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Inka Engineering Symposium 2: Inka Trails Near Machu Picchu

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2013-11-19T15:54:33.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_tek3J-LMeKI

The Art of Storytelling: Concow-Maidu Poet Janice Gould 1

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2016-03-02T19:39:40.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_78Tg2rM3wx4

Sand Creek Massacre: 05 Causes and Consequenses - David Halaas

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2014-10-16T19:49:21.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_Su5tqrDGN-I

Mohave

Creator:
Harrington, John Peabody, 1884-1961  Search this
Names:
Henderson, Junius, 1865-1937  Search this
Robbins, Wilfred William, 1884-1952  Search this
Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Extent:
33 Boxes
Culture:
Mojave (Mohave)  Search this
Chemehuevi  Search this
Cocopa  Search this
Havasupai (Coconino)  Search this
Hualapai (Walapai)  Search this
Piipaash (Maricopa)  Search this
Quechan (Yuma/Cuchan)  Search this
Indians of North America -- California  Search this
Type:
Archival materials
Field notes
Vocabulary
Date:
1907-circa 1914, 1946-circa 1957
Scope and Contents:
This subseries of the Southern California/Basin series contains John P. Harrington's research on Mohave.

Harrington organized his early linguistic and ethnographic notes into more than eighty categories, covering a broad spectrum of Mohave culture from daily practices to mythological and religious beliefs. The variety of content and order of arrangement are encyclopedic. Most of the material is original data from numerous native speakers. Animal and plant notes are also filed in this section. Notes on these topics stem from the Mohave Valley Expedition made with Henderson and Robbins. A typescript of Henderson's report precedes the botanical notes and one by Robbins precedes the zoological notes.

The semantic slipfile consists of data from the original field notes rewritten on slips and arranged in thirteen semantic divisions. Some new information provided by Irving and Wagner was inserted. Material relative to other Yuman tribes is included and almost all categories contain some inextricably interwoven Chemehuevi data which were originally provided by Chemehuevi speakers Jack Jones, John Pete, William Johnson, and Patty Smith. In most instances, the Chemehuevi equivalences are clearly marked. Information on kinship is relatively substantial.

Two Mohave notebooks are also present. One contains vocabulary and texts credited to "Mr. Edgar, Needles, Cal." The other is a packet of loose pages evidently removed from a notebook covering random linguistic and ethnographic data.

Another section consists of a small set of grammar notes arranged under such headings as language, phonology, and morphology. Some notes apparently were taken as early as 1907 and were transferred to slips in 1910 and 1911.

The section of miscellaneous notes on Yuman languages contains Yuma, Cocopa, and Walapai field notebooks. They are principally ethnographic and are difficult to read. Unrelated small groups of notes include Mohave, Yuma, Maricopa, Havasupai, and Walapai ethnographic data, probably provided by Joe Homer. There are lecture notes and students' papers probably from one of the courses which Harrington gave at the University of Colorado. Three small groups of slips include a list of Yuman clan names and a series of excerpts from a Yuman notebook which has not been located. The third is a copy of some Yavapai terms supplied by Barbara Freire-Marreco.

Late linguistic and ethnographic notes contain what appears to be the first draft of a manuscript on Mohave culture. Such subjects as sociology, religion and mythology, physical and mental characteristics, the Mohave universe, warfare, and design are covered. A variety of notes on historical events and on the geographic, political, and economic life of the Needles area was compiled from published sources and correspondence with the Bureau of Indian Affairs and with Indian Agency superintendents. The focus is on Mohave with some general Yuman references. The material has evidently undergone several reorganizations and notes from informants of the earlier period are interfiled. New linguistic and ethnographic information was supplied principally by Hal Davidson, Mr. and Mrs. Harry Lewis, and Russell. Comparative terms appear in Yuma, Maricopa, Chemehuevi, and Paiute. Kroeber apparently lent Harrington some of his personal manuscripts, and information from this source is introduced as "Kr. notes." Correspondence with Charles Battye and excerpts from his scrapbooks in the possession of the Needles Public Library are also contained among these notes.

Another section consists of notes and drafts on material culture. They are arranged alphabetically and predominantly ethnographic. Notes came from the earlier period and such 1946 informants as Davidson and the Lewises. George Turner contributed numerous placenames.

The subseries also contains notes and drafts of tribenames. They represent an attempt to identify ethnic names applied to Yuman and some neighboring non-Yuman tribes. Some of the Mohave names may have been given by bilingual Chemehuevi speakers in July 1946, when Harrington and Murl Emery traveled the Colorado River-Mohave Valley area. A brief typescript follows the notes.

The section of semantically arranged notes consists of small amounts of data on minerals, pigments, fire, plants, animals, hunting, food, and medicine.

The section of late grammatical notes is also small. The notes originated mainly from Russell, Mr. and Mrs. Lewis, and Warren McCord. He based some hearings on Kroeber's (1911) "Phonetic Elements of the Mohave Language" and Sapir's (1930) "Southern Paiute Language." He also drew on A. M. Halpern's (1946 and 1947) six monographs on Yuma grammar published in the International Journal of American Linguistics. In the mid-1950s he again turned to Halpern and produced a small section of comparative Yuman terms.

The final section of the subseries consists of miscellaneus notes, including drafts of a paper on Mohave history and culture and another on the Kuchan vocabulary of George H. Thomas.
Biographical / Historical:
As a teacher of modern languages at Santa Ana High School in California (1906-1909), John P. Harrington spent his vacations studying Mohave and Yuma in Needles and Yuma, California. Working with a young Mohave woman in Needles in 1907, Mohave was the first Indian language that he ever recorded.

From 1909 until 1915, when he joined the Bureau of American Ethnology, Harrington held various positions with the Museum of the University of New Mexico and the School of American Archaeology, based mainly in Santa Fe. Along with work in other indigenous languages and cultures, he pursued his Mohave studies in Lincolnia, Cottonia, Needles, and Fort Mohave. The focus was on Mohave with ethnographic references to Yuma, Maricopa, Cocopa, Havasupai, and Walapai.

Under the auspices of the Bureau of American Ethnology, the School of American Archaeology, and the University of Colorado, he was ethnologist for a Mohave Valley expedition undertaken in March and April 1911, in conjunction with Junius Henderson and W. W. Robbins. Henderson identified the botanical life of the Mohave Valley and Robbins the zoological.

According to field notes and reports, the years 1910 and 1911 were the most productive ones for this first period of accumulation of Mohave data. Harrington worked with a number of people who spoke Mohave and Chemehuevi, resulting in numerous comparative references. Among the many Mohave speakers, Lee Irving (abbreviated L. I.), Mr. Edgar (Rev. Edgar), Ferd Wagner (Mr. Ferd), and Peter Dean (Peter) contributed substantially. Harrington primarily worked with Wagner in 1907. Edward H. Davis accompanied him on various placename trips and apparently advised him on the collection of artifacts. Financial records indicate that he spent about six weeks in Needles in late spring, 1914, collecting objects for the Panama-California Exposition.

A second period of endeavor commenced in 1946 with new recordings from Hal Davidson (Hal), Mr. and Mrs. Henry Lewis, George Turner, and Russell. Returning from the field to Washington, D.C., in 1947, Harrington compiled a variety of notes on historical events and interfiled some of his earlier material. The physical arrangement indicates an interest in drafting a paper on Mohave culture, more ethnographic than linguistic.
Local Numbers:
Accession #1976-95
Restrictions:
No restrictions on access.
Rights:
Contact the repository for terms of use.
Topic:
Mohave language  Search this
Yuma language  Search this
Chemehuevi language  Search this
Cocopa language  Search this
Hualapai language  Search this
Havasupai language  Search this
Maricopa language  Search this
Yuman languages  Search this
Language and languages -- Documentation  Search this
Linguistics  Search this
Grammar, Comparative and general  Search this
Names, Ethnological  Search this
Names, Geographical  Search this
Ethnology  Search this
Ethnobotany  Search this
Zoology  Search this
Genre/Form:
Field notes
Vocabulary
Collection Citation:
Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
Identifier:
NAA.1976-95, Subseries 3.11
See more items in:
John P. Harrington Papers
John P. Harrington Papers / Series 3: Papers relating to the Native American history, language and culture of southern California and Basin
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-1976-95-ref14386
Online Media:

Records Relating to Lectures

Creator:
Harrington, John Peabody, 1884-1961  Search this
Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Extent:
2 Boxes
Culture:
Indians of North America -- Northwest Coast of North America  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Lecture notes
Date:
1910-1915
Scope and Contents:
This subseries of the Notes and writings on special linguistic studies series contains materials relating to Harrington's lecturing experiences, including preparatory notes, several sets of lecture notes, and a small file of student papers. Preparatory notes for some of Harrington's classes are contained in a small notebook labeled "Notebook B." It includes numerous bibliographic references and reading notes from such anthropologists as Waldemar Bogoras, Waldemar Jochelson, and Franz Boas. Harrington used marginal notations to flag any sources of data on the Ainu. For his course on the Indians of the Southwest there are only seven pages of notes. These include an outline of the course and a list of illustrations which Harrington wished to have made by Kenneth M. Chapman, an artist at the School of American Archaeology. The course notes for the Indians of the Northwest consist of a mixture of outlines, verbatim texts of lectures, bibliography, and reading notes. There are relatively small files on the Chukchee, Siberian Indians, Eskimo, and Aleut, and an especially large section on the Ainu. The notes for the evening lecture series on "The Siberian Origin of the American Indian" include the text of Harrington's talks with commentary on forty-nine slides. The subject headings are: (1) Whence?, (2) Ainu, (3) Eastern Siberian Indians, (4) Eskimos, (5) Indians of the Northwest-especially Haida and Kwakiutl, and (6) Washington and Oregon of yesterday. There are also rough notes on the origin of the American Indian and data on comparative mythology. The file of notes for Harrington's class on linguistics appears to have been compiled and used over an extensive period. The largely unorganized notes cover the physical aspects of speech, animal communication, gesture and sign language, the language of children, writing, and phonetics. They also touch on field methods. There is a large file of bibliographic references and a set of eight charts for illustrative purposes. The student papers were submitted to Harrington by students in his class on linguistics. Filed with Harrington's lecture notes is a set of notes for a proposed exhibit which he evidently prepared while working at the Panama-California Exposition. These include an outline, slips with ideas, and a twenty-three page proposal titled "The Linguistic Laboratory" which gives detailed physical descriptions of the various parts of the exhibit. Among the concepts which he planned to cover in the exhibit were the origin, geography, and classification of languages, the development of writing, and the use of modern inventions such as the typewriter and kymograph.
Biographical / Historical:
Early in his career John P. Harrington was asked to lecture in a number of academic settings. From February to March 1910, Harrington taught a class on the Indians of the Southwest at the University of Colorado at Boulder and then appeared on the lecture circuit in Denver and Colorado Springs. He returned to Boulder to repeat the course from October to November and again in September and October of the following year.

From June to August 1910 he taught two classes in the summer school session at the University of Washington in Seattle. The titles of the classes given in his vitae are "The Science of Language" and "The Indians of the Northwest." During this period he also presented a series of evening lectures under the auspices of the Seattle Society of the American Institute of Archaeology. The six illustrated talks dealt with "The Siberian Origin of the American Indian."

Harrington also taught classes in linguistics while working for the School of American Archaeology and the Panama-California Exposition from 1912 to 1915.
Local Numbers:
Accession #1976-95
Restrictions:
No restrictions on access.
Rights:
Contact the repository for terms of use.
Topic:
Education  Search this
Language and languages -- Documentation  Search this
Linguistics  Search this
Function:
Exhibitions
Genre/Form:
Lecture notes
Collection Citation:
Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
Identifier:
NAA.1976-95, Subseries 8.16
See more items in:
John P. Harrington Papers
John P. Harrington Papers / Series 8: Notes and Writings on Special Linguistic Studies
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-1976-95-ref15657

University of Colorado

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 80, Folder 18
Type:
Archival materials
Date:
1950
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Fragile original scrapbooks are closed to researchers.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-macbgall-ref10818

Meet Eric Fischl

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2015-01-05T15:46:10.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_I7jTsTC5HnE

Alice Baber papers, 1934-1983

Creator:
Baber, Alice, 1928-1982  Search this
Baber, Alice, 1928-1982  Search this
Type:
Scrapbooks
Interviews
Photographic slides
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Theme:
Women  Search this
Art Materials, Techniques, and Studio Art Education  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)5831
(DSI-AAA_SIRISBib)208671
AAA_collcode_babealic
Theme:
Women
Art Materials, Techniques, and Studio Art Education
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208671

Alice Baber papers

Creator:
Baber, Alice  Search this
Extent:
3.6 Linear feet ((ca. 120 items))
Type:
Collection descriptions
Archival materials
Scrapbooks
Interviews
Photographic slides
Date:
1934-1983
Scope and Contents:
Reels 4030-4032 A passport, 1951; 5 biographical accounts; 2 lists of exhibitions; correspondence, 1958-1983; the will of Dexter Baber; an inventory of possessions; income tax returns; loan applications; price lists, 1966-1981; contracts, 1968-1980; consignment agreements, 1976-1981; miscellaneous business records, 1962-1982; notes on poetry; notebooks from classes on religion and writing; course outlines, 1972; notes on color forum, 1972; notes for "Age of Color" article; essays by Baber on Paul Jenkins, on color, and on organic found form; writings about Baber; reviews of Baber's work, 1963-1975;
a scrapbook of printed material, 1973-1978; clippings, 1957-1983; press releases, 1963-1978; exhibition announcements and catalogues, 1958-1983; reproductions of works of art; articles "Women Artists on Tenth Street," by Nancy Ungar, "Conference of Women in the Visual Arts," 1972, and "Report on the Status of Faculty Women at the University of Colorado at Colorado Springs," 1972; manuscript "Index for Nancy Hanks - Undistinguished Families" by Adin Baber; miscellaneous printed material, 1965-1978;
interview transcripts, "Reminiscences of the Tenth Street Days," with Charles Cajori and Lois Dodd, "American Women and Social Change - Women in Politics" with Mary Lou Burg, Jeane J. Kirkpatrick, and Patricia Lindh, "American Women and the Spirit of '76 - Women and Political Office" with Rita Hauser, and Magda Bleier, and "Women and the Law" with Marguerite Rawalt, Susan Ross, and Ruth Osborn;
photographs of Baber, 1957-1977, her family, Baber with Paul Jenkins, 1965, Baber participating in panel discussions and in the Professional Women Artists Project in Central Park, exhibition openings, installations, and of works of art and quilts;
Unfilmed material: untranscribed audio tape of a 1972 interview with Karl Fortess for the Archives of American Art; audio dub of a 1974 television program "Woman: the Artist," with Barbara Braathen; six video 1/2" video reels from "Funtioning in the Art World," 1977, with Sari Diemes, Isabel Bishop, C. Von Wiegand, Lil Picard, M. Citron, and Alice Neel; 61 slides of works of art; thirteen slides of a demonstration march; and twelve slides of a house.
Biographical / Historical:
Painter and printmaker; b. 1928, d. 1982.
Provenance:
Donated 1979-1985 by Alice Baber and Norbert Nelson.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Printmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Scrapbooks
Interviews
Photographic slides
Identifier:
AAA.babealic
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-babealic

New Study Suggests Cannabis' Wild Ancestors Likely Came from China

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Fri, 16 Jul 2021 18:00:00 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_fefe6d50fa1dd58756218615ba0344ec

Oral history interview with Betty Woodman, 2003 April 22 and 29

Interviewee:
Woodman, Betty, 1930-2018  Search this
Woodman, Betty, 1930-2018  Search this
Interviewer:
Perreault, John, 1937-  Search this
Subject:
Brown, Elenita  Search this
Carlson, Cynthia  Search this
Hamada, Shōji  Search this
Higby, Wayne  Search this
Kozloff, Joyce  Search this
Kushner, Robert  Search this
Leach, Bernard  Search this
Serra, Richard  Search this
Shark, Bud  Search this
Voulkos, Peter  Search this
Woodman, George  Search this
Bellagio Study and Conference Center  Search this
Centre internationale de recherche sur le verre et les arts plastiques (Marseille, France)  Search this
Europees Keramisch Werkcentrum  Search this
Fabric Workshop  Search this
Girl Scouts of the United States of America  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
School for American Crafts  Search this
University of Colorado  Search this
Boulder (Colo.).. Parks & Recreation Department  Search this
Type:
Interviews
Sound recordings
Place:
Boulder (Colo.)
India -- description and travel
Mexico -- description and travel
Netherlands -- description and travel
Topic:
Airplanes -- Models  Search this
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Glass art  Search this
Handicraft -- United States  Search this
Screen process printing  Search this
Women artists  Search this
World War, 1939-1945  Search this
Women ceramicists  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13297
(DSI-AAA_SIRISBib)245771
AAA_collcode_woodma03
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_245771
Online Media:

Oral history interview with Betty Woodman

Interviewee:
Woodman, Betty, 1930-2018  Search this
Interviewer:
Perreault, John, 1937-2015  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Bellagio Study and Conference Center  Search this
Boulder (Colo.).. Parks & Recreation Department  Search this
Centre internationale de recherche sur le verre et les arts plastiques (Marseille, France)  Search this
Europees Keramisch Werkcentrum  Search this
Fabric Workshop  Search this
Girl Scouts of the United States of America  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
School for American Crafts  Search this
University of Colorado -- Faculty  Search this
Brown, Elenita  Search this
Carlson, Cynthia, 1942-  Search this
Hamada, Shōji, 1894-1978  Search this
Higby, Wayne  Search this
Kozloff, Joyce  Search this
Kushner, Robert, 1949-  Search this
Leach, Bernard, 1887-1979  Search this
Serra, Richard, 1938-  Search this
Shark, Bud  Search this
Voulkos, Peter, 1924-2002  Search this
Woodman, George, 1932-  Search this
Extent:
5 Items (Sound recording: 5 sound files (2 hr., 55 min.), digital wav)
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Boulder (Colo.)
India -- description and travel
Mexico -- description and travel
Netherlands -- description and travel
Date:
2003 April 22 and 29
Scope and Contents:
An interview of Betty Woodman conducted 2003 April 22 and 29, by John Perreault, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in New York, New York.
Woodman speaks of frequent moves with her family during her childhood; her father's woodworking skills; gaining an interest in arts and crafts at four when she made a tablecloth with crayon drawings; attending summer camps, including Girl Scout Camp, where she participated in arts and crafts activities; being the first girl to take shop in her middle school; making model airplanes for air raid wardens during World War II; her interest in making functional objects; her introduction to clay and hand-building in high school; attending the School for American Craftsmen in New York City; collaborating with fellow students; her early desire to be a "craftsperson and not an artist"; her work with silk-screen fabric for The Fabric Workshop in Philadelphia and glass at CIRVA in Marseille, France; teaching at the University of Colorado and the City of Boulder Recreation Department; working at the European Ceramic Work Center in Den Bosch, Holland, and the Bellagio Study Center in Italy; her studios in New York, Colorado, and Italy; her travels to India, The Netherlands, and Mexico; living in New Mexico, New York, Colorado, and Italy; her business Roadrunner Pottery in New Mexico with partner Elenita Brown; collaborative projects with Joyce Kozloff, Cynthia Carlson, Bud Shark, Judith Solodkin, and her husband George Woodman; developing a following in New York; how being a woman has affected her work and how she enjoys working with other women artists; the change of market for American crafts; Italian, Greek, and Etruscan influences; teaching experiences; the importance of getting reviews in art magazines; and the strong support from her husband George, a painter. Betty Woodman recalls Lynn Feelyn, Olan Wassen, Bernard Leach, Peter Voulkos, Shoji Hamada, Bob Kushner, Richard Serra, Wayne Higby, and others.
Biographical / Historical:
Betty Woodman (1930-2018) was a ceramist from New York, New York. John Perreault (1937- ) is an independent critic and curator from New York, New York.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Ceramicists -- New York (State) -- New York  Search this
Topic:
Airplanes -- Models  Search this
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Glass art  Search this
Handicraft -- United States  Search this
Screen process printing  Search this
Women artists  Search this
World War, 1939-1945  Search this
Women ceramicists  Search this
Function:
Artists' studios
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.woodma03
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woodma03

Stewart, Omer (Department of Anthropology, University of Colorado)

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 68
Type:
Archival materials
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 3: Correspondence Files / 3.1: Name Files
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-010-ref962

Chris Greene, "Universal physics of three, four or five identical bosons"

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2012-06-21T17:20:10.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
ITAMPhysics
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
ITAMPhysics
EDAN-URL:
edanmdm:yt_R_64YCDvhNA

The Art of Storytelling: Concow-Maidu Poet Janice Gould 2

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2016-03-02T19:33:52.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_MB0o3eMjf0c

Looking to the Future 8: Sovereignty, Treaties, Governance, and Economic Development

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2014-05-27T15:59:36.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_Qh3POivwR3E

Loan Records: University of Colorado-University of Florida

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Collector:
Johnson, Frederick, 1904-1994  Search this
Churchill, Frank C. (Frank Carroll), 1850-1912  Search this
Davis, Edward H., b. 1862  Search this
Churchill, Clara G.  Search this
Harrington, M. R. (Mark Raymond), 1882-1971  Search this
Harvey, Byron  Search this
Emmons, George Thornton  Search this
Gridley, Marion E. (Marion Eleanor), 1906-1974  Search this
Wildschut, William  Search this
Stiles, William F., 1912-1980  Search this
Verrill, A. Hyatt (Alpheus Hyatt), 1871-1954  Search this
Skinner, Alanson, 1886-1925  Search this
Waterman, T. T. (Thomas Talbot), 1885-1936  Search this
Harvey, Fred  Search this
Keppler, Udo J., 1872-1956  Search this
Lothrop, S. K. (Samuel Kirkland), 1892-1965  Search this
Barrett, S. A. (Samuel Alfred), 1879-1965  Search this
Pepper, George H. (George Hubbard), 1873-1924  Search this
Speck, Frank G. (Frank Gouldsmith), 1881-1950  Search this
Hodge, Frederick Webb, 1864-1956  Search this
Collection Director:
Dockstader, Frederick J.  Search this
Heye, George G. (George Gustav), 1874-1957  Search this
Collection Source:
Force, Roland W.  Search this
Burnett, Edwin K.  Search this
Container:
Box 611, Folder 1
Type:
Archival materials
Date:
1972, 1981
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Museum of the American Indian/Heye Foundation records / Series 7: Registration
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-001-ref16706

University of Colorado at Boulder

Collection Creator:
Catherine Viviano Gallery  Search this
Container:
Box 9, Folder 3
Type:
Archival materials
Date:
undated
1956-1968
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Catherine Viviano Gallery records, 1930-1990, bulk 1949-1978. Archives of American Art, Smithsonian Institution.
See more items in:
Catherine Viviano Gallery records
Catherine Viviano Gallery records / Series 2: Correspondence / 2.2: Correspondence with Museums, Galleries, and Art-Related Institutions, United States
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cathvivi-ref871

University of Colorado, Boulder, CO

Collection Creator:
National Endowment for the Arts. Visual Arts Program  Search this
Extent:
2 Videocassettes (VHS)
Container:
Box 13, Folder 6
Type:
Archival materials
Moving Images [31027000528238]
Videocassettes (vhs)
Date:
undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Endowment for the Arts, Visual Arts Program selected records, 1970-1980. Archives of American Art, Smithsonian Institution.
See more items in:
National Endowment for the Arts, Visual Arts Program selected records
National Endowment for the Arts, Visual Arts Program selected records / Series 1: Art Organization Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-natiendo-ref272

General (see also Guadalupe Cultural Arts Center)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(2 folders)
Container:
Box 21, Folder 5-6
Type:
Archival materials
Date:
1992-2004
Scope and Contents note:
(correspondence relating to 1992 conference; information on the University of Colorado at Boulder On the Border...Between Bridges Latino Theater Festival and Symposium; photocopy of Two for the Show, a play in four scenes, by Salvador Rodríguez del Pino; TYF's notes on "Una Nueva Comunidad," "American Core Principles," machismo, and the 1980s; clippings; letters to TYF from Roberto [?], 08/28/1995, and Pedro Rodriguez, 08/14/1995; Alberto P. Rafols resume; event announcements; letter to TYF from Pedro Rodriguez, Director of NALAC, 01/30/2001; conference brochures and schedules; conference booklets, 2001, 2002)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files / National Association of Latino Arts and Culture (NALAC), Chicago, Illinois
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1244

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