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Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
National Association of Broadcasters, American  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
National Association of Black Social Workers, American, founded 1968  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
The Girl Friends, Inc., American, founded 1927  Search this
Duke Ellington, American, 1899 - 1974  Search this
National Medical Association, American, founded 1895  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
John Albert Morsell, American, 1912 - 1974  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Insurance Association, American, founded 1921  Search this
National Urban League, American, founded 1910  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Dental Association, American, founded 1913  Search this
CBS Broadcasting, Inc., American, founded 1927  Search this
American Bridge Association, American, founded 1932  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
National Sorority of Phi Delta Kappa, Inc., American, founded 1906  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Nettie B. Smith, American  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Medical Association, American, founded 1895  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
John Warren Davis, American, 1888 - 1980  Search this
Shriners International, American, founded 1870  Search this
Congressional Black Caucus, American, founded 1971  Search this
National Business League, American, founded 1900  Search this
National Alliance of Postal and Federal Employees, American, founded 1913  Search this
369th Veterans Association, American  Search this
Association for the Study of African American Life and History, American, founded 1915  Search this
National Council of Negro Women, founded 1935  Search this
Clifton Herman Johnson, American, 1921 - 2008  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 3/8 in. (27.5 × 21.4 × 0.9 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Date:
1975
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Calypso (Music)  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Funeral customs and rites  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Law  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics (Practical)  Search this
Professional organizations  Search this
Religious groups  Search this
Sororities  Search this
Television  Search this
United States--History--1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.9
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5c80d5f1b-2384-44ae-91b1-bb42a6fc4395
EDAN-URL:
edanmdm:nmaahc_2012.167.9
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C. Earle Smith Jr. papers

Creator:
Smith, C. Earle (Claude Earle), 1922-1987  Search this
Names:
University of Alabama  Search this
Extent:
7.72 Linear feet (20 document boxes and 1 restricted box)
Type:
Collection descriptions
Archival materials
Place:
Guilá Naquitz Cave (Mexico)
Oaxaca (Mexico : State)
Tehuacán (Mexico)
Peru
Date:
1942-1998
bulk 1960-1987
Summary:
C. Earle Smith Jr. (1922-1987) was one of the founders of the modern field of paleobotany. This collection documents his research and professional activities through correspondence, research notes, data, manuscripts, publications, and photographs. Represented in the collection is his fieldwork in Mexico, Peru, Venezuela, and Costa Rica.
Scope and Contents:
This collection documents the research and professional activities of C. Earle Smith Jr. through correspondence, research notes, data, manuscripts, publications, and photographs. Represented in the collection is his fieldwork in Mexico, Peru, Venezuela, and Costa Rica. The only materials pertaining to his early work in Bat Cave are a few pages of notes and articles about his discovery of early corn remains. Most of the collection dates from the 1960s up to his death in 1987. There is, however, some correspondence dated after his death regarding the return of specimens that he had been analyzing for others. The collection also contains his files as a professor at the University of Alabama; papers he presented; talks that he gave; and photographs of plant remains. His correspondence makes up the bulk of collection and can be found throughout the series. He corresponded with eminent figures in the fields of anthropology and botany, including Kent V. Flannery, Richard MacNeish, Paul Mangelsdorf, and other colleagues.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is arranged in 8 series: (1) Correspondence, 1962-1998; (2) Research, 1942-1991; (3) Writings, 1956-1987; (4) Professional Activities, 1971-1987; (5) University of Alabama, 1964-1987; (6) Writings by Others, 1960-1984; (7) Personal Files, 1950-1953, 1964-1987; (8) Photographs, circa 1960s-1982
Biographical Note:
Claude Earle Smith Jr. was one of the founders of the modern field of archaeobotany. Known as "Smitty" to his friends, he was born on March 8, 1922, in Boston, Massachusetts, and raised in Orlando, Florida. He was trained as an economic botanist at Harvard University, where he earned his bachelor's (1949), master's (1951), and doctorate (1953) in botany.

As an undergraduate student at Harvard in 1941, Smith assisted Richard Evans Schultes in collecting plants in the Colombian Amazon. While in the field, news reached Smith of the bombing of Pearl Harbor and he decided to return home to enlist in the Navy. After the war, he continued his studies at Harvard and, in 1948, he was sent by Paul C. Manglesdorf to excavate Bat Cave, New Mexico, where he and Herbert Dick, another Harvard student, discovered the earliest remains of corn. Smith coauthored with Mangelsdorf "A Discovery of Remains of Prehistoric Maize in New Mexico" (1949). Throughout his career, Smith continued to study the early domestication and distribution of corn and other plants including cotton, avocado, and beans.

With his research focused on archaeologically-recovered plant remains and their usage by humans, Smith served as botanist at various archaeological sites in Latin America, working with Richard MacNeish in Tehuacán Valley; Kent Flannery in Oaxaca Valley; Paul Tolstoy in the Basin of Mexico; Ronald Spores in Nochixtlan; Terence Grieder in La Galgada, Peru; Thomas Lynch in Callejón de Huaylas, Peru; Joyce Marcus in Cañeta Valley, Peru; Anna Roosevelt in the Middle Orinoco area of Venezuela; and Michael J. Snarkis in Costa Rica. He also conducted ethnobotanical fieldwork in the Yucatán, Panama, the United States, Europe, Southeast Asia, Africa, the Pacific, and Australia.

From 1953 to 1958, Smith served as assistant curator of botany at the Academy of Natural Sciences of Philadelphia and as acting director of the Taylor Memorial Arboretum. He was also a curator of botany at the Field Museum of Natural History (1959-1961) and Senior Research Botanist for the Agricultural Research Service at the U.S. Department of Agriculture (1962-1969). In 1970, Smith took a faculty position in the anthropology and biology departments at the University of Alabama, Tuscaloosa and was acting chair of the anthropology department between 1981 and 1986. He served as president of the Society for Economic Botany in 1979.

At the age of 65, Smith was killed in an automobile accident on October 19, 1987.

Sources Consulted

Lentz, David L. "C. Earle Smith, Jr. 1922-1987." Economic Botany 42, no. 2 (1988): 284-285.

Schultes, Richard Evans. "How I Met C. Earle Smith." Journal of Ethnobiology 10, no. 2 (1990): 119-121.

Chronology

1922 -- Born on March 8 in Boston, Massachusetts

1940-1941 -- Studies at Harvard University

1941 -- Assists Richard Evans Schultes in ethnobotanical collection in Colombian Amazons

1942-1946 -- Serves in Navy

1946 -- Returns to Harvard to continue his studies

1948 -- Excavates Bat Cave in New Mexico and discovers earliest remains of corn

1949 -- Earns A.B. cum laude at Harvard

1951 -- Earns A.M. at Harvard

1953 -- Earns Ph.D. at Harvard University

1953-1958 -- Consultant for Smith, Kline and French Acting Director at Taylor Memorial Arboretum Assistant Curator in the Department of Botany at Academy of Natural Sciences of Philadelphia

1959-1961 -- Associate Curator in Department of Botany at Field Museum of Natural History, Chicago

1962-1969 -- Senior Research Botanist at Agricultural Research Service, U.S. Department of Agriculture

1970-1987 -- Professor of Anthropology and Botany, University of Alabama, Tuscaloosa

1979-1980 -- President of Society for Economic Botany

1987 -- Killed in automobile accident on October 19
Related Materials:
Photographs from C. Earle Smith Jr.'s excavation of Bat Cave can be found in Photo Lot R86-67 Copies of Herbert W. Dick photographs of excavations at Bat Cave, 1948-1950, https://sova.si.edu/record/NAA.PhotoLot.R86-67.
Provenance:
At his death, C. Earle Smith Jr.'s papers were left with the Department of Anthropology at the University of Alabama. They were donated to the National Anthropological Archives by Smith's widow, Roberta Smith Largin.
Restrictions:
Grant proposal reviews in Series 4: Professional Activities and materials with student grades in Series 5: University of Alabama have been restricted.

Access to the C. Earle Smith Jr. papers requires an appointment.
Rights:
Contact repository for terms of use.
Topic:
Botany  Search this
Plant remains (Archaeology)  Search this
Botany, Economic  Search this
Citation:
C. Earle Smith Jr. papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2006-24
See more items in:
C. Earle Smith Jr. papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2006-24

John Lewis and Good Trouble

Creator:
National Museum of American History  Search this
Type:
Blog posts
Smithsonian staff publications
Symposia
Interviews
Blog posts
Published Date:
Sat, 18 Jul 2020 20:12:04 +0000
Topic:
American History  Search this
See more posts:
Blog Feed
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:posts_288342f24899d1ae9cb2eba8069fbb92

Meet William Christenberry

Creator:
Smithsonian American Art Museum  Search this
Type:
Youtube videos
Uploaded:
2009-01-16T14:51:17Z
Topic:
Art, American  Search this
Youtube Category:
People & Blogs  Search this
See more by:
americanartmuseum
YouTube Channel:
americanartmuseum
Data Source:
Smithsonian American Art Museum
EDAN-URL:
edanmdm:yt_dwmZZZoU_gs

Oral history interview with Billie Ruth Sudduth

Interviewee:
Sudduth, Billie Ruth  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Arrowmont School of Arts and Crafts -- Faculty  Search this
Huntingdon College (Montgomery, Ala.) -- Students  Search this
John Campbell Folk School -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Smithsonian Craft Show  Search this
University of Alabama -- Students  Search this
Bringle, Cynthia, 1939-  Search this
Gingrass, Katie  Search this
Risatti, Howard, 1943-  Search this
Ross, Caroline Sedestrom  Search this
Trapp, Kenneth R.  Search this
Extent:
3 Sound discs (Sound recording (4 hr., 42 min.), digital, 2 5/8 in.)
81 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound discs
Pages
Interviews
Sound recordings
Date:
2007 July 26-27
Scope and Contents:
An interview of Billie Ruth Sudduth conducted 2007 July 26-27, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, in Bakersville, North Carolina.
Sudduth speaks of her childhood in Alabama; her adoptive family; growing up in a creative and musical environment; an early exposure to women working with their hands; buying a Cherokee basket at age 12; childhood piano lessons and later exploring rhythm in her baskets; attending Huntingdon College; a strained relationship with her mother; meeting her biological family; attending the University of Alabama, Tuscaloosa and earning a Master's degree in social work; working as a social worker and psychologist for over 20 years; balancing a career with family; taking a basket-making class in an effort to relax and do something for herself; making baskets in spare time and teaching herself new techniques; her family's move to Las Vegas, Nevada; teaching basket-making classes to adults; developing Math in a Basket curriculum; an interest in Fibonacci and the inclusion of its ratio in her baskets; an interest in color and natural dyes; returning to North Carolina and focusing full time on basket making; receiving a North Carolina Arts Council Emerging Artists grant to photo-document her body of work; becoming interested in chaos theory and its application to her basketry; the popularity and success of Math in a Basket; teaching experiences at Penland School of Crafts, Arrowmont School of Arts and Crafts, and John Campbell Folk School; receiving a North Carolina Arts Council Visual Artist grant to study Cherokee, Choctaw, and other Native American tribes' basketry; her extensive basket collection; the honor of being named a North Carolina Living Treasure; participating in juried shows, including exhibiting at the Smithsonian Craft Show for 12 years and the Philadelphia Museum of Art Craft Show for seven years; the evolution of her workspace and studio; making the Carolina snowflake, which was exhibited at the White House; her exhibition history; an increasing respect for and recognition of baskets as art objects; the advantages university-trained artists have over self-taught artists; learning the business side of art making through trial and error; living and working in an incredible community of artists and collectors in North Carolina; a growing interest and participation in donating her baskets for fundraisers; and looking forward to spending more time with her grandchildren. Sudduth also recalls Cynthia Bringle, Carol Sedestrom Ross, Kenneth Trapp, Howard Risatti, Katie Gingrass, and others.
Biographical / Historical:
Billie Ruth Sudduth is a basketmaker from Bakersville, North Carolina. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 15 digital wav files. Duration is 4 hr., 42 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Psychologists -- North Carolina  Search this
Social workers -- North Carolina  Search this
Topic:
Basket makers -- North Carolina -- Interviews  Search this
Basket making -- Cherokee  Search this
Basket making -- Choctaw  Search this
Basket making -- Study and teaching  Search this
Decorative arts  Search this
Women artists -- North Carolina -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.suddut07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-suddut07

Fairfield Porter papers

Creator:
Porter, Fairfield  Search this
Names:
Hirschl & Adler Galleries  Search this
Tibor de Nagy Gallery  Search this
Brainard, Joe, 1942-  Search this
Burkhardt, Rudy  Search this
Button, John, 1929-1982  Search this
Day, Lucien B., 1916-  Search this
Downes, Rackstraw  Search this
Elmslie, Kenward  Search this
Evergood, Philip, 1901-1973  Search this
Frielicher, Jane  Search this
Giardelli, Arthur  Search this
Guest, Barbara  Search this
Hartl, Léon, 1889-  Search this
Hess, Thomas B.  Search this
Katz, Alex, 1927-  Search this
Koch, Kenneth, 1925-  Search this
Laning, Edward  Search this
Lichtenstein, Roy, 1923-1997  Search this
Morse, Carl  Search this
Myers, John Bernard  Search this
O'Hara, Frank, 1926-1966  Search this
Padgett, Ron  Search this
Porter, Ruth W., 1875-1942  Search this
Rivers, Larry, 1925-  Search this
Schloss, Edith  Search this
Schuyler, James  Search this
Shapiro, David, 1947-  Search this
Stankiewicz, Richard, 1922-  Search this
Vasilieff, Nicholas  Search this
Extent:
9.3 Linear feet
Type:
Collection descriptions
Archival materials
Travel diaries
Sketches
Sketchbooks
Photographs
Date:
1888-2001
bulk 1924-1975
Summary:
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. Papers document Porter's life and career through correspondence, writings, business records, printed materials, photographs, and artwork.
Scope and Content Note:
The papers of New York-based painter, lithographer, art critic, and poet Fairfield Porter measure 9.3 linear feet and date from 1888 to 2001, with the bulk of material dating from 1924 to 1975. The collection includes a biographical chronology; certificates, awards, and diplomas; letters to Fairfield and Anne Porter; scattered outgoing correspondence; and reviews, essays, notes, poems, and translations written by Porter and others. Among the writings are poetry manuscripts written by several New York School Poets including Frank O'Hara, James Schuyler, and Kenneth Koch. Also found are gallery records, inventories and appraisals, financial records, exhibition catalogs, clippings, posters, and records of Anne Porter's efforts to place his collection and document and publish his work after his death. Photographs of Porter, his homes, and his family are also present, as well as sketchbooks, loose sketches, and drawings spanning his entire career.

Significant correspondence is present from the Porters' many poet friends, including Kenneth Koch, James Schuyler, Ron Padgett, Kenward Elmslie, Barbara Guest, Carl Morse, David Shapiro, and others. Among the letters are poetry manuscripts by Koch, Morse, Schuyler, Padgett, and Shapiro. Some letters are actually written in verse, especially those from Kenneth Koch.

Artists with letters in the collection include Joe Brainard, Rudy Burkhardt, John Button, Lucien Day, Rackstraw Downes, Philip Evergood, Jane Frielicher, Arthur Giardelli, Leon Hartl, Alex Katz, Edward Laning, Roy Lichtenstein, Larry Rivers, Richard Stankiewicz, Nicolas Vasilieff, among others. Other art world figures represented include John Bernard Myers, curator at the Tibor de Nagy gallery (New York), and Tom Hess, editor of ArtNews. Artwork found within the correspondence includes an illustrated letter from Ron Padgett and an original print on a holiday card by Edith Schloss.
Arrangement:
The collection is arranged into the following nine series. See the series descriptions below for more information about the content of each series.

Series 1: Biographical Materials, 1916-1975 (Box 1 and 11; 0.2 linear feet)

Series 2: Correspondence, 1918-1996 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings by Fairfield Porter, 1924-1975 (Box 2; 0.6)

Series 4: Writings by Others, 1888-1992 (Boxes 2-3; 0.7 linear feet)

Series 5: Personal Business Records, 1944-1996 (Boxes 3-4; 1 linear foot)

Series 6: Anne Porter's Posthumous Projects, 1980-1988 (Box 4; 0.2 linear feet)

Series 7: Printed Materials, 1934-2001 (Boxes 4-6 and 11; 1.5 linear feet)

Series 8: Photographs, circa 1880-1990 (Boxes 6 and 11; 0.6 linear feet)

Series 9: Artwork, 1918-1975 (Boxes 7-10 and 12-17; 2.2 linear feet)
Biographical Note:
Fairfield Porter was born near Chicago in 1907, the fourth of five children of James and Ruth Furness Porter. His father was an architect, his mother a poet from a literary family, and Porter grew up in an environment where art and literature were highly valued. His father designed the family homes in Winnetka, Illinois and on Great Spruce Head Island, an island in Maine that he purchased for the family in 1912. Fairfield Porter spent summers there from the age of six, and views of the island, its structures, and neighboring towns were the subjects of many paintings.

Porter attended Harvard from 1924 to 1928, studying fine art with Arthur Pope and philosophy with Alfred North Whitehead. After graduating from Harvard, Porter moved to New York City and took studio classes at the Art Students League from 1928 until 1930, studying with Boardman Robinson and Thomas Hart Benton, and immersing himself in the art and radical politics of Greenwich Village. In the 1940s, he studied at Parson's School of Design with art restorer Jacques Maroger, adopting the Maroger recipe for an oil medium in his own painting.

To further his education as an artist, Porter traveled to Europe in 1931, where he spent time with expatriate art theorist Bernard Berenson and his circle. When he returned to New York, he allied himself with progressive, socialist organizations, and like many of his contemporaries, worked at creating socially relevant art. He did artwork for the John Reed Club, a communist group; taught drawing classes for Rebel Arts, a socialist arts organization; wrote for their magazine, Arise!; and created a mural for the Queens branch of the Socialist Party. Living in the Chicago area for several years in the 1930s, he illustrated chapbooks for the socialist poet John Wheelwright's Poems for a Dime and Poems for Two Bits series. Porter's financial contributions to the radical Chicago publication Living Marxism kept it afloat for several years.

In 1932, Porter married Anne Channing, a poet from Boston, and they settled in New York. The Porters had five children, and their first son, born in 1934, suffered from a severe form of autism. In the next decade, they had two more sons, and spent three years in Porter's hometown of Winnetka, where he had his first solo exhibition of paintings. When they returned to New York in 1939, the Porters became friends with Edwin Denby, Rudy Burkhardt, and Elaine and Willem de Kooning. Porter became an earnest admirer of Willem de Kooning's artwork and was among the first to review and purchase it.

In 1949, the Porters moved to the small, seaside town of Southampton, New York. Their two daughters were born in 1950 and 1956. Like the family home on Great Spruce Head Island, Southampton became the setting of many of Porter's paintings. In fact, almost all of his mature paintings depict family homes, surrounding landscapes, family members, and friends. Porter was an individualistic painter who embraced figurative art in the late 1940s and 1950s, when abstract expressionism was the prevailing aesthetic trend. Porter once made a comment that his commitment to figurative painting was made just to spite art critic Clement Greenberg, a respected critic and ideologue who had championed abstract expressionism and denigrated realism as passé.

Porter established his reputation as a painter and as a writer in the 1950s. John Bernard Myers of the vanguard Tibor de Nagy gallery gave Porter his first New York exhibition in 1951 and represented him for the next twenty years. That same year Tom Hess, editor of ArtNews, hired Porter to write art features and reviews. Porter went on to contribute to ArtNews until 1967 and also became art editor for The Nation beginning in 1959, the same year his article on Willem de Kooning won the Longview Foundation Award in art criticism. As a critic, Porter visited countless galleries and studios, and he gained a reputation for writing about art with the understanding and vested interest of an artist, and with the same independence from fashionable ideas that he demonstrated in his artwork.

The 1950s and 1960s were prolific years for Porter's writing and art, and saw the development of his critical ideas and the maturation of his painting. Porter enjoyed an elder status among a circle of younger artists such as Jane Freilicher, Larry Rivers, and Alex Katz, and their many poet friends, now known as the New York School of Poetry: Frank O'Hara, John Ashbery, James Schuyler, Kenneth Koch, Barbara Guest, and others. Porter himself wrote poetry and was published in the 1950s, sometimes alongside poems by his wife, who had been publishing poetry since the 1930s (twice in the vanguard Chicago journal, Poetry). The Porters' correspondence is laced with poems they and their friends sent back and forth, often about and dedicated to each other.

Besides his annual exhibitions at Tibor de Nagy and later Hirschl and Adler Galleries, Porter exhibited regularly at the Whitney, and had one-man exhibitions at many museums including the Rhode Island School of Design (1959), The University of Alabama (1963), Cleveland Museum of Art (his first retrospective, 1966), Trinity College (1967), the Parrish Art Museum (1971), the Maryland Institute of Art (1973), and the 1968 Venice Biennale. He also had residencies at the Skowhegan School of Painting and Sculpture (1964) and Amherst College (1969). Porter died in 1975 at age 68. A full-scale retrospective of his artwork was held at the Boston Museum of Fine Art, Boston in 1983, and a study center and permanent home for his artwork was established at the Parrish Art Museum in Southampton through a donation made by Anne Porter. A posthumous collection of his poems was published by Tibor de Nagy Editions in 1985, and a catalogue raisonnée, edited by Joan Ludman, was published in 2001.

This biography relies heavily on information found in Justin Spring's biography of Porter, Fairfield Porter: A Life in Art (Yale University Press, 2000).
Related Material:
The Archives of American Art holds an oral history of Fairfield Porter conducted by Paul Cummings in 1968.
Provenance:
The papers of Fairfield Porter were given to the Archives of American Art by the artist's wife, Anne Porter, in five separate accessions between 1977 and 1997.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Rights:
The Fairfield Porter papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Works of art  Search this
Painters -- New York (State) -- Southampton  Search this
Art critics -- New York (State) -- Southampton  Search this
Painting, Modern -- 20th century  Search this
Poets  Search this
Lithographers -- New York (State)  Search this
Genre/Form:
Travel diaries
Sketches
Sketchbooks
Photographs
Citation:
Fairfield Porter papers, 1888-2001 (bulk 1924-1975). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.portfair
See more items in:
Fairfield Porter papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-portfair
Online Media:

David Parrish papers

Creator:
Parrish, David, 1939-  Search this
Names:
French & Company (New York, N.Y.)  Search this
George C. Marshall Space Flight Center -- Officials and employees  Search this
Nancy Hoffman Gallery  Search this
University of Alabama -- Students  Search this
Eddy, Don, 1944-  Search this
Hoffman, Nancy  Search this
Janis, Sidney, 1896-1989  Search this
Meisel, Louis K.  Search this
Interviewer:
Williams, Bob  Search this
Extent:
3.1 Linear feet
Type:
Collection descriptions
Archival materials
Resumes
Essays
Interviews
Sketchbooks
Drawings
Photographs
Video recordings
Date:
1940-2009
bulk 1964-1998
Summary:
The papers of Alabama photorealist painter David Parrish measure 3.1 linear feet and date from 1940 to 2009, with the bulk of the material from 1964 to 1998. Parrish's career is documented through scattered biographical material; correspondence with galleries, publishers, art organizations, and friends; photographs of Parrish, his studio, and artwork; original artwork by Parrish and others; and printed material.
Scope and Content Note:
The papers of Alabama photorealist painter David Parrish measure 3.1 linear feet and date from 1940 to 2009, with the bulk of the material from 1964 to 1998. Parrish's career is documented through scattered biographical material; correspondence with galleries, publishers, art organizations, and friends; photographs of Parrish, his studio, and artwork; original artwork by Parrish and others; and printed material.

Biographical material consists of resumes, one folder of financial records, brief artist statements written by David Parrish, and two essays about Parrish's works written by others. Also included is a VHS video recording of an interview with Parrish conducted by Bob Williams in 1997 in conjunction with an exhibition.

Correspondence is primarily of a professional nature and pertains to Parrish's relationships with various galleries, publishers, and arts organizations. Of note is correspondence with galleries that represented Parrish's work including French & Company, Sidney Janis, Nancy Hoffman, and Louis K. Meisel, and correspondence with fellow artist Don Eddy. Also included is a small amount of personal correspondence with friends and family.

Photographs of David Parrish include one baby photo, official portraits, photographs of him in his studio, with family and friends, and at exhibition openings. Also found are photographs and slides of his artwork, including gallery installations and early photographs of the interior of Nancy Hoffman Gallery.

Artwork includes a sketchbook kept by Parrish while a student at the University of Alabama, several ink drawings produced during his employment as a technical illustrator at NASA's Marshall Space Flight Center, and a few sketches by others. Printed material includes exhibition catalogs, announcements, and posters, newspaper clippings, press packets, and other gallery publications documenting Parrish's career as an artist.

Much of the material in the collection includes recent annotations by Parrish describing his involvement with the projects and exhibitions, and identifying friends and colleagues.
Arrangement:
The collection is arranged as 5 series:

Series 1: Biographical Material, circa 1970-2000 (Box 1; 8 folders)

Series 2: Correspondence, 1964-2008 (Box 1, 5; 0.9 linear feet)

Series 3: Photographs, 1940, 1960s-2009 (Boxes 1-2, 5; 0.4 linear feet)

Series 4: Artwork, circa 1961-2002 (Boxes 2, 5; 5 folders)

Series 5: Printed Material, 1962-2009 (Boxes 2-4; 1.5 linear feet)
Biographical Note:
David Parrish (1939-) is a Photorealist painter living in Huntsville, Alabama.

Parrish was born in Birmingham, Alabama, and received his B.F.A. from the University of Alabama in 1961. He briefly moved to New York with plans to become a magazine illustrator, but was unable to find a permanent job. He moved to Huntsville, Alabama in 1962 and became a technical illustrator for Hayes International Corporation. Parrish continued painting at his home studio, moving away from the painting style he learned in school, and instead working on paintings derived from photographs. He left his job as a technical illustrator in 1971 and became a full-time painter. That same year he joined French & Company in New York as a gallery artist and had his first one-man show at Brooks Memorial Art Gallery in Memphis, Tennessee.

During the 1970s Parrish saw success as a first generation photorealist. He was represented from 1973 to 1976 by Sidney Janis Gallery, and then moved to Nancy Hoffman Gallery. In 1987 he joined Louis K. Meisel Gallery, and is still represented by them today. Parrish's motorcycle paintings became his early trademark, and during the late 1980s into the 1990s he painted complex, intricate porcelain still lifes of Marilyn Monroe, Elvis, and other pop culture icons. Parrish has shown his work in numerous group and solo shows, including many international shows, and is in the permanent collection of many museums.
Provenance:
The collection was donated by David Parrish in 2009.
Restrictions:
Use of original papers requires an appointment. Use of video recording requires advance notice.
Rights:
The David Parrish papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- Photographs  Search this
Painters -- Alabama  Search this
Photo-realism  Search this
Genre/Form:
Resumes
Essays
Interviews
Sketchbooks
Drawings
Photographs
Video recordings
Citation:
David Parrish papers, 1940-2009, bulk 1964-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.parrdavi
See more items in:
David Parrish papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parrdavi

George Wallace

Artist:
Steve Schapiro, born 1934  Search this
Sitter:
George Corley Wallace, 25 Aug 1919 - 13 Sep 1998  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 22.2 x 33.3cm (8 3/4 x 13 1/8")
Sheet: 27.7 x 35.7cm (10 7/8 x 14 1/16")
Mat: 40.6 x 55.9cm (16 x 22")
Type:
Photograph
Place:
United States\Alabama\Tuscaloosa\Tuscaloosa
Date:
1963 (printed 2006)
Topic:
Costume\Headgear\Hat  Search this
Exterior  Search this
Costume\Headgear\Helmet  Search this
Exterior\Architecture\Porch  Search this
Human Figures\Policeman  Search this
Equipment\Podium  Search this
George Corley Wallace: Male  Search this
George Corley Wallace: Law and Law Enforcement\Lawyer  Search this
George Corley Wallace: Politics and Government\Presidential Candidate  Search this
George Corley Wallace: Law and Law Enforcement\Crime Victim  Search this
George Corley Wallace: Politics and Government\Governor\Alabama  Search this
George Corley Wallace: Politics and Government\State Legislator\Alabama  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Steve Schapiro
Object number:
NPG.2006.23
Restrictions & Rights:
Usage conditions apply
Copyright:
© Steve Schapiro
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm464e47366-7a8f-45a2-9cb6-8c622f41728e
EDAN-URL:
edanmdm:npg_NPG.2006.23

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
WLIB, American, founded 1941  Search this
National Association for Equal Opportunity in Higher Education, American, founded 1969  Search this
American Bridge Association, American, founded 1932  Search this
National Association of Black Social Workers, American, founded 1968  Search this
Interracial Council for Business Opportunity, American, founded 1963  Search this
One Hundred Black Men, Inc., American, founded 1963  Search this
National Association of Market Developers, American, founded 1953  Search this
Vulcan Society, American, founded 1940  Search this
National Urban League, American, founded 1910  Search this
Opportunities Industrialization Center of America, Inc., American, founded 1964  Search this
Prince Hall Freemasonry, founded 1784  Search this
National Urban Coalition, American, founded 1967  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Top Ladies of Distinction, Inc., American, founded 1964  Search this
The Links, Incorporated, American, founded 1946  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
Carats, Inc., American, founded 1959  Search this
Chi Eta Phi Sorority, Inc., American, founded 1932  Search this
National Medical Association, American, founded 1895  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
Vernon Jordan, American, born 1935  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Phi Beta Sigma Fraternity, American, founded 1914  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
National Dental Association, American, founded 1913  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
Connectional Lay Council, American, founded 1948  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
Shriners International, American, founded 1870  Search this
Daughters of Isis, American, founded 1910  Search this
Iota Phi Lambda Sorority, Inc., American, founded 1929  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Congressional Black Caucus, American, founded 1971  Search this
Morehouse Alumni Association, American, founded 1900  Search this
Morris Brown College, American, founded 1881  Search this
Dr. Ralph Bunche, American, 1903 - 1971  Search this
Lionel Hampton, American, 1908 - 2002  Search this
National Urban League Guild, American, founded 1946  Search this
Young Men's Christian Association (YMCA), International, founded 1844  Search this
Alliance for Women in Media, American, founded 1951  Search this
Eleanor Holmes Norton, American, born 1937  Search this
Vernon Jordan, American, born 1935  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 1/2 in. (27.5 × 21.4 × 1.3 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Atlanta, Fulton County, Georgia, United States, North and Central America
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1981
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics (Practical)  Search this
Professional organizations  Search this
Religious groups  Search this
Social life and customs  Search this
Sororities  Search this
United States--History--1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.15
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5af48a13c-8c71-4105-9526-479c0bc3bb3e
EDAN-URL:
edanmdm:nmaahc_2012.167.15
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Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Phi Beta Sigma Fraternity, American, founded 1914  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
Percy C. Ifill, American, 1914 - 1973  Search this
Arthur Courtney Logan, American, 1909 - 1973  Search this
National Association of Black Social Workers, American, founded 1968  Search this
The Girl Friends, Inc., American, founded 1927  Search this
Prince Hall Freemasonry, founded 1784  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Insurance Association, American, founded 1921  Search this
National Urban League, American, founded 1910  Search this
National United Church Ushers Association of America, Inc., American, founded 1919  Search this
National Medical Association, American, founded 1895  Search this
National Council of Negro Women, founded 1935  Search this
Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this
Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this
Eta Phi Beta Sorority, Inc., American, founded 1943  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
National Association of University Women, American, founded 1910  Search this
National Dental Association, American, founded 1913  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
Shriners International, American, founded 1870  Search this
Sigma Gamma Rho Sorority, Inc., founded 1922  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
American Bridge Association, American, founded 1932  Search this
Simeon Golar, American, 1929 - 2013  Search this
369th Veterans Association, American  Search this
National Alliance of Postal and Federal Employees, American, founded 1913  Search this
Alliance for Women in Media, American, founded 1951  Search this
Congressional Black Caucus, American, founded 1971  Search this
National Business League, American, founded 1900  Search this
Morehouse College, American, founded 1867  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
Daughters of Isis, American, founded 1910  Search this
Alvin Ailey, American, 1931 - 1989  Search this
Dr. Gloria Toote, American, 1931 - 2017  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 10 13/16 × 8 7/16 × 9/16 in. (27.5 × 21.4 × 1.4 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Detroit, Wayne County, Michigan, United States, North and Central America
Kenya, Africa
Barbados, Caribbean, North and Central America
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1974
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Funeral customs and rites  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics (Practical)  Search this
Professional organizations  Search this
Religious groups  Search this
Sororities  Search this
Travel  Search this
United States--History--1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.8
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd596329946-b260-4d18-be3e-b5393a7ee34a
EDAN-URL:
edanmdm:nmaahc_2012.167.8
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  • View <I>Delegate</I> digital asset number 1

Some Glimpses of Alabama State

Created by:
Alabama State University, American, founded 1867  Search this
Medium:
ink on paper
Dimensions:
H x W: 9 x 6 in. (22.9 x 15.2 cm)
Type:
yearbooks
Place made:
Montgomery, Alabama, United States, North and Central America
Date:
August 1937
Topic:
African American  Search this
Education  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2010.54.6
Restrictions & Rights:
public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ad4f7f83-de87-4c5f-9ff8-e1f45230a088
EDAN-URL:
edanmdm:nmaahc_2010.54.6
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  • View <I>Some Glimpses of Alabama State</I> digital asset number 1

Tehuacán

Collection Creator:
Smith, C. Earle (Claude Earle), 1922-1987  Search this
Extent:
2 Folders
Container:
Box 3
Type:
Archival materials
Date:
1960-1966
Scope and Contents:
Correspondence regarding Tehuacán projects; includes correspondence with Richard Macneish.
Collection Restrictions:
Grant proposal reviews in Series 4: Professional Activities and materials with student grades in Series 5: University of Alabama have been restricted.

Access to the C. Earle Smith Jr. papers requires an appointment.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
C. Earle Smith Jr. papers, National Anthropological Archives, Smithsonian Institution
See more items in:
C. Earle Smith Jr. papers
C. Earle Smith Jr. papers / Series 2: Research / 2.1: Fieldwork
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2006-24-ref102

Archaeological Plant Remains

Collection Creator:
Smith, C. Earle (Claude Earle), 1922-1987  Search this
Container:
Box 3
Type:
Archival materials
Date:
1965-1966
Scope and Contents:
Tehuacan project.
Collection Restrictions:
Grant proposal reviews in Series 4: Professional Activities and materials with student grades in Series 5: University of Alabama have been restricted.

Access to the C. Earle Smith Jr. papers requires an appointment.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
C. Earle Smith Jr. papers, National Anthropological Archives, Smithsonian Institution
See more items in:
C. Earle Smith Jr. papers
C. Earle Smith Jr. papers / Series 2: Research / 2.1: Fieldwork
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2006-24-ref106

Flannery Oaxaca

Collection Creator:
Smith, C. Earle (Claude Earle), 1922-1987  Search this
Container:
Box 3
Type:
Archival materials
Date:
1966
Scope and Contents:
Notes.
Collection Restrictions:
Grant proposal reviews in Series 4: Professional Activities and materials with student grades in Series 5: University of Alabama have been restricted.

Access to the C. Earle Smith Jr. papers requires an appointment.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
C. Earle Smith Jr. papers, National Anthropological Archives, Smithsonian Institution
See more items in:
C. Earle Smith Jr. papers
C. Earle Smith Jr. papers / Series 2: Research / 2.1: Fieldwork
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2006-24-ref108

Plant Remains Oaxaca

Collection Creator:
Smith, C. Earle (Claude Earle), 1922-1987  Search this
Extent:
4 Folders
Container:
Box 3
Type:
Archival materials
Date:
1966-1978
Scope and Contents:
Correspondence, notes, manuscripts, and photographs.
Collection Restrictions:
Grant proposal reviews in Series 4: Professional Activities and materials with student grades in Series 5: University of Alabama have been restricted.

Access to the C. Earle Smith Jr. papers requires an appointment.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
C. Earle Smith Jr. papers, National Anthropological Archives, Smithsonian Institution
See more items in:
C. Earle Smith Jr. papers
C. Earle Smith Jr. papers / Series 2: Research / 2.1: Fieldwork
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2006-24-ref111

Oaxaca Valley

Collection Creator:
Smith, C. Earle (Claude Earle), 1922-1987  Search this
Container:
Box 4
Type:
Archival materials
Date:
1966
undated
Scope and Contents:
Reports and photographs, includes Guila Naquitz.
Collection Restrictions:
Grant proposal reviews in Series 4: Professional Activities and materials with student grades in Series 5: University of Alabama have been restricted.

Access to the C. Earle Smith Jr. papers requires an appointment.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
C. Earle Smith Jr. papers, National Anthropological Archives, Smithsonian Institution
See more items in:
C. Earle Smith Jr. papers
C. Earle Smith Jr. papers / Series 2: Research / 2.1: Fieldwork
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2006-24-ref119

Oaxaca Beans

Collection Creator:
Smith, C. Earle (Claude Earle), 1922-1987  Search this
Container:
Box 4
Type:
Archival materials
Date:
undated
1966-1977
Scope and Contents:
Correspondence and drafts on Oaxaca research, very little on beans.
Collection Restrictions:
Grant proposal reviews in Series 4: Professional Activities and materials with student grades in Series 5: University of Alabama have been restricted.

Access to the C. Earle Smith Jr. papers requires an appointment.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
C. Earle Smith Jr. papers, National Anthropological Archives, Smithsonian Institution
See more items in:
C. Earle Smith Jr. papers
C. Earle Smith Jr. papers / Series 2: Research / 2.1: Fieldwork
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2006-24-ref121

[Catalog for plants of Oaxaca collected by Wally Ernst(?)]

Collection Creator:
Smith, C. Earle (Claude Earle), 1922-1987  Search this
Container:
Box 4
Type:
Archival materials
Date:
1966
Collection Restrictions:
Grant proposal reviews in Series 4: Professional Activities and materials with student grades in Series 5: University of Alabama have been restricted.

Access to the C. Earle Smith Jr. papers requires an appointment.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
C. Earle Smith Jr. papers, National Anthropological Archives, Smithsonian Institution
See more items in:
C. Earle Smith Jr. papers
C. Earle Smith Jr. papers / Series 2: Research / 2.1: Fieldwork
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2006-24-ref122

[Guila Naquitz Cave 1]

Collection Creator:
Smith, C. Earle (Claude Earle), 1922-1987  Search this
Container:
Box 4
Type:
Archival materials
Date:
1966-1969
Collection Restrictions:
Grant proposal reviews in Series 4: Professional Activities and materials with student grades in Series 5: University of Alabama have been restricted.

Access to the C. Earle Smith Jr. papers requires an appointment.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
C. Earle Smith Jr. papers, National Anthropological Archives, Smithsonian Institution
See more items in:
C. Earle Smith Jr. papers
C. Earle Smith Jr. papers / Series 2: Research / 2.1: Fieldwork
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2006-24-ref123

[Guila Naquitz Cave 2]

Collection Creator:
Smith, C. Earle (Claude Earle), 1922-1987  Search this
Container:
Box 4
Type:
Archival materials
Date:
1968-1969
Collection Restrictions:
Grant proposal reviews in Series 4: Professional Activities and materials with student grades in Series 5: University of Alabama have been restricted.

Access to the C. Earle Smith Jr. papers requires an appointment.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
C. Earle Smith Jr. papers, National Anthropological Archives, Smithsonian Institution
See more items in:
C. Earle Smith Jr. papers
C. Earle Smith Jr. papers / Series 2: Research / 2.1: Fieldwork
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-2006-24-ref124

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