:
Stag's Leap Wine Cellars Documentation Project
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0816
Online Media:

American Wine Documentation Project

Creator:
National Museum of American History (U.S.)  Search this
Names:
Red, White, and American (symposium, Washington, D.C. 1996).  Search this
Extent:
3 Cubic feet
Type:
Collection descriptions
Archival materials
Videotapes
Print advertising
Programs
Interviews
Audiotapes
Photographs
Date:
1976-2005
bulk 1996-2001
Scope and Contents:
The collection is divided into six series. It includes mostly printed materials and interviews, and dates from approximately 1976 to 2005. There are wine-related event materials, interview transcripts and audiotapes, printed material and histories from people and institutions representing a wide spectrum of the wine business. Wine-related objects, such vineyard and winery tools, are stored with the Museum's artifact collections; documentary materials are held in the Archives Center. Materials from each special event are organized into separate series, which contain records generated at the events and interviews. Series one contains the Red, White and American records, series two the collectors event, and series three the wine writers event. Interviews conducted independently of these events are included in series four. All of the interviews have been partially transcribed and include an abstract and various forms of audiotapes and discs. Series five is composed of printed materials that relate to both specific individuals in the wine business and to more general American wine topics. Most of this material consists of photocopies of original articles. There are also files with materials by and about specific wine writers, such as Anthony Dias Blue, William Heinz, and Dick Rosano. Series five also contains an original telex of George Taber's article about the 1976 Paris Tasting. Series six consists of visual materials, including two landscape photographs of an vineyard in Oregon and two videotaped documentaries on Napa.
Arrangement:
The collection is arranged into six series.

Series 1:

Series 2:
Biographical / Historical:
The American Wine History Project began in 1996 with the intention to document the history of American winemaking, mainly for the post-1950 period. While the project includes winemaking areas around the country, the focus has been on northern and central California. The Project explores the convergence of craft, culture, science, technology, and the environment in modern American winemaking. In conjunction with the project, the Smithsonian held a 2-day symposium, "Red, White and American," with a small accompanying exhibition, entitled, "Doubtless as Good: Jefferson's Dream for American Wine Fulfilled," in 1996 and began gathering objects and other documentation.

Since 1997, National Museum of American History staff members have traveled to California to conduct interviews, take photographs and video footage, and gather materials for the Smithsonian collection from grape growers, winemakers, winery owners, and others important to the business, including wine writers and chefs. Some of the materials were generated from events in Napa, such as the collectors and wine writers events, that were held specifically for the purpose of adding documentation to the Smithsonian project. The documentation project is on-going so materials will continue to be added to the collection.
Provenance:
Some of the materials were generated by the Smithsonian Institution, such as those in series 1 through 3. Others were given by separate donors between 1996 and 2002.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Wine and wine making  Search this
Wine industry  Search this
Genre/Form:
Videotapes -- 1990-2000
Print advertising
Programs -- 1980-2000
Interviews -- 1980-2000
Audiotapes -- 1990-2000
Photographs -- 1950-2000
Citation:
American Wine Documentation Project, 1976-2002, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0817
See more items in:
American Wine Documentation Project
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0817

John Canfield Ewers Papers

Correspondent:
Hanson, James A.  Search this
Conner, Stuart W.  Search this
Dempsey, Hugh A.  Search this
Brasser, Ted J.  Search this
DeMallie, Raymond  Search this
Schaeffer, Claude E.  Search this
Taylor, Colin F.  Search this
Creator:
Ewers, John C. (John Canfield), 1909-1997  Search this
Names:
National Museum of American History (U.S.)  Search this
National Museum of Natural History (U.S.)  Search this
Smithsonian Institution  Search this
United States. National Park Service  Search this
Catlin, George, 1796-1872  Search this
Denig, Edwin Thompson, 1812-1858  Search this
Taylor, James E. ((Artist))  Search this
Extent:
97 Linear feet
Culture:
Chippewa  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Northeast  Search this
Cree Indians  Search this
Ojibwa Indians  Search this
Assiniboine Indians  Search this
Kiowa Indians  Search this
Indians of North America -- Subarctic  Search this
Blackfoot  Search this
Type:
Collection descriptions
Archival materials
Date:
1945-1993
Scope and Contents:
The John Canfield Ewers Papers document his wide ranging anthropological interests from early White depictions of Native Americans to the material culture of the Plains tribes through correspondence, exhibit catalogs, field notes, illustrations, lectures, maps, photocopies of archival materials, photographs, and writings. The collection includes materials relating to his numerous research projects and publications such as his books on plains sculpture and Jean Louis Berlandier as well as his field research among the Assiniboin and Blackfoot tribes. Ewers' career as an ethnologist based in a museum is amply documented through correspondence, exhibit plans and scripts, notes, and reports showcasing his work for the National Park Service and his fifty plus years at the Smithsonian. The voluminous correspondence file highlights his close collaboration with individuals such as Stu Conner, Hugh Dempsey, Claude Schaeffer, and Colin Taylor. Ewers' graduate studies and his family are featured in Series XI. One special category of materials in this collection is Series XIV, the card files. Ewers pulled information from his field notes and other sources, classified them, and typed or wrote them up on 3x5 or 5x7 inch index cards. He then organized these files alphabetically by subject within large categories such as "Collecting Alpha by Collectors Name" or "Fur Trade and Trade Goods." The card files include correspondence and photographs and closely relate to materials throughout the rest of the collection. Though Ewers' papers are primarily textual in nature, there are graphic materials throughout his files. Series XIII features the graphic materials that Ewers kept separate from his files such as the contents of his slide cabinets. There is overlap within this series as Ewers kept multiple copies of his slides in various locations. This series also includes audiotapes of conferences and symposia at which Ewers spoke and three scrapbooks. Of note are original pencil and ink drawings from his book, The Horse in Blackfoot Culture, in Series XV. Transcripts of oral history interviews with John Canfield Ewers are also available at the Smithsonian Institution Archives.
Arrangement note:
This collection was organized into 15 series - Correspondence, Research & Subject Files, Research Projects, Trips and Presentations, Artists of the Old West, North American Indian Art, Plains Sculpture Book, Berlandier Project, Smithsonian Institution, National Park Service, Personal, Writings by Ewers, Audiovisual Materials, Card Files, and Art Work.
Biographical/Historical note:
John Canfield Ewers (1909-1997) earned a B.A. from Dartmouth College in 1931 and an M.A. in Anthropology from Yale University in 1934. Ewers began his career in museums as a Field Curator for the National Park Service. He helped design exhibits at Vicksburg National Battlefield and Ocmulgee National Monument among others. In 1941, the Bureau of Indian Affairs hired Ewers to design and establish the Museum of the Plains Indian in Browning, Montana. After a short stint in the Navy during World War II, Ewers joined the Department of Anthropology at the Smithsonian Institution. He worked at the Smithsonian for over fifty years in numerous capacities including Director of the National Museum of History and Technology (now called the National Museum of American History). Ewers' research dealt with the Plains Indians and the Blackfoot tribe in particular. Ewers wrote several books on a wide variety of topics including White artists depictions of Native Americans, Plains Indian sculpture, and the horse in Blackfoot Indian culture.
Restrictions:
The John Canfield Ewers papers are open for research.
Rights:
Contact repository for terms of use.
Topic:
Ethnohistory  Search this
Carving  Search this
American Indians -- Plains  Search this
Artists -- United States -- West -- Biography  Search this
American Indians -- Clothing  Search this
American Indians -- arts and crafts  Search this
Museums -- History -- Exhibitions  Search this
Museums -- Collection management  Search this
Museum exhibits  Search this
Repatriation  Search this
Artists  Search this
Citation:
John Canfield Ewers papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1998-35
See more items in:
John Canfield Ewers Papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-1998-35

Vose Galleries of Boston records

Creator:
Vose Galleries of Boston  Search this
Names:
Arthur U. Newton Galleries  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Ehrich Galleries (New York, N.Y.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
Jill Newhouse (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Milch Galleries  Search this
Norton Gallery and School of Art  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Hassam, Childe, 1859-1935  Search this
Hoffman, Malvina, 1887-1966  Search this
Jonniaux, Alfred, b. 1882  Search this
Ladd, Anna Coleman, 1878-1939  Search this
Norton, William E., 1843-1916  Search this
Sargent, John Singer, 1856-1925  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Vose, Robert Churchill, 1873-  Search this
Extent:
25.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Manuscript
Date:
circa 1876
1890s-1996
bulk 1920-1940
Summary:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.
Scope and Contents note:
The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

Correspondence of note is with artists Childe Hassam, Malvina Hoffman, Alfred Jonniaux, and John Singer Sargent; galleries Ehrich Galleries, Clapp & Graham Co., M. Knoedler & Co., Macbeth Galleries, Milch Galleries, Newhouse Galleries, Arthur U. Newton Galleries, Norton Galleries, and Howard Young Galleries; the estates of Anna Coleman Ladd and William E. Norton; and the family of Abbott H. Thayer.

Researchers should note that the records do not comprehensively span the gallery's history or operations. The bulk of the collection is correspondence from Robert C. Vose's era running the Robert C. Vose Galleries in the 1920s-1930s and, lesser so, under Robert C. Vose, Jr.'s direction in the 1970s. There is little material in the collection which dates before the 1910s or the 1950s-1960s, other than correspondence regarding Alfred Jonniaux and some financial records. There is a handful of correspondence which covers the period of R.C. & N.M. Vose Gallery. Records loaned for microfilming should be consulted for materials outside of the bulk dates of this collection, especially for materials from the late 1800s-early 1900s.
Arrangement note:
The collection is arranged as 5 series:

Series 1: Correspondence, 1895-1996 (Boxes 1-23; 22.6 linear feet)

Series 2: Customer Files, 1912-1946 (Boxes 23-24; 0.8 linear feet)

Series 3: Art-Related Files, circa 1876, 1890s-1947 (Box 24; 7 folders)

Series 4: Financial Records, 1911-1962, 1991 (Boxes 24-25; 1.8 linear feet)

Series 5: Printed Materials, circa 1904-1990 (Boxes 25-26; 0.4 linear feet)
Biographical/Historical note:
Vose Galleries is a long time family run art gallery based in the Boston, Mass. area.

In 1841, Joseph Vose purchased Westminster Art Gallery, a small Providence, Rhode Island art gallery founded by Ransom Hicks. At the age of 19 in 1850, Joseph's son Seth Morton Vose joined the gallery and five years later became director. The gallery's primary business until the late 1860s was frame making, gilding and art supplies. Seth Morton Vose had a passion for art, especially the French painters of the Barbizon School and he slowly began buying and exhibiting artwork. By 1882, the gallery regularly exhibited in Boston.

Seth's son Robert C. Vose joined the business in 1896, and managed the gallery's Boston office from 1897. Robert broadened the gallery's horizons by showing his fine stock of Barbizon, Dutch, English and American artists throughout America, while his younger brother, Nathaniel, and his cousin, Charles Thompson, handled the Boston gallery. During the next sixty-seven years, Robert C. Vose moved the gallery into a position of national prominence.

In 1924, Nathaniel left the gallery and established his own gallery in Providence. The Boston gallery's name changed to Robert C. Vose Galleries, and around the same time, took over the Carrig-Rohane framing company. In 1931-1932, Robert's three sons, Robert C. Vose, Jr., Seth Morton Vose II, and Herbert Vose, joined the firm. The gallery continued to show exhibitions in Boston, and the sons took turns joining their father on the road. The gallery's name was changed to Vose Galleries of Boston, Inc. in 1952. In 1963, Vose Galleries moved to their current location at 238 Newbury Street in Boston. Robert C. Vose passed away in 1964.

Robert C. Vose, Jr.'s sons, Abbot W. Vose and Robert C. Vose III, joined the gallery in 1968 and 1970, respectively. Robert C. Vose, Jr. passed away in 1998. The Vose Galleries of Boston continues to operate at Newbury Street under the direction of the sixth generation of the Vose family.
Related Archival Materials note:
The Archives of American Art holds several separately cataloged collections related to Vose Galleries of Boston, including the Carrig-Rohane Shop records (1903-1962); oral history interviews with Seth Morton Vose (July 24, 1986 - April 28, 1987) and Robert C. Vose, Jr. (June 27 - July 23, 1986); a sound recording and videotape of a Robert C. Vose, Jr. lecture at the Somerset Club (May 14, 1987); a sound recording of an interview with Robert C. Vose (March 1961); the Miscellaneous Art Exhibition Catalog collection containing Vose Galleries exhibition catalogs, circa 1900-1941; and, Robert C. Vose, Jr. typescripts and clippings, 1961, on microfilm reels 3480 and 4314.
Separated Materials note:
The Archives of American Art also holds material lent for microfilming.

Reel B1 contains a scrapbook compiled by Seth Vose and annotated by Robert Vose that contains clippings, 1886-1900, and an 1889 letter from author and critic Alfred Trumble; and a scrapbook compiled and annotated by Robert C. Vose spanning the years 1920-1940, 1897, and 1905, containing clippings and handwritten lists.

Reel 2380 includes numerous photographs, circa 1890-1964, of Seth Morton Vose, Robert C. Vose, Sr., artists, collectors, and dealers associated with Vose Galleries; a Macbeth Gallery "smoker" in honor of Emil Carlsen; a drawing of Charles Emil Heil by George F. Wing, and a charcoal drawing after Monticelli by Albion Harris Bicknell. Many of the photographs are annotated by Robert C. Vose.

Reels 3936-3940 are comprised of account books, 1871-1887; a journal, 1889-1903, a ledger, 1889-1901; invoice books, 1896-circa 1954, inventories of paintings and drawings in stock, 1884, 1892 and 1906; exhibition records, 1911-1982?; traveling exhibition records, 1915-1949; and a record of paintings sold, 1876-1894. Written permission is required to access these reels.

Reels 4593-4594 contain clippings, undated and 1891-1989, chiefly about purchases, sales and exhibitions, but also pertaining to art dealers, museums, artists, and art events.

Reel 4909 contains a scrapbook of clippings, announcements, programs, and other printed materials, 1882-1993.

Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
From 1965-1994, Vose Galleries of Boston loaned materials to the Archives of American Art for microfilming. Robert C. Vose, Jr. also donated records in several installments from 1974 to 1997.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Vose Galleries of Boston records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- United States -- Photographs  Search this
Picture frame industry -- Massachusetts -- Boston  Search this
Picture frames and framing  Search this
Art galleries, Commercial -- Rhode Island -- Providence  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Art, Modern -- 20th century -- Massachusetts -- Boston  Search this
Art, Modern -- 19th century -- Massachusetts -- Boston  Search this
Art dealers -- Massachusetts -- Boston  Search this
Genre/Form:
Video recordings
Manuscript
Citation:
Vose Galleries of Boston records, circa 1876, 1890s-1996, bulk 1920s-1930s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vosegall
See more items in:
Vose Galleries of Boston records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vosegall
Online Media:

MS 7136 Ica slides and related material

Creator:
Billipp, Jim  Search this
Extent:
88 Pages
1 Cassette
195 Slides
1 Item (sound recording disc )
Culture:
Ica  Search this
Cagaba  Search this
Type:
Collection descriptions
Archival materials
Pages
Cassettes
Slides
Sound recordings
Slides (photographs)
Date:
ca. 1976-77
Scope and Contents:
The slides show various aspects of Ica life and homeland, especially their clothing. The textual data provide notes for the slides. The videotape is a copy of "Comisario Faustino," for which Billipp was assisted by Bob Harris, who operated one of the cameras and carried out some of the editing. The sound recording "Sacred and Profane Music of the Ika" was issued by Ethnic Folkways Records.
Local Numbers:
NAA MS 7136
Other Archival Materials:
The videotape was transferred to the Human Studies Film Archives on August 18, 2010.
Restrictions:
Restricted. Both the sound recording and the videotape are under registered copyright. Note that the archives has no permission to reproduce any of the material.
Topic:
Arhuaco Indians  Search this
Clothing and dress  Search this
Arhuaco Indians  Search this
Music  Search this
Language and languages -- Documentation  Search this
Colombia  Search this
Genre/Form:
Sound recordings
Slides (photographs)
Sound recordings
Citation:
Manuscript 7136, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7136
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7136

150th Anniversary Program, Corporate Partner Program, Records

Creator::
Smithsonian Institution. Office of the Executive Director for Development  Search this
Extent:
1 cu. ft. (1 record storage box)
Type:
Collection descriptions
Archival materials
Manuscripts
Videotapes
Date:
1995-1996
Descriptive Entry:
This accession consists of marketing and development proposals for the 150th Anniversary Program, Corporate Partner Program. Materials include the proposals and videocassette recordings.
Topic:
Fund raising  Search this
Marketing  Search this
Genre/Form:
Manuscripts
Videotapes
Citation:
Smithsonian Institution Archives, Accession 99-088, Smithsonian Institution, Office of the Executive Director for Development, 150th Anniversary Program, Corporate Partner Program, Records
Identifier:
Accession 99-088
See more items in:
150th Anniversary Program, Corporate Partner Program, Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-fa99-088

150th Anniversary Program, Corporate Partner Program, Records, 1995-1996

Creator:
Smithsonian Institution Office of the Executive Director for Development  Search this
Subject:
Smithsonian Institution 150th Anniversary Program  Search this
Physical description:
1 cu. ft. (1 record storage box)
Type:
Manuscripts
Collection descriptions
Videotapes
Date:
1995
1995-1996
Topic:
Fund raising  Search this
Marketing  Search this
Local number:
SIA Acc. 99-088
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_251823

Smithsonian Folklife Festival records: 1985 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Memorandums
Negatives
Video recordings
Audiotapes
Videotapes
Audiocassettes
Business records
Digital images
Correspondence
Sound recordings
Notes
Plans (drawings)
Slides (photographs)
Photographic prints
Contracts
Place:
Caribbean Area
Puerto Rico
Date:
June 26-July 7, 1985
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1985 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Cultural Conservation

Series 3: Louisiana

Series 4: Mela! An Indian Fair

Series 5: Special Events
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1985 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
From the first Festival of American Folklife in 1967 through the 1984 Festival, more than 10,000 participants traveled to Washington to share their wisdom and talent with visitors, Festival Director Diana Parker recalled in the 1985 Program Book. In explaining and demonstrating their skills as singers, dancers, musicians, cooks, artisans, storytellers, and workers, they represented legions more in their home communities. Because of the time and knowledge they shared, lives had been enriched, while the cultural understanding of the aesthetic variety in this and other nations had broadened. Meanwhile, the Smithsonian's archive of folklife research and programming experience had grown incrementally each year. There remained much still to be learned, and each participant's story added to our understanding of the mosaic of folk culture.

Festival participants often spoke of their struggle to maintain traditions in the face of overwhelming odds. Each year brought another person to inform visitors, "I am the last who knows how to do this the old way." For this reason the Folklife Programs viewed conservation of culture as an issue equal in urgency to the conservation of natural resources, for the pluralism reflected at each year's Festival would be terrible to lose. The Smithsonian was not, of course, the only organization concerned with cultural conservation. The American Folklife Center at the Library of Congress consistently contributed on a national scale to research and preservation of traditional culture. Numerous state and local programs were also hard at work in similar efforts and have made notable contributions. As the National Endowment for the Arts celebrated its 20th anniversary in 1985, the Smithsonian was especially aware of the immense contributions of its Folk Arts Program.

The 1985 Festival took place for two five-day weeks (June 26-30 and July 3-7) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

For the 1985 Festival, more than two hundred participants came to Washington to share in a great celebration of cultural diversity. Three thematic programs were presented, complemented by a number of special events. The 1985 Program Book provides information on each of the programs.

The 1985 Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs. In addition to specific support (acknowledged below) for the Louisiana and Mela! programs, the recording industry provided support in part for the instrumental music in performances at the Festival through the Music Performance Trust Funds (Martin A. Paulson, Trustee).

Office of Folklife Programs

Peter Seitel, Director; Diana Parker, Festival Director; Thomas Vennum, Jr., Senior Ethnomusicologist; Marjorie Hunt, Folklorist; Alicia María González, Folklorist and Program Developer; Kazadi wa Mukuna, Ethnomusicologist; Richard Derbyshire, Archivist; Laurie Kalb, Foodways Coordinator

National Park Service

William Penn Mott, Jr., Director; Manus J. Fish, Jr., Regional Director, National Capital Region
Forms Part Of:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
arts and crafts  Search this
Folk art  Search this
Folk festivals  Search this
World music  Search this
Food habits  Search this
Folk music  Search this
Folklore  Search this
Genre/Form:
Memorandums
Negatives
Video recordings
Audiotapes
Videotapes
Audiocassettes
Business records
Digital images
Correspondence
Sound recordings
Notes
Plans (drawings)
Slides (photographs)
Photographic prints
Contracts
Citation:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1985
See more items in:
Smithsonian Folklife Festival records: 1985 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-1985
Online Media:

Videotapes

Creator::
Smithsonian Institution. Office of Symposia and Seminars  Search this
Extent:
2 cu. ft. (2 record storage boxes)
Type:
Collection descriptions
Archival materials
Videotapes
Date:
1987
Descriptive Entry:
These records consist of videotapes documenting the 200th Anniversary of the Constitution of the United States. They were made in conjunction with the symposium "Constitutional Roots, Rights, and Responsibilities."
Topic:
Interdisciplinary approach in education  Search this
Congresses and conventions  Search this
Museums -- Educational aspects  Search this
Genre/Form:
Videotapes
Citation:
Smithsonian Institution Archives, Record Unit 499, Smithsonian Institution, Office of Symposia and Seminars, Videotapes
Identifier:
Record Unit 499
See more items in:
Videotapes
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru0499

Box 1

Collection Creator::
Smithsonian Institution. Office of Symposia and Seminars  Search this
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 499, Smithsonian Institution, Office of Symposia and Seminars, Videotapes
See more items in:
Videotapes
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0499-refidd1e171

200th Anniversary of the Constitution, 5/21/1987 Tape 1

Collection Creator::
Smithsonian Institution. Office of Symposia and Seminars  Search this
Container:
Box 1 of 2
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 499, Smithsonian Institution, Office of Symposia and Seminars, Videotapes
See more items in:
Videotapes
Videotapes / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0499-refidd1e178

200th Anniversary of the Constitution, 5/22/1987 Tape 1 continued

Collection Creator::
Smithsonian Institution. Office of Symposia and Seminars  Search this
Container:
Box 1 of 2
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 499, Smithsonian Institution, Office of Symposia and Seminars, Videotapes
See more items in:
Videotapes
Videotapes / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0499-refidd1e189

200th Anniversary of the Constitution, 5/21/1987 Tape 2

Collection Creator::
Smithsonian Institution. Office of Symposia and Seminars  Search this
Container:
Box 1 of 2
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 499, Smithsonian Institution, Office of Symposia and Seminars, Videotapes
See more items in:
Videotapes
Videotapes / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0499-refidd1e200

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