Search Results

Collector:

Frank J. Schwartz  Search this

Museo de Pesca Personnel  Search this

Expedition:

University Of Miami and Smithsonian Institution Project No. 3818  Search this

Ocean/Sea/Gulf:

Indian, Maputo Bay (Delagoa Bay)  Search this

Place:

Mozambique, south shore (side) of junction of Delagoa Bay and Harbor Estuary (Esperito-Santo) to Lourenco Marques, opposite Musao de Pesca de Orangesfico (last word illegible), Maputo Province, Mozambique, Indian

Collection Date:

13 Feb 1969

Taxonomy:

Animalia, Chordata, Vertebrata, Osteichthyes, Actinopterygii, Neopterygii, Osteoglossomorpha, Clupeiformes, Clupeoidei, Engraulidae

Published Name:

Thrissina setirostris

Accession Number:

289275

USNM Number:

466148

See more items in:

Vertebrate Zoology

Fishes

Data Source:

NMNH - Vertebrate Zoology - Fishes Division

GUID:

http://n2t.net/ark:/65665/33597f36a-8d33-40ac-b8d1-24d9e66ad2c2

EDAN-URL:

edanmdm:nmnhvz_16847072

Collector:

Frank J. Schwartz  Search this

Expedition:

University Of Miami and Smithsonian Institution Project No. 3818  Search this

Ocean/Sea/Gulf:

Pacific, Andaman Sea, Malacca Strait  Search this

Depth (m):

18

Place:

Malaysia, south of Pu Kendi Island off southwest coast of Penang Island, Malaysia, Penang, Malaysia, Pacific

Collection Date:

6 May 1969

Taxonomy:

Animalia, Chordata, Vertebrata, Osteichthyes, Actinopterygii, Neopterygii, Osteoglossomorpha, Clupeiformes, Clupeoidei, Engraulidae

Published Name:

Coilia dussumieri

Accession Number:

289275

USNM Number:

466151

See more items in:

Vertebrate Zoology

Fishes

Data Source:

NMNH - Vertebrate Zoology - Fishes Division

GUID:

http://n2t.net/ark:/65665/3e5b8ea90-4104-460f-b2d3-c3cde309b09a

EDAN-URL:

edanmdm:nmnhvz_16847128

Collector:

University of Miami  Search this

Ocean/Sea/Gulf:

North Atlantic Ocean  Search this

Vessel:

Gerda R/V  Search this

Depth (m):

659 - 677

Prep Count:

1

2

Preparation:

Alcohol (Ethanol)

Paraffin Block

Slide

Remarks:

P2, Pc, Ph

Place:

Jupiter Inlet, East of, Florida, United States, North Atlantic Ocean

Collection Date:

29 Jun 1963

Published Name:

Comatilia iridometriformis Clark, 1909

USNM Number:

E18948

See more items in:

Invertebrate Zoology

Echinodermata

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/35850a543-883a-49f9-8581-9f9cfc630ef6

EDAN-URL:

edanmdm:nmnhinvertebratezoology_326464

Collector:

University of Miami  Search this

Ocean/Sea/Gulf:

North Atlantic Ocean, Gulf of Mexico  Search this

Vessel:

Gerda R/V  Search this

Depth (m):

256 - 256

Prep Count:

3

Preparation:

Alcohol (Ethanol)

Slide

Remarks:

outer p2 and P3, P5, Pd

Place:

Florida Keys, Key Largo, SE of, Florida, United States, North Atlantic Ocean

Collection Date:

2 Aug 1967

Published Name:

Comatilia iridometriformis Clark, 1909

USNM Number:

E18949

See more items in:

Invertebrate Zoology

Echinodermata

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/348fe0b48-0c55-4698-8055-73e5cd25dabf

EDAN-URL:

edanmdm:nmnhinvertebratezoology_326465

Collector:

University of Miami  Search this

Ocean/Sea/Gulf:

North Atlantic Ocean  Search this

Vessel:

Gerda R/V  Search this

Depth (m):

686 - 686

Prep Count:

1

Preparation:

Alcohol (Ethanol)

Slide

Remarks:

P1

Place:

St. Lucie, East of, Florida, United States, North Atlantic Ocean

Collection Date:

30 Jun 1963

Published Name:

Comatilia iridometriformis Clark, 1909

USNM Number:

E18953

See more items in:

Invertebrate Zoology

Echinodermata

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/3763ee41e-ed86-4106-ac58-3faced0be4b1

EDAN-URL:

edanmdm:nmnhinvertebratezoology_326470

Collector:

University of Miami  Search this

Ocean/Sea/Gulf:

North Atlantic Ocean  Search this

Vessel:

Gerda R/V  Search this

Depth (m):

595 - 711

Prep Count:

1

Preparation:

Alcohol (Ethanol)

Dry

Place:

NW Providence Channel, NW of Berry Islands, Bahamas, North Atlantic Ocean

Collection Date:

20 Jul 1965

Published Name:

Crinometra brevipinna brevipinna (Pourtalès, 1868)

USNM Number:

E19928

See more items in:

Invertebrate Zoology

Echinodermata

Data Source:

NMNH - Invertebrate Zoology Dept.

GUID:

http://n2t.net/ark:/65665/300d6beb4-3dec-430b-bf4b-26ec9de7c996

EDAN-URL:

edanmdm:nmnhinvertebratezoology_327517

Creator:

Smithsonian Tropical Research Institute  Search this

Type:

YouTube Videos

Uploaded:

2015-10-12T15:46:35.000Z

YouTube Category:

Science & Technology  Search this

Topic:

Tropics;Biology  Search this

See more by:

TheSmithsonianPanama

Data Source:

Smithsonian Tropical Research Institute

YouTube Channel:

TheSmithsonianPanama

EDAN-URL:

edanmdm:yt_ipur8aBSotA

Creator:

Smithsonian Marine Station at Fort Pierce  Search this

Type:

YouTube Videos

Uploaded:

2020-09-10T20:09:40.000Z

YouTube Category:

Education  Search this

Topic:

Natural History;Marine biology  Search this

See more by:

SmithsonianSMS

Data Source:

Smithsonian Marine Station at Fort Pierce

YouTube Channel:

SmithsonianSMS

EDAN-URL:

edanmdm:yt_C6DxyyQuauI

Creator:

Carrier, Joseph M.  Search this

Extent:

339 Color slides

Culture:

Cua (Vietnamese people)  Search this

Hrê (Vietnamese people)  Search this

Jarai (Southeast Asian people)  Search this

Bru (Southeast Asian people)  Search this

Vietnamese  Search this

Type:

Collection descriptions

Archival materials

Color slides

Photographs

Place:

Vietnam

Guatemala

Date:

1962-1973

Scope and Contents note:

Photographs of Vietnamese peoples and refugee camps made during Joseph M. Carrier's work in Vietnam for the Rand Corporation and the National Academy of Sciences. The collection includes images of airfields, a hospital, Viet Cong defectors, and weaving and basket-making. There are also photographs depicting people, architecture, and art, made in Guatemala circa 1964 and 1972.

Biographical/Historical note:

Joseph Michel Carrier (b. 1927) was a counterinsurgency specialist for the Rand Corporation in Vietnam, a researcher on herbicide use in Vietnam, and an anthropologist specializing in the analysis of homosexuality among Mexican and Vietnamese men. Educated at the University of Miami (BA, 1950) and Purdue University (MA, 1952), he gained employment with the Rand Corporation in 1956 as a research analyst. In 1962 and 1965-1967, Carrier was detailed to South Vietnam, where he assisted anthropologist Gerald Cannon Hickey's research on the Highland peoples and conducted fieldwork on Viet Cong morale and defection. Carrier returned to the United States in 1968 and entered the graduate program in anthropology at the University of California at Irvine. However, despite his doctoral research on homosexual men in Mexico, Carrier could find no positions in sex research after earning his PhD in 1972. With Hickey's support, Carrier found employment as a staff officer for the National Academy of Science's Herbicide Study Group, for whom he gathered data on the effects of US operations in Vietnam which used herbicides to defoliate forests to expose enemy compounds and poisoned Viet Cong food supplies. In 1974, Carrier helped author a working paper on the effects of these programs on the Vietnamese Highland populations. After his time in Vietnam, Carrier worked as an evaluator of California law enforcement programs (1973-1987) and was Chief Social Scientist for the Orange County Health Agency AIDS Community Education Project (retired 1992).

Local Call Number(s):

NAA Photo Lot 2014-02

Location of Other Archival Materials:

The Southeast Asian Archive, The UC Irvine Libraries and the ONE National Gay & Lesbian Archives hold Joseph Carrier's papers.

Related Materials:

The National Anthropological Archives holds the papers and photographs of Gerald Cannon Hickey.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Refugee camps  Search this

Vietnam War, 1961-1975  Search this

Genre/Form:

Photographs

Citation:

Photo Lot 2014-02, Joseph M. Carrier photographs of Vietnamese Central Highlanders, National Anthropological Archives, Smithsonian Institution.

Identifier:

NAA.PhotoLot.2014-02

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw366fd5984-46f0-4327-9847-7946730cd89a

EDAN-URL:

ead_collection:sova-naa-photolot-2014-02

Creator:

Blanc, Giulio V.  Search this

Names:

Cuban Museum of Arts and Culture (Miami, Fla.)  Search this

Brito, Maria, 1947-  Search this

Cano, Margarita, 1932-  Search this

Cano, Pablo  Search this

Carreño, Mario  Search this

Carulla, Ramón, 1938-  Search this

Demi, 1955-  Search this

Garcia, Hernan, 1935-  Search this

Gattorno, Antonio  Search this

Gaztelu, A. (Angel)  Search this

Goldman, Shifra M., 1926-2011  Search this

Gómez-Peña, Guillermo  Search this

Lam, Wifredo  Search this

Larraz, Julio  Search this

Libin, Victoria  Search this

Macia, Carlos A., 1951-1994  Search this

Martínez-Cañas, María  Search this

Riverón, Enrique  Search this

Rodríguez, Arturo, 1956-  Search this

Sánchez, Juan, 1954-  Search this

Sí, Juan  Search this

Trasobares, César  Search this

Vater, Regina  Search this

Vázquez Lucio, Oscar E. (Oscar Edgardo), 1932-  Search this

Interviewee:

Cabrera, Lydia  Search this

Gómez Sicre, José  Search this

Extent:

11 Linear feet

0.001 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Sound recordings

Date:

1920-1995

Summary:

The dates for the Giulio V. Blanc papers range from 1920-1995. Measuring a total of eleven linear feet and 0.001 GB, the collection provides documentation of the art exhibitions Blanc curated during his career, including original writings and exhibition catalogs. The extensive artists files in the collection provide information on numerous Latin American and Caribbean artists. The collection also provides historical information on the life and culture of Cuba.

Scope and Content Note:

The Giulio V. Blanc papers measure approximately 11 linear feet and 0.001 GB and date from 1920 to 1995. Compiled by Blanc since the beginning of his curatorial, writing, and research career in the 1980s, the papers consist primarily of artist files on Cuban, Cuban-American, and Latin American artists (1920-1995 and undated). Also found is biographical information (1994-1995), interviews by Blanc (1984-1987, 1994) and miscellaneous letters from artists and friends (1983-1995 and undated).

The first series, Biographical Files, 1994-1995 includes information about Blanc's career. Series 2: Miscellaneous Letters, 1983-1995, undated, consists of letters from artists and friends on various topics. Series 3: Artist Files, 1920-1995, undated, represents the bulk of the collection (approximately 300 artists in all, 6 linear feet), and contain materials either collected by Blanc or received by Blanc from the artists themselves. These consist of biographical material about the artist, usually two or three paragraphs written by Blanc, scattered resumes and copies of fellowship applications. Also found are newspaper clippings, exhibition announcements and catalogs, and letters or correspondence between Blanc and the artists. Of special interest in this series are numerous taped interviews with celebrated Cuban artists and art historians such as José Gómez Sícre, founder and first director of the Art Museum of the Americas, Organization of American States. Gómez-Sícre describes his early career and involvement with acquisitions for the museum's permanent collection as well as his working relationship with Alfred H. Barr, first director of the Museum of Modern Art in New York. Gómez-Sícre's notable book, Pintura Cubana de Hoy, published in Havana in 1944 is included in the files.

Elena Peláez de Medero, another interviewee, discusses her sister, Cuban painter Amelia Peláez (1896-1968). Blanc interviewed Elena Peláez in Miami for his 1988 exhibition Amelia Peláez: A Retrospective. The Peláez file includes Blanc's correspondence with her as well as copies of rare 1930s and 1940s exhibition catalogs from Amelia Peláez's early career. Among the catalogs is a copy of Modern Cuban Painters from the 1944 exhibition held at the Museum of Modern Art in New York. Also found are rare French, German and Spanish newspaper clippings on Peláez dating back to the 1920s. Of interest is a copy of Amado Blanco's 1937 poetry book, Poema desesperado. Published in Havana, the book is dedicated to the memory of Federico García Lorca and includes illustrations by Peláez.

Another prominent artist whom Blanc interviewed was Enrique Riverón (b. 1901) leader of the Cuban vanguardia. He was a member of El Grupo de Montparnasse, a talented group of painters and writers living in the southern district of Paris in the late 1920s, an area noted for its boisterous after-hour activities. The interview was published in the Journal of Decorative and Propaganda Arts in 1997. Also found in the papers are illustrated letters and greeting cards addressed to Blanc and his parents, Baron Lodovico Blanc and María V. Blanc.

Series 4: Exhibition Files, 1977-1995, undated, consists primarily of material Blanc compiled for exhibitions he curated. Found here are letters from museum directors, artists and colleagues, drafts and finished essays for exhibition catalogs, and printed material such as newspaper clippings of art reviews. This series also includes files on exhibitions Blanc did not curate.

Series 5: Subject Files, 1933-1995, undated, are files relating to Cuban art, culture, and society, the Cuban revolution, book projects, Biennials in Havana and São Paulo, the 1988 controversy surrounding the Cuban Museum of Arts and Culture (Miami, FL) and other topics. Found are letters, drafts of writings, notes, printed material such as newspaper clippings and magazine articles, press releases, and exhibition announcements.

Particularly extensive is the documentation about the 1980s conflict at the Cuban Museum of Arts and Culture. In April 1988, a fund-raising auction at the 24-year-old 'little Havana' institution resulted in heated disputes that escalated to violence. The works auctioned were by Cuban artists still living on the island. Many in Miami's Cuban community considered these artists to be supporters of the Communist regime and were outraged. One of the disputed works purchased the night of the auction, a drawing by Manuel Mendive, was taken across the street by its successful bidder and burned. In addition, the museum building was damaged by a pipe bomb shortly after the sale. In the National Public Radio news story (available in Blanc's papers on audio cassette) Helen Kohen, critic for the Miami Herald commented, "We're not talking about paintings. We're talking about `my brother's in jail'. That's what we're talking about." The situation intensified quickly; transcending local politics and involving the Treasury and Justice Departments, the American Civil Liberties Union, the Federal Bureau of Investigation, and Sotheby's and Christie's auction houses. Ramón Cernuda, the museum vice-president who organized the auction also had his personal collection of Cuban art impounded by the FBI. A second bombing took place in 1989 to protest an exhibition of Cuban artists who came to the U. S. during the early 1980s Mariel boatlift.

The seriousness of the conflicts in the Miami museum prompted the Museum of Modern Art in New York to withdraw an offer to lend three paintings to the Cuban museum for the 1988 exhibition Amelia Peláez: A Retrospective scheduled to open later that year. Curated by Giulio Blanc, it was the first U.S. retrospective of this important Cuban artist and the exhibition helped situate her work. The Cuban Museum of Art in Daytona Beach, an institution that helped start the Miami museum, also withdrew an offer to lend "Amelias". The result was an exhibition devoid of works owned by the Museum of Modern Art, important paintings created after 1963, the year President Kennedy imposed economic sanctions on Cuba.

To publicize the Peláez exhibition and boost attendance, the museum placed a public invitation in the Spanish section of the Miami Herald. The half page ad, also found in the Blanc papers, lists more than 100 intellectuals and professionals who supported the exhibition. Blanc stated in a letter to the Miami Herald, "It is horrifying to think there are those in Miami who would burn a painting for the sake of politics. This was the same reasoning utilized by Joseph Goebbels when he made bonfires of books and paintings by anti-Nazi and `degenerate' artists and writers in 1930s Germany... One can only pity the ignorance of those who play into the hands of the Castro regime by resorting to uncivilized tactics that can only hurt the image of the Cuban-exile community and of Miami in general."

The files concerning the Cuban Museum of Arts and Culture contain exhibition announcements, copies of court orders, press releases and correspondence between Blanc and the Museum of Modern Art in New York regarding the museum and the Peláez exhibition. Also included are a great number of newspaper articles printed in two of Miami's major newspapers, the Miami Herald and El Nuevo Herald which covered the story until it was resolved in the early 1990s. Offering additional information on the controversy are a number of letters addressed to either Blanc or his parents from artists and friends expressing either discontent with the museum's state of affairs or gratitude for the Blanc's financial support during the museum's reconstruction. These provide remarkable insight into a relatively heterogeneous Cuban community.

Series 6: Sound Recordings, 1992, 1994 consists of two untranscribed audio cassette tapes. One is of the 1992 College Art Association's session: Artistic Voices of Latin America: The Aesthetics of Anti-Colonialism held in Chicago, Illinois in which Giulio V. Blanc was a panelist. The other is a rare 1994 interview conducted by Blanc with poet-priest Monseñor Angel Gaztelu, a friend of many Cuban writers and artists, and who presided over Peláez's funeral service in 1968.

The last series, Series 7: Photographs, 1981-1993, undated, includes black and whiteportraits of artists, group shots of Blanc with "Miami Generation" artists María Brito, Pablo Cano, María Martínez-Cañas, Carlos Macía, Arturo Rodríguez, and César Trasobares, and photos of other artists.

Arrangement:

The Giulio V. Blanc papers are arranged into seven series primarily according to type of material. Within each series, materials are arranged chronologically, except for Artist Files and Subject Files which are arranged alphabetically by either name or subject.

Missing Title

Series 1: Biographical Files, 1994-1995, undated (box 1; 3 folders)

Series 2: Miscellaneous Letters, 1983-1995, undated (box 1; 3 folders)

Series 3: Artist Files, 1920-1995, undated (boxes 1-8, ER01; 6 linear ft., 0.001 GB)

Series 4: Exhibition Files, 1977-1995, undated (box 8; 1 linear foot)

Series 5: Subject Files, 1933-1995, undated (boxes 8-12; 2.5 linear feet)

Series 6: Untranscribed Sound Recordings, 1992-1994 (box 12; 2 folders)

Series 7: Photographs, 1981, 1993, undated (box 12; 2 folders)

Biographical Note:

Cuban born independent curator, critic, art historian and consultant Giulio V. Blanc (1955-1995) specialized in Cuban and Latin American art history and in his lifetime collected a wealth of material on the subject. Through his numerous exhibitions and keen articles appearing in national and international art journals, Blanc became a leading authority on Latin American art and successfully established himself as a link between Cuban and Cuban-American artists and US galleries and museums. The Miami Generation (1983) and Amelia Peláez: A Retrospective (1988) are two significant exhibitions Blanc curated for Miami's Cuban Museum of Arts and Culture in addition to the celebrated Wifredo Lam and His Contemporaries, 1938-1952 (1992) for New York's Studio Museum in Harlem. Giulio V. Blanc was among the key figures that catapulted Latin American art onto the mainstream in the early 1980s.

Giulio V. Blanc was born in Havana in 1955 to Baron Lodovico Blanc and María V. Blanc. The Blanc name hails from Italy and the title of Baron was awarded to Alberto Blanc, Lodovico Blanc's grandfather, while he was Secretary of State in 1873 under Victor Emmanuel II of Italy. As young advocates of Cuban culture, the Blanc's collected a number of paintings by Cuban artists but were forced to leave behind the works of Cuban masters such as Carlos Enríquez, Victor Manuel, René Portocarrero, Fidelio Ponce and others to facilitate an uncomplicated exodus from the country during the revolution. Lodovico and María were in their thirties and Giulio was five years old when the family settled in Miami.

Giulio Blanc completed his undergraduate education at Harvard and proceeded to Brown University and the Institute of Fine Arts in New York for graduate work (1979-1980). During his career, he served as an independent curator and consultant to The Cuban Museum of Arts and Culture (Miami), The Metropolitan Museum (Miami), and The Museum of Contemporary Hispanic Art (New York) among others. He also lectured on Latin American art history at the Art Museum of the Americas, OAS (Organization of American States), Washington, DC, The University of Miami, and El Museo Nacional de Arte in La Paz, Bolivia. In addition, he worked as a consultant in the Latin American Paintings Department at Sotheby's auction house in New York and served on the editorial board of the magazine Art Nexus. Blanc was pursuing a doctoral degree in art history at the City University of New York before his premature death in 1995 at the age of thirty-nine.

Missing Title

1955 -- Born November 1 in Havana, Cuba to Baron Lodovico and Baroness María V. Blanc, young collectors of Cuban art. The title of Baron was awarded to Alberto Blanc, Lodovico Blanc's grandfather, in 1873 while Alberto was Secretary of State under Victor Emmanuel II of Italy.

1960 -- The Blanc family migrates to the United States because of the escalating revolution. Lodovico and Maria V. Blanc are in their thirties when they flee the island. The works of Cuban painters such as Carlos Enríquez, Victor Manuel, René Portocarrero, Fidelio Ponce and others were left behind to facilitate an uncomplicated exodus.

1976 -- Giulio V. Blanc serves as research assistant for one year at the Tozzer Library, Peabody Museum, Harvard University.

1977 -- Graduates cum laude from Harvard College with a B.A. in Archeology.

1979 -- Graduates from Brown University with a M.A. in Archeology. Was a research assistant until 1980 at the Gallery of the Center for Inter-American Relations, New York city.

1980 -- Receives a certificate in Museum Studies from the Graduate School of Arts and Science, New York University. Curates Emilio Sánchez: Lithographs which opens at the Pagoda, Ransom-Everglades School, Coconut Grove, Florida. Co-curates Cuba in the Nineteenth Century for Miami's Miami-Dade Public Library.

1981 -- Joins the Latin American Paintings Department, Sotheby's Auction House, New York and serves for two years.

1982 -- Co-curates Young Hispanics, USA which opens at the Lehigh University Museum, Bethlehem, Pennsylvania and curates Ten Out of Cuba for INTAR Latin American Gallery in New York.

1983 -- Curates Cuban Fantasies at the Kouros Gallery in New York and Pablo Cano en Paris for the 4 Place de Saussaies in Paris, France. Also curates The Miami Generation: Nine Cuban-American Artists for the Cuban Museum of Arts and Culture in Miami and the Meridian House in Washington, DC.

1984 -- Serves as independent curator and consultant to Miami's Metropolitan Museum and Art Center and The Cuban Museum of Arts and Culture; The Museum of Contemporary Hispanic Art in New York and other institutions. Lectures at the Art Museum of the Americas (Organization of American States) in Washington, DC; The University of Miami; The Cuban Museum of Arts and Culture (Miami); The Center for the Fine Arts (Miami); Rockland Center for the Arts (West Nyack, NY); and the National Museum of Art, La Paz, Bolivia. Curates Young Collector's of Latin American Art which opened at Miami's Metropolitan Museum and Art Center.

1985 -- Curates Dancing Faces: An Exhibition of Mexican Masks for the Metropolitan Museum and Art Center in Miami and Nuevas Vistas: Latin American Paintings which opens at the Wistariahurst, Holyoke, Massachusetts. Curates Architecture in Cuban Painting, for the Miami Dade Public Library.

1986 -- Receives and M.A. in Art History at New York University's Institute of Fine Arts. Curates Carlos Enríquez for the Cuban Museum of Arts and Culture, Miami, Florida and Into the Mainstream: Ten Latin American Artists Working in New York for the Jersey City Museum in Jersey City, New Jersey.

1987 -- The exhibition Aurelia Muñoz: Selections, curated by Blanc, opens at the Metropolitan Museum of Art in Miami, Florida. Serves as juror for Expresiones Hispanas: Coors National Hispanic Art Exhibition, Denver, Colorado. Curates Visions of Self: The American Latin Artist for the Miami-Dade Community College gallery.

1988 -- Receives a grant from the NY State Council on the Arts for research on Cuban artist Wifredo Lam for the exhibition at the Studio Museum in Harlem, New York. Enrolls in the art history Ph.D. program at the City University Graduate Center, New York city. First bombing of the Cuban Museum of Arts and Culture in Miami takes place. Blanc's Amelia Peláez: A Retrospective successfully opens at the Cuban Museum of Arts and Culture despite much controversy.

1989 -- Curates Urgent Dream: New Work by Mario Bencomo at the Museum of Contemporary Hispanic Art (MoCHA), New York. Second bombing of the Cuban Museum of Arts and Culture, Miami FL.

1990 -- New York correspondent for Arte en Colombia, Bogota. Serves as adjunct lecturer at Queens College (CUNY) for the Fall semester. Curates the exhibition, The Post-Miami Generation for the Inter-American Gallery in Miami, Florida. Co-curates Figurative Perspectives: Six Artists of Latin American Background for the Rockland Center for the Arts, West Nyack, NY.

1991 -- Visiting scholar at University of Massachusetts at Amherst. Writes a small play, Tía Carmela: A Cuban Tragicomedy, illustrated by Cuban artist and friend Pablo Cano.

1995 -- Dies at the age of forty of AIDS related complications.

Related Materials:

Papers of Giulio V. Blanc, 1930-1982, are also located at the University of Miami Archival Collections.

Provenance:

Margherite Blanc, sister of Giulio V. Blanc, donated her brother's papers in 1998 to the Archives of American Art, Smithsonian Institution. This collection, along with numerous other Latino collections, was acquired through the 1996 Latino Art Documentation Project in South Florida. Initiated to chronicle the thriving art scene so apparent in the city's galleries, museums, and private collections, the project resulted in numerous acquisitions described in the revised edition of the Papers of Latino and Latin American Artists. Both the project and the publication were made possible, in part, with funding provided by the Smithsonian Institution's Center for Latino Initiatives.

Restrictions:

The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians -- Florida -- Miami  Search this

Topic:

Cuban American art  Search this

Art, Latin American  Search this

Artists -- Cuba  Search this

Cuban American artists  Search this

Latino and Latin American artists  Search this

Genre/Form:

Sound recordings

Citation:

Giulio V. Blanc papers, 1920-1995. Smithsonian Institution. Archives of American Art.

Identifier:

AAA.blangiul

See more items in:

Giulio V. Blanc papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d3c414b1-dc78-4f66-889d-963690fe0282

EDAN-URL:

ead_collection:sova-aaa-blangiul

Artist:

Henry Salem Hubbell, 25 Dec 1870 - 9 Jan 1949  Search this

Sitter:

Roy Henry Brown, 1879 - 1956  Search this

Medium:

Oil on canvas

Dimensions:

73.7cm x 61cm (29" x 24"), Accurate

Type:

Painting

Date:

1915

Topic:

Costume\Dress Accessory\Neckwear\Tie  Search this

Roy Henry Brown: Visual Arts\Artist  Search this

Roy Henry Brown: Male  Search this

Portrait  Search this

Credit Line:

Owner: Lowe Art Museum, University of Miami

Object number:

66.011.001

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm4c0bf3e66-bf6a-4620-9bb6-8536ca38a299

EDAN-URL:

edanmdm:npg_66.011.001

Artist:

Eve Myles  Search this

Sitter:

Stojan Albert Bayitch, 1901 - 1974  Search this

Medium:

Oil on canvas

Type:

Painting

Date:

c. 1974

Topic:

Printed Material\Book  Search this

Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this

Stojan Albert Bayitch: Male  Search this

Stojan Albert Bayitch: Law and Law Enforcement\Lawyer  Search this

Stojan Albert Bayitch: Literature\Writer  Search this

Stojan Albert Bayitch: Education and Scholarship\Educator\Professor  Search this

Stojan Albert Bayitch: Education and Scholarship\Administrator\University administrator\Dean  Search this

Portrait  Search this

Credit Line:

Owner: University of Miami

Object number:

FL900026

Restrictions & Rights:

Usage conditions apply

See more items in:

Catalog of American Portraits

Data Source:

Catalog of American Portraits

GUID:

http://n2t.net/ark:/65665/sm47f029883-9fbe-47d0-b047-6fb48cee977a

EDAN-URL:

edanmdm:npg_FL900026

Container:

Box 22 of 23

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 03-018, Freer Gallery of Art and Arthur M. Sackler Gallery, Central Files

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Central Files

Central Files / Box 22

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa03-018-refidd1e7215

Container:

Box 81 of 117

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Record Unit 313, National Collection of Fine Arts, Central Administrative File, Records

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Central Administrative File, Records

Central Administrative File, Records / Series 11: STATE AND FOREIGN COUNTRY FILES / Box 81

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-faru0313-refidd1e12595

Collection Creator:

Ya-Ching, Lee  Search this

Container:

Box 12, Folder 2

Type:

Archival materials

Text

Date:

1941

Collection Restrictions:

No restrictions on access.

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Collection Citation:

Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.

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Lee Ya-Ching Papers

Lee Ya-Ching Papers / Series 2: Professional

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2813ffa67-fd67-4bd9-980e-40d4f721e1f9

EDAN-URL:

ead_component:sova-nasm-2008-0009-ref116

Collection Creator:

Ya-Ching, Lee  Search this

Container:

Box 5, Folder 1

Type:

Archival materials

Text

Date:

1939

Collection Restrictions:

No restrictions on access.

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Collection Citation:

Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.

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Lee Ya-Ching Papers

Lee Ya-Ching Papers / Series 2: Professional

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg20c46250e-976d-4b97-bfc4-d6dc4ed9dda1

EDAN-URL:

ead_component:sova-nasm-2008-0009-ref46

Collection Creator:

Daley, William, 1925-2002  Search this

Container:

Box 7, Folder 59

Type:

Archival materials

Date:

1989-1990

Collection Restrictions:

The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

William P. Daley papers, 1905-2004 (bulk 1951-2001). Archives of American Art, Smithsonian Institution.

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William P. Daley papers

William P. Daley papers / Series 5: Workshops, Seminars, and Lectures

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9beb8237f-6f95-4bef-9c23-90b69cf774cf

EDAN-URL:

ead_component:sova-aaa-dalewill-ref389

Collection Creator:

National Air and Space Museum. Archives Division.  Search this

Type:

Archival materials

Collection Restrictions:

The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.

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National Air and Space Museum Technical Reference Files: Aircraft

National Air and Space Museum Technical Reference Files: Aircraft / Series A: Aircraft / Aircraft L

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2fbadf74b-c95e-4d79-8816-eac04bff4078

EDAN-URL:

ead_component:sova-nasm-xxxx-1183-a-ref32404

Collection Creator:

National Air and Space Museum. Archives Division.  Search this

Type:

Archival materials

Collection Restrictions:

The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.

Identifier:

NASM.XXXX.1183.A, File AL-200100-01

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National Air and Space Museum Technical Reference Files: Aircraft

National Air and Space Museum Technical Reference Files: Aircraft / Series A: Aircraft / Aircraft L / Lanier, Edward H. (Covington, KY; University of Miami, FL)

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg24622eea1-2836-464f-9ff7-04f584159f52

EDAN-URL:

ead_component:sova-nasm-xxxx-1183-a-ref32405

Collection Creator:

National Air and Space Museum. Archives Division.  Search this

Type:

Archival materials

Collection Restrictions:

The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.

Identifier:

NASM.XXXX.1183.A, File AL-200102-01

See more items in:

National Air and Space Museum Technical Reference Files: Aircraft

National Air and Space Museum Technical Reference Files: Aircraft / Series A: Aircraft / Aircraft L / Lanier, Edward H. (Covington, KY; University of Miami, FL)

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2850ad9e7-b866-4789-a2e8-4ba9a140913b

EDAN-URL:

ead_component:sova-nasm-xxxx-1183-a-ref32408