Search Results

Collection Creator:

Morehouse, Harold E., 1894-1973  Search this

Container:

Box 4, Folder 6

Type:

Archival materials

Text

Collection Restrictions:

No restrictions on access

Collection Rights:

Permissions Requests

Collection Citation:

Harold E. Morehouse Flying Pioneers Biographies Collection, Acc. XXXX-0450, National Air and Space Museum, Smithsonian Institution.

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Harold E. Morehouse Flying Pioneers Biographies collection

Harold E. Morehouse Flying Pioneers Biographies collection / Series 1.1: Biographies of Flying Pioneers 1.1

Archival Repository:

National Air and Space Museum Archives

EDAN-URL:

ead_component:sova-nasm-xxxx-0450-ref107

Collection Creator:

Morehouse, Harold E., 1894-1973  Search this

Container:

Box 8, Folder 14

Type:

Archival materials

Text

Collection Restrictions:

No restrictions on access

Collection Rights:

Permissions Requests

Collection Citation:

Harold E. Morehouse Flying Pioneers Biographies Collection, Acc. XXXX-0450, National Air and Space Museum, Smithsonian Institution.

See more items in:

Harold E. Morehouse Flying Pioneers Biographies collection

Harold E. Morehouse Flying Pioneers Biographies collection / Series 1.1: Biographies of Flying Pioneers 1.1

Archival Repository:

National Air and Space Museum Archives

EDAN-URL:

ead_component:sova-nasm-xxxx-0450-ref217

Creator:

Gordon, Elizabeth, 1906-2000  Search this

Names:

Claiborne, Craig  Search this

Gordon, Elizabeth, 1906-2000  Search this

Leach, Bernard, 1887-1979  Search this

Extent:

3 Linear feet

Type:

Collection descriptions

Archival materials

Periodicals

Photographs

Correspondence

Personal papers

Place:

Japan

Date:

1958-1987

Summary:

Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

Scope and Contents:

The Elizabeth Gordon Papers measure 4.5 linear feet and span the years 1959-1987. The collection mainly documents Ms. Gordon's research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; research notes and materials; articles; lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; article materials; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

Arrangement note:

This collection is organized into eight series. 1. Biographical data, 2. Shibui research, 3. Shibui issues of, House Beautiful, 4. Correspondence, 5. Shibui promotion, 6. Exhibition files, 7. Printed materials, and 8. Photographs.

Biographical Information:

Born in Logansport, Indiana in 1906, Elizabeth Gordon served as editor of House Beautiful magazine 1941 to 1964. Ms. Gordon first became interested in Japanese aesthetics during the mid-1950s. As a result she began to read and study Japanese art, history and culture. In 1959, Gordon travelled to Japan with three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize. In August and September, 1960, House Beautiful, under the editorial control of Ms. Gordon, published two extremely popular issues devoted to the subject of "shibui". Due to the popularity of the issues, museum exhibits devoted to the concept of "shibui" travelled around the United States. Ms. Gordon died in Adamstown, Maryland in 2000.

Biographical Overview

1906 -- Born in Logansport, Indiana

1920s -- Attended the University of Chicago

1930s -- Moved to New York to work as a promotional copywriter for several newspapers

1930s -- Syndicated columnist on home maintenance for The New York Herald Tribune

1930s -- Editor at Good Housekeeping (here for 8 years)

1937 -- More House for your Money by Elizabeth Gordon and Dorothy Ducas published by W. Morrow and Company: New York.

1937 -- Married Carl Hafey Norcross

1939 -- Appointed editor of House Beautiful

1964 -- Left the magazine world

1972 -- Published a special issue on Scandinavian design and awarded the insignia of a knight, first class, in the Finnish Order of the Lion

1987 -- American Institute of Architects made her an honorary member

1988 -- Carl Hafey Norcross died

September 3, 2000 -- Died in Adamstown, MD

(The following biography of Elizabeth Gordon comes courtesy of curator Louise Cort. Written in consultation with Elizabeth Gordon, October 23, 1987)

The research papers, memoranda, magazines, books, photographs and color transparencies and other materials in this archives are related to the publication by Elizabeth Gordon (Mrs. Carl Norcross), editor of House Beautiful from 1941 to 1964 and creator of the August, 1960 issue of the magazine on the special theme of the Japanese aesthetic concept of "shibui". The "shibui issue" was followed by the September, 1960, issue of the same publication on the theme, "How to be shibui with American things." As a by-product of the issues, a "Shibui Exhibition" travelled to eleven museums in the United States during 1961-1964. Each exhibition was opened with a slide lecture by Elizabeth Gordon.

Miss Gordon first became curious about Japanese aesthetics in the mid-1950s when she began to see Japanese objects being displayed and used in the homes of Americans who had spent time in Japan during the Occupation and Japanese influence began to appear in wholesale showrooms of home furnishings manufacturers. It was clear that the time had come: she HAD to go to Japan!

She read for five years before going to Japan - history, social mores, art history. (Many of the books on Japan that she collected during this time have been presented to the library at the University of Maryland, College Park.)

An important bit of advice came from Alice Spaulding Bowen, owner of Pacifica, the highest quality shop of Asian antiquities in Honolulu, who told her, "Be sure to read, The Tale of Genji - then you'll understand everything."

She made her first trip to Japan in April, 1959, accompanied by three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Miss Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize.

Miss Gordon came home, planning to spend the summer researching "shibui" with the aid of the Japan Society. But she found virtually nothing written in English on the concept. So she returned to Japan in December, 1959 together with staff member Marion Gough, to dig deeper and to work out details and get better educated with Eiko Yuasa. One of their devices was to walk through department stores and discuss with sales personnel whether objects for sale were "shibui", or were "jimi" or "hade", and why. Between themselves, they did the same for the costumes of women they saw on the streets.

Lacking printed sources for information on "shibui", Miss Gordon sought out and interviewed experts, including Douglas Overton, head of the Japan Society in New York. In Japan in December, 1959, she met Yanagi Soetsu, founder of Japan's Folk Craft Movement and head of the Craft Museum in Tokyo (with an introduction from Tonomura Kichinosuke, head of the Craft Museum in Kurashiki). She met the chef Tsuji Kaichi, who was commissioned to write an article on "kaiseki" (that could not be used because of an inadequate English translation) and Frances Blakemore. She met several times with Bernard Leach and attended his lecture at Bonnier's while he was in New York in March, 1960. (He would later write a "fan letter" for the issue)

As the concept of "the shibui issue" began to take shape, a third trip in the spring of 1960 focused on photography - to produce the shooting script decided on the preceding December. This was executed by the noted photographer Ezra Stoller of Rye, New York, and John DeKoven Hill, House Beautiful's Editorial Director. (Mr. Hill worked with Frank Lloyd Wright except for the ten years that he was a member of the House Beautiful editorial staff)

Miss Gordon was back in Japan in Mid-August 1960 as the "shibui issue" was causing a sensation. Altogether she spent sixteen months in Japan.

As one of the experiences that influenced her strong interest in Japanese costumes and textiles, Miss Gordon remembers a spectacularly thorough exhibition at the Tokyo National Museum in Ueno on, 1200 Years of Japanese Costume. She saw it on the last day of its exhibition (possibly 1964).

The August 1960 issue sold out quickly. Copies of the magazine, which sold for fifty cents, were sold on the "black market" for ten dollars.

The publication of the August 1960 issue was followed by an unprecedented avalanche of "fan mail". Many department heads in colleges and universities, including the Harvard-Yenching Institute and the Oriental Institute of the University of Chicago (where Miss Gordon had worked as an undergraduate) wrote to comment on the issue. Many people in other fields of endeavor wrote: heads of firms concerned with interior design, landscape architecture, and related areas expressed their interest in the concept of "shibui" Other writers include Bernard Leach, Gertrude Natzler, Laura Gilpin, Mainbocher, the architect Yoshimura Junzo, the textile artist Marianne Strengell, Walter Kerr, Craig Claiborne, and Oliver Statler.

The "shibui issue" was followed immediately by the September issue dealing with the use of non-Japanese objects to express the concept of "shibui." (Miss Gordon convinced her advertisers, who had been skeptical about the potential success of the August issue, by promising the September issue dealing with American products.) Four American firms were involved in the production of an integrated line of paints, wallpaper, furniture and carpets expressive of the concept. Products were designed by the firms' designers following the clues offered by objects and fabrics purchased by Miss Gordon in Japan in December 1959 and spring 1960. Miss Gordon has expressed her dissatisfaction with the September issue, although public opinion was positive. She feels that some of the firms failed in the "shibui" project, though some "caught" the message: namely the paint company and the fabric/wallpaper company.

In response to strong public interest, the House Beautiful staff prepared a travelling exhibition to introduce the concept of "shibui" through a series of vignettes, mixing fabrics and objects, colors and textures. The museum installation was designed by John Hill of House Beautiful. Japan Air Lines underwrote shipping costs.

The exhibition began in Philadelphia in late 1961. Ezra Stoller was sent to photograph the installation in considerable detail at the Dallas Museum of Fine Arts in January, 1962, so that his photographs cold serve as guidelines for installations at the other museums, which included the San Francisco Museum of Art (April 1962), the Newark Pubic Library, and the Honolulu Academy of Art. Miss Gordon presented a lecture on "shibui" at each of the museum installations.

In appreciation of her work to introduce Americans to the concept of "shibui", the city of Kyoto presented a bolt of especially "shibui" kimono fabric executed by a Living National Treasure textile artist. Miss Gordon eventually tailored the fabric into a dress and jacket. She received the 1961 Trail Blazer Award from the New York Chapter of the National Home Fashions League, Inc. In June, 1987, Miss Gordon was named an honorary member of the American Institute of Architects, with her introduction of the concept of "shibui" and her promotion of an understanding of other culture cited as her major contributions to American architecture.

Provenance:

Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.

Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.

Restrictions:

Collection is open for research.

Rights:

No restrictions on use.

Topic:

Interior decoration -- Periodicals  Search this

Landscape gardening  Search this

Art, Japanese  Search this

Aesthetics, Japanese  Search this

House funishings  Search this

Interior decoration  Search this

Museum exhibits  Search this

Interior decorators  Search this

Gardens -- Japan  Search this

Genre/Form:

Periodicals -- 1940-1970

Photographs

Correspondence

Personal papers -- 1950-2000

Citation:

The Elizabeth Gordon Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Elizabeth Gordon, 1988

Identifier:

FSA.A1988.03

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Elizabeth Gordon Papers

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_collection:sova-fsa-a1988-03

Collection Collector:

Musical History, Division of (NMAH, SI)  Search this

Collection Creator:

Ellington, Duke, 1899-1974  Search this

Container:

Box 6 (Series 10), Folder 26

Type:

Archival materials

Date:

1972 - 1972

Collection Restrictions:

The collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.

Collection Citation:

Duke Ellington Collection, Archives Center, National Museum of American History

Sponsor:

Processing and encoding partially funded by a grant from the Council on Library and Information Resources.

See more items in:

Duke Ellington Collection

Duke Ellington Collection / Series 10: Magazine Articles and Newspaper Clippings / 10.1: Domestic Articles

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0301-ref21182

Collection Collector:

Musical History, Division of (NMAH, SI)  Search this

Collection Creator:

Ellington, Duke, 1899-1974  Search this

Container:

Box 5 (Series 12), Folder 4

Type:

Archival materials

Scope and Contents note:

University of Wisconsin, Madison; July 17-21, 1972.

Half sized. 24 x 17 ½. 3c. White lettering on black with photo of Duke Ellington. One copy on map board.

Collection Restrictions:

The collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.

Collection Citation:

Duke Ellington Collection, Archives Center, National Museum of American History

Sponsor:

Processing and encoding partially funded by a grant from the Council on Library and Information Resources.

See more items in:

Duke Ellington Collection

Duke Ellington Collection / Series 12: Posters and Oversize Graphics / 12.1: Domestic Tours / 12.1.3: Miscellaneous

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0301-ref21559

Collection Collector:

Musical History, Division of (NMAH, SI)  Search this

Collection Creator:

Ellington, Duke, 1899-1974  Search this

Container:

Box 2 (Series 11), Folder 31

Type:

Archival materials

Date:

April 1972

Collection Restrictions:

The collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.

Collection Citation:

Duke Ellington Collection, Archives Center, National Museum of American History

Sponsor:

Processing and encoding partially funded by a grant from the Council on Library and Information Resources.

See more items in:

Duke Ellington Collection

Duke Ellington Collection / Series 11: Publicity

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0301-ref54250

Collection Collector:

Musical History, Division of (NMAH, SI)  Search this

Collection Creator:

Ellington, Duke, 1899-1974  Search this

Container:

Box 3 (Series 13), Folder 7

Type:

Archival materials

Date:

June 14, 1971

Collection Restrictions:

The collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.

Collection Citation:

Duke Ellington Collection, Archives Center, National Museum of American History

Sponsor:

Processing and encoding partially funded by a grant from the Council on Library and Information Resources.

See more items in:

Duke Ellington Collection

Duke Ellington Collection / Series 13: Awards

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0301-ref54831

Collection Collector:

Musical History, Division of (NMAH, SI)  Search this

Collection Creator:

Ellington, Duke, 1899-1974  Search this

Container:

Box 14 (Series 2), Folder 12

Type:

Archival materials

Collection Restrictions:

The collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.

Collection Citation:

Duke Ellington Collection, Archives Center, National Museum of American History

Sponsor:

Processing and encoding partially funded by a grant from the Council on Library and Information Resources.

See more items in:

Duke Ellington Collection

Duke Ellington Collection / Series 2: Performances and Programs / 2.2: Domestic Tours

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_component:sova-nmah-ac-0301-ref14675

Creator:

Koenig, Eldo C.  Search this

Information, Technology and Society, Div. of (NMAH, SI).  Search this

Extent:

0.12 Cubic feet

Type:

Collection descriptions

Archival materials

Articles

Awards

Technical reports

Diagrams

Technical drawings

Laboratory notes

Date:

1950-1969.

Scope and Contents note:

Papers representing Koenig's research on early personal computers. Includes photographs, articles, laboratory reports, Koenig's students' research, writings and illustrations and diagrams on hardware and software.

Arrangement:

1 series.

Biographical/Historical note:

Koenig held various positions at the Allis-Chalmers Manufacturing Company from 1944-1962 including supervisor of the computer laboratory. In 1962 he left Allis-Chalmers to take a teaching position with the University of Wisconsin. Koenig received the Alfred Noble Prize (not to be confused with the Nobel Prize) for his work on analog computers in 1951 and was active in several professional organizations, including the Association for Computing Machinery and the Institute for Electrical and Electronics Engineers.

Provenance:

Collection donated by Eldo C. Koenig.

Restrictions:

Unrestricted research access on site by appointment. Unprotected photographs must be handled with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Computer science  Search this

Computer software  Search this

Computers  Search this

Genre/Form:

Articles

Awards

Technical reports

Diagrams

Technical drawings

Laboratory notes

Citation:

Eldo C. Koenig Personal Computer Collection, 1950-1969, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0650

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-0650

Collection Creator:

Perls Galleries  Search this

Extent:

(see also The Wisconsin Union)

Container:

Box 40, Folder 69

Type:

Archival materials

Date:

1940-1943, 1965-1966

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Perls Galleries records, 1937-1997. Archives of American Art, Smithsonian Institution.

See more items in:

Perls Galleries records

Perls Galleries records / Series 1: Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-perlgall-ref2046

Collection Creator:

Perls Galleries  Search this

Extent:

(see also the University of Wisconsin)

Container:

Box 43, Folder 13

Type:

Archival materials

Date:

1945-1957

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Perls Galleries records, 1937-1997. Archives of American Art, Smithsonian Institution.

See more items in:

Perls Galleries records

Perls Galleries records / Series 1: Correspondence

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-perlgall-ref2176

Former owner:

Crane, R. T.  Search this

Gartz, A. F.  Search this

Landscape architect:

Byron, Scott  Search this

Arborist:

Bader, Brian  Search this

Provenance:

Lake Geneva Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Windwood Garden (Lake Geneva, Wisconsin)

United States of America -- Wisconsin -- Walworth County -- Lake Geneva

Scope and Contents:

The folder includes a worksheet, historical pictures and information regarding previous owners, historical timeline of property, planting lists, planting plans, and landscape design.

General:

Located on approximately 100 acres, Windwood Garden was originally part of a 90-plus acre property that dates back to 1879 when R.T. Crane purchased it. During the early 1900s, the property was operated as the Crane's family compound with fruit orchards, vegetable gardens, a bakery laundry building and four greenhouses. The property was subdivided in 1933 to Maxwell House and A. F. Gartz. The western side of the divided property was purchased in 1948 by the current owner from A. F. Gartz and included the original house, vegetable garden, orchard and large expanses of lawn with a few flowers or shrubs. When the property was purchase, the property was very basic and showed signs of neglect. Brian Bader, arborist consultant, and Scott Byron, landscape architect, assisted the owners in creating a plan to conserve and transform the property into a small arboretum and then to further develop vistas from many different angles across the entire property.

The property includes woodlands and meadows populated with native spring wildflowers and large beds of daffodils. The wooded areas have many varieties of oaks, beech, maple, hemlock, walnut, hickory, lindens and butternut trees. A white okay tree is marked with a plaque by a University of Wisconsin arborist as the largeest white oka in Southeast Wisconsin. Decorative sculptures, benches, bridges, fountains, ponds and trails with plantings of trees, shrubs, perennials and wild grasses are also featured on the property.

In a 2014 garden tour handout for the Garden Club of America, the following areas were described as distinct areas of the home and garden: the manor House, the Country House, the Green Carriage House, the Caretaker's House, teh Stable, the Woodland Cottage, the White Oak Savannah, the Vegetable Garden, the Cooler House, the Pond, the Boat Deck, West Pier and East Pier.

Persons associated with the property include: R. T. Crane (former owner, 1879-1933); A. F. Gartz (former owner, 1933-1948); The Griffith family (owner, 1948- ), Scott Byron (landscape architect, 1985-present); Brian Bader (arborist consultant, University of Wisconsin, Madison Arboretum, 1996-1998).

Related Materials:

Windwood Garden related holdings consist of 1 folder (16 35 mm slides)

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Gardens -- Wisconsin -- Lake Geneva  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Identifier:

AAG.GCA, File WI038

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Wisconsin

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-gca-ref11669

Collection Creator:

Hess, Thomas B.  Search this

Container:

Box 4, Folder 8

Type:

Archival materials

Date:

1957-1961

Scope and Contents:

"The Cigarbox of Napoleon III," lecture at University of wisconsin, Madison

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Thomas Hess papers, 1939-1978. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.

See more items in:

Thomas Hess papers

Thomas Hess papers / Series 3: Writings and Notes / By Hess

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-hessthom-ref69

Author:

Laguna, Frederica de  Search this

Object Type:

Smithsonian staff publication

Electronic document

Year:

1972

Data source:

Smithsonian Libraries

EDAN-URL:

edanmdm:SILSRO_113389

Author:

Meggers, Betty J.  Search this

Evans, Clifford  Search this

Estrada, Emilio  Search this

Object Type:

Smithsonian staff publication

Electronic document

Year:

1965

Data source:

Smithsonian Libraries

EDAN-URL:

edanmdm:SILSRO_113397

Author:

Laguna, Frederica de  Search this

Object Type:

Smithsonian staff publication

Electronic document

Year:

1972

Data source:

Smithsonian Libraries

EDAN-URL:

edanmdm:SILSRO_113414

Author:

Laguna, Frederica de  Search this

Object Type:

Smithsonian staff publication

Electronic document

Year:

1972

Data source:

Smithsonian Libraries

EDAN-URL:

edanmdm:SILSRO_113415

Collection Creator:

Parsons, Betty  Search this

Extent:

(2 folders)

Container:

Box 22, Folder 73-74

Type:

Archival materials

Date:

1947-1978

Scope and Contents note:

Union College

United States Department of State

United States Information Service

Universidad Iberoamericana

University of Arkansas

University of California, Santa Barbara

The University of Chicago

University of Georgia

University of Kansas

University of Maryland, College Park

University of Michigan

University of Minnesota

University of Mississippi

University of New Mexico

University of North Carolina at Greensboro

University of Pennsylvania

University of St. Thomas

University of South Florida

University of Tennessee, Knoxville

University of Texas at Austin

University of Utah

University of Vermont

University of Virginia

University of Wisconsin

Upsala College

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.

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Betty Parsons Gallery records and personal papers

Betty Parsons Gallery records and personal papers / Series 3: Correspondence Files / 3.1: Institutions and Dealers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-parsbett-ref920

Creator:

National Zoo  Search this

Type:

YouTube Videos

Uploaded:

2016-02-05T18:58:29.000Z

YouTube Category:

Pets & Animals  Search this

Topic:

Zoology;Animals;Veterinary medicine;Animal health  Search this

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SmithsonianNZP

Data Source:

National Zoo

YouTube Channel:

SmithsonianNZP

EDAN-URL:

edanmdm:yt_E6wN4OD6gZI

Creator:

Smithsonian Astrophysical Observatory  Search this

Type:

YouTube Videos

Uploaded:

2014-02-13T18:11:13.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Astronomy  Search this

See more by:

ITAMPhysics

Data Source:

Smithsonian Astrophysical Observatory

YouTube Channel:

ITAMPhysics

EDAN-URL:

edanmdm:yt_hRzL_sYTt8o