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Wilbur D. Peat correspondence

Creator:
John Herron Art Institute  Search this
Names:
Albinson, Dewey, 1898-1971  Search this
Baylinson, A. S., 1882-1950  Search this
Bell, Wenona Day  Search this
Benton, Thomas Hart, 1889-1975  Search this
Biddle, George, 1885-1973  Search this
Blume, Peter, 1906-1992  Search this
Blumenschein, Ernest Leonard, 1874-1960  Search this
Bohm, C. Curry, 1894-  Search this
Borie, Adolphe, 1877-1934  Search this
Borst, George H., 1889-  Search this
Brackman, Robert, 1898-  Search this
Brecher, Samuel, 1897-  Search this
Brook, Alexander, 1898-1980  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Carian, Varaldo J., 1891-  Search this
Carpenter, E. F., Mrs  Search this
Carroll, John, 1892-1959  Search this
Cikovsky, Nicolai, 1894-  Search this
Cirino, Antonio, 1889-  Search this
Clear, Charles Val, d. 1967?  Search this
Cohen, Max B.  Search this
Curry, John Steuart, 1897-1946  Search this
Davey, Randall, 1887-1964  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Dougherty, Paul, 1877-1947  Search this
Eakins, Susan Macdowell  Search this
Eddy, Henry S. (Henry Stephens), 1878-1944  Search this
Evans, Virginia Bargar  Search this
Fabrick, Anton Piers  Search this
Farnsworth, Jerry, 1895-1982  Search this
Fiene, Ernest, 1894-  Search this
Fitzpatrick, Kelly (John Kelly)  Search this
Folinsbee, John Fulton, 1892-1972  Search this
Gailor, Charlotte  Search this
Garber, Daniel, 1880-  Search this
Gilder, Robert F. (Robert Fletcher), 1856-1940  Search this
Glackens, William J., 1870-1938  Search this
Grabach, John R.  Search this
Greener, Charles T. (Charles Theodore), 1870-1935  Search this
Gruppe, Charles Paul, 1860-1940  Search this
Higgins, Eugene, 1874-1958  Search this
Hofmeier, Miriam McKinnie, 1906-  Search this
Hopper, Edward, 1882-1967  Search this
Hunger, Bernard A.  Search this
Keller, Henry G., 1869-1949  Search this
King, Fanny Mahon, b. 1865  Search this
Klitgaard, Georgina, 1889-1977  Search this
Kroll, Leon, 1884-1974  Search this
Kuehne, Max, 1880-1968  Search this
La Chance, Georges, 1888-  Search this
Lucioni, Luigi, 1900-1988  Search this
Marsh, Reginald, 1898-1954  Search this
Mattson, Henry E. (Henry Elis), 1887-1971  Search this
McFee, Henry Lee, 1886-1953  Search this
Millet, Clarence, 1897-1959  Search this
Moffett, Ross  Search this
Mora, F. Luis (Francis Luis), 1874-1940  Search this
Mulhaupt, Frederick J., 1871-1938  Search this
Myers, Jerome, 1867-1940  Search this
Nayland, Watson  Search this
Newcombe, Warren, b. 1894  Search this
Peat, Wilbur David, 1898-1966  Search this
Peirce, Waldo, 1884-1970  Search this
Perrine, Van Dearing, 1869-1955  Search this
Philipp, Robert, 1895-1981  Search this
Phillips, Marjorie, 1895-1985  Search this
Plaschke, Paul Albert, 1880-1954  Search this
Redfield, Edward Willis, 1869-1965  Search this
Reed, Doel, b. 1894  Search this
Rosen, Charles, 1878-1950  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Rush, Olive, 1873-1966  Search this
Ryder, Chauncey F., 1868-1949  Search this
Savage, Eugene F., b. 1883  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Sewall, Edward  Search this
Seyffert, Leopold  Search this
Sheets, Nan  Search this
Simkhovitch, Simka, 1893-1949  Search this
Singer, Clyde, 1908-  Search this
Smith, Judson, 1880-1962  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Speight, Francis, 1896-1989  Search this
Sterne, Maurice, 1878-1957  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tromka, Abram, 1896-1954  Search this
Verner, Elizabeth O'Neill, 1883-1979  Search this
Warren, Ferdinand E., b. 1899  Search this
Waugh, Frederick Judd, 1861-1940  Search this
Weber, Max, 1881-1961  Search this
Wilcox, Lois, b. 1889  Search this
Wiltz, Arnold, 1889-1937  Search this
Wood, Grant, 1891-1942  Search this
Wrenn, Harold Holmes, 1887-1967  Search this
Extent:
0.2 Linear feet ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1929-1936
Scope and Contents:
Correspondence of director Wilbur D. Peat. Many of the letters are from well-known artists of the 1920s and 1930s relating to their contributions to an exhibition of American paintings which Peat was assembling in 1932-1933. [Microfilm title: The Herron Museum of Art]
Correspondents include: Dewey Albinson, A. S. Baylinson, Wenona Day Bell, Thomas H. Benton, George Biddle, Peter Blume, Ernest Blumenschein, C. Curry Bohm, Adolphe Borie, George H. Borst, Robert Brackman, Samuel Brecher, Alexander Brook, Charles E. Burchfield, Varaldo J. Carian, Mrs. E. F. Carpenter, John Carroll, Nicolai Cikovsky, Antonio Cirino, Charles Val Clear, Max B. Cohen, John S. Curry, Randall Davey, Charles H. Davis, Edwin Dickinson, Paul Dougherty, Susan M. Eakins, Henry S. Eddy, Virginia B. Evans, Jerry Farnsworth, Ernest Fiene, John K. Fitzpatrick, John F. Folinsbee, Anton P. Fabrick, Charlotte Gailor, Daniel Garber, Robert F. Gilder, William J. Glackens, John R. Grabach, Charles T. Greener, Charles P. Gruppe,
Eugene Higgins, Edward Hopper, Bernard A. Hunger, Henry G. Keller, Fanny M. King, Georgina Klitgaard, Leon Kroll, Max Kuehne, Georges La Chance, Luigi Lucioni, Reginald Marsh, Henry E. Mattson, Henry Lee McFee, Miriam McKinnie, Clarence Millet, Ross E. Moffett, Francis Mora, Frederick Mulhaupt, Jerome Myers, Watson Nayland, Warren Newcombe, Waldo Peirce, Van Dearing Perrine, Robert Philipp, Abraham Phillips (Tromka), Majorie Phillips, Paul A. Plaschke, Edward Redfield, Doel Reed, Charles Rosen, Edward B. Rowan, Olive Rush, Chauncey Ryder, Eugene F. Savage, Henry Schnakenberg, Zoltan Sepeshy, Edward Sewall, Leopold Seyffert, Nan Sheets, Simka Simkhovitch, Clyde J. Singer, Judson Smith,
Eugene Speicher, Francis Speight, Maurice Sterne, Alfred Stieglitz (letter written on the back of Peat's letter to Georgia O'Keeffe and written for her), Elizabeth O'Neill Verner, Ferdinand E. Warren, Frederick Judd Waugh, Max Weber, Lois Wilcox, Arnold Wiltz, Grant Wood, and Harold Holmes Wrenn.
Biographical / Historical:
The John Herron Art Institute became the Indianapolis Museum of Art ca. 1969-1970. Peat was director 1929-1965.
Other Title:
Herron Museum of Art [microfilm title, reel D131]
Provenance:
Donated 1962 by the John Herron Museum of Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art, American -- Exhibitions  Search this
Function:
Art museums -- Indiana -- Indianapolis
Identifier:
AAA.johnherr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-johnherr

Doll & Richards gallery records

Creator:
Doll & Richards (Gallery)  Search this
Names:
Azeez Khayat Gallery  Search this
Kleemann Galleries  Search this
Macbeth Gallery  Search this
Museum of Fine Arts, Boston  Search this
Chetcuti, John  Search this
Freiman, Robert  Search this
Goodrich, Lloyd, 1897-1987  Search this
Haseltine, William Stanley, 1835-1900  Search this
Homer, Winslow, 1836-1910  Search this
Lindenmuth, Tod  Search this
Meyerowitz, William, 1887-1981  Search this
Shepler, Dwight, 1905-  Search this
Verner, Elizabeth O'Neill, 1883-1979  Search this
Woodward, Stanley Wingate, 1890-1970  Search this
Wyeth, Andrew, 1917-2009  Search this
Zoehler, Wendell H., 1907-1989  Search this
Extent:
87.5 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Financial records
Date:
1863-1978
bulk 1902-1969
Summary:
The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. Significant correspondents include John Chetcuti, Robert Freiman, Lloyd Goodrich, Tod Lindenmuth, Macbeth Galleries, William Meyerowitz, Museum of Fine Arts Boston, Stanley Woodward, and Andrew Wyeth, among many others.
Scope and Content Note:
The records of the Doll & Richards gallery of Boston measure 87.5 linear feet and date from 1863 to 1978, with the bulk of the material dating from 1902-1960s. Extensive financial and sales records, inventory records, and correspondence and letter books provide a detailed account of the business operations and sales of the gallery. Also found are notes and research files on artists and paintings, business and legal records, exhibition catalogs, six exhibition scrapbooks, printed materials, and photographs. The bulk of the collection dates from 1902 when the gallery was incorporated and new books were begun. According to gallery employee Wendell Zoehler, many records from the 19th century were discarded and periodically, especially when the gallery moved, other records were discarded.

Incoming and outgoing correspondence documents sales, consignments, appraisals, exhibitions, and inquiries by artists and others to Doll & Richards for over a century. Significant correspondents include artists John Chetcuti, Robert Freiman, Tod Lindenmuth, William Meyerowitz, Dwight Shepler, Elizabeth O'Neill Verner, Stanley Woodward, Andrew Wyeth, and others. Additional correspondents include Lloyd Goodrich from Whitney Museum of American Art, Azeez Khayat Gallery, Macbeth Galleries, Kleemann Galleries, and the Museum of Fine Arts in Boston. There is one letter from George Inness (1866). Outgoing correspondence is limited to 46 volumes of letterpress copybooks dating from 1930-1967.

Notes and research files primarily consist of compiled information about artists in which Doll & Richards dealt. These include card files related to the provenance of paintings by Winslow Homer and William Stanley Haseltine, and a book about Winslow Homer with notations by Zoehler about the sale of paintings .

Administrative and business records of general daily operations include an address book, meeting minutes, miscellaneous lists and notes, and a large card file of contacts with clients, consignors, artists, and businesses. A detailed description of the gallery's operations by Zoehler is also found here. Legal records include contracts, agreements, certificates of stock, certificates of copyrights, and photocopies of founding documents.

Although there are limited records prior to 1902, the financial records provide comprehensive detail of the gallery's financial transactions from the turn of the century through the early 1970s. Volumes of financial ledgers provide details of artwork bought, sold, and consigned; order forms for sales, framing, restoration, and shipping; gallery expenditures and salaries; records of client purchases; and other affairs. Many of the financial records are indexed and cross-referenced, offering researchers complex but rich documentation. The financial records should be consulted with the numerous inventory records that provide detailed information about the stock of art work held at the gallery. Inventory records also include documentation about the frames held by the gallery from the mid-1880s-1950. The gallery used sometimes complex codes to index and cross reference sales and stock. When known, these codes have been outlined in the more detailed series desciptions below, or filed within the appropriate boxes.

The history of Doll & Richards' exhibitions from the 1880s-1968 are documented in six disassembled bound volumes that contained exhibition catalogs and announcements. There are also additional loose catalogs and announcements. Additional printed materials include newspaper clippings related to exhibitions and the gallery and seven scrapbooks related to Doll & Richards' exhibitions from 1909-1943.

The bulk of the black and white photographs in the collection are of works of art by artists that Doll & Richards exhibited. There are only a handful of photographs of other subject matter, but include images of the gallery spaces at 2 Park Street, 71 Newbury, and 138 Newberry; and of artists.
Arrangement:
The collection is arranged as nine series:

Series 1: Correspondence, 1863-1972, bulk 1930s-1972 (Boxes 1-14; 14 linear feet)

Series 2: Notes and Research Files, 1880s-1978, bulk 1930s-1960s (Boxes 15-16, 78; 1.2 linear feet)

Series 3: Business Records, circa 1866-1978, bulk 1910s-1960s (Boxes 16-18; 1.9 linear feet)

Series 4: Legal Records, 1863-1906, 1941-1962 (Boxes 18, 78; 0.3 linear feet)

Series 5: Financial Records, 1871-1973, bulk 1902-1969 (Boxes 18-69, 79, BV81-112; 55 linear feet)

Series 6: Inventory Records, 1881-1969, bulk 1900s-1940s (Boxes 69-70, BV113-128; 2.3 linear feet)

Series 7: Printed Materials, circa 1880s-1968, bulk 1890s-1960s (Boxes 70-75; 4.9 linear feet)

Series 8: Photographs, circa 1880s-1960s (Boxes 75-78; 2 linear feet)

Series 9: Scrapbooks, 1908-1968, bulk 1908-1943 (Boxes 77, 80; 1.1 linear feet)

The records have been arranged according to the original order maintained by the gallery. Bound volumes containing exhibition catalogs glued to the internal spines have been disbound for preservation and proper housing.
Historical Note:
The Doll & Richards gallery originated in Boston in 1866 as an art gallery and framing shop owned by Charles E. Hendrickson, E. Adam Doll, and Joseph Dudley Richards. The gallery was a well-known Boston establishment for over 100 years that represented William Stanley Haseltine, Winslow Homer, William Morris Hunt, and Andrew Wyeth, among many other notable American painters, sculptors, and printmakers.

In 1870 Hendrickson retired and the gallery became Doll & Richards. After the untimely death of Doll in 1880, Richards purchased Doll's interest in the firm, retaining the gallery's well-known name. Under Richards' direction, the gallery prospered. Richards promoted the works of painter Winslow Homer, developing a market for his watercolors in Boston. He incorporated the gallery in 1902 and served as the treasurer and financier until his death in 1922 at 80 years old. The gallery then reorganized; Arthur McKean, who joined in 1911, became manager, and J.L. (Joe) Richards became treasurer. Fergus Turner, who joined the firm as a salesman in 1885 and became president in 1902, retained his role as president until 1938.

Over the century the gallery showcased contempory American artists, including William Morris Hunt, Dodge McKnight, William Stanley Haseltine, Laura Coombs Hills, Eliot O'Hara, Joseph Lindon Smith, Stanley Woodward, and Andrew Wyeth. The gallery also consigned paintings, prints, and objects from other major art galleries including Azeez Khayat Gallery, Kennedy Galleries, M. Knoedler and Co., Macbeth Gallery, Victor D. Spark, and Victor Waddington Galleries (Dublin, Ireland). According to long-time employee Wendell Zoehler (employed from 1929-1966), Doll & Richards' primary clientele came from the Social Register. In the summer months when wealthy Bostonians typically vacationed outside of the city, Doll & Richards remained open for tourists, many of whom became regular seasonal customers of the gallery.

The gallery experienced financial difficulties in the 1930s, leading to bankruptcy. Doll & Richards was purchased by McKean and incorporated in Maine in 1941. McKean sold Doll & Richards in 1962 to Maurice Goldberg; at this time none of the remaining family or staff were connected with the gallery. In 1973, the gallery was sold to Jeanne and Paul Sylva and closed.

Although the gallery always remained in the vicinity of Boston Common, it relocated numerous times over the years. In 1871 the gallery moved from 28 Summer Street to 145 Tremont Street. In 1878, the gallery remodeled and occupied the entire two-story building at 2 Park Street, renting out the second floor, known as the Hawthorne Room, for lectures. After thirty years on Park Street, Doll & Richards relocated to Newbury Street in 1908, beginning a succession of moves down Newbury Street approximately every twenty years, finally to 172 Newbury Street in 1962.
Related Material:
Among the other resources relating to the Doll & Richards gallery in the Archives of American Art is an oral history interview with Wendell Zoehler conducted by Robert Brown on April 14 and April 27, 1978.
Separated Material:
A daguerroteype of Gaetano Cardinal Bedini received with the records was transferred to the Smithsonian National Portrait Gallery on May 24, 2004.
Provenance:
The Doll & Richards records were donated to the Archives of American Art in numerous accessions between 1973 and 1979 by Jeanne and Paul Sylva, who purchased the gallery in 1973, and by former employee Wendell Zoehler.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- Massachusetts -- Boston  Search this
Topic:
Art, American  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Genre/Form:
Photographs
Scrapbooks
Financial records
Citation:
Doll & Richards gallery, 1863-1978, bulk 1902-1960s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dollrich
See more items in:
Doll & Richards gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dollrich

Elizabeth O'Neill Verner letter

Creator:
Verner, Elizabeth O'Neill, 1883-1979  Search this
Extent:
1 Item ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1961 Nov. 22
Scope and Contents:
Verner writes to her cousin Clara Verner about becoming a "professional artist."
Biographical / Historical:
Printmaker; South Carolina.
Provenance:
Donated 1984 by Elizabeth Verner Hamilton, Verner's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Printmakers -- South Carolina  Search this
Topic:
Women artists -- South Carolina  Search this
Identifier:
AAA.verneliz
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-verneliz

Mellowed by time : a Charleston notebook / by Elizabeth O'Neill Verner, illustrated with pencil drawings by the author ; foreword by Louis D. Rubin, Jr

Author:
Verner, Elizabeth O'Neill 1883-1979  Search this
Subject:
Verner, Elizabeth O'Neill 1883-1979  Search this
Physical description:
xii, 81 p., [16] leaves of plates : ill. ; 25 cm
Type:
Books
Pictorial works
Place:
Charleston (S.C.)
Date:
1978
Topic:
History  Search this
Social life and customs  Search this
Call number:
N40.1.V5265x T7 1978
N40.1.V5265xT7 1978
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_277489

Prints and impressions of Charleston : forty eight etchings / by Elisabeth O'Neill Verner, with an introduction by the artist

Author:
Verner, Elizabeth O'Neill 1883-1979  Search this
Physical description:
[26] p., XLVII pl., : ill. ; 31 cm
Type:
Books
Pictorial works
Place:
Charleston (S.C.)
Date:
1945
C1945
Topic:
Etching, American  Search this
Call number:
N40.1.V5265y B7p 1945
N40.1.V5265yB7p 1945
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_277961

The Flower Vendor, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Medium:
Pastel on silk
Culture:
African American  Search this
Type:
Paintings
Owner/Location:
Morris Museum of Art 1 Tenth Street Augusta Georgia 30901 Accession Number: 1989.01.211
Date:
Ca. 1945
Topic:
Figure female--Full length  Search this
Ethnic  Search this
Occupation--Vendor  Search this
Object--Flower  Search this
Control number:
IAP 67990018
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_374134

Annie, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Subject:
Unidentified  Search this
Medium:
Pastel on silk
Type:
Paintings
Owner/Location:
Morris Museum of Art 1 Tenth Street Augusta Georgia 30901 Accession Number: 1989.01.212
Topic:
Portrait female--Annie  Search this
Control number:
IAP 67990221
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_374694

Sara, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Subject:
Unidentified  Search this
Medium:
Pastel on board
Type:
Paintings
Owner/Location:
Morris Museum of Art 1 Tenth Street Augusta Georgia 30901 Accession Number: 1989.01.213
Topic:
Portrait female--Sara  Search this
Control number:
IAP 67990222
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_374695

Avenue of Oaks at Litchfield Plantation, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Medium:
Oil on board
Type:
Paintings
Owner/Location:
Morris Museum of Art 1 Tenth Street Augusta Georgia 30901 Accession Number: 1993.003
Date:
Ca. 1940
Topic:
Landscape--Road  Search this
Landscape--Tree--Oak Tree  Search this
Figure  Search this
Control number:
IAP 67990271
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_374871

Cabin Scene, Rifle Range Road, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Medium:
Pastel on silk
Type:
Paintings
Owner/Location:
Johnson Collection, The 100 Dunbar Street, Suite 203 Spartanburg South Carolina 29306 Accession Number: 2005.02.01
Date:
After 1937
Topic:
Landscape  Search this
Architecture exterior--Domestic--Cottage  Search this
Architecture exterior--Detail--Fence  Search this
Control number:
IAP 68670497
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_468000

Shem Creek, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Medium:
Pastel on silk on board
Type:
Paintings
Owner/Location:
Johnson Collection, The 100 Dunbar Street, Suite 203 Spartanburg South Carolina 29306 Accession Number: 2007.11.01
Date:
1954
Topic:
Landscape--South Carolina  Search this
Landscape--River--Shem Creek  Search this
Landscape--Wharf  Search this
Architecture--Boat--Sailboat  Search this
Architecture--Boat--Rowboat  Search this
Figure male  Search this
Recreation--Sport & Play--Fishing  Search this
Control number:
IAP 68670498
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_468001

Symphony of Flowers, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Medium:
Pastel on silk
Culture:
African American  Search this
Type:
Paintings
Owner/Location:
Johnson Collection, The 100 Dunbar Street, Suite 203 Spartanburg South Carolina 29306 Accession Number: 2003.04.10
Date:
Ca. 1949
Topic:
Figure group--Female  Search this
Ethnic  Search this
Object--Flower  Search this
Object--Other--Basket  Search this
Occupation--Domestic--Flower Arranging  Search this
Control number:
IAP 68670499
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_468002

Tavern in Porgy, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Medium:
Pastel on board
Type:
Paintings
Owner/Location:
Johnson Collection, The 100 Dunbar Street, Suite 203 Spartanburg South Carolina 29306 Accession Number: 2003.11.07
Topic:
Landscape--Town  Search this
Figure group  Search this
Architecture exterior--Commercial--Tavern  Search this
Control number:
IAP 68670500
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_468003

The Aristocrat, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Medium:
Pastel on board
Type:
Paintings
Owner/Location:
Greenville County Museum of Art 420 College Street Greenville South Carolina 29601 Accession Number: 01.44.02
Date:
Ca. 1955
Topic:
Landscape--South Carolina--Charleston  Search this
Architecture exterior--Domestic--House  Search this
Control number:
IAP 48000068
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_398112

Other places, by Elizabeth O'Neill Verner ..

Author:
Verner, Elizabeth O'Neill 1883-1979  Search this
Subject:
Verner, Elizabeth O'Neill 1883-1979  Search this
Physical description:
5 p. l., 27, [2] p. front., XLII pl. 32 cm
Type:
Books
Date:
1946
Call number:
N40.1.V5265 B7
N40.1.V5265B7
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_276228

Milkwood or The Glory that Was, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Medium:
Pastel
Type:
Paintings
Owner/Location:
Columbia Museum of Art 1112 Bull Street Columbia South Carolina 29201 Accession Number: 1963.23
Date:
1962
Topic:
Architecture--Ruins  Search this
Architecture--Domestic--Milkwood  Search this
Control number:
IAP 47850105
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_378600

Summertime in Charleston, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Medium:
Pastel on silk mounted on wood
Type:
Paintings
Owner/Location:
University of New Orleans Ogden Museum of Southern Art 925 Camp Street New Orleans Louisiana 70130
Date:
1940
Topic:
Cityscape--South Carolina--Charleston  Search this
Architecture exterior--Detail--Roof  Search this
Cityscape--Season--Summer  Search this
Control number:
IAP 68050070
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_381449

Charleston Flower Vendor - Josephine Grant, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Subject:
Grant, Josephine  Search this
Medium:
Pastel on silk
Culture:
African American  Search this
Type:
Paintings
Owner/Location:
University of New Orleans Ogden Museum of Southern Art 925 Camp Street New Orleans Louisiana 70130
Date:
1939
Topic:
Portrait female--Full length  Search this
Ethnic  Search this
Occupation--Vendor--Florist  Search this
Object--Flower  Search this
Control number:
IAP 68050101
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_381577

Charleston Flower Vendor - Basket on Ground, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Culture:
African American  Search this
Type:
Paintings
Owner/Location:
University of New Orleans Ogden Museum of Southern Art 925 Camp Street New Orleans Louisiana 70130
Date:
1940
Topic:
Figure female--Full length  Search this
Ethnic  Search this
Occupation--Vendor--Florist  Search this
Object--Flower  Search this
Control number:
IAP 68050243
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_382160

Charleston Flower Vendor - Basket on Head, (painting)

Painter:
Verner, Elizabeth O'Neill 1883-1979  Search this
Culture:
African American  Search this
Type:
Paintings
Owner/Location:
University of New Orleans Ogden Museum of Southern Art 925 Camp Street New Orleans Louisiana 70130
Date:
1940
Topic:
Figure female--Full length  Search this
Ethnic  Search this
Occupation--Vendor--Florist  Search this
Object--Flower  Search this
Control number:
IAP 68050244
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_382161

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