Lester Burbank Bridaham. The wonderful world of maestro Julio De Diego, 1942-1954. Lester Burbank Bridaham papers, 1912-1986. Archives of American Art, Smithsonian Institution.
From Frendel, Brown & Co. Certified Public Accounts year end report.
Local Numbers:
AC0301-0000074.tif (AC Scan No.)
Collection Restrictions:
Collection is open for research but the original and master audiovisual materials are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.
Paul Ellington, executor, is represented by:
Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.
Genre/Form:
Typescripts -- 1940-1950
Collection Citation:
Duke Ellington Collection, Archives Center, National Museum of American History
Sponsor:
Processing and encoding partially funded by a grant from the Council on Library and Information Resources.
Cover Letter to AC1218-0000013 (Testimony on International Sweethearts of Rhythm from Interstate Orchestra Exchange in Winona, Minnesota); written on February 1, 1940 from L. Porter Jung, manager of Interstate Orchestra Exchange.
Local Numbers:
AC1218-0000014.tif (AC Scan No.)
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
National Museum of American History (U.S.). Division of Armed Forces Search this
Extent:
1 Cubic foot (3 boxes and 1 oversized folder)
Type:
Collection descriptions
Archival materials
Typescripts
Passports
Albums
Books
Cartoons (humorous images)
Christmas cards
Comic books
Newsletters
Panoramas
Personal papers
Photograph albums
Photographs
Posters
Ration books
Scrapbooks
Telegrams
Place:
Minidoka
Manzanar
Idaho
Amache (Calif.)
California -- 1940-1950
Date:
1900s-1993
Scope and Contents:
The collection is an assortment of souvenirs and memorabilia, which have survived the years since World War II. Many of them, Christmas cards, high school graduation programs, notes to friends, snapshots, and photographic prints in the form of dance programs reflect the interests and concerns of all teenagers. There are camp newsletters and Japanese passports, identification cards, ration books, meal passes, posters; a photograph album contains both family photographs and a record of achievements of members of the Kamikawa family. There is a transcript of a taped interview with Mrs. Kamikawa, who was nearly 90 in February 1982, the time of the interview. A book, Lone Heart Mountain by Estelle Ishigo, portrays in text and sketches life in the relocation centers.
The collection has been filed under the name of each donor rather than by subject such as passports, newsletters, photographs. With very few exceptions the material is in good condition. The historical sketch of the Matsumoto family tree in the photograph album is badly damaged.
Arrangement:
1 series, arranged alphabetically by donor.
Biographical / Historical:
On December 7, 1941, the Japanese bombed Pearl Harbor and the United States went to war. On February 19, 1942, President Franklin Delano Roosevelt issued Executive Order 9066 authorizing the military to exclude "any and all persons" from designated areas of the United States to protect the national defense. Thus, without the imposition of martial law, the military were given authority over the civilian population.
Under this order, nearly 120,000 men, women and children of Japanese ancestry, nearly two thirds of who were United States citizens, were forced out of their homes and into detention camps in isolated areas of the west. Many of them spent the years of the war living under armed guards, and behind barbed wire. Children spent their school days in the camps, young men left to volunteer or be drafted for military service. The War Relocation Authority administered the camps.
This collection of documentary materials relates to the involuntary relocation of Japanese Americans was collected by the Division of Armed Forces History in connection with the exhibit
A More Perfect Union: Japanese Americans and the United States Constitution at the National Museum of American History in 1988. The donors either were members of the Japanese American Citizens League or reached through the League. Interesting and revealing information is available about a few of the donors. They were primarily teenagers or young adults at the time of the relocation and the materials in the collection reflect their interests and concerns. Juichi Kamikawa, who had completed a year of college in Fresno, California, graduated from the Corcoran School of Art in Washington, D.C. after the war and became a respected artist. His family record is one of distinction in both Japan and the United States for several generations. Masuichi Kamikawa, his father, received the Order of the Sacred Treasure from the Japanese Emperor for outstanding contributions to the cultural heritage of Japan. Among achievements cited were his work in merchandizing and banking in Fresno, California. Mary Tsukamoto is one of the contributors to the video conversations in the exhibit. She is a retired teacher who was 27 years old in 1942 and a long time resident of Florin, California. Along with her entire family, she was sent to the center at Jerome, Arkansas. Mabel Rose Vogel taught high school at one of the camps, Rowher Center, Arkansas.
Related Materials:
The Division of Armed Forces History (now Division of Political and Military History) will have additional documents collected for the exhibit, A More Perfect Union, described above, that may be useful. Another collection on this topic in the Archives Center is collection #450, the Gerald Lampoley Collection of Japanese American Letters, 1942 1943, a collection of six letters written by Japanese Americans to their former teacher. Researchers may also refer to the records of the War Relocation Authority, Record Group 210, or those of the United States Commands, 1947 , Record Group 338, in the National Archives. Further, the National Headquarters of the Japanese American Citizens League in San Francisco, California, and the Japanese American National Museum in Los Angeles, California, maintain related collections.
Provenance:
Donated by a number of Japanese Americans, many of whom are members of the Japanese American Citizens League, headquartered in San Francisco. This material was acquired for inclusion in the exhibition, A More Perfect Union, described above, but was not placed on display for one reason or another. In certain instances, items in this collection were omitted from the exhibit if they were considered too fragile or too sensitive to prolonged exposure to light. It is possible that related items, currently on display, ultimately will be transferred to the Archives Center; if this occurs, it would be useful to distinguish between the two groups of exhibited and undisplayed materials. Transferred from the Division of Armed Forces History, June 1988.
Restrictions:
The collection is open for research use.
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.
Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Letters from students of Japanese-American ancestry to Miss Cox, their former teacher at the Edward Kelley School in Sacramento, California. This teacher has been identified as Mary Aline Cox by Ms. Colleen Zoller, January 13, 2009.
Scope and Contents:
This collection contains six letters dated 1942 1943 from former students of Japanese American ancestry to Miss Cox, a teacher at the Edward Kelley School in Sacramento, California. Three letters were written from inside a camp, while the others were written from outside of camp. The letters are arranged chronologically.
Sanji Sato, a young male not yet out of high school, penned both Letters 1 and 3. The first dated June 12, 1942 was written from Pinedale "A.C." [Assembly Center]. This letter contains a brief description of the center, one of many used to keep internees until the ten more permanent camps were prepared to receive them, and its physical surroundings, as well a mention of the medical examination and vaccinations the evacuees underwent.
Letter 3, more lengthy in nature, covers the dates January 1, 1943, to March 6, 1943. Sent from Poston, Arizona (location of the largest relocation camp), Sato indicated the block and barrack numbers of his lodgings. The camp is defined by the arid surroundings, temperature, flora and fauna, and natural landmarks; its
inhabitants are defined by their New Year's Exhibition and Boy Scout Troops. Pertinent to the historian are
Sato's opinion of the "loyalty" forms, why Japanese Americans should fight in World War II, and the behavior of other Poston residents. Also of interest are his personal discussions of his former life on the farm, his passion for the American flag, and remembrance of his dog.
Letter 2 was written by a student identified as "Kiyo" on December 26, 1942, in Garrett, Indiana while on vacation from college (later identified as Ms. Kiyo Sato). A former internee at Poston Relocation Center, she wrote of her reaction to school and dorm life, as well as her reaction, as a person of Japanese ancestry, to a Midwestern town. She expressed hope of ending any misconceptions and of the evacuees returning home "in one piece."
Letter 4 is signed "R. Satow and family" and dated April 19, 1943. A year after leaving the relocation center, the writer, having reached Keenesburg, Colorado, thanks Miss Cox for her assistance. The writer's surroundings are reported in addition to updates on other former internees' activities.
The Poston Relocation Center was also the home of Susuma Paul Satow, writer of Letter 5. Satow diplayed the belief that his volunteering in the army benefited the government and reflected well on Japanese Americans. Another topic discussed the regret that some "No No Boys" experienced and Satow's personal lack of empathy for them. The writer voiced concern about anti Japanese American discrimination in Sacramento, and, thus, his hesitancy to return.
Letter 6, from Tomi Komata, was undated and meant to inform Miss Cox of his life in college (possibly Downer College). "Released and happy," Komata announced the lack of expected discrimination and the racial tension that did exist, as well as his scorn of those in camp who listened to rumors of prejudice. Mentions of the WRA and how internees should be more willing to embrace its programs are included.
Arrangement:
1 series. Not arranged.
Biographical / Historical:
On February 19, 1942, President Franklin D. Roosevelt signed Executive Order 9066 to bar "any and all persons" from certain sections of the United States for purposes of national defense. A reaction to the "yellow peril" "demonstrated" by the attack on Pearl Harbor December 7, 1941, the Executive Order would mean that all Japanese immigrants and Americans of Japanese ancestry would be required to "evacuate" the West Coast of the United States. By the end of this policy in 1946, over 120,000 men, women, and children had been forcefully relocated to various types of internment camps.
Not only had the possessions and lives of these people been disrupted, their privacy and Constitutional rights were ignored as the government thoroughly investigated their lives, looking for any signs of disloyalty to America. Early in 1943, tests were made of their "loyalty" as they were asked to forswear allegiance to the emperor of Japan, swear allegiance to the United States, and volunteer for military service.
Through programs established by the War Relocation Authority (WRA), internees were permitted to leave the camps permanently, provided they had a job or attended a college or university and passed additional government investigations. By 1943, 17,000 people had left the camps in this manner. Others left by joining the military. By 1946, the last permanent camp was dismantled.
Materials in Other Organizations:
Materials at Other organizations
War Relocation Authority, Record Group 210, or those of the United States Commands, 1947 , Record Group 338, National Archives and records Administration
National Headquarters of the Japanese American Citizens League in San Francisco, California
Japanese American National Museum in Los Angeles, California
Materials in the Archives Center, National Museum of American History:
Japanese American Documentary Collection, 1905-1945 (AC0305)
Provenance:
Collection donated by E. Gerald Lamboley, June 2, 1992.
Restrictions:
Collection is open for research.
Rights:
Usage or copyright restrictions. Contact repository for further information.
Topic:
Japanese Americans -- Forced removal and internment -- 1942-1945 Search this
Incarcerees -- Japanese Americans -- 1940-1950 Search this
2.8 Linear feet ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1933-1977
Scope and Contents:
Correspondence, reports, minutes of meetings, addresses by Sawyer and others, and printed material relating primarily to Sawyer's involvement in the areas of design and crafts, and committees which studied methods of teaching art and the arts in colleges and universities.
REELS 644-646: Files on the American Academy of Arts and Sciences Conference, 1946; the American Humanities Seminar, 1958; the Association of Art Museum Directors, 1941-1973; Design as a Function of Management conference, 1951; Ford Foundation Studies and Grants to the Arts, 1948-1963; the Fogg Art Museum at Harvard, 1934-1956; the M.I.T. Study Committee for the Visual Arts, 1952-1954; the Museum Publishers Association, 1969-1970; the Salzburg seminar "The Visual Arts in American Life," 1955-1956; the Addison Gallery, 1940-1950; the Worcester Art Museum, 1940-1948; Columbia University Bicentennial; New York State Colleges and Universities; and the American Federation of Arts.
Included in the American Humanities seminar file are lists of participants (including Sawyer), correspondence, 8 p. of quotes from participants, texts of addresses, printed articles taken from papers, clippings, and correspondence of Maxwell Goldberg, chairman, requesting suggestions for participants in the 1959 seminar. The Addison Gallery file contains correspondence between Sawyer and Bartlett Hayes, director of the Gallery; a report of the activities of the Gallery during 1946-1947, 2 typescripts concerning its display of Edward Hopper's painting "Manhattan Bridge Loop," Feb. 1940, reports and minutes of the Visiting Committee, 1950-1951, and financial statements.
UNMICROFILMED: Files concerning Federal Art Projects in New England, 1933-1937; the Museum of Modern Art, 1940-1941; Andover Committee concerning the Phillips Academy, 1950-1956; "The Arts in Universities," 1955; Visual Art Programs of the Independent Schools Art Instructors' Association, 1946; the Addison Gallery, 1964-1970; the American Craftsmen Council, 1959-1963; the first through fourth Upper Peninsula Crafts and Native Industries exhibits, 1960-1963; and the Conference on Museum Training Programs, 1972.
Biographical / Historical:
Museum director; Ann Arbor, Michigan. Director, Addison Gallery of American Art, the Worcester Art Museum, and the University of Michigan Museum of Art; Professor of Art History at Yale University and member of many committees.
Provenance:
Material on reels 644-646 lent for microfilming 1973 by Sawyer. Unmicrofilmed material donated by Sawyer 1977 and 1985. The 1985 donation included material previously filmed on reel 644, fr. 509-1071.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
A collection of greeting cards, pictorial maps, and travel diaries by artist Ernest Dudley Chase. Chase created greeting cards for Clara Holland during their courtship and later marriage. The cards were hand painted by Chase in water color with cut- paper details. Many of the cards include romantic letters or poems composed by Chase.
Scope and Contents:
A collection of greeting cards given by artist Ernest Dudley Chase to Clara Holland in the years during their courtship and marriage, pictorial maps drwan by Chase, and nine travel diaries. The cards were hand-painted by Chase in water color with cut-paper details. Many of the cards include romantic letters or poems composed by Chase.
Series 1, Greeting Cards, circa 1937-1966, consists of hand crafted, personally designed cards that Chase created for his wife Clara Holland. The cards generally include a very affectionate sentiment or on occasion a poem. The cards were done in water color and embellished with cut-paper details and calligraphy. Also included are Monday Morning Letters that Chase wrote to his wife Clara whom he called his "Lovely Little Lady" or "L.L.L."
Series 2, Maps (pictorial), 1935-1947 and undated, consists of maps designed and signed by Chase featuring meticulous illustrations of famous landmarks, flora, fauna and other features.
Series 3, Travel Diaries, 1924-1937, consists of nine volumes of bound, typescript travel diaries maintained by Chase from his travels, to Alaska, the Mediterranean, Carribean, Germany, Holland, Central Europe, Sicily, France, England, Scotland, and Ireland. The diaries are arranged chronologically.
Arrangement:
The collection is divided into three series.
Series 1, Greeting Cards, circa 1937-1966
Series 2, Maps (pictorial), 1935-1947 and undated
Series 3, Travel Diaries, 1924-1938
Biographical / Historical:
Ernest Dudley Chase was born in Lowell, Massachusetts in 1878 but is most associated with the town of Winchester, Massachusetts where he was a well known artist. Chase created a unique body of work, an array of views of various Winchester homes and buildings and whimsically illustrated maps. After attending the Lowell Textile School and the Vesper George Art School in Boston, Chase joined the Butterfield Printing Company in 1900. In 1906, he joined the printing firm of W.T. Sheehan in Boston. He began his own greeting card company in 1908, Des Arts Publishers which eventually became Ernest Dudley Chase Publishers. In 1921, Chase Publishers was purchased by Rust Craft. Chase worked at Rust Craft until 1958 in the position of vice president of creative design. His other duties at Rust Craft included advertising manager and editing the company's newsletter The Rustler and the greeting card industry periodicalThe Greeting Card.
Chase married three times. His first marriage was to Idelle Clark and his second marriage was to Wilhelmina Graham. In 1937, Chase married for a third time to Clara Holland. On all holidays and special occasions, he gave his wife, Clara elaborately crafted, personally designed cards in which he generally included a very affectionate sentiment or on occasion a poem. One of Chase's hobbies was creating enormous greeting cards, gathering thousands of signatures on them and sending them to United States presidents or other famous persons around the world. Chase also enjoyed traveling and documenting his travel experiences in diaries.
According to the book Winchester Artists by Ellen E. Knight, Chase produced more greeting cards than anyone in the United States. He authored the first definitive history of the greeting card business,The Romance of Greeting Cards, which was published in 1926. Chase retired from Rust Craft in 1958 and died in 1966.
Related Materials:
Materials in the Archives Center
Norcross Greeting Card Collection (AC0058)
Olive Leavister 19th Century Handmade Valentine Collection (AC0396)
Warshaw Collection of Business Americana, Greeting Cards (AC0060)
Provenance:
The greeting cards were donated to the Archives Center in 2005 by Ernest Dudley Chase's stepson, Fred, and Frances Holland. Fred Holland donated pictorial maps in July, 2010 and travel diaries in September, 2010.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Notes and texts on Stockbridge collected by Truman Michelson during his fieldwork in Wisconsin in 1914, with handwritten copies of his notes made by Frank Speck during the 1940s and 1950s. Michelson's notes consist mainly of vocabularies with small amounts of data on the history, population, and racial composition of the tribe and brief notes on the people who knew the language. A few words were collected from a Brotherton informant. The Stockbridge texts include strict interlineal translations and separate free translations. Speck's copies of the notes are in an order different from Michelson's originals. They are incomplete, in part because Speck omitted some vocabulary items when informants agreed as to their form. Speck's material also includes a copy of the report on Michelson's work in Explorations and field work of the Smithsonian Institution, 1914, pages 90-93 (1 page typescript).
All Stockbridge texts are by Jameson "Sot" Quinney, with some translated by William Dick. Other people that Michelson worked with include Lucius Dick (Brotherton), Edwin Miller, Alfred Miller, Sterling Peters, Agnes Butler (previously cataloged as Agnus Butler), and Bernice Robertson (previously cataloged as Robinson; see note below).
Local Numbers:
NAA MS 2734
Local Note:
Regarding Bernice Robertson's surname: In Michelson's notes, Bernice Robertson's name appears with "Robertson" crossed out and "Robinson" written in. According to Ives Goddard (2007, November 20), "Frank T. Siebert, Jr., collected some words from the same woman in 1935, and he refers to her as Bernice Robertson in notes he sent to Morris Swadesh (APS, Swadesh papers, Freeman Guide #2081 or 2083). I also heard him mention her many times, since he liked to point out that she was one of the last speakers of Mahican even though to look at her she was African American. In his own field notes (1937) Swadesh first wrote Robison and Robeson, but changed this to Robinson. (Robison is a possible mishearing of Roberston, if this name is unfamiliar; less likely that Swadesh would not have caught the common name Robinson.) In his typed list of informants, however, he writes 'Bernice Robertson' (APS as above)."
59 Items (items (5 linear ft.), 20 x 24 or smaller)
Type:
Collection descriptions
Archival materials
Photographs
Typescripts
Papers
Place:
Ajanta Caves (India)
Ellora Caves (India)
Khajuraho (India)
Fatehpur Sikri (India)
Lal Qila (Delhi, India)
Date:
1947-1994
Scope and Contents:
Papers, 1947-1994, of photographer and author Volkmar Kurt Wentzel, regarding a two year survey conducted for the National Geographic Society during 1946-1947, to visually document caves, temples, and sculpture of India, including: his typescript draft (photocopy), [after 1946], written for the National Geographic Magazine on the Ajanta and Ellora temples; a proof, 1953, of his article entitled "India's Sculptured Temple Caves"; a lecture typescript entitle "A Walter Mitty Fantasy," presented to the Literary Society, 1994, along with a brochure and checklist for his related exhibition of photographs of Indian rock-cut temples and sculptures held at the Cosmos Club, Washington, D.C.; and 54 photographs, silver prints and five cibachromes, 1947, many signed by the photographer, dated, and captioned. Photographs depict the temples, sculpture, and frescoes of Ellora, Ajanta, Khajuraho, Halebid, Fatehpur Sikri, and Red Fort ,Delhi.
Arrangement:
Records; Organized in four boxes ; Arranged by form of material: Boxes 1-3: Photographs. Box 4: Typescript, Brochure, Printed Material, Photographs.
Biographical / Historical:
Volkmar Kurt Wentzel (1915-2006) was an accomplished photographer, particularly in the 1940's. Born in Dresden, Germany, he emigrated to the United States at around the age of 20 and immediately began work as a photojournalist at Underwood and Underwood. He served as an aerial photographer and photo-intelligence officer during World War II. After the war he spent extensive time photographing Ladakh (western Tibet), Nepal, and India. He photographed widely in the United States, Europe, and Africa as well. He wrote and documented photographically cave temples in India as a correspondent for the National Geographic Society between 1946-1946. He received many accolades for his photography and has exhibited his work both in the United States and abroad.
Two photograph albums, two scrapbooks, carbon copy typescript of master's thesis, miscellaneous photographs, etc. Scrapbooks contain newspaper clippings about De La Hunt's career as a "girl sports reporter" and articles by her.
Scope and Contents:
The collection contains two scrapbooks, two photograph albums, a typescript of Miss De La Hunt's Master's thesis, and miscellaneous photographs. The photograph albums contain a variety of family snapshots and the scrapbooks contain newspaper clippings about De La Hunt's career as a "girl sports reporter" as well as articles written by her. In addition, there are miscellaneous photoprints and an American passport, 1926. This collection is arranged into three series: Series 1: Scrapbooks, 1943-1945, Series 2: Photographs, ca. 1860s-1950s and Series 3: Miscellaneous, 1926, 1950.
Arrangement:
The collection is divided into three series.
Series 1: Scrapbooks
Series 2: Photographs
Series 3: Miscellaneous
Biographical / Historical:
Joyce P. De La Hunt was a horticulturist with a Davidsonville, Maryland, nursery and a hospital administrator, social worker, and newspaper writer. A graduate of Marquette University (Ph.B.) in her native Milwaukee, where she was a sports reporter and women's sports editor for the Marquette University Tribune (1943), Miss De La Hunt took a Master of Social Work degree at Catholic University. In 1944 she was working for the MilwaukeeSentinel , and, in 1945, for first the Atlantic City, New JerseyDaily World , where she was sports editor (also doing special assignments), then advertising manager for the Atlantic CityJersey Times . She later moved to the Washington, D.C. area, obtaining her master's degree in 1950. In the 1950s she was a social worker for Travelers Aid in Washington, and from 1959 to 1967 served as administrator of what later became the Hospital for Sick Children, and then spent three years as an assistant administrator of Junior Village. She was director of Anne Arundel County's "Open Door," a drug counseling facility, 1970-1974. Later Miss De La Hunt studied horticulture at the University of Maryland, and since 1975 worked at Bitter Hill nursery in Davidsonville. She died October 10, 1986, at Anne Arundel General Hospital after a stroke.
Obituary, The Washington Post, October 14, 1986, page B4.
Provenance:
This collection was donated by Lucille E. Ward on February 19, 1997.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Betty Parsons. Exhibition schedule, 1949-1950. Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
