Collection is open for research but the original and master audiovisual materials are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.
Paul Ellington, executor, is represented by:
Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
Sponsor:
Processing and encoding partially funded by a grant from the Council on Library and Information Resources.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
Everyone in New Hampshire has a story to tell. When people think of a "storyteller" they often think of a polished performer with a repertoire of time-honored recitations, legends of the past, or tales of great imagination. But in New Hampshire, storytellers are often everyday people with a gift for language and a wealth of human experiences. They come from every walk of life - the logger down the road, the fellow you go snowmobiling with on the weekends, your co-worker at the woolen mill, or someone whose music you dance to at the town hall.
During the research for New Hampshire's presentation at the Smithsonian Folklife Festival, fieldworkers interviewed over 450 individuals practicing a variety of traditional musical forms, crafts, and cooking and occupational skills. All of them shared stories that warmed the heart - stories with lessons about the environment, the way the past teaches us about the future, and the importance of community values. The stories reflected the strong sense of individualism in New Hampshire as well as people's desire to work together toward a common goal.
The heritage of the spoken word was celebrated in New Hampshire's Festival program, Celebrating New Hampshires Stories, but stories were also told through crafts, recipes, music and dance, and occupational skills. The "Music of New Hampshire" component of the program honored the musical heritage of Yankee, Franco American, Polish, Scottish, Irish, Jewish, African American, and Hispanic communities. The ''Home, Town, and Community" area focused on the cultural traditions that define New Hampshire's sense of place. Domestic and religious crafts and the important political heritage of New Hampshire - the community voice of town meeting and the national precedence of the first-in-the-country presidential primary - were explored in this area. "Ingenuity and Enterprise" examined the inventive nature of industry and small businesses in New Hampshire. The heritage of family-owned and community-based businesses and the way in which fine craftsmen network through guilds were presented. "Seasonal Work and Recreation" explored the cycle of the seasons and the love of the outdoors in New Hampshire, giving rise to the work culture and traditional crafts of recreation. "Farm, Forest, Mountain, and Sea" took a look at the occupations that have emerged from the state's diverse natural resources.
Betty Belanus and Lynn Martin were Curators, and Arlene Reiniger was Program Coordinator. A Program Research Committee included: Michael Chaney, J.B. Cullen, Fred Dolan, Jim Garvin, Becky Lawrence, Gail McWilliam, and Melissa Walker.
The program was produced with the New Hampshire Commission on the Smithsonian Folklife Festival and its non-profit affiliate Celebrate New Hampshire Culture in partnership with the New Hampshire State Council on the Arts, Department of Cultural Resources, and the State of New Hampshire. The presenting sponsor was Bell Atlantic. Other major sponsors included Fleet Bank NH; Healthsource New Hampshire, A CIGNA Healthcare Company; Public Service of New Hampshire; Sanders, A Lockheed Martin Company; Tyco International Ltd.; Fidelity Investments; Fisher Scientific International Inc.; and The Recording Industries Music Performance Trust Funds.
Researchers:
Jack Beard, Linda Bornstein, Tom Carroll, Deborah Cottrell, Martin Delgadillo, Kate Dodge, Sue Hawkins, Susan Jasse, Kathy Neustadt, Marjorie Goodson, Jill Linzee, Lynn Martin, Louis Mazzari, Rachel Mears, Linda Morely, Julien Olivier, Jessica Payne, Simon Phillips, Matt Pouliott, Fran Kessler Richardson, Andy Stewart, Audrey Sylvester, Josee Vachon, Eleanor Wachs, Quincy Whitney, Patryc Wiggins, Vermont Folklife Center
Presenters:
Jack Beard, Lynn Blye, Deborah Cottrell, J.B. Cullen, Kate Dodge, Burt Feintuch, Lynn Garland, Austin Graton, Sue Hawkins, John Hutton, Susan Jasse, Louis Mazzari, Kathy Neustadt, Julien Olivier, Dereck Owen, Diane Souther, Andy Stewart, Lucie Therrien, Matthew Thomas, Eleanor Wachs, Patryc Wiggins
Participants:
Musical Traditions
Franco-American Music
Elwin "Shorty" Boulet, bones player, Whitefield, New Hampshire
Alan Coté, soirée singer, Auburn, New Hampshire
Fabienne Coté, soirée singer, accordionist, Londonderry, New Hampshire
Rick Coté, soirée singer, Londonderry, New Hampshire
Rejeanne Letourneau, soirée singer, Rochester, New Hampshire
Gary Pomerleau, fiddler, Rochester, New Hampshire
Joe Pomerleau, fiddler, Rochester, New Hampshire
Henry Riendeau, fiddler, Berlin, New Hampshire
Larry Riendeau, fiddler, Berlin, New Hampshire
Jeanne Trepanier, soirée singer, Rochester, New Hampshire
Contra Dance Music
OLD NEW ENGLAND -- OLD NEW ENGLANDBob McQuillen, pianist, Peterborough, New HampshireJane Orzechowski, fiddler, Newport, New HampshireDeanna Stiles, flautist, Deerfield, New Hampshire
Mary DesRosiers, contra dance caller, Harrisville, New Hampshire
Rodney Miller, fiddler, Antrim, New Hampshire
David Millstone, contra dance caller, Lebanon, New Hampshire
Sylvia Miskoe, accordionist, Concord, New Hampshire
Francis Orzechowski, pianist, Newport, New Hampshire
David Surette, guitarist, Portsmouth, New Hampshire
Jordan Tirrell-Wysocki, fiddler, Canterbury, New Hampshire
Harvey Tolman, fiddler, Nelson, New Hampshire
Timm Triplett, pianist, Newmarket, New Hampshire
Steve Zakon-Anderson, contra dance caller, Hancock, New Hampshire
William Zecker, fiddler, guitarist, pianist, Durham, New Hampshire
New England Barn Dance Fiddling & Calling
TWO FIDDLES -- TWO FIDDLESDudley Laufman, fiddler, caller, Canterbury, New HampshireJacqueline Laufman, fiddler, Canterbury, New Hampshire
Singing Squares
David Bradley, bassist, Woodstock, New Hampshire
Lester Bradley, guitarist, caller, Thornton, New Hampshire
Scottish Piping & Dance
NEW HAMPSHIRE SCHOOL FOR SCOTTISH ARTS, MANCHESTER -- NEW HAMPSHIRE SCHOOL FOR SCOTTISH ARTS, MANCHESTERMegan Marsh, step dancer, Manchester, New HampshireMaggie Meffen, step dancer, Manchester, New HampshireGordon Webster, bagpiper, Manchester, New HampshireLezlie Patterson Webster, bagpiper, Manchester, New Hampshire
Irish Music & Dance
Sarah Bauhan, flautist, Dublin, New Hampshire
Regina Delaney, harpist, vocals, step and -- ceili -- dancer, Exeter, New Hampshire
Michael Serpa, -- bodhran -- , whistle player, Ossipee, New Hampshire
Jake Stewart, fiddler, Bow, New Hampshire
Polish Music & Dance
Daniel Blajda, fiddler, Manchester, New Hampshire
Michael Oliszczak, fiddler, Manchester, New Hampshire
Gary Sredzienski, accordionist, Greenland, New Hampshire
Klezmer Music
THE RAYMOND ST. KLEZMER BAND -- THE RAYMOND ST. KLEZMER BANDSandra Dickens, vocals, Nashua, New HampshireNelson Frisselle, percussionist, Manchester, New HampshireAlan Green, clarinetist, vocals, Nashua, New HampshireRuth Weiner Harris, accordionist, Hollis, New HampshireAlan Karlsberg, clarinetist, saxophonist, Nashua, New HampshireFrederick Malkin, pianist, vocals, Londonderry, New HampshireBruce Smith, bassist, Merrimack, New Hampshire
African-American Gospel & Spirituals
Wilmerlee Findlay, pianist, vocals, Amherst, New Hampshire
Minister Lydia Mann, vocals, Manchester, New Hampshire
Minister Olga Times, vocals, Nashua, New Hampshire
Hispanic Music
Bernardo Guzman, guitarist, vocals, Somersworth, New Hampshire
Maria Guzman, vocals, Somersworth, New Hampshire
Home, Town & Community
Comfort in the Home
Karen Cook, spinner, Grantham, New Hampshire
Vivian Eastman, quilter, Glenn, New Hampshire
Barbara Fisher, rug braider, Mt. Sunapee, New Hampshire
Dona Larsen, Norwegian knitter, Berlin, New Hampshire
Dorothy Towle, quilter, rug hooker, Intervale, New Hampshire
Sandra Yacek, wreath maker, Milan, New Hampshire
Wayne Yacek, gardener, toolmaker, Milan, New Hampshire
Images of Community
Andre Belanger, sign maker, Berlin, New Hampshire
Jairo Gil, Colombian -- casa -- woodcarver, Manchester, New Hampshire
Sara Glines, doll maker, Randolph, New Hampshire
Our Shared Border - Franco-American Traditions
Gerard Brunelle, woodcarver, Laconia, New Hampshire
Albert Hamel, genealogist, Chester, New Hampshire
Crafts of Worship & Celebration
Marjorie "Moocho" Salomon, -- tallitot -- weaver, Bethlehem, New Hampshire
Galina Tregubov, Russian Orthodox icon embroiderer, Claremont, New Hampshire
Kung Tai Tsay, Chinese knot tier, Nashua, New Hampshire
Community Voice – Political Traditions in New Hampshire
Georgi Hippauf, Nashua, New Hampshire
Donna Soucy, Manchester, New Hampshire
Hearth & Home - Foodways Traditions
Chrysanthe Nagios, Greek cook, Bedford, New Hampshire
Rebecca Parker, Yankee cook, Randolph, New Hampshire
Helen Pervanas, Greek cook, Bedford, New Hampshire
Estelle Gamache Ross, Franco-American cook, Allenstown, New Hampshire
Ingenuity & Enterprise
League of New Hampshire Craftsmen
Fred Dolan, decoy carver, Center Barnstead, New Hampshire
Anne Winterling, rug hooker, Concord, New Hampshire
Craft Guilds
Omar Clairmont, furniture maker, Gilmanton, New Hampshire
David Lamb, furniture maker, Canterbury, New Hampshire
Russell Pope, blacksmith, Newmarket, New Hampshire
Jonathan Siegel, furniture maker, Franklin, New Hampshire
Hearts to God, Hands to Work - Shaker Crafts in New Hampshire
Steve Allman, oval box maker, Canterbury, New Hampshire
Barbara Beeler, oval box maker, Contoocook, New Hampshire
Norma Badger George, poplar-ware maker, Concord, New Hampshire
Rob Roy Robb, weaver, Laconia, New Hampshire
Business & Community
Arthur Andersop, loom maker, Harrisville Designs, Marlow, New Hampshire
Terry Lontine, cooper, Spaulding & Frost, Newton, New Hampshire
Betty Blanchard, chair re-seater, Concord, New Hampshire
Peter Blanchard, chair re-seater, Concord, New Hampshire
Bob Taylor, welder, Alstead, New Hampshire
Newt Washburn, ash basket maker, Bethlehem, New Hampshire
Innovation & Invention
Bill Latva, precision machinist, Sunapee, New Hampshire
Charles Lawrence, Portsmouth, New Hampshire
Naval Shipyard, Stratham, New Hampshire
E.D. Miller, Portsmouth Naval Shipyard, Stratham, New Hampshire
Dave Packard, precision machinist, Hillsboro, New Hampshire
Adam Taylor, precision machinist, Claremont, New Hampshire
Frank E. Wiggins, precision machinist, Guild, New Hampshire
Seasonal Work & Recreation
Weather
Barry Keirn, Climate Change Research Center, University of New Hampshire, Durham, New Hampshire
Greg Zielinski, Glacier Research Group, University of New Hampshire, Durham, New Hampshire
Spring
Tim Levesque, Appalachian Mountain Club, Jackson, New Hampshire
Peter Limmer, III, hiking-boot maker, Intervale, New Hampshire
Clare Long, Appalachian Mountain Club, Glen, New Hampshire
Chris Thayer, Appalachian Mountain Club, Jackson, New Hampshire
Summer Camp, New Hampshire
Lynn Garland, children's activities, Brentwood, New Hampshire
Lisa Kelly, children's activities, Westmoreland, New Hampshire
Fall
Mark Favorite, fly tier, Rochester, New Hampshire
Fred Kretchman, rod maker, Nashua, New Hampshire
David Price, gun builder, Contoocook, New Hampshire
Jay Trayner, canoe builder, Warner, New Hampshire
Winter
Scott Barthold, snow-making technology, Sno.matic Controls and Engineering, Inc., Lebanon, New Hampshire
Paul Doherty, snowmobiler, Gorham, New Hampshire
Walter Blander, ski resort design, sno.engineering, Littleton, New Hampshire
Ken Hammerle, ski resort design, sno.engineering, Littleton, New Hampshire
George Lemerise, ski search and rescuer, Attitash Bear Peak, Jackson, New Hampshire
Joel Nordholm, dog-sled maker, Tilton, New Hampshire
Matthew Purcell, snow-making technology, Sno.matic Controls and Engineering, Inc., Lebanon, New Hampshire
Henri Vallaincourt, snowshoe maker, Greenville, New Hampshire
Bruno Vallieres, ski-slope groomer, Attitash Bear Peak, North Conway, New Hampshire
Farm, Forest, Mountain & Sea
Farming
Richard Dionne, bee keeper, Hudson, New Hampshire
Mary Ellen Hutchinson, maple sugaring, apple orchards, Canterbury, New Hampshire
Roy Hutchinson, maple sugaring, apple orchards, Canterbury, New Hampshire
Betty Moulton, maple sugaring, dairy farmer, New Hampton, New Hampshire
Robert Moulton, maple sugaring, dairy farmer, New Hampton, New Hampshire
Peter Wagner, apple grower, Hampton, New Hampshire
Skills & Crafts of Work Animals
Bob Boynton, yoke maker, Dunbarton, New Hampshire
Hugh Fifield, draft horse worker, storyteller, Canterbury, New Hampshire
Bob Graves, oxen teamster, dairy farmer, Walpole, New Hampshire
David Kennard, sheepdog trainer, Marlborough, New Hampshire
Cliff McGinnis, draft horse worker, veterinary medicine, Pembroke, New Hampshire
Andy Westover, oxen teamster, dairy farmer, Walpole, New Hampshire
Forest & Lumber Traditions
Tom Chrisenton, tree farm, forestry management, Lyndeborough, New Hampshire
Virginia Chrisenton, tree farm, forestry management, Lyndeborough, New Hampshire
Barry Kelley, sawmill management, Berlin, New Hampshire
Stan Knowles, tree farm inspector, North Hampton, New Hampshire
The Arts of Historic Restoration
David Adams, historic buildings conservationist, Portsmouth, New Hampshire
Arnold Graton, Sr., covered bridge conservationist, Ashland, New Hampshire
Arnold Graton, Jr., covered bridge conservationist, Concord, New Hampshire
Stephen Roy, historic buildings conservationist, Portsmouth, New Hampshire
Timber Framing
Tedd Benson, timber framer, Alstead, New Hampshire
Joel McCarty, timber framer, Alstead, New Hampshire
Granite & Stone
Doug Faxon, stone wall builder, Walpole, New Hampshire
Kevin Fife, stone wall builder, Northfield, New Hampshire
Hans Kaufhold, monument carver, Peterborough, New Hampshire
Maritime Traditions
Jim Antanavich, Sr., gill net maker, Seabrook, New Hampshire
Trudy Antanavich, gill net maker, Seabrook, New Hampshire
Jeffrey Fogman, boat builder, Barrington, New Hampshire
Nate Hanscom, lobster fisherman, Rye, New Hampshire
Mike Kozlowski, lobster fisherman, Rye, New Hampshire
Arthur Splaine, lobster fisherman, Rye, New Hampshire
Carl Widen, lobster fisherman, Rye, New Hampshire
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1999 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Nan McKinnell, 2005 June 12-13. Archives of American Art, Smithsonian Institution.
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 June 12-13
Scope and Contents:
An interview of Nan McKinnell conducted 2005 June 12-13, by Kathy Holt, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Fort Collins, Colorado.
McKinnell speaks of her childhood in Stanton, Nebraska, and summers spent on her grandfather's farm in Grand Forks, N.D.; her late husband James McKinnell's childhood in Nitro, W.V., and later in Seattle, Washington; her musical education at Wayne State Teacher's College, Nebraska; her first teaching job in Meadow Grove, Nebraska; her husband's tenure in the Navy in the early 1940s, when he was stationed in Hawaii during the bombing of Pearl Harbor on December 7, 1941; her move out West to stay with relatives in Seattle, Washington, and Hollywood, California; obtaining her Master's degree in art at the University of Washington while teaching music at Bryn Mawr College; her early experiences with ceramics under Paul Bonifas at Bryn Mawr; meeting her husband Jim and marrying him in July 1948; their move to Baltimore where Jim McKinnell was working for Locke Insulators; the couple's trip to Paris, France, on the G.I. bill, where Jim studied at the Ecole Nationale Superieure d'Arts et Metiers; bicycling around the French countryside on a tandem bicycle, visiting potters and pottery studios; their short stay in Vallauris, France, where Pablo Picasso was living at the time; travels to Italy, the Netherlands, and finally ending up at Penzance, in Cornwall, to study pottery with Michael Leach at the Penzance School of Art; returning to the U.S., when Jim worked for the U.S. Geological Survey, and traveling the Midwest in a trailer as part of that job; their education at the Archie Bray Foundation for the Ceramic Arts, Helena, Montana, and Haystack Mountain School of Crafts, Deer Isle, Maine; living in Deerfield, Massachusetts, at the historic Bloody Brook Tavern, where they made pottery and gave tours; their first pottery shows, at Deerfield Academy, Deerfield, Massachusetts, and at America House, which became the American Craft Museum, and is now called the Museum of Art & Design, New York, N.Y.; their teaching positions at the University of Iowa, the University of New Hampshire, Colorado University, Loretto Heights College, Denver, Colorado, and the Glasgow School of Art, among others; and their time in Japan on the Hill Family Foundation Grant. McKinnell also recalls Margaret Hancock, Frances Senska, Jack Lenor Larsen, Paul Bonifas, Bernard Leach, Michael Leach, Peter Voulkos, Marguerite Wildenhain, Rudy Autio, Ruth Pennington, Clayton James, Kathleen Horsman, Edward and Mary Scheier, Nils Lou, Edward Osier, Aline Vanderbilt Webb, Ron Brown, Marilyn Scaff Humple, Paul Soldner, Karl Christiansen, Thomas Potter, Kenji Kato, Alec Lecky, Ruth Duckworth, Wayne Higby, Otto and Vivika Heino, Warren MacKenzie, David Shaner, and Gerry Williams, among others.
Biographical / Historical:
Nan McKinnell (1913-2012) was a ceramist from Fort Collins, Colorado. Kathy Holt is a ceramist and educator from Littleton, Colorado.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 10 digital wav files. Duration is 4 hrs., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Ceramicists -- Colorado -- Fort Collins Search this
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
This series consists of personal and work-related correspondence (primarily incoming correspondence) between Cahill and various friends and colleagues. While a large portion of the series documents Cahill's position as Director of the FAP, it also extends beyond those years and illuminates other aspects of Cahill's career including his interest in folk and Asian art, and his work as an art critic.
There is significant correspondence with the artist Stanton MacDonald Wright between 1936 and 1950, and with the artist Irene Pereira between 1950 and 1953. The series also documents research which Cahill conducted in the late 1940s on the development of the Index of American Design for his introduction to a book on the Index by the National Gallery of Art, published by the Macmillan Company. Correspondence from 1949 provides another angle on the historical details of the FAP through lengthy correspondence documenting Cahill's criticism of William Francis McDonald's book Federal Relief Administration and the Arts (Ohio State University Press, 1969).
There is a large amount of correspondence from July 1960 comprising sympathy letters to Dorothy C. Miller following Cahill's death. Correspondence from 1977 encloses a catalog of an exhibition organized by New York WPA Artists, Inc., at the Parsons School of Design in November 1977. The exhibition, New York City WPA Art, was dedicated to the memory of Holger Cahill.
See Appendix for a list of correspondents (with the exception of those microfilmed on reel 1105) in Series 2
Appendix: Correspondents in Series 2:
Abbott, Berenice: 1944 (letter to the Editor)
Abbott, John: [1946]
Abell, Walter ( -- Canadian Art): -- 1943-1944 (2 letters)
Adams, Charles C.: 1940
Alcopley, Mr.: [1952] (including typescript "Pictures of Alcopley" by Saburo Hasegawa); 1953-1960 (4 letters)
Alsberg, Henry G. (Director, Federal Writers' Projects): 1936 (4 letters)
American Council of Learned Societies: 1949
American Federation of Arts: 1949-1952 (3 letters)
American Folk Art Gallery: 1941
American Heritage: 1954
American Swedish Historical Foundation: 1949
Andrews, Robert Armstrong and Eleanor: [1960], undated
Art in America: 1953
Artists For Victory: [1942]
Artists League of America: 1945
Artists Union of Massachusetts: 1936 (telegram to President Roosevelt)
Arts Council of Japanese Americans for Democracy: 1944
Ashton, Dore: [1960]
Bach, Richard F. (Metropolitan Museum): 1924 and 1950
Bailey, Herbert: 1972 (letter from Naomi Bliven)
Baker, Donald: [1936]
Baker, Jacob (WPA): 1935-1960, undated (10 letters)
Barach, Frederica (Writers' War Board): 1944
Barker, Virgil and Ida: 1945-1960 (4 letters)
Barnard College: 1951 (2 letters)
Barr, Alfred H., Jr. (Museum of Modern Art): 1935-1960 (16 letters)
Barr, Tony: 1960
Batten, Barton, Durstine & Osborn, Inc.: 1950
Baur, John (Brooklyn Museum): 1946-1960 (6 letters)
Winchester, Alice ( -- Antiques -- Magazine): 1950-1951 (6 letters)
Winser, Beatrice: 1924-1944 (6 letters)
Winter, Anna K. (antiques dealer): 1935
Wisconsin: State Historical Society of Wisconsin: 1939
Woodstock Artists Association: 1960
Woodward, Ellen S.: 1936-1938 (3 letters)
Worcester, Wakefield (architect): 1936
Wright, Russell (industrial designer): [1960]
Wyn: A. A. Wyn, Inc.: 1951
Youngerman, Jack: 1960
Zegri, Armando (Galeria Sudamericana): 1960
Zimmerman, Fred and Dorothy: [1960]
Zorach, William: 1936-1960 (3 letters)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holger Cahill papers, 1910-1993, bulk 1910-1960. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by Jane Blumenfeld.
