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Barry Faulkner papers

Creator:
Faulkner, Barry, 1881-1966  Search this
Names:
MacDowell Colony  Search this
Beal, Gifford, 1879-1956  Search this
Brush, George de Forest, 1855-1941  Search this
Bynner, Witter, 1881-1968  Search this
Fraser, James Earle, 1876-1953  Search this
Gibran, Kahlil, 1922-  Search this
Grimes, Frances, 1869-1963  Search this
Gugler, Eric, 1889-1974  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Kent, Rockwell, 1882-1971  Search this
Kroll, Leon, 1884-1974  Search this
Manship, Paul, 1885-1966  Search this
Parrish, Maxfield, 1870-1966  Search this
Platt, Charles A. (Charles Adams), 1861-1933  Search this
Powers, Hiram, 1805-1873  Search this
Redfield, Edward Willis, 1869-1965  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Smith, Joseph Lindon, 1863-1950  Search this
Sweeney, James Johnson, 1900-  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Tonetti, Mary Lawrence  Search this
Twain, Mark, 1835-1910  Search this
White, Lawrence Grant  Search this
Young, Mahonri Sharp, 1911-1996  Search this
Extent:
2.82 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Place:
New Hampshire
Date:
circa 1858-1973
Summary:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, two photograph albums and photographs, and one scrapbook. Correspondents include family members, Witter Bynner, Ann and Eric Gugler, Leon Kroll, Isabel Manship, James Johnson Sweeney, Maxfield Parrish and others. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.
Scope and Content Note:
The papers of muralist, painter, and teacher Barry Faulkner measure 2.82 linear feet and date from circa 1858-1973. Faulkner's career; his relationships with family, friends, and fellow-artists; and his thoughts on art and artists are documented in biographical materials, correspondence, writings, sketchbooks, five diaries, photograph albums and photographs, and one scrapbook. An unprocessed addition to the collection dating 1942 includes a one page letter mounted on board from Maxfield Parrish to Barry Faulkner.

Biographical materials include biographical sketches, awards, and records documenting Faulkner's military service. Also found are a list of medications, a list of Faulkner's writings, party guest lists, an address book, a calendar, and materials related to the posthumous publication of Sketches From an Artist's Life. Of special interest are oversized architectural drawings by Eric Gugler for Faulkner's Keene, New Hampshire house.

Correspondence includes letters from Faulkner's friends, family, fellow artists, and art organizations and institutions. Faulkner's correspondence with his parents document his 1900-1901 trip to Italy with the Thayer family. Of special interest is his correspondence with writer Witter Bynner about Faulkner's daily life in New Hampshire, his travels through Europe, his artistic practice and career, Bynner's writings, his opinions on artistic and literary works, and his service in World War One. Many of the letters to Bynner include sketches by Faulkner of Abbott Handerson Thayer, Rockwell Kent, Augustus Saint-Gaudens, Homer Saint-Gaudens, George de Forest Brush, Kahlil Gibran, and Mark Twain. Additional correspondents include sculptor Frances Grimes, architect Eric Gugler, painter Leon Kroll, and museum director James Johnson Sweeney.

Faulkner's writings are about art, artists, and the New Hampshire art community. Found are essays on Gifford Beal, George de Forest Brush, James Earle Fraser, Harriet Hosmer, Paul Manship, Charles Adams Platt, Hiram Powers, Edward Willis Redfield, Joseph Lindon Smith, Mary Lawrence Tonetti, Mark Twain, Lawrence Grant White, and Mahonri Young. Other writings discuss Faulkner's mural commissions, various aspects of New Hampshire history, and the history of the Dublin and Cornish art colonies whose inhabitants included George de Forest Brush, Augustus Saint-Gaudens, and Abbott Handerson Thayer. Of special interest is a manuscript for Faulkner's posthumously published memoir Sketches From an Artist's Life, and an unpublished manuscript titled A Neighborhood of Artists about the history and culture of the Connecticut River Valley.

Four sketchbooks by Faulkner contain drawings of landscapes, city scenes, architecture, people, nature, and studies of artwork by others. Also found are two loose sketches.

Five diaries document Faulkner's 1922-1924 trip through Europe, Africa, and Asia including stops in France, Italy, Egypt, and Turkey. Diaries record Faulkner's thoughts on architecture, tourist sites, and travel amenities. Found is one diary from 1956 that discusses social events, the Saint-Gaudens Memorial, the MacDowell Colony of artists, and various artists including Gifford Beal, Maxfield Parrish, Paul Manship, and Eric Gugler.

The bulk of printed material consists of clippings which document published writings by Faulkner, obituaries and published rememberances of Faulkner, local events in Keene, New Hampshire, and reproductions of Faulkner's artwork. Also found are exhibition catalogs of other artists, an announcement of Faulklner's death from the American Academy of Arts and Letters, and a publication illustrated with reproductions of Faulkner's murals for the National Archives.

Photographs include formal and informal images of Faulkner throughout his life, and photographs of his family and friends, his studio, and reproductions of his artwork. Also included are two photograph albums, one of which contains photographs of Faulkner during his youth and one that contains photographs primarily from the 1930s of Faulkner's Keene, New Hampshire house, himself, and his friends and family.

The collection also includes a scrapbook prepared for Faulkner's seventieth birthday containing photographs, cards, telegrams, and placecards with hand drawn illustrations which show the "taste and characteristics" of Faulkner.
Arrangement:
The collection is arranged into 8 series:

Series 1: Biographical Materials, 1914-1971 (Box 1, 3, RD1; 13 folders)

Series 2: Correspondence, 1900-1973 (Box 1; 0.5 linear feet)

Series 3: Writings, 1912-1966 (Boxes 1-2; 1.0 linear foot)

Series 4: Sketchbooks and Sketches, circa 1910s-1930s (Boxes 2-3; 8 folders)

Series 5: Diaries, 1922-1956 (Box 2; 6 folders)

Series 6: Printed Materials, circa 1858-1966 (Boxes 2-3; 8 folders)

Series 7: Photographs, 1892-1960s (Boxes 2-3; 15 folders)

Series 8: Scrapbook, 1951 (Box 3; 2 folders)
Biographical Note:
Francis Barrett Faulkner was born on July 12, 1881 in Keene, New Hampshire. He attended Phillips Exeter Academy and went on to study at Harvard College. Around this same time, Faulkner began an apprenticeship with his cousin and painter Abbott Handerson Thayer and painter George de Forest Brush. He also met sculptors James Earle Fraser and Augustus Saint-Gaudens, both of whom became Faulkner's lifelong friends.

In 1901, Faulkner traveled to Italy for the first time with Thayer and his family. He returned to New York in 1902 and studied at the Art Students League and Chase School. He also completed illustration work for Century magazine.

In 1907, Faulkner won the Rome Prize Fellowship from the American Academy in Rome. shortly thereafter, he left to study in Italy for three years, studying with George de Forest Brush and befriending sculptor Paul Manship. Upon his return in 1910, he started working on his first mural, commissioned by the wife of railroad executive E.H. Harriman. Having found his niche, Faulkner continued taking mural commissions until his career was interrupted by World War I and his service in the camouflage section of the army. Shortly after the war, he completed a mural for the marine headquarters in Quantico, Virginia.

Between 1923-1924, Faulkner worked in collaboration with Eric Gugler and Paul Manship to create the American Academy in Rome war memorial. Also following the war, Faulkner completed murals for the Eastman School of Music in 1922, the Rockefeller Center in 1932, and the National Archives in 1936. That same year, Faulkner bought and refurbished a house named "The Bounty" in Keene, New Hampshire, and built a studio nearby. In 1930, he was elected as a trustee of the American Academy in Rome.

During the 1940s, Faulkner created murals for numerous public buildings and sites around New Hampshire including the Senate Chambers in Concord, the Elliot Community Hospital, Keene National Bank, and the Cheshire County Savings Bank in Keene. During his final decades, Faulkner wrote an unpublished manuscript on the history of art in the Connecticut River Valley entitled A Neighborhood of Artists, and his posthumously published memoirs, Sketches of an Artist's Life. Faulkner died in 1966, in Keene, New Hampshire.
Related Material:
Found in the Nancy Douglas Bowditch papers at the Archives of American Art is correspondence, photographs, and printed materials related to Barry Faulkner. The Library of Congress, Manuscript Division also holds a small collection of Barry Faulkner's papers. Additional correspondence from Faulkner is found in the papers of Witter Bynner at the University of New Mexico and at Harvard University.
Provenance:
The collection was donated by Francis Faulkner, Barry Faulkner's nephew, in 1974. An addition to the collection was donated by Jocelyn Faulkner Bolle in 2014.
Restrictions:
The bulk of this collection has been digitized and is available online via AAA's website.
Rights:
The Barry Faulkner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
World War, 1914-1918  Search this
Painters -- New Hampshire -- Keene  Search this
Artist colonies -- New Hampshire -- Peterborough  Search this
Artists' studios in art  Search this
Artist colonies -- New Hampshire -- Dublin  Search this
Educators -- New Hampshire  Search this
Artists' studios -- New Hampshire  Search this
Artist colonies -- New Hampshire -- Cornish  Search this
Painting, Modern -- 20th century -- New Hampshire -- Keene  Search this
Muralists -- New Hampshire -- Keene  Search this
Mural painting and decoration -- 20th century -- United States  Search this
Artists -- New Hampshire  Search this
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Sketches
Writings
Photographs
Travel diaries
Photograph albums
Citation:
Barry Faulkner papers, circa 1858-1973. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.faulbarr
See more items in:
Barry Faulkner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-faulbarr
Online Media:

F. Luis Mora papers

Creator:
Mora, F. Luis (Francis Luis), 1874-1940  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Art Students League (New York, N.Y.) -- Faculty  Search this
Lotos Club (New York, N.Y.)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Academy of Design (U.S.)  Search this
Salmagundi Club  Search this
Compton, Sophia  Search this
Downes, William Howe, 1854-1941  Search this
Stribling, T. S. (Thomas Sigismund), 1881-1965 (Birthright)  Search this
Twain, Mark, 1835-1910 (Man that corrupted Hadleyburg)  Search this
Extent:
1.7 Linear feet
Type:
Collection descriptions
Archival materials
Illustrations
Diaries
Sketches
Illustrated letters
Christmas cards
Photographs
Awards
Place:
Spain -- description and travel
Date:
1891-1986
bulk 1891-1922
Summary:
The papers of painter and illustrator F. Luis Mora measure 1.7 linear feet and date from 1891 to 1986, with the bulk of material dating from 1891 to 1922. The collection includes biographical information, correspondence, 242 monthy pocket diaries by Mora, and printed and photographic materials.
Scope and Contents note:
The papers of painter and illustrator F. Luis Mora measure 1.7 linear feet and date from 1891 to 1986, with the bulk of material dating from 1891 to 1922. The collection includes biographical information, correspondence, 242 small monthly pocket diaries by Mora, and printed and photographic materials.

Biographical material includes one folder containing Mora's Rothschild Prize certificate.

The correspondence is primarily with galleries regarding sales, the value of artwork, and Mora's murals for the St. Louis World's Fair in 1904. There is also correspondence with Mora's family and friends regarding his personal life and a family vacation in Cadiz, Spain. The collection also includes two Christmas cards, several illustrated letters and two invitations to Mora's solo art shows. Some of the correspondence is to and from Mora's first wife, Sophia Compton.

The majority of the writings consists of 242 monthly pocket diaries, which contain brief daily entries and some sketches. Mora writes about his work, memberships in the Salmagundi Club and the National Academy of Design, and teaching at the Art Student League. He also discusses his ideas about painting and his observations of the art scene, including his visit to the 1913 Armory Show. Also included is a handwritten "Editorial" by Mora, probably for election to the Lotos Club.

Printed material includes clippings, brochures, programs, advertisements, exhibition catalogs, books, and magazines. Two books, The Man that Corrupted Hadleyburg and Other Essays and Stories, by Mark Twain (1917), and Birthright, by T.S. Stribling (1922), both illustrated by Mora, are included, along with over a dozen magazines containing illustrations by Mora.

Photographs include black and white photographs and glass plate negatives of Mora, family and friends, students, and artwork. Black and white pictures of Mora's artwork include his "Thine is Glory" mural (1919), the "National Academy Jury of 1907" painting (1907) and an etching of his daughter, Rosemary. Glass plate negatives are of his first wife, Sophia Compton, her mother Emma, Mora's father Domingo, the painting "Dance of Salome" (1893), Mora's brother-in-law Alfred Compton, his Boston Museum and Chase School of Art classes, and the Perth Amboy Terra Cotta Company, where Mora's father worked.
Arrangement note:
The collection is arranged as 5 series. Records are generally arranged alphabetically by subject. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Materials, circa early 1900s (Box 1; 1 folder)

Series 2: Correspondence, 1900-1969 (Box 1; 3 folders)

Series 3: Writings, 1899-1922 (Box 1; 0.4 linear feet)

Series 4: Printed Material, 1895-1986 (Boxes 1-2 and OV 3; 0.8 linear feet)

Series 5: Photographic Materials, 1891-1941 (Box 2, MGP 1, MGP 2; 0.4 linear feet)
Biographical/Historical note:
Francis Luis Mora (1974-1940) was born in Montevideo, Uruguay. In 1877, he and his family moved to Catalonia, Spain and in 1880, they moved again to the United States where they eventually settled in Perth Amboy, New Jersey. Both his father, Domingo, and his brother, Joseph, were also noted sculptors.

Mora studied at the School of the Boston Museum of Fine Arts and at the Art Students League of New York. He was a muralist, oil and watercolor portrait painter, and etcher, though he is best known for his illustrations in magazines such as Century, Harper's, and Ladies' Home Journal. He was a member of the Salmagundi Club and the National Academy of Design and taught at the Art Students League of New York and the Chase School of Art. He and his wife, Sophia ("Sonia") Compton, had a daughter, Rosemary, in 1918. After his wife's death, Mora married May Gosman Safford in 1932. Mora died at the age of 64 in 1940.
Related Archival Materials note:
Among the holdings of the Archives of American Art are the F. Luis Mora Art Works and Photographs (available on microfilm reel 5053) and a F. Luis Mora Letter to William John Wittemore (available on microfilm reel D30, frame 534.)
Provenance:
The F. Luis Mora papers were donated to the Archives of American Art by Cornelia Colton, the daughter of Mora's second wife, May Safford, in 1975. Additional papers were donated in 2008 by Gwen Compton, Mora's niece.
Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Rights:
The F. Luis Mora papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters  Search this
Topic:
Mural painting and decoration  Search this
Illustrators  Search this
Art -- Study and teaching  Search this
Muralists  Search this
Hispanic American artists  Search this
Painting, American  Search this
Genre/Form:
Illustrations
Diaries
Sketches
Illustrated letters
Christmas cards
Photographs
Awards
Citation:
F. Luis Mora papers, 1891-1986, bulk 1891-1922. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.moraflui
See more items in:
F. Luis Mora papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moraflui
Online Media:

Exhibition Records, c. 1980-1993

Creator:
Smithsonian Institution Traveling Exhibition Service  Search this
Subject:
Finster, Howard 1916-2001  Search this
Twain, Mark 1835-1910 Exhibitions  Search this
National Geographic Society (U.S.)  Search this
Black Wings: The American Black in Aviation (Traveling exhibition) (1986-1990)  Search this
Ceramics of the Weimar Republic (Traveling exhibition) (1988-1991)  Search this
China Between the Revolutions: Photographs by Sydney D. Gamble, 1971-1927 (Traveling exhibition) (1989-1993)  Search this
Collector's Eye: The Olga Hirshhorn Collection (Traveling exhibition) (1986-1990)  Search this
Crossroads of Continents: Cultures of Siberia and Alaska (Exhibition) (1988: Washington D.C.)  Search this
Dining at the White House: Two Centuries of Presidential Tableware (Traveling exhibition) (1989)  Search this
Diversity Endangered (Posters Exhibition) (Traveling exhibition) (1987)  Search this
Drawings by Utagawa Kuniyoshi from the Rijksmuseum voor Volenkunde (Traveling exhibition) (1989-1991)  Search this
Exploring Microspace (Traveling exhibition) (1986-1989)  Search this
Facing the Gods: Ritual Masks of the Himalayas (Traveling exhibition) (1989-1991)  Search this
Field to Factory: Afro-American Migration, 1915-1940 (Exhibition) (1987-2006: Washington, D.C.)  Search this
From Site to Site: Anthropology, Photography, and the Power of Imagery (Traveling exhibition) (1988-1991)  Search this
Glamour and Allure: The Hollywood Photographs of George Hurrell (Traveling exhibition) (1988-1990)  Search this
Italy: One Hundred Years of Photography (Traveling exhibition) (1987-1993)  Search this
Jakob Ignaz Hittorff, 1792-1867: Architectural Drawings and Watercolors of Paris and Rome (Traveling exhibition) (1990-1991)  Search this
Legacy Endures: Conserving Wetlands and Waterfowls (Traveling exhibition) (1989-1991)  Search this
Lights, Camera, Action! Lithographs for the Cinema by Jean A. Mercier, 1920-1940 (Traveling exhibition) (1985-1988)  Search this
Marconi (Traveling exhibition) (1985-1991)  Search this
Mark Twain and Huck Finn: Joy-Flags and Milestones (Traveling exhibition) (1985-1990)  Search this
Master Watercolors and Drawings from the Norton Gallery of Art (Traveling exhibition) (1988-1989)  Search this
Mexico As Seen By Her Children (Traveling exhibition) (1985-1990)  Search this
Music and Dance in Papua New Guinea (Traveling exhibition) (1985-1988)  Search this
National Geographic Society: 100 Years of Discovery and Adventure (Traveling exhibition) (1988-1993)  Search this
New Vistas: American Art Pottery 1880-1930 from the Cooper-Hewitt Museum (Traveling exhibition) (1985-1988)  Search this
Odyssey: Mirror of the Mediterranean (Traveling exhibition) (1982-1988)  Search this
Official Images: New Deal Photography (Traveling exhibition) (1988-1994)  Search this
Plains Indian Arts: Continuity and Change (Traveling exhibition) (1989)  Search this
Polished Perfection: The Art of Turned-Wood Bowls, Edward Jacobson Collection (Traveling exhibition) (1986-1989)  Search this
Portraits and Prospects: British and Irish Watercolors and Drawings from the Ulster Museum (Traveling exhibition) (1989-1992)  Search this
Portraits in Black: Outstanding Americans of Negro Origin from the Harmon Collection of the National Portrait Gallery (Traveling exhibition) (1985-1989)  Search this
Power and Gold: Jewelry from Indonesia, Malaysia, and the Philippines (Traveling exhibition) (1985-1989)  Search this
Provincetown and the Art of Printmaking (Traveling exhibition) (1990-1992)  Search this
Real McCoy: African-American Invention and Innovation (Traveling exhibition) (1991-1993)  Search this
Remaking America: New Uses, Old Places (Traveling exhibition) (1986-1991)  Search this
Renaissance Master Bronzes from the Kunsthistorische Museum, Vienna (Traveling exhibition) (1986-1987)  Search this
Rhythm and Blues: Black American Popular Music, 1945-1955 (Traveling exhibition) (1987-1991)  Search this
Road to Heaven is Paved by Good Works: The Art of Reverend Howard Finster (Traveling exhibition) (1990-1992)  Search this
Russia, The Land, The People: Russian Painting 1850-1910 (Traveling exhibition) (1986-1987)  Search this
Russian Impressionist: Paintings and Drawings of Leonid Pasternak, 1880-1945 (Traveling exhibition) (1987-1989)  Search this
Sea Stars (Traveling exhibition) (1989-1993)  Search this
Soundtracks (Traveling exhibition) (1988-1990)  Search this
Spectacular Vernacular: Traditional Desert Architecture from West Africa to Southwest Asia (Traveling exhibition) (1986-1991)  Search this
Strength and Diversity: Japanese-American Women 1885-1990 (Traveling exhibition) (1993-1996)  Search this
Superman: Many Lives, Many Worlds (Traveling exhibition) (1989-1991)  Search this
Surrealist Art: Selections from the Hirshhorn (Traveling exhibition) (1986-1987)  Search this
Threadworks: Miniature Textile Art (Traveling exhibition) (1988-1991)  Search this
Three Centuries of German Painting and Drawing from the Collection of the Wallraf-Richartz Museum of Cologne (Traveling exhibition) (1985-1986)  Search this
Treasures from the Land: New Zealand Craftsmen and their Native Materials (Traveling exhibition) (1985-1988)  Search this
Tropical Rainforests: A Disappearing Treasure (Exhibition) (1988: Washington, D.C.)  Search this
Unfamiliar Fauna of the Open Sea (Traveling exhibition) (1984-1987)  Search this
Victorian Gardens: A Horticultural Extravaganza, 1835-1900 (Traveling exhibition) (1988-1993)  Search this
Vietnam Veterans Memorial: A National Experience (Traveling exhibition) (1986-1993)  Search this
View from Space: American Astronaut Photography, 1962-1972 (Traveling exhibition) (1989-1993)  Search this
Views of Rome: Watercolors and Drawings from the Collection of the Biblioteca Apostolica Vaticana (Traveling exhibition) (1988-1991)  Search this
Visions of Flight: A Retrospective from the NASA Art Collection (Traveling exhibition) (1988-1991)  Search this
We'll Never Turn Back (Traveling exhibition) (1981-1982)  Search this
What Style Is It? (Traveling exhibition) (1987-1992)  Search this
ZooArk (Traveling exhibition) (1988-1990)  Search this
Physical description:
40 cu. ft. (40 record storage boxes)
Type:
Clippings
Collection descriptions
Manuscripts
Black-and-white photographs
Motion pictures (visual works)
Videotapes
Date:
1980
1980-1993
c 1980-1993
Topic:
Traveling exhibitions  Search this
Local number:
SIA Acc. 95-161
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_252323

Frances Kent Lamont papers

Creator:
Lamont, Frances Kent, 1899-1975  Search this
Names:
Milles, Carl, 1875-1955  Search this
Robinson, Boardman, 1876-1952  Search this
Twain, Mark, 1835-1910  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1909-1970
Scope and Contents:
2 letters from Carl Milles; 5 letters from Boardman Robinson; photograph with Mark Twain in Bermuda, ca.1909; awards; one notebook; signed and unsigned sketches; photographs of work; clippings and catalogs.
Biographical / Historical:
Sculptor; studied as a pupil of Solon Borglum and Mahonri Young. Examples of her art are her war memorials, such as one she created for the wars of America in New Canaan, Conn. and also one for the Spanish-American war in New Rochelle, N.Y. She exhibited internationally as well as locally, including shows at the Salon des Tuileries, Paris, 1937-1939, the Whitney, New York, 1941-1951. She was a member of the National Sculpture Society.
Provenance:
Donor is the artist's sister.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Designers  Search this
Sculptors  Search this
Topic:
Sculpture  Search this
Women sculptors -- United States  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.lamofran
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lamofran

Mark Twain at large : his travels here and abroad / curators Lin Salamo, Harriet Elinor Smith, Robert Pack Browning

Author:
Salamo, Lin  Search this
Smith, Harriet Elinor  Search this
Browning, Robert Pack  Search this
Bancroft Library  Search this
Subject:
Twain, Mark 1835-1910  Search this
Twain, Mark 1835-1910 Homes and haunts  Search this
Twain, Mark 1835-1910 Mark Twain papers  Search this
Bancroft Library  Search this
Physical description:
59 p. : ill., ports. ; 26 cm
Type:
Books
Exhibitions
Date:
1998
Call number:
CT275.C62 M37 1998
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_606290

Mark Twain : an American voice to the world

Author:
Twain, Mark 1835-1910  Search this
Platt, Mary Elizabeth 1945-  Search this
Robinson, Michael  Search this
Horace W. Sturgis Library  Search this
Subject:
Twain, Mark 1835-1910  Search this
Physical description:
65 p. : ill. ; 22 x 28 cm
Type:
Books
Exhibitions
Date:
1996
Call number:
CT275.C62 P53 1996
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_542734

Samuel Langhorne Clemens : a centennial for Tom Sawyer : an annotated, selected bibliography / compiled by Virginia Haviland and Margaret N. Coughlan

Author:
Haviland, Virginia 1911-1988  Search this
Coughlan, Margaret N. 1925-  Search this
Library of Congress Children's Book Section  Search this
Subject:
Twain, Mark 1835-1910 Bibliography  Search this
Physical description:
ix, 86 p. : ill. ; 23 cm
Type:
Books
Date:
1977
1976 i.e. [1977]
Call number:
Z8176 .H38X
Z8176.H38X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_80779

Modesty died when clothes were born : costume in the life and literature of Mark Twain : an exhibition organized by the Mark Twain House & Museum / Lynne Zacek Bassett, guest curator

Author:
Mark Twain House & Museum (Hartford, Conn.)  Search this
Bassett, Lynne Z. 1961-  Search this
Subject:
Twain, Mark 1835-1910 Clothing  Search this
Physical description:
iv, 64 p. : ill. (some col.) ; 26 cm
Type:
Exhibitions
Date:
2004
2004]
19th century
20th century
Topic:
Costume  Search this
Clothing and dress in literature  Search this
Costume--History  Search this
Call number:
GT580 .M37 2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_926290

Huckleberry Finn / [editor, Jens Hoffmann ; authors Jens Hoffmann ... et al.]

Author:
Hoffmann, Jens 1974-  Search this
Blankenship, Mirjana  Search this
CCA Wattis Institute for Contemporary Arts  Search this
Subject:
Twain, Mark 1835-1910 Adventures of Huckleberry Finn  Search this
Physical description:
107 p. : ill. (some col.), map ; 23 cm
Type:
Exhibitions
Date:
2010
C2010
21st century
20th century
Topic:
Racism in art  Search this
Art, Modern  Search this
Call number:
N8237.8.R25 H83 2010
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_979238

Not a Model Boy Exhibit Opens at the National Portrait Gallery (NPG)

Subject:
Twain, Mark 1835-1910  Search this
National Portrait Gallery (U.S.)  Search this
Not a Model Boy (Exhibition) (1976: Washington, D.C.)  Search this
Date:
December 9, 1976
Topic:
Exhibitions  Search this
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_1117

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