Search Results

Extent:

44 Photographic prints (albumen)

Culture:

Kaqchikel Maya (Cakchiquel)  Search this

Tz'utuhil Maya (Tzutuhil/Zutigil)  Search this

Pipil  Search this

K'iche' Maya (Quiché)  Search this

Type:

Collection descriptions

Archival materials

Photographic prints

Place:

Guatemala

Date:

Circa 1860-1880

Summary:

The Emilio Herbruger Photographs consist mostly of full length portraits of Mayan people in Guatemala. The photos depict adults and children, sometimes demonstrating a domestic task, or wearing garments indicating leadership status or for special occasions.

Scope and Contents:

The Emilio Herbruger Photographs consists of 44 carte de visite photographs taken in Guatemala of Mayan peoples, prinicpally from the Kaqchikel, Quiché, and Tz'utujil ethnic communities. Many of the prints are hand labeled with a description of the ethnicity and place of origin of the person(s) photographed. It is not known if Herbruger traveled to take the photographs, nor if he provided any part of the regalia or objects depicted in them.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Arrangement:

The materials are arranged in alphabetical order, first by the name of the ethnic and linguistic community of the person(s) photographed, then by town of origin, when indicated. It is not known whether the location reference refers to the location the photo was taken, or the origin of the subject of the photo. Prints lacking specification are located at the end.

Biographical / Historical:

Emilio ("Emil") Herbruger, Sr. was born in Rheda-Wiedenbruck, Germany in 1808 and died in New Jersey in 1894. Principally a daguerreotypist, ambrotypist, and photographer, he was also a composer, musician, and pharmaceutical agent. After immigrating to New Jersey as a young man, he lived and worked in several Latin American countries beginning in the 1840s. These include Cuba, Mexico, Guatemala, Colombia, Honduras, and Panama. He is considered the first commercial photographer in Guatemala, where he established a gallery in Guatemala City around 1846. His photographs often depict local people, nature, and city scenes. He worked on occasion with his sons, Florencio C. Herbruger and Emilio Herbruger, Jr., also known as Emilio Herbruger Rietbrok. Additionally, the noted Guatemalan photographer Alberto Valdeavellano studied with the Herbrugers in Antigua, Guatemala.

Sources Consulted

Cruz, Keneth. "Día Mundial de la fotografía: ¿Por qué se celebra el 19 de agosto?" Prensa Libre. 19 August 2019. https://www.prensalibre.com/vida/escenario/dia-mundial-de-la-fotografia-por-que-se-celebra-el-19-de-agosto/

Garzon Díaz, Valia. "Panamá a través de la lente de Emil Herbruger Wheling (1808-1894),"Mesoamérica 45 (Enero-Diciembre 2003), Pp. 85-99.

Palmquist, Peter, and Thomas Kailbourn. "Herbruger, Emil, Sr.," Pioneer photographers of the far west: A biographical dictionary, 1840-1865, 295-296. Stanford UP, 2000.

Chronology

1808 April 24 -- Born in Rheda-Wiedenbruck, Germany

1834 -- Emigrated to U.S. Participated in exhibition in Louisville, Kentucky

1840 -- Travelled through Cuba, Mexico, and Central America

1846 -- Established a gallery in Guatemala City, Guatemala

1849-1951 -- Lived in Colombia

1852-1857 -- Traveled in Peru and Brazil

1861 -- Opened Emilio Herbruger e Hijos in Panama City, Panama

1866 -- Opened gallery in Guatemala City, Guatemala

1868 -- Displayed at exhibition sponsored by Sociedad Económica Published polka composition "La Unión"

1868-1870 -- Worked and traveled through Honduras

1871 -- Established Fotografía Imperial gallery in Guatemala City, Guatemala

1870s -- Operated gallery with son Emilio Herbruger, Jr. in Panama City, Panama

1894 -- Died in Egg Harbor, New Jersey

Related Materials:

Information about the articles of clothing worn by the subjects of these photos is avaiable in the NAA vertical file.

Photographs by Emilio Herbruger are also held by the Centro de Investigaciones Regionales de Mesoamérica in the Fototeca Guatemala, and the Archivo Fotográfico of the Bilbioteca Pública Piloto in Colombia. Sheet music by Emil Herbruger is held by the Library of Congress.

Provenance:

There is currently no information available regarding the provenance of this collection.

Restrictions:

The Emilio Herbruger Photographs are open for research.

Access to Emilio Herbruger Photographs requires an appointment.

Rights:

Contact the repository for terms of use.

Identifier:

NAA.PhotoLot.175

See more items in:

Emilio Herbruger Photographs

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw338eeb1ca-9db0-4d31-853c-a26ea6b468f6

EDAN-URL:

ead_collection:sova-naa-photolot-175

Creator:

City Of Cleveland  Search this

Wade Park  Search this

Wade, Jeptha Homer, III  Search this

Olmsted, Frederick Law, Jr., 1870-1957  Search this

Beach, Al  Search this

Sculptor:

Jirouch, Frank  Search this

Fiero, Emilie  Search this

Hoffman, Malvina, 1887-1966  Search this

Landscape architect:

Olmsted Brothers  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slide (col., 35 mm.)

Type:

Archival materials

Slides

Place:

Ohio -- Cleveland

United States of America -- Ohio -- Cuyahoga County -- Cleveland

Date:

1930.

General:

See original in the Louise Klein Miller's Collection, Garden Center vertical file.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Signs and signboards  Search this

Plaques  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item OH097004

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Ohio / OH097: Cleveland -- Cleveland Museum of Art

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb612c775c1-6c2c-4c55-90b0-d6a7ca0f55ad

EDAN-URL:

ead_component:sova-aag-gca-ref15943

Creator:

Brill, Fred R.  Search this

Floyd, Preston St. George  Search this

Architect:

Seaver, Hugh  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slide (col.)

Type:

Archival materials

Slides

Place:

Ohio -- Cleveland

United States of America -- Ohio -- Cuyahoga County -- Cleveland

Date:

1939

General:

Garden Center vertical file.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Cottages  Search this

Trees  Search this

Lawns  Search this

Flower beds  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item OH105008

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Ohio / OH105: Cleveland -- Untitled Garden

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb60d68d2aa-f4c4-4f1f-9c70-8d1f699d18ba

EDAN-URL:

ead_component:sova-aag-gca-ref15983

Creator:

Brill, Fred R.  Search this

Floyd, Preston St. George  Search this

Architect:

Seaver, Hugh  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Slide (col.)

Type:

Archival materials

Slides

Place:

Ohio -- Cleveland

United States of America -- Ohio -- Cuyahoga County -- Cleveland

Date:

1930

General:

Garden Center vertical file.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Jars -- ornamental  Search this

Stairs  Search this

Terraces (land forms)  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item OH105009

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Ohio / OH105: Cleveland -- Untitled Garden

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb622aaba7e-000a-4934-a280-7a85958e3148

EDAN-URL:

ead_component:sova-aag-gca-ref15984

Collector:

Warshaw, Isadore, 1900-1969  Search this

Names:

Gilmore, P. S. (Patrick Sarsfield), 1829-1892  Search this

Sousa, John Philip, 1854-1932  Search this

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Extent:

1 Item (box)

Type:

Archival materials

Postcards

Programs

Cartoons (humorous images)

Place:

Coney Island (N.Y.) -- Business ephemera

New York (N.Y.) -- Coney Island -- Business ephemera

Date:

ca. 1870-1920

Scope and Contents:

Postcards, guidebooks, brochures, and advertising ephemera on Coney Island as a tourist attraction and recreational area. Includes hotel advertisements, programs for concerts by Patrick Gilmore and John Philip Sousa, railroad timetables, souvenirs, humorous cartoons about swimming, etc.

Series Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Amusement parks -- Business ephemera  Search this

advertising -- Business ephemera  Search this

Railroads -- Timetables  Search this

Swimming -- Cartoons  Search this

Concerts -- Programs  Search this

Musicians -- advertising  Search this

Genre/Form:

Postcards

Programs -- Concerts

Cartoons (humorous images) -- 1940-1980

Series Citation:

Warshaw Collection of Business Americana Geographical Categories: New York, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana Geographical Categories: New York

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep83d4a21ab-e7b7-4e70-abbe-c6d55c62c2f7

EDAN-URL:

ead_component:sova-nmah-ac-0060-s01-02-newyork-ref607

Compiler:

Weller, Eleanor  Search this

Names:

Garden Club of America  Search this

Extent:

36 Cubic feet

Type:

Collection descriptions

Archival materials

Publications

Notes

Clippings

Correspondence

Date:

circa 1978-2006

bulk 1981-1991

Summary:

The Eleanor Weller Collection dates from circa 1978-2006 and consists of photographic images and research files relating to The Garden Club of America's Slide Library of Notable American Parks and Gardens (later donated to the Smithsonian Institution as The Garden Club of America Collection) and the book, The Golden Age of American Gardens: Proud Owners, Private Estates, 1890-1940, co-written by Weller and Mac Griswold, as well as thousands of photographic images of historic and contemporary gardens compiled or taken by Weller. Materials include correspondence, research notes, clippings, brochures, lecture scripts, photocopied images from archival repositories, and original and duplicate 35mm slides.

Scope and Contents note:

The core of the collection consists of thousands of 35mm slide images photographed or amassed by Eleanor Weller. The latter come from numerous sources including books, magazines and archival repositories. The images document thousands of private gardens and public spaces (including parks, historic sites, and sculpture gardens) throughout the United States. Duplicates of a significant number of images from the Eleanor Weller Collection can be found in The Garden Club of America Collection at the Archives of American Gardens. There is also a smaller grouping of photographs of gardens taken by Weller. Complementing this collection of images are numerous vertical files with magazine and newspaper clippings and brochures, etc. relating to hundreds of public and private gardens in America. A significant number of the files relate to gardens profiled in the book co-authored by Weller, The Golden Age of American Gardens: Proud Owners, Private Estates, 1890-1940. The collection also includes correspondence regarding the recompilation of The Garden Club of America's collection of historic glass lantern slides as well as correspondence and research materials relating to the compilation of 35mm slides for the GCA's Slide Library of Notable American Parks and Gardens from both public and private sources.

Another portion of the collection documents the research and image compilation for The Golden Age of American Gardens manuscript. While similar in nature to the research materials relating to the GCA Slide Library, the portion of the collection encompassing the book's preparation represents a change in focus from collecting a representative sampling of 35mm slides for gardens throughout the U.S. to gathering specific high quality images intended for The Golden Age of American Gardens. This portion of the collection also contains a nearly complete draft of the manuscript as well as drafts of the footnotes and appendix. Because of the similar nature of the GCA Slide Library and The Golden Age of American Gardens book projects and the fact that they overlapped for a time, the files frequently intertwine closely. Some files identified with one project may include documents for the other project and visa versa. An example of this is seen in The Golden Age of American Gardens' Image Reference Files arranged according to Archival Repository. The files include packets from archival repositories throughout the U.S. with photocopies of select images in their collections. These images were used to facilitate both the selection of images for The Golden Age of American Gardens book project and the GCA Slide Library, and are occasionally annotated. In some cases, a review of both series may be necessary to ensure that relevant files are not overlooked.

Other noteworthy aspects of this collection are materials that deal with the origins and operations of the Smithsonian's Archives of American Gardens, including correspondence regarding one of its future collections, The Chimneys Collection. Also present are several slide scripts corresponding with the GCA's historic glass lantern slide collection, as well as materials in the GCA Slide Library (now The Garden Club of America Collection).

It should be noted that while the creator of this collection is Eleanor Weller, significant portions of the files relating to the GCA Slide Library and The Golden Age of American Gardens were compiled by Helen Rollins in her position as research assistant for The Golden Age book project. It is possible that Rollins also helped compile the files in The Golden Age of American Gardens' Image Reference Files arranged by state.

Lastly, the collection includes contemporary color photographs of historic sites and gardens taken by Richard Marchand. Weller had previously worked with Marchand, the donor of the Richard Marchand Historical Postcard Collection at the Archives of American Gardens, to compile historic garden images for the GCA Slide Library.

Biographical/Historical note:

Eleanor Weller Reade is a horticulturist, garden lecturer, interior designer, and co-author of the book The Golden Age of American Gardens: Proud Owners, Private Estates, 1890-1940. As a member of The Garden Club of America, she played a ciritical role in the compilation of the GCA's Slide Library of Notable American Parks and Gardens which was subsequently donated to the Archives of American Gardens as The Garden Club of America Collection.

Provenance:

Donated by Eleanor Weller Reade to the Archives of American Gardens in 2006, 2009, 2011 and 2012.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- History  Search this

Gardens -- United States  Search this

Parks -- United States  Search this

Genre/Form:

Publications

Notes

Clippings

Correspondence

Citation:

Smithsonian Institution, Archives of American Gardens, Eleanor Weller Reade collection.

Identifier:

AAG.ECW

See more items in:

Eleanor Weller collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb625937a95-310e-4e98-8a04-45d544ecdd7b

EDAN-URL:

ead_collection:sova-aag-ecw

Creator:

Warshaw, Isadore, 1900-1969  Search this

Extent:

12.49 Cubic feet (consisting of 24 boxes, 2 half boxes, 4 folder, 18 oversize folders, 3 flat boxes (partial), plus digital images of some collection material.)

Type:

Collection descriptions

Archival materials

Business ephemera

Ephemera

Date:

circa 1860-1967

Summary:

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Automobile Industry forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Scope and Contents note:

This material dates from the late nineteenth and early twentith century and consists primarily of catalogues, scattered correspondence on letterhead stationery, printed advertisements (particularly from Town and Country), instruction manuals, periodicals, newspaper clippings, handbooks, pamphlets, company histories, photographs, caricatures, road maps, tour guides, tickets, membership cards, and articles and books--mostly from manufacturers and dealers of automobiles. A large amount of the material is from pioneer manufacturers including Ford., Reo, Duryea, Packard, Auburn, Studebaker, Hupmobile, Franklin, Cadillac, Chevrolet, Oldsmobiles, and Buick.

There is a substantial amount of material from manufacturers and dealers of parts and accessories for automobiles which include horns, tires, windshield wipers, paints, autometers, springs, automobile tops, telephones, chains, clocks, heaters, transmissions ' carburetors, engines, spark plugs, anti-freeze, license plates and gasoline. Samples of permits, operator's licenses, titles, registrations and traffic rules and regulations are also documented. Companies that provide services such as car rentals, garages and maintenance of automobiles are also included. There are a number of images of automobiles, including photographs and illustrations in catalogues which document the developement of automobiles. Images include: Andrew Carnegie, J. Pierpont Morgan, John Jay Gould, John Jacob Astor, the Vanderbilts and their cars.

Series 1: Manufacturers and Dealers of AutomobilesandSeries 2: Manufacturers and Dealers of Automotive Parts and Accessoriesare arranged alphabetically by name of company.Series 4: Related Publicationscontains periodicals which relate directly to the automobile industry and are arranged alphabetically by name of publication. The images inSeries 5: General Worksare arranged by type (i.e. photographs, caricatures). This series also includes applications for operators' licenses and permits, titles for automobiles, registrations, traffic legislation, traffic rules and regulations, patents, information from insurance, car rental, taxi service, and limousine service companies, schools, various clubs and associations, museums, and shows. The general materials are arranged by type and clubs and associations are organized alphabetically by name.

Series 4: Related Publications, ca. 1896-1950, contains publications including pamphlets, reports, books and periodicals of general interest. Articles from Town and Country are numerous, and other magazines are represented. The articles cover a variety of topics including automobile racing (1906), the development of the automobile (1903), women as motorists (1906), types of imported automobiles (1907), legal rights of automobilists (1904), automobiling as a sport (1926), insuring automobilists (1907), building motor parkways (1908), closed automobiles for winter traveling (1909), winter coats for motoring (1904) and taxi cabs replacing the hansom (1907). The articles are arranged alphabetically by name of magazine and then chronologically by date. Business cards, blotters, trip passes, fabric samples, stock cuts, newspaper clippings, abstracts of papers, reports, guide books, miscellaneous correspondence and pamphlets are also well documented. Handbooks, manuals and books covering mostly the history of the automobile but also maintenance and tour guides and maps are arranged alphabetically by location.

Scope and Content Note on Oversized Material:

The oversize materials primarily consist of printed advertisements and other promotional materials, including in-house publications, brochures, and catalogs for automobile manufacturers and dealers. Some material was created by dealers of automobile parts and accessories, including motor clothing. Several general images of automobiles, articles, and printed ads for automobile publications are also available as well as some correspondence and periodicals related to automobile clubs and correspondence associations. Materials are arranged alphabetically by company or by publication and follow the same order of the vertical file materials.

Arrangement note:

The collection is divided into five series:

Series 1, Manufacturers and Dealers of Automobiles

Series 2, Manufacturers and Dealers of Automotive Parts and Accessories

Series 3, Miscellaneous Materials, undated

Series 4, Related Publications, circa 1896-1950;

Series 5, General Works, circa 1680-1965.

Brand name index:

The following is a list of the brand or trade names for various automobiles. The names that appear in this list are a compilation of those found on materials in the vertical document boxes.!It is not a complete list of all the names for automobiles. The list is intended to assist researchers locate desired materials when only the brand name is known. The names of automobiles are arranged in alphabetical order. The following information is included for each product when available: (1) the brand name and (2) the manufacturer.

Missing Title

Brand Name -- Manufacturer

33 -- Hudson Motor Car Company

Airflows -- Chrysler Corporation

Alco -- American Locomotive Automobile Company

Ambassador -- Nash Motor Company

Auto Meter -- Warner Instrument Company

? -- Beacon-Little Paul Rubber Company

Berliet -- American Locomotive Company

Chadwick -- Fairmount Engineering Works

Chau Phone -- Western Electric Company

Columbian -- Electric Vehicle Company

Commer -- Wyokoff, Church & Partridge

Continental-Mark IV -- Ford Motor Company

Cord -- Auburn Auto Company

DKW -- Mercedes Benz

DeSoto -- Chrysler Corporation

Detroit -- Anderson Electric Car Company

Electrette -- Lansden Company

Elk-Hart -- Crow Motor Company

Emco -- Emery Manufacturing Company

Essex -- Hudson Motor Company

Everitt 30 -- Metzger Motor Car Company

Fairlane -- Ford Motor Company

Falcon -- Ford Motor Company

Flurd Drive -- Chrysler Corporation

Galaxie -- Ford Motor Company

Golden Airflyte -- Nash Motors

Hupmobile -- Hupp Motor Car Company

Jeep -- Will-Overland Company

Jenny -- Homestead Value Manufacturing

Jericho -- Randall-Faichney & Company

La Salle -- Cadillac Motor Company

Lambert -- Buckeye Manufacturing Company

Lancia -- Adama-Lancia Company

Lancia -- Hol-Tan Company

Leak Proof -- McQuay-Norris Manufacturing Company

Leavitt -- ?

Lincoln -- Ford Motor Company!Unras Specialty Co.

Little Six -- Locomobile Company

Mack -- International Motor Company

Menominee -- D.F. Poyer Company

Meritasstandard -- Textile Products Company

Model F -- Ford Motor Company

Model K -- Ford Motor Company

Model N -- Ford Motor Company

Model S -- Ford Motor Company

Neverout -- Rose Manufacturing

New Yorker -- Chrysler Corporation

Old Sol -- James Bailey Company

Orient -- Walth Company

Overland -- Willys-Overland Company

Plymouth -- Chrysler Corporation

Pungs-Finch -- Sintz Gas Engine Company

Queen -- C.H. Blomstrom Cars

Rambler -- Nash Motors

Rambler -- S. Thomas B. Jeffrey

Rockne -- Studebaker

Royal -- Chrysler Corporation

S.G.V -- Gotham Motor Company

Schluter -- E.F. Elmberg Company

Silent Six -- Matheson Auto Company

Snow Bird -- Arps Corporation

Snow Bird -- F.S. Manufacturing Company

Speed-Wagons -- Reo Motor Car Company

Stepney -- Spare Motor Wheel Company

Stewart -- Stewart-Warner Speedometer Company

Terraplane -- Hudson Motor Company

The Marmon -- Nordyke & Mormon Company

Thuderbird -- Ford Motor Company

Truffault-Hartford -- Hartford Suspension Company

Twenty-Two -- Metz Company

V Belt -- Graton & Knight Manufacturing

Valiant -- Chrysler Corporation

Victor -- Overman Auto Company

Waverley -- Indian Bicycle Company

Whiz -- Hollingshead, R.M. Company

Windsor -- Chrysler Corporation

Yale -- Kirk Manufacturing Company

Materials in the Archives Center:

Archives Center Collection of Business Americana (AC0404)

Forms Part Of:

Forms part of the Warshaw Collection of Business Americana.

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material

Provenance:

Automobile Industry is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.

Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Genre/Form:

Business ephemera

Ephemera

Citation:

Warshaw Collection of Business Americana Subject Categories: Automobile Industry, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

Identifier:

NMAH.AC.0060.S01.01.Automobile

See more items in:

Warshaw Collection of Business Americana Subject Categories: Automobile Industry

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8788b27bd-d807-4733-94ed-e55c246b34c9

EDAN-URL:

ead_collection:sova-nmah-ac-0060-s01-01-automobile

Creator:

Harmon Foundation  Search this

Extent:

1 Microfilm reel (51 items on partial microfilm reel)

Type:

Collection descriptions

Archival materials

Microfilm reels

Date:

1928-1963

Scope and Contents:

This microfilm collection of Harmon Foundation printed material contains exhibition catalogs, clippings, reproductions of paintings, articles, and miscellaneous printed items pertaining to African American artists

Biographical / Historical:

The Harmon Foundation (established 1922) was created by William E. Harmon and funded playgrounds, nursing programs, and vocational guidance for students. In 1925 the foundation began presenting awards to African American individuals in numerous fields, including art. In addition to presenting awards, the Harmon Foundation organized exhibitions for Black artists to gain further recognition for their artwork.

Related Materials:

The Library of Congress Manuscript Division holds the Harmon Foundation, Inc., Records.; audio-visual materials at the National Archives.

Provenance:

Transferred to the Smithsonian American Art Museum Library vertical files after microfilming.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Topic:

African American artists  Search this

Function:

Foundations (Organizations)

Identifier:

AAA.harmfoun

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw996b5bcef-68b6-464e-b1b4-2bba5d48c669

EDAN-URL:

ead_collection:sova-aaa-harmfoun

Creator:

Curtis, Edward S., 1868-1952  Search this

Woodruff, Charles Albert, 1845-1920  Search this

Correspondent:

Leupp, Francis E. (Francis Ellington), 1849-1918  Search this

Names:

Curley  Search this

Custer, George Armstrong, 1839-1876  Search this

Reno, Marcus A. (Marcus Albert), 1835-1889  Search this

Two Moon, 1847-1917  Search this

White Man Runs Him, approximately 1855-1925  Search this

Extent:

25 Items (2.5 inches (1 document box)

Culture:

Apsáalooke (Crow/Absaroke)  Search this

Sioux  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Indians of North America -- Great Plains  Search this

Type:

Collection descriptions

Archival materials

Manuscripts

Place:

Little Bighorn Battlefield (Mont.)

Date:

bulk 1905, 1907-1908

Scope and Contents:

This collection contains materials relating to Edward S. Curtis' 1907-1908 investigation into the Battle of Little Bighorn. The collection contains Curtis' notes; transcriptions of eyewitness accounts of Crow scouts Curley (as told to Chas. F. Roe, published in Army & Navy Journal, March 10, 1982) and White Man Runs Him and Cheyenne chief Two Moons; and letters from General Charles A. Woodruff, who was assigned by the U.S. Army to corroborate Curtis's findings in 1908. Also includes a 1905 letter from Francis E. Leupp, Comissioner of Indian Affairs, to Curtis

Biographical / Historical:

Edward Sheriff Curtis (1868-1952) was a photographer, known for his images of Native Americans and of the American West. In preparation for his volume on the Sioux for his 20 volume publication, The North American Indian, he investigated the details of the Battle of Little Bighorn, also known as Custer's Last Stand (June 25, 1876). He first visited the battleground in 1905 and interviewed many of the Sioux participants. He returned in 1907, and with the help of three Crow scouts who were with George Armstrong Custer that day, Curtis retraced Custer's steps on his final day. Curtis submitted a report to President Theodore Roosevelt and army officials, and upon their request, chose not to publish his findings out of deference to Custer's widow, who was alive at the time. Shortly before his death in 1952, Curtis passed on his manuscript to his son Harold with the request that he find a home for his papers. Thirty-six year later, shortly before his own death, Harold donated his father's manuscript to the National Museum of American History. Curtis' manuscript was later transferred to the National Anthropological Archives.

Local Numbers:

NAA MS 2000-18

Local Note:

See NAA vertical file under "Curtis, Edward S." for more information.

Topic:

Little Bighorn, Battle of the, Mont., 1876  Search this

Genre/Form:

Manuscripts

Citation:

Manuscript 2000-18, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS2000-18

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw32d9d3a4d-36de-425d-be35-8c50cbc5eb83

EDAN-URL:

ead_collection:sova-naa-ms2000-18

Collection Creator:

Thomas, Alma  Search this

Container:

Box 2, Folder 35

Type:

Archival materials

Date:

1981-1983

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Alma Thomas papers, circa 1894-2001. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of the Alma Thomas paper is provided by The Walton Family Foundation and The Friends of Alma Thomas

See more items in:

Alma Thomas papers

Alma Thomas papers / Series 3: Notes and Writings / 3.3: By Others

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a7d7b114-9ac9-400a-ae97-de57b2f519c5

EDAN-URL:

ead_component:sova-aaa-thomalma-ref791

Creator:

Smithsonian Institution. Traveling Exhibition Service  Search this

Smithsonian Institution. Anacostia Community Museum  Search this

Names:

Anacostia Community Museum  Search this

Anacostia Neighborhood Museum  Search this

Extent:

7.92 Linear feet (3 boxes)

Type:

Collection descriptions

Archival materials

Brochures

Correspondence

Exhibit scripts

Exhibition records

Photographic prints

Date:

1976-02 - 1976-12

Summary:

An exhibition on two-hundred years of achievements by black women. The show was created and circulated by the Smithsonian Institution Traveling Exhibition Service. It was exhibited at the Anacostia Museum from February 1976 to December 1976. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, and floor plans.

Related Archival Materials note:

Catherine Burt vertical file on black women in the Anacostia Community Museum Archives.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Topic:

African American women -- History  Search this

Museum exhibits  Search this

Traveling exhibitions  Search this

Genre/Form:

Brochures

Correspondence

Exhibit scripts

Exhibition records -- 1967-1989

Photographic prints

Citation:

Black women: achievements against the odds exhibition records, Anacostia Community Museum Archives, Smithsonian Institution

Identifier:

ACMA.03-028

See more items in:

Black women: achievements against the odds exhibition records

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7218a5ae1-d862-4b0f-b24b-3b223c356eee

EDAN-URL:

ead_collection:sova-acma-03-028

Creator:

Freeman, Ethel Cutler, 1886-1972  Search this

Names:

American Museum of Natural History  Search this

United States. Bureau of Indian Affairs  Search this

Extent:

61.03 Linear feet (114 boxes)

Culture:

Seminole  Search this

Maasai (African people)  Search this

Culture  Search this

Type:

Collection descriptions

Archival materials

Place:

Florida

Date:

1934-1972

Summary:

Ethel Cutler Freeman was an amateur Seminole specialist and research associate with the American Museum of Natural History. Her papers also reflect field work among the Arapaho, Shoshoni, Navaho, Pueblo, Hopi, Kickapoo, and people of the Virgin Islands, the Bahama Islands, and Haiti, and the music and chants of Africa, including those of the Maasai, Zulu, and Pygmies. A small amount of material relates to the Hoover Commission on Indian Affairs, of which Freeman was a member. Correspondents include several Seminole Indians and government officials, personal acquaintances, organizations, and associates of the American Museum of Natural History.

Scope and Contents:

These papers reflect the anthropological interests of Ethel Cutler Freeman. The papers in this collection include her notes and diaries, published articles, unfinished manuscripts, and source materials. The bulk of the collection is material relating to the Seminole Indians of Florida.

Mrs. Freeman also made several trips to the Southwest and Mexico to study such tribes as the Arapaho, Shoshone, Navajo, Pueblo, and Hopi. There is substantial information from these studies included in this collection. She also made less extensive studies of various other cultures in the Virgin Islands, the Bahamas, and Haiti. In 1950, she studied tribal music and chants of several African tribes and the material from these studies forms the major portion of Series 7.

The collection also contains several sound recordings made by Freeman and numerous photographs, negatives, and slides. During rehousing, additional materials including index cards and notebooks from field trips were located and incorporated into the collection. A small amount of material relates to the Hoover Commission on Indian Affairs, of which Freeman was a member.

Correspondents include several Seminole Indians and government officials, personal acquaintances, organizations, and associates of the American Museum of Natural History as well as Dean Amadon, Richard Archbold, Conrad M. Arensberg, Dana W. Atchley, Jacques Barzun, Ruth Benedict, Leonard J. Brass, Louis Capron, Frances Densmore, Margery S. Douglas, John W. Griffin, A.J. Hanna, Ronald F. Lee, Margaret Mead, Robert Cushman Murphy, Kenneth W. Porter, Harry L. Shapiro, Howard Sharp, Frank Speck, Charlton W. Tebean, and Clark Wissler.

Although the majority of the collection spans the years 1934 to 1972, there are some items with dates that fall outside of this range. Some published materials are dated as early as 1822 and one note is dated 1975 and was added to the collection after Freeman's death in 1972. The folders containing these items have been dated accordingly, but these outlier dates have not affected the dates of the sub-series or series.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Arrangement:

The collection is arranged into 15 series: (1) Biographical information and miscellaneous personal papers, 1939-1971; (2) Correspondence, 1936-1972; (3) Manuscripts, 1936-1971; (4) Source Material, 1934-1970; (5) Seminole Indians, 1934-1972; (6) North American Indians, 1936-1971; (7) Cultures other than North American Indian, 1943-1970; (8) Meetings, 1956-1968; (9) Printed materials, 1936-1972; (10) Pamphlets, 1935-1970; (11) Population and Material Culture, 1939, 1951-1963; (12) Sound recordings, 1940-1958, 1969-1970; (13) Lists of Photographs, 1939-1970; (14) Photographs, 1936-1971; (15) Index Cards, undated

Biographical Note:

Ethel Cutler Freeman was born in 1886 in Morristown, New Jersey. Freeman was the daughter of a prosperous family, which gave her the opportunity to study abroad in England at Mademoiselle Marie Souvestre's Academy for girls. After studying in England, Freeman returned to the United States and was married to Leon S. Freeman, a New York broker, in 1909.

By 1934, Freeman had become bored with the typical social activities available to her; while discussing the matter with a friend, Marcellus Hartley Dodge, she described herself as having a "brain full of cobwebs." Dodge, a former trustee at Columbia University, suggested that Freeman enroll in some courses at Columbia. Acting on Dodge's advice, Freeman started taking graduate courses in psychology and sociology at Columbia University, but soon became fascinated with anthropology. During her studies at Columbia, Freeman spent time in the western United States studying the Arapaho and Shoshone while her husband recuperated from a horse riding accident; it was at this point that she developed a taste for field work and an interest in Native American cultures. After completing her studies, Freeman decided that she wanted to study the Seminole people of Florida, near whom she and her family owned a winter home in Naples.

Back on the East Coast, Freeman met Dr. Clark Wissler, then Curator of the Indian Division of the American Museum of Natural History. Wissler was supportive of Freeman's aspirations to continue her anthropological studies, but balked at her expressed interest in the Seminole, whom at that time had a reputation for not being open to contact with outsiders. Undaunted, Freeman contacted W. Stanley Hansen, the man in charge of Seminole settlement; after repeated correspondence with Hansen convinced him she was no mere hobbyist, he agreed to help her make connections within the Seminole community.

Freeman made two visits to the Big Cypress Reservation for the American Museum of Natural History with a government representative before taking her 14-year-old daughter, Condict, and 12-year-old son, Leon Jr., for an extended stay with a group of Seminoles at the heart of the Everglades in February of 1940. After that first winter stay with the Seminoles, Freeman spent virtually every winter living within their remote communities and studying their culture. Over time, Dr. Wissler became impressed by Freeman's thorough and insightful reports and analysis of her findings among the Seminoles and got the American Museum of Natural History to back her winter field studies. Eventually Freeman's work gained her a reputation for being an expert on Seminole culture, which often placed her in the role of consultant to government agencies on issues dealing with Seminole and broader Native American concerns.

As a result of her long acquaintance with the Seminoles, Freeman also became interested in how different groups of Native Americans and other cultures adapted to changes brought about by contact with modern society. Freeman made several trips to the Southwestern United States and Mexico to study such tribes as the Arapaho, Shoshone, Navajo, Pueblo, Choctaw, and Hopi; she also made less extensive studies of various other cultures in the Virgin Islands, the Bahamas, and Haiti. In 1950, Freeman went to Africa to study tribal music and chants of several tribes. Much later, in 1968, the American Museum of Natural History sent Freeman to Portugal to study local costumes.

In the 1940s, Freeman took part in publishing studies for the Department of Agriculture about the Seminoles and worked as an advocate for the Navajo, who at that time were in tense relations with the United States government over their living conditions. From 1947 to 1957, Freeman worked as a representative for the American Civil Liberties Union on the National Coordinating Committee for Indian Affairs; she also was a member of the Indian Rights Committee for the American Civil Liberties Union from 1946 to 1966. From 1948 to 1950, Freeman served as a member of the Hoover Commission for Reorganization of Government within the Bureau of Indian Affairs.

Throughout her studies in the field and her activities as an advocate for Native American rights, Freeman published her work frequently and gave many talks at a variety of conferences and special events. In 1964, Freeman traveled to Moscow to deliver her paper, "The Correlation between Directed Culture Change and Self Determination," at the 7th International Congress of Anthropological and Ethnological Sciences; she attended the same conference series the following year in Japan to deliver another paper, entitled "Lawlessness in an Indian Tribe as a Microcosm of a World Trend." Freeman continued visiting and studying the Seminoles in Florida late into her career, making her last visit the year before her death.

Ethel Cutler Freeman died on July 14th, 1972.

Sources Consulted

Letter to Mrs. Margaret Blaker, Archivist at the Smithsonian Institution's Anthropological Archives; Washington, D.C. from Ethel Cutler Freeman. Dated April 24, 1972. Located in vertical files, folders on Ethel Cutler Freeman, in the reading room of the National Anthropological Archives.

"Morristown Anthropologist; Mrs. Leon Freeman Likes Seminole Indians." Newark Sunday News, February 16, 1947.

"New Vernon Woman, Indian Authority." The Morris Observer, October 13, 1955.

"She's 'Hooked' On Seminole Indians: Leading Authority On That World." Daily Record, March 6, 1970.

"The Sentinel Visits--Indian Authority Mrs. Leon Freeman: Who Is Now Working To Rescue A Nation." Sunday Sentinel, February 2, 1947.

Chronology

1886 -- Born in Morristown, New Jersey.

1909 -- Married Leon S. Freeman.

1934 -- Began taking graduate courses at Columbia University in philosophy before changing to anthropology.

1936 -- Field work with the Arapaho and Shoshone.

1938 -- Joined American Anthropological Association. First became associated with American Museum of Natural History.

1939-1943 -- Winter field work with Florida Seminoles.

1940-1948 -- Special Field Assistant, American Museum of Natural History.

1943 -- Joined American Ethnological Society.

1944 -- Field work in Mexico searching for a lost tribe of Seminoles; studied the Mascogas, Papagos, and Kickapoo.

1945 -- Field work in New Mexico, studying the Pueblo and Navajo.

1946 -- Joined the Society of Women Geographers. Field work with the Navajo, Papago, and Hopi.

1946-1948 -- Winter field work with Florida Seminoles.

1947 -- Field work with the Navajo, Papago, and Pueblo.

1947-1957 -- Represented the American Civil Liberties Union on the National Coordinating Committee for Indian Affairs.

1947-1966 -- Member Indian Rights Committee, American Civil Liberties Union.

1948 -- Appointed first female trustee of the American Institute of Anthropology. Became Field Associate, American Museum of Natural History.

1948-1950 -- Member Hoover Commission for Reorganization of Government – Bureau of Indian Affairs.

1949 -- Field work in the Bahamas, studying native culture.

1950 -- Field work in Africa, studying the Zulu, Masai, and pygmy peoples.

1951 -- Winter field work with Florida Seminoles.

1952 -- Field work studying native cultures of the Virgin Islands and Haiti.

1953-1955 -- Winter field work with Florida Seminoles.

1955-1957 -- Acting Chairman, American Civil Liberties Union.

1957 -- Field work studying Mexican Seminoles.

1957-1958 -- Winter field work with Florida Seminoles.

1959 -- Attended annual meeting of American Anthropological Association in Mexico City.

1960-1965 -- Winter field work with Florida Seminoles.

1963 -- Field work in Oklahoma, studying Seminoles.

1964 -- Presented paper, "The Correlation between Directed Culture Change and Self Determination" VII International Congress of Anthropological and Ethnological Sciences, Moscow.

1968 -- Studied costumes of Portugal for American Museum of Natural History.

1965 -- Presented paper, "Lawlessness in an Indian Tribe as a Microcosm of a World Trend" VIII International Congress of Anthropological and Ethnological Sciences, Tokyo and Kyoto, Japan.

1970-1971 -- Winter field work with Florida Seminoles.

1972 -- Field work in Portugal and the Azores. Died, July 14.

Selected Bibliography

1942 -- Freeman, Ethel Cutler. "We Live with the Seminoles," Natural History 49, no. 4 (April 1942): 226-236.

1944 -- Freeman, Ethel Cutler. "The Seminole Woman of the Big Cypress and Her Influence in Modern Life," América Indígena 4, no. 2 (April 1944), 123-128.

1960 -- Freeman, Ethel Cutler. "Culture Stability and Change among the Seminoles of Florida." In Men and Cultures: Selected Papers of the Fifth International Congress of Anthropological and Ethnological Sciences, Philadelphia, September 1-9, 1956, edited by Anthony F.C. Wallace, 249-254. Philadelphia: University of Pennsylvania Press, 1960. Freeman, Ethel Cutler. "Directed Culture-Change and Selfdetermination in Superordinate and Subordinate Societies," Proceedings of the 7th International Congress of Anthropological and Ethnological Sciences 4, Moscow (August 1964), 85-90.

1961 -- Freeman, Ethel Cutler. "The Happy Life in the City of Ghosts: An Analysis of a Mikasuki Myth," The Florida Anthropologist 14, nos. 1-2 (March-June 1961), 23-36.

1964 -- Freeman, Ethel Cutler. "Directed Culture-Change and Selfdetermination in Superordinate and Subordinate Societies," Proceedings of the 7th International Congress of Anthropological and Ethnological Sciences 4, Moscow (August 1964), 85-90.

1965 -- Freeman, Ethel Cutler. "Two Types of Cultural Response to External Pressures Among the Florida Seminoles," Anthropological Quarterly 38, no. 2 (April 1965), 55-61.

1968 -- Freeman, Ethel Cutler. "Lawlessness in an Indian Tribe as a Microcosm of a World Trend," Proceedings of the VIIIth International Congress of Anthropological and Ethnological Sciences, 1968, Tokyo and Kyoto (Tokyo: Science Council of Japan, 1968) 191-193.

Related Materials:

Photo lot 62, W. Stanley Hanson photographs of Seminole Indians in Florida, National Anthropological Archives, Smithsonian Institution.

Objects donated by Ethel Cutler Freeman held in Department of Anthropology collections in accession 319549.

The Ah-Tah-Thi-Ki Museum on the Big Cypress Seminole Indian Reservation also holds an Ethel Cutler Freeman collection.

Separated Materials:

Film materials were transfered to the Human Studies Film Archive under the accession numbers HSFA 1986.11.8 (African footage) and HSFA 1986.11.9 (Seminole footage).

Provenance:

The papers of Ethel Cutler Freeman were left to the National Anthropological Archives by the terms of her will. Her son, Leon Freeman, Jr., donated the collection to NAA in August 1972.

Restrictions:

By Ethel Freeman's instructions, the collection was restricted for ten years dating from the receipt and signing of the release forms on October 12, 1972. Literary property rights to the unpublished materials in the collection were donated to the National Anthropological Archives.

Access to the Ethel Cutler Freeman papers requires an appointment.

Seminole recordings cannot be accessed without the permission of the Seminole Tribe.

Rights:

Contact repository for terms of use.

Topic:

Navajo Indians  Search this

Language and languages  Search this

Ethnology  Search this

Anthropology  Search this

Music  Search this

Citation:

Ethel Cutler Freeman papers, National Anthropological Archives, Smithsonian Institution.

Sponsor:

Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.

Identifier:

NAA.XXXX.0166

See more items in:

Ethel Cutler Freeman papers

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3a548e5a0-c124-413d-ade0-345b46f30a72

EDAN-URL:

ead_collection:sova-naa-xxxx-0166

Creator:

Volk, Douglas, 1856-1935  Search this

Citation:

Douglas Volk letter and photograph, 1917-1929. Archives of American Art, Smithsonian Institution.

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6921

(DSI-AAA_SIRISBib)209050

AAA_collcode_volkdoug

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209050

Creator:

Dreskin, Jeanet Steckler, 1921-  Search this

Type:

Video recordings

Citation:

Jeanet Steckler Dreskin papers, 1961-2000. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women arts administrators  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)7598

(DSI-AAA_SIRISBib)209760

AAA_collcode_dresjean

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209760

Creator:

Harmon Foundation  Search this

Citation:

Harmon Foundation printed material, 1928-1963. Archives of American Art, Smithsonian Institution.

Topic:

African American artists  Search this

Theme:

African American  Search this

Patronage  Search this

Record number:

(DSI-AAA_CollID)7657

(DSI-AAA_SIRISBib)209820

AAA_collcode_harmfoun

Theme:

African American

Patronage

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209820

Creator:

Matulka, Jan, 1890-1972  Search this

Citation:

Jan Matulka papers, 1923-1960. Archives of American Art, Smithsonian Institution.

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8055

(DSI-AAA_SIRISBib)210226

AAA_collcode_matujan

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210226

Creator:

Rathbun, Richard, 1852-1918  Search this

Subject:

Johnson, Eastman  Search this

Taft, Lorado  Search this

Dewing, Thomas Wilmer  Search this

Citation:

Richard Rathbun letters, 1906-1910. Archives of American Art, Smithsonian Institution.

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)8354

(DSI-AAA_SIRISBib)210526

AAA_collcode_rathrich

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210526

Creator:

Rattner, Abraham, 1893-1978  Search this

Gentle, Esther, 1900-1992  Search this

Subject:

Kramer, Helen Kroll  Search this

Citation:

Abraham and Esther Rattner letter to Helen Kroll Kramer, undated. Archives of American Art, Smithsonian Institution.

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8380

(DSI-AAA_SIRISBib)210554

AAA_collcode_rattabra2

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210554

Creator:

Bransom, Paul, 1885-1979  Search this

Type:

Sketchbooks

Photographs

Scrapbooks

Illustrated letters

Citation:

Paul Bransom papers, 1862-1985. Archives of American Art, Smithsonian Institution.

Topic:

Greeting cards  Search this

Works of art  Search this

Animals in art  Search this

Painters -- New York (State) -- New York  Search this

Magazine illustration  Search this

Animal painters -- New York (State) -- New York  Search this

Art -- Economic aspects  Search this

Theme:

Sketches & Sketchbooks  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8933

(DSI-AAA_SIRISBib)211119

AAA_collcode_branpaul

Theme:

Sketches & Sketchbooks

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211119

Creator:

Yunkers, Adja, 1900-1983  Search this

Subject:

Bjornstjerna, Mikael  Search this

Olsen, Cheryl  Search this

Grossman, Morton  Search this

Haley, Donna  Search this

Wood, Denis  Search this

Smith Andersen Gallery  Search this

Alice Simsar Gallery  Search this

Impressions Gallery of Photography  Search this

Citation:

Adja Yunkers papers, 1939-1983. Archives of American Art, Smithsonian Institution.

Topic:

Abstract expressionism  Search this

Painting, Abstract -- New York (State) -- New York  Search this

Prints, Abstract -- New York (State) -- New York  Search this

Artists' illustrated books  Search this

Prints -- 20th century  Search this

Theme:

Diaries  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)13445

(DSI-AAA_SIRISBib)211470

AAA_collcode_yunkadja

Theme:

Diaries

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211470