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Join the Curator: Artist Talk with Anawana Haloba

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2022-04-22T20:34:01.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_VtGj02Tev8s

#APeoplesJourney: African American Women and the Struggle for Equality

Creator:
National Museum of African American History and Culture  Search this
Type:
YouTube Videos
Uploaded:
2017-08-29T15:20:45.000Z
YouTube Category:
Education  Search this
Topic:
African Americans  Search this
See more by:
WatchNMAAHC
Data Source:
National Museum of African American History and Culture
YouTube Channel:
WatchNMAAHC
EDAN-URL:
edanmdm:yt_X5H80Nhmn20

Meet Miriam Schapiro

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-04T15:01:42.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_IPCq8r52B4Y

South Amana -- Cottage-in-the-Meadow Gardens

Provenance:
Cedar Rapids Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Cottage-in-the-Meadow Gardens (South Amana, Iowa)
United States of America -- Iowa -- Iowa County -- South Amana
Scope and Contents:
The folder includes a work sheet, garden plans, a detailed narrative history and description of the garden, and photo copies of articles.
General:
There are at least ten distinct gardens on this ¾ acre property, originally part of the Amana colonies of Iowa, now owned by descendants of one of the families from the Community of True Inspiration. Members of the religious community emigrated from Germany in the 1800's, bringing with them seeds for some vegetable varieties that are still being grown here. Their brick house was built in 1900 and has a distinctive style of trellises originally used to support grapevines since the community grew only consumable fruits and vegetables, not ornamentals. A cottage on this property built in 1850 was used as a daycare center for the children; now it is a toolshed with a cottage garden enclosed by an authentic reproduction of an earlier picket fence. The property is in a valley with rich, fertile soil, skillfully tended by the owners who maintain a one hundred year old asparagus bed, an ivy garden grown from a cutting in her bridal bouquet, and trees as well as hedges of flowering shrubs grown from cuttings. An enormous vegetable garden produces fresh food, food that is preserved for the rest of the year, and seeds for their heirloom vegetable seed bank. More than 300 different varieties of plants are grown including perennials, bulbs, ornamental grasses, flowering vines, and foliage container plants arranged for texture and color impact. Three scallop-shaped flower beds that feature red salvia and mixed borders are edged with rocks collected on vacations by a previous generation of owners. A small lath outbuilding is nearly smothered in fall by sweet autumn clematis. Another flower garden grows on the site of an earlier chicken house. Among the fruit and nut trees in a small orchard there is an apple tree grown from a culture from a tree planted by Johnny Appleseed.
There is a division of labor in this garden: she grows the vegetables and passes along recipes while he grows ornamentals. He is also a historian who contributes garden-related postings to websites, on topics ranging from how to add a gnome feature, the virtues of growing fritillaries (deer avoid it), and successful groupings of ornamentals with similar horticultural requirements. His book, "Gardening the Amana Way," was published by the University of Iowa Press in 2013.
Related Materials:
Cottage-in-the-Meadow Gardens related holdings consist of 2 folders (9 35 mm. slides; 1 PDF)
See others in:
American Gardens collection, ca. 1920-[ongoing].
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Iowa -- South Amana  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File IA014
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Iowa
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb664d11e90-8c37-40bd-b2b4-792b89631abe
EDAN-URL:
ead_component:sova-aag-gca-ref6560
Online Media:

Edgar A. Albin Slides of India

Creator:
Albin, Edgar A., 1908-  Search this
Names:
University of Arkansas, Fayetteville  Search this
Albin, Edgar A., 1908-  Search this
Extent:
1,700 Color slides
Container:
Box 1
Box 2
Box 3
Box 4
Box 5
Box 6
Type:
Collection descriptions
Archival materials
Slides
Color slides
Slides (photographs)
Place:
India
Arkansas
Date:
1954
Scope and Contents:
The Edgar A. Albin Slide Collection includes images of architecture and sights of India taken in 1954 by Professor Edgar A. Albin, A Fullbright Scholar. A second set shows notable contemporary Indian artists in their studios, as well as examples of their works.
Arrangement:
One series organized by locations within India; second series organized by artist.
Biographical / Historical:
Edgar A. Albin was professor of Art at the University of Arkansas, Fayetteville, from 1947 to 1962. Born December 17, 1908 at Columbus, Kansas, he attended the University of Tulsa, receiving a BA in Art and Education in 1936 and then an MA from the State University of Iowa in Art History and Painting in 1946. From 1931 to 1939, Albin taught in the Tulsa Public School System, Tulsa, Oklahoma. Later, he was instructor and Associate Professor of Art from 1939 to 1947 at the University of Tulsa, where he created the Art History program. From 1947 to 1962, Albin was Professor of Art at the University of Arkansas, Fayetteville, and chairman of the Humanities program from 1958 to 1962. He taught the history of art, integrated general education courses, and art criticism in addition to setting up and supervising the art slide and film library. Albin joined the faculty of Southwest Missouri State University in Springfield, Missouri, in 1962 and served as chairman of the Art Department until his retirement in 1974. In addition to his academic work, Edgar A. Albin wrote a weekly arts column from 1965 to 1986 for the Springfield Leader and Press. He also wrote numerous letters to the editor from 1972 to 1983, some of which he signed in his own name others with the pseudonym, "Ezra Kornscrabble". He also lectured at various universities, institutions, and conventions.
Local Numbers:
FSA A2010.02
Restrictions:
Collection is open for research. Due to cold storage requirements, digital surrogates are prefered for access. One week's notice is required prior to access originals.
Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Asian  Search this
Indian art  Search this
Art, Modern  Search this
Genre/Form:
Slides (photographs)
Citation:
Edgar A. Albin Slide Collection of India, FSA.A2010.02. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Gift of Mildred M. Albin, 2003.
Identifier:
FSA.A2010.02
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3b7b4b17f-cf17-4fad-81ff-717234e6cf83
EDAN-URL:
ead_collection:sova-fsa-a2010-02
Online Media:

Regenerative Landscaping-How to Make Residential & Municipal Landscapes Part of the Climate Solution

Creator:
Smithsonian Gardens  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2022-10-21T04:00:02.000Z
YouTube Category:
Education  Search this
Topic:
Gardens  Search this
See more by:
SmithsonianGardens
Data Source:
Smithsonian Gardens
YouTube Channel:
SmithsonianGardens
EDAN-URL:
edanmdm:yt_2VfPacuyUCY

Body Politics: Copely’s Portraits as Political Effigies during the American Revolution

Creator:
National Portrait Gallery  Search this
Type:
Symposia
Lectures
YouTube Videos
Uploaded:
2018-11-20T21:37:46.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_eJ2qKb6sKcA

Josiah L. Pickard

Artist:
Unidentified Artist  Search this
Sitter:
Josiah L. Pickard, 1824 - 1914  Search this
Medium:
Oil on canvas
Dimensions:
61 × 48.3 cm (24 × 19")
Type:
Painting
Topic:
Josiah L. Pickard: Male  Search this
Josiah L. Pickard: Education and Scholarship\Administrator\College administrator\President  Search this
Portrait  Search this
Credit Line:
Owner: University of Iowa
Object number:
IA990215
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm40a30aa46-7118-4ab1-9415-f4e3e5e1804d
EDAN-URL:
edanmdm:npg_IA990215

Lillian and Frederick Kiesler papers

Creator:
Kiesler, Lillian, 1910?-2001  Search this
Names:
Anthology Film Archives  Search this
Hans Hofmann School of Fine Arts  Search this
John Simon Guggenheim Memorial Foundation  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
University of Iowa, Museum of Art  Search this
Whitney Museum of American Art  Search this
Adnan, Etel  Search this
Andres, Jo  Search this
Arnaud, Leopold, 1895-1984  Search this
Bartos, Armand P., 1910-  Search this
Bultman, Fritz, 1919-1985  Search this
Buscemi, Steve, 1958-  Search this
Castelli, Leo  Search this
Copley, Alfred L.  Search this
Diller, Burgoyne, 1906-1965  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Dorazio, Piero, 1927-  Search this
Dorazio, Virginia Dortch  Search this
Dreier, Katherine Sophie, 1877-1952  Search this
Dubuffet, Jean, 1901-  Search this
Duchamp, Marcel, 1887-1968  Search this
Hawkins, Erick  Search this
Hodges, Alice  Search this
Hofmann, Hans, 1880-1966  Search this
Holtzman, Harry  Search this
Howe, George, 1886-1955  Search this
Kamler, Richard  Search this
Kiesler, Frederick  Search this
MacIver, Loren, 1909-  Search this
Meredith, Burgess, 1907-1997  Search this
Milius, Tom  Search this
Miller, Henry, 1891-  Search this
Mondrian, Piet, 1872-1944  Search this
Montgomery, Chandler  Search this
Owen, Jane Blaffer, 1915-2010  Search this
Purdy, James  Search this
Takaezu, Toshiko  Search this
Tawney, Lenore  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
49.1 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Date:
circa 1910s-2003
bulk 1958-2000
Summary:
The papers of New York artist Lillian Kiesler and architect and sculptor Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.
Scope and Content Note:
The papers of artist, performer, and arts educator Lillian Kiesler and sculptor, architect, set designer, educator, and writer Frederick Kiesler measure 49.1 linear feet and 0.001 GB and date from circa 1910s-2003, with the bulk of the material from 1958-2000. The collection documents their personal and professional lives and the legacy of Frederick Kiesler's work through biographical material, correspondence, legal, financial and business records, teaching files, exhibition and performance files, artwork, subject files, printed and digital material, writings and interviews, monographs, photographic material, and sound and video recordings. Also found are papers related to Abstract Expressionist painter Hans Hofmann and the papers of artist Alice Hodges.

The collection is arranged into two series: the Lillian Kiesler Papers (Series 1) and the Frederick Kiesler Papers (Series 2). Measuring 41.1 linear feet, the Lillian Kiesler Papers (Series 1) make up the bulk of the collection and document her personal life and professional career as an artist, actor, teacher, arts benefactor and promoter of Frederick Kiesler's legacy. The series spans her lifetime, although most of the material is dated after 1965. Among her papers are biographical materials, correspondence, legal and financial records, teaching files, exhibition and performance files, artwork, subject files, printed material, monographs, papers related to Frederick Kiesler and his legacy, papers of and related to Hans Hofmann, papers of Alice Hodges, photographic material, and sound and video recordings.

Found among Lillian Kiesler's personal papers are address books, numerous calendars and appointment books, and diaries and journals. Her correspondence is extensive and contains business correspondence with John Simon Guggenheim Memorial Foundation, The Metropolitan Museum of Art, The Whitney Museum of American Art, The University of Iowa Museum of Art, and Erick Hawkins Dance Foundation, and personal letters and greeting cards from friends, family, artists, scholars, and researchers, including Etel Adnan, Alcopley, Fritz Bultman, Steve Buscemi, Mike Diamond, Burgoyne Diller, Lucia Dlugoszewski, Piero Dorazio, Jean Dubuffet, Jay Gottlieb, Erick Hawkins, Burgess Meredith, Henry Miller, James Purdy, and Herrel Thomas. Of interest is a letter from Harry Holtzman postmarked March 13, 1935 describing his initial meeting with Mondrian, and a letter from E.B. Gordon describing Henry Miller in Paris.

Materials related to Lillian Kiesler's estate and last wishes can also be found, as well as teaching plans, student work, and writings by Lillian Kiesler's mentor and friend, New York University professor Chandler Montgomery. Various printed material, correspondence, scripts, and rehearsal schedules from Lillian Kiesler's exhibitions and performances are also found, and among the directors, artists and writers represented are Jo Andres, Steve Buscemi, Cindy Lugar, Tim Miller and James Purdy. Artwork contains photographs by Bob Del Fredici, drawings by Piero Dorazio, and notes to Frederick Kiesler from Lillian Kiesler.

Subject files about artists, friends, colleagues, performances, and organizations in which she supported, such as the Anthology Film Archives, include printed materials and research materials. Signed exhibition catalogs of Loren MacIver, Dina Ghen, Lenore Tawney, and Toshiko Takaezu, and a reprint article inscribed by Alcopley can be found, as well as numerous inscribed monographs, including books inscribed by Max Weiler and Piero Dorazio, an inscribed first edition of Henry Miller's Black Spring (1936), and a 1937 monograph by Harry Holtzman titled American Abstract Artists.

Series 1 also includes materials related to her husband Frederick Kiesler, papers of and related to Abstract Expressionist painter Hans Hofmann, and the personal papers of artist Alice Hodges. The Papers Related to Frederick Kiesler were primarily created or compiled by Lillian Kiesler and document her work on behalf of Frederick Kiesler's legacy. Of interest are letters from Frederick Kiesler to Lillian Kiesler and Alice Hodges; a bound volume of correspondence to Piero Dorazio; an inventory of objects in the Frederick Kiesler estate; photographs of artwork; an interview (sound recordings and transcript) with Lillian Kiesler about Frederick Kiesler for "Music of the Age," included on the tape is a portion of a Frederick Kiesler interview (1965); a recording of Lillian Kiesler interviewing Richard Kamler about Frederick Kiesler; and Frederick Kiesler's dialogue with Leo Castelli (undated).

Lillian Kiesler was a student of Hans Hofmann (1880-1966) in New York City and Provincetown, Massachusetts, as well as an enthusiastic volunteer promoter and assistant to The Hans Hofmann School of Fine Arts. The bulk of the papers of and related to Hans Hofmann were created or compiled by Lillian Kielser and are about Hofmann's career and legacy. However, also found are some papers of Hans Hofmann, including letters from Hofmann to Lillian Kiesler and Alice Hodges describing his artwork, life in Provincetown, and issues with The Hans Hofmann School of Fine Arts, typed and handwritten lectures given by Hofmann, Hofmann's 1941 address to the American Abstract Artists (AAA), three boxes of card files on students of the Hans Hofmann School of Fine Arts in New York City and Provincetown, and photographs of Hofmann and his house in Provincetown taken by Wilfrid Zogbaum and Tom Milius.

The artist Alice Hodges (b. unknown-1965) was a close friend of Lillian Kiesler, a former secretary to Frederick Kiesler, and a student of Hans Hofmann. Included among her personal papers is some correspondence from Hans Hofmann and Katherine Drier and numerous postcards from Hodges and Lillian Kiesler's trip to Europe in 1950, posters and printed material from her exhibitions, an oversized scrapbook chronicling Lillian Kiesler's teaching career, records from the United States Treasury War Bond Art Auction in 1945, original artwork and greeting cards made by Hodges and Lillian Kiesler, and 31 rolled negative strips in metal canisters of Frederick Kiesler sculptures, Provincetown and Hans Hofmann, Wellfleet, Empire State Music Festival (1955), and travels to Colorado and Europe, some of which may be printed and found in this subseries.

Photographs found in the Lillian Kiesler Papers are mostly black and white and color snapshots of Lillian Kiesler's friends and family at events and at home, including candid photos of Hans Hofmann, Alice Hodges, Frederick Kiesler, and Alcopley. Slides prepared by Lillian Kiesler for a lecture on Frederick Kiesler and her lecture notes on index cards are found. Sound and video recordings include recordings of productions in which Lillian Kiesler performed, and music, film, or live stage performances written, directed, or performed by friends.

Measuring 7.1 linear feet, Frederick Kiesler's personal papers (Series 2) document his professional career and date from 1923-1992. Biographical materials include his curriculum vitae, four passports, and numerous appointment books and notes from late in his life. Correspondence with architects, publishers, editors, universities, museums, galleries, manufacturers, artists and friends includes letters from L. Alcopley, Leopold Arnaud, Armand P. Bartos, Piero and Virginia Dorazio, George Howe, Kay Johnson, Jane Owen, and others. There are also photocopied letters from Katherine Dreier, Marcel Duchamp, and Piet Mondrian. Business and financial records from the 1940s to mid-1960s comprise a significant bulk of this series and are primarily tax returns and receipts and statements used to file tax returns. Materials on the publication of "Inside the Endless House" (1966), the International Theatre Exposition (in German) in 1924 and other exhibits from shortly after his death are found, as well as student artwork and papers from Kiesler's classes in the mid-1950s. A bound copy of the "Bibliography of Writings of and About Frederick Kiesler" compiled by Lillian Kiesler is found, as well as printed material about Frederick Kiesler and a handful of photographs of artwork.

Users should note that Lillian Kiesler's and Frederick Kiesler's papers contain similar types of material that often overlap in subject matter, especially among the Papers Related to Frederick Kiesler (Subseries 1.10) in Series 1 and the Frederick Kiesler Papers (Series 2). This collection contains limited material related to Lillian Kiesler prior to the 1940s and Frederick Kiesler prior to his arrival in the United States in 1926.
Arrangement:
The collection is arranged into two series. Each series is divided into several subseries, with the arrangement described in detail in the series descriptions.

Missing Title

Series 1: Lillian Kiesler papers, circa 1910s-2003 (Box 1-39, 47-52, OV 53-57; 41.1 linear feet, ER01; 0.001 GB)

Series 2: Frederick Kiesler papers, 1923-1992 (Box 40-46, OV 53; 7.1 linear feet)
Biographical Note:
Frederick Kiesler (1890-1965) was a sculptor, architect, set designer, educator, and writer active in New York and Connecticutt. Lillian Kiesler (1911-2001) was a performer, arts educator, and painter married to Frederick Kiesler. She was also active in the administration of the Hans Hofmann School of Fine Arts.

Frederick Kiesler was born in Romania in 1890, although he gave various other dates for his birth and regularly cited Vienna as his birthplace. He arrived in the United States with his wife Steffi in 1926 for the International Theatre Exposition at Steinway Hall in New York City. They stayed in the United States and were granted citizenship in 1936.

Kiesler secured a teaching position at Columbia University's School of Architecture in 1930, and from 1934 through 1957 he was the scenic design director at The Juilliard School of Music. He also lectured at Yale University from 1950-1952. Often labeled a Surrealist, Kiesler's work was experimental and frequently described as ahead of its time. He published, lectured, and participated in numerous exhibitions throughout his career. He is known for his theory of "coreallism;" "The Space House" (1933), a full-scale model of a single family home; an installation designed for Peggy Guggenheim's Art of This Century gallery in 1942; "The Endless House" drawings and model (1950); "The Universal Theatre" (1961) model; and the Shrine of the Book (1965), a building to exhibit the Dead Sea Scrolls in Jerusalem. He died in New York City in December 1965.

Lillian Olinsey met architect and sculptor Frederick Kiesler in 1934. After years of friendship, they were married in 1964, a year and a half before Frederick's death in 1965.

Lillian Kiesler studied art at the Art Students League, Cooper Union, and the Hans Hofmann School of Fine Arts, where she also assisted Hofmann and the school administration. She taught art to children and young adults for twenty years in New York City. From 1945 to 1955, she taught at the Greenwich House Art workshops and the Woodward School, followed by the Brooklyn Museum (1948-1958), Barnard School (1953-1963), New York University School of Education (1955-1966), and Juilliard School of Visual Arts (1963-1965). Lillian was involved in the performing arts and between the late 1970s through the 1990s she performed in New York City with numerous directors, notably Jo Andres, Steve Buscemi, Richard Foreman, John Jesurun, Cindy Lubar, and Tim Miller. She frequently performed with her close friend, painter Maryette Charlton, who was the executor of the Lillian Kiesler estate.

Lillian Kiesler tirelessly promoted Frederick Kiesler's work and legacy after his death in 1965. From the late 1980s through the 1990s, she delivered lectures about his work at universities and museums, gave interviews, corresponded with researchers, and organized his papers to donate to the Harvard Theatre Collection, Yale School of Art and Architecture, and the Archives of American Art. In 1997, she helped found the Frederick and Lillian Kiesler Foundation in Vienna, Austria. She endowed the Austrian Frederick Kiesler Prize, an award given to a notable contributor to the field of architecture. The first recipient was Frank Gehry in 1998. Lillian Kiesler passed away in 2001 in New York City.
Related Material:
The holdings of the Archives of American Art include the Hans Hofmann Papers, 1904-1978 and the Maryette Charlton Papers, 1929-1998. Additional Frederick Kiesler papers are available at the Museum of Modern Art, the Harvard Theater Collection, and the Yale School of Art and Architecture.
Separated Material:
Some of the materials related to Frederick Kiesler were initially loaned for microfilming on reels 57 and 127-128. This material is not described in the container listing of this finding aid. Most, but not all, of the loaned material was later donated and has been merged with the other accretions.
Provenance:
The collection was donated by Lillian Kiesler and Maryette Charlton, executrix of her estate, in several accessions between 1980-2002. Some of the papers related to Frederick Kiesler were originally loaned for microfilming in 1971, most of which was later donated in 1980. Additional papers related to Frederick Kiesler were donated in 1993. Papers related to Hans Hofmann were given in 1981. Lillian Kiesler's papers were donated in 2000 by Lillian Kiesler, and in 2002, by Maryette Charlton.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Set designers -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Performance artists -- New York (State) -- New York  Search this
Art patrons -- New York (State) -- New York  Search this
Topic:
Architects -- New York (State) -- New York  Search this
Exhibition designers  Search this
Women artists  Search this
Women educators  Search this
Women painters  Search this
Women performance artists  Search this
Function:
Art schools -- Massachusetts
Art Schools -- New York (State)
Genre/Form:
Scrapbooks
Sound recordings
Diaries
Interviews
Scripts (documents)
Motion pictures (visual works)
Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kieslill
See more items in:
Lillian and Frederick Kiesler papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92be035c5-5063-4d6e-8ac2-5f08c17ef915
EDAN-URL:
ead_collection:sova-aaa-kieslill
Online Media:

Morning

Artist:
Arthur G. Dove, American, b. Canandaigua, New York, 1880–1946  Search this
Medium:
Oil and wax emulsion on canvas
Dimensions:
12 × 18 in. (30.5 × 45.7 cm)
Type:
Painting
Date:
(1940)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1411
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Early American Modernism
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2912b6225-da3e-4b3d-8e3a-485ecb53cbbe
EDAN-URL:
edanmdm:hmsg_66.1411

Schizotricha dichotoma

Collector:
State University of Iowa  Search this
Expedition:
Bahamas Expedition  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean, Gulf of Mexico  Search this
Depth (m):
366 - 366
Prep Count:
2
Preparation:
Slide
Place:
Florida Straits, Pourtales Plateau, Florida, United States, North Atlantic Ocean
Collection Date:
27 Jun 1893
Published Name:
Schizotricha dichotoma Nutting, 1900
USNM Number:
18579
See more items in:
Invertebrate Zoology
Cnidaria
Nutting Collection
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3be7c7859-4150-4cef-b3b5-d0b2eb4fd629
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11811

Schizotricha dichotoma

Collector:
State University of Iowa  Search this
Expedition:
Bahamas Expedition  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean, Gulf of Mexico  Search this
Depth (m):
366 - 366
Prep Count:
3
Preparation:
Slide
Place:
Florida Straits, Pourtales Plateau, Florida, United States, North Atlantic Ocean
Collection Date:
27 Jun 1893
Published Name:
Schizotricha dichotoma Nutting, 1900
USNM Number:
18580
See more items in:
Invertebrate Zoology
Cnidaria
Nutting Collection
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3dfcb5d17-ac71-4143-9347-aabffbd42a90
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11812

Diplopteron longipinna

Collector:
State University of Iowa  Search this
Expedition:
Bahamas Expedition  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean, Gulf of Mexico  Search this
Depth (m):
366 - 366
Prep Count:
2
Preparation:
Slide
Place:
Florida Straits, Pourtales Plateau, Florida, United States, North Atlantic Ocean
Collection Date:
27 Jun 1893
Published Name:
Diplopteron longipinna Nutting, 1900
USNM Number:
18584
See more items in:
Invertebrate Zoology
Cnidaria
Nutting Collection
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/33cdf5c13-98a6-4e55-83f5-1bc20643b7b4
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11816

Diplopteron longipinna

Collector:
State University of Iowa  Search this
Expedition:
Bahamas Expedition  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean, Gulf of Mexico  Search this
Depth (m):
366 - 366
Prep Count:
2
Preparation:
Slide
Place:
Florida Straits, Pourtales Plateau, Florida, United States, North Atlantic Ocean
Collection Date:
27 Jun 1893
Published Name:
Diplopteron longipinna Nutting, 1900
USNM Number:
18585
See more items in:
Invertebrate Zoology
Cnidaria
Nutting Collection
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3ba0888dc-f47e-40b3-816f-61f20139f7d8
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11817

Plumularia dendritica

Collector:
State University of Iowa  Search this
Expedition:
State University of Iowa Bahama Expedition  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean  Search this
Depth (m):
5 - 24
Prep Count:
4
Preparation:
Slide
Place:
Off Little Cat Island on the submerged bank connecting it with Eleuthera Island, Bahamas, North Atlantic Ocean
Collection Date:
18 Jul 1893 to 19 Jul 1893
Published Name:
Plumularia dendritica Nutting, 1900
USNM Number:
18613
See more items in:
Invertebrate Zoology
Cnidaria
Nutting Collection
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/326485078-7e1b-41c3-98ed-2054cb819612
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11845

Plumularia dendritica

Collector:
State University of Iowa  Search this
Expedition:
State University of Iowa Bahama Expedition  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean  Search this
Depth (m):
5 - 24
Prep Count:
2
Preparation:
Slide
Place:
Off Little Cat Island on the submerged bank connecting it with Eleuthera Island, Bahamas, North Atlantic Ocean
Collection Date:
18 Jul 1893 to 19 Jul 1893
Published Name:
Plumularia dendritica Nutting, 1900
USNM Number:
18614
See more items in:
Invertebrate Zoology
Cnidaria
Nutting Collection
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/309a77a47-333b-4dba-b4a3-b76ad5c3168e
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11846

Monotheca margaretta

Collector:
State University of Iowa  Search this
Expedition:
State University of Iowa Bahama Expedition  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean  Search this
Depth (m):
5 - 24
Prep Count:
4
Preparation:
Slide
Place:
Off Little Cat Island on the submerged bank connecting it with Eleuthera Island, Bahamas, North Atlantic Ocean
Collection Date:
18 Jul 1893 to 19 Jul 1893
Published Name:
Monotheca margaretta Nutting, 1900
USNM Number:
18615
See more items in:
Invertebrate Zoology
Cnidaria
Nutting Collection
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/343c38db7-9cb3-4817-b5f3-e72102386cc4
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11847

Monotheca margaretta

Collector:
State University of Iowa  Search this
Expedition:
State University of Iowa Bahama Expedition  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean  Search this
Depth (m):
5 - 24
Prep Count:
3
Preparation:
Slide
Place:
Off Little Cat Island on the submerged bank connecting it with Eleuthera Island, Bahamas, North Atlantic Ocean
Collection Date:
18 Jul 1893 to 19 Jul 1893
Published Name:
Monotheca margaretta Nutting, 1900
USNM Number:
18616
See more items in:
Invertebrate Zoology
Cnidaria
Nutting Collection
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3d1bfaef2-c56c-4484-85e8-0a35c763e20e
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11848

Aglaophenia flowersi

Collector:
State University of Iowa  Search this
Expedition:
Bahamas Expedition  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean, Gulf of Mexico  Search this
Depth (m):
212
Prep Count:
3
Preparation:
Slide
Place:
Florida Keys, Key West, Strait of Florida, Sand Key Light bearing North about 6 miles, Florida, United States, North Atlantic Ocean
Collection Date:
19 Jun 1893
Published Name:
Aglaophenia flowersi Nutting, 1900
USNM Number:
18644
See more items in:
Invertebrate Zoology
Cnidaria
Nutting Collection
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/33378d791-aa17-4c54-b519-bee9f3d0ec1f
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11872

Aglaophenia elegans

Collector:
State University of Iowa  Search this
Expedition:
Bahamas Expedition  Search this
Ocean/Sea/Gulf:
North Atlantic Ocean, Gulf of Mexico  Search this
Depth (m):
128 - 146
Prep Count:
2
Preparation:
Slide
Place:
Florida Keys, Strait Of Florida, 8 miles off American Shoal Light, Florida, United States, North Atlantic Ocean
Collection Date:
29 Jun 1893
Published Name:
Aglaophenia elegans Nutting, 1900
USNM Number:
18645
See more items in:
Invertebrate Zoology
Cnidaria
Nutting Collection
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3df3201cb-4b68-418f-abd3-ba766ac3f5ff
EDAN-URL:
edanmdm:nmnhinvertebratezoology_11873

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