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Kay WalkingStick Symposium 03 - Jessica Horton

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2015-11-10T18:58:03.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_CBfoDbw00zk

Kay WalkingStick Symposium 08 - Janet Berlo

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2015-11-10T18:58:02.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_vHc_wvxjj1Y

Racial Masquerade in American Art & Culture (Part 3 of 3)

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2016-12-12T15:32:07.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt__mCRHEgpMVs

Tinantia anomala (Torr.) C.B. Clarke

Biogeographical Region:
75 - Northeastern U.S.A.  Search this
Collector:
Douglas H. Goldman  Search this
Place:
University of Rochester Biology Dept greenhouse., New York, United States, North America
Collection Date:
31 Jan 2002 to 5 Feb 2002
Taxonomy:
Plantae Monocotyledonae Commelinales Commelinaceae
Published Name:
Tinantia anomala (Torr.) C.B. Clarke
Barcode:
00690035
USNM Number:
3433058
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/384ef424e-1ff1-4093-bac5-127bc8c77978
EDAN-URL:
edanmdm:nmnhbotany_2067301

Records

Extent:
5 cu. ft. (5 record storage boxes)
Type:
Collection descriptions
Archival materials
Maps
Manuscripts
Place:
Colombia
South America
Date:
1918-1949
Descriptive Entry:
These records document the history of the United States National Museum, Division of Plants (1919-1947) and Department of Botany (1947-1949) while Ellsworth Paine Killip was an aid, assistant curator, associate curator, and curator of the Division and the Department, as well as personal correspondence between Killip and his colleagues documenting their personal and professional activities. Included are occasional letters and copies of letters to and from William Ralph Maxon that apparently were forwarded to Killip. For the most part, this material includes loose incoming and outgoing correspondence between Killip and U.S. and foreign botanists; directors and botanists of U.S. and foreign herbaria; museum curators; colleagues, friends; editors; and scientific societies regarding the examination and identification of botanical specimens; exchange of specimen collections; explorations and collecting expeditions, especially Killip's expeditions to South America; information on mounting specimens; requests for photographs pertaining to Killip's publications; requests for publications and reprints; reviewing monographs; checking manuscripts for taxonomy and nomenclature; scientific society meetings; nominations for officers and membership to scientific societies; evaluation of colleagues for positions; recommendations for job openings; personal matters; also letterpress books containing references to Killip's collecting expeditions in Colombia; Killip's work on South American plants; determination of plants received; manuscript copies; passports; maps; and a few copies of outgoing letters from Paul C. Standley, assistant curator, Division of Plants (1921).
Historical Note:
Ellsworth Paine Killip, botanist, was born in Rochester, New York, on September 2, 1890. Killip attended the University of Rochester and received an A.B. in 1911. From 1914 to 1917, Killip held the position of associate curator at the Rochester Academy of Sciences.

On July 7, 1919, Killip was appointed as an aid in the United States National Museum, Division of Plants. He became assistant curator of the Division in December 1927, and on June 1, 1928, became an associate curator. Upon the retirement of William Ralph Maxon in 1946, Killip was made curator of the Division of Plants. During Killip's administration, the Division of Plants underwent reorganization. The Division was separated from the Department of Biology and raised to the status of a department, becoming the Department of Botany on July 31, 1947. Killip became head curator of the Department and also held the title of acting curator for the Division of Cryptogams, one of four original divisions formed under the reorganization. Killip retained both titles until his retirement from the Department in 1950. From 1951 through 1965, Killip continued his research and his ties with the USNM as a research associate in the Division of Phanerogams.

Killip's main studies were on the taxonomy of South American plants. Some of his expeditions to South America are documented in this collection. Among his publications is an article, "American species of Passifloraceae," 1938, and a major study on the passionflower family that was published in two volumes.

Killip was a member of the American Association for the Advancement of Science, the Cosmos Club, and the Washington Biologists' Field Club. He died in California on November 28, 1968.
Topic:
Botany  Search this
Scientific expeditions  Search this
Genre/Form:
Maps
Manuscripts
Citation:
Smithsonian Institution Archives, Record Unit 226, United States National Museum, Department of Botany, Records
Identifier:
Record Unit 226
See more items in:
Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru0226

Minutes

Extent:
8.70 cu. ft. (9 document boxes) (7 12x17 boxes) (1 16x20 box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1846-1995
Descriptive Entry:
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead. Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from 1907 to 1946 and can be useful.
Historical Note:
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives; two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice since that time.

The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A. Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A. Wallace, William A. Wheeler, Henry Wilson.

Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White, William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.

Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell, Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin, Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey, Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull, Wallace H. White, Jr., Robert Enoch Withers.

Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth, Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton, Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce, Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R. Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.

Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings, John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley, John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton, Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson, Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.
Topic:
Museums -- Administration  Search this
Museum trustees  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Record Unit 1, Smithsonian Institution, Board of Regents, Minutes
Identifier:
Record Unit 1
See more items in:
Minutes
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru0001
9 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
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  • View Minutes digital asset number 9

University of No. Car./University of Rochester, 1956, 1971-1983: Curatorial and permission-to-publish correspondence

Container:
Box 22 of 23
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 03-018, Freer Gallery of Art and Arthur M. Sackler Gallery, Central Files
See more items in:
Central Files
Central Files / Box 22
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa03-018-refidd1e7237

Oral history interview with Thomas Tibbs, 1996 March 19-May 9

Interviewee:
Tibbs, Thomas S., 1917-2002  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
American Crafts Council. Museum of Contemporary Crafts  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Thomas Tibbs, 1996 March 19-May 9. Archives of American Art, Smithsonian Institution.
Topic:
Handicraft  Search this
Museum directors -- California -- San Diego -- Interviews  Search this
Educators -- California -- San Diego -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12536
(DSI-AAA_SIRISBib)215942
AAA_collcode_tibbs96
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215942
Online Media:

Oral history interview with Thomas Tibbs

Interviewee:
Tibbs, Thomas S., 1917-2002  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
American Crafts Council. Museum of Contemporary Crafts  Search this
Extent:
2 Sound cassettes (Sound recording (120 min.), analog)
49 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1996 March 19-May 9
Scope and Contents:
An interview of Thomas Tibbs conducted 1996 March 19-May 9, by Paul Karlstrom, for the Archives of American Art, at the artist's home, in Fallbrook, California.
Tibbs discusses his family background and early interest in the arts that led him to the University of Rochester (N.Y.), where he had his first museum experience and studied music and literature before doing post-graduate work as curator of prints and of education; the museum field in the late 1940s and the professionals he knew, among them his mentor Phillip Adams of the Cincinnati Art Museum and Grace McCann Morley; the changing ideas of contemporary art, regionalism, and New York's emergence as the center in the 1950s; his experiences with the New York school artists in the 1950s and his observations of their interests and individuality, and the Louis Comfort Tiffany exhibition at the Crafts Museum in 1958, an event which he credits the Tiffiany fashion "rage" of the 1960s. Tibbs recalls artists Adolph Gottlieb, Mark Rothko, Franz Kline, Betty Parsons, Barnett Newman, Jackson Pollock, and Peggy Guggenheim, David Campbell, Earl Parten, Wharten Escherick, Margret Craver Withers, and Arlene Fisch.
Biographical / Historical:
Thomas Tibbs (1917-2002) was a museum director and educator from San Diego, California. Tibbs was founding director (1956-1960) of the Museum of Contemporary Crafts in New York and the La Jolla Museum of Contemporary Art (1968), now Museum of Contemporary Art, San Diego, where he promoted an interest in crafts, their collection and exhibition as art. He was director of the new museum in Huntington, W.V., where he initated a crafts competition as a means to "fill the museum." His long-time interest in modern and contemporary art led him to hire I.M. Pei to design the new museum wing in Des Moines when he was director. Tibbs is professor emeritus of San Diego State University where he taught contemporary art.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 5 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by Pasadena Art Alliance.
Topic:
Handicraft  Search this
Museum directors -- California -- San Diego -- Interviews  Search this
Educators -- California -- San Diego -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.tibbs96
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cfe53259-8056-47bb-856c-f587d06f2d57
EDAN-URL:
ead_collection:sova-aaa-tibbs96
Online Media:

University of Rochester

Collection Creator:
Nochlin, Linda  Search this
Container:
Box 7, Folder 7
Type:
Archival materials
Date:
1989
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Linda Nochlin papers, circa 1876, 1937-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Linda Nochlin papers
Linda Nochlin papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a9698417-e38a-4d89-9704-b43ca3550bbd
EDAN-URL:
ead_component:sova-aaa-nochlind-ref247

University of Rochester Memorial Art Gallery

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 80, Folder 30
Type:
Archival materials
Date:
1913-1918
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fc30a873-77c0-4044-9496-82daa205fcfd
EDAN-URL:
ead_component:sova-aaa-macbgall-ref10829

Watson, Emily S. (Mrs. James S.; see also University of Rochester Memorial Art Gallery)

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 83, Folder 26
Type:
Archival materials
Date:
ca. 1906-1932
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96e2638eb-5018-4963-96be-75575e830041
EDAN-URL:
ead_component:sova-aaa-macbgall-ref10970

University of Rochester Memorial Art Gallery

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 80, Folder 31
Type:
Archival materials
Date:
1919-1925
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw971501807-2482-484d-897f-9ef3aa6d4959
EDAN-URL:
ead_component:sova-aaa-macbgall-ref12734

University of Rochester Memorial Art Gallery

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 80, Folder 32
Type:
Archival materials
Date:
1926-1937
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw917b5fbda-90e7-4981-b780-2367f033727e
EDAN-URL:
ead_component:sova-aaa-macbgall-ref12735

University of Rochester Memorial Art Gallery

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 80, Folder 34
Type:
Archival materials
Date:
1941-1962
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw999e55dea-cb1f-42ab-970e-58c92a55812f
EDAN-URL:
ead_component:sova-aaa-macbgall-ref12736

Memorial Gallery of the University of Rochester, Rochester, N.Y.

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 69, Folder 25
Type:
Archival materials
Date:
1970-1985, 1988, undated
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 5: Museums and Galleries Files / 5.1: Domestic Museums and Galleries / New York
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fadf14a6-23dd-4c9c-a21b-be40b2a18a5b
EDAN-URL:
ead_component:sova-aaa-fendgall-ref954

Oral history interview with Gertrude Herdle Moore and Isabel Herdle, 1979 July 27

Interviewee:
Moore, Gertrude Herdle, 1896-1993  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Herdle, Isabel  Search this
Herdle, George  Search this
University of Rochester. Memorial Art Gallery  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Gertrude Herdle Moore and Isabel Herdle, 1979 July 27. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11860
(DSI-AAA_SIRISBib)215196
AAA_collcode_moore79
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215196
Online Media:

Oral history interview with Gertrude Herdle Moore and Isabel Herdle

Interviewee:
Moore, Gertrude Herdle, 1896-1993  Search this
Herdle, Isabel  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
University of Rochester. Memorial Art Gallery  Search this
Herdle, George, 1868-1922  Search this
Extent:
55 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1979 July 27
Scope and Contents:
An interview of Gertrude Herdle Moore and Isabel Herdle conducted 1979 July 27, by Robert F. Brown.
Moore and Herdle discuss the development of the Memorial Art Gallery, Rochester, N.Y. under their father, George Herdle; creation of the first national ceramic exhibition; ethnic art exhibitions in the 1920s; nurturing a balanced acquisition program; and the significance of arts and crafts from the Finger Lakes region of New York state.
Biographical / Historical:
Gertrude Herdle Moore (1896-1993) and Isabel Herdle are daughters of George Herdle (1868-1922), first director of the Memorial Art Gallery, Rochester, N.Y., 1913-1922.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 53 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and others.
Occupation:
Museum directors -- New York (State) -- Rochester  Search this
Topic:
Decorative arts  Search this
Function:
Art museums -- New York (State) -- Rochester
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.moore79
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d05b61ea-e87c-4eed-a6fb-933492b5f21f
EDAN-URL:
ead_collection:sova-aaa-moore79
Online Media:

Richmond Area University Center, Inc. - University of Rochester

Collection Creator:
Panofsky, Erwin, 1892-1968  Search this
Container:
Box 15, Folder 33
Type:
Archival materials
Date:
1947-1954
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
See more items in:
Erwin Panofsky papers
Erwin Panofsky papers / Series 1: Correspondence / 1.5: Colleges, Universities, and Institutes
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97f069479-c5cc-42d3-b6d8-b4cb9ad88a43
EDAN-URL:
ead_component:sova-aaa-panoerwi-ref948

Saisselin, Rémy

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 85, Folder 6
Type:
Archival materials
Date:
1964-1971
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw915529807-65d0-4fa6-b5d2-5f2d3fde4f37
EDAN-URL:
ead_component:sova-aaa-jacqself-ref11120
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