Film and video of the ethnomusicology collection of Laura C. Boulton, shot primarily by Dr. Boulton among traditional peoples around the world. (See inventory attached to agreement).
Collection contains supplementary material: associated texts, sound recordings, annotations, sound logs, and field notes.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or Anthropology Archives, but is available in its original form to facilitate research.
Related Materials:
The Columbia University Center for Ethnomusicology has the Laura Boulton Collection of Traditional Music; the Harvard University Archive of World Music (Eda Kuhn Loeb Music Library) houses Boulton's liturgical music collection; the Archive of Folk Culture at the Library of Congress contains wax cylinders, aluminum discs and reel-to-reel tapes of Boulton's field recordings of traditional vocal and instrumental music worldwide; and Smithsonian Folkways has the originals of recordings Boulton made for Folkways Records.
Provenance:
Received from the Laura Boulton Foundation in 1987.
Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Oldman, W. O. (William Ockleford), 1879-1949 Search this
Extent:
252 Digital images
Type:
Archival materials
Digital images
Date:
1910-1914
Collection Restrictions:
Digital access only. For physical access see the Museum of New Zealand Te Papa Tongarewa website. https://collections.tepapa.govt.nz/agent/4913
Collection Rights:
Copyright in the business records is owned by the Estate of W. O. Oldman represented by the Museum of New Zealand Te Papa Tongarewa, permission for commercial use of the digital images may be requested from the Museum of New Zealand Te Papa Tongarewa, Media Licensing, at: mediasalesandlicensing@tepapa.govt.nz.
For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changedand the source of the image is identified as the Museum of New Zealand Te Papa Tongarewa/National Museum of the American Indian, Smithsonian Institution.
Collection Citation:
William Ockleford Oldman Archive research materials, Museum of New Zealand Te Papa Tongarewa and the National Museum of the American Indian, Smithsonian Institution.
Oldman, W. O. (William Ockleford), 1879-1949 Search this
Extent:
899 Digital images
Type:
Archival materials
Digital images
Date:
1902-1916
Collection Restrictions:
Digital access only. For physical access see the Museum of New Zealand Te Papa Tongarewa website. https://collections.tepapa.govt.nz/agent/4913
Collection Rights:
Copyright in the business records is owned by the Estate of W. O. Oldman represented by the Museum of New Zealand Te Papa Tongarewa, permission for commercial use of the digital images may be requested from the Museum of New Zealand Te Papa Tongarewa, Media Licensing, at: mediasalesandlicensing@tepapa.govt.nz.
For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changedand the source of the image is identified as the Museum of New Zealand Te Papa Tongarewa/National Museum of the American Indian, Smithsonian Institution.
Collection Citation:
William Ockleford Oldman Archive research materials, Museum of New Zealand Te Papa Tongarewa and the National Museum of the American Indian, Smithsonian Institution.
Oldman, W. O. (William Ockleford), 1879-1949 Search this
Extent:
199 Digital images
Type:
Archival materials
Digital images
Date:
1914-1916
Collection Restrictions:
Digital access only. For physical access see the Museum of New Zealand Te Papa Tongarewa website. https://collections.tepapa.govt.nz/agent/4913
Collection Rights:
Copyright in the business records is owned by the Estate of W. O. Oldman represented by the Museum of New Zealand Te Papa Tongarewa, permission for commercial use of the digital images may be requested from the Museum of New Zealand Te Papa Tongarewa, Media Licensing, at: mediasalesandlicensing@tepapa.govt.nz.
For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changedand the source of the image is identified as the Museum of New Zealand Te Papa Tongarewa/National Museum of the American Indian, Smithsonian Institution.
Collection Citation:
William Ockleford Oldman Archive research materials, Museum of New Zealand Te Papa Tongarewa and the National Museum of the American Indian, Smithsonian Institution.
The collection consists of 8,515 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2007. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.
Scope and Contents note:
This 6,567 slide collection documents Houlberg's studies in Southwestern Nigeria spanning from 1961 to circa 2005. In 2015, Houlberg donated an additional 1,948 color slides to the Eliot Elisofon Photographic Archives. These slides have been added to the EEPA 2005-002 finding aid, bringing the total to 8,515 slides.
The collection primarily includes photos of people, including the Ogboni, Pokot, Yoruba, Turkana and Igbo, shrines, festivals and rituals, art objects, and artists. A particular strength of the collection are photos of Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg mostly photographed in Ilishan, Ikenne, Ilara, Shagamu, Lagos, Ijebu-Ode, and Egbe.
Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art, wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Several Yoruba art forms, including photography, scarification tattoos, and textiles (both cloth and dress), are represented in the collection. Additionally, there are numerous slides of Yoruba hairstyles, many of which she published in her article, Social Hair: Tradition and Change in Yoruba Hairstyles in Southwestern Nigeria.
Yoruba ritual specialists, such as Ife-olu Solaru, Olufunke, and Yesufu Ejigboye, appear frequently throughout the collection. Houlberg documented her many stays with these individuals over the years.
There is also one binder of manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles.
Arrangement note:
The collection is organized into 29 series according to subject. The series descriptions correspond with particular subjects used in Houlberg's teaching and lectures, and based on donor's notes. All slides were kept in the order in which they were donated.
Series 1: African Hairstyles, circa 1973-1994 (Binder 1; 212 slides)
Series 2: Egungun Festival, 1961-circa 1988 (Binder 1; 362 slides)
Series 3: Gelede, circa 1969-circa 1989 (Binder 2; 301 slides)
Series 4: Ibeji Twins, circa 1969-circa 1990 (Binders 2-3; 854 slides)
Series 5: Ogboni Art Objects and Shrines, circa 1969-circa 1982 (Binder 4; 92 slides)
Series 6: Art Objects Depicting Ogun, circa 1969-circa 1983 (Binder 4; 56 slides)
Series 7: Olojufoforo Art and Festivities, circa 1968-circa 1975 (Binder 4; 21 slides)
Series 8: Yoruba People, Architecture, and Art, circa 1969-circa 1985 (Binder 4; 260 slides)
Series 9: Carving, Art Objects and Artists, and Scenes of Daily Life, circa 1973-circa 1988 (Binder 4; 201 slides)
Series 10: Yoruba Art, circa 1971-circa 1983 (Binder 5; 49 slides)
Series 11: Yoruba Textiles, circa 1973-circa 1983 (Binder 5; 84 slides)
Series 12: Yoruba, Miscellaneous, circa 1967-circa 1989 (Binder 5; 251 slides)
Series 13: African Art, Textiles People, and Dwellings, circa 1963-circa 1983 (Binder 6; 58 slides)
Series 14: Ibo Mbari and Igbo Peoples and Artwork, circa 1967-circa 1985 (Binder 6; 212 slides)
Series 15: Art and Ceremonies, circa 1967-circa 1991 (Binder 6; 493 slides)
Series 16: Body Arts, Nuba People (Sudan) and Fulani and Bororo People (Niger), circa 1973-circa 1979 (Binder 7; 64 slides)
Series 17: People, Scenic Views and Animals of Kenya, Sudan, Angola, and Ghana, circa 1972-circa 1985 (Binder 7; 168 slides)
Series 18: Peoples and Arts of Ghana, Mali, and the Ivory Coast, circa 1966-circa 1992 (Binder 7; 406 slides)
Series 19: Published Maps and Photos, circa 1968-circa 1985 (Binder 8; 70 slides)
Series 20: Nigerian Masks and Art Objects, circa 1967-circa 1978 (Binder 8; 396 slides)
Series 21: Yoruba Festivals, People, and Art in Nigeria, circa 1967-circa 1988 (Binders 8-9; 128 slides)
Series 22: Yoruba Photography and Textiles, circa 1975-circa 1983 (Binder 9; 54 slides)
Series 23: Ife-Olu, Ilishan, circa 1980-circa 1988 (Binder 9; 87 slides)
Series 24: Yoruba Festivals, People, Hairstyles, Ibeji Objects, Eshu Figures, and Oya and Orishala Priests, Priestesses, and Shrines, circa 1966-circa 1988 (Binder 9; 168 slides)
Series 25: Shango, circa 1970-circa 1983 (Binder 10, 162 slides)
Series 26: Ara Festival, 1975 (Binder 10; 174 slides)
Series 27: Ceremonies and Festivals, Portraits, Art and Ceremonial Objects, Domestic and Market Scenes, circa 1969-circa 2005 (Binders 10-11; 759 slides)
Series 28: Yoruba Art Objects, and Domestic, Work, and Festival Scenes, circa 1971-circa 1983 (Binder 11; 104 slides)
Series 29: Manuscript and Printed Materials, 1973-circa 2005 (Binder 12)
Biographical/Historical note:
Artist, anthropologist, and art historian Dr. Marilyn Hammersley Houlberg was born in Chicago, Illinois, in 1939. Houlberg received an Associate of Arts degree from Wright Junior College (1959) and a BFA from the University of Chicago (1963). After graduating, she traveled to North Africa and explored Morocco, Algeria, Tunisia, Libya, and Egypt. In 1964, Houlberg researched Haitian art, religion, and indigenous photography in Haiti and in 1965 was awarded a scholarship for graduate study from the University of Chicago. There she completed her MAT in Art History in 1967. Following graduation, Houlberg worked at the Nigerian Museum in Lagos, where she documented Yoruba sculpture, masquerades, religion, body art, and indigenous photography.
She began her teaching career at the University of Chicago as a lecturer on African art and African civilization, working there from 1971 to 1973. At the University of London, Houlberg earned a Masters in Anthropology, producing the thesis Yoruba Twin Sculpture and Ritual (1973). She also extensively photographed her travels abroad in Yorubaland. Between 1974 and 1990, Houlberg taught at the University of Chicago, Columbia College, Kalamazoo College, and Northwestern University. From 1974 to 2008 she continued teaching at The School of the Art Institute of Chicago, lecturing on Yoruba art and ritual in West Africa and the New World, and the art and ritual of Vodou in Haiti.
Houlberg has lectured worldwide at numerous museums and symposiums since 1972, including in Lagos, Nigeria; Jacmel, Haiti; Toronto, Canada; Salvador, Bahia, Brazil; and Cologne, Germany. Her essays have been published in several issues of African Arts. Some of Houlberg's significant publications include Arts of the Water Spirits of Haitian Vodou, in Sacred Waters: Arts for Mami Wata and Other Divinities in Africa and the Diaspora (2008) and Water Spirits of Haitian Vodou: Lasiren, Queen of Mermaids, in Mami-Wata: Arts for Water Spirits in Africa and the African-Atlantic World (2008). The exhibition Mami-Wata at the Smithsonian National Museum of African Art (2009) featured her photographs.
Provenance:
Marilyn Houlberg, 733 West 18th St., Chicago, IL 60616, Donation, 20050320, 2005-0002
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The collection contains 2136 color 35mm slides and 829 color 35mm negatives taken by Robert Pringle, former Ambassador to Mali, between 1980-1989. The images were taken in Mali, Burkina Faso and Kenya, and depict masquerades, vernacular architecture (including Dogon doors and granaries), mosques, marketplace scenes, pottery, masks (including plank and leaf masks), weaving, art in situ, animals and landscapes. Culture groups represented in the collection include the Tuareg, Lobi, Maasai, Mossi, Dogon, Fula and Bobo (Bwa) peoples. Ambassador Pringle traveled with photographer Christopher Roy and some of Pringle's images depict Roy at work with his own camera.
Arrangement note:
Arranged geographically by country and chronologically therein. Arrangement reflects the original order established by the photographer.
Biographical/Historical note:
Robert Pringle is a retired U.S. Foreign Service Officer and historian specializing in interethnic relations, economic development, and the role of culture. He served as U.S. Ambassador to Mali from 1987 to 1990. His other official postings included Indonesia, the Philippines, Burkina Faso, Papua New Guinea, and South Africa. He has written three books on Southeast Asian history and politics, of which the most recent is A Short History of Bali: Indonesia's Hindu Realm (2004).
General note:
Title provided by EEPA staff.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
