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Argyrolobium uniflorum Harv.

Biogeographical Region:
20 - Northern Africa  Search this
Collector:
Charles J. M. Pitard  Search this
Place:
Tunisie. (Nefzaoua). Gabès: In aridis deserti, Tunis, Tunisia, Africa
Collection Date:
3 Mar 1909
Taxonomy:
Plantae Dicotyledonae Fabales Fabaceae Papilionoideae
Published Name:
Argyrolobium uniflorum Harv.
Barcode:
02289941
USNM Number:
1156228
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/3e5eadb13-8f85-480b-b60c-c6bdd4156b7e
EDAN-URL:
edanmdm:nmnhbotany_13313056

Argyrolobium uniflorum Harv.

Collector:
ex herb. George Curling Joad  Search this
Place:
Inpasce. dividis circa Gábes., Tunisia, Africa
Collection Date:
15 Apr 1854
Taxonomy:
Plantae Dicotyledonae Fabales Fabaceae Papilionoideae
Published Name:
Argyrolobium uniflorum Harv.
Barcode:
02289942
USNM Number:
136817
See more items in:
Botany
Flowering plants and ferns
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/37f9a75a8-0883-44f7-85db-6a25ef7bf820
EDAN-URL:
edanmdm:nmnhbotany_13313057

Cover

Medium:
paper; ink
Type:
Covers & Associated Letters
Date:
c. 1939
Object number:
0.293982.159
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm8b8d244bf-86e1-44fe-b15d-403d8f9407fa
EDAN-URL:
edanmdm:npm_0.293982.159

V-Mail letter sheet

Medium:
paper; ink; adhesive
Dimensions:
Height x Width: 11 × 8 1/2 in. (27.94 × 21.59 cm)
Type:
Covers & Associated Letters
Place of Destination:
Georgia
Place of Origin:
Tunisia (French protectorate)
Place:
United States of America
Date:
June 29, 1942
Topic:
World War II (1939-1945)  Search this
Object number:
2002.2013.51
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm82bda9f01-0378-426f-825c-512eb9cc8ca8
EDAN-URL:
edanmdm:npm_2002.2013.51
Online Media:

Marilyn Houlberg Nigeria collection

Photographer:
Houlberg, Marilyn  Search this
Extent:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
1,946 Slides (Color, 35 mm)
Culture:
Yoruba (African people)  Search this
Nigerians  Search this
Tuaregs  Search this
Fulani  Search this
Nuba  Search this
Igbo (African people)  Search this
Turkana  Search this
Pokot  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Documents
Slides
Color slides
Photographic prints
Photographs
Place:
Nigeria
Africa
Lagos (Nigeria)
Date:
1961-circa 2005
Summary:
The collection consists of 8,515 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2007. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.
Scope and Contents note:
This 6,567 slide collection documents Houlberg's studies in Southwestern Nigeria spanning from 1961 to circa 2005. In 2015, Houlberg donated an additional 1,948 color slides to the Eliot Elisofon Photographic Archives. These slides have been added to the EEPA 2005-002 finding aid, bringing the total to 8,515 slides.

The collection primarily includes photos of people, including the Ogboni, Pokot, Yoruba, Turkana and Igbo, shrines, festivals and rituals, art objects, and artists. A particular strength of the collection are photos of Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg mostly photographed in Ilishan, Ikenne, Ilara, Shagamu, Lagos, Ijebu-Ode, and Egbe.

Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art, wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Several Yoruba art forms, including photography, scarification tattoos, and textiles (both cloth and dress), are represented in the collection. Additionally, there are numerous slides of Yoruba hairstyles, many of which she published in her article, Social Hair: Tradition and Change in Yoruba Hairstyles in Southwestern Nigeria.

Yoruba ritual specialists, such as Ife-olu Solaru, Olufunke, and Yesufu Ejigboye, appear frequently throughout the collection. Houlberg documented her many stays with these individuals over the years.

There is also one binder of manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles.
Arrangement note:
The collection is organized into 29 series according to subject. The series descriptions correspond with particular subjects used in Houlberg's teaching and lectures, and based on donor's notes. All slides were kept in the order in which they were donated.

Series 1: African Hairstyles, circa 1973-1994 (Binder 1; 212 slides)

Series 2: Egungun Festival, 1961-circa 1988 (Binder 1; 362 slides)

Series 3: Gelede, circa 1969-circa 1989 (Binder 2; 301 slides)

Series 4: Ibeji Twins, circa 1969-circa 1990 (Binders 2-3; 854 slides)

Series 5: Ogboni Art Objects and Shrines, circa 1969-circa 1982 (Binder 4; 92 slides)

Series 6: Art Objects Depicting Ogun, circa 1969-circa 1983 (Binder 4; 56 slides)

Series 7: Olojufoforo Art and Festivities, circa 1968-circa 1975 (Binder 4; 21 slides)

Series 8: Yoruba People, Architecture, and Art, circa 1969-circa 1985 (Binder 4; 260 slides)

Series 9: Carving, Art Objects and Artists, and Scenes of Daily Life, circa 1973-circa 1988 (Binder 4; 201 slides)

Series 10: Yoruba Art, circa 1971-circa 1983 (Binder 5; 49 slides)

Series 11: Yoruba Textiles, circa 1973-circa 1983 (Binder 5; 84 slides)

Series 12: Yoruba, Miscellaneous, circa 1967-circa 1989 (Binder 5; 251 slides)

Series 13: African Art, Textiles People, and Dwellings, circa 1963-circa 1983 (Binder 6; 58 slides)

Series 14: Ibo Mbari and Igbo Peoples and Artwork, circa 1967-circa 1985 (Binder 6; 212 slides)

Series 15: Art and Ceremonies, circa 1967-circa 1991 (Binder 6; 493 slides)

Series 16: Body Arts, Nuba People (Sudan) and Fulani and Bororo People (Niger), circa 1973-circa 1979 (Binder 7; 64 slides)

Series 17: People, Scenic Views and Animals of Kenya, Sudan, Angola, and Ghana, circa 1972-circa 1985 (Binder 7; 168 slides)

Series 18: Peoples and Arts of Ghana, Mali, and the Ivory Coast, circa 1966-circa 1992 (Binder 7; 406 slides)

Series 19: Published Maps and Photos, circa 1968-circa 1985 (Binder 8; 70 slides)

Series 20: Nigerian Masks and Art Objects, circa 1967-circa 1978 (Binder 8; 396 slides)

Series 21: Yoruba Festivals, People, and Art in Nigeria, circa 1967-circa 1988 (Binders 8-9; 128 slides)

Series 22: Yoruba Photography and Textiles, circa 1975-circa 1983 (Binder 9; 54 slides)

Series 23: Ife-Olu, Ilishan, circa 1980-circa 1988 (Binder 9; 87 slides)

Series 24: Yoruba Festivals, People, Hairstyles, Ibeji Objects, Eshu Figures, and Oya and Orishala Priests, Priestesses, and Shrines, circa 1966-circa 1988 (Binder 9; 168 slides)

Series 25: Shango, circa 1970-circa 1983 (Binder 10, 162 slides)

Series 26: Ara Festival, 1975 (Binder 10; 174 slides)

Series 27: Ceremonies and Festivals, Portraits, Art and Ceremonial Objects, Domestic and Market Scenes, circa 1969-circa 2005 (Binders 10-11; 759 slides)

Series 28: Yoruba Art Objects, and Domestic, Work, and Festival Scenes, circa 1971-circa 1983 (Binder 11; 104 slides)

Series 29: Manuscript and Printed Materials, 1973-circa 2005 (Binder 12)
Biographical/Historical note:
Artist, anthropologist, and art historian Dr. Marilyn Hammersley Houlberg was born in Chicago, Illinois, in 1939. Houlberg received an Associate of Arts degree from Wright Junior College (1959) and a BFA from the University of Chicago (1963). After graduating, she traveled to North Africa and explored Morocco, Algeria, Tunisia, Libya, and Egypt. In 1964, Houlberg researched Haitian art, religion, and indigenous photography in Haiti and in 1965 was awarded a scholarship for graduate study from the University of Chicago. There she completed her MAT in Art History in 1967. Following graduation, Houlberg worked at the Nigerian Museum in Lagos, where she documented Yoruba sculpture, masquerades, religion, body art, and indigenous photography.

She began her teaching career at the University of Chicago as a lecturer on African art and African civilization, working there from 1971 to 1973. At the University of London, Houlberg earned a Masters in Anthropology, producing the thesis Yoruba Twin Sculpture and Ritual (1973). She also extensively photographed her travels abroad in Yorubaland. Between 1974 and 1990, Houlberg taught at the University of Chicago, Columbia College, Kalamazoo College, and Northwestern University. From 1974 to 2008 she continued teaching at The School of the Art Institute of Chicago, lecturing on Yoruba art and ritual in West Africa and the New World, and the art and ritual of Vodou in Haiti.

Houlberg has lectured worldwide at numerous museums and symposiums since 1972, including in Lagos, Nigeria; Jacmel, Haiti; Toronto, Canada; Salvador, Bahia, Brazil; and Cologne, Germany. Her essays have been published in several issues of African Arts. Some of Houlberg's significant publications include Arts of the Water Spirits of Haitian Vodou, in Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora (2008) and Water Spirits of Haitian Vodou: Lasiren, Queen of Mermaids, in Mami-Wata: Arts for Water Spirits in Africa and the African-Atlantic World (2008). The exhibition Mami-Wata at the Smithsonian National Museum of African Art (2009) featured her photographs.
Provenance:
Marilyn Houlberg, 733 West 18th St., Chicago, IL 60616, Donation, 20050320, 2005-0002
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Occupation:
Weavers  Search this
Artists  Search this
Topic:
Shrines  Search this
Masks  Search this
Domestic scenes  Search this
Egúngún (Cult)  Search this
Ethnology -- Nigeria  Search this
Gelede (Yoruba rite)  Search this
Hairstyles -- Africa  Search this
Rites and ceremonies -- Africa  Search this
Clothing and dress -- Africa  Search this
Marketplaces  Search this
Masquerades  Search this
Ere ibeji  Search this
Works of art in situ  Search this
Art, African  Search this
Vernacular architecture  Search this
Festivals  Search this
Genre/Form:
Color slides
Photographic prints
Photographs
Citation:
Marilyn Houlberg Nigeria Collection, EEPA 2005-002, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Identifier:
EEPA.2005-002
See more items in:
Marilyn Houlberg Nigeria collection
Archival Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art
GUID:
https://n2t.net/ark:/65665/xo729173a75-b645-455f-b66b-ae08d0d2102e
EDAN-URL:
ead_collection:sova-eepa-2005-002

The Smithsonian Jazz Masterworks Octet Jazz Appreciation Month Performance of “A Night in Tunisia”

Creator:
National Museum of American History  Search this
Type:
YouTube Videos
Uploaded:
2022-04-13T16:19:38.000Z
YouTube Category:
Music  Search this
Topic:
American History  Search this
See more by:
SmithsonianAmHistory
Data Source:
National Museum of American History
YouTube Channel:
SmithsonianAmHistory
EDAN-URL:
edanmdm:yt_XOja4bUHtRc

Art and the Arab Spring Aesthetics of Revolution and Resistance in Tunisia and Beyond

Author:
Shilton, Siobhán  Search this
Physical description:
1 online resource (264 pages)
Type:
Electronic resources
Electronic books
History
Place:
Arab countries
États arabes
Date:
2021
21st century
21e siècle
Topic:
Art and revolutions  Search this
Art--Political aspects  Search this
Democratization--History  Search this
Art et révolutions  Search this
Art--Aspect politique  Search this
Démocratisation--Histoire  Search this
Democratization  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1156407

Mary Slusser Collection

Extent:
28.57 Cubic feet
Culture:
Nepal -- Architecture  Search this
Nepal -- Art  Search this
Type:
Collection descriptions
Archival materials
Place:
Bhaktapur (Nepal)
Nepal
Kathmandu Valley (Nepal)
Nepal -- Description and Travel
Tibet (China)
Vietnam
Canada
Himalaya Mountains
Date:
1933-2017
Scope and Contents:
Mary Slusser (1918-2017) was a prominent scholar of Nepalese art, architecture, and cultural history. This collection contains personal files, professional correspondence, research files, travel documents, and photographs. The research files relate to her study of specific subjects and contain mixed media. Photographic materials include prints, slides, negatives, contact sheets, and digital images on compact discs in both color and black and white. Most of the collections are related to her study of Nepal, though other countries are represented including Tibet, Laos, China, and Vietnam. Subjects include firsthand observations of objects and sites; notes on secondary sources; correspondence with fellow scholars; manuscript drafts; and records of her work on the gallery space, and guide to, the Patan Museum. The earliest materials date from 1951 during the beginning of her time living abroad alongside her husband, while both worked for the State Department. The materials continue through 2017, reflecting her dedicated scholarship and travel through the end of her life.
Arrangement:
The collection is organized into five series:

• Series 1: Biographical Materials

• Series 2: Correspondence

• Series 3: Research Files

• Series 4: Travel Files

• Series 5: Photographic Materials
Biographical / Historical:
Dr. Mary Slusser (1918-2017) was born as Mary Shepherd in Welland, Ontario to George Percy and Ethel Mary Shepherd. Her family moved to Michigan the following year and Slusser became a naturalized US citizen in 1934. Slusser followed her sister, Dorothy Shepherd (1916-1992), to the University of Michigan, where Mary graduated with a bachelor's degree in 1942. During her studies at Michigan, she met Robert Slusser, whom she would marry in 1944. Slusser moved to New York City in 1942, again following the path of her sister, Dorothy, who had enrolled in graduate school at New York University's Institute of Fine Arts. Slusser undertook some coursework at NYU as a part-time student. Slusser would eventually complete her graduate studies at Columbia University, earning a PhD in anthropology in 1950. She completed some of her coursework at Harvard University, while her husband studied at nearby Tufts University. Her dissertation was titled "Preliminary archeological studies of northern Central Chile."

Next, Slusser worked as a research analyst at the US State Department. Her husband also worked at the agency and spent much of his career completing foreign service appointments as an economist with USAID. Slusser accompanied her husband to his various overseas posts, beginning in 1954 in Vietnam. The Slussers would live and work abroad in Vietnam, Yugoslavia, Guinea, Nepal, and Tunisia. Slusser continued to work for the State Department as a field anthropologist. Mary received funding from the Smithsonian to acquire a small collection of Nepalese artifacts. She immediately took to learning about the art and culture of the region. She found a dearth of English-language information on the area and did her own field work and engaged with local scholars to fill in the gaps. She remained in Nepal for five years, contracted by the Smithsonian to write a guide to Nepal. Her research would lead to Nepal Mandala: A Cultural Study of Kathmandu Valley, a two-volume set of text and images, predominantly her own photographs, which was published in 1982.

Robert Slusser retired in 1980, and he and Mary permanently settled in Washington, DC. Her scholarly work took her to museums, first at the Museum of African Art as a curatorial assistant from 1975 to 1978, and then a post-doctoral fellowship at the Freer Gallery of Art and Arthur M. Sackler Gallery in 1989. After her fellowship, Slusser was asked to remain at the museum as a research associate, an unpaid position she held for the rest of her career. Slusser continued to publish works on Nepalese art, including the 2010 book, The Antiquity of Nepalese Wood Carving: a Reassessment, co-authored with Paul Jett, a conservator at the museum. Slusser used carbon dating tests to show that many Nepalese wood sculptures were much older than originally thought. Slusser also contributed to the establishment of the Patan Museum in Nepal, which opened in 1997. She served as the museum's cultural advisor and curator and wrote the museum guide and many of the exhibition materials.

Slusser continued to travel to Nepal and other parts of central Asia well into her eighties, often visiting remote sites on foot with the aid of local guides. Slusser stayed active at home, continuing her research work despite declining eyesight and hearing. She died in 2017 at age 98.
Related Materials:
Mary Shepherd Slusser papers, circa 1950 – circa 1995, National Museum of National History, National Anthropolgical Archives, NAA.1983.0407

Dorothy Shepard Photographs, National Museum of Asian Art Archives, FSA.A2015.12

Russell Hamilton Postcard and Photograph Collection, National Museum of Asian Art Archives, FSA.A2001.13

Russell Hamilton postcards, between 1900-1909, National Museum of African Art, Eliot Elisophon Photographic Archives, EEPA.2003-001
Restrictions:
Collection is open for research.
Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the National Museum of Asian Art's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Topic:
Wood-carving  Search this
Art, Asian -- Research  Search this
Sculpture  Search this
Photography -- Archives  Search this
Citation:
Mary Slusser Collection, FSA.A2015.21. National Museum of Asian Art Archives. Gift of Mary Slusser.
Identifier:
FSA.A2015.21
See more items in:
Mary Slusser Collection
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc353b3a07b-752e-43ad-a50d-d8fb86c5b628
EDAN-URL:
ead_collection:sova-fsa-a2015-21

Inka Road Symposium 11: Cusco: A New Vision of the Ancient City

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2015-07-15T18:45:36.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_WlTLiEhvbXQ

Entophysalis deusta

Biogeographical Region:
20 - Northern Africa  Search this
Collector:
M. Serpette  Search this
Place:
Côte de la Méditerranée à Monastir sur des rochers au niveau supérieur., Monastir, Tunisia, Africa
Collection Date:
Mar 1947
Taxonomy:
Eubacteria Cyanobacteria Chroococcales Entophysalidaceae
Published Name:
Entophysalis deusta
Barcode:
04103282
USNM Number:
104382
See more items in:
Botany
Algae
Data Source:
NMNH - Botany Dept.
GUID:
http://n2t.net/ark:/65665/347373de4-8a0f-4b6e-9498-e7aff2aae90e
EDAN-URL:
edanmdm:nmnhbotany_16751188

Placemaking, Collective Care, and Culture: A Conversation with Global Practitioners

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-06-26T17:06:15.000Z
YouTube Category:
Entertainment  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_oZ_vGWB6lyA

North American SNJ-4 (AT-6)

Manufacturer:
North American Aviation Inc.  Search this
Materials:
Natural metal
Dimensions:
Overall: 300 x 880cm, 1845kg, 1270cm (9ft 10 1/8in. x 28ft 10 7/16in., 4067.5lb., 41ft 8in.)
Type:
CRAFT-Aircraft
Country of Origin:
United States of America
Date:
1935
Credit Line:
Transferred from the United States Navy.
Inventory Number:
A19610123000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9e7600305-205e-44e3-986e-3ade2062caba
EDAN-URL:
edanmdm:nasm_A19610123000
Online Media:

Mytilus galloprovincialis

Ocean/Sea/Gulf:
North Atlantic Ocean, Mediterranean Sea  Search this
Preparation:
Dry
Place:
Tunisia, North Atlantic Ocean
Published Name:
Mytilus galloprovincialis Lamarck, 1819
Other Numbers:
Sort Order : MB-R22-C049-225
erroneously catalog as : 738128
USNM Number:
739128
See more items in:
Invertebrate Zoology
Mollusca
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/323261ed2-a462-42ca-8596-8e7e47205021
EDAN-URL:
edanmdm:nmnhinvertebratezoology_12395757

Folder 5 Tunisia, 1967-1972

Container:
Box 20 of 22
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 271, Smithsonian Institution, Office of Environmental Sciences, Ecology Program Records
See more items in:
Ecology Program Records
Ecology Program Records / Series 3: PROJECT FILES, 1965-1973. ARRANGED ALPHABETICALLY. / Box 20
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0271-refidd1e2217

Folders 8-9 Eighth Tunis International Art Exhibition. 61-190. March 16-28, 1961, Municipal Art Gallery, Tunis, Tunisia. Catalog, report, press clippings, opening day photographs.

Container:
Box 69 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
See more items in:
Records
Records / Series 16: Numbered Exhibitions, c. 1954-1981 / Box 69
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0321-refidd1e10901

Folder 6 Recent Work by U.S. Printmakers (Contemporary Prints SAGA IAA). 63-015. 1962-65. Circulated in Africa, Jan. 1963- Jan. 1965. Initial showing: Feb.-March 1963, Tunis, Tunisia. Catalogs, catalog list and valuation, installation photographs from ...

Container:
Box 76 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
See more items in:
Records
Records / Series 16: Numbered Exhibitions, c. 1954-1981 / Box 76
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0321-refidd1e11379

Folders 9-14 Fabric Variations. 72-10. 1973-1976. Initial showing: April 10-May 15, 1973, Thomas Jefferson Cultural Center, Manila, Philippines. Final showing: Nov. 27-Dec. 6, 1975, Tunis, Tunisia. Organized by Museum of Contemporary Crafts, New York. ...

Container:
Box 210 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
See more items in:
Records
Records / Series 16: Numbered Exhibitions, c. 1954-1981 / Box 210
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0321-refidd1e16685

Embassy of Tunisia, 1966

Container:
Box 97 of 117
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 313, National Collection of Fine Arts, Central Administrative File, Records
See more items in:
Central Administrative File, Records
Central Administrative File, Records / Series 11: STATE AND FOREIGN COUNTRY FILES / Box 97
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0313-refidd1e18826

Tunisia

Collection Creator:
National Philatelic Collection, Smithsonian Institution.  Search this
Blenkle, Victor A., Dr., 1900-1978 (physician)  Search this
Container:
Box 24
Type:
Archival materials
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Victor A. Blenkle Postcard Collection, c. 1880-c. 1970, Archives Center, National Museum of American History, Smithsonian Institution,
See more items in:
Victor A. Blenkle Postcard Collection
Victor A. Blenkle Postcard Collection / Series 2: Geographical Locations outside the United States
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep88aeb14d8-1303-402c-8dff-0c63b261cce3
EDAN-URL:
ead_component:sova-nmah-ac-0200-ref2012

SIAI-Marchetti (Frati) SF260WT Warrior (Tunisia) [**No File**]

Collection Creator:
National Air and Space Museum. Archives Division.  Search this
Type:
Archival materials
Collection Restrictions:
The majority of the Archives Department's public reference requests can be answered using material in these files, which may be accessed through the Reading Room at the Steven F. Udvar-Hazy Center in Chantilly, Virginia. More specific information can be requested by contacting the Archives Research Request.
Identifier:
NASM.XXXX.1183.A, File AS-372622-NF
See more items in:
National Air and Space Museum Technical Reference Files: Aircraft
National Air and Space Museum Technical Reference Files: Aircraft / Series A: Aircraft / Aircraft S / SIAI-Marchetti (Italy)
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2e7b452d2-a50e-458f-ae79-64445c460c42
EDAN-URL:
ead_component:sova-nasm-xxxx-1183-a-ref83866

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