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Poindexter Gallery records

Creator:
Poindexter Gallery  Search this
Names:
Corcoran Gallery of Art  Search this
Denver Art Museum  Search this
Fogg Art Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Montana Historical Society  Search this
Oberlin College  Search this
Smithsonian Institution  Search this
Solomon R. Guggenheim Museum  Search this
University of Arizona  Search this
Worcester Art Museum  Search this
Yale University  Search this
De Kooning, Willem, 1904-1997  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Dickinson, Eleanor, 1931-  Search this
Diebenkorn, Richard, 1922-1993  Search this
Harris, Paul, 1925-  Search this
Kerkam, Earl, 1891-1965  Search this
Kline, Franz, 1910-1962  Search this
Olitski, Jules, 1922-2007  Search this
Resnick, Milton, 1917-2004  Search this
Spaventa, George, 1918-  Search this
Extent:
7.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1931-1985
bulk 1955-1978
Summary:
The records of the Poindexter Gallery measure 7.1 linear feet and date from 1931-1985 with the bulk of the materials dating from 1955-1978 when the gallery was active. The majority of the collection consists of artists' files documenting the gallery's relationships with its artists, including exhibitions, and containing a wide variety of materials, including photographs. Also found are the "desk files" kept by the gallery's founder, Elinor Poindexter; correspondence; and financial and legal records.
Scope and Contents:
The records of the Poindexter Gallery measure 7.1 linear feet and date from 1931-1985 with the bulk of the materials dating from 1955-1978 when the gallery was active. The majority of the collection consists of artists' files documenting the gallery's relationships with its artists, including exhibitions, and containing a wide variety of materials, including photographs. Also found are the "desk files" kept by the gallery's founder, Elinor Poindexter; correspondence; and financial and legal records.

Elinor Poindexter's desk files consist of documents she kept as a reference for both her personal needs and gallery business. Correspondence is with artists, museums, colleges and universities, and art institutes. Notable correspondents include Worcester Art Museum, Corcoran Gallery of Art, Metropolitan Museum of Art, the Solomon Guggenheim Museum, Denver Art Museum, Yale University, Oberlin College, University of Arizona, the Fogg Art Museum at Harvard University, Smithsonian Institution, and the Montana Historical Association. Additional correspondence is found throughout desk files and artists' files as well.

Artists' files are found for artists represented by the gallery, or in whom the gallery took an interest. Contents of the files vary, but may contain correspondence, photographs, sales records, exhibition files, and printed materials. There is extensive material relating to artists Richard Diebenkorn, Willem de Kooning, Giorgio Spaventa, Robert De Niro, Earl Kerkam, Franz Kline, Milton Resnick, Eleanor Dickinson, Paul Harris, Jules Olitski, among others.

The remainder of the collection consists of financial and legal files containing sales inventories and receipts, price lists, bills, loan agreements, and documents pertaining to the estate of Giorgio Spaventa, as well as photographic materials consisting of prints, negatives, slides and color transparencies of artwork.
Arrangement:
This collection is arranged as 5 series.

Series 1: Elinor Poindexter Desk Files, 1947-1969 (Box 1, 8 folders)

Series 2: Correspondence, 1955-1971 (Box 1-2, 1.8 linear feet)

Series 3: Artists' Files, 1931-1983, undated (Box 2-5, 2.4 linear feet)

Series 4: Financial and Legal Files, 1955-1985 (Box 5-6, 1.0 linear feet)

Series 5: Photographic Materials, 1933-1977 (Box 6-7, 1.4 linear feet)
Biographical / Historical:
The Poindexter Gallery was founded in 1955 in New York City by Elinor Poindexter. The gallery specialized in sculpture, abstract, and figurative art and featured the works of such artists as Richard Diebenkorn, Jules Olitski, Nell Blaine, Willem de Kooning, Giorgio Spaventa, Franz Kline, Earl Kerkam, Milton Resnick and Robert De Niro, among others. The Poindexter Gallery closed in 1978.
Related Materials:
Among other resources relating to the Poindexter Gallery records in the Archives of American Art is an oral history with gallery owner, Elinor Poindexter, conducted by Paul Cummings on September 9, 1970.
Provenance:
The Poindexter Gallery records were donated over a period from 1968-1978 by the Poindexter Gallery via owners Elinor Poindexter and art director Harold Fondren. A 2006 accession was donated by Christie Poindexter Dennis, daughter of Elinor.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Poindexter Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Modern -- 20th century  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Poindexter Gallery records, 1931-1985, bulk 1955-1978, Archives of American Art, Smithsonian Institution
Identifier:
AAA.poingall
See more items in:
Poindexter Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-poingall
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
World War, 1939-1945 -- Art and the war  Search this
Art dealers -- France -- Paris  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Art galleries, Commercial -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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Online Media:

Ansel and Virginia Adams letters from Imogen Cunningham, 1966

Creator:
Adams, Ansel Easton, 1902-1984  Search this
Cunningham, Imogen, 1883-1976  Search this
Subject:
Group f.64  Search this
Topic:
Photography  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)15661
(DSI-AAA_SIRISBib)282417
AAA_collcode_cunnimog2
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_282417

Ansel Adams correspondence with Imogen Cunningham, 1949-1976

Creator:
Adams, Ansel Easton, 1902-1984  Search this
Cunningham, Imogen, 1883-1976  Search this
Subject:
Lyons, Nathan  Search this
Struss, Karl  Search this
Adams, Virginia Best  Search this
Topic:
Photography  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)9513
(DSI-AAA_SIRISBib)211711
AAA_collcode_adamanse
Theme:
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211711

Tuscon, Arizona, University of Arizona, Museum of Art

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 226, Folder 17
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 2: Collectors Files / 2.2: Museum Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref14354

Ansel Adams correspondence with Imogen Cunningham

Creator:
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976  Search this
Names:
Adams, Virginia Best  Search this
Lyons, Nathan  Search this
Struss, Karl, 1886-  Search this
Extent:
1 microfilm reel (73 items on partial microfilm reel)
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1949-1976
Scope and Contents:
This microfilm collection of Ansel Adams correspondence with Imogen Cunningham consists of correspondence between Ansel and his wife Virginia Best Adams and Imogen Cunningham. Most letters are from Cunningham. They write about their work and about both artistic and technical problems of photography, about various proposals for a monograph on Cunningham, about Nathan Lyons and Karl Struss, and about personal matters. In one letter, Mrs. Adams offers Cunningham detailed advice on the disposition of her works and papers after her death.
Biographical / Historical:
Ansel Adams (1902-1984) was an American landscape photographer known for his black and white images of the American West. He took some of his earliest photographs at national parks and as a member of the Sierra Club, which he joined at the age of 17. He was later contracted with the United States Department of the Interior to make photographs of national parks. In 1980, he was awarded the Presidential Medal of Freedom for his work and environmental advocacy.

With Fred Archer, Adams developed the Zone System, a technique to determine the ideal film exposure and development to achieve full tonal range. The clarity and depth resulting from this technique characterized Adams's photography.

Adams was a key advisor in establishing the photography department at the Museum of Modern Art in New York, and helped to stage their first exhibition. He helped found Group f/64, an association of photographers who advocated for "pure" photography favoring sharp focus and the use of the full tonal range of a photograph. He also helped found the photography magazine Aperture, and co-founded the Center for Creative Photography at the University of Arizona.

Virginia Best Adams (1904-2000) and Ansel Adams married in 1928. After her father, Harry Best, passed away in 1936, Virginia Best Adams managed Best's Studio (now the Ansel Adams Gallery), selling high quality merchandise including a series of Ansel Adams photographs called special edition prints. She was an active environmentalist and served on the board of directors of the Sierra Club from 1931 to 1933, was a Trustee of the Yosemite Natural History Association, and was also an avid mountaineer, credited with making the first ascent by a woman of a route on Mt. Whitney in what is now Sequoia National Park.

Imogen Cunningham (1883-1976) was a photographer in California known for her botanical photography, nudes, and industrial landscapes. Cunningham began her career producing soft-focus prints in the tradition of pictorialism. In the early 1920s she shifted focus to close-up, sharply detailed studies of plant life and other natural forms. In 1932, Cunningham joined Ansel Adams in Group f/64, a group formed in opposition to pictorialism and dedicated to precisely exposed images.
Related Materials:
The Archives of American Art also holds the Ansel and Virginia Adams letters from Imogen Cunningham, 1966; the Imogen Cunningham papers, 1903-1991; and an oral history interview with Imogen Cunningham, 1975 June 9 conducted by Louise Katzman and Paul Karlstrom. The University of California, Berkeley Bancroft Library holds the Ansel Adams collection and the University of California, Los Angeles Charles E. Young Research Library holds the Ansel Adams Papers, 1938-1944. The University of Arizona, Center for Creative Photography holds the Ansel Adams archive, the Ansel Adams Miscellaneous Acquisitions collection, the Ansel Adams Publishing Rights Trust, and the Imogen Cunningham Miscellaneous Acquisitions Collection, 1920s-1974.
Provenance:
Photocopies of the letters were donated 1978 by Ansel Adams and microfilmed on reel 1410. Photocopies discarded after microfilming.
Restrictions:
The Archives of American Art does not own the originals. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Authorization to publish, quote or reproduce must be obtained from: Executor of the Ansel Adams Publishing Rights Trust, Box 181, Route 1, Carmel, California 93921. Items for which publication permission is received must carry the following credit: "Courtesy of the Center for Creative Photography, University of Arizona at Tucson."
Occupation:
Photographers  Search this
Photographers -- California  Search this
Topic:
Photography  Search this
Women artists  Search this
Identifier:
AAA.adamanse
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-adamanse

Ansel and Virginia Adams letters from Imogen Cunningham

Creator:
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976  Search this
Adams, Virginia Best  Search this
Names:
Group f.64  Search this
Extent:
2 Items
Type:
Collection descriptions
Archival materials
Date:
1966
Scope and Contents:
The Ansel and Virginia Adams letters from Imogen Cunningham consist of two letters from Imogen Cunningham to Ansel and Virginia Adams. One letter is regarding the death of Charles Mayhew, the Adams' son-in-law; the other is regarding a Group f/64 meeting, a photography group organized by Ansel Adams.
Biographical / Historical:
Ansel Adams (1902-1984) was an American landscape photographer known for his black and white images of the American West. He took some of his earliest photographs at national parks and as a member of the Sierra Club, which he joined at the age of 17. He was later contracted with the United States Department of the Interior to make photographs of national parks. In 1980, he was awarded the Presidential Medal of Freedom for his work and environmental advocacy.

With Fred Archer, Adams developed the Zone System, a technique to determine the ideal film exposure and development to achieve full tonal range. The clarity and depth resulting from this technique characterized Adams's photography.

Adams was a key advisor in establishing the photography department at the Museum of Modern Art in New York, and helped to stage their first exhibition. He helped found Group f/64, an association of photographers who advocated for "pure" photography favoring sharp focus and the use of the full tonal range of a photograph. He also helped found the photography magazine Aperture, and co-founded the Center for Creative Photography at the University of Arizona.

Virginia Best Adams (1904-2000) and Ansel Adams married in 1928. After her father, Harry Best, passed away in 1936, Virginia Best Adams managed Best's Studio (now the Ansel Adams Gallery), selling high quality merchandise including a series of Ansel Adams photographs called special edition prints. She was an active environmentalist and served on the board of directors of the Sierra Club from 1931 to 1933, was a Trustee of the Yosemite Natural History Association, and was also an avid mountaineer, credited with making the first ascent by a woman of a route on Mt. Whitney in what is now Sequoia National Park.

Imogen Cunningham (1883-1976) was a photographer in California known for her botanical photography, nudes, and industrial landscapes. Cunningham began her career producing soft-focus prints in the tradition of pictorialism. In the early 1920s she shifted focus to close-up, sharply detailed studies of plant life and other natural forms. In 1932, Cunningham joined Ansel Adams in Group f/64, a group formed in opposition to pictorialism and dedicated to precisely exposed images.
Related Materials:
The Archives of American Art also holds the Ansel Adams correspondence with Imogen Cunningham, 1949-1976; the Imogen Cunningham papers, 1903-1991; and an oral history interview with Imogen Cunningham, 1975 June 9 conducted by Louise Katzman and Paul Karlstrom. The University of California, Berkeley Bancroft Library holds the Ansel Adams collection and the University of California, Los Angeles Charles E. Young Research Library holds the Ansel Adams Papers, 1938-1944. The University of Arizona, Center for Creative Photography holds the Ansel Adams archive, the Ansel Adams Miscellaneous Acquisitions collection, the Ansel Adams Publishing Rights Trust, and the Imogen Cunningham Miscellaneous Acquisitions Collection, 1920s-1974.
Provenance:
Donated 2009 by Anne Adams Helms, Ansel Adams' daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Photographers -- California  Search this
Topic:
Photography  Search this
Women artists  Search this
Identifier:
AAA.cunnimog2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cunnimog2

Anne Sexton

Artist:
Rollie McKenna, 15 Nov 1918 - 14 Jun 2003  Search this
Sitter:
Anne Sexton, 9 Nov 1928 - 4 Oct 1974  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 34.3 x 26.5cm (13 1/2 x 10 7/16")
Sheet: 35.6 x 27.7cm (14 x 10 7/8")
Mat: 71.1 x 55.9cm (28 x 22")
Type:
Photograph
Date:
1961 (printed later)
Topic:
Printed Material\Book  Search this
Equipment\Smoking Implements\Cigarette  Search this
Interior\Domestic  Search this
Home Furnishings\Furniture\Desk  Search this
Equipment\Drafting & Writing Implements\Typewriter  Search this
Home Furnishings\Dishes\Saucer  Search this
Home Furnishings\Drinking vessel\Cup  Search this
Anne Sexton: Female  Search this
Anne Sexton: Education\Educator\Professor\University  Search this
Anne Sexton: Literature\Writer\Poet  Search this
Anne Sexton: Education\Educator\Teacher  Search this
Anne Sexton: Pulitzer Prize  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Rollie McKenna
Object number:
NPG.95.76
Restrictions & Rights:
Usage conditions apply
Copyright:
© Rosalie Thorne McKenna Foundation, courtesy Center for Creative Photography, University of Arizona Foundation
See more items in:
National Portrait Gallery Collection
Exhibition:
Her Story: A Century of Women Writers
On View:
NPG, South Gallery 120
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm405a07a79-23d6-43f3-bbd3-a4e282e943dd
EDAN-URL:
edanmdm:npg_NPG.95.76

Dias, 16797240, 786010, University of Arizona

Collection Creator::
Smithsonian Institution. Office of Sponsored Projects  Search this
Container:
Box 8 of 22
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 98-179, Smithsonian Institution, Office of Sponsored Projects, Records
See more items in:
Records
Records / Box 8
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa98-179-refidd1e1983

Ed Colker papers

Creator:
Colker, Ed, 1927-  Search this
Names:
Atelier Desjobert  Search this
Haybarn Press  Search this
United States. Army  Search this
Barnet, Will, 1911-2012  Search this
Johnson, J. Curtis  Search this
Konner, Melvin  Search this
Norris, Kathleen, 1947-  Search this
Pease, Deborah  Search this
Takaezu, Toshiko  Search this
Walker, Jeanne Murray  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Video recordings
Date:
1944-2020
Summary:
The papers of painter, printmaker, educator and administrator Ed Colker are dated 1944-2020 and measure 3.4 linear feet. Colker's painting, printmaking, and Haybarn Press, as well as his career as an art teacher and university administrator, are documented through biographical materials, correspondence, interviews, writings, subject files, printed material, and photographs. There is a 0.2 linear ft. addition to the collection donated in 2020 that includes lists of works of art, exhibition information, letters to Colker, talks and lecutres by Colker, printed material and miscellany.
Scope and Contents:
The papers of painter, printmaker, educator and administrator Ed Colker are dated 1944-2020 and measure 3.4 linear feet. Colker's painting, printmaking, and Haybarn Press, as well as his career as an art teacher and university administrator, are documented through biographical materials, correspondence, interviews, writings, subject files, printed material, and photographs. There is a 0.2 linear ft. addition to the collection donated in 2020 that includes lists of works of art, exhibition information, letters to Colker, talks and lecutres by Colker, printed material and miscellany.

Biographical materials include official letters regarding Colker's performance in the Army, caricatures of him, diplomas, resume, awards, and certificates.

Correspondence, mainly professional in nature with a few scattered personal letters, concerns Colker's academic and artistic work, Haybarn Editions, exhibitions, projects, and various interests. Poet correspondents are J. Curtis Johnson, Kathleen Norris, Deborah Pease, and Jeanne Walker; translators include Melvin Konner and others.

Interviews with Ed Colker, conducted between 1982 and 2008 for various purposes, are preserved as 1 sound cassette and published transcripts. Also found are 1 sound cassette, 1 videocassette, and a published transcript of interviews Colker conducted with Will Barnet and Toshiko Takaezu in 1981 and 1994 respectively.

Among Colker's writings are the published versions of several articles and the manuscript of an unpublished one; two proposed books for students of design and typography; lectures delivered to students (3 videocassettes), miscellaneous writings, notes, and 1 videocassete of readings by artists from one of Colker's Haybarn Press poetry portfolios.

Subject files document many of Colker's professional interests, activities, projects, and relationships. Also of note are files about Haybarn Press.

The bulk of the printed material consists of exhibition catalogs, announcements, and school catalogs. Almost all is about or mentions Colker, or features reproductions of his work. Of note is the first and only issue of Re-Art: A Reflection of Current Ideas on the Arts (1954), published by Colker and Gene Feldman.

Photographs are of Colker and his family; Colker at events related to his artistic, academic, and publishing activities; artwork by Colker, and his work as reproduced in Haybarn Editions. Also found are an exterior view of the barn studio and one of printers working at Desjobert Press.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Materials, 1946-circa 2011 (Box 1; 1 folder)

Series 2: Correspondence,1954-2011 (Box 1; 0.3 linear feet)

Series 3: Interviews, 1981-2008 (Box 1; 0.2 linear feet)

Series 4: Writings, 1961-1990s (Box 1; 0.5 linear feet)

Series 5: Subject files, 1952-2013 (Boxes 2-3; 1.3 linear feet)

Series 6: Printed Material,1944-2011 (Box 3; 0.7 linear feet)

Series 7: Photographs, circa 1960s-2010 (Box 4; 0.2 linear feet)

Series 8: Unprocessed Addition, circa 1963-2020 (Box 5; 0.2 linear feet)
Biographical / Historical:
Ed Colker (b. 1927) is a painter, printmaker, educator, and administrator who has worked in Chicago, Philadelphia, and New York City. Colker founded the not-for-profit fine art publisher Haybarn Press. He is married to artist Elaine Galen and resides in Mt. Kisco, NY.

After high school, Colker was awarded a scholarship and began his art education at the Pennsylvania Museum School of Industrial Arts. He interrupted his studies to serve in the U.S. Army (1944-1946). He graduated in 1949, by which time the school had become the Philadelphia Museum School of Art; today it is the University of the Arts. He taught art in the Philadelphia area before moving to New York City in 1956. Later, Colker earned degrees from New York University (B.S. Ed, 1964; M.A., 1985).

Colker taught art and design courses at the University of Pennsylvania, University of Illinois at Chicago Circle, Cornell University, Pratt Institute, and Philadelphia College of Art. By the 1980s, he had become an administrator as well as a professor. Throughout his academic career, Colker published and lectured widely, served as a visiting artist, acted as a consultant, and participated in professional organizations. He occasionally organized exhibitions and served on exhibition juries.

Since 1960, under the imprints Editions du Grenier, Haybarn Editions, and Haybarn Press, Colker has published limited edition books, portfolios, broadsides, individual pages, and folders of poetry. Most are accompanied by Colker's etchings and lithographs inspired by the texts. Haybarn Press, under the Ambor Edition imprint, also produced four portfolios with text and drawings by Elaine Galen, 1996-2008. From its inception, the work of Haybarn Press has been featured in many exhibitions of book arts. Colker also participated in group shows throughout the United States and enjoyed solo exhibitions of his paintings and prints. Haybarn Press productions and Colker's prints and paintings are in the permanent collections of Brown University, Cornell University, Harvard University, Library of Congress, Museum of Modern Art, New York Public Library, University of Arizona Museum of Art, and others.

Now retired from university administration and teaching, Colker continues to operate Haybarn Press and occasionally serves as an exhibition juror and visiting artist.
Provenance:
Donated by Ed Colker in 1991, 2013 and 2020.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Ed Colker papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Printmakers -- United States  Search this
Painting, Modern -- 20th century -- United States  Search this
Printing  Search this
Art -- Study and teaching  Search this
Transcripts  Search this
Design  Search this
Arts administrators -- United States  Search this
Painters -- United States  Search this
Educators -- United States  Search this
Genre/Form:
Interviews
Sound recordings
Video recordings
Identifier:
AAA.colked
See more items in:
Ed Colker papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-colked

Hans Namuth photographs and papers

Creator:
Namuth, Hans  Search this
Names:
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Jewish Museum (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Virginia Museum of Fine Arts  Search this
Yale University. School of Art and Architecture  Search this
Adams, Ansel, 1902-1984  Search this
Boynton, Jack, 1928-2010  Search this
Breuer, Marcel, 1902-  Search this
Cage, John, 1912-1992  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Castelli, Leo  Search this
Copland, Aaron, 1900-1990  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Hartigan, Grace  Search this
Hopper, Edward, 1882-1967  Search this
Johns, Jasper, 1930- -- Photographs  Search this
Karpel, Bernard, 1911-1986  Search this
Koch, Kenneth, 1925-  Search this
Krasner, Lee, 1908-1984 -- Photographs  Search this
Mies van der Rohe, Ludwig, 1886-1969  Search this
Navaretta, Cynthia  Search this
Newman, Arnold, 1918-2006  Search this
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Norman, Dorothy, 1905-1997  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956 -- Photographs  Search this
Rauschenberg, Robert, 1925-2008 -- Photographs  Search this
Rothko, Mark, 1903-1970 -- Photographs  Search this
Shaw, Elizabeth Roberts, 1921-  Search this
Stieglitz, Alfred, 1864-1946  Search this
Wyeth, Andrew, 1917-2009 -- Photographs  Search this
Extent:
4.5 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Transcripts
Place:
Massachusetts -- Boston
Date:
1945-1985
Summary:
The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.
Scope and Contents:
The papers of New York photographer and filmmaker Hans Namuth measure 4.5 linear feet and date from 1945 to 1985. The bulk of the collection consists of photographs taken by Namuth of New York artists. Also included are papers regarding Namuth's film about Alfred Stieglitz and other professional files.

The first series contains materials related to the planning and production of Namuth's film Alfred Stieglitz, Photographer. Documentation includes articles, correspondence, exhibition materials, grant program request sheets, magazines and catalogs, photo requests, photographs and photographic materials, notes and research, shot lists, script drafts and fragments, interview transcripts, and correspondence. Interviewees include Ansel Adams, Arnold Newman, Aaron Copland, Dorothy Norman, and others.

The second series contains various writings and papers relating to Namuth's professional activities, including Namuth's exhibition at the 1958 Brussels World Fair, business and financial records, papers on The Construction of Boston by Kennth Koch, correspondence, a notebook, and various printed materials. Namuth's correspondence is with James Boynton, Bernard Karpel, the Museum of Modern Art, Cynthia Navaretta, Elizabeth Shaw, the Virginia Museum of Fine Arts, and the Yale University School of Art and Architecture.

Photographs taken by Hans Namuth depict prominent American (primarily New York-based) artists, architects, writers, musicians, and art critics. Artists are shown in their studios or homes, either at work or posing for the camera, and include Alexander Calder, Stuart Davis, Willem de Kooning, Grace Hartigan, Edward Hopper, Jasper Johns, Lee Krasner, Isamu Noguchi, Jackson Pollock, Robert Rauschenberg, Mark Rothko, and Andrew Wyeth, among many others. Photographs of other individuals include Marcel Breuer, John Cage, Leo Castelli, Buckminster Fuller, and Ludwig Mies van der Rohe, and others. Also found are photographs of exhibitions, openings, and art-related events from the 1950s and 1960s, such as a traveling Picasso exhibit and a Robert Rauschenberg opening at the Jewish Museum. Most photographs are black and white, but a few color prints are included.
Arrangement:
This collection is arranged as 3 series.

Series 1: Alfred Stieglitz Film Project, 1945-circa 1981 (Box 1, OV 11; 0.8 linear feet)

Series 2: Professional Files, 1953-1985 (Box 1; 0.3 linear feet)

Series 3: Photographs, 1945-1984 (Box 2-10; 3.4 linear feet)
Biographical / Historical:
Hans Namuth (1915-1990) was a German-American photographer and filmmaker who lived and worked in New York. He was primarily known for his work photographing prominent American artists in the 1950s and 1960s.

Namuth was born in Germany but left for France in 1933 after the rise of the Nazi Party. While in France, he struck up a friendship with fellow German Georg Reisner. From 1935 to 1939, Namuth and Reisner worked together as photographers primarily in Paris. His first works to catch the public's attention came from an assignment in Barcelona that accidentally coincided with the beginning of the Spanish Civil War in 1936. Following a short internment in Nazi-occupied France, Namuth left for the United States.

After taking photography classes with Alexey Brodovitch, art director of Harper's Bazaar, Namuth met Jackson Pollock at an exhibition in 1950 and asked to photograph the artist at work. His subsequent photographs of Pollock raised both artists' profiles. Namuth would spend the next three decades photographing major New York artists, architects, and art-related events for commission and for his own studio. He directed a number of films in collaboration with Paul Falkenberg and published several books of photographs. Namuth died in Long Island in 1990.
Related Materials:
Also at the Archives of American Art is an oral history interview with Hans Namuth, Aug. 12-Sept. 8, 1971. Additional Hans Namuth papers are located at the Center for Creative Photography, University of Arizona.
Provenance:
The collection was donated 1972-1985 by Hans Namuth.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Hans Namuth photographs and papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Musicians -- New York (State) -- New York  Search this
Topic:
Artists -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Photographs
Transcripts
Citation:
Hans Namuth photographs and papers, 1945-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.namuhans
See more items in:
Hans Namuth photographs and papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-namuhans

Cyperus rotundus L.

Biogeographical Region:
76 - Southwestern U.S.A.  Search this
Collector:
Kittie Fenley Parker  Search this
Min. Elevation:
750  Search this
Place:
Common in moist lawn; University of Arizona campus, Tucson, Pima County, Arizona, United States, North America
Collection Date:
23 Oct 1952
Common name:
Caramana
Chaguan Humatag
Coquito
Nut Grass
Petite "vinson", Petite coco des savanes
Teki
Tjibeber, Djoekiet beuti, s
humatac
mumuta
nutgrass
o takiu ma beka
sapandu
te uteute
Taxonomy:
Plantae Monocotyledonae Poales Cyperaceae
Published Name:
Cyperus rotundus L.
Barcode:
02218847
USNM Number:
2130521
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3ca3c0066-63ab-4958-a0a6-5f0737b21f22
EDAN-URL:
edanmdm:nmnhbotany_13222676

Roche collection

Photographer:
Roche, John P.  Search this
Roche, Mary Alice  Search this
Extent:
0.5 Cubic feet
28 Transparencies (col. , 4 x 5 in.)
62 Photographic prints (b&w , 8 x 10 in.)
1 Photographic print (col. , 2.5 x 3.5 inches)
3 Transparencies (col. , 120mm)
Type:
Collection descriptions
Archival materials
Transparencies
Photographic prints
Slides (photographs)
Date:
circa 1954-1970
Summary:
The Roche Collection documents some of the work of John and Mary Alice Roche, garden photographers who photographed numerous gardens throughout the United States. Several of the Roches' images appeared in popular gardening magazines and books on flower arranging from the 1950s and 1960s.
Scope and Contents note:
The Roche Collection includes twenty-five private gardens dating from the 1950s and 1960s photographed by John and Mary Alice Roche in California, Maine, Missouri, New York, and New Jersey. The Roches typically indicated the garden owner name, location, plant varieties and special features on the backs of many of the color transparency mounts and black and white photographs. Some images are labeled as to which publication they appeared in. All images are stamped on the back with original licensing information.
Biographical/Historical note:
John and Mary Alice Roche opened a studio for horticultural photography in Caldwell, New Jersey, in 1945. Together they photographed gardens and flower arrangements for numerous publications including House Beautiful, House and Garden, Horticulture, Popular Gardening, Flower Grower, Farm Journal, American Home, Family Circle, McCall's, and the Brooklyn Botanic Garden Bulletin as well as for several books. Images by the Roches in newspapers and magazines were credited to 'Roche.'

Both Roches graduated from the Clarence H. White School of Photography in New York City; John Roche later went on to teach there. He was an associate of the Photographic Society of America and a member of the Royal Photographic Society. His work was exhibited in a number of one man shows.

Mary Alice Roche wrote about gardens for a number of magazines and newspapers. She and her husband also lectured on nature photography.

The Roches co-wrote a book, Photographing Your Flowers; a Practical Guide for Indoor and Outdoor Use.

According to the Sensory Awareness Foundation, Mary Alice Roche and Charlotte Selver established the Sensory Awareness Foundation in 1971. Roche was its managing secretary and bulletin editor for many years. She was also a director of The Lifwynn Foundation.
Related Materials:
The Center for Creative Photography at the University of Arizona, Tucson, includes photographs taken and/or developed by John P. Roche in its Photograph Collection.
Provenance:
Mary Alice Roche donated the collection of images to the Archives of American Gardens in 2003.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Missouri  Search this
Gardens -- Maine  Search this
Gardens -- California  Search this
Gardens -- United States  Search this
Gardens -- New Jersey  Search this
Gardens -- New York (State)  Search this
Genre/Form:
Photographic prints
Transparencies
Slides (photographs)
Identifier:
AAG.ROC
See more items in:
Roche collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-roc
Online Media:

Gloria Ross papers, circa 1924-1998

Creator:
Ross, Gloria F., 1923-1998  Search this
Subject:
Bearden, Romare  Search this
Avery, Milton  Search this
Frankenthaler, Helen  Search this
Davis, Stuart  Search this
Nevelson, Louise  Search this
Motherwell, Robert  Search this
Noland, Kenneth  Search this
Pace Editions  Search this
Pinton Atelier  Search this
Denver Art Museum  Search this
Dovecot Studios  Search this
Temple Emanu-El  Search this
Atelier Raymond Picaud  Search this
Type:
Interviews
Paintings
Video recordings
Photographs
Topic:
Tapestry -- Design  Search this
Tapestry -- Production control  Search this
Tapestry -- Technique  Search this
Women artists -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Navajo weavers  Search this
Record number:
(DSI-AAA_CollID)16163
(DSI-AAA_SIRISBib)366323
AAA_collcode_rossglor
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_366323
Online Media:

Poindexter Gallery records, 1931-1985, bulk 1955-1978

Creator:
Poindexter Gallery  Search this
Subject:
De Niro, Robert, Sr.  Search this
Harris, Paul  Search this
Spaventa, George  Search this
Diebenkorn, Richard  Search this
Dickinson, Eleanor  Search this
De Kooning, Willem  Search this
Resnick, Milton  Search this
Olitski, Jules  Search this
Kline, Franz  Search this
Kerkam, Earl  Search this
Yale University  Search this
Worcester Art Museum  Search this
Corcoran Gallery of Art  Search this
Smithsonian Institution  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Montana Historical Society  Search this
Denver Art Museum  Search this
Fogg Art Museum  Search this
University of Arizona  Search this
Solomon R. Guggenheim Museum  Search this
Oberlin College  Search this
Type:
Photographs
Topic:
Art, Modern -- 20th century  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8940
(DSI-AAA_SIRISBib)211126
AAA_collcode_poingall
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211126
Online Media:

Edmund Quincy papers, 1891-1955, bulk 1935-1955

Creator:
Quincy, Edmund, 1903-1997  Search this
Subject:
Orozco, José Clemente  Search this
Rivera, Diego  Search this
Quincy, Josiah  Search this
Type:
Scrapbooks
Photographs
Topic:
Mayors -- Massachusetts -- Boston  Search this
Painters -- Massachusetts -- Boston  Search this
Record number:
(DSI-AAA_CollID)16004
(DSI-AAA_SIRISBib)305788
AAA_collcode_quinedmu
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_305788
Online Media:

Charles Ramsburg papers, 1959-2019

Creator:
Ramsburg, Charles, 1942-  Search this
Type:
Video recordings
Record number:
(DSI-AAA_CollID)17528
(DSI-AAA_SIRISBib)391839
AAA_collcode_ramschar
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_391839
Online Media:

Hans Namuth photographs and papers, 1945-1985

Creator:
Namuth, Hans, 1915-1990  Search this
Subject:
Davis, Stuart  Search this
Stieglitz, Alfred  Search this
Adams, Ansel  Search this
Mies van der Rohe, Ludwig  Search this
Breuer, Marcel  Search this
Newman, Arnold  Search this
Boynton, Jack  Search this
Krasner, Lee  Search this
Norman, Dorothy  Search this
Wyeth, Andrew  Search this
De Kooning, Willem  Search this
Picasso, Pablo  Search this
Noguchi, Isamu  Search this
Cage, John  Search this
Hartigan, Grace  Search this
Koch, Kenneth  Search this
Johns, Jasper  Search this
Rothko, Mark  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Hopper, Edward  Search this
Copland, Aaron  Search this
Rauschenberg, Robert  Search this
Navaretta, Cynthia  Search this
Pollock, Jackson  Search this
Castelli, Leo  Search this
Calder, Alexander  Search this
Shaw, Elizabeth Roberts  Search this
Karpel, Bernard  Search this
Jewish Museum (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Yale University  Search this
Virginia Museum of Fine Arts  Search this
Exposition universelle et internationale  Search this
Type:
Interviews
Photographs
Transcripts
Topic:
Artists -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8069
(DSI-AAA_SIRISBib)210240
AAA_collcode_namuhans
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210240
Online Media:

Esta Nesbitt papers, circa 1942-1981, bulk 1964-1975

Creator:
Nesbitt, Esta, 1918-1975  Search this
Subject:
Leder, Alan J.  Search this
Lyle, David  Search this
Beckett, Samuel  Search this
Einstein, Albert  Search this
Wood, R. F.  Search this
English, Merle  Search this
Ambert, Anibal  Search this
Ginsberg, Allen  Search this
Whitney Museum of American Art  Search this
Parsons School of Design  Search this
Xerox Corporation  Search this
Type:
Sketches
Transcripts
Diaries
Sound recordings
Photographs
Topic:
Everyman (motion picture)  Search this
Motion pictures (visual works)  Search this
Filmmakers -- New York (State) -- New York  Search this
Women artists  Search this
Xerography  Search this
Art teachers  Search this
Copy art  Search this
Illustrators -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8079
(DSI-AAA_SIRISBib)210250
AAA_collcode_nesbesta
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210250
Online Media:

Audiovisual materials relating to the documentary Beatrice Wood: Mama of Dada, 1990-1993

Creator:
Neff, Tom, 1953-  Search this
Subject:
Clark, Garth  Search this
Del Vecchio, Mark  Search this
D'Harnoncourt, Anne  Search this
Huglin, Hugh  Search this
Naumann, Francis M.  Search this
Perreault, John  Search this
Pole, Rupert  Search this
Singh, R.P.  Search this
Waisler, Lee  Search this
Watson, Steve  Search this
Wood, Beatrice  Search this
Type:
Interviews
Sound recordings
Transcripts
Video recordings
Topic:
Beatrice Wood: Mama of Dada[motion picture]  Search this
Ceramics  Search this
Dadaism  Search this
Women artists -- California  Search this
Motion pictures (visual works)  Search this
Record number:
(DSI-AAA_CollID)6397
(DSI-AAA_SIRISBib)215368
AAA_collcode_nefftom
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215368

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