William Baziotes : a retrospective exhibition : an exhibition / organized by Michael Preble for the Newport Harbor Art Museum ; introd. by Michael Preble ; with essays contributed by Barbara Cavaliere and Mona Hadler
Immigration Conversations: When Policy Meets the Personal
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (digital audio file)
Type:
Archival materials
Sound recordings
Date:
2017 July 04
Scope and Contents:
Perla Guerrera (presenter); Ted Gong; Brenda Perez; Kumera Genet; Perla Guerrero ;This session explores the cultural dimensions and personal impact of U.S. immigration policy on people's family histories and personal experiences. Session participants represent different generational perspectives and migration histories: Ted Gong from the 1882 Foundation, Kumera Genet from Kino Musica, and Brenda Pérez. How do migration experiences shape one's sense of identity, community, and personal choices?
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 2017 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
The Bernard G. Hoffman papers consist of copies of printed material, bibliographic and course materials, maps, illustrations, slides, and manuscripts of his writings concerning American Indians of the Middle Atlantic Mountains, New England, and the Maritime Provinces of Canada, the history of cartography of North America, the distribution of tribes on the east coast of North America, and the ethnohistory of the Micmac.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Biographical Note:
Bernard G. Hoffman earned a B.A. in 1946 from the University of Montana and a Ph.D. in 1955 from the University of California at Berkeley. In 1955-56, he was a research analyst with the United States Department of Justice Indian Claims Section; 1957-58, research associate of the American University Foreign Area Study Division; 1958-64, research analyst for the National Science Foundation Foreign Service Information Program; and 1964-65, head of the National Science Foundation's Course Content Improvement Program. In 1965, he joined the faculty of the Department of Anthropology at the University of Maryland at College Park. His specialty was eastern American Indians from Appalachia to eastern Canada.
Related Materials:
George Mason University Libraries and the University of Montana, Mansfield Library, Archives and Special Collections holds additional Bernard G. Hoffman papers.
Restrictions:
Access to the Bernard G. Hoffman papers requires an appointment.
Lion tamarins: biology and conservation (Monograph). 2002
Wild mammals in captivity: principles and techniques (Monograph). 1996
Extent:
3 cu. ft. (3 record storage boxes)
Type:
Collection descriptions
Archival materials
Clippings
Field notes
Manuscripts
Picture postcards
Scrapbooks
Compact discs
Electronic records
Floppy disks
Drawings
Ephemera
Black-and-white photographs
Color photographs
Color transparencies
Videotapes
Place:
China
Date:
1962-2009, 2013
Descriptive Entry:
This accession consists of materials documenting the research and professional activities of conservation biologist Devra G. Kleiman, 1942-2010. Kleiman received her
undergraduate degree from the University of Chicago in 1964 and her doctorate from the University of London in 1969. In 1972, she became one of the first female scientists
at the National Zoological Park (NZP) where she was hired to manage the zoo's captive breeding program. In 1982, Kleiman became Acting Assistant Director for Animal Programs
in the Office of Animal Programs, assuming the position permanently the following year. During a series of reorganizations, Kleiman became the Assistant Director of Zoological
Research and Education in 1984; the Assistant Director of Research in 1985; and the Assistant Director of Zoological Research heading the Department of Zoological Research
in 1996. In 1997, Kleiman assumed the position of Senior Scientist. After her retirement in 2001, Kleiman served as Senior Scientist Emeritus at NZP, taught as an adjunct
professor at the University of Maryland at College Park, and owned a consulting company, Zoo-Logic, LLC. During her career, Kleiman helped establish the Associacao Mico-Leao-Dourado,
a Brazilian non-governmental association for the conservation of golden lion tamarins; served on many international committees, working groups, and task forces for species
conservation; and was affiliated with numerous non-profit conservation organizations. Much of Kleiman's research and activities focused on the reintroduction of golden lion
tamarins to the wild and the captive breeding of giant pandas. Particularly well-documented in this collection are Kleiman's research trips, especially to China; publicity
related to her research; and preparations for publishing two books, "Wild Mammals in Captivity: Principles and Techniques" (1996) and "Lion Tamarins: Biology and Conservation"
(2002). One folder documents a memorial fund set up after Kleiman's death. Materials include correspondence, memoranda, clippings, presentations, reports, meeting materials,
images, field books, notes, postcards, greeting cards, a scrapbook, a videotape, ephemera, awards, collected artistic drawings, and related materials. Some materials are in
electronic format.
The papers of Washington, D.C. art historian, librarian, author, educator, and art consultant Marchal Landgren measure 15.3 linear feet and date from 1881 to circa 1982, with the bulk of the material dating from 1930 to 1975. Included are biographical materials, correspondence, writings and notes, professional and organization files, research projects' files, scattered personal business records, printed materials, two clippings scrapbooks, photographical materials, and scattered artwork.
Scope and Contents:
The papers of Washington, D.C. art historian, librarian, author, educator, and art consultant Marchal Landgren measure 15.3 linear feet and date from 1881 to circa 1982, with the bulk of the material dating from 1930 to 1975. Included are biographical materials, correspondence, writings and notes, professional and organization files, research projects' files, scattered personal business records, printed materials, two clippings scrapbooks, photographical materials, and scattered artwork.
Biographical material includes address cards, an appointment book, curriculum vitaes, genealogical materials, and military records. Correspondence is with artists, clients, colleagues, museums, and universities, and is predominantly professional in nature. Correspondents include Albert E. Gallatin, George Gershwin, Ira Glackens, Sidney Laufman, Elliot Orr, Candido Portinari, and Carl Sprinchorn, among others.
Writings include miscellaneous published and unpublished writings and drafts by Marchal Landgren primarily those not associated with his major research projects. These include various articles written for magazines and journals, manuscript drafts, research notes, and notebooks. There is also a file of writings by others that includes the John Mitchell Gallery Notes.
Professional and organizational files document Landgren's positions and work for educational institutions and arts organizations, including the American Abstract Artists Group, Art Students League of New York, Association of Artists Equity of Washington D. C., Contemporary Arts, D. C. Public Library, Library Journal, New York City Municipal Art Committee, Old Print Shop, Inc., and the University of Maryland, among others. These files also contain correspondence, perhaps the most notable found in the file on the American Abstract Artists Group which includes letters from Josef Albers, Eleanor de Laittre, Sidney Geist, Balcomb Greene, Hananiah Harari, and Harry Holtzman.
Well over one-half of the collection consists of files for Landgren's ongoing research projects on numerous artists and photographers, Latin American art, as well as his bibliographic reference projects. The bulk of the files cover his research, writing, and curatorial work on Robert Loftin Newman. Files are also found for Berenice Abbott, Milton Avery, George Constant, George Collins Cox, Aline Fruhauf, Eugene Higgins, William Morris Hunt, John Kane, Charles Logasa, Elliot Orr, and Albert Pinkham Ryder, among many others.
Personal business records include personal and general expense documentation and scattered exhibition price lists. Printed materials include clippings, exhibition catalogs, and miscellaneous published articles and essays. There are two scrapbooks of clippings.
There are photographs, slides, and negatives of images of Landgren, other artists and notable figures in the art world, and of artwork. Of note is a portrait photograph of Juliana Force by Cecil Beaton, one photograph by Berenice Abbott, "Barclay Street Ferry", and 14 taken by George C. Cox of Rudyard Kipling, Clyde Fitch, Augustus Saint-Gaudens, Madame Fanny Janauschek, Donald G. Mitchell, and others.
The papers also include scattered artwork, including holiday cards illustrated by artists, and sketches and drawings by other artists.
Arrangement:
This collection is arranged as 10 series.
Missing Title
Series 1: Biographical Materials, circa 1890-circa 1981 (0.2 linear feet; Box 1)
Series 2: Correspondence, circa 1930-circa 1982 (0.6 linear feet; Box 1)
Series 3: Writings and Notes, circa 1932-circa 1982 (1.2 linear feet; Boxes 1-3)
Series 4: Professional and Organizational Files, circa 1910-circa 1977 (3.4 linear feet; Boxes 3-6)
Series 5: Research Projects' Files, 1881-circa 1982 (6.9 linear feet; Boxes 6-13, 15)
Series 6: Personal Business Records, circa 1934-circa 1982 (0.4 linear feet; Box 13)
Series 7: Printed Material, circa 1927-circa 1981 (1.0 linear feet; Boxes 13-14)
Series 8: Scrapbooks, circa 1931-circa 1979 (0.2 linear feet; Boxes 14-15)
Series 9: Photographic Materials, circa 1930s-circa 1978 (0.2 linear feet; Boxes 14-15)
Series 10: Artwork, circa 1930s-circa 1940s (0.2 linear feet; Boxes 14-15)
Biographical / Historical:
Marchal E. Landgren (1907-1983) was an art historian, librarian, educator, author, and art consultant, active in New York and Washington, D. C.
As associate director and board member of Contemporary Arts, Inc. in New York, Landgren established a program for providing artists with their first solo exhibition in New York, including those of John Kane and Mark Tobey. In 1932, he directed the exhibition schedule at the New School for Social Research; and in 1935, Landgren served as the director of art activities for the New York City Municipal Art Committee where he facilitated many exhibitions over the course of five years, including Recent Paintings by Boris Aronson at Babcock Galleries in 1938.
Working as a freelance art consultant, researcher, and author, Landgren organized numerous exhibitions between 1932 and 1950 of the work of Milton Avery, George C. Cox, Elliot Orr, Robert Loftin Newman, and Albert Pinkham Ryder. He also edited several arts publications, including the Old Print Shop Portfolio, John Mitchell Gallery Notes, and arts manuscripts for Oxford University Press.
In 1939, Landgren was selected by the New York World's Fair Commision to prepare historical notes on Latin American art for the exhibition catalogs of the Latin American art exhibition. After the Fair, he continued his research on this topic and wrote several articles, as well as lecturing on Latin American painting at the Art Students League of New York, the Newark Art Club, and the National Education Association at the Boston Museum.
After serving in the U. S. Army Air Force during World War II, Landgren moved to Washington, D. C. in 1950 and began work as the arts division readers' advisor for the D. C. Public Library. For seventeen years, he built up the library's general collection of art books and created extensive files of art exhibition catalogs.
In 1967, he took a position as a bibliographic consultant for the fine arts department at the University of Maryland. He became director of the University's art gallery and of the art department museum training program. During his tenure at the University of Maryland, Landgren conducted graduate seminars in art history, edited and published exhibition catalogs, and organized exhibitions, including The Late Landscapes of William Morris Hunt in 1976.
Landgren was a visiting scholar at the Smithsonian Institution's National Collection of Fine Arts and curated an exhibition of paintings by Robert Loftin Newman held there from 1973 to 1974 and at the Tennessee Fine Arts Center in 1974.
Marchal Landgren authored two books: Years of Art: The Story of the Art Students League of New York (Robert M. McBride and Company, 1940), and Robert Loftin Newman (Smithsonian Institution Press, 1974). He was a regular reviewer of art books for the Library Journal from 1958 to 1972, and contributed reviews to Trend, Magazine of Art, and other journals. He was awarded a research grant by the American Council of Learned Societies in 1963 for his study of George C. Cox and did a great deal of research in American art and American art institutions for an unfinished manuscript. He also worked on a bibliography of art literature which he never completed.
Provenance:
The Marchal Landgren papers were donated by Landgren in 1974, and by the Landgren estate via David Huddle in 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997 Search this
Container:
Box 3, Folder 20
Type:
Archival materials
Date:
1960
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lawrence and Barbara Fleischman Papers, 1837-1984. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
Singer, S. Fred (Siegfried Fred), 1924- Search this
Extent:
54.5 Cubic feet ((50 records center boxes))
Type:
Collection descriptions
Archival materials
Publications
Photographs
Drawings
Financial records
Notes
Correspondence
Place:
Outer space -- Exploration -- United States
Outer space -- Exploration
Date:
1953-1989
bulk 1960-1980
Scope and Contents:
This collection consists of Singer's personal papers. The material consists of correspondence and research files, as well as financial records. The collection covers Singer's career beginning with his tenure at Maryland and continued through his retirement in 1989.
Biographical / Historical:
Dr. Siegfried Fred Singer (1924- ) is a professor, physicist, and administrator. Singer emigrated to the United States from Vienna in 1940 (naturalized 1944) and attended Ohio State University (BEE 1943; D.Sc. (honorary) 1970) and Princeton (AM 1944, Ph.D. (physics) 1948). He taught briefly as a doctoral candidate at Princeton (1943-44) before joining the Johns Hopkins University Applied Physics Laboratory as a physicist (1946-50). He acted as the Office of Naval Research Scientific Liaison Officer at the US Embassy in London (1950-53), then joined the faculty of the University of Maryland (assoc. professor, physics 1953-59; professor 1959-62). He continued to alternate between public and academic positions, working at the National Weather Satellite Center, Department of Commerce (Director, 1962-64); School of Environmental and Planetary Science, University of Miami (Dean, 1964-67); Department of the Interior (Deputy Assistant Secretary for Water Quality and Research, 1967-70); University of Virginia (Professor, Environmental Science, 1971-87); and the Department of Transportation (Chief Scientist, 1987-89). Singer authored a number of papers and articles on astrophysics, space exploration, and environmental issues and was involved in formulating public policies on these topics.
General:
NASMrev
Provenance:
S. Fred Singer, gift, 1989, 1989-0130, unknown
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives'
record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program
staff conduct interviews with current and retired Smithsonian staff and others who have made significant contributions to the Institution. There are also reminiscences and
interviews recorded by researchers or students on topics related to the history of the Smithsonian or the holdings of the Smithsonian Institution Archives.
American University history student Allison Earnest conducted oral history interviews of Smithsonian Institution archivists to document the history of Smithsonian's archival
programs, for an oral history seminar taught by Smithsonian Archives historian Pamela M. Henson.
Descriptive Entry:
John A. Fleckner and Liza E. Kirwin were interviewed about their pioneering careers at the Smithsonian and the development of archival programs at the Institution.
Liza E. Kirwin (1957- ) received the B.A. in art history from the Johns Hopkins University in 1979, the M.L.S., Library and Archival Science, The Catholic University of
America, with a concentration in archival management in 1984, and Ph.D. in American Studies, University of Maryland at College Park, in 1999 with a dissertation on "It's All
True: Imagining New York's East Village Art Scene of the 1980s." She began her career in 1979 as an archivist at the Maryland Hall of Records in Annapolis, Maryland. From
1979 to 1999, she was an Archives Technician at the Archives of American Art, serving as Southeast Regional Collector from 1983 to 1999, and Curator of Manuscripts from 1999-2011.
She also served as Acting Director of AAA in 2011. Her publications include To-dos, Illustrated Inventories, Collected Thoughts, and other Artists' Enumerations from the
Smithsonian's Archives of American Art based on an exhibit of the same title and With Love: Artists' Letters and Illustrated Notes.
John A. Fleckner (1941- ) served as director of the Archives Center at the National Museum of American History from its founding in 1982 until his retirement in 2007. He
was a history graduate student at the University of Wisconsin, receiving the M.A. in 1965, and received the B.A. from Colgate University in 1963. At the State Historical Society
of Wisconsin from 1971 to 1982, Fleckner directed a thirteen-member archival network affiliated with the Society and, with the help of others, made the Area Research Center
system a national model. He has also been a faculty member in the Department of Museum Studies at The George Washington University.
The History of Smithsonian Archivists Oral History Interviews consist of 4.3 hours of digital audio interviews and 99 pages of transcript.
Historical Note:
There are numerous archives across the Smithsonian that provide documentation for museum collections and the history of the Smithsonian. The Archives of American Art
was founded in Detroit, Michigan, in 1954 as an independent research institution committed to encouraging and aiding scholarship in the visual arts in America from the 18th
century to the present. After a successful pilot project, the Archives was incorporated in 1955 with a national board of trustees. In 1970, the Archives of American Art officially
became a bureau of the Smithsonian Institution and its headquarters were moved to Washington, DC. In 1976, the archives opened a Midwest Regional Office at the Detroit Institute
of the Arts. Today the archives maintains research centers located in New York City and Washington, DC, as well as affiliated reference centers located at the Fine Arts Department
of the Boston Public Library; the American Art Study Center of the M. H. de Young Memorial Museum in San Francisco; the Amon Carter Museum Library in Fort Worth, Texas; and
The Huntington Library in San Marino, California.
The Archives Center at the National Museum of American History was founded in 1982 to identify, acquire, and preserve archival records in many media and formats to document
America's history and its diverse cultures. Center staff arrange, describe, preserve, and make collections accessible to support scholarship, exhibitions, publications, and
education. The Center offers these services in a professionally managed reference facility and through online databases, finding aids, and other forms of publication. It also
provides expert advice on accepted archival practices and standards and strives to clarify the role that organized archives play in American life. To encourage cooperation
with other organizations and attract financial support, the Center actively pursues alliances inside and outside the Smithsonian.
Kaslov, Steve, ca. 1888-1949 (King of the Red Bandanna Romany Gypsies ) Search this
Extent:
0.25 Cubic feet (4 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Oral history
Interviews
Audio cassettes
Place:
Virgin Islands -- 1930-1940
New York (N.Y.) -- 1930-1940
Bowery (New York, N.Y.) -- 1930-1940
Chinatown (New York, N.Y.) -- 1930-1940
St. Thomas (Virgin Islands) -- 1930-1940
Date:
1985 - 1986
1930 - 1943
Scope and Contents:
This collection contains 273 silver gelatin photoprints (Series 1), most of which apparently were made during the 1930s and early 1940s, contemporaneously with the original negatives. All are 8" x 10" or slightly smaller, unmounted except for flush mounted linen on the backs of some prints. The photographs were made primarily in two locations, New York City and the Virgin Islands. The Virgin Islands pictures were made as part of a special documentary project in 1939, as described above, whereas the New York photographs stem from Mr. Alland's largely self assigned documentation of various ethnic and religious groups in New York from approximately 1932 to 1943. The projects include photographs of the "Red Bandanna" Romany Gypsy group in the Bowery, a black Jewish congregation, Mohawk Indians in Brooklyn, and other groups, which required extensive exploration, research, and photographing over periods of many days or weeks. A variety of miscellaneous ethnic and religious groups are covered in the general "Other Religions" and "Nationalities" folders. The contents of the "Judaism" folder include primarily New York sites and people, but there are also additional views of a synagogue from the Virgin Islands project.
Series 2 of the collection contains four cassette tape recordings of two interviews with Mr. Alland, three made by Richard Ahlborn (with Eugene Ostroff and Matt Salo) in 1985, and one by David Haberstich and Richard Ahlborn, June 2-3, 1986 (at which time the photographs were donated). The tapes include readings from his autobiography, personal reminiscences on his experiences as an immigrant and a photographer, and commentary on the photographs.
Arrangement:
The collection is arranged into two series.
Series 1: Photoprints, 1930-1943
Series 2: Audiotape Cassettes, 1985-1986
The photographs are arranged topically and by nationality.
Biographical / Historical:
Alexander Alland, Sr., was born in Sevastopol, Crimea (formerly in the Soviet Union) on 6 August 1902. His last name originally was Landschaft, but he legally changed it to Alland following the birth of his son. Alland's interest in photography began at the age of twelve, when he helped a local photographer with darkroom work. He constructed his own camera from cardboard with a simple meniscus lens and exposed glass plate negatives with the device.
Toward the end of the Civil War in Russia in 1920, Alland relocated in Constantinople, Turkey, where he was hired as an apprentice by a graduate of the Vienna Academy of Photography. When the Union Nationale des Combatants Francais went on a pilgrimage to Gallipoli, a former battle zone on the Dardanelles, he was asked to accompany them in order to document events. After having his request for a pay increase refused, he left his employer two years later and opened his own portrait studio, "Photo d'Art Russe." When civil unrest threatened Constantinople in 1923, he decided to emigrate to the United States.
During his first years in the United States he worked in photo finishing businesses while engaged in home portraiture independently. He married in 1929 and a son, Alexander, Jr., was born. In the 1930s he became one of the best known photographers portraying the life of immigrants and various ethnic groups in New York. (1) In 1936 he was appointed supervisor of the Photo Mural section of the W.P.A. Federal Art Project, and worked as a free lance photographer for magazines and periodicals featuring the activities of various ethnic groups living in New York City. He specialized in making photomurals with montage techniques. (2)
In 1937 Alland became photography instructor at the American Artists' School and joined the American Artists Congress. In 1939, his first book, Portrait of New York, was published and he became president of the "Exploration Photo Syndicate" and went to the U.S. Virgin Islands as part of a project to produce a pictorial record of the West Indian Islands. His photographs appeared in publications and were exhibited at the New School for Social Research and at the Schomberg Collection. In 1942 he joined the staff of Common Ground magazine as photography editor and was appointed by the National Youth Administration to supervise their photography workshop. His book American Counterpoint appeared in 1943 and was selected as "One of the Fifty Best Books of the Year." The original prints from that book were exhibited at the Museum of the City of New York, which also exhibited a portfolio of his work on American Gypsies. In 1944 he became director of an agency, "Pictures for Democracy," and in 1945 his book The Springfield Plan was proclaimed another "One of the Fifty Best Books of the Year."
During World War II Alland did technical photography for the War Department, receiving a commendation for this work. After another book My Dog Rinty was published, he left New York City to establish a school of photography, combined with a school of dance directed by his wife, Alexandra, a professional dancer and choreographer. (3) He then began to exhibit his own photographs and to collect glass plate negatives and vintage prints by significant photographers. He is perhaps best known for locating a collection of Jacob Riis negatives and making them available. In 1974 Aperture published his biography, Jacob A. Riis: Photographer and Citizen4. Because of his efforts in providing the Riis negatives to the Museum of the City of New York, that institution awarded a special commemorative medal to him in 1973. The Riis book was followed by two more studies of photographers, Jessie Tarbox Beals, First Woman News Photographer (5) and Heinrich Tonnies, Cartes de Visite Photographer Extraordinaire. (6)
Retrospective exhibitions of Alland's work were held in two major Danish museums in summer 1979 and he was honored for contributions to the cultural history of Denmark. In 1991 studies for his photomural work were included in an historical survey exhibition of American photomontage at the University of Maryland at College Park. (7).
Sources
1. My text is based upon the biographical information recorded on my taped interviews with Mr. Alland in this collection, but see also Bonnie Yochelson, The Committed Eye: Alexander Alland's Photography. New York: The Museum of the City of New York, Inc., 1991.
2. Merry A. Foresta, "Art and Document: Photography of the Works Progress Administration's Federal Art Project," in Official Images: New Deal Photography (essays by Foresta, Pete Daniel, Maren Stange, and Sally Stein), Washington: Smithsonian Institution Press, 1987, p. 153, based on an interview with Alland, January 1987.
3. Photographic historian Anne Peterson, contractor for three Archives Center photographic collection projects between 1986 and 1982, reports that she studied ballet as a child with Mrs. Alland.
4. Ibid.
5. Ibid.
6. Ibid
7. See catalog by Cynthia Wayne, Dreams, Lies, and Exaggeration: Photomontage in America. The Art Gallery, University of Maryland at College Park, 1991 (exhibition at the gallery Oct. 21 Dec. 20, 1991).
Related Materials:
Materials in the Archives Center
Carlos de Wendler Funaro Gypsy Research Collection (AC0161)
Contains additional Alland photographs. De Wendler Funaro also photographed Steve Kaslov, his family, and his Bowery coppersmith workshop.
Provenance:
Collection donated by Alexander Alland, June 3, 1986.
Restrictions:
Collection is open for research.
Rights:
Copyrighted material: photographs may not be reproduced without written permission from the Estate of Alexander Alland, Sr.
Topic:
Synagogues -- Photographs -- 1930-1940 -- New York, N.Y. Search this
Newspapers -- Photographs -- 1930-1940 -- New York N.Y. Search this
Muslims -- Photographs -- 1930-1940 -- New York N.Y. Search this
Minorities -- Housing -- 1930-1940 -- New York (State) -- New York Search this
Minorities -- Housing -- 1930-1940 -- Virgin Islands Search this
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
This accession consists of materials documenting the research and professional activities of conservation biologist Devra G. Kleiman, 1942-2010. Kleiman began her professional
career in 1972 as the first female scientist at the National Zoological Park (NZP) where she was hired to manage the zoo's captive breeding program. In 1982, Kleiman became
Acting Assistant Director for Animal Programs in the Office of Animal Programs, assuming the position permanently the following year. During a series of reorganizations, Kleiman
became the Assistant Director of Zoological Research and Education in 1984; the Assistant Director of Research in 1985; and the Assistant Director of Zoological Research heading
the Department of Zoological Research in 1996. In 1997, Kleiman assumed the position of Senior Scientist. After her retirement in 2001, Kleiman served as Senior Scientist
Emeritus at NZP, taught as an adjunct professor at the University of Maryland at College Park, and owned a consulting company, Zoo-Logic, LLC. During her career, Kleiman helped
establish the Associacao Mico-Leao-Dourado, a Brazilian non-governmental association for the conservation of golden lion tamarins; served on many international committees,
working groups, and task forces for species conservation; and was affiliated with numerous non-profit conservation organizations. Much of Kleiman's research and activities
focused on the reintroduction of golden lion tamarins to the wild and the captive breeding of giant pandas. Kleiman wrote approximately 150 manuscripts and two books, Wild
Mammals in Captivity: Principles and Techniques (1996) and Lion Tamarins: Biology and Conservation (2002).
Materials include correspondence, presentations, reports, planning documents, meeting materials, manuscripts, video, biographical information, and related materials. Some
materials are in electronic format.
