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Turrell, James

Collection Creator:
Marshall, Richard, 1947-2014  Search this
Container:
Box 6, Folder 16
Type:
Archival materials
Date:
2010
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard D. Marshall papers, 1969-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Richard D. Marshall papers
Richard D. Marshall papers / Series 2: Exhibition and Research Files / Lever House
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c3b5bbbe-3096-4b98-861f-0f729db952a0
EDAN-URL:
ead_component:sova-aaa-marsrich-ref157

Turrell, James (Nov 22, 1980-Jan 15, 1981); 142 Greene St

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 54, Folder 77
Type:
Archival materials
Date:
1980-1981
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 3: Exhibition Files / 3.5: Solo Shows
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91911dda8-dde0-4ffb-86d0-6ba46ebbae75
EDAN-URL:
ead_component:sova-aaa-leocast-ref10533

Turrell, James

Collection Creator:
Leo Castelli Gallery  Search this
Extent:
(Oversized material housed in Box 204, Folder 5)
Container:
Box 95, Folder 15
Type:
Archival materials
Date:
1969-1990
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 4: Artists Files / 4.1: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a3653280-8fab-448a-87f1-697518d7f47e
EDAN-URL:
ead_component:sova-aaa-leocast-ref11821

Turrell, James

Collection Creator:
Leo Castelli Gallery  Search this
Extent:
(Oversized material from Box 95, Folder 15)
Container:
Box 204, Folder 5
Type:
Archival materials
Date:
1981, 1984
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 4: Artists Files / 4.1: Artists Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b34d1a7f-eb67-4054-b71a-f6138b2aa75f
EDAN-URL:
ead_component:sova-aaa-leocast-ref11992

Turrell, James

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 130, Folder 24
Type:
Archival materials
Date:
1978-1979
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 4: Artists Files / 4.2: Photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90f315f8a-73f1-4eae-b38d-d9c78846e89c
EDAN-URL:
ead_component:sova-aaa-leocast-ref12451

Turrell, James

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 21, Folder 20
Type:
Archival materials
Date:
1980-1981
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a153c3f6-e744-428f-b88d-a8ce2d310fd2
EDAN-URL:
ead_component:sova-aaa-leocast-ref9143

Theodore F. Wolff papers

Creator:
Wolff, Theodore F.  Search this
Names:
Diebenkorn, Richard, 1922-1993  Search this
Donati, Enrico, 1909-2008  Search this
Hogue, Alexandre, 1898-  Search this
Johnston, Ynez, 1920-  Search this
Kohlmeyer, Ida, 1912-1997  Search this
Landeck, Armin, 1905-  Search this
Miller, Melissa  Search this
Natkin, Robert, 1930-  Search this
Stamos, Theodoros, 1922-1997  Search this
Tacha, Athena, 1936-  Search this
Turrell, James  Search this
Witkin, Jerome  Search this
Extent:
8 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Video recordings
Sound recordings
Photographs
Interviews
Date:
1920-2013
bulk 1977-2013
Summary:
The papers of art critic, writer, and painter Theodore F. Wolff measure 8 linear feet and date from 1920-2013, with the bulk of the material dating from 1977-2013. The collection documents Wolff's career through biographical material, correspondence, interviews, writings, subject files, printed material, a small amount of artwork, and photographs.
Scope and Contents:
The papers of art critic, writer, and painter Theodore F. Wolff measure 8 linear feet and date from 1920-2013, with the bulk of the material dating from 1977-2013. The collection documents Wolff's career through biographical material, correspondence, interviews, writings, subject files, printed material, a small portion of artwork, and photographs.

Biographical material consists of biographical data, curriculum vitae, and awards. Included are outgoing and incoming letters that document Wolff's activities as an art critic, appraiser, and fine arts consultant. A large portion of his correspondence is with artists. Among the correspondents are Richard Diebenkorn, Alexander Hogue, Ynez Johnston, Armin Landeck, Melissa Miller, Robert Natkin, Theodoros Stamos, Athena Tachna, Jerome Witkin, and the writer Tom Wolfe. There is significant correspondence with Morris Graves, James Hubbell, Clyfford Still, and Stow Wengenroth relating to their work and Wolff's writings.

Interviews consist of three interviews with Theodore F. Wolff as well as a panel discussion with Wolff and other artists. Found are interviews with Enrico Donati and James Turrell. Recordings are on five sound cassettes and three videocassettes. Writings consist of Wolff's reviews, mostly tearsheets for The Christian Monitor and draft versions of a book. Also included are talks and lectures on art and art education recorded on seven videocassettes and six sound cassettes. Subject files document Wolff's professional interests and relate to his writing projects, exhibitions, talks, and presentations. Included are interviews with artists that were used by Theodore Wolff as source material.

Printed material includes Theodore F. Wolff's published critical writings on art, artists, and education. Included are exhibition catalogs, brochures, journals, and monographs. Artwork consists of seventeen sketches by Wolff done early in his career. Photographs are of Theodore F. Wolff and with friends and colleagues, many of them unidentified. Included are photographs of Wolff with Ida Kohlmeyer.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Material, 1982-2013 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1920, 1951-2011 (Box 1; 0.75 linear feet)

Series 3: Interviews, circa 1990-2002 (Box 2; 0.1 linear feet)

Series 4: Writings, Talks, and Lectures, circa 1977-2005 (Boxes 2-4; 2.8 linear feet)

Series 5: Subject Files, circa 1940, 1964-2004 (Boxes 4-6; 1.8 linear feet)

Series 6: Printed Material, 1956-2006 (Boxes 6-8; 2.2 linear feet)

Series 7: Artwork, 1942-1948 (Box 7, 1 folder)

Series 8: Photographs, circa 1980-circa 2011 (Box 7; 0.25 linear feet)
Biographical / Historical:
Theodore F. Wolff (1926-2012) was an art critic, writer, and painter in New York City.

Wolff attended the University of Wisconsin, earning a Bachelor of Arts degree in Art Education in 1949 and a Masters degree in Art and Art History the following year. By the early 1950s, Wolff was living in San Francisco, where he began his professional career as a painter. In 1956, he and his wife, Collette Wolff, moved to New York. During this period, Wolff also worked as an art appraiser and fine arts consultant for collectors, galleries, and museums. In 1977, Wolff began writing art criticism for The Christian Science Monitor and held the post of art critic at the publication until 1990. In addition to his art columns to The Monitor, Wolff contributed critical and introductory essays on artists for exhibition catalogs and journals. Theodore F. Wolff taught and lectured on art and art education at museums, universities, and conferences. In 1982, he received the National Headliners Award for Consistently Outstanding Column on Art and the Art World Award for Distinguished Newspaper Art Criticism in 1983. In 1990, Theodore Wolff retired from The Christian Science Monitor. He devoted the latter part of his career to painting, writing, lecturing, and teaching.

Theodore F. Wolff died in 2012 in New York City. He is survived by his wife, Collette Wolff.
Provenance:
A small amount of material was donated in 1999 by Theodore F. Wolff. Additional papers were donated in 2013 by Collette Wolff, widow of Theodore F. Wolff.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Genre/Form:
Sketches
Video recordings
Sound recordings
Photographs
Interviews
Citation:
Theodore F. Wolff papers, 1920-2013, bulk 1977-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wolftheo
See more items in:
Theodore F. Wolff papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b5e8f0e0-6854-4684-a3cd-c433e8ddaa14
EDAN-URL:
ead_collection:sova-aaa-wolftheo

Turrell, James

Collection Creator:
Wolff, Theodore F.  Search this
Container:
Box 5, Folder 40
Type:
Archival materials
Date:
1981-1987
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Theodore F. Wolff papers, 1920-2013, bulk 1977-2013. Archives of American Art, Smithsonian Institution.
See more items in:
Theodore F. Wolff papers
Theodore F. Wolff papers / Series 5: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d77982b0-1b44-46eb-a091-3b2ca5a55b3f
EDAN-URL:
ead_component:sova-aaa-wolftheo-ref128

Theodore F. Wolff papers, 1920-2013, bulk 1977-2013

Creator:
Wolff, Theodore F., 1926-2012  Search this
Wolff, Theodore F., 1926-2012  Search this
Subject:
Stamos, Theodoros  Search this
Tacha, Athena  Search this
Miller, Melissa  Search this
Natkin, Robert  Search this
Landeck, Armin  Search this
Kohlmeyer, Ida  Search this
Hogue, Alexandre  Search this
Johnston, Ynez  Search this
Diebenkorn, Richard  Search this
Donati, Enrico  Search this
Witkin, Jerome  Search this
Turrell, James  Search this
Type:
Sketches
Video recordings
Sound recordings
Photographs
Interviews
Topic:
Painters -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6269
(DSI-AAA_SIRISBib)216612
AAA_collcode_wolftheo
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216612
Online Media:

James Turrell

Artist:
Chuck Close, 5 Jul 1940 - 19 Aug 2021  Search this
Sitter:
James Turrell, born 6 May 1943  Search this
Medium:
Digital inkjet print on paper after a daguerreotype
Dimensions:
Image/Sheet: 40.6 × 30.5 cm (16 × 12")
Book open (page): 40.6 × 61 × 1 cm (16 × 24 × 3/8")
Book closed (folio extended): 40.6 × 305 cm (16 × 120 1/16")
Book closed: 40.6 × 30.5 × 1.2 cm (16 × 12 × 1/2")
Type:
Photograph
Date:
2002 (printed 2004)
Topic:
Personal Attribute\Facial Hair\Mustache  Search this
Interior\Studio  Search this
Personal Attribute\Facial Hair\Beard  Search this
James Turrell: Male  Search this
James Turrell: Visual Arts\Artist\Sculptor  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2004.110.1.2
Restrictions & Rights:
Usage conditions apply
Copyright:
© Chuck Close, courtesy Pace Prints, NYC
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm46c61928c-d7f3-4526-a6a6-4517fa4a75c9
EDAN-URL:
edanmdm:npg_NPG.2004.110.1.2

Melinda Wortz papers, 1958-1992

Creator:
Wortz, Melinda, 1940-2002  Search this
Wortz, Melinda, 1940-2002  Search this
Subject:
Eversley, Frederick  Search this
Taylor, Elizabeth  Search this
Livkin, Rena  Search this
Turrell, James  Search this
Tivey, Hap  Search this
Baca, Judith Francisca  Search this
DeLap, Tony  Search this
Antin, Eleanor  Search this
Christo  Search this
Dine, Jim  Search this
McCafferty, Jay David  Search this
Sonneman, Eve  Search this
Ox, Jack  Search this
Todd, Liza  Search this
Marck, Marc van der  Search this
Rinke, Klaus  Search this
Rosler, Martha  Search this
Irwin, Robert  Search this
Johns, Jasper  Search this
Valentine, De Wain  Search this
Kauffman, Craig  Search this
Zaimo, Stephen  Search this
Small, Rena  Search this
Warner, Elsa  Search this
Bell, Larry  Search this
Moses, Ed  Search this
Lodato, Peter  Search this
Wiener, Nina  Search this
Schwartz, Beth Ames  Search this
Barber, Daniel  Search this
Noguchi, Isamu  Search this
Rauschenberg, Robert  Search this
Harding, Bill  Search this
Marchesi, Cork  Search this
Ballatore-Nelson, Sandy  Search this
University of California, Irvine. Fine Arts Gallery  Search this
University of California, Irvine. Department of Studo Art  Search this
University of California, Irvine  Search this
Type:
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Place:
Paris (France) -- description and travel
Soviet Union -- description and travel
Topic:
Art, American -- California  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century -- California  Search this
Women art historians  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6475
(DSI-AAA_SIRISBib)215662
AAA_collcode_wortmeli
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215662
Online Media:

Jan Butterfield papers, 1950-1997

Creator:
Butterfield, Jan, 1937-2000  Search this
Butterfield, Jan, 1937-2000  Search this
Subject:
Goode, Joe  Search this
Cage, John  Search this
Harrison, Helen Mayer  Search this
Harrison, Newton  Search this
Still, Clyfford  Search this
Dugmore, Edward  Search this
Francis, Sam  Search this
Irwin, Robert  Search this
Reinhardt, Ad  Search this
Nordman, Maria  Search this
Wheeler, Douglas  Search this
Orr, Eric  Search this
Nauman, Bruce  Search this
Shaw, Richard  Search this
Bell, Larry  Search this
Bischoff, Elmer  Search this
Hudson, Robert  Search this
Guston, Philip  Search this
Resnick, Milton  Search this
Ruscha, Edward  Search this
Rauschenberg, Robert  Search this
Greene, George  Search this
Roche, Jim  Search this
Turrell, James  Search this
Hopkins, Henry  Search this
Young, R. Joshua  Search this
Gehry, Frank O.  Search this
Wortz, E.  Search this
Kienholz, Edward  Search this
Wortz, Melinda  Search this
Karp, Michael  Search this
Pacific Enterprises  Search this
Lapis Press  Search this
Type:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Theme:
Women  Search this
Art Theory and Historiography  Search this
Lives of American Artists  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6002
(DSI-AAA_SIRISBib)229789
AAA_collcode_buttjan
Theme:
Women
Art Theory and Historiography
Lives of American Artists
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_229789
Online Media:

Jack Brogan papers, 1968-2016, bulk 1971-2009

Creator:
Brogan, Jack, 1930-  Search this
Brogan, Jack, 1930-  Search this
Subject:
Benglis, Lynda  Search this
DeLap, Tony  Search this
Irwin, Robert  Search this
Therrien, Robert  Search this
Turrell, James  Search this
Type:
Designs
Drawings
Interviews
Photographs
Sketches
Transcripts
Topic:
Artists -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)17487
(DSI-AAA_SIRISBib)389170
AAA_collcode_brogjack
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_389170
Online Media:

Doug Edge papers, circa 1951-2020

Creator:
Edge, Doug, 1942-  Search this
Edge, Doug, 1942-  Search this
Subject:
Irwin, Robert  Search this
Turrell, James  Search this
Type:
Diaries
Drawings
Video recordings
Place:
Monument Valley (Ariz. and Utah)
Topic:
Art -- Study and teaching  Search this
Photographers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Powell, Lake (Utah and Ariz.)  Search this
Record number:
(DSI-AAA_CollID)17510
(DSI-AAA_SIRISBib)390612
AAA_collcode_edgedoug
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_390612
Online Media:

James Turrell [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Art & Artist files at the Hirshhorn Museum and Sculpture Garden Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_32158

Melinda Wortz papers

Creator:
Wortz, Melinda  Search this
Names:
University of California, Irvine -- Faculty  Search this
University of California, Irvine. Department of Studo Art  Search this
University of California, Irvine. Fine Arts Gallery  Search this
Antin, Eleanor  Search this
Baca, Judith Francisca  Search this
Ballatore-Nelson, Sandy  Search this
Barber, Daniel  Search this
Bell, Larry, 1939-  Search this
Christo, 1935-  Search this
DeLap, Tony, 1927-  Search this
Dine, Jim, 1935-  Search this
Eversley, Frederick  Search this
Harding, Bill  Search this
Irwin, Robert, 1928-  Search this
Johns, Jasper, 1930-  Search this
Kauffman, Craig, 1932-2010  Search this
Livkin, Rena  Search this
Lodato, Peter  Search this
Marchesi, Cork  Search this
Marck, Marc van der  Search this
McCafferty, Jay David, 1948-  Search this
Moses, Ed, 1926-  Search this
Noguchi, Isamu, 1904-1988  Search this
Ox, Jack, 1948-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rinke, Klaus, 1939-  Search this
Rosler, Martha  Search this
Schwartz, Beth Ames  Search this
Small, Rena  Search this
Sonneman, Eve  Search this
Taylor, Elizabeth, 1932-2011  Search this
Tivey, Hap  Search this
Todd, Liza  Search this
Turrell, James  Search this
Valentine, De Wain, 1936-2022  Search this
Warner, Elsa  Search this
Wiener, Nina  Search this
Zaimo, Stephen  Search this
Extent:
17.45 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Place:
Paris (France) -- description and travel
Soviet Union -- description and travel
Date:
1958-1992
Summary:
The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California "light and space" artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.
Scope and Contents:
The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California Light and Space artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.

Wortz's biographical material includes annotated appointment books and calendars, resumes, and some family, financial, and legal records.

Correspondence files document Wortz's activities beyond her work at UCI, including scattered correspondence with artists such as Eleanor Antin, Daniel Barber, Christo, Craig Kauffman, Cork Marchesi, Martha Rosler, Eve Sonneman, Hap Tivey, and Elsa Warner. Correspondence also relates to arrangements for lectures, juries, panels, symposiums, and other professional activities in which Wortz participated.

Interviews include transcripts of four interviews conducted by Wortz with subjects including Peter Lodato and Dewain Valentine, and a sound recording of an interview with Nina Wiener.

Writings and notes include drafts, and some published copies, of articles and essays written for journals, magazines, and exhibition catalogs; Wortz's dissertation and thesis; notes; student essays and class notes; and scattered writings by others. Included in the published works are copies of Artweek containing articles by Wortz, and drafts and published copies of essays on Larry Bell, Robert Irwin, Jasper Johns, Jay McCafferty, Isamu Noguchi, Robert Rauschenberg, Klaus Rinke, Beth Ames Schwartz, and James Turrell.

Diaries document five separate overseas trips to locations including Asia in 1977, Paris in 1978, and the U.S.S.R., where Wortz delivered a paper on Robert Irwin, in 1989.

University of California, Irvine, records include Wortz's administrative files documenting her work on various committees, her directorship of the Fine Arts Gallery, including budget and exhibition records, her work as Chair of Studio Art, and her collaborations with other faculty, including Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small. Wortz's dossier files provide a thorough record of her accomplishments from the late 1970s-1990, and her UCI teaching files document the content of core art courses which she taught at UCI in the 1970s and 1980s.

Subject files provide additional documentation of Wortz's interest in particular artists and subjects, and include scattered correspondence with artists, as well as additional correspondence, reports, printed material, index card files, sound cassettes, and photographs, documenting her interests in art and politics, feminism, religion and spirituality, museum management and training, and other subjects.

Printed material includes announcements, catalogs, journals, newsletters, and material specifically documenting Wortz's activities.

Artwork includes a piece of floor covering from a Jim Dine exhibition, a booklet by Daniel Barber, Flams by Rena Livkin, and several pieces of unidentified artwork.

Photographs include photos of Wortz with her family and with UCI faculty including Tony DeLap, Craig Kauffman, and Ed Moses; photos of events with friends and family, including Hap Tivey's wedding to Liza Todd with Elizabeth Taylor in attendance; photos of artists including Frederick Eversley, Bill Harding, Jack Ox, and Stephen Zaimo; and photos of artwork by artists including Tony DeLap, Barbara Smith, Marc Van Der Marck, and others.
Arrangement:
The collection is arranged as ten series.

Missing Title

Series 1: Biographical Materials, 1966-1988 (0.25 linear feet; Boxes 1, 19)

Series 2: Correspondence, 1967-1992 (1.25 linear feet; Boxes 1-2, 18)

Series 3: Interviews, 1971-circa 1980s (6 folders; Boxes 2, 18)

Series 4: Writings and Notes, 1958-circa 1990 (4.25 linear feet; Boxes 2-6, 19)

Series 5: Diaries, 1977-1989 (6 folders; Box 6)

Series 6: University of California, Irvine, 1960-1991 (4.8 linear feet; Boxes 6-11, OV 20)

Series 7: Subject Files, circa 1960-1990 (4.25 linear feet; Boxes 11-15, 18)

Series 8: Printed Material, 1960s-1980s (1.8 linear feet; Boxes 15-16, 19)

Series 9: Artwork, circa 1960s-circa 1980s (3 folders; Boxes 17, 19)

Series 10: Photographs, 1960s-1980s (0.6 linear feet; Boxes 17, 19)
Biographical / Historical:
California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002), taught at the University of California, Irvine, from 1975, serving as Director of UCI's Fine Arts Gallery and Chair of the Department of Studio Art. Wortz's special area of interest was the work of the California "light and space" artists emerging in Los Angeles in the 1970s.

After attending Stanford University and graduating from Radcliffe College with a bachelors degree in art history, Wortz received her masters degree in art history from the University of California, Los Angeles, and her doctorate in theology and the arts from the Graduate Theological Union at Berkeley. Wortz taught at California State University and the University of California Extension in the early 1970s. At UCI her colleagues included Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small.

Wortz married Edward C. Wortz in the early 1970s, following her divorce from her first husband, Thomas G. Terbell, Jr. Edward Wortz's first career was as a research scientist working on NASA contracts in the air research industry in Colorado and California. Later he was involved in the arts and participated in collaborations with artists including Robert Irwin, Coy Howard, and James Turrell. He worked with Melinda Wortz to develop their personal collection of contemporary art.

Melinda Wortz was a prolific writer who wrote extensively for national art periodicals, including Arts Magazine, and Art News. She also wrote, and served as editor, for the California periodical Artweek from the 1960s to 1990s. She wrote numerous catalogs for artists including Larry Bell, Cork Marchesi, Doug Moran, Beth Ames Schwartz, and James Turrell; and published articles on Dan Flavin, Robert Irwin, Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, Frank Stella, and others. She lectured at Brown University, the Center for Art, Salt Lake City, Contemporary Art Museum, La Jolla, the Massachusetts Institute of Technology, the San Diego Museum, Wellesley College, the Whitney Museum of American Art, and many other institutions. In 1989 she traveled to the U.S.S.R. to deliver a paper on Robert Irwin at the International Art Critics Association annual meeting.

In addition to her curatorial work at the UCI Fine Arts Gallery, where she organized exhibitions for artists including Alice Aycock, Jonathan Borofsky, Audrey Flack, Jack Ox, and Dennis Oppenheim, Wortz curated exhibitions for University of California sister colleges, Pasadena Art Museum, and others.

Wortz received UCI and National Endowment for the Arts grants in support of her writing, and served on advisory boards of the Contemporary Arts Forum, Los Angeles Institute of Contemporary Art, Santa Barbara, Robert Rauschenberg's foundation, Advisory Board of Change, Inc., the Pasadena Art Museum, and others.

Wortz was diagnosed with Alzheimers disease at the age of 50 and died in 2002.
Provenance:
The collection was donated by Edward C. Wortz, Melinda Wortz's husband, in 1994.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Art museum curators -- California -- Los Angeles  Search this
Gallery directors -- California -- Irvine  Search this
Topic:
Art, American -- California  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century -- California  Search this
Women art historians  Search this
Genre/Form:
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Citation:
Melinda Wortz papers, 1958-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wortmeli
See more items in:
Melinda Wortz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw905985e8b-dfa4-4162-a8bb-952942187c9f
EDAN-URL:
ead_collection:sova-aaa-wortmeli
Online Media:

Jan Butterfield papers

Creator:
Butterfield, Jan  Search this
Names:
Lapis Press  Search this
Pacific Enterprises  Search this
Bell, Larry, 1939-  Search this
Bischoff, Elmer, 1916-1991  Search this
Dugmore, Edward, 1915-  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goode, Joe, 1937-  Search this
Greene, George  Search this
Guston, Philip, 1913-1980  Search this
Harrison, Helen Mayer, 1929-  Search this
Harrison, Newton, 1932-  Search this
Hopkins, Henry, 1928-2009  Search this
Hudson, Robert, 1938-  Search this
Irwin, Robert, 1928-  Search this
Karp, Michael  Search this
Kienholz, Edward, 1927-  Search this
Nauman, Bruce, 1941-  Search this
Nordman, Maria  Search this
Orr, Eric, 1939-1998  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Resnick, Milton, 1917-2004  Search this
Roche, Jim  Search this
Ruscha, Edward  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Still, Clyfford, 1904-1980  Search this
Turrell, James  Search this
Wheeler, Douglas  Search this
Wortz, E.  Search this
Wortz, Melinda  Search this
Young, R. Joshua  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Extent:
15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Date:
1950-1997
Summary:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.
Scope and Contents:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

Interviews and Lectures include hundreds of interviews conducted by Butterfield between 1971 and 1987 with contemporary artists about whom she was writing at the time. The artists Robert Irwin and Sam Francis are represented particularly well. Also found are slide talks, class discussions, and lectures given by artists, which are assumed to have been recorded by Butterfield in most cases. Also among the recordings are recorded performances by John Cage, Joe Goode, Newton and Helen Harrison, Jim Roche, and George Greene. Panel discussions include two notable recordings involving Milton Resnick, one with the painter Edward Dugmore in 1959, and the other with the painter Ad Reinhardt at The Club in 1961, which was later dubbed "The Attack."

The bulk of the writings relate to Butterfield's published work The Art of Light and Space, represented here in multiple drafts, research, and photographs of works of art by the artists discussed in the work including Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Also found are extensive drafts and research for catalog essays for exhibitions of Larry Bell, Richard Shaw, Robert Hudson, and Elmer Bischoff. Drafts of articles and publicity writing are mainly about artists but also some galleries and other art events. There are a few transcripts of recorded interviews, and it appears that many of the writings are based on Butterfield's interviews.

Project files include records relating to Butterfield's involvement with the production of a catalog for the corporate art collection of Pacific Enterprises. These also include additional artist interviews and artist files containing research and writing, mainly by her associate Michael Karp. Also found are photographs and sound recordings for the Waterfront Project at the San Francisco Art Institute, an interdisciplinary community-centered development project that involved Larry Bell, Robert Irwin, Melinda Wortz, Eric Orr, Dr. E. Wortz, Frank Gehry, Newton and Helen Harrison, Josh Young, and students at the Art Institute. And finally, project files include photographs, interviews, and printed material related to publications of Lapis Press, where Butterfield was Executive Director.

Personal business records include correspondence, price lists, financial records, notes, press releases, and career documentation of Butterfield. Printed materials include articles by Butterfield, articles about Butterfield, and articles by Henry Hopkins, most of which are photocopies. There are also clippings, exhibition catalogs, exhibition posters, and publicity. Of note is a disassembled scrapbook pertaining to the controversial Ed Kienholz exhibition at the Los Angeles County Museum of Art in 1966, and a directory of art spaces in Los Angeles from 1978.

Most of the photographs are of works of art by artists about whom Butterfield wrote. Also found are a few files of photographs of artists, some taken by Butterfield, including Philip Guston, Ed Kienholz, Henry Hopkins with Clyfford Still, Robert Irwin, Robert Rauschenberg, and James Turrell. Additional video and sound recordings include artist installations, a documentary on Sam Francis, and an acoustiguide for an Ed Ruscha exhibition.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Interviews and Lectures (Boxes 1-5; 4.2 linear feet)

Series 2: Writings (Boxes 5-7, 16, OV 17; 3.7 linear feet)

Series 3: Project Files (Boxes 8-10, 16; 1.6 linear feet)

Series 4: Personal Business Records (Boxes 10-11, OV 17-19; 1.1 linear feet)

Series 5: Printed Materials (Boxes 11-12, 16, OV 17-19; 1.8 linear feet)

Series 6: Photographs (Boxes 12-14, 16; 2.2 linear feet)

Series 7: Sound and Video Recordings (Box 15; 0.4 linear feet)
Biographical / Historical:
Jan Butterfield (1937-2000) was an art writer and critic of contemporary art who spent most of her career in California. She is best known for her writings on late twentieth century installation and craft artists, particularly those who worked in California and the American West.

Butterfield was born Jan Van Alstine in Los Angeles, California in 1937 and attended the Univeristy of California, Los Angeles. She received numerous fellowships and grants from the National Endowment for the Arts as an art critic, and contributed art writing to dozens of exhibition catalogs and art publications including Art International, Images and Issues, Art News, Art in America, and Flash Art. Her most ambitious work of writing was The Art of Light and Space (Abbeville Press: 1993), which profiles the work of contemporary artists Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. She was also the author of a 1972 monograph of the Abstract Expressionist painter Sam Francis.

Butterfield held positions in public relations at the Los Angeles County Museum of Art from its opening until 1970, and at the Fort Worth Art Museum from 1970 to 1974. She taught at Northwood Experimental Art Institute in Dallas, Texas, the San Francisco Art Institute, San Jose State University, and Mills College in Oakland, California between 1973 and 1983. At the San Francisco Art Institute, she was Director of the extension program and Coordinator of the visiting artist program and the Waterfront Project between 1976 and 1978. In 1984, Butterfield and the artist Sam Francis co-founded the Lapis Press, where she served as Executive Director from its founding until 1988.

Butterfield was married twice, the second time to Henry Hopkins, Museum Director at LACMA, the Museum of Fine Art of Houston, and the San Francisco Museum of Modern Art. She died in 2000 after an extended illness.
Related Materials:
Also found among the collections of the Archives of American Art is a 1981 panel discussion on Bay area art criticism sponsored by the National Women's Caucus for Art, in which Butterfield participated, as well as an oral history interview Butterfield conducted with Helen Lundeberg for the Archives' Oral History Program in 1980.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1042 including two volumes of scrapbooks. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jan Butterfield lent material in 1975 for microfilming. She donated the Robert Irwin material in 1980 of and most of the interviews and audio tapes in 1989. An additional 12 feet of papers, including some material previously loaned and microfilmed, along with two additional audio tapes, were donated by Butterfield's brother, and Trustee of the Jan Butterfield Trust, Derek Van Alstine in 2002.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- San Francisco  Search this
Art historians -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cc490739-2463-4f67-9f43-570692783628
EDAN-URL:
ead_collection:sova-aaa-buttjan
Online Media:

Turrell, James and Julia

Collection Creator:
Kazanjian, Dodie, 1952-  Search this
Container:
Box 12, Folder 20
Type:
Archival materials
Date:
1980-1990
Collection Restrictions:
This collection is access restricted; written permission is required. Contact Reference Services for more information.

Access, with permission, to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing, with permission, born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dodie Kazanjian papers, 1949-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Dodie Kazanjian papers
Dodie Kazanjian papers / Series 1: Writing Project Files and Interviews
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93761fb1c-3dc7-4d8c-8aa3-0572233675fc
EDAN-URL:
ead_component:sova-aaa-kazadodi2-ref214

Doug Edge papers

Creator:
Edge, Doug, 1942-  Search this
Names:
Irwin, Robert, 1928-  Search this
Turrell, James  Search this
Extent:
2.9 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Drawings
Video recordings
Place:
Monument Valley (Ariz. and Utah)
Date:
circa 1951-2020
Summary:
The papers of Los Angeles conceptual sculptor, painter, and photographer Doug Edge measure 2.9 linear feet and date from circa 1951 to 2017. The collection includes exhibition and project files, illustrated journals, writings, printed material, photographic material, and artwork. There is a 0.2 linear foot unprocessed addition to this collection donated in 2021 that includes a self published book and notes, dating from 1969-2020.
Scope and Contents:
The papers of Los Angeles conceptual sculptor, painter, and photographer Doug Edge measure 2.9 linear feet and date from circa 1951 to 2020. The collection includes exhibition and project files, illustrated journals, writings, printed material, photographic material, and artwork. There is a 0.2 linear foot unprocessed addition to this collection donated in 2021 that includes a self published book and notes. Materials date from 1969-2020.

Exhibition and project files include correspondence, photographs, slides, transparencies, sketches, writing, clippings, and other printed material related to Edge's exhibitions, projects, and work. This series also includes some biographical material and material related to his student work. Also included in this series are digital videos related to Edge's artwork and exhibitions.

Illustrated journals contain drawings, sketches, writings, plans for work and exhibitions, photographs, etc. Some in the series are primarily image-based, while others have more text.

Writings include a statement written by Doug Edge in 2017 and a transcript, in scroll format, of a lecture by Robert Irwin at the University of California, Santa Barbara in 1974.

Printed material includes exhibition announcements; exhibition catalogs; the magazines Eclipse and Forum; clippings; posters; and a copy of James Turrell's syllabus and course materials for a course taught at the University of California, Santa Barbara.

Photographic material includes photographs Edge took on a trip with James Turrell to Monument Valley and Lake Powell; photographs and digital photographs of works of art; and oversized photographs related to his exhibitions.

Artwork includes sketches, drawings, watercolors, silk screen prints, paintings, and other works of art.
Arrangement:
The collection is arranged in seven series.

Series 1: Exhibition and Project Files, circa 1951-2017 (Box 1; 1 linear foot, ER01; 10 files, 4.36 GB)

Series 2: Illustrated Journals, 1968-2010 (Box 2; 1 linear foot)

Series 3: Writings, 1974, 2017 (Box 3; 2 folders)

Series 4: Printed Material, 1963-1997, 2009-2016 (Boxes 3-4; 0.3 linear feet, OV 5)

Series 5: Photographic Material, 1962-1987, 2003-2017 (Box 4; 2 folders, OV 5, ER02; 138 files, 0.44 GB)

Series 6: Artwork, 1962-1984, 2002, 2007 (Box 4; 1 folder, OV 5)

Series 7: Unprocessed Addition, 1969-2020 (Box 6; 0.2 linear feet)
Biographical / Historical:
Doug Edge (1942- ) is a conceptual sculptor, painter, and photographer in Los Angeles, California. Edge was a member of the acrylic movement in the late 1960s. He was an original faculty member at the California Institute of the Arts (Cal Arts) from 1969 to 1971, and taught at the University of California, Santa Barbara from 1974 to 1985.

Edge began showing his work in the late 1960s and continues to produce and exhibit work. He has shown at Mizuno, Cirrus, Earl McGrath, and Track 16 Galleries, among many others.
Provenance:
The papers were donated to the Archives of American Art by Doug Edge in 2017 and 2021.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of electronic records with no duplicate access copies requires advance notice.
Occupation:
Conceptual artists -- California  Search this
Painters -- California -- Los Angeles  Search this
Topic:
Art -- Study and teaching  Search this
Photographers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Powell, Lake (Utah and Ariz.)  Search this
Genre/Form:
Diaries
Drawings
Video recordings
Citation:
Doug Edge papers, circa 1951-2020, bulk 1962-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.edgedoug
See more items in:
Doug Edge papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95855e8c1-5660-4902-97d6-adfc6a84e46d
EDAN-URL:
ead_collection:sova-aaa-edgedoug

Turrell, James

Collection Creator:
Christine Burgin Gallery  Search this
Container:
Box 9, Folder 30
Type:
Archival materials
Date:
circa 2000
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Christine Burgin Gallery records, 1980-2016. Archives of American Art, Smithsonian Institution.
See more items in:
Christine Burgin Gallery records
Christine Burgin Gallery records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9578980c2-7ff8-43f1-89f4-31ae26f8455f
EDAN-URL:
ead_component:sova-aaa-chriburg-ref466

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