Folder 1 U, 1927-1939. Includes United States Marine Corps - requesting Dr. Abbot give speech and letters making necessary arrangements; University - Broadcasting Council (request for 5 minute talk by Dr. Abbot; Manuscript of talk "The Effect of Solar ...
Collection Creator::
Abbot, C. G. (Charles Greeley), 1872-1973 Search this
Container:
Box 197 of 215
Type:
Archival materials
Collection Restrictions:
Series 4 partially microfilmed.
Collection Citation:
Smithsonian Institution Archives, Record Unit 7005, Charles G. Abbot Papers, and Records of the Smithsonian Astrophysical Observatory
An album of postcards dating from 1903 to 1907, including some that are unsent and undated. Many are addressed to members of the Humphrey family, but the individual who created the album is unknown.
Scope and Contents:
The collection consists of a single album of postcards that are both correspondence and blank. Postcards that were mailed are dated from 1903 to 1906; others are undated. Many of the postcards are reproductions of scenic images from places including, but not limited to, New York City, New York, Atlantic City, New Jersey, Annapolis, Maryland, and Nice, France. Other postcards are Christmas holiday cards, and there are several cartoon postcards of the story Madame Butterfly. There are four "real photo" postcards on photographic postcard paper. The recipients of the postcards vary, and there is no information as to who compiled the album. Several addressees of the postcards are members of the Humphrey family.
Arrangement:
The collection is arranged into one series.
Series 1: Postcard Album, 1903-1907
Biographical / Historical:
Many members of the Humphrey family experienced long and distinguished careers in the military. Charles Frederick Humphrey Sr. was born in Tioga County, New York on September 2, 1844. His military career began at the age of eighteen when he enlisted in the Fifth Artillery, regular army, in March 1863, as a Private. Humphrey married Juanita Foster DaCosta and the union produced five sons; Evan Harris, Charles Frederick Jr., Julian F., Marion Bell and Joseph DaCosta. Humphrey's military service spanned forty four years. He was the first recipient of the Civil War Campaign Medal and also received the Medal of Honor and Distinguished Service Cross. When Humphrey retired on July 1, 1907, Congress honored his service with the rank of Major General, mostly based on the recommendation of President Taft. After retirement Humphrey resided in Washington, D.C. and his five sons continued the tradition of long military service.
Sons Evan Harris (March 5, 1875-August 30, 1963) and Charles Frederick Jr. (August 11, 1876-January 22, 1968) retired as Brigadier Generals of the United States Army. Another son, Marion Bell Humphrey (September 15, 1887-August 20, 1953) retired as a Colonel of the United States Marine Corps. Julian F. Humphrey retired from the United States Merchant Marine and lastly Joseph Da Costa Humphrey also retired from military service. Charles Frederick Humphrey Sr. died on June 4, 1926 at the age of 81 at Walter Reed General Hospital and was buried at Arlington National Cemetery with full military honors. Other members of the Humphrey family are also buried at Arlington National Cemetery.
Provenance:
Provenance unknown. The album was found in the collections of the National Air and Space Museum Archives.
Restrictions:
Collection is open for research. : Album pages are slightly warped, and some are torn where they secure the postcards; some postcards are worn around the edges and slightly torn.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Caption: "Jack was Handsome...Cindy was lonesome...". Jack, in uniform, and Cindy together at bottom right.
Published Feb.-Apr. 1945.
Local Numbers:
245637
Ivorydata4 1494
0307910299 (Scan No.)
Restrictions:
Unrestricted research use on site by appointment. Reproduction restrictions due to copyright.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Shirley McClain Collection, United States Marine Corps (USMC) Quantico Archives
Collection Creator::
National Museum of the American Indian. Community and Constituent Services Department. Professional Outreach Search this
Container:
Box 2 of 6
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2023; Transferring office; 06/29/2009 memorandum, Toda to Pahn; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 09-243, National Museum of the American Indian. Community and Constituent Services Department. Professional Outreach, Traveling Exhibition Records
These letters are clues to a secret life. This is a series of letters and addressed envelopes sent to Philip St. George (?-1997) of New York City who, from all indications, identified as being a closeted gay man. George's correspondents, who may have also have been gay or bisexual, tell of their experiences in the armed forces after World War II and their life after the war, 1945-1953.
Arrangement:
In Box 84, Folders 1 - 10.
Local Numbers:
AC1146-0000117-01 to AC1146-0000273 (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Wurlitzer Company Records, 1860-1984, Archives Center, National Museum of American History
Edmund Snow Carpenter (1922-2011) was an archaeologist and visual anthropologist who worked extensively with the indigenous peoples of the Canadian Arctic as well as Papua New Guinea. With his colleague and close collaborator Marshall McLuhan (1911-1980), he laid the groundwork for modern media theory. Carpenter is also known for his work as an ethnographic filmmaker and as a collector of Paleo-Eskimo art. The Papers of Edmund Carpenter, circa 1938-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art.
Scope and Contents:
The papers of Edmund Carpenter, 1940-2011, document the research interests and projects undertaken by Carpenter in the fields of cultural anthropology, ethnographic filmmaking, media theory, archaeology, and indigenous art. Specific research projects and interests documented are: his 1950s fieldwork among the Aivilik Inuit in the Canadian Arctic as well as his studies into Inuit concepts of space, time, and geography; his partnership and collaboration with media theorist Marshall McLuhan and his ethnographic studies of Papua New Guinean tribal communities; his early-career archaeological digs at Haudenosaunee (Iroquois) burial mounds in Sugar Run, Pennsylvania, as well as later archaeological interest in Arctic peoples, Siberia, and the Norwegian artifact dubbed the "Norse Penny"; his reflections on the disciplines of anthropology and media studies; his editing and completion of the work of art historian Carl Schuster at the Museum der Kulturen (Museum of Ethnology) in Basel, Switzerland; his editing of The Story of Comock the Eskimo, as told to Robert Flaherty; and his museum exhibitions compiled on the topics of surrealist and tribal art. The collection also documents Carpenter's correspondence with fellow scholars, ethnographers, filmmakers, and colleagues; his published writings; and elements of his personal life, such as obituaries and personal photographs.
Materials in this collection include artifact and burial records; correspondence; drawings and illustrations; essays; interviews and oral histories; inventories and catalogues; manuscripts and drafts, and fragments of drafts; maps; memoranda and meeting minutes; notes, notebooks, and data analysis; obituaries and memorials; photographic prints, slides, and negatives, including personal photographs and portraits; proposals and plans for museum exhibits; reports; resumes and bibliographies; reviews; and sound recordings on CD-Rs and audio cassettes. Additional materials include books and book chapters; journal copies and journal excerpts; magazine, newspaper, and article clippings and excerpts; museum and gallery catalogues, brochures, and guides; pamphlets; and reprints. A portion of the material collected here consist of consolidated research into specific topics, gathered from archival repositories, museums, correspondence, and published works. This material consists of research reprints and archival reference photocopies and photographic prints from various repositories.
Items worthy of special mention in this collection include: annotated draft chapters from Marshall McLuhan's seminal work on media theory, Understanding Media: The Extensions of Man (Series 2); a 1957 letter from e. e. cummings to Carpenter, written in verse (Series 3); an undated thank-you note addressed to "Sadie" from Helen Keller (Series 3); and a transcript of an interview of Carpenter by his former student, Harald Prins (Series 2).
Audiovisual material in this collection is currently undergoing processing.
Arrangement:
The collection is organized into the following 7 series:
Series 1. Fieldwork and drafts, 1940-2011 (bulk 1940-1959)
Series 2. Research and project files, 1940-2011
Series 3. Correspondence, circa 1938-2011
Series 4. Publications and lectures, circa 1942-circa 2006
Series 5. Personal, 1942-2011
Series 6. Film and visual material (in-process)
Series 7. Writings by others, 1960-2009, undated
Biographical Note:
Edmund Snow Carpenter (1922-2011) was an archaeologist and visual anthropologist who worked extensively with the indigenous peoples of the Canadian Arctic and Papua New Guinea. With his colleague and close collaborator Marshall McLuhan (1911-1980), he laid the groundwork for modern media theory. Carpenter is also known for his work as an ethnographic filmmaker and as a collector of Paleo-Eskimo art.
Born in 1922 in Rochester, New York, Edmund (nicknamed "Ted") Carpenter served in the U.S. Marine Corps during World War II before receiving his Ph.D. from the University of Pennsylvania in 1950 under Frank Speck for work on Iroquoian prehistoric archaeology. Carpenter began teaching at the University of Toronto in 1948 while simultaneously working as a programmer for the Canadian Broadcasting Corporation (CBC). In the 1950s, he undertook fieldwork in the Canadian Arctic among the Aivilik (an Inuit Igloolik subgroup). This fieldwork resulted in several publications in the field of cultural anthropology, including Time/Space Concepts of the Aivilik (1955), Anerca (1959), and Eskimo (1959, republished as Eskimo Realities in 1973).
Also in the 1950s, Carpenter began a working relationship with media theorist Marshall McLuhan. Together, they received a Ford Foundation grant (1953-1955) for an interdisciplinary media research project into the impact of mass communications and mass media on culture change. Carpenter and McLuhan's partnership resulted in the Seminar on Culture and Communication (1953-1959) and the journal series Explorations. In 1957, Carpenter was the founding chair in the interdisciplinary program "Anthropology and Art" at San Fernando Valley State College (now California State University, Northridge). There, he collaborated with Bess Lomax Hawes and other colleagues in the production of several ethnographic films, including Georgia Sea Island Singers about Gullah (or Geechee) songs and dances. During this period, Carpenter worked with McLuhan on the latter's seminal book Understanding Media: The Extensions of Man (1964). The article published as "Fashion is Language" in Harper's Bazaar under McLuhan's name (1968) was actually written by Carpenter. It was later published in book form under Carpenter's name, with the title They Became What They Beheld (1970).
In 1969, Carpenter took a research professorship at the University of Papua and New Guinea sponsored by the government of Australia. Alongside photographer Adelaide De Menil (whom he would later marry), he applied many of the ideas about media literacy and culture change to indigenous communities of Papua New Guinea. These activities led to developments in the field of media ecology, as well as the publication of Carpenter's best-known work, Oh, What a Blow the Phantom Gave Me! (1976).
Carpenter taught intermittently at various universities throughout his career, including Fordham University, the University of California-Santa Cruz, Adelphi University, Harvard University's Center for Visual Anthropology, the New School for Social Research, and New York University. He spent eight years associated with the Museum of Ethnology in Basel, Switzerland (1973-1981), editing art historian Carl Schuster's research.
Grimes, William. "Edmund Carpenter, Archaeologist and Anthropologist, Dies at 88." The New York Times. 2011 July 7. https://www.nytimes.com
Prins, Harald E. L. and John Bishop. "Edmund Carpenter: Explorations in Media and Anthropology." Visual Anthropology Review 17:2 (Fall-Winter 2001-2002): 110-140.
Chronology
1922 September 2 -- Born in Rochester, New York
circa 1940-1941 -- Archaeological field work, Sugar Run mounds, Pennsylvania
1942-1946 -- Served in the United States Marine Corps
1948-1957 -- Anthropology Department, University of Toronto
circa 1950 -- Began work for the Canadian Broadcasting Corporation (CBC)
1950 -- Ph.D. University of Pennsylvania (Anthropology)
1950s -- Fieldwork among the Aivilik Inuit
1953-1959 -- Ran the Seminar on Culture and Communication with Marshall McLuhan
1957-1967 -- "Anthropology and Art" program at San Fernando Valley State College (California State University, Northridge)
1967-1968 -- Schwitzer Chair, Fordham University (with Marshall McLuhan)
1968-1969 -- Carnegie Chair in Anthropology, University of California, Santa Cruz
1969-1970 -- Research Professor, University of Papua and New Guinea
1973-1981 -- Associated with the Museum of Ethnology in Basel, Switzerland for Carl Schuster papers project
circa 1989-2005 -- Collaboration regarding Zhokov Island archaeological site
2011 July 1 -- Died in East Hampton, New York
Separated Materials:
Film and video recordings are retained by the Human Studies Film Archives (HSFA) as the Edmund Carpenter-Adelaide de Menil Collection (HSFA 2004-04). Once processing is complete, they will be described in the following finding aid in Series 6.
Provenance:
The Edmund Snow Carpenter papers were donated to the National Anthropological Archives in 2017 by Adelaide de Menil on behalf of the Rock Foundation.
Restrictions:
The Edmund Snow Carpenter papers are open for research.
Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Digital media in the collection is restricted for preservation reasons.
Access to the Edmund Snow Carpenter papers requires an appointment.
The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives'
record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program
staff conduct interviews with current and retired Smithsonian staff and others who have made significant contributions to the Institution. There are also reminiscences and
interviews recorded by researchers or students on topics related to the history of the Smithsonian or the holdings of the Smithsonian Institution Archives.
American University history student Caitlin Miller conducted oral history interviews of Smithsonian Gardens staff to document the history of the Smithsonian's horticultural
program, for an oral history seminar taught by Smithsonian Archives historian Pamela M. Henson.
Descriptive Entry:
The History of Smithsonian Gardens Oral History Interviews consist of approximately 6 hours of digital audio interviews, in 3 digital .wav audio files, and 108 pages
of transcript. Each interview recording has three generations: an original digital audio file in .wav format, an preservation digital audio file in .wav format, and a reference
digital audio file in .mp3 format. The original digital audio files are preserved in security storage with .mp3 files available for reference. The Monday interview has not
been transcribed.
Historical Note:
Paul H. Lindell, Barbara Faust, and John Monday were interviewed about their pioneering careers at the Smithsonian and the development of the horticultural program
at the Institution.
The Smithsonian Office of Horticulture was established in 1972 by Smithsonian Secretary S. Dillon Ripley who initially hired James Buckler as the director. Renamed Smithsonian
Gardens in 2010, the program has grown rapidly and is responsible for the design, installation and maintenance of interior plantscapes; the propagation and culture of rare
and unusual plant collections for research and exhibition purposes; production and culture of annuals, biennials, perennials, tropical plants, and other specialized seasonal
crops for use in the exterior landscapes, interior plantscapes, for special events and special exhibitions; the application of pesticides; coordination of design, fabrication,
installation and maintenance of all winter seasonal designs for the Smithsonian Institution; receipt and maintenance of nursery specimens for future landscape utilization;
365 day cultural care and maintenance of the greenhouse nursery facility and plant material; the procurement of plants, supplies and equipment; educational outreach; and the
coordination of all organizational activities with other Smithsonian offices and museum staff for scheduling and planning purposes.
Paul H. Lindell (1943- ) grew up in rural Delaware and attended Brown Vocational Technical High School in Wilmington, Delaware, where he received a technical high school
degree, with an emphasis on architectural drafting. He then worked for the Artesian Water Company before he was in the United States Marine Corps for three years as a radio
operator. He then attended the College of Agriculture of the University of Delaware and worked at Edward H. Richardson Associates, Inc., Consulting Engineers and Architects,
and Tetra Tech Consulting Engineers and Architects. He began his career at the Smithsonian in 1986 as a consultant for the Enid A. Haupt Garden and joined the Office of Horticulture
staff in 1987. He served as a landscape architect for Smithsonian Gardens until his retirement in 2011.
Barbara Faust (1955- ), Associate Director of Smithsonian Gardens since 2004, joined Smithsonian staff in 1986 as manager of the Greenhouse Nursery Branch, Horticulture
Services Division. She grew up in rural Nelson County, Virginia, and received the B.S. in horticulture from Virginia Polytechnic Institute and State University in 1977. Throughout
her career she has been active in the horticultural community.
Jack Monday (1929- ) was born on a farm outside Rockville, Maryland. He was mentored by Gerry Fisher while working as a gardener for the Washington, D.C., government beginning
in 1949. He became the head gardener for the Smithsonian National Zoological Park in 1965 and moved to the Smithsonian's Office of Horticulture in 1974 upon director Jim Bucklers
request to help with preparations for the Bicentennial of the American Revolution. He served as Assistant Director of the Office of Horticulture from 1974 to 1986, retiring
during the planning phase for the Enid A. Haupt Garden in 1986.
Restrictions:
The Lindell interview session is restricted and permission must be secured from the interviewee to use the interview transcript or cite/quote from the recording.
Collection primarily documents the career of Latino graphic artist and designer Anthony Moreno.
Scope and Contents:
Collection primarily documents commercial artwork created by Latino graphic artist and designer Anthony Moreno for United States companies. It consists of client files including original artwork, purchase orders, annual reports, product packaging, magazines, and some promotional materials. In addition, a United States Marine Corps discharge certificate, unemployment documents, a resume, photographs, business cards, and a customized desk notepad are also found among the materials. Information relating to Moreno's personal life is not included in the collection. Most of the materials are undated and are arranged in alphabetical order either by the name of a company or type of materials.
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
Anthony Moreno was born to Francisco Moreno and Lusinda Moreno on January 30, 1923 in Los Angeles County, California. He attended Theodore Roosevelt High School where he graduated in 1941. Moreno served in the United States Marines from 1943-1946. On October 22, 1949 he married Margaret Carrera and to this union eight children were born. He attended the Art Center College, graduated in 1950 and subsequently embarked on a career as an Art Director. As an Art Director, he worked for numerous United States companies including Global Marketing, Incorporated; Dozier Eastman Company; Weider Health and Fitness, Incorporated; and Ralph M. Parsons. Moreno died on February 8, 1982 at the age of fifty-nine at the Veteran's Hospital in Long Beach, Los Angeles County, California.
Source: Information obtained from Moreno's son William Moreno, January 2021.
Provenance:
Collection donated by Margaret Moreno to the Archives Center in 2019.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Anthony Moreno Papers, 1946-1975, undated, Archives Center, National Museum of American History
Series 6 is general ephemera arranged into three subseries. Subseries 6.1 contains material related to the United States Marine Corps (USMC) and its relationship to the CCC. Subseries 6.2 consists of discharge papers; this subseries is arranged alphabetically by last name. Subseries 6.3 contains a variety of ephemera, postcards, menus, NACCCA Museum accession records, rosters, programs, and other material.
Collection Restrictions:
This collection is open for research use.
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
