Skip to main content Smithsonian Institution

Search Results

Collections Search Center
28 documents - page 1 of 2

Nina Howell Starr papers

Creator:
Starr, Nina Howell  Search this
Names:
International Women's Art Festival  Search this
Museum of American Folk Art  Search this
Photographic Historical Society of New York  Search this
Professional Women's Photographers, Inc.  Search this
Sharon Arts Center  Search this
Southern Regional Council  Search this
Brandt, Helene, 1936-  Search this
Cohen, Stephenie  Search this
Coke, Van Deren, 1921-  Search this
Connor, Linda  Search this
Daitz, Evelyne Z.  Search this
DiSpirito, Henry, 1898-1995  Search this
Evans, Minnie, 1892-  Search this
Evans, Walker, 1903-1975  Search this
Ghent, Henri, 1926-  Search this
Kanaga, Consuelo, 1894-  Search this
Kernan, Margo, 1927-  Search this
Kruger, Louise, 1924-  Search this
Lippard, Lucy R.  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Mainardi, Patricia  Search this
Morgan, Barbara Brooks, 1900-1992  Search this
Putnam, Wallace, 1899-1989  Search this
Ringgold, Faith  Search this
Rose, Ruth Starr, 1887-1965  Search this
Savage, Naomi, 1927-2005  Search this
Sherwood, Maggie, 1922-1984  Search this
Siskind, Aaron  Search this
Strand, Paul, 1890-1976  Search this
Szarwarski, John  Search this
Uelsmann, Jerry, 1934-  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Date:
circa 1933-1996
Summary:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.
Scope and Contents:
The papers of photographer and art historian Nina Howell Starr measure 21.2 linear feet and date from circa 1933 to 1996. The papers contain research files about various art historical topics, museums and galleries, photography, and artists. There are extensive files documenting Starr's relationship as researcher, dealer, and friend of folk painter Minnie Evans. Additionally, the papers include biographical materials, writings, speeches, project files, printed material collected or authored by Starr, and hundreds of artistic and documentary photographs and negatives created by Starr depicting her travels, Minnie Evans' paintings, roadside folk art, and other topics.

Biographical materials are scattered and include grant and publication applications, curriculum vitae, lists of artwork, and miscellany.

Starr's lectures, writings, and project files are arranged into one series. They include Starr's student writings, a notebook about Civil Rights, files documenting her work on a Florida public housing project, the Southern Regional Council, and the League of Women Voters. A few files of general writings and lectures mostly concern folk artist Minnie Evans and the exhibition Women Photograph Men, held at the International Women's Arts Festival in 1976.

Subject files on artists, art history topics, photographers and photography (including Starr's work), and on folk artist and friend Minne Evans comprise the bulk of the collection. The files are a mix of collated materials and primary sources created by Starr and others and many contain correspondence, notes, photographs, and a few sketches and orginal prints. Also included are materials related to professional and organizational groups in which Starr was involved, including the Professional Women's Photographers, Inc., the Photographic Historical Society of New York, and the Museum of American Folk Art; files on several of Starr's exhibitions; and files on artists that contain printed materials, correspondence, and photographs. The file on Ruth Starr Rose contains prints and drawings. There are also photographs taken by Stephanie Cohen. Particularly rich files are found for Stephanie Cohen; Van Deren Coke, Director of the George Eastman Company; Evelyn Daitz, Director of the Witkin Gallery; Henry DiSpirito; Walker Evans; the Fotofolio printing company; curator Henri Ghent; photographer Consuelo Kanaga and husband Wallace Putnam; Margot Starr Kernan; Lucy Lippard; Stanton Mac-Donald Wright; Sharon Arts Center; photographer Paul Strand; curator John Szarwarski; and photographer Jerry Uelsman.

The collection also documents the friendship between painter Minnie Evans and Starr, and Starr's business dealings on Evans' behalf. There is correspondence about and with Evans, several sound recordings of interviews conducted by Starr and others with Evans, many with transcripts, financial documents, publications about Evans including exhibition catalogs, clippings, journal articles and monographs, two posters, a scrapbook, and one sketch by Evans.

Printed material includes published articles, exhibition catalogs and announcements, and clippings about Starr.

Photographic materials are extensive and include photographs and slides taken by Starr of friends, family, artwork by Minnie Evans, events, exhibition openings, world travels, and folk art, especially roadside. Prominent artists and art historians photographed include: photographers Maggie Sherwood, Naomi Savage, Barbara Morgan, Linda Connor, Aaron Siskind, Consuelo Kanaga, Faith Ringgold, and Walker Evans; sculptors Louise Kruger and Helene Brandt; feminist and art historian Pat Mainardi; and curators Henri Ghent and John Szarkowski. Starr's artistic photographic work is also represented, and includes two silver gelatin prints of Minnie Evans, and subject studies on hands, people, and nature, among others.
Arrangement:
The collection is arranged as 6 series.

Series 1: Biographical material, 1954-circa 1990 (8 folders; Box 1)

Series 2: Writings, Speeches and Projects, 1933-1995 (1.1 linear feet; Boxes 1-2)

Series 3: Subject Files, circa 1939-1996 (8.3 linear feet; Boxes 2-10)

Series 4: Minnie Evans, 1962-1996 (3.7 linear feet; Boxes 10-13, 23, OV 24)

Series 5: Printed Material, 1936-1995 (2.7 linear feet; Boxes 13-16, 23)

Series 6: Photographic Material, circa 1939-1993 (5.4 linear feet; Boxes 16-23, OV 24)
Biographical / Historical:
Nina Howell Starr (1903-2000) was a photographer, art dealer, and art historian who worked primarily in New York City. Born in Newark, New Jersey in 1903 as Cornelia Margaret Howell, Starr attended Wellesley College and graduated from Barnard in 1926. Also in 1926, she married Nathan Comfort Starr, an English professor, and, over the years the couple lived in Massachusetts, Maryland, Florida, and New York City.

In 1963, at the age of 60, Starr received the first M.F.A. in photography granted by the University of Florida. Starr exhibited widely in both solo and group exhibitions, including Magic Lantern (Photographer's Gallery, London, 1976), and the Strength of Women (Witken Gallery, 1991), and numerous shows featuring photographs of outsider art. Her "New Yorker" project became an exhibition in 2016. Her work is owned by several prominent museums, including the Metropolitan Museum of Art and the George Eastman House International Museum of Photography.

As art historian, self-proclaimed critic, and civil rights and feminist advocate, Starr lectured widely, wrote articles and letters to editors, and corresponded with many notable art world figures. She became especially interested in outsider and folk art. Starr met outsider artist Minnie Evans in 1962 and became Evans' lifelong friend, advocate, and representative dealer. She wrote about Evans and introduced Evans' works to galleries and other exhibition spaces in New York, including the Whitney Museum, where she guest-curated an exhibition of Evans' work in 1975.

Starr was an active member of professional organizations including the Photographic Historical Society of New York, Professional Women's Photographers, Inc., and the Museum of American Folk Art where she served on the Advisory Committee.

Nina Howell Starr died in 2000 in Connecticut at the age of 97.
Provenance:
The Nina Howell Starr papers were donated by Nina Howell Starr in 1996.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Nina Howell Starr papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Folk art -- United States  Search this
Civil rights  Search this
Art historians -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
African American art  Search this
Folk art -- Photographs  Search this
Women photographers  Search this
Photography  Search this
Photographers -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Photographs
Interviews
Drawings
Sketches
Transcripts
Sound recordings
Prints
Citation:
Nina Howell Starr papers, circa 1933-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.starnina
See more items in:
Nina Howell Starr papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-starnina
Online Media:

Margery Mann files on photography

Creator:
Mann, Margery  Search this
Names:
Group f.64  Search this
Bullock, Wynn  Search this
Graham, Martha  Search this
Ruscha, Edward  Search this
Photographer:
Connor, Linda, 1944-  Search this
Cunningham, Imogen, 1883-1976  Search this
Dater, Judy  Search this
Heinecken, Robert, 1931-  Search this
Noggle, Anne, 1922-  Search this
Rice, Leland, 1940-  Search this
Swedlund, Charles  Search this
Tress, Arthur  Search this
Uelsmann, Jerry, 1934-  Search this
Walker, Todd  Search this
Welpott, Jack, 1923-  Search this
Weston, Brett  Search this
Extent:
8.2 Linear feet ((on 14 microfilm reels))
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1955-1978
Scope and Contents:
Over 600 subject files containing Mann's research on the history of photography; and an extensive interview conducted by Mann with Imogen Cunningham.
REELS 1860-1872: 630 files cover photographers, photo exhibitions, societies, publications, and collections and contain biographical information, correspondence, published and unpublished transcripts by Mann, exhibition catalogs and announcements, price lists, photographs, organization records, clippings and printed material along with Mann's interviews of Wynn Bullock, Imogen Cunningham (partial), and Edward Ruscha. Photographs are by Linda Connor, Imogen Cunningham (includes one of dancer Martha Graham), Judy Dater (of Cunningham), Robert Heinecken, Anne Noggle, Leland Rice, Charles Swedlund, Arthur Tress, Jerry Uelsmann, Todd Walker, Jack Welpott, and Brett Weston.
REEL 5051 (fr. 390-600): Interview (232 p. transcript from 3 sound reels, 3 in.) of Imogen Cunningham conducted by Mann, 1960-1973, in preparation for her book, Imogen Cunningham: Photographs. Cunningham speaks of the sale and exhibition of her prints; being a "darkroom slave"; portrait photography; photographs as documents; the "soft-focus era"; teaching; and the f/64 Group. Cunningham comments on 104 of her photographs, including her portraits of Edward Weston and Margrethe Mather, Martha Graham, Cary Grant, Alfred Stieglitz, Upton Sinclair, Adedee Ozenfant, Frieda Kahlo Rivera, Getrude Stein, Shen Yao, Lyonel Feininger, Morris Graves, Anna Freud, and Minor White. She recalls Diane Arbus, Arthur Fellig, Paul Strand, and others.
Biographical / Historical:
Photographer, photography historian and critic; Davis, Calif.
Provenance:
The Cunningham interview was donated by Mann in 1975; the remainder by Mann's husband, Thomas K. Vasey, 1978.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- United States  Search this
Art critics  Search this
Art historians  Search this
Photographers  Search this
Topic:
Photography, Artistic  Search this
Portrait photography  Search this
Photography -- History -- Sources  Search this
Women photographers -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mannmarg
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mannmarg

Oral history interview with Paul Caponigro

Interviewee:
Caponigro, Paul, 1932-  Search this
Interviewer:
Larsen, Susan C.  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Bufano, Beniamino, 1898-1970  Search this
Bunnell, Peter C.  Search this
Chappell, Walter, 1925-  Search this
Chiarenza, Carl  Search this
Clergue, Lucien.  Search this
Clift, William  Search this
Cosindas, Marie, 1925-  Search this
Cunningham, Imogen, 1883-1976  Search this
Graves, Morris, 1910-  Search this
Lange, Dorothea  Search this
Newhall, Beaumont, 1908-1993  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Ranney, Edward.  Search this
Russek, Janet  Search this
Scheinbaum, David, 1951-  Search this
Singer, Robert T.  Search this
Strand, Paul, 1890-1976  Search this
Szarkowski, John  Search this
Tice, George A.  Search this
Uelsmann, Jerry, 1934-  Search this
Westin, Bert  Search this
White, Minor  Search this
Extent:
87 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1999 July 30-August 12
Scope and Contents:
An interview of Paul Caponigro conducted 1999 July 30-August 12, by Susan C. Larsen, for the Archives of American Art, at Caponigro's home, in Cushing, Maine.
Caponigro describes his childhood, military career, and travels through the southwest and northern California, his association with Minor White, exhibitions, publications, employment, and marriage to wife Eleanor.
Caponigro discusses the significance of his Stonehenge series of photographs; others' interpretations of his work; further exhibitions; and the role that his family's move to Santa Fe, New Mexico, has played in the evolution of his work.
Further discussion of the photographic scene in Santa Fe and its connection to American modernist photographers such as Paul Strand and Ansel Adams; travels; Guggenheim grant; the 1991 fall from a rocky ledge that was a physical and spiritual watershed in his life; and his new home in Cushing, Maine.
He recalls George Tice, Ansel Adams, Minor White, Bert Westin, Imogen Cunningham, Dorothea Lange, Oliver Gagliani, Beniamino Bufano, Morris Graves, Walter Chappell, Jerry Uelsmann, Carl Chiarenza, William Clift, Marie Cosindas, Peter Bunnell, John Szarkowski, Robert Singer, Beaumont Newhall, Georgia O'Keeffe, Ed Ranney, David Scheinbaum, Janet Russek, Lucien Clergue, and many others.
Biographical / Historical:
Paul Caponigro (1932- ) is a photographer and teacher from New England and New Mexico.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 12 digital wav files. Duration is 5 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Photography, Artistic  Search this
Photographers -- Maine -- Cushing -- Interviews.  Search this
Photographers -- New Mexico -- Santa Fe -- Interviews.  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.caponi99
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-caponi99

Focus Gallery records

Creator:
Focus Gallery  Search this
Names:
George Eastman House  Search this
Torren Gallery  Search this
Abbott, Berenice, 1898-1991  Search this
Adams, Ansel, 1902-1984  Search this
Brandt, Bill  Search this
Bullock, Wynn  Search this
Caponigro, Paul, 1932-  Search this
Cunningham, Imogen, 1883-1976  Search this
Dater, Judy  Search this
Heinecken, Robert, 1931-  Search this
Hosoe, Eikō, 1933  Search this
Johnston, Helen, 1916-1989  Search this
Leibovitz, Annie, 1949-  Search this
Porter, Eliot, 1901-  Search this
Siskind, Aaron  Search this
Uelsmann, Jerry, 1934-  Search this
Weston, Brett  Search this
Extent:
11.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1963-1987
Summary:
The records of San Francisco Focus Gallery measure 11.8 linear feet and date from 1963-1987. The bulk of the collection consists of exhibition files. There are also artists files, sales information, correspondence, and scattered records of the gallery's companion bookshop.
Scope and Contents:
The records of San Francisco's Focus Gallery measure 11.8 linear feet and date from 1963-1987. The bulk of the collection consists of exhibition files. There are also artists files, sales information, correspondence, and scattered records of the gallery's companion bookshop.

Exhibition files comprise the bulk of the collection and generally contain a wide range of materials including correspondence, short biographies, forms requesting artists' background information, flyers, booklets, brochures, checklists, loan agreements, sales records, news releases, and photographs and negatives. Among the many photographers exhibited were Ansel Adams, Berenice Abbott, Bill Brandt, Wynn Bullock, Paul Caponigro, Imogen Cunningham, Judy Dater, Robert Heinecken, Eikoh Hosoe, Annie Leibovitz, Eliot Porter, Aaron Siskind, Jerry Uelsmann, and Brett Weston.

A relatively small amount of general business correspondence includes orders and payments for photographic prints, books, and magazine subscriptions, some personal notes, and requests for information about how to submit for exhibitions and for exhibition schedules. Correspondents include customers, photographers, publishers, law firms, museum, and colleges and universities. Correspondence from the founding year contains Johnston's letters to various venues prominent in art photography, such as George Eastman House. There is also a letter to Ansel Adams requesting prints to sell or for a small opening exhibit.

Additional records include artists' files; sales and inventory records containing print and bookshop inventories, general pricing information and receipts for photographs; and printed materials including flyers and brochures, bookshop catalogs and news releases. There are also scattered administrative records, including gallery history, a file on the Toren Gallery and five owner's notebooks, as well as The Imogen Cunningham Trust files documenting Focus Gallery's interactions with the trust before and after Cunningham's death regarding photographs printed and signed by her; financial and legal files; and guest books.

Documents in the collection that pre-date the founding of the gallery are found in the Toren Gallery file and a few of the exhibition files.
Arrangement:
The collection is arranged as 8 series.

Series 1: Administrative Records, 1963-1985 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1966-1987 (Boxes 1-2; 1 linear foot)

Series 3: Exhibition Files, 1966-1985 (Boxes 2-10; 8.5 linear feet)

Series 4: Artists Files, 1966-1978 (Boxes 10-11; 0 .5 linear feet)

Series 5: Financial and Legal Files, 1966-1987 (Box 11; 0 .2 linear feet)

Series 6: Sales and Inventories, 1966-1987 (Box 11; 0.4 linear feet)

Series 7: Printed Materials, 1966-1987 (Boxes 11-12; 0.3 linear feet)

Series 8: Guest Books, 1966-1970, 1978-1985 (Boxes 12-13; 0.6 linear feet)
Biographical / Historical:
Focus Gallery was founded by Helen Head Johnson (1916-1989) in 1966 on Union Street in San Francisco. The gallery exhibited and sold primarily art photographs and other contemporary art.

Helen Head Johnston believed that photography deserved its own exhibition space. As stated in the gallery's first press release, "in seeking to encourage print collecting it (the gallery) offers not only a show place but also a market place for photographers." While retaining an emphasis on Bay Area photographers, the gallery's exhibitions soon became international in scope, featuring little known and well-established photographers through both solo and group exhibitions. With few exceptions, the gallery's policy was to feature an artist only once. To help keep the gallery going in its early days, Johnston started a bookshop mail-order business. At the time of its closing in August 1985, Focus Gallery was the longest continuously operating photography gallery in the country. The bookshop continued in another location for an additional two years.

The collection is arranged as 8 series

Series 1: Administrative records, 1963-1985, (Box 1 8 folders)

Series 2: Correspondence, 1966-1987, undated (Box 1-2 1 linear foot)

Series 3: Exhibition files, 1966-1985 (Box 2-10 8.5 linear feet)

Series 4: Artists files, 1966-1978, undated (Box 10-11, 9 folders)

Series 5: Financial and Legal files, 1966-1987 (Box 11 6 folders)

Series 6: Sales and Inventories, 1966-1987, undated (Box 11 11 folders)

Series 7: Printed Materials, 1966-1987, undated (Box 11 and Hol 12 7 folders)

Series 8: Guest Books, 1966-1985 (Hol 12-13 6 folders)
Related Materials:
Among the holding of the Archives of American Art is an untranscribed interview of Helen Johnston by Louise Katzman or Irene Borger in the collection Interviews of California Photographers 1981 Jun.-Nov.20.

Helen Johnston left her private photography collection to the de Saisset Museum, the Oakland Museum of California, and the San Francisco Museum of Modern Art.
Provenance:
The Focus Gallery records were donated by the estate of owner Helen Johnston, care of Gerald O'Conner, executor.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Focus Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Visitors' books  Search this
Women photographers  Search this
Photography -- Exhibitions  Search this
Photography, Artistic  Search this
Photographic art galleries -- California -- San Francisco  Search this
Photographers -- United States  Search this
Gallery owners -- local  Search this
Art galleries, Commercial -- California -- San Francisco  Search this
Art dealers -- California -- San Francisco  Search this
Genre/Form:
Photographs
Citation:
Focus Gallery records, 1963-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.focugall
See more items in:
Focus Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-focugall
Online Media:

Oral history interview with Jerry N. Uelsmann, 2009 November 21-22

Interviewee:
Uelsmann, Jerry, 1934-  Search this
Interviewer:
Perich, Shannon Thomas, 1970-  Search this
Type:
Sound recordings
Interviews
Topic:
Photographers -- Florida -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15783
(DSI-AAA_SIRISBib)287773
AAA_collcode_uelsma09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_287773

Oral history interview with Jerry N. Uelsmann

Interviewee:
Uelsmann, Jerry, 1934-  Search this
Interviewer:
Perich, Shannon Thomas  Search this
Extent:
93 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 November 21-22
Scope and Contents:
An interview of Jerry N. Uelsmann conducted 2009 November 21-22, by Shannon Thomas Perich, for the Archives of American Art, at Uelsmann's home in Gainesville, Florida.
Biographical / Historical:
Jerry N. Uelsmann (1934- ) is a photographer in Gainesville, Florida.
General:
Originally recorded on 8 memory cards as 12 digital wav files. Duration is 6 hr., 24 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
ACCESS RESTRICTED; use requires written permission.
Topic:
Photographers -- Florida -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.uelsma09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-uelsma09

Hiram Williams papers

Creator:
Williams, Hiram  Search this
Photographer:
Uelsmann, Jerry, 1934-  Search this
Extent:
1.2 Linear feet ((partially microfilmed on one reel))
Type:
Collection descriptions
Archival materials
Date:
1955-1965
Scope and Contents:
13 photographs, including one of Williams by Jerry Uelsmann, 1961, some of Williams painting and some of his works of art; lecture notes, completed lectures, and sketches used by Williams in college classes on drawing and art education; drafts of published and unpublished articles on drawing, the intention of modern art, and the state of art in Florida; an apparently unpublished autobiographical sketch; clippings; exhibiton catalogs; and critical articles. Not included on the microfilm are ca. 300 negatives and prints of works of art by other artists.
Biographical / Historical:
Painter; Gainesville, Fla. Full name Hiram Draper Williams; b. 1917; professor of art at University of Florida, Gainesville; d. 2003
Provenance:
Donated 1965 by Williams.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Florida -- Gainesville  Search this
Topic:
Painting, Modern -- 20th century -- History -- Florida -- Gainesville  Search this
Art -- Study and teaching -- Florida -- Gainesville  Search this
Identifier:
AAA.willhira
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-willhira

Realities : final revised vision version III / David Howard ; with conversations Keith Haring, Christo, Nam June Paik, Ansel Adams, Aaron Siskind, Ralph Gibson, Jerry Uelsmann, Robert Heinecken

Interviewer:
Howard, David 1948-  Search this
Subject:
Howard, David 1948-  Search this
Haring, Keith  Search this
Christo 1935-  Search this
Paik, Nam June 1932-2006  Search this
Adams, Ansel 1902-1984  Search this
Siskind, Aaron  Search this
Gibson, Ralph 1939-  Search this
Uelsmann, Jerry 1934-  Search this
Heinecken, Robert 1931-2006  Search this
Physical description:
1 volume (unpaged) : illustrations (some color) ; 29 x 43 cm
Type:
Books
Interviews
Date:
2018
Topic:
Photography, Abstract  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1101027

Referencing art / photographs and preface by Jerry N. Uelsmann ; introduction by Alex Alberro and Nora M. Alter

Author:
Uelsmann. Jerry 1934-  Search this
Alberro, Alexander  Search this
Alter, Nora M. 1962-  Search this
Subject:
Uelsmann, Jerry 1934-  Search this
Physical description:
1 v. (unpaged) : ill. ; 27 cm
Type:
Books
Date:
2003
C2003
Topic:
Photomontage  Search this
Photography, Artistic  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_770840

Jerry Uelsmann : other realities

Title:
Other realities
Author:
Uelsmann, Jerry 1934-  Search this
Subject:
Uelsmann, Jerry 1934-  Search this
Physical description:
112 p. : chiefly ill. ; 31 cm
Type:
Books
Date:
2005
Topic:
Photomontage  Search this
Photography, Artistic  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_798378

Jerry N. Uelsmann. Introd. by Peter C. Bunnell. Fables by Russell Edson

Author:
Uelsmann, Jerry 1934-  Search this
Edson, Russell  Search this
Alfred Stieglitz Center  Search this
Physical description:
[93] p. illus. (part col.) 26 cm
Type:
Exhibitions
Date:
1970
Topic:
Photomontage  Search this
Call number:
TR685 .U34
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_652941

Uelsmann/Yosemite : photographs / by Jerry N. Uelsmann ; [essays by David Robertson and Ted Orland]

Title:
Yosemite
Author:
Uelsmann, Jerry 1934-  Search this
Robertson, David 1937-  Search this
Orland, Ted  Search this
Subject:
Uelsmann, Jerry 1934-  Search this
Physical description:
xi, 68 p. : ill. ; 23 x 27 cm
Type:
Books
Pictorial works
Place:
Yosemite National Park (Calif.)
Date:
1996
C1996
Topic:
Photography, Artistic  Search this
Call number:
TR647.U22 R63 1996
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_517369

Jerry Uelsmann : photo synthesis / foreword by A.D. Coleman

Author:
Uelsmann, Jerry 1934-  Search this
Subject:
Uelsmann, Jerry 1934-  Search this
Physical description:
xiv, 114 p. : chiefly ill. ; 32 cm
Type:
Books
Date:
1992
C1992
Topic:
Photomontage  Search this
Call number:
TR647.U22 C6 1992
TR654.U325 1992X
TR647.U22C6 1992
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_439380

Jerry N. Uelsmann : photographs from 1975-1979 / edited and with an introduction by Steven Klindt ; essay by Jim Enyeart

Author:
Uelsmann, Jerry 1934-  Search this
Klindt, Steven  Search this
Enyeart, James  Search this
Chicago Center for Contemporary Photography  Search this
Subject:
Uelsmann, Jerry 1934-  Search this
Physical description:
[11], 75, [2] p. : chiefly ill. ; 31 cm
Type:
Exhibitions
Date:
1980
C1980
Topic:
Photography, Artistic  Search this
Call number:
TR647.U44 1980X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_394280

Jerry N. Uelsmann. Introd. by Peter C. Bunnell. Fables by Russell Edson

Author:
Uelsmann, Jerry 1934-  Search this
Edson, Russell  Search this
Alfred Stieglitz Center  Search this
Physical description:
1 v.(unpaged) illus. (part col.) 26 cm
Type:
Exhibitions
Date:
1973
Topic:
Photomontage  Search this
Call number:
TR647 .U22A3 1973
TR647.U22A3 1973
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_396540

Uelsmann : process and perception : photographs and commentary / by Jerry N. Uelsmann ; essay by John Ames

Author:
Uelsmann, Jerry 1934-  Search this
Ames, John  Search this
Subject:
Uelsmann, Jerry 1934-  Search this
Physical description:
47 p., [81] p. of plates : ill. ; 22 x 26 cm
Type:
Books
Date:
1985
C1985
Topic:
Photomontage  Search this
Call number:
TR647.U22 A5
TR647.U22A5
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_281655

Jerry N. Uelsmann, twenty-five years : a retrospective / by James L. Enyeart

Author:
Uelsmann, Jerry 1934-  Search this
Enyeart, James  Search this
Subject:
Uelsmann, Jerry 1934-  Search this
Physical description:
231 p. : ill. (some col.) ; 28 cm
Type:
Books
Date:
1982
C1982
Topic:
Photomontage  Search this
Call number:
TR685 .U343 1982X
N40.1.U22 E6
TR685.U343 1982X
TR647.U22E6
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_154369

Jerry N. Uelsmann. Introd. by Peter C. Bunnell. Fables by Russell Edson

Author:
Uelsmann, Jerry 1934-  Search this
Edson, Russell  Search this
Alfred Stieglitz Center  Search this
Physical description:
[93] p. illus. (part col.) 26 cm
Type:
Exhibitions
Date:
1970
Topic:
Photomontage  Search this
Call number:
N40.1.U22 A3
TR647.U22A3
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_155978

The criticism of photography as art; the photographs of Jerry Uelsmann

Author:
Ward, John L  Search this
Subject:
Uelsmann, Jerry 1934-  Search this
Physical description:
vii, 76 p. illus. 23 cm
Type:
Books
Date:
1970
Topic:
Art and photography  Search this
Photography, Artistic  Search this
Call number:
N40.1.U22 W2
TR647.U22W2
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_15400

Four directions in modern photography: Paul Caponigro, John T. Hill, Jerry N. Uelsmann [and] Bruce Davidson. An exhibition at the Yale University Art Gallery, December 14, 1972 through February 25, 1973

Author:
Yale University Art Gallery  Search this
Brettell, Richard R  Search this
Subject:
Caponigro, Paul 1932-  Search this
Hill, John T  Search this
Uelsmann, Jerry 1934-  Search this
Davidson, Bruce 1933-  Search this
Physical description:
[24] p. illus. 23cm
Type:
Exhibitions
Date:
1972
1972]
Topic:
Photography, Artistic  Search this
Call number:
TR646 .Y18
TR646.Y18
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_37191

Modify Your Search







or


Narrow By