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Microsoft: Arctouch Mouse Design Process

Medium:
Video
Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2276
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2276

Unique Align Scoliosis Brace, process

Medium:
Video
Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2277
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2277

Ingo Maurer: LED Wallpaper process

Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2278
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2278

Kinematics Dress process

Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2280
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2280

Joseph Walsh: Enignum furniture process

Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2284
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2284

Arata Fuchi: metal-working process

Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2286
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2286

Brompton: folding bicycle, manufacturing process; also CH interview

Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2289
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2289

Fractal.MGX Table process

Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2290
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2290

Haas Bros: Accretion ceramics process

Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2291
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2291

threeASFOUR: Temple Dress, process

Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2292
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2292

Ammar Kalo: Strata furniture process

Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2293
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2293

Ammar Kalo: N-Bowl process

Type:
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2294
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2294

Shantell Martin: Faces Places Spaces and Well Well Well textile process

Type:
digital
Exhibitions
Video
Object Name:
Video
Accession Number:
s-e-2321
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Exhibitions Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_s-e-2321

Susanne Hilberry Gallery records

Creator:
Susanne Hilberry Gallery  Search this
Hilberry, Susanne, 1943-2015  Search this
Names:
Artschwager, Richard, 1923-  Search this
Benglis, Lynda, 1941-  Search this
Kaneko, Jun, 1942-  Search this
Katz, Alex, 1927-  Search this
MacKenzie, Warren  Search this
Mitchnick, Nancy, 1947-  Search this
Pfaff, Judy, 1946-  Search this
Phelan, Ellen, 1943-  Search this
Scanga, Italo, 1932-2001  Search this
Shapiro, Joel  Search this
Extent:
5.8 Linear feet
10.1 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Date:
1964-2016
bulk 1976-2016
Summary:
The records of the Susanne Hilberry Gallery measure 5.8 linear feet and 10.1 gigabytes, and date from 1964-2017, with the bulk of the material dating from 1976-2016. Gallery artists include Richard Artschwager, Lynda Benglis, Jun Kaneko, Ellen Phelan, Italo Scanga, Joel Shapiro, Alex Katz, Judy Pfaff, Warren MacKenzie, and Nancy Mitchnick, among many others. The collection consists largely of files grouped by artist containing correspondence, sales records, and exhibition records documenting the activities of the gallery including outside or traveling exhibitions and other initiatives. Also included are significant amounts of visual materials (photographs, slides, transparencies, and digital images) documenting gallery exhibitions and the oeuvres of the gallery artists, as well as digital video recordings in the form of video works, recordings of artist talks, and artwork documentation.
Scope and Contents:
The records of the Susanne Hilberry Gallery measure 5.8 linear feet and 10.1 gigabytes, and date from 1964-2017, with the bulk of the material dating from 1976-2016. Gallery artists include Richard Artschwager, Lynda Benglis, Jun Kaneko, Ellen Phelan, Italo Scanga, Joel Shapiro, Alex Katz, Judy Pfaff, Warren MacKenzie, and Nancy Mitchnick, among many others. The collection consists largely of files grouped by artist containing correspondence, sales records, and exhibition records documenting the activities of the gallery including outside or traveling exhibitions and other initiatives. Also included are significant amounts of visual materials (photographs, slides, transparencies, and digital images) documenting gallery exhibitions and the oeuvres of the gallery artists, as well as digital video recordings in the form of video works, recordings of artist talks, and artwork documentation.

The artist files document each gallery artist's exhibition history in the gallery and include correspondence with the artist or estate as well as files documenting significant outside exhibitions, projects and the placement of artworks. The group show files document the production of select group exhibitions organized throughout the span of the gallery's operation. Transparencies and slides document the respective artists' exhibitions at Susanne Hilberry Gallery, and also contain representations of individual works. The group show slides document select group exhibitions.
Arrangement:
The collection is arranged as 4 series.

Series 1: Artist Files, circa 1964-2016 (4.5 Linear feet; Boxes 1-5, 10.1 Gigabytes; ER01-ER08)

Series 2: Group Show Files, 1976-2016 (0.3 Linear feet; Box 5)

Series 3: Tranparencies, circa 1980-1999 (0.2 Linear feet; Box 5)

Series 4: Slides, circa 1976-1999 (0.8 linear feet; Boxes 6-7)
Biographical / Historical:
Susanne Hilberry Gallery was a contemporary art gallery opened by Susanne Hilberry in 1976 in the Detroit suburb of Birmingham. The gallery moved to Ferndale, Michigan in 2002, and closed in early 2017 following Hilberry's death in 2015. Susanne Hilberry was a pioneering presence in the Detroit art scene. Before opening her gallery she earned a degree in art history from Wayne State University and a master's degree from Yale in architectural history, and later served as an assistant to the curator of the Detroit Institute of Arts, Sam Wagstaff. Wagstaff encouraged Susanne to open her gallery, which focused on bringing emerging art trends and established artists not being shown otherwise in the area, as well as championing the careers of local artists. Hilberry's dedication to developing the local art scene played out in her encouragement and support of the Museum of Contemporary Art, Detroit, where she served as a steering committee member after its opening in 2006.
Related Materials:
Related materials include Wayne State University's Cass Corridor Artists Oral History Project, Oral History with Susanne Feld Hilberry, April 1, 2010.
Provenance:
Donated 2017 by the Susanne Hilberry Estate via Daniel Feld, Trustee.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- Michigan
Genre/Form:
Photographs
Citation:
Susanne Hilberry Gallery records, 1964-2017, bulk 1976-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.susahilb
See more items in:
Susanne Hilberry Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-susahilb
Online Media:

Artist Files

Collection Creator:
Susanne Hilberry Gallery  Search this
Hilberry, Susanne, 1943-2015  Search this
Extent:
4.5 Linear feet (Boxes 1-5)
10.1 Gigabytes (ER01-ER08)
Type:
Archival materials
Gigabytes
Date:
circa 1964-2016
Scope and Contents:
The artist files are comprised largely of business as well as personal correspondence with gallery artists, gallery exhibition files, outside or traveling exhibition files and other initiatives associated with the artists such as the production of catalogues raisonnés and the placement of artworks. Includes digital images and digital video recordings.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Susanne Hilberry Gallery records, 1964-2017, bulk 1976-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.susahilb, Series 1
See more items in:
Susanne Hilberry Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-susahilb-ref1

Solo Show (April - June 2005) Lynda Benglis Studio Documentation, Digital Video Recording

Collection Creator:
Susanne Hilberry Gallery  Search this
Hilberry, Susanne, 1943-2015  Search this
Extent:
0.022 Gigabytes (1 computer file)
Container:
Folder ER01
Type:
Archival materials
Gigabytes
Date:
2004
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Susanne Hilberry Gallery records, 1964-2017, bulk 1976-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Susanne Hilberry Gallery records
Susanne Hilberry Gallery records / Series 1: Artist Files / Lynda Benglis
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-susahilb-ref372

Correspondence, Images and Digital Video Recordings

Collection Creator:
Susanne Hilberry Gallery  Search this
Hilberry, Susanne, 1943-2015  Search this
Extent:
1 Gigabyte (129 computer files)
Container:
Folder ER05
Type:
Archival materials
Gigabytes
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Susanne Hilberry Gallery records, 1964-2017, bulk 1976-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Susanne Hilberry Gallery records
Susanne Hilberry Gallery records / Series 1: Artist Files / Michael E. Smith
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-susahilb-ref376

Kate Levant, Michael Smith (June - August 2007) Digital Video Recording

Collection Creator:
Susanne Hilberry Gallery  Search this
Hilberry, Susanne, 1943-2015  Search this
Extent:
0.174 Gigabytes (1 computer file)
Container:
Folder ER06
Type:
Archival materials
Gigabytes
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Susanne Hilberry Gallery records, 1964-2017, bulk 1976-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Susanne Hilberry Gallery records
Susanne Hilberry Gallery records / Series 1: Artist Files / Michael E. Smith
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-susahilb-ref377

See/Sea (March - April 2008) Images and Digital Video Recordings of Artist Talks

Collection Creator:
Susanne Hilberry Gallery  Search this
Hilberry, Susanne, 1943-2015  Search this
Extent:
7.86 Gigabytes (38 computer files)
Container:
Folder ER08
Type:
Archival materials
Gigabytes
Date:
2008
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Susanne Hilberry Gallery records, 1964-2017, bulk 1976-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Susanne Hilberry Gallery records
Susanne Hilberry Gallery records / Series 1: Artist Files / Joe Zucker
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-susahilb-ref379

Naúl Ojeda papers

Creator:
Ojeda, Naúl, 1939-2002  Search this
Names:
Bader, Franz, 1903-1994  Search this
Berrutti, Azucena  Search this
Caicedo Garzón, Armando  Search this
Haber, Alicia  Search this
Vila, Ernesto  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Sketchbooks
Video recordings
Date:
circa 1960-2004
circa 2013
Summary:
The papers of Uruguayan born Washington, D.C. painter and printmaker Naúl Ojeda measure 5.9 linear feet and date from circa 1960-2004, and circa 2013. The papers document Ojeda's personal and professional life through biographical materials, correspondence, exhibition and gallery files, professional files, financial material, printed and broadcast materials, scrapbooks, artwork and sketchbooks, and a small amount of photographic material.
Scope and Contents:
The papers of Uruguayan born Washington, D.C. painter and printmaker Naúl Ojeda measure 5.9 linear feet and date from circa 1960-2004, and circa 2013. The papers document Ojeda's personal and professional life through biographical materials, correspondence, exhibition and gallery files, professional files, financial material, printed and broadcast materials, scrapbooks, artwork and sketchbooks, and a small amount of photographic material.

Biographical material includes immigration records, resumes, and a few certifications and credentials. Correspondence is personal and professional, with correspondents including Ojeda's family, and friends, and some general professional correspondents, including Alicia Haber, Moira Bowers, Ernesto Vila, Eduardo Galeano, Enrique Gomez, Armando Caicedo Garzón, Walter Jesus Gonzalez, Azucena Berrutti, and others.

Exhibition and gallery files document Ojeda's relationship with galleries, museums, and civic and cultural organizations, and include records of specific exhibitions as well as general documentation related to sales and commissions of his artwork. They include records of the exhibition In Honor of Franz Bader (1995), with a related video recording. Professional files document other activities including Ojeda's involvement with community organizations, art contests that he entered, work he was commissioned to do for businesses and organizations, and permissions for use of his work for a variety of publications, events, and media outlets. Financial records include a small but detailed number of records of sales with sales books, price lists and receipts.

Printed and broadcast materials provide a fairly comprehensive overview of Ojeda's career from the 1960s on, with announcements and catalogs for multiple exhibitions, news clippings from foreign and domestic newspapers, and posters, flyers, and other publications with illustrations by Ojeda. Three broadcast video recordings about his work and exhibitions can also be found here. This material is supplemented by two scrapbooks documenting Ojeda's exhibitions and news items about his career, from the 1960s to early 1980s.

The collection contains a substantial amount of artwork, including drawings, sketches, poster mockups, prints including woodcut proofs, and sixteen sketchbooks for various projects.

A small amount of photographic material includes three photos of a 1968 exhibition in Uruguay, photocopies of photos of a family group, and negatives including images of Ojeda in the studio.
Arrangement:
The bulk of Ojeda's papers initially combined Ojeda's records of his professional activities, including records of exhibitions and gallery transactions, and financial records in a single alphabetical file. To facilitate access this arrangement has been refined further into three smaller series (Series 3-5).

Series 1: Biographical Materials, 1963-1997 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1960s-2002 (Box 1, OV 9; 0.8 linear feet)

Series 3: Exhibition and Gallery Files, 1966-2004 (Boxes 1-2, 6; 0.9 linear feet)

Series 4: Professional Files, 1979-2002 (Boxes 2-3, 6; 0.65 linear feet)

Series 5: Financial Records, circa 1970-2004, circa 2013 (Box 3; 0.25 linear feet)

Series 6: Printed and Broadcast Materials, 1962-2003 (Boxes 3-4, 6-7, OV 10; 1.1 linear feet)

Series 7: Scrapbooks, 1961-1981 (Box 7; 0.2 linear feet)

Series 8: Artwork, circa 1960-circa 2000 (Boxes 4, 8, OVs 9, 11-14; 1.0 linear feet)

Series 9: Sketchbooks, circa 1967-2001 (Boxes 4-5, 8; 0.5 linear feet)

Series 10: Photographic Material, 1968-circa 2000 (Box 5; 0.3 linear feet)
Biographical / Historical:
Naúl Ojeda (1939-2002) was a painter and printmaker in Washington, D.C.

Ojeda was born in Uruguay and studied fine arts at the University of Uruguay. The political climate of Uruguay in the 1970s led Ojeda to leave the country. He traveled to France, Chile, and Mexico before settling in Washington, D.C. While in Chile, Ojeda covered the presidency of Salvador Allende as a photojournalist. He selected fifty of the photographs of that period for his exhibition Homage to the People of Chile at the Galeria Inti Centro de Arte in Washington, D.C.

Ojeda was best known for his woodblock prints and linocuts, which he printed by hand in small editions, usually of no more than twenty-five prints. He also had some success with decorated furniture, both pieces he designed and painted, and pieces he decorated. Although his images appear whimsical, they often express themes of separation from his homeland and family. His work has been shown in numerous exhibitions throughout the United States as well as in Europe and South America including Immigrant Artists/American Experience (1985-1987) and an exhibition in 1995 honoring Franz Bader, the owner of the Franz Bader Gallery in Washington, D.C. Bader and Ojeda bonded over their shared immigrant experiences. Bader represented Ojeda for nearly 20 years and frequently held exhibitions of Ojeda's work at his gallery.

Ojeda's work is represented in private collections as well as the collections of the Smithsonian American Art Museum and the Art Museum of the Americas, in Washington, D.C., the Museum of Modern Art in New York, and the National Hispanic Cultural Center in Albuquerque, New Mexico. Ojeda also produced illustrations for The Washington Post Book World, Washington Review, Curbstone Press, and the Institute for Policy Studies among others.

During his career Ojeda received several awards, including the 2001 Distinguished Immigrant Award from the American Immigration Law Foundation. He was also the recipient of several grants from the D.C. Commission of the Arts and Humanities, including grants to illustrate the poems of Pablo Neruda and Federico Garcia Lorca.

Ojeda died in 2002 in Washington, D.C.
Provenance:
The Naúl Ojeda papers were donated in 2016 by Philomena "Pennie" Ojeda.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Printmakers -- Washington (D.C.)  Search this
Topic:
Latino and Latin American artists  Search this
Genre/Form:
Drawings
Scrapbooks
Sketchbooks
Video recordings
Citation:
Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ojednaul
See more items in:
Naúl Ojeda papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ojednaul
Online Media:

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