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Sky Ships

Manufacturer:
United States Government Printing Office  Search this
Sponsor:
United States Navy  Search this
Medium:
Poster, Military Aviation
Dimensions:
2-D - In Frame (H x W x D): 97.8 x 62.2cm (38 1/2 x 24 1/2 in.)
Type:
ART-Posters, Original Art Quality
Country of Origin:
United States of America
Date:
circa 1924
Credit Line:
Bequest of Melvin Buchner.
Inventory Number:
A20000562000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv963f82340-c8f0-45a9-9225-66ef42d07ac1
EDAN-URL:
edanmdm:nasm_A20000562000

Tomcat Naval Aviation

Medium:
Poster, Military Aviation
Dimensions:
2-D - Unframed (H x W): 55.9 x 35.6cm (22 x 14 in.)
Type:
ART-Posters, Original Art Quality
Country of Origin:
United States of America
Credit Line:
Bequest of Melvin Buchner.
Inventory Number:
A20000585000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv99447b62b-7b91-4af9-8b67-4a5501727986
EDAN-URL:
edanmdm:nasm_A20000585000
Online Media:

Let's Go Milwaukee

Medium:
Poster, Military Aviation
Dimensions:
2-D - Unframed (H x W): 55.9 × 34.6cm (1 ft. 10 in. × 1 ft. 1 5/8 in.)
Type:
ART-Posters, Original Art Quality
Country of Origin:
United States of America
Date:
circa 1941
Credit Line:
Bequest of Melvin Buchner.
Inventory Number:
A20000586000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv96551d15e-8677-4623-a44a-c24d8f3660a9
EDAN-URL:
edanmdm:nasm_A20000586000

Grumman F9F Panther/Cougar first Grumman cat of the jet age by Brad Elward

Author:
Elward, Brad A. 1964-  Search this
Subject:
United States Navy Aviation History  Search this
Physical description:
159 pages illustrations (some color) 29 cm
Type:
Books
History
Date:
2010
20th century
Topic:
Panther (Jet fighter plane)  Search this
Cougar (Jet fighter plane)  Search this
Armed Forces--Aviation  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1113558

Scrimshaw Sperm Whale Tooth, 19th or 20th Century

Physical Description:
whale tooth (overall material)
Measurements:
overall: 4 7/8 in x 3 1/2 in x 1 1/2 in; 12.3825 cm x 8.89 cm x 3.81 cm
Object Name:
scrimshaw
scrimshaw tooth, whale
Object Type:
scrimshaws
Other Terms:
scrimshaw; Maritime
Date made:
19th-20th century
Credit Line:
From the collection of Dr. and Mrs. Wilbur J. Gould
ID Number:
1978.0052.18
Accession number:
1978.0052
Catalog number:
1978.52.18
See more items in:
Work and Industry: Maritime
Cultures & Communities
Art
Transportation
Scrimshaw
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-7e7e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_844346
Online Media:

Frederick M. Bayer photographs from the Scientific Investigations of Micronesia survey of Ifalik Atoll

Creator:
United States. Navy  Search this
Bayer, Frederick M.  Search this
Names:
Tracey, Joshua I. (Joshua Irving), 1915-  Search this
Extent:
159 Photographic prints (silver gelatin)
122 Negatives (acetate)
0.58 Linear feet
Type:
Collection descriptions
Archival materials
Photographic prints
Negatives
Aerial photographs
Photographs
Place:
Caroline Islands -- Social life and customs
Ifalik Atoll (Micronesia)
Date:
1953
Scope and Contents:
The collection consists of 122 photographs of people and marine life made by Bayer while on the SIM survey of Ifalik Atoll in 1953, as well as 68 aerial photographs of the Atoll. The aerial photographs are stamped on verso as official Navy photographs. Bayer's marine life photographs include underwater images of coral, fish, crustaceans, and other invertebrates. Photographs of Ifalik Atoll inhabitants include images of the Atoll's chiefs, as well as a gathering to welcome for visitors from Woleai, and women performing a dance for the Woleai visitors. Several images show the Fan Nap, or public assembly house, and outrigger canoes. SIM team members, including ocean geologist Joshua I. Tracey, and their local assistants, are shown surveying the area and collecting specimens. Included is Bayer's photograph log, which lists the date the photograph was made, its subject, sometimes the time of day, and the camera settings used.
Arrangement note:
The collection is organized into 2 series: 1) The people and marine life on Ifalik Atoll, 2) Aerial photographs of Ifalik Atoll.

Bayer's photographs are numbered according to Bayer's numbering schema, which is [film roll number.item number]. The aerial photographs are numbered according to the Naval photographer's numbering schema.
Biographical/Historical note:
Frederick M. Bayer (1921-2007) was a research zoologist who specialized in the study of Octocorillia (soft corals). He worked at the Smithsonian Institution from 1947-1961 and 1975-1996, and taught at the School of Marine Science at the University of Miami in the interim years. The Smithsonian Institution National Museum of Natural History hired Bayer as a curator in 1947 and immediately sent him to survey marine fauna at the Bikini Atoll. In 1950 the Office of Naval Research sponsored the Scientific Investigations of Micronesia (SIM), a program administered through the Pacific Science Board of the National Academy of Sciences. Bayer was a member of the SIM team that surveyed the Ifalik Atoll in 1953. [1]

[1] Bayer, Frederick M. Atoll Research Bulletin no. 494, NMNH, Smithsonian Institution, Washington, DC: 2001.
Geographical Note:
Ifalik Atoll is comprised of several small islets: Falarik, Falalap, Ella, and Elangalap. The atoll forms part of the Caroline Islands archipelago in Yap County of Micronesia.
Related Materials Note:
The Joshua Irving Tracey Jr. papers, accession no. 02-021, in the Smithsonian Institution Archives contains materials relating to the Scientific Investigations of Micronesia, including field notes and photographs from the 1953 survey of Ifalik Atoll.

The Smithsonian Institution Archives also holds records pertaining to Bayer's work as a curator in the National Museum of Natural History.
Separated Materials Note:
The 8 artifacts purchased by Bayer while on Ifalik Atoll form accession no. 2028523 in the Department of Anthropology's ethnology collections at the National Museum of Natural History. The accession includes a conch shell used for signaling, grass skirts, fishhooks, and baskets.
Provenance:
Frederick M. Bayer donated the photographs, along with a collection of artifacts from Ifalik Atoll to the Department of Anthropology, National Museum of Natural History, in 2003. The photographs were transferred to the archives in 2008.
Rights:
Contact the repository for terms of use.
Topic:
Crustacea  Search this
Alcyonaria  Search this
Genre/Form:
Aerial Photographs
Photographs -- Black-and-white negatives -- 20th century
Photographs -- Black-and-white photoprints -- 1940-2000
Citation:
Photo Lot 2008-20, Frederick M. Bayer photographs from the Scientific Investigations of Micronesia survey of Ifalik Atoll, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.2008-20
See more items in:
Frederick M. Bayer photographs from the Scientific Investigations of Micronesia survey of Ifalik Atoll
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw35e562c52-c0c5-4498-9bdc-5afbfc353ac5
EDAN-URL:
ead_collection:sova-naa-photolot-2008-20

Plummer-Arnold Family papers

Creator:
Plummer-Arnold family  Search this
Names:
Plummer-Arnold family  Search this
Plummer, Henry Vinton, 1844-1905  Search this
Extent:
1.44 Linear feet (2 boxes)
Type:
Collection descriptions
Archival materials
Letters
Certificates
Family papers
Photographic prints
Dvds
Letters (correspondence)
Place:
United States -- Navy -- Chaplain Corps
United States -- Armed Forces -- African Americans
United States -- Army -- Cavalry, 9th
Date:
circa 1880-2005
circa 2005
bulk 1880-1955
Summary:
The collection, spanning the late 19th century to 2005 with the bulk from circa 1880 to circa 1955, measures 1.44 linear feet and documents the daily lives and activities of the Plummer-Arnold family and the military career of Henry Vinton Plummer. The collection consists of 48 color and black-and-white photographs and a framed certificate, letter, and two DVDs regarding the honorable discharge of Henry Vinton Plummer. The photographs are undated.
Scope and Contents:
The Plummer-Arnold family papers span the late 19th century to 2005, with the bulk of the material dating from circa 1880 to circa 1955. The collection contains 48 black-and-white and color photographs, one letter, one certificate, and two DVDs. The black-and-white and color photographs, mostly undated, depict the daily lives and activities of descendants of the Plummer and Arnold families. The collection also features a letter, certificate, and DVDs relating to the honorable discharge of U.S. Army chaplain Henry Vinton Plummer (1844-1905). The collection is organized into two series, Series 1: Family photographs and Series 2: Henry Vinton Plummer military service.
Biographical/Historical note:
The Plummer-Arnold family has a long and notable history. Adam Francis Plummer (1819-1905) and Emily Saunders Arnold (1815-1876) were enslaved African Americans who married in 1841. The couple was separated on different Maryland plantations for the first 22 years of their marriage. They had eighteen children, only nine of whom survived to adulthood. Their eldest son, Henry Vinton Plummer (1844-1905), escaped slavery in 1862 to become a Civil War chaplain and founder of the Bladensburg Union Burial Association. His descendents' successful battle to upgrade his 1894 dishonorable discharge from the U.S. Army is documented in this collection.

In 1862, Henry Vinton Plummer escaped from a Maryland plantation to the District of Columbia, where he joined the Union Navy as a chaplain. He was honorably discharged in 1865 and began his studies at Wayland Seminary, which educated freedmen to enter the Baptist ministry. Upon completion of his studies he became the pastor of St. Paul Baptist Church in Bladensburg, Maryland, founded by his sister, Sarah Miranda Plummer, on October 19, 1866. Henry Vinton Plummer married Julia Lomax of Virginia in 1867 and their marriage produced nine children.

Henry Vinton Plummer founded the Bladensburg Union Burial Association in 1870, a society that ensured that its African American members would receive a proper funeral by collecting dues and pledges. It was formed in response to a white undertaker's refusal to conduct a funeral because the family of the deceased could not afford to pay. Plummer interceded on behalf of the family and paid their debt. The Bladensburg Union Burial Association remained an active and successful organization into the 20th century.

In 1884, Plummer was appointed as the first black chaplain in the 9th Calvary, one of the Buffalo Soldier units of the Regular Army. Amidst controversy, Plummer was accused of conduct unbecoming an officer and dishonorably discharged from his post in Fort Robinson, Nebraska, by a military court in 1894. In 2005, Plummer's descendants successfully petitioned the Army Board for Correction of Military Records to eradicate his dishonorable discharge. They were issued a certificate from the Army that retroactively grants Plummer the honorable discharge he was denied during his life.
Related Archival Materials note:
These Smithsonian collections and digital exhibits contain related material:

Plummer-Arnold Collection, Permanent Collection, Smithsonian Anacostia Community Museum. The Bladensburg Union Burial Association records, Anacostia Community Museum, Smithsonian Institution, gift of Reverend L. Jerome Fowler. Plummer Diary Website Project, Anacostia Community Museum, Smithsonian Institution. For a description of the preservation of the diary, see the Smithsonian blog post "A Sense of Place."

These items held by the Smithsonian are related material:

"Out of the Depths or The Triumph of the Cross" by Nellie Arnold Plummer, Gift of the descendants of Adam and Emily Plummer. Plummer Family Diary, Gift of the Descendants of Adam and Emily Plummer. United States flag Of Henry Vinton Plummer, Gift of the descendants of Adam and Emily Plummer.

These items are held outside the Smithsonian:

Interview with Reverend L. Jerome Fowler, PTIP Interview Transcripts, Center for Heritage Resource Studies, Department of Anthropology at the University of Maryland, College Park. Images of America: Riverdale Park by Donald Lynch, Tom Alderson, and Melissa Avery, Arcadia Publishing, 2011.
Provenance:
The Plummer-Arnold family papers were donated to the Anacostia Community Museum on October 14, 2004, by Reverend L. Jerome Fowler.
Restrictions:
The collection is open for unrestricted research. Use of the collection requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Rights:
The Plummer-Arnold Family papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
Fraternal organizations  Search this
African American women  Search this
Portraits -- African American women  Search this
Race discrimination  Search this
African American families  Search this
Family reunions  Search this
Military chaplains  Search this
African American women -- Societies and clubs  Search this
Discrimination in the military  Search this
Military discharge -- United States  Search this
Racism  Search this
Genre/Form:
Letters
Certificates
Family papers
Photographic prints
DVDs
Letters (correspondence) -- 20th century.
Citation:
The Plummer-Arnold family papers, undated-2005, bulk circa 1880-1955, Anacostia Community Museum Archives, Smithsonian Institution, gift of Reverend L. Jerome Fowler.
Identifier:
ACMA.06-038
See more items in:
Plummer-Arnold Family papers
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa748f43ca7-c5b2-49c3-9c96-9be1e80b672d
EDAN-URL:
ead_collection:sova-acma-06-038
Online Media:

1936 National Air Races (Los Angeles), Official Program

Collection Creator:
Bendix Corporation.  Search this
Bendix Aviation Corp  Search this
Container:
Box 1, Folder 11
Type:
Archival materials
Date:
September 4-7, 1936
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
Bendix Air Races Collection, Acc. NASM.1988.0115, National Air and Space Museum, Smithsonian Institution.
See more items in:
Bendix Air Races Collection
Bendix Air Races Collection / Series 2: Bendix Trophy Races by Year / Bendix Trophy Race, 1936
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg269a55b99-8322-4416-8e8c-73aa44e48559
EDAN-URL:
ead_component:sova-nasm-1988-0115-ref526
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  • View 1936 National Air Races (Los Angeles), Official Program digital asset number 1

George Sugarman papers

Creator:
Sugarman, George, 1912-1999  Search this
Names:
Honegger, Gottfried, 1917-  Search this
Jaffe, Shirley, 1923-  Search this
Kushner, Robert, 1949-  Search this
Extent:
12.22 Linear feet
21.83 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Drawings
Interviews
Photographs
Sound recordings
Date:
1912-2001
Summary:
The papers of painter and sculptor George Sugarman measure 12.22 linear feet and 21.83 GB and date from 1912 to 2001, with the bulk of the material dating from 1959 to 1999. The collection documents Sugarman's career as a sculptor primarily through correspondence, project files, exhibition files, writings, and photographs. The collection also includes address and appointment books, business and financial records, and printed material. A partially processed addition consisting of audio (3 sound cassettes) and video recordings (1 video reel, 1/2", 11 videocassettes, 7 U-matic and 4 VHS), and one Super 8 mm motion picture film, as well as digital copies of the film and video recordings, includes lectures by Sugarman, documentaries about Sugarman and his sculptures, and radio and television appearances by Sugarman.
Scope and Content Note:
The papers of painter and sculptor George Sugarman measure 12.22 linear feet and 21.83 GB and date from 1912 to 2001, with the bulk of the material dating from 1959 to 1999. The collection documents Sugarman's career as a sculptor primarily through correspondence, project files, exhibition files, writings, and photographs. The collection also includes address and appointment books, business and financial records, and printed material. A partially processed addition consisting of audio (3 sound cassettes) and video recordings (1 video reel, 1/2", 11 videocassettes, 7 U-matic and 4 VHS), and one Super 8 mm motion picture film, as well as digital copies of the film and video recordings, includes lectures by Sugarman, documentaries about Sugarman and his sculptures, and radio and television appearances by Sugarman.

The bulk of the collection consists of correspondence with family members, friends, artists, and scholars, reflecting Sugarman's diverse influences and interests. The project files and exhibition files illustrate Sugarman's prolific career as an artist and document Sugarman's numerous projects and exhibitions abroad, particularly in Japan.

The writings by Sugarman are noteworthy as they reveal the integral relationship between Sugarman's philosophical theories about art and his actual works of art. The business and financial records mainly document expenses incurred while working on various projects and exhibitions and while traveling. Maps, clippings, and brochures from Sugarman's many travels are included as well as exhibition catalogs and announcements for Sugarman and others. The collection also contains photographs of George Sugarman and his artwork, dating mostly from the 1970s.
Arrangement:
The collection is arranged into ten series. Series are arranged by type of material; materials within series are arranged alphabetically by name or by type of material and then chronologically. Series 10 is unprocessed.

Missing Title

Series 1: Biographical Materials, 1912-2000, n.d. (Box 1; 9 folders)

Series 2: Correspondence, 1959-2001, n.d. (Boxes 1-3, OV 8; 2.9 linear feet)

Series 3: Project Files, 1968-1997, n.d. (Boxes 3-4; 1 linear foot)

Series 4: : Exhibition Files, 1965-1993, n.d. (Boxes 4-5, OV 8; 0.6 linear feet)

Series 5: Writings, 1951-1992, n.d. (Box 5; 0.2 linear feet)

Series 6: Address and Appointment Books, 1972-1997, n.d. (Boxes 5-6; 0.3 linear feet)

Series 7: Business and Financial Records, 1962-1998, n.d. (Box 6; 0.4 linear feet)

Series 8: Printed Material, 1954-1999, n.d. (Boxes 6-7, OV 8; 1.2 linear feet)

Series 9: Photographs, 1966-1981, n.d. (Box 7; 0.2 linear feet)

Series 10: Sound and Moving Image Material, 1972-1990 (Box 9, FC 10; 1.2 linear feet, ER01-ER13; 21.83 GB)
Biographical Note:
George Sugarman was a painter and sculptor who disliked labels because he believed they oversimplified the complexity of art, and Sugarman's artwork, like the artist himself, resists classification and oversimplification. Although he was influenced by Surrealist imagery, Cubist ideas of space, Baroque sculpture, and Abstract Expressionism, Sugarman's sculptures also display a musical quality, reflecting his interest in jazz music and improvisation. Sugarman was a pioneer in the use of color in sculpture and is probably best known for his large, polychrome aluminum sculptures.

Sugarman made the decision to become an artist relatively late in life. Born in New York on May 11, 1912, he studied at City College in New York and graduated with a B.A. in 1934. After serving in the United States Navy from 1941 until 1945, he attended evening classes at Museum of Modern Art. At the age of 39, George Sugarman traveled to Paris to study painting under the GI Bill of Rights. While in Paris, he decided to study sculpture with Ossip Zadkine and began creating wood carvings and terra-cotta sculptures. Over the next few years, Sugarman traveled to Italy and Spain, studying Baroque sculpture and architecture. He was particularly attracted to the work of Bernini and to Bernini's use of space.

Sugarman returned to New York in 1955 and began working with laminated wood. In order to support himself, he accepted a job teaching carpentry at a private school. He joined the Brata Gallery in 1957 and helped found the New Sculpture Group. A few years later, Sugarman received major recognition of his work by winning second prize in sculpture at the Pittsburgh International Exhibition. Sugarman went on to win a Longview Foundation Grant, a Ford Foundation Grant for his work at the Tamarind Lithography Workshop, and a grant from the National Endowment for the Arts.

In the 1960s, Sugarman began working on large painted-aluminum sculptures and completed his first outdoor sculpture at the Xerox Building in El Segundo, Calif. in 1969. Many of Sugarman's outdoor sculptures generated intense controversy, particularly his sculpture for the Edward A. Garmatz Federal Building and Courthouse in Baltimore, but he was devoted to his belief in the social as well as aesthetic importance of public art. Sugarman saw public sculpture as a "metaphor for the human condition" and as a way to transcend what he called the "indoor eye," the eye which views art in isolation from its physical and social environment.

Sugarman taught at the Graduate School of Hunter College in New York City from 1960 until 1970 and served as visiting Associate Professor at the Yale University Graduate School of Art from 1967 to 1968. Sugarman was a prolific artist, participating in numerous one-man shows, group exhibitions, and competitions all over the world, yet recognition of his talent came almost a decade later in the United States than in Europe. His works are in major collections including the Museum of Modern Art, the Whitney Museum of American Art, and the Art Institute of Chicago. George Sugarman died on August 25, 1999.
Related Material:
The transcript and audiotapes of an interview with George Sugarman conducted by Paul Cummings in 1974 for the Archives of American Art's Oral History Program is available at the Archives of American Art, Smithsonian Institution.
Separated Material:
The Archives of American Art also holds materials lent for microfilming. Reel N70-50 and N70-51 includes biographical material, an essay about George Sugarman, exhibition catalogs and announcements dating from 1954 to 1960, a certificate, writings by Sugarman, and correspondence dating 1953-1970. The originals of most of these materials were included in later donations. Reel N70-50 also contains a substantial number of photographs of Sugarman's natural wood sculptures from the late 1950s, his early works in wood, clay, and plaster dating from 1951 to 1958, his drawings and paintings from the late 1960s, installations and works in progress from 1960 to 1970, and photographs of Sugarman working in the studio in the 1960s. There are also twelve sketchbooks and loose pages dating from 1943 to 1958, which document Sugarman's travels to the South Pacific, New York City, France, Spain, and North Africa. Lent material not included in later gifts remain with the lender and are not described in the collection container inventory.
Provenance:
In 1970, George Sugarman lent material to the Archives of American Art for microfilming. In 1980 and 1983, George Sugarman donated portions of the material previously lent, along with additional materials. Additional materials were donated by Sugarman's niece, Arden Sugarman Eilopolous, in 1999 and 2000. In 2006, the Sugarman Foundation via Arden Sugarman donated the audio and video recordings.
Restrictions:
The collection is open for research. Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Interviews
Photographs
Sound recordings
Citation:
George Sugarman papers, 1912-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sugageor
See more items in:
George Sugarman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9da24b662-65c7-4766-9f29-cc98bb339210
EDAN-URL:
ead_collection:sova-aaa-sugageor
Online Media:

Nick Reynolds Kingston Trio Papers

Creator:
Kingston Trio  Search this
Reynolds, Nick, 1933-2008  Search this
Former owner:
Kingston Trio Legacy Project  Search this
Reynolds, Leslie  Search this
Extent:
2.1 Cubic feet (4 boxes, 1 map-folder)
Type:
Collection descriptions
Archival materials
Articles
Business records
Business letters
Fliers (printed matter)
Legal records
Letters (correspondence)
Posters
Photographs
Programs
Scrapbooks
Sheet music
Date:
1950-2014
Summary:
The collection documents Nick Reynolds, a member of the vocal music group, the Kingston Trio.
Content Description:
The collection documents the life and career of Nick Reynolds, one of the members of the Kingston Trio folk music group. Included in the collection are: a scrapbook approximately covering the years 1958-1970, and including such things as articles, photographs, and flyers announcing appearances by the Trio; letters, including fan mail, and a large set of letters and cards sent by member Nick Reynolds to his parents; postcards; business and legal papers, especially relating to a 1981 reunion; programs; songbooks and sheet music; posters advertising appearances; a book about the Trio; articles and miscellaneous printed materials.
Arrangement:
The collection is arranged into two series.

Series 1: Reynolds, Nick, Personal Papers, 1950-2014, undated

Series 2: Kingston Trio Papers and Ephemera, 1956-2013, undated
Biographical / Historical:
The history of the original Kingston Trio and its subsequent permutations has been well chronicled. The group came to national prominence in 1958 during the folk music revival of the 1950s and 1960s. At that time the trio consisted of Dave Guard, Bob Shane, and Nick Reynolds. Their first album released in 1958 contained their first gold record, Tom Dooley. Success continued for the trio but in 1961, Dave Guard left the group and John Stewart joined the group as his replacement. The group continued to have a successful run, their cover of Where Have All the Flowers Gone? and Greenback Dollar made the Billboard Top Ten chart in 1961 and 1963 respectively. The group in its configuration of Reynolds, Shane, and Stewart ceased actively performing in June 1967. Subsequent incarnations of the group performed into the twenty-first century.

Nicholas (Nick) Wells Reynolds, tenor, was a founding member of the Kingston Trio. He was born in San Diego, California on July 27, 1933. His parents were Stewart S. and Jane Keck Reynolds. His father was a commander in the United States Navy. Reynolds attended schools in Coronado, California graduating in 1951 from Coronado High School. He graduated from Menlo College, Atherton, California in 1956.

Reynolds, Bob Shane (1934-2020) and Dave Guard (1934-1991) formed the Kingston Trio in the 1950s. Reynolds left the Trio in 1967 moving to Oregon. He rejoined the Trio in 1988 after recording the album Revenge of the Budgie in 1983, and remained with the group until retiring in 2003. Reynolds died in San Diego, California on October 1, 2008 survived by his third wife, Leslie Yerger Reynolds, and four children.

Sources

Family Search, 1940 United States Census, accessed July 9, 2019. Obituary, Nick Reynolds, The New York Times, October 2, 2008. Obituary, Nick Reynolds, The Los Angeles Times, October 3, 2008. Kingston Trio Legacy Project, (http://kingstontriolegacyproject.com) last accessed July 9, 2019.
Provenance:
Collection donated by the Kingston Trio Legacy Project to the Archives Center, National Museum of American History, Smithsonian Institution in 2018.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Folk music  Search this
Folk musicians  Search this
Folk songs -- United States  Search this
Letters (correspondence) -- 20th century  Search this
Postcards -- 20th century -- United States  Search this
Genre/Form:
Articles -- 20th century
Business records -- 20th century
Business letters
Fliers (printed matter)
Legal records -- 20th century
Letters (correspondence) -- 21st century
Posters -- 20th century
Photographs -- 20th century -- Color prints
Programs -- Concerts -- 20th century
Scrapbooks -- 20th century
Sheet music -- 20th century
Citation:
Nick Reynolds Kingston Trio Papers, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1472
See more items in:
Nick Reynolds Kingston Trio Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep862aa8fcb-25ba-45b4-a369-2f8c2917baff
EDAN-URL:
ead_collection:sova-nmah-ac-1472

David M. Brown Papers

Creator:
Brown, David M.  Search this
United States. National Aeronautics and Space Administration  Search this
United States. Navy  Search this
Extent:
11.76 Cubic feet (33 boxes)
Type:
Collection descriptions
Archival materials
Mini dv (videotape format).
Technical manuals
Commercial correspondence
Calendars
Reports
Date:
1970-2005
bulk 1980-2002
Summary:
The David M. Brown Papers consist of almost twelve cubic feet of archival material documenting his career as a U.S. Navy flight surgeon, naval aviator, and NASA astronaut. It includes Brown's diaries, manuals, checklists, certificates, workbooks, notebooks, and related training materials.
Scope and Contents:
The David M. Brown Papers reflect Brown's career as a U.S. Navy flight surgeon, naval aviator, and NASA astronaut. Represented in some of the collection's correspondence, memoranda, and other materials is his early interest in becoming an astronaut, his applying to NASA, and his selection by the space agency as an astronaut candidate. Most of this collection consists of materials related to his professional work. A large part of this series is composed of technical manuals, handbooks and checklists. Also included in this grouping are official U.S. Navy/NASA documents, correspondence, memoranda, drafts, worksheets, reports, handouts, briefings, notes, photographs, invitations, programs, pamphlets, books, booklets, guidebooks, magazines, journals, and miscellaneous materials. The rest of the collection contains a small amount of personal materials. This includes personal documents from Brown (birth certificate, passports, etc.), correspondence, day planners, yearbooks, photographs, and miscellaneous materials. The collection also includes 160 mini DV (SD) tapes that Brown shot of the astronaut crew training for STS-107 Columbia.
Arrangement:
The Brown Papers are organized into two broad series. First, is the material pertaining to Brown's personal life. This includes personal documents, correspondence, day planners, yearbooks and photographs. The second series contains papers revolving around Brown's professional life. This includes official U.S. Navy/NASA documents, correspondence, memoranda, notes, drafts, reports, handouts, briefings, a variety of manuals, checklists, handbooks, procedures and instructions, notebooks, photographs, invitations, programs, pamphlets, books, guidebooks, magazines, journals, and miscellaneous materials. Brown's papers are arranged both chronologically and alphabetically. Official and personal documents, correspondence, memoranda, notes, drafts, worksheets, photographs, invitations, programs, pamphlets, magazines, journals, day planners, yearbooks and miscellaneous materials are organized by the former method. Reports, handouts, briefings, manuals, handbooks, checklists, procedures, instructions, books, booklets, and guidebooks are arranged alphabetically by title. The reader will note that the parts of this finding aid containing manuals, handbooks, checklists, procedures, and instructions are further organized into the following groupings: NASA only, corporation/contractor only, jointly-issued NASA and corporation/contractor, and miscellaneous.

The reader should note that this group of material also contains a collection of films pertaining to Brown's life and career as an astronaut. A National Air and Space Museum (NASM) Archives staff person can assist you regarding access to these films.

SERIES I -- Personal Papers

Personal Documents

Correspondence

Day Planners

Yearbooks

Photographs

Miscellaneous Materials

SERIES II -- Professional Papers

Official U.S. Navy/NASA Documents

Correspondence

Memoranda

Notes, Drafts, and Worksheets

Reports, Handouts, and Briefings

Manuals, Handbooks, Checklists, Procedures, and Instructions

Notebooks and Workbooks

Photographs

Invitations, Programs, and Pamphlets

Books

Booklets and Guidebooks

Magazines and Journals

Newsletters

News Clippings

Miscellaneous Materials

Oversized Materials
Biographical / Historical:
David M. Brown was a U.S. Navy officer, flight surgeon, naval aviator, and Space Shuttle astronaut. Born in Arlington, Virginia, on April 16, 1956, Brown earned a B.S. in biology from the College of William and Mary in 1978 and a doctorate in medicine from Eastern Virginia Medical School in 1982. During his years in college, he performed in the Circus Kingdom as an unicyclist, stilt walker, and acrobat. Upon completing an internship at the Medical University of South Carolina, Brown joined the Navy and finished his flight surgeon training in 1984. After a stint as director of medical services at the Navy Branch Hospital in Adak, Alaska, he was then assigned to Carrier Airwing Fifteen which deployed aboard the USS Carl Vinson in the western section of the Pacific Ocean. In 1988, Brown was selected for pilot training, the only flight surgeon chosen for this program in over ten years. Two years later, he was designated a naval aviator and ranked first in his class. Subsequently, Brown was sent for training and carrier qualification in the Grumman A-6E Intruder. In 1991, he was attached to the Naval Strike Warfare Center in Fallon, Nevada, where he served as a Strike Leader Attack Training Syllabus Instructor and a Contingency Cell Planning Officer. The following year, he was sent to serve aboard the USS Independence, flying the A-6E with squadron VA-115. In 1995, he reported to the U.S. Naval Test Pilot School as their flight surgeon. By this time, Brown was qualified in a variety of military aircraft, including the McDonnell Douglas F-18 Hornet and the Northrop T-38 Talon. All told, Brown accumulated over 2,700 hours with 1,700 in high performance military aircraft.

For a long time, Brown harbored a strong desire to become an astronaut. During the mid 1990s, he applied for admission into the National Aeronautics and Space Administration's (NASA) astronaut corps. In April 1996, Brown was selected as an astronaut candidate by the space agency and reported to the Johnson Space Center (JSC) in Houston, Texas, later that year. By 1998, he completed his training and evaluation, and was qualified for flight assignment as a mission specialist. Initially, Brown was given the task of supporting payload development for the International Space Station (ISS), followed by an assignment on the astronaut support team responsible for Space Shuttle cockpit setup, crew strap-in, and landing recovery. Eventually, he was assigned a flight aboard Space Shuttle Columbia for the STS-107 mission. Columbia was launched from the Kennedy Space center (KSC) on January 16, 2003. This 16-day flight was dedicated to scientific research while in Earth orbit. On February 1, after the successful in-space mission and only minutes from its scheduled landing at the Kennedy Space Center (KSC), Cape Canaveral, Florida, the orbiter suffered structural failure upon reentry into the atmosphere and disintegrated over Texas and Louisiana. Brown, as well as the other six members of the STS-107 crew, was killed in the accident. Brown logged 15 days, 22 hours and 20 minutes of space flight experience.

The following chronology covers key events in Brown's life, as well as in the realm of space exploration history. Events involving Brown are shown in normal type while those of the latter are shown in bold type.

1956 April 16 -- Brown born in Arlington, Virginia

1957 October 4 -- Russia's successful launch of first artificial satellite,Sputnik 1

1958 January 31 -- Successful launch of first U.S. artificial satellite,Explorer 1

1961 April 12 -- Russia's successful launch of first human into space, Yuri Gagarin aboardVostok 1

1961 May 5 -- Successful launch of first U.S. astronaut into space, Alan Shepard aboard Mercury-Redstone 3 (Freedom 7)

1969 July 16-24 -- Flight ofApollo 11succeeds in landing U.S. astronauts on the moon

1972 -- The Nixon administration approves the Space Shuttle as a national program

1974 -- Brown graduates from Yorktown High School, Yorktown, Virginia

1977 August-October -- Series of five Approach and Landing Tests (within the atmosphere) of Space ShuttleEnterprise

1978 -- Brown graduates from William and Mary College with a B.S. in biology

1981 April 12 -- First launch into earth orbit for the Space Shuttle program byColumbia(STS-1)

1982 -- Brown graduates from Eastern Virginia Medical School with a doctorate in Medicine (M.D.)

1984 -- Brown completes his U.S. Navy flight surgeon training

1986 January 28 -- Space ShuttleChallenger(STS-51-L) explodes shortly after launch, killing all on board

1988 -- Brown is selected by the U.S. Navy for pilot training

1988 September 29 -- Return to flight of the Space Shuttle program byDiscovery(STS-26)

1990 -- Brown is designated as a naval aviator and ranks first in his class

1990 April 24 -- Launch of Space ShuttleDiscovery(STS-31) with Hubble Space Telescope (HST) as payload

1991 -- Brown is attached to the Naval Strike Warfare Center in Fallon, Nevada

1992 -- Brown serves aboard aircraft carrier USS Independence and pilots the Grumman A-6E Intruder aircraft with VA-115

1995 -- Brown reports to U.S. Naval Test Pilot School as the flight surgeon

1996 April -- Brown is selected by NASA as an astronaut candidate (ASCAN)

1998 -- Brown successfully completes his astronaut training and evaluation

1998 October 29 -- Launch of Space ShuttleDiscovery(STS-95) with astronaut John Glenn returning to space after his first orbital flight aboardFriendship 7in 1962

2003 January 16 -- Launch of Brown and the crew of Space Shuttle Columbia (STS-107)

2003 February 1 -- STS-107 disintegrates over Texas and Louisiana shortly before scheduled landing at the Kennedy Space Center (KSC), Florida, with the loss of Brown and the crew
Provenance:
Paul and Dorothy Brown, Gift, 2006
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Space flight  Search this
Astronautics  Search this
Space Shuttles, Columbia (OV-102)  Search this
Space Shuttle Program (U.S.)  Search this
Color photography  Search this
Genre/Form:
Mini DV (Videotape format).
Technical manuals -- 20th century
Commercial correspondence
Calendars
Reports
Citation:
David M. Brown Papers, NASM.2006.0013, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2006.0013
See more items in:
David M. Brown Papers
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg24a029df4-8d5d-4bed-8344-7ab68f118e5a
EDAN-URL:
ead_collection:sova-nasm-2006-0013
Online Media:

Servicemembers Legal Defense Network Records

Creator:
Servicemembers Legal Defense Network  Search this
Associated name:
Cox Commission  Search this
OutServe  Search this
Burton, Sala, Representative  Search this
Cohen, William S. (Secretary of Defense)  Search this
Deutch, John M. (Undersecretary of Defense)  Search this
Frank, Barney, Representative  Search this
Perry, William J., Secretary of Defense  Search this
Powell, Colin, General  Search this
Rumsfeld, Donald, Secretary of Defense  Search this
Studds, Gerry E. (Congressman)  Search this
Extent:
7.5 Cubic feet (23 boxes)
Type:
Collection descriptions
Archival materials
Articles
Interviews
Newsletters
Legal documents
Instructional materials
Clippings
Research
Correspondence
Writings
Legislative documents
Legal records
Legal correspondence
Legislation (legal concepts)
Office files
Project files
Letters
Periodicals
Manuals
Letters (correspondence)
Government records
Annual reports
Date:
1975-2009, undated
bulk 1993-2008
Summary:
This collection contains records and research material produced and collected by Servicemembers Legal Defense Network (SLDN), a lobbying and legal assistance organization for lesbian, gay, bisexual, and transgender servicepersons. They were instrumental in overturning the United States Department of Defense's "Don't Ask, Don't Tell" policy.
Scope and Contents:
This collection contains correspondence, case files, legal briefs, subject files, research files, press releases, office records, clipping files, publications, and other material produced and collected by Servicemembers Legal Defense Network (SLDN), a lobbying and non-profit legal services organization for lesbian, gay, bisexual, and transgender military servicepersons founded in the aftermath of the passage of the "Don't Ask, Don't Tell" (DADT) legislation of December 1993. These records do not include material generated post 2009 and the final two years before the official overturning of DADT in September 2011. Before donation to the Archives Center, SLDN removed any material that they deemed sensitive, personal, or in violaton of their client's privacy.

Correspondence contains that which was sent by SLDN and received by SLDN. Major correspondents were: the Executive Office of the President, members of Congress, officials of the Department of Defense and other defense related federal agencies, other similarly focused non-profit organizations as well as private citizens. Correspondence may also include petitions, corresonpondence with clients of SLDN, those seeking legal services and or statistics related to DADT and others. Case files are generally refence copies of cases filed by SLDN, individuals, or invdividuals with other organizations relating to LGBT treatment within the military. Case files contain most often the public record copy of the legal brief that was filed with the courts and any supporting or relevant documents. Legal briefs relate to cases filed by SLDN or to the cases that in some way informed those legal cases and issues related to the mission of SLDN. Subject and research files were complied from various sources and contain copies or original material produced in support of the SLDN mission with regard to legal actions or as a lobbying organization. Press releases are generally those produced by SLDN. Office records pertain to the day to day workings of the organization and inter-office memorada and communication between employees or other organizations. Clipping files were compiled from a variety of national and international sources such as newspapers, magazines, and journals and used as reference tools within SLDN. Publications were those produced either by SLDN or collected by SLDN for research and reference purposes in-house.
Arrangement:
The collection is arranged into four series, one of which has been arranged further into subseries. The contents of each series or subseries are arranged chronologically. The series and subseries arrangement of the records is as follows:

Series 1, Administrative Records, 1994-2008

Series 2, Subject Files, 1980-2009 (bulk 1994-2009)

Subseries 1: Research Files, 1980-2008, undated

Subseries 2: Department of Defense, 1985-2003, undated

Subseries 3: United States Army, 1994-2005

Subseries 4: United States Navy, 1991-2008, undated

Subseries 5: United States Air Force, 1994-2004, undated

Subseries 6: United States Coast Guard, 1996-2005

Subseries 7: National Guard and Reserves, 2004

Series 3, Publications, 1988-2007

Series 4, Case Files, 1975-2008, undated
Biographical / Historical:
Servicemembers Legal Defense Network (SLDN) is a non-profit founded in 1993 in the wake of the Clinton adminstration's efforts to make military service legal and non-discriminatory for openly lesbian, gay, and bisexual persons. The organization employs less than twenty persons and has a Board of Directors. SLDN provided legal services to LGBT servicmembers and was also a lobbying and policy organization. This initiative resulted in the passing of legislation commonly referred to as "Don't Ask, Don't Tell" (DADT) in December 1993. DADT prohibited military personnel from discriminating against or harassing closeted homosexual or bisexual servicemembers or applicants while still barring openly homosexual or bisexual persons from military service. This policy proved controversial and continued to result in the discrimination and separation of LGBT persons from the military.

The original purpose of SLDN was working to overturn the DADT policy through legal or legislative means while providing free legal services to servicemembers targeted by DADT. Its scope of concern not only included active duty personnel but the National Guard, reserves, and officer training programs. On occasion it worked with other similarly focused organizations and directly with the Department of Defense and other relevant federal agencies. By the time of the repeal of DADT in September 2011 and its official enactment in January 2012, SLDN had provided legal aid to thousands of servicepersons.

In July 2012 SLDN announced that it was merging with OutServe, effective in October 2012. OutServe is an organization of active LGBT military servicepersons, reportedly one of the largest employee resource groups in the world. SLDN continues to provide free legal advice and assistance and also works with veteran organizations while maintaining a "watchdog" status on LGBT issues within the military establishment.
Related Materials:
Materials in the Archives Center, National Museum of American History

Lesbian, Gay, Bisexual, and Transgender Collection, 1942-2012, undated (AC1146)
Provenance:
This collection was donated by Servicemembers Legal Defense Network (SLDN), 2012.
Restrictions:
This collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Don't ask, don't tell (Military personnel policy)  Search this
Women  Search this
War  Search this
Equality  Search this
Government and politics -- United States Congress actions  Search this
United States Department of Defense  Search this
United States Coast Guard  Search this
Homosexuality  Search this
United States Marine Corps  Search this
United States Air Force  Search this
Bisexuality  Search this
Civil rights  Search this
Civil rights -- United States  Search this
Courts-martial and courts of inquiry  Search this
Air pilots  Search this
Activism  Search this
United States Navy -- 20th century  Search this
National defense  Search this
Air defenses -- United States  Search this
Armed Forces -- Operations other than war  Search this
Laws -- United States Congress actions  Search this
Lawsuits  Search this
Lesbianism  Search this
U. S. Army  Search this
Sexual harassment  Search this
Sodomy  Search this
Sailors  Search this
Trials (Sex crimes)  Search this
Soldiers  Search this
Genre/Form:
Articles -- 20th century
Interviews
Newsletters -- 20th century
Legal documents -- 20th century
Instructional materials
Articles -- 1950-2000
Articles
Clippings -- 20th century
Clippings -- newspaper -- Virginia
Research
Correspondence -- 20th century
Writings
Interviews -- 1990-2000
Interviews -- 2000-2020
Articles -- 1940-1980
Articles -- 1880-1940
Legislative documents
Legal records
Legal documents
Legal correspondence
Legislation (legal concepts)
Office files
Project files
Letters
Periodicals
Manuals -- 1970-1990
Letters (correspondence) -- 20th century.
Government records
Annual reports
Citation:
Servicemembers Legal Defense Network Records, 1877-2009 (bulk 1993-2008), undated, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1282
See more items in:
Servicemembers Legal Defense Network Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8cc192e12-5678-4c6d-847e-4d18e3cd8c91
EDAN-URL:
ead_collection:sova-nmah-ac-1282

Francis M. Mair Papers

Donor:
Mair, LaVeda  Search this
Creator:
Mair, Francis M., 1916-1991 (commercial artist)  Search this
Names:
Landor Associates  Search this
United States. Naval Training School  Search this
Landor, Walter  Search this
Extent:
56 Cubic feet (104 Boxes, 40 map-folders)
Type:
Collection descriptions
Archival materials
Beverage labels
Fruit crate labels
Labels
Place:
San Francisco (Calif.)
Date:
1935-1994
Summary:
Client files, administrative files, artwork, and collected food labels from graphic and industrial designer Francis Mair. Mair specialized in beverage labels and packaging during his many years with Landor Associates in San Francisco. Late in his career, he directed Landor's Museum of Packaging History. His prolific freelance career included designs for furniture, decorative arts, letterhead, and corporate images. His personal artwork included alphabets, typefaces, and sketchbooks. Much of his personal artwork is humorous or erotic.
Scope and Contents:
The collection consists largely of client files and artwork from Mair's years with Landor Associates and his freelance design work. Mair's specialty was the design of beverage containers, labels, and packaging, and there is a significant body of material produced for West Coast and national breweries and wineries. Mair also managed Landor's Museum of Packaging Antiquities, and there are several boxes of the Museum's administrative files. Of particular interest is Mair's large collection of historical and contemporary wine, liquor, and fruit crate labels (both foreign and domestic). The labels seem to have served as an inspiration and a record of his work, as well as documentation of historical packaging for the Museum. Mair's freelance clients were diverse, though most of them were small businesses and organizations in the San Francisco Bay Area. In addition to food and beverage labels, these commissions included posters, promotional materials, letterhead and personal announcements, invitations, and cards. Lastly, the collection includes personal artwork and records of entrepreneurial projects (such as the Flexigon, a flexible geometric toy).
Arrangement:
Collection is arranged into eight series.

Series 1, Professional Materials, 1956-1991, undated

Series 2, Landor Associates Files, 1946-1993, undated

Series 3, Landor Museum of Packaging Antiquities, 1960-1989, undated

Series 4, Freelance Client Files, 1946-1989, undated

Series 5, United States Naval Training School, Radio Chicago, 1943-1945, undated

Sereis 6, Personal Artwork and Designs, 1935-1994, undated

Series 7, Reference Files, 1950-1985, undated

Series 8, Labels, undated
Biographical / Historical:
Francis Marion Mair was born in Streator, Illinois to Alexander Morrison Mair and Jessie C. Williams on May 5, 1916. He began his career as an artist and designer at the University of Illinois School of Design in Chicago receiving a Bachelor of Fine Arts degree in Painting in 1938. That year he joined the United States Navy and where he designed visual aids for the Naval Training School in Chicago, Illinois. Even at this early stage in his career, acute design sense and humor are evident in his work. In 1949, he joined Landor Associates in San Francisco, California where he worked for forty years, retiring in 1989. At Landor, he specialized in designing packaging and labeling for beverages. He also was the director of Landor's Museum of Packaging History which shared quarters with Landor Associates on the Ferryboat Klamath. Throughout his career, Mair took on diverse freelance projects. One of his most successful was the Suva line of rattan furniture and decorative objects for Decorative Imports. Mair published articles in Advertising Age, Industrial Design, Advertising Techniques, and Wines and Vines. Mair died on April 29, 1991 in Contra Costa County, California.
Related Archival Materials:
Materials at the Archives Center, National Museum of American History

Industry on Parade (NMAH.AC.0507)

Reel #167, Sitting Bull's Last Stand, 1953. Peter Meindl, a German woodcarver, making cigar store wooden Indians, New Hampshire.

Walter Landor and Associates (AC0500)

NW Ayer Advertising Agenecy Records (AC0059)

Hills Bros. Coffee Company Records (AC395)

Emmett McBain Afro American Adertising Poster Collection (AC0192)

Warshaw Collection of Business Americana (AC0060)

Marilyn E. Jacklear Memorial Collection of Tobacco Advertisements (AC1224)

Marlboro Oral History and Documentation Project (AC0198)
Related Materials:
A glass final production version of a French's mustard jar and three hand-carved, solid-wood prototypes for this jar are in the Museum's Division of Work and Industry. These were found in Mair's home studio.
Provenance:
Collection donated by LaVeda Mair, April 23, 1996.
Restrictions:
Collection is open for research.
Rights:
Copyright for a portion of the collection held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Topic:
advertising -- 20th century  Search this
Beverages -- advertising -- 1940-1990  Search this
Commercial art -- 1940-1990  Search this
Industrial design  Search this
Erotica  Search this
Graphic design  Search this
Labels -- Alcoholic beverages  Search this
Labels -- Crates -- Fruit  Search this
Liquors -- advertising -- 1940-1990  Search this
Nudes  Search this
Nudity  Search this
Packaging  Search this
Rattan furniture  Search this
Toys  Search this
Wine labels  Search this
Wit and humor  Search this
Wit and humor in advertising  Search this
Genre/Form:
Beverage labels
Fruit crate labels
Labels
Citation:
Francis M. Mair Papers, 1938-1990, Archives Center, National Museum of American History. Gift of LaVeda Mair.
Identifier:
NMAH.AC.0548
See more items in:
Francis M. Mair Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep84a770482-60c2-4ea2-adc0-0d89a54d2dc9
EDAN-URL:
ead_collection:sova-nmah-ac-0548

Grace Murray Hopper Collection

Creator:
Hopper, Grace Murray, 1906-1992  Search this
Former owner:
National Museum of American History (U.S.). Division of Physical Sciences  Search this
Names:
Remington Rand.  Search this
Extent:
2.5 Cubic feet (7 boxes, 1 map-folder)
Type:
Collection descriptions
Archival materials
Articles
Technical notes
16mm films
Videotapes
Photographs
Date:
1944-1965
Summary:
Papers and photographs of Grace Murray Hopper (1906-1992) computer and Naval pioneer.
Scope and Contents:
The material includes technical notes, operating instructions and descriptions relating to projects which Hopper participated in at Harvard during and after World War II and later in the private sector. These projects involved the creation of the Navy's Mark I, II and III "mechanical calculators" (the fore runners of today's computers) and the UNIVAC and ENIAC civilian models. The photographs document both equipment and Hopper with her colleagues at work and on social occasions. There are numerous published articles and memoranda by Hopper and others on various technical aspects of computers. Clippings of newspaper and magazine articles relating to computers and their development are also included, as well as periodicals and brochures. A "humor file" contains jokes and anecdotes collected by Hopper.

Much of the material is annotated by Hopper, primarily through notations on 3 x 5 white slips of paper. Some of the annotations by Elizabeth Luebbert, who served as a summer research assistant in the Museum's Computer History Project.
Arrangement:
The collection is divided into eleven series.

Series 1: Technical Documents, 1944-1949

Series 2: Photographs of Mark II, 1948

Series 3: Photographs at Harvard, 1944-1945

Series 4: Reports and Articles, 1946-1948

Series 5: Eckert-Mauchly Computer Corporation, 1949-1965

Series 6: Compiling Routines, 1952-1954

Series 7: Press Clippings, 1944-1953

Series 8: Periodicals and Brochures, 1950-1953

Series 9: Humor file, 1944-1953

Series 10: Machine Tape, undated

Series 11: Audiovisual Materials, undated
Biographical / Historical:
Grace Murray Hopper (1906-1992) obtained her Ph.D. in mathematics from Yale University in 1934. She was an associate professor of mathematics at Vassar College when she joined the Women's Reserve of the United States Navy, Women Accepted for Volunteer Emergency Service (WAVES) in 1944 and was assigned to the computing project at Harvard University. She served under Commander Howard H. Aiken as a Wave until 1946, and remained at Harvard's Computation Laboratory as a research fellow until 1949. In that year she joined the Eckert-Mauchly Computer Corporation as a senior mathematician. When Eckert-Mauchly became a division of Remington Rand, Hopper remained as senior programmer, a title she retained until 1959. Subsequently, she served as systems engineer and director of automatic programming development (1959-1964) and staff scientist in systems programming (1964-1971) for the UNIVAC division of Sperry Rand Corporation. Hopper retired from UNIVAC in 1972, having returned to active service in the U.S. Navy from which she eventually retired with the rank of Rear Admiral.
Related Materials:
Materials at the Archives Center

Computer Oral History Collection (AC0196)

This collection contains five oral history interviews with Grace Murray Hopper conducted on: July 1, 1968; November 1, 1968; January 7, 1969; February 4, 1969; and July 5, 1972.
Provenance:
Grace Murray Hopper donated her materials to the National Museum of American History, Section of Mathematics in 1967 and 1968. The majority of the collection was donated through the Museum's Computer Oral History Project in 1972.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Computer programmers  Search this
Topic:
Computers  Search this
Computer programming  Search this
Computers and women  Search this
Mathematicians  Search this
Systems engineering  Search this
Univac computer  Search this
Genre/Form:
Articles -- 20th century
Technical notes
16mm films
Videotapes
Photographs -- 20th century
Citation:
Grace Murray Hopper Collection, 1944-1965, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0324
See more items in:
Grace Murray Hopper Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a1e4e5a0-fbd1-4ece-ad0c-dd83803a6168
EDAN-URL:
ead_collection:sova-nmah-ac-0324
Online Media:

Harry Warren Papers

Donor:
Riva, Julia  Search this
Jones, Jophe  Search this
Composer:
Warren, Harry, 1893-1981  Search this
Extent:
32 Cubic feet (70 boxes, 26 folders)
Type:
Collection descriptions
Archival materials
Business records
Memorabilia
Awards
Sheet music
Correspondence
Scripts (documents)
Posters
Theater programs
Legal records
Programs
Date:
1894-2000, undated
bulk 1926-1980, undated
Summary:
The papers of popular songwriter Harry Warren, three time Academy Award winner and prolific contributer to the American songbook.
Scope and Contents:
The Harry Warren Papers consists of original music manuscripts, scores, song sheets, commercial sheet music, bound scores, scripts, business records, correspondence (business, personal and fan), clippings, magazines, photographs, cassette tapes, LP records, posters and programs and personal memorabilia. The material documents the personal life and professional career of composer, songwriter and lyricist Harry Warren from 1894 to 1981 and to a lesser extent the operation of his Four Jays Music Corporation, circa 1954-2000. The bulk of the collection covers the years 1927-1980. The collection is organized into eight series.
Arrangement:
The collection is divided into eight series.

Series 1: Music Manuscripts, 1928-1987

Subseries 1.1: Original Holographic Theatre and Motion Picture Music Manuscripts, 1930-1960

Subseries 1.2: Bound Presentation Scores, 1931-1982

Subseries 1.3: Original Individual Song Manuscripts, 1938-1965

Subseries 1.4: Published Sheet Music, 1930-1980

Subseries 1.5: Published Songs, Instrumentals, and Song Collections, 1928-1987

Series 2: Correspondence, 1930-1994

Series 3: Business Records, 1894-1996

Series 4: Scripts, 1946-1958

Series 5: Theatre Programs and Posters, 1915-1999

Series 6: News Clippings and Magazines, 1934-2000

Series 7: Recordings, Audio-Visual Materials, and Photographs, 1926-1977

Subseries 7.1: Recordings, Playback Discs, 1934-1961

Subseries 7.2: Cassette Tapes, 1933-1981, undated

Subseries 7.3: Photographs, 1930-1977, undated

Subseries 7.4: Reference Video Tapes, 1933-1957

Subseries 7.5: Compact Discs, undated

Subseries 7.6: Film, 1927-1964

Series 8: Memorabilia, 1918-1990
Biographical / Historical:
With the possible exception of Irving Berlin, no one has contributed as much material to the canon of American popular song in the 20th century as Harry Warren (1893-1981). Warren was born in Brooklyn, New York, December 24, 1893, to Italian immigrant parents. His birth name was Salvatore Anthony Guaragna. By the time he graduated from grade school, he was known as "Harry Warren". He legally changed his name in 1938. He was educated in the public schools of New York but had no formal musical training. He taught himself to play the organ and piano and also sang in the church choir. Both Warren's sister and brother were performers so the theatrical world was not unknown to him. He worked as an actor and assistant director for the Vitagraph film studio in New York and played mood music for actress Corinne Griffith. During World War I, Warren served in the United States Navy at Montauk Point, New York. For a few weeks after the war, he worked as an insurance examiner for The Travellers Agency.

In December 1918, Warren married Josephine Wensler (1897-1993). Their first child was a son named Harry Warren, Jr. (1920-1937). In 1920, Warren became a song plugger for the music publishing firm of Stark & Cowan. Warren continued writing and in 1922 along with lyricist Edgar Leslie produced his first song hit, "Rose of the Rio Grande." From that point on, Warren composed a continuous stream of hits introduced by such artists as Paul Whiteman and others. By 1925, a second child, Joan (1924-1991), nicknamed "Cookie", was born. Warren continued his success with such songs as "I Love My Baby (My Baby Loves Me)," "In My Gondola" and the very popular 1928 hit "Nagasaki."

By 1929, Warren was the director of the American Society of Composers, Authors, and Publishers (ASCAP). He held that position until 1933. He also served on the ASCAP Board of Directors. During this time Warren worked with various musicians including Gus Kahn, Bert Kalmer, and Harry Ruby. In 1930, he wrote his first motion picture score for the film Spring is Here. Al Jolson asked him to compose a song for the show, Wonder Bar (1931). During the 1930s, Warren composed three other Broadway shows, Sweet and Low (1930), Crazy Quilt (1931) featuring Fanny Brice, and Laugh Parade (1931) starring Ed Wynn.

In 1932, Warren was hired by Warner Brothers Studios to help write songs for the Dick Powell, Ruby Keeler film 42nd Street (1933). Along with lyricist, Al Dubin, Warren wrote such hits as "We're in the Money" and "The Shadow Waltz". Warren continued composing memorable songs for motion pictures such as Gold Diggers of 1933, The Singing Marine (1937), and Footlight Parade (1933). Gold Diggers of 1935 included Warren's first Academy Award winning song, "Lullaby of Broadway". Warren made cameo appearances in a few films during his stay at Warner Brothers. He and lyricist Dubin can be seen in 42nd Street, Go Into Your Dance (1935), and A Very Honorable Guy (1934). He also appeared in a Vitaphone short entitled Harry Warren: America's Foremost Composer.

Warren left Warner Brothers for 20th Century Fox in 1940. At Fox he helped compose the scores for such motion pictures as, Sun Valley Serenade (1941), Orchestra Wives (1942), and The Gangs All Here (1943) that included the Carmen Miranda standard, "The Lady in the Tutti-Frutti Hat". During this period, he worked with lyricists Ralph Rainger, Mack Gordon and Leo Robin, and others. Hello Frisco, Hello (1943) garnered Warren his second Academy Award for the song, "You'll Never Know". While at Fox, Warren composed "Chattanooga Choo Choo" a song that became the first gold record in the history of the recording industry.

In 1945, legendary musical film producer Arthur Freed at Metro-Goldwyn-Mayer courted Warren for his MGM production unit. Freed quipped that Warren would have the office right next door to his--and he did. For Warren the offer to write music at the studio that practically invented the movie musical was irresistible and he left 20th Century Fox for MGM. He joined Freed in writing the songs for Yolanda and the Thief (1945) starring Fred Astaire and Freed's protégée Lucille Bremer. The film was directed by the incomparable Vincent Minnelli. His next high profile score was for The Harvey Girls (1946) composed with renowned lyricist Johnny Mercer. The picture starred Judy Garland and John Hodiak. Directed by George Sidney, it was a major success, due in part to Warren's tuneful "On the Atchison, Topeka and Santa Fe". This song brought Warren his third and what would be his final Academy Award.

While at MGM, Warren worked with lyricists Mack Gordon, Ralph Blane, and others. In 1948, he and Blane composed the song score for Freed and director Rouben Mamoulian's ambitious film adaptation of Eugene O'Neills stage play Ah Wilderness entitled Summer Holiday (1948) starring Mickey Rooney and Gloria DeHaven. This is reported to have been Warren's favorite film assignment, but the film was not an unqualified success. Warren remained at MGM until the 1950s composing for such films as The Barkleys of Broadway (1949), starring Astaire and Rogers, Summer Stock (1950), starring Judy Garland and Gene Kelly and his final film for MGM, Skirts Ahoy! (1952), starring Esther Williams and Vivian Blane. After leaving MGM, Warren wrote the score for the Bing Crosby film, Just for You at Paramount. Warren also served on the Board of Directors for the Academy of Motion Picture Arts and Sciences.

Warren went on to write the music for two Jerry Lewis and Dean Martin films, The Caddy (1953) for which he composed "That's Amore", Artists and Models (1955) and for three Jerry Lewis films, Rock-a-Bye Baby (1958), Cinderfella (1960), and The Ladies Man (1961). Warren also composed instrumental pieces one being a "Mass in Honor of St. Anthony".

Warren returned to Broadway in 1956 with the musical Shangri-La, based on the novel Lost Horizon. The show was not a success and closed after fewer than thirty performances. He composed the title song for the Cary Grant, Deborah Kerr film, An Affair to Remember (1957); this song brought him his last nomination for an Academy Award. The song was later used in the motion picture Sleepless in Seattle (1993) starring Tom Hanks and Meg Ryan.

During the 1950s, Warren started his own music publishing company, Four Jays Music Corporation. After writing the songs for The Ladies Man, Warren retired from films but continued to write for piano, even composing the song for the Miss Oklahoma Pageant. His last film effort was to compose one song for the motion-picture Rosie (1968). During the last years of his life Warren composed and ran his music publishing business, but remained largely forgotten as the man who had composed a great deal of America's musical heritage.

With the resurgence in the appreciation of the movie musical in the early 1970s, the tunes composed during Warren's heyday were back in vogue, brought on in a large part by the phenomenal success of MGM's That's Entertainment! (1974). In 1980, he was asked to compose the musical numbers for an upcoming movie musical entitled, Manhattan Melody but it was never produced. 1980 brought the Warren name back to the marquees of Broadway with the David Merrick production of 42nd St.. The full budgeted big Broadway musical used the basic storyline from the 1933 film and drew upon the whole of the Warren and Dubin catalogue for the score. The production proved to be wildly popular, running in excess of five years on Broadway. Warren died in California on September 22, 1981. He was interred in the Sanctuary of Tenderness at Westwood Memorial Park in Los Angeles beside his wife and son. After Warren's death, his daughter Joan "Cookie" Warren Jones administered the music publishing company until her death in 1991.
Key:
OF = Original Film, RV = Reference Video, MV = Master Video
Separated Materials:
The Division of Cultural History (now Division of Cultural and Community Life) has three dimensional objects related to Harry Warren.
Provenance:
Donated to the Archives Center, National Museum of American History, Smithsonian Institution by Julia Riva and Jophe Jones, granddaughters of Harry Warren, on December 15, 2000.
Restrictions:
Collection is open for research but the audiovisual materials are stored off-site and special arrangements must be made to work with it. Researchers must use reference copies of audio-visual materials. When no reference copy existsContact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Composers -- 20th century  Search this
Topic:
Musical films  Search this
Popular music -- Writing and publishing  Search this
Musical reviews, comedies, etc.  Search this
Genre/Form:
Business records -- 20th century
Memorabilia -- 20th century
Awards
Sheet music -- Manuscripts -- 20th century
Correspondence -- 20th century
Scripts (documents)
Posters -- 20th century
Theater programs -- 1910-1990
Legal records
Programs
Citation:
Harry Warren Papers, 1909-2000, Archives Center, National Museum of American History. Gift of Jophe Jones and Julia Riva.
Identifier:
NMAH.AC.0750
See more items in:
Harry Warren Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep866a68fa0-73e3-4c39-9ce1-9425e269f431
EDAN-URL:
ead_collection:sova-nmah-ac-0750
Online Media:

United States Navy YEZ-2A Airship Program Collection

Names:
United States. Navy  Search this
Extent:
10.67 Cubic feet (12 containers)
Type:
Collection descriptions
Archival materials
Technical manuals
Technical drawings
Technical reports
Date:
1980-1999
Summary:
This collection consists of material relating to the United States Navy YEZ-2A Airship Program.
Scope and Contents:
This collection consists of 10 cubic feet of manuals, reports, and drawings relating to the YEZ-2A Airship Program.
Arrangement:
...
Biographical / Historical:
In February 1985, the US Navy issued a proposal request for a radar-carrying Battle Surveillance Airship System (BSAS), and in 1987 awarded the $168.9 million contract to Westinghouse Electric and Airship Industries (AI). The contract was for an airship that could be used as an airborne platform to detect the threat of sea-skimming missiles. The Westinghouse/Airship Industries Sentinel 5000 (redesignated YEZ-2A by the US Navy) was a prototype design that would have been the largest blimp ever constructed. With a crew of 10-15 accommodated in a triple-decked, partly pressurized gondola, the ship was to have been powered by two CRM Diesel engines with a supplementary General electric T700 turboprop. It would have had a 2-3 day endurance without fuel, with up to 30 days through refueling and replenishment from surface ships. Equipped with powerful radar, and nearly invisible to enemy radar due to its nonmetal substances, it was to be a formidable sentry for the Navy. AI contemplated a civil version of the 5000, which would accommodate between 140/300 passengers for luxury shuttle services and conventional scheduled flights. However the project was dependent on the success of the military program. The airship prototype did not fly until June 1991, at which time AI had collapsed and Westinghouse had taken full control of the program. Additional funding was canceled in 1995 and the development of the YEZ-2A program was discontinued.
Provenance:
Ron Hochstetter, Gift, 2018, NASM.2018.0048
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Airships  Search this
YEZ-2A Airship  Search this
Genre/Form:
Technical manuals -- Electrical equipment
Technical drawings -- 20th century
Technical reports
Citation:
United States Navy YEZ-2A Airship Program Collection, NASM.2018.0048, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2018.0048
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2b1e3890e-52a6-4aa6-92f9-f99d813395e9
EDAN-URL:
ead_collection:sova-nasm-2018-0048

McIntire Family Hawaiian Entertainers Collection

Donor:
McIntire, Lani Ellen  Search this
Creator:
Mayo, Jean Alice, 1897-?  Search this
Names:
Hawaiians (Musical group : Lani McIntire)  Search this
McIntire, Lani  Search this
Misilagi, "Freddie" Letuli Olo, 1919-2003  Search this
Extent:
1.25 Cubic feet (3 boxes)
Type:
Collection descriptions
Archival materials
Ephemera
Photographs
Scrapbooks
Date:
1920-2011, undated
Summary:
Photographs and ephemera collected by the McIntire Family of Hawaiian musicians documenting their careers throughout the United States, and those of other performers.
Scope and Contents:
This collection consists of photographs and ephemera relating to and collected by the McIntire family of Hawaiian musicians as well as materials from fellow performers. Photographs of Lani McIntire and members of his orchestra as well as those of his brothers, and niece Lani Ellen McIntire are numerous. There are programs, newspaper articles, postcards, advertisements, sheet music, and one album cover. The collection dates from the early 20th century to the late 20th century and is a comprehensive collection documenting the extensive career of the McIntire family and those that worked with them, and performers they worked with in motion pictures, night clubs, and hotels.

The collection also, "documents Lani E. McIntire's craft and career as one of the most prolific professional practitioners of Pacific Islander dances in the mid-20th century. She traveled the United States and parts of the world with Native Hawaiian and Samoan troupes, and carefully documented their travel and work." The collection critically documents, "the Hollywood Pacific Islander community that established the "Polynesian Club" scene in Hollywood [California], as well as of the Pacific Islander communities that did the same work in New York City [New York}, New Orleans [Louisiana], and other metropolitan areas in the United States."

This collection includes "candid "on the road" photographs, photographs of members of these communities socializing together during their off-time, as well as publicity photographs that together document the work as well as the cultural expressions of Hawaiian and other Pacific Islander musical entertainers. The portion of the collection that originated with Jean Alice Mayo documents the early years of filmmaking in Silent Era Hollywood. These photographs consist of "on set" candids, publicity photographs, "head-shots" of various celebrities, glamour photographs, and documentation of early stuntwomen.

Source

National Museum of American History, Acquisition Information Sheet, July 17, 2021, Archives Center Control File NMAH.AC.1511.
Arrangement:
This collection is arranged into two series.

Series 1: Photographs, 1920-1960, undated

Series 2: Scrapbook Pages, Personal Papers, and Ephemera, 1929-2011, undated
Biographical / Historical:
The McIntire family has a long history in performance of Hawaiian music, especially Hawaiian guitar, and dance. Lani McIntire (1904-1951) composer, vocalist, and guitarist, was born in Honolulu, Hawaii in 1904. Initially he entered his father's laundry business but then landed a position as ship's musician that led to a life-long career as a professional musician. Lani served in the United States Navy on the U.S.S. Birmingham as a bugler and musician in the Navy Band. After the war, Lani formed his own orchestra. In addition to leading his own orchestra, he wrote and recorded his own music the most popular song being, "The One Rose." As of 1941, he had recorded over 150 compositions and with Sam Koki recorded a version of "Sweet Leilani" that sold over two million copies. His orchestra played nationally, and it was reported that his favorite venue was the Lexington Hotel in New York City, New York.

The McIntire's, "played a critical role in creating a global Hawaiian music craze that by the 1930s had swept Japan, the Philippines, New Zealand, Austrailia, and the continental United States." Al McIntire (1906-1960) bass player and vocalist and his brothers Richard "Dick" McIntire (1902-1951) Hawaiian steel guitar player, and the aforementioned Lani McIntire became some of the best-known Hawaiian musicians in the world. They left Oahu in the 1920s and played in Polynesian-themed nightclubs while recording and working on feature films along with the extensive Pacific Islander community based in Hollywood, California. The McIntire brothers younger sister, Kahala McIntire (1925-2003) "stowed away on a ship at the age of 15 to work on the continent as a professional hula dancer." The McIntire's were well known performing in Hollywood, California, Chicago, Illinois, and at Radio City Music Hall in New York City, New York. The McIntire's recorded "hundreds of songs with fellow Hawaiian musicians and with populuar non-Hawaiian artists cush as Jimmie Rodgers and Bing Crosby."

The liner notes from Lani McIntire's "Aloha Hawaii" album read, "You'll hear Lani McIntire broadcasting twice a week, over a 190-station Mutual Broadcasting System network. You'll see him at the Hotel Lexington in New York City-or at another of American's famous night spots. (He's played at the Biltmore Bowl and the Ambassador Hotel in Los Angeles, the Book Cadillac Hotel, Detroit, the Congress Hotel, Chicago, and many others).

As you listen, you'll soon know why Lani is called, "King of Hawaiian Music". In a few minutes, the exotic, native rhythm . . . the soothing, haunting melodies . . . will create for you a vision of lush, tropical islands, of star-studded skies and warm, romantic nights.

Lani would have to be a native Hawaiian, born with that rhythm in his blood, to play the way he does-his mother was Hawaiian, his father Scotch, and he was born in Honolulu. But he didn't start his musical career until he joined the Navy, where he began playing the saxaphone. He soon switched to the guitar-which he now plays as he leads his orchestra.

'When I got my discharge from the Navy," McIntire explains, "I went to Hollywood and for eight years worked in movies. Mostly, my contributions could be heard but not seen-although finally I did appear with Bing Crosby in several pictures."

Composer, arranger, guitarist, singer-Lani McIntire has many unusual talents that stamp him as one of the most versatile of all orchestra leaders." ("Aloha Hawaii" album cover, undated)

Lani Ellen McIntire (1934-), daughter of Al McIntire and Jean Alice Mayo (1897-?) a white woman who acted in silent films and was an equestrian rider, dancer, and vocalist, continued the family performing tradition. Lani Ellen was raised in the Hawaiian community and performed hula during her family's entertainments from a young age. Lani Ellen performed dance professionally into the 1970s. She appeared on television and in Hollywood films such as, "Around the World in 80 Days" (1956). Lani Ellen was married to (1) "Freddie" Letuli Olo Misilagi (1919-2003) an American Samoan entertainer, who began dancing at the age of 15 and was described in his obituary as the "father" of the fire knife dance. Letuli later was elected village senator in 1977 and "was re-selected to the Samoan Senate in 1993."

Sources

National Museum of American History, Acquisition Information Sheet, July 17, 2021, Archives Center Control File #1511.

"Chief Letul Olo, 84, of Samoa; Father of the Fire Knife Dance", obituary, The New York Times, July 31, 2003, Section B, page 9.
Provenance:
Donated to the Archives Center, National Museum of American History, Smithsonian Institution by Lani Ellen McIntire, August 2021.
Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Occupation:
Photographers -- California -- Hollywood  Search this
Topic:
American Polynesia -- Hawaiian Islands  Search this
Hawaiian guitar  Search this
Hawaiian guitar music  Search this
Motion picture studios -- California -- Hollywood  Search this
Orchestras -- 1930-1940  Search this
Singer-Songwriters  Search this
Dancers  Search this
Entertainers -- United States  Search this
Genre/Form:
Ephemera -- 20th century
Photographs -- 20th century
Scrapbooks -- 20th century
Citation:
McIntire Family Hawaiian Entertainers Collection, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.1511
See more items in:
McIntire Family Hawaiian Entertainers Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a7df9d64-55ec-44bf-8aa1-97945b002382
EDAN-URL:
ead_collection:sova-nmah-ac-1511

Homage to Thomas Eakins

Artist:
Raphael Soyer, 25 Dec 1899 - 4 Nov 1987  Search this
Sitter:
Leonard Baskin, 15 Aug 1922 - 3 June 2000  Search this
Raphael Soyer, 25 Dec 1899 - 4 Nov 1987  Search this
Mary Soyer, 20th century  Search this
Edward Hopper, 22 Jul 1882 - 15 May 1967  Search this
Lloyd Goodrich, 10 Jul 1897 - 27 Mar 1987  Search this
Moses Soyer, 25 Dec 1899 - 1974  Search this
Reginald Marsh, 14 Mar 1898 - 3 Jul 1954  Search this
Jack Levine, 3 Jan 1915 - 8 Nov 2010  Search this
John Koch, 1909 - 1978  Search this
Edwin Walter Dickinson, 1891 - 1978  Search this
Henry Varnum Poor, III, 30 Sep 1888 - 8 Dec 1970  Search this
John Dobbs, 2 Aug 1931 - 9 Aug 2011  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 223.8 × 203.7 cm (88 1/8 × 80 3/16")
Type:
Painting
Date:
1964-1965
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Printed Material\Book  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Home Furnishings\Furniture\Table  Search this
Artwork\Painting  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Home Furnishings\Drinking vessel\Glass  Search this
Personal Attribute\Facial Hair\Beard  Search this
Self-portrait  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Edwin Walter Dickinson: Visual Arts\Artist  Search this
Edwin Walter Dickinson: Male  Search this
Lloyd Goodrich: Male  Search this
Lloyd Goodrich: Literature\Writer  Search this
Lloyd Goodrich: Visual Arts\Art critic  Search this
Lloyd Goodrich: Communications\Journalist\Editor\Magazine  Search this
Lloyd Goodrich: Visual Arts\Curator  Search this
Lloyd Goodrich: Visual Arts\Art Historian  Search this
Lloyd Goodrich: Visual Arts\Administrator\Art Museum\Director  Search this
John Koch: Male  Search this
John Koch: Visual Arts\Artist\Painter  Search this
John Koch: Visual Arts\Artist\Portraitist  Search this
Jack Levine: Male  Search this
Jack Levine: Visual Arts\Artist\Painter  Search this
Mary Soyer: Female  Search this
Leonard Baskin: Visual Arts\Artist  Search this
Leonard Baskin: Male  Search this
Leonard Baskin: Visual Arts\Artist\Sculptor  Search this
Leonard Baskin: Visual Arts\Artist\Printmaker  Search this
Leonard Baskin: Education\Educator\Professor  Search this
Leonard Baskin: Visual Arts\Artist\Illustrator  Search this
Leonard Baskin: Literature\Editor  Search this
Leonard Baskin: Military\Navy  Search this
John Dobbs: Visual Arts\Artist  Search this
John Dobbs: Male  Search this
John Dobbs: Military\Army  Search this
John Dobbs: Education\Educator\Professor\Art  Search this
Reginald Marsh: Male  Search this
Reginald Marsh: Visual Arts\Artist\Printmaker\Etcher  Search this
Reginald Marsh: Visual Arts\Artist\Painter  Search this
Reginald Marsh: Visual Arts\Artist\Illustrator  Search this
Reginald Marsh: Visual Arts\Artist\Printmaker\Lithographer  Search this
Raphael Soyer: Male  Search this
Raphael Soyer: Visual Arts\Artist\Painter  Search this
Raphael Soyer: Visual Arts\Founder  Search this
Raphael Soyer: Education\Educator\Teacher  Search this
Raphael Soyer: Literature\Writer\Art  Search this
Moses Soyer: Male  Search this
Moses Soyer: Visual Arts\Artist\Painter  Search this
Moses Soyer: Visual Arts\Artist\Portraitist  Search this
Henry Varnum Poor, III: Male  Search this
Henry Varnum Poor, III: Visual Arts\Artist\Portraitist  Search this
Henry Varnum Poor, III: Visual Arts\Architect  Search this
Henry Varnum Poor, III: Visual Arts\Artist\Painter\Landscape painter  Search this
Henry Varnum Poor, III: Visual Arts\Artist\Still life  Search this
Henry Varnum Poor, III: Visual Arts\Art Instructor  Search this
Henry Varnum Poor, III: Visual Arts\Artist\Painter\Muralist  Search this
Henry Varnum Poor, III: Crafts and Trades\Craftsman\Ceramicist  Search this
Edward Hopper: Male  Search this
Edward Hopper: Visual Arts\Artist\Painter  Search this
Portrait  Search this
Credit Line:
Owner: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution
Object number:
66.4721
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4368f65df-acb7-42a6-bbfe-3683c3a026b0
EDAN-URL:
edanmdm:npg_66.4721

Note from A. Remington Kellogg to Alexander Wetmore, October 17,1944

Author:
Kellogg, Remington 1893-1969  Search this
Subject:
Kellogg, Remington 1893-1969  Search this
Wetmore, Alexander 1886-  Search this
Ray, Sammy M (Sammy Mehedy) 1919-  Search this
United States National Museum  Search this
United States Navy  Search this
Physical description:
Number of Images: 1; Color: Color; Size: 5.25w x 8h; Type of Image: Document; Medium: Paper
Type:
Letters (correspondence)
Place:
Pacific Ocean
Date:
October 17, 1944
20th century
Topic:
Bats  Search this
Collectors and collecting  Search this
National Collections  Search this
World War, 1939-1945  Search this
Standard number:
SIA2010-0638
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_14414

Letter from Captain Roger Welles to Charles D. Walcott, January 4, 1918

Author:
Welles, Roger 1862-1932  Search this
Subject:
Beeson, Loring W  Search this
Walcott, Charles D (Charles Doolittle) 1850-1927  Search this
United States Navy  Search this
United States National Museum Section of Photography  Search this
Physical description:
Number of Images: 1 Color: Color Size: 8.5w x11h Type of Image: Letters Medium: Paper
Type:
Letters (correspondence)
Paper
Date:
January 4, 1918
20th century
Topic:
World War, 1914-1918  Search this
Photography  Search this
Smithsonian Institution--Employees  Search this
Standard number:
SIA2014-06977
Restrictions & Rights:
No restrictions
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_14235

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