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Rockwell Kent papers, circa 1840-1993, bulk 1935-1961

Creator:
Kent, Rockwell, 1882-1971  Search this
Subject:
Wildenstein, Felix  Search this
Phillips, Duncan  Search this
Hays, Lee  Search this
Untermeyer, Louis  Search this
Zigrosser, Carl  Search this
Robeson, Paul  Search this
DuBois, W.E.B. (William Edward Burghardt)  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Ruggles, Carl  Search this
Stefansson, Vilhjalmur  Search this
Nearing, Helen  Search this
Nearing, Scott  Search this
Pach, Walter  Search this
Rasmussen, Knud  Search this
Reeves, Ruth  Search this
Seeger, Pete  Search this
Daniel, Charles  Search this
Cleland, T. M. (Thomas Maitland)  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Chamberlain, J. E.  Search this
Boyesen, Bayard  Search this
Chase, William Merritt  Search this
Freuchen, Peter  Search this
Gellert, Hugo  Search this
Gottlieb, Harry  Search this
Hartley, Marsden  Search this
FitzGerald, James  Search this
Keller, Charles  Search this
Miller, Kenneth Hayes  Search this
Henri, Robert  Search this
Jones, Dan Burne  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
American Artists' Congress  Search this
Artists' Union (New York, N.Y.)  Search this
Artists League of America  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
Macbeth Gallery  Search this
International Workers Order  Search this
Type:
Poems
Sketches
Business records
Photographs
Drawings
Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9557
(DSI-AAA_SIRISBib)211757
AAA_collcode_kentrock
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211757
Online Media:

Antonin Heythum papers, 1920-1959

Creator:
Heythum, Antonin, 1901-1954  Search this
Subject:
Heythum, Charlotta  Search this
Hutchins, Robert Maynard  Search this
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
Citation:
Antonin Heythum papers, 1920-1959. Archives of American Art, Smithsonian Institution.
Topic:
Industrial design  Search this
Theme:
Architecture & Design  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8798
(DSI-AAA_SIRISBib)210982
AAA_collcode_heytanto
Theme:
Architecture & Design
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210982

John Warner Norton and Norton family papers, 1893-1954

Creator:
Norton, John Warner, 1876-1934  Search this
Citation:
John Warner Norton and Norton family papers, 1893-1954. Archives of American Art, Smithsonian Institution.
Topic:
Artists' writings  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Painting, American -- Illinois -- Chicago  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10080
(DSI-AAA_SIRISBib)212951
AAA_collcode_nortjohn
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212951

Rockwell Kent papers

Creator:
Kent, Rockwell, 1882-1971  Search this
Names:
American Artists' Congress  Search this
Artists League of America  Search this
Artists' Union (New York, N.Y.)  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
International Workers Order  Search this
Macbeth Gallery  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
Boyesen, Bayard  Search this
Chamberlain, J. E.  Search this
Chase, William Merritt, 1849-1916  Search this
Cleland, T. M. (Thomas Maitland), 1880-1964  Search this
Daniel, Charles, 1878-1971  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Fitzgerald, James, 1899-1971  Search this
Freuchen, Peter, 1886-1957  Search this
Gellert, Hugo, 1892-1985  Search this
Gottlieb, Harry, 1895-  Search this
Hartley, Marsden, 1877-1943  Search this
Hays, Lee, 1914-1981  Search this
Henri, Robert, 1865-1929  Search this
Jones, Dan Burne  Search this
Keller, Charles, 1914-2006  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Nearing, Helen  Search this
Nearing, Scott, 1883-1983  Search this
Pach, Walter, 1883-1958  Search this
Phillips, Duncan, 1886-1966  Search this
Rasmussen, Knud, 1879-1933  Search this
Reeves, Ruth, 1892-1966  Search this
Robeson, Paul, 1898-1976  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Ruggles, Carl, 1876-1971  Search this
Seeger, Pete, 1919-2014  Search this
Stefansson, Vilhjalmur, 1879-1962  Search this
Untermeyer, Louis, 1885-1977  Search this
Wildenstein, Felix, 1883-1952  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
88 Linear feet
Type:
Collection descriptions
Archival materials
Poems
Sketches
Business records
Photographs
Drawings
Date:
circa 1840-1993
bulk 1935-1961
Summary:
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
Scope and Content Note:
The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).

Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.

Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.

Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.

Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.

Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.

Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.
Arrangement:
The collection is arranged into six series. Series 1 is arranged alphabetically. The arrangement of the remaining series is explained in each series description. Note that sealed materials that became available in 2000 were microfilmed separately on reels 5740-5741, but have integrated into this finding aid.

Missing Title

Series 1: Alphabetical Files, circa 1900-1971, undated (Reels 5153-5249, 5256, 5740-5741)

Series 2: Writings, 1906-1978, undated (Reels 5249-5252, 5741)

Series 3: Art Work, 1910-1972, undated (Reels 5252, 5741)

Series 4: Printed Matter, 1905-1993, undated (Reels 5252-5254)

Series 5: Miscellaneous, 1859-1969, undated (Reels 5254, 5741)

Series 6: Photographs, circa 1840-1970, undated (Reels 5254-5255, 5741)
Biographical Note:
Rockwell Kent (1882-1971), an energetic and multitalented man, pursued many interests and careers during his very long and active life. At various times he was an architect, draftsman, carpenter, unskilled laborer, painter, illustrator, printmaker, commercial artist, designer, traveler/explorer, writer, professional lecturer, dairy farmer, and political activist.

While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.

Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.

An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."

In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.

As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.

Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.
Provenance:
In 1969, Rockwell Kent donated his papers to the Archives of American Art; textile samples were received in 1979, and his widow gave additional papers in 1971 and 1996. Letters to Rockwell Kent from wives Frances and Sally, sealed during Sally Kent Gorton's lifetime, became available for research after her death in 2000, and further material was donated to the Archives of American Art in 2001 by the Estate of Sally Kent [Shirley Johnstone] Gorton.
Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Function:
Labor unions
Genre/Form:
Poems
Sketches
Business records
Photographs
Drawings
Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kentrock
See more items in:
Rockwell Kent papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97edd9940-eb61-4562-9583-def2da778b6a
EDAN-URL:
ead_collection:sova-aaa-kentrock
Online Media:

Alphabetical Files

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Extent:
(Reels 5153-5249, 5256, 5740-5741)
Type:
Archival materials
Date:
circa 1900-1971, undated
Scope and Contents note:
This series contains Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends--both lifelong and of brief duration--illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent Papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers' Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributorships for grain, feed, and farm implements.

Letters to Rockwell Kent from wives Frances and Sally (Shirley Johnstone), sealed during Sally's lifetime, became available for research in 2000 and were microfilmed later on reels 5740-5741.
Arrangement note:
File titles are, in most cases, those used by Rockwell and Sally Kent, with some minor changes for consistency. The Kents' filing system included a "Miscellaneous" designation for each letter of the alphabet, used for single items or small quantities not requiring separate folders. To facilitate access and for ease of microfilm use, contents of the miscellaneous folders have been interfiled in sequence.

Material is arranged alphabetically, usually by the name of the individual or organization represented, though some file titles represent subjects or occasions (e.g., "Spanish Causes" and "Birthday").

Records are arranged chronologically within each file; brief summaries are provided for many titles, usually where there is a significant amount of material. Cross-referencing is supplied where possible to indicate areas of overlap, inconsistencies in filing, or name changes; references are to other file titles within this series.

The bulk of this series has been digitized. Material of very specialized or limited interest (e.g. banking records, dairy immunization records, employee tax records, dog licenses etc.) has not been digitized.
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kentrock, Series 1
See more items in:
Rockwell Kent papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95b76f034-9e12-4149-9f05-b1169f2cbfb6
EDAN-URL:
ead_component:sova-aaa-kentrock-ref15

United American Artists

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5242, Frame 476-1547
Type:
Archival materials
Date:
1938-1947, undated
Scope and Contents note:
(correspondence about exhibitions, fund raising, fund raising, meetings, speaking engagements, Federal Arts Project legislation communications from local communications from local branches of UAA and from similar arts organizations; printed matter; minutes of executive and other committees; see also: Union of Office and Professional Workers of America; and United Scenic Artists)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bdea429e-8aba-4727-ab5f-1fcf117c5637
EDAN-URL:
ead_component:sova-aaa-kentrock-ref3892

United Office and Professional Workers of America

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5243, Frame 662-1037
Type:
Archival materials
Date:
1939-1942, 1948
Scope and Contents note:
(convention bulletin and resolutions, 1940 and 1942; correspondence and printed matter; see also: United American Artists; United Scenic Artists)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98b845a75-b207-4abe-b7b1-79b480772040
EDAN-URL:
ead_component:sova-aaa-kentrock-ref3904

United Scenic Artists

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5243, Frame 1091-1148
Type:
Archival materials
Date:
1937-1940
Scope and Contents note:
(correspondence concerning Kent's resignation as vice president of the Mural Painters Union and probable expulsion from United Scenic Artists (an AFL affiliate) because of activities in United American Artists (a CIO affiliate); miscellaneous printed matter; see also: United American Artists)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9480df18a-ca5b-4fd5-a16a-144e19fb10d3
EDAN-URL:
ead_component:sova-aaa-kentrock-ref3908

The Invisible Planet (set design by United Scenic Artists)

Collection Creator:
Herbert, Don (Donald Jeffry), 1917-2007  Search this
Extent:
1 Drawings (visual works) (15" x 20")
Container:
Map-folder 1
Type:
Archival materials
Drawings (visual works)
Date:
1965 - 1965
Collection Restrictions:
Collection is open for research. Reference copies for audio and moving images materials do not exist. Use of these materials requires special arrangement. Gloves must be worn when handling unprotected photographs and negatives.

Social Security numbers are present and have been rendered unreadable and redacted. Researchers may use the photocopies in the collection. The remainder of the collection has no restrictions.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Mr. Wizard Papers, Archives Center, National Museum of American History.
See more items in:
Mr. Wizard Papers
Mr. Wizard Papers / Series 6: Educational Programs/Projects / 6.5: Experiment
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e5c5e24a-6229-4d65-870d-ced43514da73
EDAN-URL:
ead_component:sova-nmah-ac-1326-ref427

Watercolor costume sketch by Lemuel Ayers for the musical, St. Louis Woman

Created by:
Lemuel Ayers, American, 1915 - 1955  Search this
Subject of:
Robert Pope  Search this
Medium:
watercolor, graphite and ink on paper with cloth and metal staples
Dimensions:
H x W: 12 x 9 3/4 in. (30.5 x 24.8 cm)
Type:
design drawings
Date:
1945
Topic:
African American  Search this
Art  Search this
Costume design  Search this
Design  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2011.57.45.1
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Decorative Arts, Craft, and Design
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd510417104-b5b2-4d8f-9f1c-9760c4d0c10d
EDAN-URL:
edanmdm:nmaahc_2011.57.45.1
Online Media:

Watercolor costume sketch by Lemuel Ayers for the musical St. Louis Woman

Created by:
Lemuel Ayers, American, 1915 - 1955  Search this
Subject of:
Pearl Bailey, American, 1918 - 1990  Search this
Medium:
watercolor, graphite and ink on paper with cloth and metal staples
Dimensions:
H x W: 12 1/8 x 9 9/16 in. (30.8 x 24.3 cm)
Type:
design drawings
Place used:
New York City, New York, United States, North and Central America
Date:
1945
Topic:
African American  Search this
Art  Search this
Costume design  Search this
Design  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2011.57.45.2ab
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Decorative Arts, Craft, and Design
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5a1a2ad1a-94e6-4415-b511-dd2a19e57db2
EDAN-URL:
edanmdm:nmaahc_2011.57.45.2ab
Online Media:

Watercolor costume sketch by Lemuel Ayers for the musical, St. Louis Woman

Created by:
Lemuel Ayers, American, 1915 - 1955  Search this
Subject of:
Gwendolyn Hale  Search this
Medium:
watercolor, graphite and ink on paper with cloth, adhesive tape and metal staples
Dimensions:
H x W: 12 x 9 5/8 in. (30.5 x 24.4 cm)
Type:
design drawings
Date:
1945
Topic:
African American  Search this
Art  Search this
Costume design  Search this
Design  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2011.57.45.3
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Decorative Arts, Craft, and Design
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd57887f19f-311b-4930-9cf2-9da17f58ffda
EDAN-URL:
edanmdm:nmaahc_2011.57.45.3

Program for An Evening of Comedy with Jackie 'Moms' Mabley and Her Ladies

Created by:
National Black Theatre, American, founded 1968  Search this
Subject of:
Clarice Taylor, American, 1917 - 2011  Search this
Moms Mabley, American, 1897 - 1975  Search this
Dinah Washington, American, 1924 - 1963  Search this
Billie Holiday, American, 1915 - 1959  Search this
Mahalia Jackson, American, 1911 - 1972  Search this
Ma Rainey, American, 1886 - 1939  Search this
Medium:
ink on paper
Dimensions:
H x W x D (Closed): 8 1/2 × 5 1/2 × 1/16 in. (21.6 × 14 × 0.2 cm)
H x W (Open): 8 1/2 × 12 in. (21.6 × 30.5 cm)
Type:
programs
Place used:
New York City, New York, United States, North and Central America
Date:
2003
Topic:
African American  Search this
Actors  Search this
Comedy  Search this
Comedy (Theatre)  Search this
Entertainers  Search this
Singers (Musicians)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of William and James Thomas and family in memory of Clarice Taylor
Object number:
2013.188.37
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd59412d5d9-b448-44c5-9630-9905cc3fd4d2
EDAN-URL:
edanmdm:nmaahc_2013.188.37
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Program for An Evening of Comedy with Jackie 'Moms' Mabley and Her Ladies digital asset number 1
Online Media:

Costume design drawing by Judy Dearing for Bobo in A Raisin in the Sun

Created by:
Judy Dearing, American, 1940 - 1995  Search this
Subject of:
Lorraine Hansberry, American, 1930 - 1965  Search this
Medium:
graphite, watercolor, and pigment on paper
Dimensions:
H x W: 13 3/4 × 11 in. (34.9 × 27.9 cm)
Type:
design drawings
Date:
1983-1986
Topic:
African American  Search this
Broadway Theatre  Search this
Costume  Search this
Costume design  Search this
Design  Search this
Drama (Theatre)  Search this
Tragedy (Theatre)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.128.1
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Decorative Arts, Craft, and Design
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5060ef603-c5f4-4c63-84a9-cb4841bc86a9
EDAN-URL:
edanmdm:nmaahc_2014.128.1
Online Media:

Costume design drawing by Judy Dearing for Porgy and Bess

Created by:
Judy Dearing, American, 1940 - 1995  Search this
Medium:
graphite, watercolor, and pigment on paper
Dimensions:
H x W: 13 5/8 × 11 in. (34.6 × 27.9 cm)
Type:
design drawings
Date:
1995
Topic:
African American  Search this
Art  Search this
Costume  Search this
Costume design  Search this
Design  Search this
Musical Theatre  Search this
Opera (Music)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.128.10
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Decorative Arts, Craft, and Design
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd559f0bf21-cf77-4ca2-938f-ec630402d182
EDAN-URL:
edanmdm:nmaahc_2014.128.10
Online Media:

Costume design drawing by Judy Dearing for Porgy and Bess

Created by:
Judy Dearing, American, 1940 - 1995  Search this
Medium:
graphite, watercolor, and pigment on paper
Dimensions:
H x W: 13 15/16 × 10 7/8 in. (35.4 × 27.6 cm)
Type:
design drawings
Date:
1995
Topic:
African American  Search this
Art  Search this
Costume  Search this
Costume design  Search this
Design  Search this
Musical Theatre  Search this
Opera (Music)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.128.12
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Decorative Arts, Craft, and Design
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5acd4afa1-fcfb-496a-bd87-aa1b578b3649
EDAN-URL:
edanmdm:nmaahc_2014.128.12
Online Media:

Costume design drawing by Judy Dearing for Porgy and Bess

Created by:
Judy Dearing, American, 1940 - 1995  Search this
Medium:
graphite and pigment on paper
Dimensions:
H x W: 13 3/4 × 11 1/16 in. (34.9 × 28.1 cm)
Type:
design drawings
Date:
1995
Topic:
African American  Search this
Art  Search this
Costume  Search this
Costume design  Search this
Design  Search this
Musical Theatre  Search this
Opera (Music)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.128.13
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Decorative Arts, Craft, and Design
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd586ebdb9d-f217-4fdb-bd99-590db30de7f9
EDAN-URL:
edanmdm:nmaahc_2014.128.13
Online Media:

Costume design drawing by Judy Dearing for Robbins in Porgy and Bess

Created by:
Judy Dearing, American, 1940 - 1995  Search this
Medium:
graphite, watercolor, and pigment on paper
Dimensions:
H x W: 13 3/4 × 10 7/8 in. (34.9 × 27.6 cm)
Type:
design drawings
Date:
1995
Topic:
African American  Search this
Art  Search this
Costume  Search this
Costume design  Search this
Design  Search this
Musical Theatre  Search this
Opera (Music)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.128.14
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Decorative Arts, Craft, and Design
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd529386ce0-a97d-4f73-940f-cdef06c2ce8f
EDAN-URL:
edanmdm:nmaahc_2014.128.14
Online Media:

Costume design drawing by Judy Dearing for Annie in Porgy and Bess

Created by:
Judy Dearing, American, 1940 - 1995  Search this
Medium:
graphite and pigment on paper
Dimensions:
H x W: 13 3/4 × 10 7/8 in. (34.9 × 27.6 cm)
Type:
design drawings
Date:
1995
Topic:
African American  Search this
Art  Search this
Costume  Search this
Costume design  Search this
Design  Search this
Musical Theatre  Search this
Opera (Music)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.128.15
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Decorative Arts, Craft, and Design
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd500062ec5-0118-46ca-a5f9-b82fb3599542
EDAN-URL:
edanmdm:nmaahc_2014.128.15
Online Media:

Costume drawing by Judy Dearing for Stanley Kowalski in A Streetcar Named Desire

Created by:
Judy Dearing, American, 1940 - 1995  Search this
Subject of:
Alliance Theatre, American, founded 1968  Search this
Medium:
graphite and pigment on paper
Dimensions:
H x W: 13 3/4 × 11 1/16 in. (34.9 × 28.1 cm)
Type:
design drawings
Place used:
Atlanta, Fulton County, Georgia, United States, North and Central America
Date:
1993
Topic:
African American  Search this
Art  Search this
Costume  Search this
Costume design  Search this
Design  Search this
Theatre companies  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2014.128.16
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Decorative Arts, Craft, and Design
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd506f80c88-9096-4afa-949a-b31f425ab4ad
EDAN-URL:
edanmdm:nmaahc_2014.128.16
Online Media:

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