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Galerie Chalette records

Creator:
Galerie Chalette  Search this
Names:
Arp, Jean, 1887-1966  Search this
Bill, Max, 1908-1994  Search this
Diller, Burgoyne, 1906-1965  Search this
Fangor, Wojciech, 1922-  Search this
Fuller, Sue, 1914-  Search this
Gonzalez, Roberta  Search this
González, Julio, 1876-1942  Search this
Lejwa, Arthur  Search this
Lejwa, Madeleine Chalette, 1914-1996  Search this
Moholy-Nagy, László, 1895-1946  Search this
Reimann, William  Search this
Rickey, George  Search this
Smith, Leon Polk, 1906-1996  Search this
Vasarely, Victor, 1906-1997  Search this
Weber, Max, 1881-1961  Search this
Extent:
24.15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Lectures
Notebooks
Motion pictures (visual works)
Date:
1916-1999
bulk 1939-1994
Summary:
The records of the New York Galerie Chalette measure 24.15 linear feet and date from 1916-1999, with the bulk of the material dating from 1939-1994. The collection documents this contemporary art gallery's operations from its founding in 1954 through Madeleine Lejwa's later years as an independent dealer. Included are correspondence, artists' files, financial and legal records, printed materials, clippings, exhibition catalogs, audio and video recordings, and motion picture film; about half of the collection consists of photographs. Arthur Lejwa's profession as a biochemist prior to becoming a gallery owner is also documented in this collection. The collection also contains personal records of the Lejwas, including correspondence, legal papers, photographs, photo albums, and printed material.
Scope and Content Note:
The records of the New York Galerie Chalette measure 24.15 linear feet and date from 1916-1999, with the bulk of the material dating from 1939-1994. The collection documents this contemporary art gallery's operations from its founding in 1954 through Madeleine Lejwa's later years as an independent dealer. Included are correspondence, artists' files, financial and legal records, printed materials, clippings, exhibition catalogs, audio and video recordings, and motion picture film; about half of the collection consists of photographs. Arthur Lejwa's profession as a biochemist prior to becoming a gallery owner is also documented in this collection. The collection also contains personal records of the Lejwas, including correspondence, legal papers, photographs, photo albums, and printed material.

Among the artists represented in the artists' files are Jean Arp, Max Bill, Burgoyne Diller, Wojciech Fangor, Sue Fuller, Julio Gonzalez, Roberta Gonzalez, Lazlo Moholy-Nagy, William Reimann, George Rickey, Leon Polk Smith, Victor Varsarely, Max Weber, and various Dada artists. Many artists are represented in the large collection of photographs as is the Lejwa's personal collection. Included in the business records are invoices, receipts for works sold, yearly sales and purchase ledgers, checks for artwork purchases, and index card files recording sales. Legal records include files related to litigation, primarily Lebenstein v. Lejwa. The collection includes film reels and audio recordings of lectures, broadcasts, and exhibits from the 1960s-1990s. It also includes two film reels from a French television program about Jean Arp.

Among the personal records are biographical information, correspondence, legal records mostly related to the settlement of Arthur Lejwa's estate, a significant quantity of snapshots, negatives and slides, and newspaper clippings chronicling Arthur Lejwa's work as a biochemist and the Robert Gould Research Foundation. Arthur Lejwa's scientific career is also represented in biographical information, publications, research notebooks, and photographs. Much of the personal correspondence is from 1939-1951 and is written in Polish, Yiddish and German. The Lejwa's philanthropic donations, especially in Israel, are documented in correspondence, papers, and photographs. Many of the photographs and photo albums record Madeleine Lejwa's travels in the 1970s-1990s.
Arrangement:
The collection is arranged as 8 series. The series are generally arranged alphabetically by type of material or subject, and chronologically thereafter.

Series 1: Correspondence, 1920-1995 (Boxes 1-2; 1.4 linear foot)

Series 2: Artists' Files, 1916-1996 (Boxes 2-6, 25; 4.3 linear feet)

Series 3: General Business Files, 1950-1994 (Boxes 6-8; 2.3 linear feet)

Series 4: Printed Materials, 1931-1996 (Boxes 9-10, 25; 1.2 linear feet)

Series 5: Photographs, circa 1920s-1994 (Boxes 10-16, 24-25; 7 linear feet)

Series 6: Legal Records, 1938, 1959-1988 (Box 17; 0.8 linear feet)

Series 7: Personal Papers of Arthur and Madeleine Chalette Lejwa, 1925-1999 (Boxes 17-21, 25; 3.7 linear feet)

Series 8: Motion Picture Film, Audio, and Video Recordings, circa 1950s-1995 (Boxes 21-23, FC 29-42; 4.3 linear feet)
Historical Note:
Art dealers and collectors Madeleine Chalette (1915-1996) and Arthur Lejwa (1895-1972) opened the Galerie Chalette in New York on 45 West 57th Street in February, 1954. The gallery originally specialized in contemporary French graphics and later shifted its focus to contemporary twentieth century European and American art, particularly the work of Jean Arp. Over the years, Galerie Chalette relocated twice. In 1957, the gallery moved to 1100 Madison Avenue and then to 9 East 88th Street in 1964.

Madeleine Chalette was born in 1915 in Paris and grew up in Poland. In 1940, after Madeleine's efforts to secure the release of her father, Leon Chalette, from Sachsenhausen concentration camp near Berlin were successful, father and daughter traveled by boat to Shanghai. They stayed in Shanghai throughout World War II, arriving in the United States in 1946. Arthur Lejwa, a Polish-born biochemist, immigrated to the United States in 1939 and taught at Long Island University. In 1947, Madeleine and Arthur Lejwa were married in Cincinnati, Ohio where Arthur was the Director of the Robert Gould Institute for Nutritional Research.

The gallery was very active in the 1950s and 1960s, as evidenced by the numerous exhibitions. Many of the exhibitions in the 1950s were thematic. Exhibitions in the 1960s were mostly organized around the work of a particular artist, such as Wojciech Fangor and Leon Polk Smith. In 1972, the Metropolitan Museum of Art showcased Jean Arp's work from the Lejwa's collection and a few works lent by Arp's widow, Marguerite Arp. The exhibition was expanded and traveled as "Arp 1877-1966," first exhibited at the Solomon R. Guggenheim Museum and then shown in seven museums in the United States and six in Australia.

In the early 1970s, the Lejwas began supporting institutions in Jerusalem, including donating a 17th century Polish menorah to The Israel Museum and five sculptures to be displayed in public spaces: "The Threshold of Jerusalem" by Jean Arp, "The Loop" by Robert Engman, George Rickey's "Two Lines Oblique," "The Skedion Ekton" by Stephanie Scuris, and "Four Cubes Cut in Identical Halves" by Max Bill.

Following Arthur's death on October 27, 1972, Madeleine continued as an independent dealer and consultant and renamed the business Chalette International. In the 1980s, Madeleine Lejwa continued her philanthropic endeavors in Jerusalem, donating to a scholarship fund for Arab students. She was also a strong supporter of New York University's archeological site Aphrodisias, in southwestern Turkey. In the 1970s and 1980s, Lejwa traveled widely including Israel, Jordan, Egypt, Italy, Turkey, Japan, and China. Madeleine passed away at age 81 on June 9, 1996.
Related Material:
Addition papers related to Leon Chalette and Madeleine Chalette are located at Leo Baeck Institute, New York, N.Y.
Separated Material:
Papers related to Leon Chalette's imprisonment in Sachsenhausen concentration camp were transferred to the Leo Baeck Institute, New York, N.Y. in 2010.
Provenance:
The records were donated by Robert Warshaw, executor of the Madeleine Chalette Lejwa estate in two accessions in 1997 and 2005.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Galerie Chalette records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Biochemistry  Search this
Genre/Form:
Photographs
Sound recordings
Lectures
Notebooks
Motion pictures (visual works)
Citation:
Galerie Chalette records, 1916-1996, bulk 1939-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.galechal
See more items in:
Galerie Chalette records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-galechal

Eva Lee Gallery records

Creator:
Eva Lee Gallery  Search this
Names:
Korvettes  Search this
New Art Circle (New York, N.Y.)  Search this
Albers, Josef  Search this
Benn, Ben, 1884-  Search this
Benton, Thomas Hart, 1889-1975  Search this
Calder, Alexander, 1898-1976  Search this
Christo, 1935-  Search this
Corinth, Lovis, 1858-1925  Search this
Cornell, Joseph  Search this
Dalí, Salvador, 1904-  Search this
Feininger, Lyonel, 1871-1956  Search this
Grosz, George, 1893-1959  Search this
Hartley, Marsden, 1877-1943  Search this
Hopkins, John  Search this
Indiana, Robert, 1928-  Search this
Lee, Eva  Search this
Lieberman, Harry, 1880-1983  Search this
Lipchitz, Jacques, 1891-1973  Search this
Loewe, Frederick  Search this
Magritte, René, 1898-1967  Search this
Marin, John, 1870-1953  Search this
Mommer, Paul  Search this
Nesbitt, Lowell, 1933-1993  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Odets, Clifford, 1906-1963  Search this
Ritchie, Andrew Carnduff  Search this
Shahn, Ben, 1898-1969  Search this
Simpson, Merton D. (Merton Daniel), 1928-  Search this
Valentin, Curt, 1902-1954  Search this
Vasarely, Victor, 1906-1997  Search this
Weber, Max, 1881-1961  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Watercolor drawings
Photographs
Date:
1921-1973
Summary:
The scattered records of the New York contemporary American art Eva Lee Gallery measure 4.0 linear feet and date from 1921-1973. Artist files contain provenance notes, photographs of artwork, records of sales and consignments, exhibition catalogs from other galleries, and reference information on numerous contemporary artists, many represented by the gallery. There are also scattered letters and artwork from artists, scattered sales records of J.B. Neuman's New Art Circle Gallery, and a photocopy of an auction catalog for Korvettes Art Galleries in Douglastan, New York. A significant amount of information is found within the collection about Alexander Calder, Lovis Corinth, Salvadore Dali, Lyonel Feininger, George Grosz, Robert Indiana, Harry Lieberman, Rene Magritte, John Marin, Lowell Nesbitt, Ben Shahn, Victor Vasarely, and Max Weber.
Scope and Content Note:
The scattered records of the New York contemporary American art Eva Lee Gallery measure 4.0 linear feet and date from 1921-1973. Artist files contain provenance notes, photographs of artwork, records of sales and consignments, exhibition catalogs from other galleries, and reference information on numerous contemporary artists, many represented by the gallery. There are also scattered letters and artwork from artists, scattered sales records of J.B. Neumann's New Art Circle Gallery, and a photocopy of an auction catalog for Korvettes Art Galleries in Douglastan, New York.

The records are comprised of artists' files arranged into four categories established by the gallery: general artists' files; notebooks of artists' files; financial artists' files; and consignment and sales artists' files. General artists' files contain background and reference information on numerous contemporary artists, performers, and art-related organizations. More information exists for Alexander Calder and Harry Lieberman than the other names represented in the general files. Lee also arranged provenance notes and photographs of artwork into notebooks, presumably including many of the artists represented by the gallery. There is a significant amount of material in the notebooks on Alexander Calder, Robert Indiana, Lowell Nesbitt, Ben Shahn, Victor Vasarely, and Max Weber.

Financial artists' files contain correspondence with artists and patrons concerning the sale of artwork by both the Eva Lee Gallery and J. B. Neumann of the New Art Circle Gallery, scattered artwork, printed material, photographs of artists, and checks signed by Neumann and endorsed by miscellaneous artists. Eva Lee worked on the estate of J. B. Neumann and collected and interspersed his files with her own. These files include letters from Josef Albers, Thomas Hart Benton, Alexander Calder, Christo, Joseph Cornell, Robert Indiana, and a postcard of Calder's studio from Ben Shahn. There are also watercolor sketches by Clifford Odets, an exhibition catalog autographed by Ben Shahn, and photographs of Marsden Hartley, Jacques Lipchitz, composer Frederick Loewe, Paul Mommer, Mert Simpson, and Curt Valentin with Andrew Ritchie.

Eva Lee Gallery artists' consignment and sales files primarily contain photographs of artwork and notes concerning sales of specific artwork by the Eva Lee Gallery. Also found in these sales files are scattered letters, receipts, and printed material. There is a significant amount of material for Ben Benn, Alexander Calder, Lovis Corinth, Salvadore Dali, Lyonel Feininger, George Grosz, Marsden Hartley, John Hopkins, Rene Magritte, and John Marin. It is assumed that Eva Lee separated the two latter sets of artists' files containing sales records.

Also found in the collection is a photocopy of the Korvettes Art Galleries auction catalog, which lists artwork sold at a 1970 auction liquidating the holdings of the Douglaston, New York gallery.
Arrangement:
The collection is arranged as 5 series:

Series 1: General Artist Files, 1923-1972 (Boxes 1-2; 1.3 linear feet)

Series 2: Notebooks of Artist Files, 1929-1973 (Boxes 2-3; 1.4 linear feet)

Series 3: Financial Artist Files, 1921-1970 (Boxes 3-4; 0.6 linear feet)

Series 4: Eva Lee Gallery Consignment and Sales Artist Files, 1960-1972 (Box 4; 0.7 linear feet)

Series 5: Photocopy of Korvettes Art Galleries Auction Catalog, 1970 (Box 4; 1 folder)
Historical Note:
Eva Lee was born circa 1924. She fled from Nazi Germany to the United States, becoming an art dealer and the owner of the Eva Lee Gallery, Inc. Located in Great Neck, New York, the Eva Lee Gallery specialized in modern art and handled the work of many prominent artists including Alexander Calder, Lyonel Feininger, George Grosz, Marsden Hartley, Jacob Lawrence, Ben Shahn, and Max Weber. The gallery was in operation through the first half of 1973.

Eva Lee died suddenly on November 4, 1973 in Terre Haute, Indiana, while undergoing unspecified medical treatment.
Provenance:
The Eva Lee Gallery records were donated in 1973 by Eva Lee through Eloise Spaeth, and in 1978 by Neal Richmond of the Paul Klapper Library, Queens College, Flushing, New York, who had been asked to disperse Lee's gallery records following her sudden death in 1973. A photocopy of the Korvettes Art Galleries Auction Catalog was donated by Eva Lee in 1970.

Lee's records also contained financial files belonging to art dealer J. B. Neumann and his New Art Circle Gallery, whose estate she had worked on in 1966.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Eva Lee gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- Long Island  Search this
Works of art  Search this
Genre/Form:
Watercolor drawings
Photographs
Citation:
Eva Lee Gallery records, 1921-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.evalee
See more items in:
Eva Lee Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-evalee
Online Media:

Vasarely II. Prefatory remarks by Marcel Joray. Translated from the French by Haakon Chevalier

Author:
Vasarely, Victor 1906-1997  Search this
Joray, Marcel  Search this
Physical description:
206, [1] p. illus. (part col.) (16 in pocket) 28 cm
Type:
Books
Date:
1970
C1970
Call number:
N40.1.V32 J8v E1970
N40.1.V32J8v E1970
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_5908

Pop-up de l'Op Art par Ug

Paper engineer:
Ug, Philippe  Search this
Publisher:
Éditions des Grandes Personnes  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
[16] unnumbered pages : color illustrations ; 30 cm
Type:
Specimens
Smithsonian Libraries artists' books
Date:
2014
Topic:
Artists' books  Search this
Pop-up books  Search this
Toy and movable books  Search this
Call number:
N7433.4.U46 V27 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1051278

Vasarely : in the labyrinth of modernism / editor, Martin Engler

Title:
In the labyrinth of modernism
Author:
Vasarely, Victor 1906-1997 Works Selections  Search this
Editor:
Engler, Martin  Search this
Host institution:
Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
249 pages : illustrations (chiefly color) ; 26 cm
Type:
Books
Exhibitions
Illustrated works
Exhibition catalogs
Date:
2018
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1105606

Careaga, Le Parc, Soto, Vasarely

Author:
Careaga, Enrique  Search this
Le Parc, Julio 1928-  Search this
Soto, Jesús Rafael 1923-2005  Search this
Vasarely, Victor 1906-1997  Search this
Galería Citroën  Search this
Subject:
Careaga, Enrique  Search this
Le Parc, Julio 1928-  Search this
Soto, Jesús Rafael 1923-2005  Search this
Vasarely, Victor 1906-1997  Search this
Physical description:
[13] p. : ill ; 21 cm
Type:
Exhibitions
Date:
1977
Topic:
Kinetic art  Search this
Call number:
N6494.K5 C37 1977
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_806641

Vasarely : Erfinder der Op-Art / herausgegeben von Richard W. Gassen

Title:
Erfinder der Op-Art
Author:
Vasarely, Victor 1906-1997  Search this
Gassen, Richard W  Search this
Wilhelm-Hack-Museum  Search this
Kunstverein Wolfsburg  Search this
Josef-Albers-Museum  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
222 p. : chiefly ill. (some col.) ; 29 cm
Type:
Exhibitions
Place:
France
Date:
1997
C1997
Topic:
Optical art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_810070

Vasarely : [œuvres de 1948 à 1973, Galerie Denise René, vernissage le juedi 25 octobre 1973]

Author:
Vasarely, Victor 1906-1997  Search this
Galerie Denise René  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
1 folded sheet ([6] pages] : color illustrations ; 26 x 21 cm (folded to 16 x 63 cm)
Type:
Books
Exhibitions
Exhibition catalogs
Date:
1973
[1973]
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_824913

Vasarely : Michel Hoog

Author:
Hoog, Michel  Search this
Vasarely, Victor 1906-1997  Search this
Subject:
Vasarely, Victor 1906-1997 Criticism and interpretation  Search this
Physical description:
1 v. (unpaged) : ill. (some col.), port. ; 27 cm
Type:
Books
Place:
France
Date:
1965
1965?]
Topic:
Optical art  Search this
Call number:
N6853.V3 H66 1965
N6853.V3 A8 1965
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_824941

Vasarely

Author:
Vasarely, Victor 1906-1997  Search this
Gallery Moos  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
[14] p. : chiefly ill. (some col.) ; 21 cm
Type:
Books
Exhibitions
Date:
1973
Call number:
N6853.V3 A4 1973
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_832990

Le Mouvement

Author:
Bordier, Roger  Search this
Hultén, Pontus 1924-2006  Search this
Vasarely, Victor 1906-1997  Search this
Galerie Denise René  Search this
Physical description:
1 sheet ([8] p.) ; 50 x 33 cm. folded to 25 x 17 cm
Type:
Exhibitions
Date:
1955
[1955]
20th century
Topic:
Kinetic art  Search this
Art, Modern  Search this
Call number:
N6494.K5 M68 1955
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_843148

Vasarely

Author:
Vasarely, Victor 1906-1997  Search this
Hayden Gallery  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
[12] p. : ill. ; 20 cm
Type:
Books
Exhibitions
Date:
1966
1966]
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_701430

Vasarely : 22 novembre 1973-22 décembre 1973 / Galerie Veranneman

Author:
Vasarely, Victor 1906-1997  Search this
Galerie Veranneman  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
1 v. (unpaged) : ill. (some col.); 27 cm
Type:
Books
Exhibitions
Date:
1973
[1973]
Call number:
ND553.V35 A4 1973
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_701431

Vasarely

Author:
Vasarely, Victor 1906-1997  Search this
Vasarely, Victor 1906-1997  Search this
Centro Atlántico de Arte Moderno  Search this
Fundación Juan March  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
143 p. : ill. (some col.) ; 29 cm
Type:
Exhibitions
Date:
2000
C2000
Topic:
Optical art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_701835

Vasarely / Robert C. Morgan

Author:
Morgan, Robert C. 1943-  Search this
Vasarely, Victor 1906-1997  Search this
Naples Museum of Art (Naples, Fla.)  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
127 p. : ill. (some col.) ; 26 cm
Type:
Exhibitions
Place:
France
Date:
2004
C2004
Topic:
Optical art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_770799

Victor Vasarely, 1906-1997 : pure vision / Magdalena Holzhey

Title:
Vasarely
Author:
Holzhey, Magdalena  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Vasarely, Victor 1906-1997 Criticism and interpretation  Search this
Physical description:
96 p. : ill. (some col.) ; 23 cm
Type:
Books
Place:
France
Date:
2005
C2005
Topic:
Optical art  Search this
Call number:
ND553.V35 H65 2005
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_774331

Vasarely, juin-juillet 1966, Galerie Denise René

Author:
Vasarely, Victor 1906-1997  Search this
Galerie Denise René  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
1 v. (unpaged) illus. (part col.), port. 24 cm
Type:
Books
Exhibitions
Date:
1966
[1966?]
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_778666

Victor Vasarely : [Ausstellung], 22. März bis 29. April 1969, Gimpel & Hanover Galerie, Zürich

Author:
Vasarely, Victor 1906-1997  Search this
Gimpel & Hanover Galerie  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
[8] p. : col. ill. ; 24 cm
Type:
Books
Exhibitions
Date:
1969
[1969]
Call number:
ND553.V35 A4 1969
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_615085

An exhibition of recent paintings by Vasarely, January 5-February 5, 1966

Author:
Vasarely, Victor 1906-1997  Search this
Sidney Janis Gallery  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
[28] p. : chiefly ill. (part col.), port. ; 28 cm
Type:
Books
Exhibitions
Date:
1966
1966]
Call number:
ND553.V35 A4 1966a
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_635762

Vasarely, paintings, drawings : 27 April-11 June 1966, Brook Street Gallery

Author:
Vasarely, Victor 1906-1997  Search this
Brook Street Gallery  Search this
Subject:
Vasarely, Victor 1906-1997  Search this
Physical description:
[28] p. : ill. ; 30 cm
Type:
Books
Exhibitions
Date:
1966
[1966]
Call number:
N6853.V3 A4 1966
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_635763

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