United States of America -- Tennessee -- Davidson County -- Nashville
Scope and Contents:
Materials relating to the public gardens of the Tennessee Botanical Gardens and Fine Arts Center, located in Nashville, Tennessee. The folder includes a slide list, brochures of Cheekwood, plans of the property, excerpts from publications featuring the property, and a worksheet and description completed by GCA researchers Richard C. Page and Cynthia Wall.
General:
"Once the private estate of the Leslie Cheek family, of the Maxwell House Coffee forturne, Cheekwood is a stunning example of an elegant lifestyle. The three-story neo-Georgian mansion features architectural treasures from some of the great houses of Europe, selected by the Cheeks and their archictect, Bryant Fleming."
"Outstanding ornaments include towering mahogany doors, an Adam mantel of lapis lazuli, a magnificent staircase, brilliant chandeliers, and trompe l'oeil paintings to panel the walls. Today, the 55-acre Cheek Estate is a lasting tribute to one of the wealthiest eras in American history. Its stately mansion, built in 1929 with Tennessee limestone quarried on the property, is surrounded by breathtaking grounds designed by the Cheeks' landscape architect. The original gardens feature marble sculptures, water gardens, bubbling streams and grand vistas."
"Guests continue to marvel at the historical Bryant Fleming landscape. Surrounding his design are 11 principal botanical garden areas - the award winning Howe Wildflower Garden, an Herb Study Garden, the Wills Perennial Garden, the Carell Dogwood Trail and a traditional Japanese Garden. Botanic Hall features horticultural exhibits, flower shows, and the popular Trees of Christmas celebration every December. There is no better place to experience the season of Middle Tennessee."
Persons associated with the property include: Bryant Fleming (architect and landscape architect); W. James Coile (landscape architect); P. Duncan Callicott (landscape architect); Carolyn S. Sartor (landscape architect); Kevin Tucker and Associates (landscape architects); Mr. and Mrs. Leslie Cheek (former owners); Mr. and Mrs. Walter Sharp (former owners); and Jenny Andrews (horticulturist).
The folders include two slides of Cheekwood brochures and two slides from an article in Country Life magazine.
Related Materials:
Cheekwood related holdings consist of 2 folders (44 35 mm. slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- New York -- Nassau County -- Mill Neck
Date:
1984 Oct.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Massachusetts -- Essex County -- Beverly
Date:
2012 Jul.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- District of Columbia -- Washington
Date:
2004 Jun.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- District of Columbia -- Washington
Date:
2004 Jun.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
The papers of Wisconsin painter, ceramicist, and educator Aaron Bohrod measure 17.8 linear feet and date from 1507 to 1994 with the bulk of the collection dating from circa 1930 to 1994. The collection documents his career through biographical material, correspondence, gallery files, personal business records, writings, printed material, seven scrapbooks, photographs, and artwork.
Scope and Contents:
The papers of Wisconsin painter, ceramicist, and educator Aaron Bohrod measure 17.8 linear feet and date from 1507 to 1994 with the bulk of the collection dating from circa 1930 to 1994. The collection documents his career through biographical material, correspondence, gallery files, personal business records, writings, printed material, seven scrapbooks, photographs, and artwork.
Biographical material includes film and audio recordings of interviews with Bohrod, War Art Unit employment records, awards, an exhibition guest book, architectural plans for Bohrod's studio, and other personal records. Personal and business correspondence is with David Breger, Adolf Dehn, the Hammer Galleries, the Milch Galleries, Thomas Hart Benton, Henri Cadiou, Noel Coward, and many others. Gallery files contain records of Bohrod's business dealings with over 20 galleries and personal business records consist of primarily financial and legal records, as well as project files for his pottery collaboration with F. Carlton Ball and Madison Public Schools. Writings by Bohrod include manuscripts, lectures, and drafts for the book A Decade of Still Life along with several writings by others about Bohrod. Printed materials relate to Bohrod, his artwork, and other art subjects. Photographic materials depict Bohrod, his studio, family and friends, travel, and works of art. Artworks include drawings, prints, and designs by Bohrod, and lithographs and etchings by others.
Arrangement:
The collection is arranged as nine series.
Series 1: Biographical Materials, circa 1930-1987 (0.4 linear feet; Box 1, OV 24, FC 25)
Series 2: Correspondence, 1849-1994 (6.2 linear feet; Boxes 1-7, 19)
Series 3: Gallery Files, 1957-1993 (1.2 linear feet; Boxes 7-8)
Series 4: Personal Business Records, 1939-1994 (1.4 linear feet; Boxes 8-10)
Series 5: Writings, circa 1948-circa 1979 (0.2 linear feet; Box 10, OV 24)
Series 6: Printed Materials, 1831-1991 (3.0 linear feet; Boxes 10-13, 19, OV 24)
Series 7: Scrapbooks, 1929-1992 (1.3 linear feet; Boxes 13, 18, BVs 20-23)
Series 8: Photographic Materials, circa 1930-1992 (3.8 linear feet; Boxes 13-16, 19, OV 24)
Series 9: Artwork, 1507-circa 1989 (0.3 linear feet; Boxes 17, 19)
Biographical / Historical:
Aaron Bohrod (1907-1992) was a painter, ceramicist, and educator in Madison, Wisconsin.
Bohrod was born in Chicago, Illinois to Fannie and George Bohrod, a Russian immigrant grocer and cigar maker. From 1926 to 1928, Bohrod studied at the School of the Chicago Art Institute under John Sloan, Boardman Robinson, and Kenneth Hayes Miller. He married Ruth Bush in 1929. His first New York solo exhibition took place in 1934, and during the next four years, he received two Guggenheim Fellowhsips, which financed his projects to depict Midwestern American towns in paintings. During World War II, Bohrod was an artist and correspondent for the U.S. Corps of Engineers in the Pacific and for Life magazine in Europe.
Bohrod followed John Stuart Curry as artist-in-residence at the University of Wisconsin in Madison from 1948 until his retirement in 1973. In 1950, he began work in pottery with F. Carlton Ball with whom he published A Pottery Sketch Book in 1959. In 1954, Bohrod began a meticulous style of still life painting and published A Decade of Still Life in 1966. These trompe l'oeil paintings also appeared in many magazines, including Life, Fortune, Holiday, and several covers of Time magazine.
Bohrod died in Madison, Wisconsin in 1992.
Related Materials:
Also found at the Archives of American Art is an interview of Aaron Bohrod conducted by Ralph E. Sandler from 1973 to 1974. The Aaron Bohrod papers are also at Syracuse University.
Provenance:
The Aaron Bohrod papers were donated in 1974 by Aaron Bohrod and in 1996 by Neil Bohrod, Aaron Bohrod's son.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.
United States. General Services Administration. Design Excellence and the Arts Oral History Project Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Richard Haas, 2009 Jan. 13 and Mar. 16. Archives of American Art, Smithsonian Institution.
Topic:
Muralists -- New York (State) -- New York -- Interviews Search this
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, Ken Druse garden photography collection
Sponsor:
Cataloging of this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
The Gary Erbe papers measure 3.8 linear feet and date from circa 1968-2006. They illustrate his career through biographical material, correspondence, exhibition files, and printed and photographic material.
Scope and Contents:
The Gary Erbe papers measure 3.8 linear feet and date from circa 1968-2006. Biographical material contains several awards and certificates as well as one videotape titled Brand New Day which originally aired on WPIX on July 29, 1983. Correspondence is with galleries, art museums, business associates, and friends.
Exhibition files contains materials relating to various exhibitions Erbe participated in at galleries including the Pastel Society of America, the Ettinger Gallery, the Philbrook Museum of Art, the Butler Institute of American Art, Allied Artists of America, the exhibition The Best of American Realism, and the Meridian True Colors (2001) exhibition. Materials regarding the Butler Institute of American Art include one videotape titled At the Butler recorded on May 25, 1985. Also included are files pertaining to several one-man exhibitions at the ACA Gallery, Alexander Gallery, Boca Raton, Florida Museum of Art, the Canton Art Institute, the James A. Michener Art Museum, Montclair Art Museum, the National Arts Club, New Britain Museum of American Art, New Jersey State Museum, the Sordoni Gallery- Wilkes College, the Woodmere Art Museum, a twenty-five year retrospective, and two exhibitions curated by Erbe, The Salgamundi Club: An American Institution (1998) and Gabriela Dellosso: An Artist's Journey (2006).
Printed material includes exhibition announcements and catalogs, newspaper clippings, and various published magazines featuring articles on Erbe and his artwork. Photographic material contains thirty-three photographs and several negatives of Erbe. Also included are photographs of Erbe and his family as well as works of art, exhibition installations, and miscellaneous photographs. Sixty-one slides are included which mainly depict works of art by Erbe.
Arrangement:
This collection consists of five series.
Series 1: Biographical Materials, circa 1972-2004 (.2 Linear feet: Box 1 and OV 6)
Series 2: Correspondence, circa 1971-2004 (.6 Linear feet: Box 1)
Series 3: Exhibition Files, circa 1975-2006 (1.7 Linear feet: Boxes 1-3)
Series 4: Printed Material, circa 1968-2005 (1.2 Linear feet: Boxes 3-5 and OV 7)
Series 5: Photographic Material, circa 1972-2002 (.1 Linear feet: Box 5)
Biographical / Historical:
Gary Erbe (1944-) is a painter who works primarily in Union City, New Jersey.
Gary Erbe was born in Union City, New Jersey and is a self-taught artist and oil painter who is best known for his trompe l'oeil style paintings. Erbe's interest in art began when he became fascinated by his school's textbook illustrations. His stepfather was a main supporter of his art, and following his stepfather's death Erbe produced very little art.
Since 1970 Erbe's work has been exhibited extensively in museums such as the Canton Museum of Art, the Brinton Museum, the Boca Raton Museum of Art, the Heckscher Museum of Art, the Baum School of Art, and the Reading Public Museum among others. His work is also in the permanent collections of various renowned institutions including The Phillips Collection, The Butler Institute of American Art, and the Philadelphia Museum of Art. In 2016 the Butler Institute of American Art published the book Footprints: The Art and Life of Gary Erbe.
Erbe is currently living in Nutley, New Jersey where he maintains a studio and continues to paint.
Provenance:
The Gary Erbe papers were donated in 1991, 2002, and 2006 by Gary Erbe.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Gary Erbe papers, circa 1968-2006, Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Quotes and excerpts must be cited as follows: Oral history interview with Aaron Bohrod, 1984 Aug. 23. Archives of American Art, Smithsonian Institution.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the partial digitization of this collection was provided by the Roy Lichtenstein Foundation.
A transcript of an interview with Aaron Bohrod conducted 1973-1974 by Ralph E. Sandler, for a film on Bohrod.
Biographical / Historical:
Aaron Bohrod (1907-1992) was a painter, ceramicist, and educator in Madison, Wisconsin. He ismost known for trompe l'oeil paintings, social realism, and surrealist ceramics. In 1948, he began his career at the University of Wisconsin - Madison.
Provenance:
Donated 1986 by Ralph E. Sandler.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
An interview of Aaron Bohrod conducted 1984 Aug. 23, by Sue Ann Kendall, at the artist's home in Chicago, Ill., for the Archives of American Art.
Bohrod discusses his life and art, focusing on the nature of the trompe-l'oeil still lifes he has been painting since the early 1950s.
Biographical / Historical:
Aaron Bohrod (1907-1992) was a painter and teacher from Chicago, Ill. Studied with John Sloan in New York. Worked for Life magazine during WWII painting scenes at the front, and later was artist-in-residence at the University of Wisconsin, Madison.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- Illinois -- Chicago -- Interviews Search this
