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"Homophobia is the Crime", SCERA, University of Massachusetts, poster

Series Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 26, Folder 1
Type:
Archival materials
Date:
undated
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 5: Biren, Joan E. (JEB) / 5.2: Posters and Oversize Advertisements
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8885293ef-cc44-414f-a61a-4bb851d4c8c2
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref742

Connecting through Family Stories | Cultivating Learning

Creator:
Smithsonian Education  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2021-11-29T22:12:26.000Z
YouTube Category:
Entertainment  Search this
Topic:
Education  Search this
See more by:
SmithsonianEducation
Data Source:
Smithsonian Education
YouTube Channel:
SmithsonianEducation
EDAN-URL:
edanmdm:yt_0-KCwiodyqA

Symposium Welcome and Opening Remarks: Lonnie G. Bunch III, Secretary, Smithsonian Institution

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2021-10-25T16:16:31.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_XJyHTg_cNfY

Honoring Esin Atıl

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2021-03-25T12:34:43.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_9cx965RdxW0

George Trakas, log mass--mass curve : University Gallery, University of Massachusetts at Amherst, January 25-March 14, 1980 / Hugh M. Davies and Sally E. Yard

Author:
Davies, Hugh Marlais 1948-  Search this
Yard, Sally  Search this
University of Massachusetts at Amherst University Gallery  Search this
Subject:
Trakas, George 1944-  Search this
Physical description:
68 p. : ill. (some col.) ; 29 cm
Type:
Books
Exhibitions
Date:
1980
C1980
Call number:
NB249.T65 A4 1980
N40.1.T76D2
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_650820

University of Massachusetts, Letters

Collection Creator:
Gilliam, Sam, 1933-2022  Search this
Container:
Box 6, Folder 56
Type:
Archival materials
Date:
1977-1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 6: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93fedfbe6-9f67-4c68-92ad-6843c8e95f5e
EDAN-URL:
ead_component:sova-aaa-gillsam-ref309

University of Massachusetts, Writings and Business Records

Collection Creator:
Gilliam, Sam, 1933-2022  Search this
Container:
Box 6, Folder 57
Type:
Archival materials
Date:
1977-1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 6: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw927f4498b-0425-44f8-97cb-03a8e62266ba
EDAN-URL:
ead_component:sova-aaa-gillsam-ref310

University of Massachusetts, Printed Material

Collection Creator:
Gilliam, Sam, 1933-2022  Search this
Container:
Box 6, Folder 58
Type:
Archival materials
Date:
1976-1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 6: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw992a53753-91ef-4030-b1f8-87983c15dba0
EDAN-URL:
ead_component:sova-aaa-gillsam-ref311

University of Massachusetts, Photos

Collection Creator:
Gilliam, Sam, 1933-2022  Search this
Container:
Box 6, Folder 59
Type:
Archival materials
Date:
1988
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Sam Gilliam. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sam Gilliam papers, 1957-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Sam Gilliam papers
Sam Gilliam papers / Series 6: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9077e8079-dcf5-4a3d-81d2-f072023948cd
EDAN-URL:
ead_component:sova-aaa-gillsam-ref312

Disassembled album of photographs compiled by Benjamin Smith Lyman

Creator:
Lyman, Benjamin Smith, 1835-1920  Search this
Suzuki, Shin'ichi, I, 1835-1918 (Photographer)  Search this
Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Collection Collector:
Rosin, Henry D., Dr.  Search this
Rosin, Nancy  Search this
Collection Creator:
Lyman, Benjamin Smith, 1835-1920  Search this
Ueno, Hikoma, 1838-1904  Search this
Beato, Felice, b. ca. 1825  Search this
Stillfried, Raimund, Baron von, 1839-1911  Search this
Underwood & Underwood  Search this
Extent:
1 Photograph album (Album 3 : Disassembled album of +-130 untinted albumen prints)
Container:
Volume 3
Type:
Archival materials
Photograph albums
Photographs
Photographic prints
Place:
Japan
Date:
[1860 - ca. 1900]
Scope and Contents:
A group of 130 photographs compiled by the geologist Benjamin Smith Lyman while in Japan in the 1870s. Roughly half of the photographs are mounted on heavy album leaves, while the rest are unmounted. Subjects include scenes and monuments in Japanese cities and countryside, as well as genre views of Japanese people, both outdoors and in studio constructs. Many of the latter were taken by the photographer Suzuki Shin'ichi I (1835-1918). The Rosins acquired the album from a sale of deaccessioned books at the Forbes Library in Northampton, which holds Lyman's library. Because the album photographs were dispersed, there may be additional prints in the Rosin Collection that were also originally part of the Lyman album.
Biographical / Historical:
Benjamin Smith Lyman (1835-1920) was an American mining engineer born in Northampton, MA. He attended Harvard, as well as European institutions. Lyman was in Japan between 1873 and 1879 surveying Hokkaido oil and coal deposists for the Meiji government. Lyman travelled widely in Japan and likely purchased many of the photographs from commercial vendors. Lyman's personal papers from Japan are in the "Benjamin Smith Lyman Collection" at the University of Massachusetts Amherst, along with additional photographs.
Local Numbers:
FSA A1999.35 A3
Album Information:
rosinalbum3 0
Collection Restrictions:
Collection is open for research.
Topic:
Photography -- Japan  Search this
Photography -- 19th century  Search this
Genre/Form:
Photographs
Photographic prints
Photograph albums
Collection Citation:
Henry and Nancy Rosin Collection of Early Photography of Japan. FSA.A1999.35. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Purchase and partial donation.
Identifier:
FSA.A1999.35, Series FSA A1999.35 A3
See more items in:
Henry and Nancy Rosin Collection of Early Photography of Japan
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc35551dc6b-d013-44d7-9fb6-883042a1c85b
EDAN-URL:
ead_component:sova-fsa-a1999-35-ref3

Jewelry of Ideas: Gifts from the Susan Grant Lewin Collection | Daniel Jocz slideshow

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2017-11-15T17:21:49.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_0vQLlYfegnk

A Half Century of Fellowship: Wyeth Foundation for American Art Symposium

Creator:
Smithsonian American Art Museum  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2020-10-22T14:36:18.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_3TIJc-6rOJk

Exhibition - Ben Shahn on Human Rights - University of Massachusetts, 1986

Container:
Box 37 of 87
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 11-001, Warren M. Robbins Papers
See more items in:
Warren M. Robbins Papers
Warren M. Robbins Papers / Series 6: Center For Cross Cultural Communications, 1951-2003 / Box 37
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa11-001-refidd1e17230

Wilmarth, Christopher: Do Not Go Gently (91.26), University Gallery, University of Massachusetts, Amherst: 03/2001 - 05/2001, L.2000-58

Container:
Box 3 of 3
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 09-163, Hirshhorn Museum and Sculpture Garden, Office of the Registrar, Outgoing Loan Files
See more items in:
Outgoing Loan Files
Outgoing Loan Files / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa09-163-refidd1e2417

University of Massachusetts, Amherst - Francesca Woodman Retrospective - DECLINED: 7/1999

Container:
Box 1 of 1
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 08-057, Smithsonian American Art Museum, Curatorial Office, Exhibition Records (Declined)
See more items in:
Exhibition Records (Declined)
Exhibition Records (Declined) / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa08-057-refidd1e552

Beyond light : infrared photography by six New England artists ... University Gallery, University of Massachusetts at Amherst, April 5-June 7, 1987 / Regina Coppola

Author:
Coppola, Regina  Search this
University of Massachusetts at Amherst University Gallery  Search this
Subject:
Axelrod, Jane  Search this
Physical description:
31 p. : ill. ; 22 x 28 cm
Type:
Exhibitions
Date:
1987
C1987
Topic:
Photography, Artistic  Search this
Infrared photography  Search this
Call number:
TR646.U62A443 1987X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_361882

Exhibition, 7 Objects/69/90 (1990), University of Massachusetts Art Gallery, Catalog

Collection Creator:
Rosa Esman Gallery  Search this
Container:
Box 13, Folder 15
Type:
Archival materials
Date:
1990
Collection Restrictions:
Two folders comprised of Rosa Esman Gallery legal files, 1989-1991, in Box 15 are access restricted. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rosa Esman Gallery and Tanglewood Press Inc records, circa 1922-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Rosa Esman Gallery and Tanglewood Press Inc. records
Rosa Esman Gallery and Tanglewood Press Inc. records / Series 5: Tanglewood Press Inc.
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw913d5798f-f193-4f68-810e-216fd1c2fbeb
EDAN-URL:
ead_component:sova-aaa-rosaesmg-ref195

Nancy Holt Estate records

Creator:
Holt, Nancy, 1938-2014  Search this
Names:
James Cohan Gallery  Search this
John Weber Gallery  Search this
Smithson, Robert  Search this
Extent:
circa 57.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Diaries
Sound recordings
Video recordings
Drawings
Date:
circa 1900-2014
Summary:
The Nancy Holt Estate records measure circa 57.8 linear feet and date from circa 1900-2014, with the bulk of the material dating from 1960-2000. The records include financial records, notebooks, project files including unrealized proposals, correspondence, calendars, and 9 linear feet of Holt's annotated library. Also included are the John Weber Gallery records concerning Robert Smithson that consist of the gallery's inventory and slide records of Robert Smithson's drawings and sculptures, including earthworks, and incorporate some slides from the James Cohan Gallery. James Cohan worked for John Weber before establishing his own gallery in 2001.
Scope and Contents:
The Nancy Holt Estate records measure circa 57.8 linear feet and date from circa 1900-2014, with the bulk of the material dating from 1960-2000. The records include financial records, notebooks, project files including unrealized proposals, correspondence, calendars, and 9 linear feet of Holt's annotated library. Also included are the John Weber Gallery records concerning Robert Smithson that consist of the gallery's inventory and slide records of Robert Smithson's drawings and sculptures, including earthworks. The records incorporate some slides from the James Cohan Gallery (1999-), an art gallery in Manhattan, New York, which represents the estate of Robert Smithson.
Arrangement:
The Nancy Holt Estate records are arranged as 4 series.

Series 1: Project Files, circa 1900-2014, bulk 1970-2000 (12.8 linear feet; Boxes 3-10, OVs 11-31, RDs 32-39)

Series 2: Calendars and Notebooks, circa 1970s-2013 (2 linear feet; Boxes 40-42, OVs 43-44)

Series 3: John Weber Gallery Records Concerning Robert Smithson, circa 1960-circa 2001 (2 linear feet; Boxes 1-2)

Series 4: Unprocessed Papers, circa 1960s-circa 2014 (41 linear feet; Boxes 11-30, 34-38, 43-49, 53, 63-70, OVs 71-72)
Biographical / Historical:
Nancy Holt (1938-2014) was an environmental and installation artist, sculptor, filmmaker, and photographer, based in New York, New York. She was best known for her large-scale public land art installations including her seminal work Sun Tunnels (1973-1976) located in the Great Basin Desert, Utah. Her work engaged with the natural environment and the celestial realm, tracing the rotation of the earth and the movement of the sun and stars. Holt was also fascinated by mechanical systems such as those used for heating, drainage, and ventilation, and her functional sculptural installations explored the relationship between architecture and the built environment.

Holt was born in Worcester, Massachusetts, grew up in New Jersey, and graduated from Tufts University in 1960 with a degree in biology. She moved to New York City later that year where she met the artist Robert Smithson, to whom she was married from 1963 until Smithson's death in 1973.

Holt's landmark work Sun Tunnels was executed in 1973-1976 in Utah's Great Basin Desert, where Holt and Smithson had purchased surrounding land specifically to ensure an unimpeded view of the horizon. Holt went on to produce many site-specific outdoor works including 30 Below (1980), Dark Star Park (1984), Solar Rotary (1995), and Up and Under (1998). Her exploration of what she termed Systems Works included Catch Basin (1982), Flow Ace Heating (1985), and Spinwinder (1991).

Holt's photography was essential in the development of her ideas. In Missouri Ranch Locators: Vision Encompassed (1972) she used photography in her development of "seeing devices," creating eye-level steel pipes to direct viewers to a specific site in the surrounding landscape, and developing a concept that was central to Sun Tunnels and other works. Her book Ransacked, Aunt Ethel: An Ending (1980) documented through text and photographs the abuse and theft her aunt was subjected to at the end of her life. In Time Outs (1985) Holt used photographs of football games taken from a television screen to create a book born out of her childhood love of TV sporting events.

Holt's work can be found in the collections of major institutions including the Museum of Modern Art and the Whitney Museum of American Art in New York, the Utah Museum of Fine Arts, and the Museum für Gegenswartkunst, Germany. Her permanent installations can be found at public institutions including Miami University Art Museum, Southern Connecticut State University, University of Massachusetts, Dartmouth, Western Washington University, and University of South Florida.

In 2012 Nancy Holt was made a Chevalier of the of the Ordre des Arts et des Lettres by the French Government. In 2013 she was presented with a Lifetime Achievement Award by the International Sculpture Center in New York. Holt received five National Endowment for the Arts Fellowships, two New York Creative Artist Fellowships, a Guggenheim Fellowship, and an Honorary Doctorate from the University of South Florida, Tampa.

Holt lived in Galisteo, New Mexico, from 1995-2013. She died in New York City in 2014.
Related Materials:
The Archives of American Art also holds the Robert Smithson and Nancy Holt papers, an interview with Nancy Holt conducted 1992 July 6 by Scott Gutterman for the Archives of American Art, and an interview with Nancy Holt conducted 1993 August 3 by Joyce Pomeroy Schwartz for the Archives of American Art.
Provenance:
Bequest of Nancy Holt, 2014.
Restrictions:
The bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Some papers remain closed to researchers including some rolled documents in the unprocessed papers, financial files, and Nancy Holt's annotated library of books.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Items created by Nancy Holt and Robert Smithson copyright held by Holt/Smithson Foundation / Licensed by VAGA at Artists Rights Society (ARS), NY. Requests for permission to reproduce should be submitted to ARS.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York  Search this
Environmental artists -- New York (State) -- New York  Search this
Installation artists -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Sculptors -- New Mexico -- Galisteo  Search this
Installation artists -- New Mexico -- Galisteo  Search this
Environmental artists -- New Mexico -- Galisteo  Search this
Photographers -- New Mexico -- Galisteo  Search this
Filmmakers -- New Mexico -- Galisteo  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Earthworks (Art)  Search this
Women photographers  Search this
Women filmmakers  Search this
Genre/Form:
Interviews
Diaries
Sound recordings
Video recordings
Drawings
Citation:
Nancy Holt Estate records, circa 1900-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.holtnanc
See more items in:
Nancy Holt Estate records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95e0b7a8b-3fdb-4cd3-91fb-a6bec00cc668
EDAN-URL:
ead_collection:sova-aaa-holtnanc
Online Media:

University of Massachusetts

Collection Creator:
Cornell, Joseph  Search this
Container:
Box 21, Folder 33
Type:
Archival materials
Date:
1976-1977
Collection Restrictions:
Use of the original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.
See more items in:
Joseph Cornell papers
Joseph Cornell papers / Series 10: Joseph Cornell Estate Papers / 10.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95be1277b-c4a5-481f-b673-3620fbf83c91
EDAN-URL:
ead_component:sova-aaa-cornjose-ref1143

Motherwell, Robert - Correspondence (Zurich File)

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 60, Folder 48
Type:
Archival materials
Date:
1976-1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 6: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b22b43a7-6975-4111-bde2-eec155362cd9
EDAN-URL:
ead_component:sova-aaa-andremmg-ref3008
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