Search Results

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2012-12-21T14:30:51.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_e3ckTvhBAg4

Creator:

Fine, Jud, 1944-  Search this

McCarren, Barbara, 1958-  Search this

Type:

Interviews

Citation:

Jud Fine and Barbara McCarren papers, circa 1968-2009. Archives of American Art, Smithsonian Institution.

Topic:

Public art -- United States  Search this

Theme:

Art instruction and services  Search this

Record number:

(DSI-AAA_CollID)22154

AAA_collcode_finejud

Theme:

Art instruction and services

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_22154

Creator:

Fine, Jud  Search this

McCarren, Barbara  Search this

Extent:

16.7 Linear feet

0.345 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Interviews

Date:

circa 1968-2009

Summary:

The papers of sculptors Jud Fine and Barbara McCarren measure 16.7 linear feet and 0.345 Gigabytes, and date from circa 1968-2009. The majority of the collection falls into project files, with other series including correspondence, writings, personal business, printed material, photographic material, and artwork.

Scope and Contents:

The papers of sculptors Jud Fine and Barbara McCarren measure 16.7 linear feet and 0.345 Gigabytes, and date from circa 1968-2009. The majority of the collection falls into project files, with other series including correspondence, writings, personal business, printed material, photographic material, and artwork.

Correspondence is mostly professional in nature and is largely from Jud Fine's early career in the late sixties through the 1970s. There is also come McCarren/Fine correspondence starting in the 1990s as well as some correspondence regarding Barbara McCarren's solo career.

The writings series is comprised primarily of Jud Fine's writing practice associated with his earlier career, including notes and journal entries, lectures by Fine, as well as manuscripts for catalog essays and artist publications, an interview from 1984, and writings on Fine by others.

The personal business series includes exhibition files as well as gallery files containing sale and consignment paperwork, as well as daily business of the studio, primarily pertaining to Jud Fine's earlier career, with some documents pertaining to Barbara McCarren's solo career from the 1990s on.

Project files document various public art works and commissions taken on or applied for by McCarren/Fine, as well as solo projects that date before and after their formal collaboration in 1996. These documents include correspondence, contracts, reports, meeting minutes, renderings and other plans, notes, photographic material and research material, some of which is in digital formats.

Printed material includes various promotional materials for McCarren/Fine and solo projects for Barbara McCarren and Jud Fine, as well as a graphic design magazine publication, and a monographic catalog for a Jud Fine exhibition from 1974. Photographic material includes miscellaneous snapshots and snapshot albums, some of Fine and McCarren, in the studio and with artist friends, as well as an untitled album with study images of a strelitzia plant.

Artwork includes a single, unsigned painted work on canvas that has been cut awat from the frame or support.

Arrangement:

The collection is arranged as seven series:

Series 1: Correspondence, circa 1970-2001 (0.5 Linear feet: Box 1)

Series 2: Writings, circa 1968-2003 (0.5 Linear feet: Box 1)

Series 3: Personal Business, circa 1969-2001 (1 Linear foot: Box 2)

Series 4: Project Files, circa 1988-2009 (14.4 Linear feet: Boxes 2-20; Oversize 21; 0.345 Gigabytes: ER0001-ER0005)

Series 5: Printed Material, circa 1974-1992 (0.2 Linear feet: Box 16)

Series 6: Photographic Material, circa 1970s-2000 (0.1 Linear feet: Box 16)

Series 7: Artwork, circa 1980s (1 Folder: Box 16)

Biographical / Historical:

Jud Fine (1944- ) is a sculptor and educator in Venice, California, as well as former director of the University of Southern California Roski School of Fine Arts. Jud Fine is married to fellow artist, sculptor and installation artist Barbara McCarren (1958-), born in Washington, D.C., and they maintain a studio where they work on projects and commissions both individually and collaboratively.

Born in Los Angeles, Fine received a BA in History from the University of California, Santa Barbara. With a limited artwork portfolio he was lucky enough to be accepted into the Masters of Fine Arts program at Cornell University. Fine's reputation as an artist took hold firmly in the late 1960s and early 1970s, becoming particularly well known for sculpture and mixed media drawings, which established a recognizable style and conceptual framework. He has been represented by Ronald Feldman Gallery in New York City since 1972. He has participated in solo and group exhibitions internationally at institutions including Museum of Contemporary Art, Los Angeles, Los Angeles County Museum of Art, Chicago Art Institute, Museum of Contemporary Art, Chicago, Guggenheim Museum, New York, Yale University Art Museum, Museum Stuki, Poland, University of Sidney, Power Art Institute, Australia and the Pushkin State Museum of Fine Art, Moscow. McCarren received her bachelors of arts degree at UCLA in1980 and would meet Fine during work towards her masters of fine arts at USC in 1986. After nearly a decade of pursuing solo career opportunities including public art commissions, they decided to join forces making collaborative project proposals as McCarren Fine.

As Mccarren/Fine they have executed several works including Waterline a two square block mixed use development in Huntington Beach, CA, Split Mound for the San Francisco Zoo, Mais a 23-acre interactive park in Long beach, CA, Modestopo, the civic center plaza for the City of Modesto and Stanislaus County, CA and both the Central Library and Pershing Square in downtown Los Angeles. Beyond public art commissions, their collaboration has extended to their studio practice, with collaborative exhibitions including a 2002 show in Bangkok, Thailand, that was later expanded with new work for the 2005 show, Currency, at Ronald Feldman Gallery, New York. Together McCarren/Fine have completed around thirty public work projects, and numerous studio projects.

Provenance:

Donated in 2022 by Jud Fine and Barbara McCarren.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- California -- Los Angeles  Search this

Educators -- California -- Los Angeles  Search this

Installation artists -- California -- Los Angeles  Search this

Topic:

Public art -- United States  Search this

Genre/Form:

Interviews

Citation:

Jud Fine and Barbara McCarren papers, circa 1968-2009. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.finejud

See more items in:

Jud Fine and Barbara McCarren papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c608732e-9329-442c-a514-56242b3018e9

EDAN-URL:

ead_collection:sova-aaa-finejud

Creator:

Novros, David, 1941-  Search this

Names:

Bui, Phong, 1964-  Search this

Colpitt, Frances  Search this

Graham, Robert, 1938-  Search this

Hope, Charles  Search this

Humblet, Claudine, 1946-  Search this

Judd, Donald, 1928-  Search this

McEwen, Rory, 1932-  Search this

Pollock, Jackson, 1912-1956  Search this

Price, Kenneth, 1935-2012  Search this

Extent:

1 Linear foot

Type:

Collection descriptions

Archival materials

Poems

Transcripts

Interviews

Illustrated letters

Diaries

Date:

1963-2008

Summary:

The papers of abstract painter David Novros are dated 1963 to 2008, and measure 1.0 linear foot. Correspondence, records relating to the Liaunig Boat House commission (Middleburgh, NY), interview transcripts, printed material, and photographs document the painter's professional career.

Scope and Content Note:

The papers of abstract painter David Novros are dated 1963 to 2008, and measure 1.0 linear foot. Correspondence, records relating to the Liaunig Boat House commission (Middleburgh, NY), interview transcripts, printed material, and photographs document the painter's professional career.

The vast majority of correspondence consists of incoming letters. The only reciprocal exchanges preserved are with art historian Charles Hope and the Menil Collection. Letters are from artists Rory McEwen, Paul Mogensen, and Ken Price; writers Frances Colpitt and Claudine Humblet; and from other colleagues and friends. The letters David Novros wrote to his family between 1963 and 1979 recount his travels and describe in some detail - many with accompanying illustrations and diagrams - work in progress, exhibitions, and commissions. Also preserved are copies of his letters to the Trustees of the Donald Judd Estate and Ranier Judd concerning the Marfa, Texas properties and projects, his Spring Street studio in New York City, and the Judd Foundation. Novros's letters to editors concern art-related articles that appeared in The New York Review of Books, The New York Times, Los Angeles Times, and other publications.

Peter Liaunig's commission for a boat house with three fresco paintings in Middleburgh, New York, is documented by correspondence, plans, and designs. The "Boat House Diary, Middleburgh, NY," kept by Novros August 10-15, 2003, describes the process of painting the frescoes with the assistance of Jason, and notes materials and techniques used.

Interview transcripts are of Phong Bui's conversation with David Novros, published June 2008 in The Brooklyn Rail, and an unpublished interview Novros conducted with sculptor Robert Graham in 2008.

Printed material about or mentioning David Novros consists of articles and reviews, exhibition announcements and posters. Items written by Novros are a review of Jackson Pollock and two poems.

Photographs are of David Novros with his family and friends. There are also views of the Novros family's home in Van Nuys, California, and Indian-painted rocks at Sears Point, Arizona that influenced Novros' art.

Arrangement:

The collection is arranged as 5 series:

Missing Title

Series 1: Correspondence, 1963-2008 (Boxes 1-2; 0.4 linear ft.)

Series 2: Liaunig Boat House, 1998-2004 (Box 2, OV3; 0.2 linear ft.)

Series 3: Interview Transcripts, 2008 (Box 2; 0.1 linear ft.)

Series 4: Printed Material, 1966-2008 (Box 2, OV 4; 0.2 linear ft.)

Series 5: Photographs, 1976-1999 (Box 2; 0.1 linear ft.)

Biographical Note:

David Novros (1941-) is an abstract painter in New York, NY.

Abstract painter David Novros was born in Los Angeles in 1941 and lived with his family in Van Nuys, California. His father, Lester Novros, was an artist whose interest in movement eventually led him to the Walt Disney Company, where he worked on animation projects. In 1941 he established his own production company, Graphic Films, and began teaching in the Cinema Department of the University of Southern California. Both David and his brother Paul were enamored with film; David turned to painting, but Paul followed in their father's line of work and became an award-winning film producer.

David entered the University of Southern California and studied painting with James Jervaisee. He made a few student films and sometimes worked with his father, but before long he turned to painting. During the summer of 1961, Novros attended courses at Yale and met Chuck Close, Brice Marden, and Vija Celmins.

After earning a B.F.A. in 1963, Novros completed his Army Reserve obligations and travelled in Europe. He moved to New York City in 1964 and met many Minimalist artists. Over the next several years, Novros's rectangular paintings gave way to multi-panel paintings and then to shaped panels. From the late 1960s through the 1970s, Novros developed a reputation as a geometric abstractionist. He showed at Park Place Gallery and had a solo exhibition at Virginia Dwan Gallery (Los Angeles) in 1966; the next year, his work was again presented at Park Place Gallery and at the Virginia Dwan Gallery (New York). Several solo exhibitions followed at Klaus Kertess's influential Bykert Gallery, as well as at other venues.

Novros participated in important exhibitions of abstraction, among them "Systemic Painting" (Guggenheim Museum, 1966), "Color and Structure" (Whitney Museum of American Art, 1971), and "Abstract-Geometry-Painting: Selected Geometric Abstract Painting in America since 1945" (Albright-Knox Gallery, 1989). In 1970, he was awarded a Guggenheim Foundation Fellowship.

In the 1970s, Novros turned to fresco painting, and his eventual decision to focus on murals effectively removed him from the commercial gallery scene. One of his earliest commissions was a fresco painted in 1970 for the second floor of Donald Judd's studio/home. Other commissions include: Solar Triptych, a radial triptych that opens and closes throughout the day, for the lobby of Union Station, Newark, NJ (1984); a fresco in the Old Court House, Miami (1984); a painted-glass and copper fresco in the Gross Building, Winslow, Arizona (1994-1996); and the Liaunig Boat House with fresco paintings, Middleburgh, NY (1996-2003). A number of museums in the United States and Europe include Novros's work in their permanent collections, among them: Menil Collection, Museum of Modern Art, Whitney Museum of American Art, Museum Liaunig (Austria), and Daimler contemporary (Berlin).

Mr. Novros lives and works in New York City.

Related Material:

An oral history interview with David Novros was conducted by Michael Brennan for the Archives of American Art in 2008.

Provenance:

Gift of David Novros, 2009

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Painters -- New York (State) -- New York  Search this

Painting -- Technique  Search this

Genre/Form:

Poems

Transcripts

Interviews

Illustrated letters

Diaries

Citation:

David Novros papers, 1963-2008. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.novrdavi

See more items in:

David Novros papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw97500999c-12e4-49d2-9d4e-a6790aeba4d0

EDAN-URL:

ead_collection:sova-aaa-novrdavi

Collector:

Evans, Clifford, 1920-1981  Search this

Photographer:

Harris & Ewing  Search this

Tolman, Ruel P. (Ruel Pardee), 1878-1954  Search this

Names:

National Museum of Natural History (U.S.). Department of Anthropology  Search this

Holmes, William Henry, 1846-1933  Search this

Hough, Walter, 1859-1935  Search this

Judd, Neil Merton, 1887-1976  Search this

Newman, Marshall T. (Marshall Thornton), 1911-1994  Search this

St. Hoyme, Lucile Eleanor  Search this

Stephenson, Robert L. (Robert Lloyd), 1919-  Search this

Strong, William Duncan, 1899-1962  Search this

Wetmore, Alexander, 1886-1978  Search this

Extent:

6 Prints (silver gelatin)

1 Print (halftone or collotype)

Type:

Collection descriptions

Archival materials

Prints

Photographs

Date:

circa 1933-1952

Scope and Contents note:

Photographs depicting members of the Smithsonian's Bureau of American Ethnology and Department of Anthropology. The collection includes photographs of William Duncan Strong, Robert Stephenson, and M.T. Newman in the field (1933, 1938, and 1952); a photograph of Walter Hough and Neil M. Judd (1935); a group portrait of the Department of Anthropology staff on the steps of the Natural History Building (1952); and winners at an award presentation for the department (1952). The collection also includes a photomechanical print with a portrait of William Henry Holmes, made by Harris & Ewing.

Biographical/Historical note:

Clifford Evans (1920-1981) was curator of Latin American archeology for the Smithsonian Institution's Museum of Natural History. Born in Dallas, Dr. Evans grew up in California and graduated from the University of Southern California in 1941. He served in the Army Air Force in World War II and later earned a doctorate at Columbia University.

A former instructor in archeology and anthropology, Dr. Evans joined the Smithsonian Museum of Natural History as a curator in 1951. A pioneer in studies of the prehistoric past of the Amazonian forest and lowlands, he conducted archeological field work throughout South America and in the Pacific Islands. He and his wife, anthropologist Betty Meggers, collaborated on more than 100 scientific articles and monographs. Dr. Evans was honored with the Washington Academy of Sciences Award for Scientific Achievement, the 37th International Congress of Americanists Gold Medal and the Order of Merit from the Government of Ecuador.

Local Call Number(s):

NAA Photo Lot 77-80

Location of Other Archival Materials:

Additional photographs of Smithsonian anthropologists can be found in the National Anthropological Archives in Photo Lot 4822, Photo Lot 7A, Photo Lot 7D, Photo Lot 33, Photo Lot 39, Photo Lot 77-52, and Photo Lot 92-35.

Additional photographs by Harris & Ewing can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 33, and Photo Lot 78-20.

The Library of Congress holds the Harris & Ewing Collection of glass and film negatives.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Citation:

Photo lot 77-80, Clifford Evans collection of photographs of Smithsonian anthropologists, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.77-80

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw38f42567b-8bd1-439f-8652-f001601c4ecf

EDAN-URL:

ead_collection:sova-naa-photolot-77-80

Collector:

University of Southern California  Search this

Expedition:

USAP  Search this

Ocean/Sea/Gulf:

Antarctic Ocean  Search this

Vessel:

Eltanin R/V  Search this

Depth (m):

267 - 311

Preparation:

Alcohol (Ethanol)

Place:

South Shetland Islands, Bransfield Strait, Deception Island, Antarctica, Antarctic Ocean

Collection Date:

9 Jan 1963

Published Name:

Notocrinus virilis Mortensen, 1917

USNM Number:

E31421

See more items in:

Invertebrate Zoology

Echinodermata

USAP project

Polar antarctic collection

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/329cb1003-4deb-44ee-b75d-46eda4c67242

EDAN-URL:

edanmdm:nmnhinvertebratezoology_367015

Biogeographical Region:

Northeast Pacific Temperate  Search this

Collector:

James N. Norris  Search this

Place:

Big Fishermans Cove, off University of Southern California-Santa Catalina Island Marine Laboratory, Los Angeles County, California, United States, North America

Collection Date:

6 Mar 1971

Taxonomy:

Plantae Rhodophyta Florideophyceae Ceramiales Rhodomelaceae

Published Name:

Laurencia sp.

Barcode:

00565702

USNM Number:

84688

See more items in:

Botany

Algae

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/396a971a5-1232-41d3-a842-3e6fc2f60d8d

EDAN-URL:

edanmdm:nmnhbotany_2258330

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

YouTube Videos

Uploaded:

2019-07-02T15:21:48.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt__4erFjb6fCM

Creator:

Lemelson Center, National Museum of American History  Search this

Type:

YouTube Videos

Uploaded:

2022-07-25T16:46:52.000Z

YouTube Category:

Science & Technology  Search this

Topic:

American History  Search this

See more by:

LemelsonCenter

Data Source:

Lemelson Center, National Museum of American History

YouTube Channel:

LemelsonCenter

EDAN-URL:

edanmdm:yt_PJbSPdGxcyo

Collector:

University of Southern California  Search this

Expedition:

USAP  Search this

Ocean/Sea/Gulf:

Antarctic Ocean, Ross Sea  Search this

Vessel:

Eltanin R/V  Search this

Depth (m):

568 - 568

Prep Count:

1

Preparation:

Slide

Sex:

male

Place:

center of sea, Antarctica, Antarctic Ocean

Collection Date:

30 Jan 1968

Published Name:

Microdajus aporosus Grygier & Sieg

USNM Number:

229952

See more items in:

Invertebrate Zoology

Arthropoda

USAP project

Polar antarctic collection

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/3ef47de23-9e36-4707-9959-540df45e56cb

EDAN-URL:

edanmdm:nmnhinvertebratezoology_286686

Collector:

University of Southern California  Search this

Expedition:

USAP  Search this

Ocean/Sea/Gulf:

Antarctic Ocean, Ross Sea  Search this

Vessel:

Eltanin R/V  Search this

Depth (m):

568 - 568

Prep Count:

1

Preparation:

Alcohol (Ethanol)

Slide

Remarks:

SELGEM: One Whole On Slide

Sex:

male

intersex

Place:

center of sea, Antarctica, Antarctic Ocean

Collection Date:

30 Jan 1968

Published Name:

Microdajus aporosus Grygier & Sieg

USNM Number:

229953

See more items in:

Invertebrate Zoology

Arthropoda

USAP project

Polar antarctic collection

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/3e6681d8b-3572-459f-b60e-75fea4ac45b4

EDAN-URL:

edanmdm:nmnhinvertebratezoology_286687

Collector:

University of Southern California  Search this

Expedition:

USAP  Search this

Ocean/Sea/Gulf:

South Pacific Ocean  Search this

Vessel:

Eltanin R/V  Search this

Depth (m):

531 - 659

Prep Count:

2

Preparation:

Slide

Sex:

male

Place:

South Pacific Ocean

Collection Date:

12 Jul 1966

Published Name:

Pontocypria calva Maddocks

USNM Number:

233560

See more items in:

Invertebrate Zoology

Arthropoda

USAP project

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/375d984e1-8bf6-4ae5-862b-bccc3308d26f

EDAN-URL:

edanmdm:nmnhinvertebratezoology_185472

Creator:

Smithsonian Astrophysical Observatory  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2014-03-31T13:46:23.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Astronomy  Search this

See more by:

ITAMPhysics

Data Source:

Smithsonian Astrophysical Observatory

YouTube Channel:

ITAMPhysics

EDAN-URL:

edanmdm:yt_KZVojy8LavM

Creator:

Asch, Timothy, 1932-1994  Search this

Correspondent:

Albert, Bruce  Search this

Andrews, Scott  Search this

Balikci, Asen, 1929-  Search this

Beidelman, Tom  Search this

Bermudez, Beatrice  Search this

Brigard, Emilie de  Search this

Cardozo, Jesus  Search this

Carpenter, Edmund, 1922-2011  Search this

Chagnon, Napoleon A., 1938-  Search this

Connor, Linda  Search this

Fox, James  Search this

Freeman, Derek  Search this

Harrison-Pepper, Sally  Search this

Heider, Karl  Search this

Homiak, John P. (John Paul), 1947-  Search this

Jules-Rosette, Benneta  Search this

Kamerling, Lenny  Search this

Lewis, Doug  Search this

Lizot, Jacques  Search this

Loizos, Peter  Search this

Mead, Margaret, 1901-1978  Search this

Mello, James F., 1936-  Search this

Middleton, John  Search this

Piault, Collette  Search this

Preloran, Jorge, 1933-2009  Search this

Rouch, Jean  Search this

Ruby, Jay  Search this

Smith, Patrice  Search this

Storas, Frode  Search this

Tax, Sol, 1907-1995  Search this

Wayang, Mark  Search this

Wayang, Mary  Search this

Young, Tao  Search this

Extent:

62 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Correspondence

Manuscripts

Photographs

Place:

Venezuela

Date:

1947-1995

Summary:

Timothy Asch was an anthropologist and ethnographic film maker who devoted his professional life to using film as a recording and teaching medium. His papers cover the period from 1966 until his premature death in 1994 and reflect his active career in the field. A large portion of the files relates to his work among the Yanomami people of Venezuela and to his concern with bias in film making.

Scope and Contents:

The papers of Timothy Asch document his career as an anthropologist, educator, photographer and filmmaker through correspondence, photographs, research files (articles and notes), and teaching materials (course information and lecture notes). The files relating to Asch's film projects include articles, field notes, and reviews. The major correspondents in this collection are Patsy Asch, Tom Beidelman, Napoleon Chagnon, James Fox, Robert Gardner, Douglas Lewis, Peter Loizos, David & Olga Sapir, and Minor White.

Arrangement:

The collection is arranged into the following 13 series:

Series 1) Correspondence (1953-1994)

Series 2) College and graduate School (1955-1965)

Series 3) Teaching materials (1964-1993)

Series 4) Film projects (1964-1991)

Series 5) Articles and reviews (1972-1994)

Series 6) Alpha-Subject (1955-1989)

Series 7) Conferences, film festivals, and film organizations (1963-1993)

Series 8) Grants (1962-1993)

Series 9) Other people's work (1952-1995)

Series 10) Personal and family (1951-1994)

Series 11) Photographs (1947-1991)

Series 12) Sound recordings (bulk 1960s-1970s)

Series 13) Note slips, rolodexes, and business cards (1987, undated)

Biographical note:

Asch studied photography at the California School of Fine Arts in San Francisco. While serving in the United States Army in Japan from 1951-55 he spent his off-duty hours photographing rice production and household activities in remote Japanese villages. After his military service, he enrolled in Columbia University graduating in 1959 with an undergraduate degree in Anthropology. After graduation, he went to work at the Peabody Museum at Harvard as an assistant editor to John Marshall on the Kung Bushmen film project. In 1964, he received a Masters Degree in Anthropology from Boston University where he studied in the African Studies Progam and read Anthropology with T.O. Beidelman at Harvard. In 1968, Asch and Marshall founded Documentary Educational Resources, a film distribution company. Anthropologist Napoleon Chagnon approached Asch in 1968 to film among the Yanomammmi people of Venezuela. This collaboration led to a major project resulting in over thirty films.

Chronology

1950-1951 -- California School of Fine Arts and Apprenticeships with photographers Minor White, Edward Weston and Ansel Adams

1953-1954 -- Military Service in Korea

1959 -- B.S. in Anthropology Columbia University

1959-1962 -- Ethnographic film consultant, Harvard University's Peabody Museum

1964 -- M.A. in Anthropology Harvard University

1965-1966 -- Curriculum Consultant, Ethnographic studies and the Bushmen Social Studies Curriculum Project (initially Educational Services, Inc., later called Educational Development Center)

1966-1968 -- Lecturer in Anthropology and Theater Arts, Brandeis University

1966-1968 -- Anthropology Curriculum and Media Consultant to the Newton Public Schools

1967-1994 -- Co-Founder and Director of Documentary Educational Resources, Watertown, Massachusetts, a non-profit curriculum development corporation distributing educational media

1968-1970 -- Visiting Assistant Professor, Anthropology Department, New York University

1969-1973 -- Lecturer, Department of Anthropology, Brandeis University

1973-1979 -- Research Fellow in Ethnographic film, Peabody Museum of Archaeology and Ethnology, Harvard University

1974-1976 -- Lecturer, Department of Anthropology, Harvard University

1975 -- Research Cinematographer, National Anthropological Film Center, Smithsonian Institution, Washington, D.C.

1976-1981 -- Senior Research Fellow, Department of Anthropology, Institute of Advanced Studies, the Australian National University, Canberra, Australia

1982 -- Visiting Research Scholar, Department of Anthropology at Macquarie University, Sydney, Australia

1983-1994 -- Director, Center for Visual Anthropology, Department of Anthropology, University of Southern California

Related Materials:

The Human Studies Film Archives holds 93,000 feet (43 hours) of original film footage and the accompanying sound as well as the edited films from the 1968 and 1971 film projects by Timothy Asch and Napoleon Chagnon documenting the Yanomamo Indians of southern Venezuela and northern Brazil (between the Negro and Upper Orinoco rivers).

Provenance:

Donated to the National Anthropological Archives by Patsy Asch in 1996.

Topic:

Anthropology  Search this

Film -- theory  Search this

Language and languages -- Documentation  Search this

Genre/Form:

Sound recordings

Correspondence -- 1953-1994

Manuscripts

Photographs -- 1947-1991

Citation:

Timothy Asch papers, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.1996-16

See more items in:

Timothy Asch papers

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3ebe64d9d-33d2-4af7-9417-8f21f639c754

EDAN-URL:

ead_collection:sova-naa-1996-16

Creator:

Etter, Carl, 1898-1982  Search this

Extent:

3.5 Linear feet

Culture:

Ainu  Search this

Type:

Collection descriptions

Archival materials

Place:

Japan

Date:

1931-1932

1949

Summary:

Ainu folklore collected by Carl Etter during the early 1930s in the Japanese regions of Hokkaido, the Kuril islands, and Sakhalin. Also included are photographs of the Ainu people, their villages, and rituals.

Scope and Contents:

The collection contains Etter's diaries; descriptions of Ainu sign language; approximately 210 Ainu legends; Etter's published book, Ainu Folklore; 239 photographic prints and postcards; and typed notes created by Etter's daughter-in-law, Patricia A. Etter.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Arrangement:

The collection is arranged into three series. Series 1: Field Research, Series 2: Photographs, and Series 3: Writings.

Biographical Note:

Carl Etter studied religion in college, first as an undergraduate at Abilene Christian College, from which he graduated in 1922, then as a graduate student at the University of Michigan and the University of Southern California. He traveled to Japan in 1928 hoping to serve as a missionary for the Church of Christ. However, the Church would not support him, so he learned Japanese and became a teacher at a government university. While in Japan, from 1931-1932, Etter collected the legends and folklore of the Ainu people, animists who believe that spirits exist in all things including natural phenomena such as thunder, geographic features such as rivers and trees, and in animals. In 1949 he published Ainu Folklore: Traditions and Culture of the Vanishing Aborigines of Japan, a book based upon his research. Etter earned a PhD from the University of Hokkaido in 1953.

Provenance:

Received from Patricia A. Etter in 2011.

Restrictions:

The Carl Etter papers and photographs on Ainu folklore and culture are open for research.

Access to the Carol Etter papers and photographs on Ainu folklore and culture requires an appointment.

Rights:

Contact the repository for terms of use.

Citation:

Carl Etter papers and photographs on Ainu folklore and culture, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.2011-13

See more items in:

Carl Etter papers and photographs on Ainu folklore and culture

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw356f7a12a-df8a-4a87-babb-80ef187f36ef

EDAN-URL:

ead_collection:sova-naa-2011-13

Associated Name:

Seaver, Tom  Search this

New York Mets  Search this

Maker:

Rawlings  Search this

Physical Description:

yarn (overall material)

cork (overall material)

leather (overall material)

Measurements:

overall: 3 in; 7.62 cm

Object Name:

baseball, autographed

Place made:

Costa Rica

Date made:

ca 1992

1989 – 1994

Subject:

Sports  Search this

Baseball  Search this

Credit Line:

Gift of LeRoy Neiman Foundation

ID Number:

2019.0144.31

Accession number:

2019.0144

Catalog number:

2019.0144.31

See more items in:

Culture and the Arts: Sport and Leisure

Sports & Leisure

Autographed Baseballs

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746b4-b199-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1941649

Creator:

Smithsonian American Art Museum  Search this

Type:

YouTube Videos

Uploaded:

2015-10-17T17:39:56.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_tkjwqX2C5KA

Collector:

University of Southern California  Search this

Expedition:

USAP  Search this

Ocean/Sea/Gulf:

Antarctic Ocean, Ross Sea  Search this

Vessel:

Eltanin R/V  Search this

Depth (m):

728 - 732

Preparation:

Alcohol (Ethanol)

Sex:

female

Stage:

ovigerous

Place:

Antarctica, Antarctic Ocean

Collection Date:

27 Jan 1967

Published Name:

Iphimediella georgei Watling & Holman

USNM Number:

173587

See more items in:

Invertebrate Zoology

Arthropoda

USAP project

Polar antarctic collection

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/33b149a16-89d8-4af6-bc5e-403671f844f9

EDAN-URL:

edanmdm:nmnhinvertebratezoology_285805

Collector:

University of Southern California  Search this

Expedition:

USAP  Search this

Ocean/Sea/Gulf:

Antarctic Ocean, Ross Sea  Search this

Vessel:

Eltanin R/V  Search this

Depth (m):

728 - 732

Preparation:

Alcohol (Ethanol)

Stage:

juvenile

Place:

Antarctica, Antarctic Ocean

Collection Date:

27 Jan 1967

Published Name:

Iphimediella georgei Watling & Holman

USNM Number:

173588

See more items in:

Invertebrate Zoology

Arthropoda

USAP project

Polar antarctic collection

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/30b688773-110f-47cf-89b0-f4dc2a54bd98

EDAN-URL:

edanmdm:nmnhinvertebratezoology_285806

Collector:

University of Southern California  Search this

Expedition:

USAP  Search this

Ocean/Sea/Gulf:

Antarctic Ocean  Search this

Vessel:

Eltanin R/V  Search this

Depth (m):

210 - 220

Preparation:

Alcohol (Ethanol)

Stage:

juvenile

Place:

Antarctic Peninsula, Antarctica, Antarctic Ocean

Collection Date:

15 Mar 1964

Published Name:

Iphimediella acuticoxa Watling & Holman

USNM Number:

173589

See more items in:

Invertebrate Zoology

Arthropoda

USAP project

Polar antarctic collection

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/34b2072e7-99f4-45fb-a0d2-d1f002931cb2

EDAN-URL:

edanmdm:nmnhinvertebratezoology_285807