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Hegra, an Ancient City in Saudi Arabia Untouched for Millennia, Makes Its Public Debut

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Mon, 23 Nov 2020 20:42:52 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_3bc11038d075932358a6d4fe6f740eaa

Jules Olitski papers

Creator:
Olitski, Jules, 1922-2007  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Video recordings
Date:
1959-2012
Scope and Contents:
Printed material, photographs, and audio-visual material documenting the career of painter Jules Olitsky.
The majority of the collection consists of printed material that is a comprehensive collection of announcements, catalogs and newspaper clippings from Olitski's exhibitions at galleries and museums and covers the entirety of Olitski's career. Photographs, 1967-2006, include professional portraits of Olitski. Audio visual material includes audio cassettes, VHS, and U-Matic tapes of interviews with Olitski on the occasion of exhibitions of his work and recorded lectures given by Olitski at Brown University, the University of Miami, and the National Museum of American History, among others. The bulk of these recordings date from the 1990s.
Biographical / Historical:
Jules Olitski (1922-2007) was a painter in New York, N.Y.
Provenance:
Donated 2012 and 2013 by Olitski Family Estate via Lauren Olitski Poster, Director of the estate and Olitsky's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
Occupation:
Painters -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Video recordings
Identifier:
AAA.olitjule
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-olitjule

Signals from the Sea - Coral Settlement Experiments at the Smithsonian Marine Station

Creator:
Smithsonian Marine Station at Fort Pierce  Search this
Type:
YouTube Videos
Uploaded:
2020-09-10T20:09:40.000Z
YouTube Category:
Education  Search this
Topic:
Natural History;Marine biology  Search this
See more by:
SmithsonianSMS
Data Source:
Smithsonian Marine Station at Fort Pierce
YouTube Channel:
SmithsonianSMS
EDAN-URL:
edanmdm:yt_C6DxyyQuauI

Giulio V. Blanc papers

Creator:
Blanc, Giulio V.  Search this
Names:
Cuban Museum of Arts and Culture (Miami, Fla.)  Search this
Brito, Maria, 1947-  Search this
Cano, Margarita, 1932-  Search this
Cano, Pablo  Search this
Carreño, Mario  Search this
Carulla, Ramón, 1938-  Search this
Demi, 1955-  Search this
Garcia, Hernan, 1935-  Search this
Gattorno, Antonio  Search this
Gaztelu, A. (Angel)  Search this
Goldman, Shifra M., 1926-2011  Search this
Gómez-Peña, Guillermo  Search this
Lam, Wifredo  Search this
Larraz, Julio  Search this
Libin, Victoria  Search this
Macia, Carlos A., 1951-1994  Search this
Martínez-Cañas, María  Search this
Riverón, Enrique  Search this
Rodríguez, Arturo, 1956-  Search this
Sánchez, Juan, 1954-  Search this
Sí, Juan  Search this
Trasobares, César  Search this
Vater, Regina  Search this
Vázquez Lucio, Oscar E. (Oscar Edgardo), 1932-  Search this
Interviewee:
Cabrera, Lydia  Search this
Gómez Sicre, José  Search this
Extent:
11 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Date:
1920-1995
Summary:
The dates for the Giulio V. Blanc papers range from 1920-1995. Measuring a total of eleven linear feet and 0.001 GB, the collection provides documentation of the art exhibitions Blanc curated during his career, including original writings and exhibition catalogs. The extensive artists files in the collection provide information on numerous Latin American and Caribbean artists. The collection also provides historical information on the life and culture of Cuba.
Scope and Content Note:
The Giulio V. Blanc papers measure approximately 11 linear feet and 0.001 GB and date from 1920 to 1995. Compiled by Blanc since the beginning of his curatorial, writing, and research career in the 1980s, the papers consist primarily of artist files on Cuban, Cuban-American, and Latin American artists (1920-1995 and undated). Also found is biographical information (1994-1995), interviews by Blanc (1984-1987, 1994) and miscellaneous letters from artists and friends (1983-1995 and undated).

The first series, Biographical Files, 1994-1995 includes information about Blanc's career. Series 2: Miscellaneous Letters, 1983-1995, undated, consists of letters from artists and friends on various topics. Series 3: Artist Files, 1920-1995, undated, represents the bulk of the collection (approximately 300 artists in all, 6 linear feet), and contain materials either collected by Blanc or received by Blanc from the artists themselves. These consist of biographical material about the artist, usually two or three paragraphs written by Blanc, scattered resumes and copies of fellowship applications. Also found are newspaper clippings, exhibition announcements and catalogs, and letters or correspondence between Blanc and the artists. Of special interest in this series are numerous taped interviews with celebrated Cuban artists and art historians such as José Gómez Sícre, founder and first director of the Art Museum of the Americas, Organization of American States. Gómez-Sícre describes his early career and involvement with acquisitions for the museum's permanent collection as well as his working relationship with Alfred H. Barr, first director of the Museum of Modern Art in New York. Gómez-Sícre's notable book, Pintura Cubana de Hoy, published in Havana in 1944 is included in the files.

Elena Peláez de Medero, another interviewee, discusses her sister, Cuban painter Amelia Peláez (1896-1968). Blanc interviewed Elena Peláez in Miami for his 1988 exhibition Amelia Peláez: A Retrospective. The Peláez file includes Blanc's correspondence with her as well as copies of rare 1930s and 1940s exhibition catalogs from Amelia Peláez's early career. Among the catalogs is a copy of Modern Cuban Painters from the 1944 exhibition held at the Museum of Modern Art in New York. Also found are rare French, German and Spanish newspaper clippings on Peláez dating back to the 1920s. Of interest is a copy of Amado Blanco's 1937 poetry book, Poema desesperado. Published in Havana, the book is dedicated to the memory of Federico García Lorca and includes illustrations by Peláez.

Another prominent artist whom Blanc interviewed was Enrique Riverón (b. 1901) leader of the Cuban vanguardia. He was a member of El Grupo de Montparnasse, a talented group of painters and writers living in the southern district of Paris in the late 1920s, an area noted for its boisterous after-hour activities. The interview was published in the Journal of Decorative and Propaganda Arts in 1997. Also found in the papers are illustrated letters and greeting cards addressed to Blanc and his parents, Baron Lodovico Blanc and María V. Blanc.

Series 4: Exhibition Files, 1977-1995, undated, consists primarily of material Blanc compiled for exhibitions he curated. Found here are letters from museum directors, artists and colleagues, drafts and finished essays for exhibition catalogs, and printed material such as newspaper clippings of art reviews. This series also includes files on exhibitions Blanc did not curate.

Series 5: Subject Files, 1933-1995, undated, are files relating to Cuban art, culture, and society, the Cuban revolution, book projects, Biennials in Havana and São Paulo, the 1988 controversy surrounding the Cuban Museum of Arts and Culture (Miami, FL) and other topics. Found are letters, drafts of writings, notes, printed material such as newspaper clippings and magazine articles, press releases, and exhibition announcements.

Particularly extensive is the documentation about the 1980s conflict at the Cuban Museum of Arts and Culture. In April 1988, a fund-raising auction at the 24-year-old 'little Havana' institution resulted in heated disputes that escalated to violence. The works auctioned were by Cuban artists still living on the island. Many in Miami's Cuban community considered these artists to be supporters of the Communist regime and were outraged. One of the disputed works purchased the night of the auction, a drawing by Manuel Mendive, was taken across the street by its successful bidder and burned. In addition, the museum building was damaged by a pipe bomb shortly after the sale. In the National Public Radio news story (available in Blanc's papers on audio cassette) Helen Kohen, critic for the Miami Herald commented, "We're not talking about paintings. We're talking about `my brother's in jail'. That's what we're talking about." The situation intensified quickly; transcending local politics and involving the Treasury and Justice Departments, the American Civil Liberties Union, the Federal Bureau of Investigation, and Sotheby's and Christie's auction houses. Ramón Cernuda, the museum vice-president who organized the auction also had his personal collection of Cuban art impounded by the FBI. A second bombing took place in 1989 to protest an exhibition of Cuban artists who came to the U. S. during the early 1980s Mariel boatlift.

The seriousness of the conflicts in the Miami museum prompted the Museum of Modern Art in New York to withdraw an offer to lend three paintings to the Cuban museum for the 1988 exhibition Amelia Peláez: A Retrospective scheduled to open later that year. Curated by Giulio Blanc, it was the first U.S. retrospective of this important Cuban artist and the exhibition helped situate her work. The Cuban Museum of Art in Daytona Beach, an institution that helped start the Miami museum, also withdrew an offer to lend "Amelias". The result was an exhibition devoid of works owned by the Museum of Modern Art, important paintings created after 1963, the year President Kennedy imposed economic sanctions on Cuba.

To publicize the Peláez exhibition and boost attendance, the museum placed a public invitation in the Spanish section of the Miami Herald. The half page ad, also found in the Blanc papers, lists more than 100 intellectuals and professionals who supported the exhibition. Blanc stated in a letter to the Miami Herald, "It is horrifying to think there are those in Miami who would burn a painting for the sake of politics. This was the same reasoning utilized by Joseph Goebbels when he made bonfires of books and paintings by anti-Nazi and `degenerate' artists and writers in 1930s Germany... One can only pity the ignorance of those who play into the hands of the Castro regime by resorting to uncivilized tactics that can only hurt the image of the Cuban-exile community and of Miami in general."

The files concerning the Cuban Museum of Arts and Culture contain exhibition announcements, copies of court orders, press releases and correspondence between Blanc and the Museum of Modern Art in New York regarding the museum and the Peláez exhibition. Also included are a great number of newspaper articles printed in two of Miami's major newspapers, the Miami Herald and El Nuevo Herald which covered the story until it was resolved in the early 1990s. Offering additional information on the controversy are a number of letters addressed to either Blanc or his parents from artists and friends expressing either discontent with the museum's state of affairs or gratitude for the Blanc's financial support during the museum's reconstruction. These provide remarkable insight into a relatively heterogeneous Cuban community.

Series 6: Sound Recordings, 1992, 1994 consists of two untranscribed audio cassette tapes. One is of the 1992 College Art Association's session: Artistic Voices of Latin America: The Aesthetics of Anti-Colonialism held in Chicago, Illinois in which Giulio V. Blanc was a panelist. The other is a rare 1994 interview conducted by Blanc with poet-priest Monseñor Angel Gaztelu, a friend of many Cuban writers and artists, and who presided over Peláez's funeral service in 1968.

The last series, Series 7: Photographs, 1981-1993, undated, includes black and whiteportraits of artists, group shots of Blanc with "Miami Generation" artists María Brito, Pablo Cano, María Martínez-Cañas, Carlos Macía, Arturo Rodríguez, and César Trasobares, and photos of other artists.
Arrangement:
The Giulio V. Blanc papers are arranged into seven series primarily according to type of material. Within each series, materials are arranged chronologically, except for Artist Files and Subject Files which are arranged alphabetically by either name or subject.

Series 1: Biographical Files, 1994-1995, undated (box 1; 3 folders)

Series 2: Miscellaneous Letters, 1983-1995, undated (box 1; 3 folders)

Series 3: Artist Files, 1920-1995, undated (boxes 1-8, ER01; 6 linear ft., 0.001 GB)

Series 4: Exhibition Files, 1977-1995, undated (box 8; 1 linear foot)

Series 5: Subject Files, 1933-1995, undated (boxes 8-12; 2.5 linear feet)

Series 6: Untranscribed Sound Recordings, 1992-1994 (box 12; 2 folders)

Series 7: Photographs, 1981, 1993, undated (box 12; 2 folders)
Biographical Note:
Independent curator, critic, art historian and consultant Giulio V. Blanc (1955-1995) specialized in Cuban and Latin American art history and in his lifetime collected a wealth of material on the subject. Through his numerous exhibitions and keen articles appearing in national and international art journals, Blanc became a leading authority on Latin American art and successfully established himself as a link between Cuban and Cuban-American artists and US galleries and museums. The Miami Generation (1983) and Amelia Peláez: A Retrospective (1988) are two significant exhibitions Blanc curated for Miami's Cuban Museum of Arts and Culture in addition to the celebrated Wifredo Lam and His Contemporaries, 1938-1952 (1992) for New York's Studio Museum in Harlem. Giulio V. Blanc was among the key figures that catapulted Latin American art onto the mainstream in the early 1980s.

Giulio V. Blanc was born in Havana in 1955 to Baron Lodovico Blanc and María V. Blanc. The Blanc name hails from Italy and the title of Baron was awarded to Alberto Blanc, Lodovico Blanc's grandfather, while he was Secretary of State in 1873 under Victor Emmanuel II of Italy. As young advocates of Cuban culture, the Blanc's collected a number of paintings by Cuban artists but were forced to leave behind the works of Cuban masters such as Carlos Enríquez, Victor Manuel, René Portocarrero, Fidelio Ponce and others to facilitate an uncomplicated exodus from the country during the revolution. Lodovico and María were in their thirties and Giulio was five years old when the family settled in Miami.

Giulio Blanc completed his undergraduate education at Harvard and proceeded to Brown University and the Institute of Fine Arts in New York for graduate work (1979-1980). During his career, he served as an independent curator and consultant to The Cuban Museum of Arts and Culture (Miami), The Metropolitan Museum (Miami), and The Museum of Contemporary Hispanic Art (New York) among others. He also lectured on Latin American art history at the Art Museum of the Americas, OAS (Organization of American States), Washington, DC, The University of Miami, and El Museo Nacional de Arte in La Paz, Bolivia. In addition, he worked as a consultant in the Latin American Paintings Department at Sotheby's auction house in New York and served on the editorial board of the magazine Art Nexus. Blanc was pursuing a doctoral degree in art history at the City University of New York before his premature death in 1995 at the age of thirty-nine.

1955 -- Born November 1 in Havana, Cuba to Baron Lodovico and Baroness María V. Blanc, young collectors of Cuban art. The title of Baron was awarded to Alberto Blanc, Lodovico Blanc's grandfather, in 1873 while Alberto was Secretary of State under Victor Emmanuel II of Italy.

1960 -- The Blanc family migrates to the United States because of the escalating revolution. Lodovico and Maria V. Blanc are in their thirties when they flee the island. The works of Cuban painters such as Carlos Enríquez, Victor Manuel, René Portocarrero, Fidelio Ponce and others were left behind to facilitate an uncomplicated exodus.

1976 -- Giulio V. Blanc serves as research assistant for one year at the Tozzer Library, Peabody Museum, Harvard University.

1977 -- Graduates cum laude from Harvard College with a B.A. in Archeology.

1979 -- Graduates from Brown University with a M.A. in Archeology. Was a research assistant until 1980 at the Gallery of the Center for Inter-American Relations, New York city.

1980 -- Receives a certificate in Museum Studies from the Graduate School of Arts and Science, New York University. Curates Emilio Sánchez: Lithographs which opens at the Pagoda, Ransom-Everglades School, Coconut Grove, Florida. Co-curates Cuba in the Nineteenth Century for Miami's Miami-Dade Public Library.

1981 -- Joins the Latin American Paintings Department, Sotheby's Auction House, New York and serves for two years.

1982 -- Co-curates Young Hispanics, USA which opens at the Lehigh University Museum, Bethlehem, Pennsylvania and curates Ten Out of Cuba for INTAR Latin American Gallery in New York.

1983 -- Curates Cuban Fantasies at the Kouros Gallery in New York and Pablo Cano en Paris for the 4 Place de Saussaies in Paris, France. Also curates The Miami Generation: Nine Cuban-American Artists for the Cuban Museum of Arts and Culture in Miami and the Meridian House in Washington, DC.

1984 -- Serves as independent curator and consultant to Miami's Metropolitan Museum and Art Center and The Cuban Museum of Arts and Culture; The Museum of Contemporary Hispanic Art in New York and other institutions. Lectures at the Art Museum of the Americas (Organization of American States) in Washington, DC; The University of Miami; The Cuban Museum of Arts and Culture (Miami); The Center for the Fine Arts (Miami); Rockland Center for the Arts (West Nyack, NY); and the National Museum of Art, La Paz, Bolivia. Curates Young Collector's of Latin American Art which opened at Miami's Metropolitan Museum and Art Center.

1985 -- Curates Dancing Faces: An Exhibition of Mexican Masks for the Metropolitan Museum and Art Center in Miami and Nuevas Vistas: Latin American Paintings which opens at the Wistariahurst, Holyoke, Massachusetts. Curates Architecture in Cuban Painting, for the Miami Dade Public Library.

1986 -- Receives and M.A. in Art History at New York University's Institute of Fine Arts. Curates Carlos Enríquez for the Cuban Museum of Arts and Culture, Miami, Florida and Into the Mainstream: Ten Latin American Artists Working in New York for the Jersey City Museum in Jersey City, New Jersey.

1987 -- The exhibition Aurelia Muñoz: Selections, curated by Blanc, opens at the Metropolitan Museum of Art in Miami, Florida. Serves as juror for Expresiones Hispanas: Coors National Hispanic Art Exhibition, Denver, Colorado. Curates Visions of Self: The American Latin Artist for the Miami-Dade Community College gallery.

1988 -- Receives a grant from the NY State Council on the Arts for research on Cuban artist Wifredo Lam for the exhibition at the Studio Museum in Harlem, New York. Enrolls in the art history Ph.D. program at the City University Graduate Center, New York city. First bombing of the Cuban Museum of Arts and Culture in Miami takes place. Blanc's Amelia Peláez: A Retrospective successfully opens at the Cuban Museum of Arts and Culture despite much controversy.

1989 -- Curates Urgent Dream: New Work by Mario Bencomo at the Museum of Contemporary Hispanic Art (MoCHA), New York. Second bombing of the Cuban Museum of Arts and Culture, Miami FL.

1990 -- New York correspondent for Arte en Colombia, Bogota. Serves as adjunct lecturer at Queens College (CUNY) for the Fall semester. Curates the exhibition, The Post-Miami Generation for the Inter-American Gallery in Miami, Florida. Co-curates Figurative Perspectives: Six Artists of Latin American Background for the Rockland Center for the Arts, West Nyack, NY.

1991 -- Visiting scholar at University of Massachusetts at Amherst. Writes a small play, Tía Carmela: A Cuban Tragicomedy, illustrated by Cuban artist and friend Pablo Cano.

1995 -- Dies at the age of forty of AIDS related complications.
Related Materials:
Papers of Giulio V. Blanc, 1930-1982, are also located at the University of Miami Archival Collections.
Provenance:
Margherite Blanc, sister of Giulio V. Blanc, donated her brother's papers in 1998 to the Archives of American Art, Smithsonian Institution. This collection, along with numerous other Latino collections, was acquired through the 1996 Latino Art Documentation Project in South Florida. Initiated to chronicle the thriving art scene so apparent in the city's galleries, museums, and private collections, the project resulted in numerous acquisitions described in the revised edition of the Papers of Latino and Latin American Artists. Both the project and the publication were made possible, in part, with funding provided by the Smithsonian Institution's Center for Latino Initiatives.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Giulio V. Blanc papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Cuban American art -- Florida -- Miami  Search this
Art, Latin American  Search this
Artists -- Cuba  Search this
Cuban American artists  Search this
Art historians -- Florida -- Miami  Search this
Genre/Form:
Sound recordings
Citation:
Giulio V. Blanc papers, 1920-1995. Smithsonian Institution. Archives of American Art.
Identifier:
AAA.blangiul
See more items in:
Giulio V. Blanc papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-blangiul
Online Media:

S. Fred Singer Papers

Creator:
Singer, S. Fred (Siegfried Fred), 1924-  Search this
Names:
National Environmental Satellite Center (U.S.)  Search this
United States. Department of Commerce  Search this
United States. Department of Transportation  Search this
United States. Department of the Interior  Search this
United States. Office of Naval Research  Search this
University of Maryland at College Park  Search this
University of Miami. School of Environmental and Planetary Science  Search this
University of Virginia  Search this
Singer, S. Fred (Siegfried Fred), 1924-  Search this
Extent:
54.5 Cubic feet ((50 records center boxes))
Type:
Collection descriptions
Archival materials
Publications
Photographs
Drawings
Financial records
Notes
Correspondence
Place:
Outer space -- Exploration -- United States
Outer space -- Exploration
Date:
1953-1989
bulk 1960-1980
Scope and Contents:
This collection consists of Singer's personal papers. The material consists of correspondence and research files, as well as financial records. The collection covers Singer's career beginning with his tenure at Maryland and continued through his retirement in 1989.
Biographical / Historical:
Dr. Siegfried Fred Singer (1924- ) is a professor, physicist, and administrator. Singer emigrated to the United States from Vienna in 1940 (naturalized 1944) and attended Ohio State University (BEE 1943; D.Sc. (honorary) 1970) and Princeton (AM 1944, Ph.D. (physics) 1948). He taught briefly as a doctoral candidate at Princeton (1943-44) before joining the Johns Hopkins University Applied Physics Laboratory as a physicist (1946-50). He acted as the Office of Naval Research Scientific Liaison Officer at the US Embassy in London (1950-53), then joined the faculty of the University of Maryland (assoc. professor, physics 1953-59; professor 1959-62). He continued to alternate between public and academic positions, working at the National Weather Satellite Center, Department of Commerce (Director, 1962-64); School of Environmental and Planetary Science, University of Miami (Dean, 1964-67); Department of the Interior (Deputy Assistant Secretary for Water Quality and Research, 1967-70); University of Virginia (Professor, Environmental Science, 1971-87); and the Department of Transportation (Chief Scientist, 1987-89). Singer authored a number of papers and articles on astrophysics, space exploration, and environmental issues and was involved in formulating public policies on these topics.
General:
NASMrev
Provenance:
S. Fred Singer, gift, 1989, 1989-0130, unknown
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
Astrophysics  Search this
Environmental sciences  Search this
Aeronautics, Commercial  Search this
Aeronautics and state  Search this
Aeronautics  Search this
Astronautics and state  Search this
Astronautics  Search this
Periodicals  Search this
Genre/Form:
Publications
Photographs
Drawings
Financial records
Notes
Correspondence
Identifier:
NASM.1989.0130
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1989-0130

Phronima colletti

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
400 - 400
Preparation:
Alcohol (Ethanol)
Place:
Western Australia, Australia, Indian Ocean
Collection Date:
12 Sep 1968
Common name:
Amphipods
Published Name:
Phronima colletti Bovallius, 1887
USNM Number:
1247638
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/38b4ecd66-fcc0-4a79-beb2-01099258be68
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11287732

Phronima colletti

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
190 - 190
Preparation:
Alcohol (Ethanol)
Place:
Great Australian Bight, Western Australia, Australia, Indian Ocean
Collection Date:
9 Sep 1968
Common name:
Amphipods
Published Name:
Phronima colletti Bovallius, 1887
USNM Number:
1247639
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/39d4fe651-2a5d-4028-b7c4-4c31dac1f3f3
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11287734

Phronima sedentaria

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
200 - 200
Preparation:
Alcohol (Ethanol)
Place:
Western Australia, Australia, Indian Ocean
Collection Date:
12 Sep 1968
Common name:
Amphipods
Published Name:
Phronima sedentaria (Forskäl, 1775)
USNM Number:
1263952
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3d4c3c70f-7110-49c3-8bd6-7381459ff283
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11493433
Online Media:

Phronima sedentaria

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
420 - 420
Preparation:
Alcohol (Ethanol)
Place:
Indian Ocean
Collection Date:
16 Sep 1968
Common name:
Amphipods
Published Name:
Phronima sedentaria (Forskäl, 1775)
USNM Number:
1263956
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3d5bc5359-0b68-4f77-a01c-1d95e9d09925
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11493437
Online Media:

Phronimidae

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
485 - 485
Preparation:
Alcohol (Ethanol)
Place:
Indian Ocean
Collection Date:
19 Aug 1968
Common name:
Amphipods
USNM Number:
1263959
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3f0ae3043-fba7-4bca-8e13-0b7eabbf554a
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11493440

Phronima solitaria

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
450 - 450
Preparation:
Alcohol (Ethanol)
Place:
Indian Ocean
Collection Date:
17 Aug 1968
Common name:
Amphipods
Published Name:
Phronima solitaria Guérin Méneville, 1844
USNM Number:
1263961
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3e398d181-6726-40ec-b91a-4bd4c1202534
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11493442
Online Media:

Phronimidae

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
1250 - 1250
Preparation:
Alcohol (Ethanol)
Place:
Indian Ocean
Collection Date:
30 Aug 1968
Common name:
Amphipods
USNM Number:
1263963
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3652e112c-b4b8-4797-a24b-a9be76f34148
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11493444

Phronima sp.

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
250 - 250
Preparation:
Alcohol (Ethanol)
Place:
Indian Ocean
Collection Date:
1 Sep 1968
Common name:
Amphipods
Published Name:
Phronima sp.
USNM Number:
1263965
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/31d405bb3-f3fc-444c-ba47-0131a8ecc017
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11493446
Online Media:

Phronima sedentaria

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
700 - 700
Preparation:
Alcohol (Ethanol)
Place:
Western Australia, Australia, Indian Ocean
Collection Date:
5 Sep 1968
Common name:
Amphipods
Published Name:
Phronima sedentaria (Forskäl, 1775)
USNM Number:
1263968
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/350c048c7-d41a-4c34-99b2-9577742525f6
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11493449
Online Media:

Phronima sedentaria

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
550 - 550
Preparation:
Alcohol (Ethanol)
Place:
Great Australian Bight, Western Australia, Australia, Indian Ocean
Collection Date:
7 Sep 1968
Common name:
Amphipods
Published Name:
Phronima sedentaria (Forskäl, 1775)
USNM Number:
1263971
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3ea5b1652-11a5-4da6-9e02-43908370b2c5
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11493452
Online Media:

Phronima sedentaria

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
190 - 190
Preparation:
Alcohol (Ethanol)
Place:
Great Australian Bight, Western Australia, Australia, Indian Ocean
Collection Date:
9 Sep 1968
Common name:
Amphipods
Published Name:
Phronima sedentaria (Forskäl, 1775)
USNM Number:
1263974
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/32c695be9-eee5-4b2d-a0f4-72d24fca03e7
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11493455
Online Media:

Phronima sedentaria

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
400 - 400
Preparation:
Alcohol (Ethanol)
Place:
Western Australia, Australia, Indian Ocean
Collection Date:
12 Sep 1968
Common name:
Amphipods
Published Name:
Phronima sedentaria (Forskäl, 1775)
USNM Number:
1263976
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/32c0ea72f-81df-4ff9-aad0-57df71a956d9
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11493457
Online Media:

Phronima pacifica

Collector:
University of Miami  Search this
Expedition:
USAP  Search this
Ocean/Sea/Gulf:
Indian Ocean  Search this
Vessel:
Eltanin R/V  Search this
Depth (m):
700 - 700
Preparation:
Alcohol (Ethanol)
Place:
Western Australia, Australia, Indian Ocean
Collection Date:
5 Sep 1968
Common name:
Amphipods
Published Name:
Phronima pacifica Streets, 1887
USNM Number:
1250748
See more items in:
Invertebrate Zoology
Arthropoda
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3e92aa6cf-a672-4082-a9b8-04e9c498708b
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11329696
Online Media:

Exhibition photography for "Child's Play: Arango International Toy Design Competition," [photographs]

Physical description:
0.2 linear feet (7 folders)
Type:
Exhibition catalogs
Photographs
Negatives (photographic)
Slides (photographs)
Date:
Ca. 1979
Topic:
Art, American  Search this
Art museums--Exhibitions  Search this
Image number:
EXH E0000100
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_142691

Senate Doors: George Washington and the Revolutionary War Doors [sculpture] / (photographer unknown)

Title:
Bronze Doors of the Senate Entrance [sculpture] / (photographer unknown)
Artist:
Crawford, Thomas 1813?-1857  Search this
Subject:
Washington, George  Search this
Type:
Photograph
Date:
1864-1868
Topic:
History--United States--Revolution  Search this
Figure group  Search this
Occupation--Military--Soldier  Search this
Portrait male--Full length  Search this
Occupation--Political--President  Search this
Ceremony--Civic--Inauguration  Search this
Image number:
SSC S0000467
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_127176
Online Media:

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