Slide photographs shot in Mathoo Monastery, Mathoo Village, Ladakh, India. Numbers 1Art, buddhist diety with white face and clouds of blue and green behind him, mostly wearing red, a dragon with a birds face is beside him, has hat of red with a tuff of white hair coming out of top; 2 Art, a buddhist diety with an orange face holding an orange stick with smoke all around him, set in a landscape; 3 Art, a buddhist diety with a red face and clouds of blue and greent behind him holding a gold cup with a gold lid, has a gold crown with a red hat; 4 Art, a buddhist painted woman without a shirt on, a crown with snakes and holding a red, orange, and white object, is on edge of painting so part of red border is in photo; 5 Art, painted hand strumming guitar that has a dragon painted on it; 6 Art, three statues of monks with large red hats, middle one holding its hand up in mudras (hand gestures); 7 Art, Buddha statue in yellow with white scarf on his lap and two monk statues aon either side of him, infront of statues from #6; 8-9 monk statue in tall red hat with white scarf over his arm and offerings infront of him; 10 Art, low shot of #7; 11 boy monk walking under a covered area of the courtyard past a paingint on the wall carrying 2 pots; 12 column details and ceiling with a boys back in the foreground; 13 column with a monk walking past; 14 boys sitting on ledge of balcony, shot across courtyard; 15-16 monk in foreground with back to camera, out of focus, behind him a monk is talking to someone; 17 monk talking, looking at camera; 18 boy partially lit by sunlight holding pots and looking past the camera; 19 two men standing, one with long hair, the other with a tan cap and tan sweater; 20 Art, gilded sculpture of buddhist diety with crown of turquoise; 21-22 building with lions painted on the outside (temple??); 23 landscape, village in valley; 24 building in foreground, valley in background; 25 monks leaning out of window into courtyard, yellow building; 26 valley, green fields from top of village (stacked buildings and terraces on hillside);27 mountain with little vegetarian and marjo erosion; 28 landscape of mountain and valley fields with building in foreground, shot through a window; 29 details of top of column; 30 casted objects of metal and stone (offerings?) infront of painting of red, white and black dancing skeletons; 31 two men leaning against faded painted walls, one has tan cap on, other one wearing red robe; 32 four children standing infront of stone raised porch; 33 long shot of valley turning around mountains with green firles and vilalge in foreground; 35-36 whitewashed buildings with woman and child standing infront of them; 37 woman washing child in small stream
Archives Center, National Museum of American History Search this
Container:
Box 4
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Cookbook Collection, Archives Center, National Museum of American History.
This collection contains a variety of business ephemera similar to that found in the Warshaw Collection of Business Americana. The material in the Business Americana Collection is newly acquired ephemera received from many sources including curatorial units, the public, and Smithsonian Institution staff.
Scope and Contents:
An artificial collection of material organized with the same subject headings as the Warshaw Collection, i.e., generally by product type. Additional subject headings will be added as needed. New material, much of it from the second half of the twentieth century, is added regularly to this collection. This collection is sometimes informally called "Warshaw Junior" by the staff and researchers.
Arrangement:
This collection is arranged by subject categories.
Biographical / Historical:
This collection contains miscellaneous business ephemera. The material is similar to that found in the Warshaw Collection of Business Americana, but no new material is incorporated into the Warshaw Collection. The material in the Archives Center Business Americana Collection is newly acquired ephemera received from many sources, including curatorial units, the public, and Smithsonian staff.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Susanna Safaryan; Ruzanna Tsaturyan; Arianna Sikorski; "My mom's tolma is the best!" Each family has its own recipe of tolma, a festive dish combining grape leaves or vegetables with a savory filling of meat and rice. Join Ruzanna Tsaturyan to learn how to make what's also known as "false tolma," a vegetarian version with lentil and grains.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Susanna Safaryan; Ruzanna Tsaturyan; Arianna Sikorski; Armine Amaryan is from Goris, a town in southern Armenia famous for its delicious red beans. Armine Poghosyan is from Dilijan, known for green beans. Learn how to make two different vegetarian dishes with a spotlight on beans.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Mary Linn; Richard and Anna Kashmanian; Richard's grandparents on both sides lost their first spouses in genocides and then met in America. He cooks baklava, pilaf, grape leaves and (??) it down to his daughters. He is vegetarian.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Arianna Sikorski; Armine Poghosyan; Armine Amaryan; Armine Amaryan is from Goris, a town in southern Armenia famous for its delicious red beans. Armine Poghosyan is from Dilijan, known for green beans. Learn how to make two different vegetarian dishes with a spotlight on beans.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2018 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2015 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (digital audio file)
Type:
Archival materials
Sound recordings
Date:
2014 July 02
Scope and Contents:
Wang Peng
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2014 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
22. The Men Who Market Poison, Rusty Old American Dream, Leave It Like It Is (David Wilcit); I'm a Vegetarian [3 takes] (Jay Manhita); My Father's Shoes [2 takes], I am the Storm, Motel Room Dreams, Everything is Almost Gone (Cliff Eberhardt)
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Fast Folk Musical Magazine records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Writings, art work, miscellaneous items, and photographs were received from the Estate of Sally Kent Gorton in 2001. Although not physically integrated with the main portion of the collection, this addition to the Rockwell Kent papers is described with the appropriate series in the online edition of the finding aid.
Writings consist of Kent's continuation of his autobiography It's Me, O Lord! (1995). The unpublished 185 page manuscript written between 1955 and 1971 recounts the artist's travels, exhibitions, and political activities during the 1950s and 1960s. Among the art work there are many drawings and sketches in pencil and ink, of miscellaneous subjects and various projects circa 1920-1939 including figure studies, landscapes and illustrations for various books by Kent. Also included are a color lithograph study for a war poster, circa 1941, and Kent's 1968 costume and set designs for Benjamin Britten's opera Peter Grimes, along with a recording of Peter Grimes and its libretto. Photographs of people include formal and informal portraits of Rockwell Kent, Kent with others, and each of his wives; other individuals portrayed are Ted R. Lambert and Eugene Vuchatich. Other subjects include views of Asgaard Farm, the rebuilt Kent house at AuSable Forks, NY, and Kent's grave.
Kent presented the manuscripts for most of his books to the USSR, along with the Kent Collection. Included in this series are drafts, notes, and completed manuscripts for monographs, articles, speeches, book reviews, catalog texts and introductory essays, and miscellaneous writings (often unidentified) by Kent. Manuscripts are arranged chronologically, with undated items arranged alphabetically by title. Also included at the end of the series are a small number of manuscripts by other authors.
The unpublished continuation of Kent's autobiography It's Me, O Lord! was received from the estate of his widow, Sally Kent Gorton, 2001.
See Appendix for an itemized list of writings from Series 2.
Arrangement note:
The bulk of this series has been scanned. Poems and political statements written by other authors have not been scanned.
Appendix: Writings from Series 2:
Writings by Rockwell Kent"Men as Animals," 1906-1912
"The False Life," 1906-1912
"True Life," 1906-1912
"A Tragedy of Newfoundland," 1914 (with 1961 revision)
"Alaska Drawings by Rockwell Kent, With a letter from Rockwell Kent to Christian Brinton, M. Knoedler & Co.," 1919
"Greenland for the Painters," 1919
"Art," 1919
"The Tierra del Fuego Journal of Rockwell Kent," 1922
"Voyaging," 1924
"Tristan and Iseult," 1927
"George W. Bellows: His Lithography," 1927
"A Social Evolutionist's View of the War," 1928
Introduction to book about Patagonia, 1931
"Alias Kent by Hogarth, Jr.." 1933
"Rockwellkentiana," 1933
Greenland journal in the form of letters to Frances, 1934-1935
"What Is an American?," 1936
"In the Name of the Great Jehovah," 1936
Van Loon Review, 1937
"What Is an American?" (revised version), 1938
"People's Platform," 1938
"Good Old Loyalty," 1938
"Original Etchings, Lithographs and Woodcuts by American Artists published by the American Artists Group, Inc." (review), 1938
"Introduction by Rockwell Kent to 'Story of the White Collar Worker' by Giacomo Patri," 1940
Introduction to "Portinari and His Art," 1940
"Rockwell Kent: A Short Autobiography," 1940
"Rockwell Kent at Bookshop," 1940
"Statement by Rockwell Kent," 1940
"Introduction to Book on the Work of Candido Portinari," 1940
"Louis Untermeyer," 1940
Love poem to Sally (untitled, illustrated), 1940
"Outline of Address Delivered by Rockwell Kent," 1940
"To Louis and Esther" (poem), 1940
"Christmas 1940" (poem), 1940
"Review of -- Kabloona -- by Gontran de Poncins," 1941
"Portion of Address for Delivery June 5th at National Conference of Social Work, by Rockwell Kent," 1941
"Radio Address, by Rockwell Kent, to Be Delivered at Progressive Librarians Council Broadcast, Sunday, June 22nd," 1941
"Statement on Nazi-Soviet War, by Rockwell Kent," 1941
" 'The Intent of the Artist,' reviewed by Rockwell Kent," 1941
"A Northern Christmas," 1941
"Outline of Address for Fourth American Writers Congress," 1941
"Editorial for -- Junior Guide -- of International Workers Order," 1941
"Introduction to Book-Plate Catalog," 1941
"Article for Adirondack Mountain Club, Inc. Year Book," 1941
"Introduction for Catalog of American Library of Color Slides," 1941
"Statement for American Council on Soviet Relations," 1941
"To Sally" (illustrated poem), 1941
"Article for UOPWA News," 1942
"Introduction to Catalog of Rockwell Kent Exhibition at the Wildenstein Galleries," 1942
"Tierra del Fuego," 1942
Article for -- Script -- , 1942
"Introduction to Democracy," 1942
"Statement for Use of Artists League of America," 1942
"Introduction by Rockwell Kent to 'Silk Screen Stenciling as a Fine Art,'" 1942
"On Earth Peace," 1942
"Foreword by Rockwell Kent to -- American Pioneer Arts & Artists -- by Carl Drepperd," 1942
"Article for Use of American Russian Cultural Association Inc. in -- Novosselye -- ," 1942
"WQXR Broadcast 'Other Peoples's Business Program,'" 1943
"Article for Use of the Alumni of the Columbia School of Architecture," 1943
"Art and the People," 1943
"Article for AAA News," 1943
"Statement to AP, UP, -- Herald Tribune, Times, Daily Worker -- on Death of Art Young," 1943
"To Sally" (poem), 1943
"Statement by Rockwell Kent, Famous Landscape and Figure Painter and Wood Engraver, on the Presentation of His Mural-- -- Airplane View of America at Peace-- -- to the Committee on Interstate and Foreign Commerce"
"Article on Art Young, For Use of -- New Masses -- Memorial Number," 1944
"Article for Use of the American Artists Group," 1944
"Memorandum on the Proposed Organization for the Publication of Reproductions of American Art," 1944
" -- Arctic Fish Story -- by Otto Wm. Geist" (book review), 1944
"Article for Use of -- Tomorrow -- ," 1944
"Review of -- Horizon Is Calling -- by Taro Yashima," 1944
"Opening Address, Seventh General Convention, IWO," 1944
Obituary of mother, Sarah Holgate Kent, 1944
"Statement for Use of Philadelphia Council of American-Soviet Friendship," 1944
"To Voters of the Thirty-Third New York Congressional District," 1944
"Introduction ALA Fourth Annual Exhibition Catalog," 1944
"Introduction by Rockwell Kent, -- Drawings by American Artists -- ," 1944
" -- Mathematical Basis of the Arts -- , by Joseph Schillinger, Reviewed by Rockwell Kent," 1944
"We Hold These Truths," 1944
"Review for the -- New Masses -- of Steffanson's -- Greenland -- ," 1944
"Synopsis: -- This Is My Own -- by Rockwell Kent," 1944
"Story for -- Readers Digest -- 'Life in America' Series," 1944
"Greetings to the Red Army & Navy," 1944
"Introduction for -- This Is Our War -- Catalog," 1944
"Art with a Little a," 1944
"Small Town War," 1944
"How Not to Get a Seeder," 1944
"Statement for use of International Workers Order," 1945
"Introduction for Exhibition Catalog," 1945
"Shadows of Evening," 1945
"Stories for -- Readers Digest -- 'Life in America' Series," 1945
"Article for Use of Vet," 1946
"Statement for Use of Artists for Action," 1946
"The Artist in America Today," 1946
"Rockwell Kent Biographical Sketch for Use of General Electric Company," 1946
"Statement for Use of International Workers Order," 1947
"John Trumbull" and "Frederick Remington," supplementary text for -- World Famous Paintings -- , 1947
"To Thee" (history of the Rahr Malting Co.), 1947
"We Hold These Truths" (articles for use of -- Fraternal Outlook -- ), 1948
" -- The Mathematical Basis of the Arts -- , by Joseph Schillinger, Reviewed by R.K. for -- Music News -- ," 1948
"Radio Script--O. John Rogge Program, Tuesday, July 12, 1948, Introduction by Rockwell Kent," 1948
"An Artist in Politics," 1948
"Text of Address to Be Given by Rockwell Kent at Meeting of Business and Professional Women's Club, Plattsburgh, N.Y.," 1948
"Radio Script, Rockwell Kent Address at Skidmore College Forum," 1948
"Radio Address to Be Given by Rockwell Kent, American Labor Party Candidate for Congress, 33d District, New York," 1948
"Radio Script, Christmas Greetings from Rockwell Kent for Arthur Gaeth Program," 1948
"Wallace Speech," 1948
"To Voters of the Thirty-Third New York Congressional District," 1948
"Rsum of Still-Born Address to World Congress for Peace, Paris, 1949," 1949
"Statement on Conviction of the Twelve by Rockwell Kent (for Use of the International Workers Order)," 1949
"We Hold These Truths" (articles for use by -- Fraternal Outlook -- ), 1949
"Introduction by Rockwell Kent to -- Southern Cross -- , by Lawrence O. Hyde," 1950
"We Hold These Truths" (article for use of the -- Fraternal Outlook -- ), 1950
"Article for Use of VOKS," 1950
"Copy for Sabattis Ranch Booklet (Rough Draft)," 1950
"Radio Address Delivered by Rockwell Kent Sunday, April 15, 1950, Croton-on-Hudson, N.Y.," 1950
"Greetings from Rockwell Kent to the Congress of the Peoples for Peace," 1952
Article for Use of International Workers Order, 1952
"Stenographic Record of a Meeting of the VOKS Section of Fine Arts," 1953
"Statement by Rockwell Kent" (re: McCarthy hearings), 1953
"Christmas Record 1953," 1953
"Place Card Poems--New Year's Eve, 1953," 1953
"Silas Timberman -- , by Howard Fast, Reviewed by Rockwell Kent for Use of -- New World Review -- ," 1954
"Realism in Art by Sidney Finkelstein, Reviewed by Rockwell Kent for Use of -- Masses & Mainstream -- ," 1954
Unpublished continuation of autobiography, -- It's Me, O Lord! -- (1955), recounting the artist's travels, exhibitions and political activities during the 1950s and 1960s, circa 1955-1971
"Article for Publication in the USSR," 1957
"Article for Use of -- New World Review -- ," 1957
"Article for Use of -- New World Review -- ," 1958
Trip Book (diary detailing trip to USSR), 1958
"Article for Use of -- Standard Times -- (New Bedford, Mass.)," 1959
"Of Men and Mountains," 1959
"Remarks for Tolstoi Jubilee," 1960
"Gift of Peace--An Account of Rockwell Kent's Presentation of a Collection of His Works to the People of the Soviet Union," 1961
"Article for Use of -- New World Review -- ," 1962
"Statement for November 26th Meeting, NCASF, by Rockwell Kent," 1962
"To Major Gherman Titov, Greeting!" 1962
"World Conference on Disarmament and Peace--Statement by Rockwell Kent," 1962
"Message for November 28th Carnegie Hall Meeting of National Council of American-Soviet Friendship from Rockwell Kent," undated
"The Missing Lynx, New Light on Human Nature, Told by the Lynx. (`Might Is Right und Lynx Ist Rechts'.)," undated
"The Most Unforgettable Character I Have Ever Met," undated
"Notes by Rockwell Kent for Use of Miss Marie B. Ryan, Editor of the -- Sketch Book of Kappa pi -- in an Article Titled: `The Things I Wish They'd Taught Me'," undated
"Nuremberg--And After," undated
"On Being Famous," undated
"On the Writings of Rockwell Kent," undated
"Original Page of -- Salamina -- Manuscript," undated
"Preface," undated
"Preface to the Monhegan Edition," undated
"Proposal for the Solution of the Liquor Problem," undated
"Review, by Rockwell Kent, of -- The Game of Death -- ," undated
"Review of -- Eskimo -- , by Peter Freuchen," undated
"Rockwell Kent," undated
"Rockwell Kent Biographical Data," undated
" -- Salome -- , by Oscar Wilde. -- Inventions -- , by John Vassos. -- The Marriage of Heaven and Hell -- , by William Blake" (book review), undated
"A Second Preface--Eleven Years Later," undated
"Speech for Opening of Exhibition," undated
"Statement for November 26th Meeting, NCASF," undated
"Statement for Use of National Council for American-Soviet Friendship," undated
"Statement for Use of the Teachers Union," undated
"Statement on 'American Art Today,'" undated
"Statement on the Arrest of the Communist Leaders," undated
"Story for -- Reader's Digest -- 'Life in America' Series," undated
"Text for -- The Lovers -- , Wood Engraving by Rockwell Kent" undated
"Unpublished Manuscript," undated
"Vegetarianism," undated
"We Hold these Truths" (Article for Use of -- Fraternal Outlook -- , by Rockwell Kent), (2 separate articles), undated
"What Home Means to Me," undated
"When I Was a Teener," undated
"Winslow Homer at Prout's Neck" (draft of book review by Kent), undated
" -- Winslow Homer at Prout's Neck -- , by P. Beam," undated
Greenland Journal -- , undated
"A Voyager's Log, Part II," undated
Wilderness -- , undated
World Famous Paintings -- , undated
Untitled, undated
Poems, undated
Fragments and Miscellaneous Notes, undated
Writings by Sarah Holgate Kent [mother]"The Little I Know of My Ancestors. As Far Back As I Can Remember," 1941
Writings by Sally Kent (Gorton)"Monhegan Notebook," 1950
"Article for R.K. Memorial Booklet--First Rough Draft," 1971
"Article for Rockwell Kent Memorial Portfolio," 1971
" -- Bulgaria Today: The Land and the People -- , by William Cary" (review), 1971
"Greeting for World Peace Council Meeting, Budapest--First Rough," 1971
"Greeting in Memory of Rockwell Kent for World Peace Council, Meeting in Budapest--3d Best," 1971
"Greeting in Memory of Rockwell Kent for World Peace Council, Meeting in Budapest--2d Best," 1971
"The Happiest Day," 1971
Drafts of Memoir ("Introduction," "Living on and off--The Land!," "Memoirs," "Chapter I--Save, Use," "First Chapter--Passages to Add Perhaps," "Chapter 2," "1971 Later--31 Years Later," "Use," "July 3, 1972"), 1971
Memoir Notes ("Monhegan Notes," "Notes and Quotes for Use in Book--'Rockwell Kent--Some Fireside Reminiscences,' " "Possibly for Use," "Random Notes," "R.K. on Homes"), 1971
"Suggested Copy: -- New York Times -- Ad to Be Sponsored by Committee of Concerned Citizens" ("Rockwell Kent's Engagement with Life"--Draft), 1971
"Rockwell Kent's Engagement with Life for Use of -- American Dialogue -- ," 1971
"Rockwell Kent--Glimpses" (notes), 1971
"The Making of -- It's Me, O Lord -- , Draft," 1974
"The Making of -- It's Me, O Lord -- For Use in -- The Kent Collector -- ," 1974
"And Now Monhegan Again!," 1977
"The Jay Taxpayers Association in 1933: A Good Fight," 1977
"Muddling Through" (shorthand), 1978
"Dedication Words" (notes, some in shorthand), 1978
"Rockwell Kent Gallery Dedication Words," 1978
"Story" (shorthand), 1978
"Story 'In the Drawer' for Time Being," 1978
"The Happiest Day," undated
Poem, undated
Writings by Others About KentReviews of Books by Rockwell Kent, 1931-1941
Poems, undated
"The Beautiful American," undated
"Biographical Notes--Rockwell Kent," undated
" -- It's Me, O Lord -- , Introduction, On Rockwell Kent and His Autobiography," undated
"Kent--The Writer," undated
"Message by Y. A. Malik on the Occasion of the Opening of the Exhibition of Soviet and American Prints," undated
"Part One, Books Written and Illustrated by Rockwell Kent, by Dan Burne Jones," undated
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Product Cookbooks Collection, 1874-1990, Archives Center, National Museum of American History.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Product Cookbooks Collection, 1874-1990, Archives Center, National Museum of American History.
