Search Results

Creator:

Asch, Timothy, 1932-1994  Search this

Hill, Martin  Search this

Reyes, Trevor  Search this

Collection Creator:

Asch, Timothy, 1932-1994  Search this

Extent:

1 Reel (5 inch,3 3/4 ips)

Culture:

Trinidad  Search this

Type:

Archival materials

Reels

Songs

Date:

August, 1966

Contents:

Local Calypso, Martin Hill and Trevor Reyes

1. Queen's Missing Ball

2. Can't Travel in Space

3. Marlene

4. Have You Ever Wondered

5. Queen Visit to the W. J.[?]

6. Send Them Back

Local Numbers:

Asch Sound Recording 79

Topic:

Calypso (Music) -- Trinidad and Tobago  Search this

Language and languages -- Documentation  Search this

Dance  Search this

Genre/Form:

Songs

Collection Citation:

Timothy Asch papers, National Anthropological Archives, Smithsonian Institution

See more items in:

Timothy Asch papers

Timothy Asch papers / Series 12: Sound Recordings

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3ffa4d647-eefb-45aa-b26d-f34c4f0becc3

EDAN-URL:

ead_component:sova-naa-1996-16-ref2651

Creator:

Tam, Reuben  Search this

Names:

Alan Gallery (Charles Alan)  Search this

Brooklyn Museum of Art  Search this

Coe Kerr Gallery  Search this

Downtown Gallery (New York, N.Y.)  Search this

John Simon Guggenheim Memorial Foundation  Search this

Skowhegan School of Painting and Sculpture  Search this

Andrews, Dorothy, 1918-2008  Search this

Kienbusch, William, 1914-1980  Search this

Nesjar, Carl, 1920-  Search this

Solomon, Hyde, 1911-  Search this

Extent:

9.2 Linear feet

Type:

Collection descriptions

Archival materials

Sketchbooks

Sound recordings

Poems

Diaries

Scrapbooks

Watercolors

Drawings

Date:

1931-2006

Summary:

The papers of landscape painter and educator Reuben Tam measure 9.2 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks.

There is a 1.1 linear foot unprocessed addition to the collection donated in 2020 that includes 34 sketchbooks, circa 1940-1974, by Tam from his time in New York, Hawaii, Connecticut, Massachusetts, Oregon, Alaska and Canada.

Scope and Contents:

The papers of landscape painter and educator Reuben Tam measure 9.2 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks. There is a 1.1 linear foot unprocessed addition to the collection donated in 2020 that includes 34 sketchbooks, circa 1940-1974, by Tam from his time in New York, Hawaii, Connecticut, Massachusetts, Oregon, Alaska and Canada.

Biographical material includes school documents, records of his tenure as an instructor at the Brooklyn Museum of Art School, artwork consignment and sales records, and slides and accompanying audio cassette recording of the "Reuben Tam Show" about his work as an artist on Monhegan Island, Maine.

Correspondence is with family, fellow artists, including William Kienbusch and Hyde Solomon, as well as art organizations, schools, and museums, such as Brooklyn Museum of Art School, Guggenheim Memorial Foundation, Maine Coast Artists group, and the Skowhegan School of Painting and Sculpture. Also found is correspondence with the three galleries which represented his work: Downtown Gallery, Alan Gallery, and Coe Kerr Gallery.

The collection includes five bound diaries as well as diary entries written by Reuben Tam on loose sheets of paper, primarily documenting the 1940s. Other writings include drafts of poetry, one notebook, miscellaneous notes, and essays by others.

Printed material consists of school publications, exhibition catalogs and announcements for solo and group shows, brochures, flyers, magazines, bulletins, and news clippings. Eight scrapbooks found in this collection also include newspaper clippings, exhibition announcements and catalogs, as well as event invitations, membership cards, and letters, documenting 40 years of Reuben Tam's career.

Photographs are of Reuben Tam, Tam with friends and family, and artwork. One photograph album contains photographs from Tam's visits to Maine from 1946 to 1948, and includes photographs of fellow artists Hyde Solomon, Carl Nesjar, Dorothy Andrews, and William Kienbusch. Artwork in the collection includes prints, drawings, and watercolors as well as seventeen large sketchbooks documenting the coastal landscape of Monhegan Island, Maine.

Arrangement:

The collection is arranged as 9 series:

Missing Title

Series 1: Biographical Material, 1934-1993 (Box 1; 0.4 linear feet)

Series 2: Correspondence, 1931-2006 (Box 1-4; 3.5 linear feet)

Series 3: Diaries, 1932-1974 (Box 4-5; 0.4 linear feet)

Series 4: Writings, 1939-1987 (Box 5; 7 folders)

Series 5: Printed Material, 1935-1997 (Box 5-6, 9; 1.2 linear feet)

Series 6: Photographs, circa 1930-1990 (Box 6-7, 9; 1.0 linear foot)

Series 7: Artwork, circa 1936-1975 (Box 7, 9-10, OV 11; 0.7 linear feet)

Series 8: Scrapbooks, 1938-1978 (Box 7-8; 0.9 linear feet)

Series 9: Unprocessed Addition, circa 1940-1974 (Box 12, OV13; 1.1 linear feet)

Biographical / Historical:

Reuben Tam (1916-1991) was a landscape painter and educator in New York, Maine, and Hawaii. Tam was born in Kapaa, Hawaii, in 1916. He received a degree in education in 1937 from the University of Hawaii and was briefly a public school teacher before attending graduate courses at the California School of Fine Arts. In 1941 he moved to New York and took courses in art history and philosophy at the New School for Social Research and Columbia University. Tam became affiliated with the Downtown Gallery in 1945 and was a prolific exhibitor in national and regional shows, winning critical praise as an abstract landscape painter. In 1948 he was awarded a Guggenheim Fellowship and first exhibited in the National Academy's annual exhibition in 1947.

Tam was an instructor at the Brooklyn Museum of Art School from 1946 to 1974. While there he taught advanced studies in painting and was chairman of the graduate painting department. He also served as a visiting professor at Oregon State University, Haystack, and Queens College, CUNY.

Beginning in 1948, Tam and his wife, Geraldine, spent summers at their home and studio on Monhegan Island, Maine. Tam's work was deeply influenced by coastal landscapes both in Maine and in his native Hawaii. In 1981 he and his wife moved back to Kapaa, Hawaii, where he continued to paint and exhibit his new works until his death in 1991.

Related Materials:

Reuben Tam papers, 1958-1966, are also located at Syracuse University.

Provenance:

Scrapbooks were lent for microfilming in 1970 by Reuben Tam and were subsequently donated in 2009 along with additional papers by Geraldine King Tam, Reuben Tam's widow. 34 additional sketchbooks were donated in 2020 by the Geraldine King Tam Trust, via Cindy King, trustee and niece of Geraldine King Tam.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Maine  Search this

Painters -- Hawaii  Search this

Topic:

Painters -- New York (State) -- New York  Search this

Educators -- Hawaii  Search this

Educators -- Maine  Search this

Educators -- New York (State)  Search this

Asian American artists  Search this

Genre/Form:

Sketchbooks

Sound recordings

Poems

Diaries

Scrapbooks

Watercolors

Drawings

Citation:

Reuben Tam papers, 1931-2006. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing and digitization of the Reuben Tam papers received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.

Identifier:

AAA.tamreub

See more items in:

Reuben Tam papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9cf2f8a4b-e9dd-4583-8b33-f5ac639c6ce0

EDAN-URL:

ead_collection:sova-aaa-tamreub

Creator:

Hughes, William E.  Search this

Names:

Peary Greenland Expedition, 1891  Search this

Extent:

5 Reels (16 mm)

15 Negatives (glass)

2,800 Lantern slides (circa)

1 Scrapbook

Type:

Collection descriptions

Archival materials

Reels

Negatives

Lantern slides

Scrapbooks

Photographs

Motion pictures (visual works)

Place:

Washington (D.C.)

Philadelphia (Pa.)

Mexico

Saint Kitts

Barbados

Dominica

Saint Lucia

France

Greece

Grenada

Trinidad and Tobago

Cuba

Costa Rica

Japan

Brazil

Montserrat

Saint Vincent and the Grenadines

Martinique

Turkey

Venezuela

Yugoslavia

Virgin Islands

Grand Canyon (Ariz.)

Maine

New York (State)

Hawaii

New Brunswick

Date:

circa 1891-1931

Scope and Contents note:

Photographs made or collected by William E. Hughes during his travels in the United States, Greenland, Japan, Grenada, Trinidad, Barbados, Dominica, Guadeloupe, Martinique, Montserrat, St. Croix, St. Kitts, St. Lucia, St. Vincent, Cuba, Venezuela, France, Brazil, Costa Rica, Yugoslavia, Greece, and Turkey. They document the landscapes, churches, public buildings, parks, statues, artisans, markets, and city streets of these locations. Films and some photographs depict Hughes's family and trips to the Grand Canyon; Hawaii; Maine; New York; New Brunswick in Canada; and Washington, D. C. A scrapbook in the collection contains newspaper clippings relating to the 1891 Peary expedition to Greenland and a few letters accompany the photographs.

Lantern slides of Japan appear to be commercially made and hand-tinted, and slides relating to the Peary Expedition may have been made by Dr. Benjamin Sharpe, another scientist on the expedition.

Biographical/Historical note:

William E. Hughes (1857-1944) was a Philadelphia physician who accompanied Robert E. Peary on the first part of his expedition to Greenland in 1891. He received both his MD and PhD from the University of Pennsylvania in 1880.

Local Call Number(s):

NAA Photo Lot 75-18

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Scrapbooks

Motion pictures (visual works)

Lantern slides

Citation:

Photo lot 75-18, William E. Hughes photographs, scrapbook, and motion picture film, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.75-18

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw380d94492-3230-46d6-accb-0d9af34e9864

EDAN-URL:

ead_collection:sova-naa-photolot-75-18

Author:

Ashmead, William H.  Search this

Object Type:

Smithsonian staff publication

Year:

1895

Citation:

Ashmead, William H. 1895. "Description of a new genus and new species of Proctotrypid bred by Mr. F. W. Urich from an Embiid." Journal of the Trinidad Field Naturalists' Club, 264-266.

Identifier:

136687

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_136687

Creator:

Simpson, George Eaton, 1904-1998  Search this

Photographer:

Ramsey, Frederic, 1915-1995  Search this

Extent:

521 Prints (silver gelatin)

90 Negatives (acetate)

70 Lantern slides

347 Negatives (nitrate)

185 Color slides

4 Prints (Kodachrome color)

Culture:

Haitians  Search this

Trinidadians  Search this

Black Carib Indians  Search this

Yoruba (African people)  Search this

Jamaicans  Search this

Type:

Collection descriptions

Archival materials

Prints

Negatives

Lantern slides

Color slides

Photographs

Place:

Trinidad

Ibadan (Nigeria)

Haiti

Jamaica

Date:

1936-1987

Scope and Contents note:

The collection documents George Eaton Simpson's fieldwork in Haiti, Jamaica, Trinidad, and Nigeria from 1936-1964. There are 704 images in several formats including negatives, prints, and slides. The photographs were primarily made by Simpson, but a few were made by Frederic Ramsey, Jr. Ramsey's prints are stamped on verso with his name. Many prints and slides are annotated by Simpson.

The collection also includes a few reprints of articles based on Simpson's field work and words and musical transcription from Savalou Ricourt, a musician of Port au Prince in 1937.

Arrangement:

The collection is arranged into six series:

1. Haiti, 1936-1937

2. Jamaica, 1953, 1957

3. Trinidad, 1960

4. Nigeria, 1964

5. Lantern slides, undated

6. Publications, 1940-1987

Biographical/Historical note:

George Eaton Simpson (1904-1998) was an anthropologist whose focus was the various social aspects of Caribbean religions. He wrote over 60 articles and books, and taught sociology and anthropology at Oberlin College from 1947-1971.

Born in Knoxville, Iowa, Simpson received his B.S. from Coe College in 1926, his M.A. from the University of Missouri in 1927, and his Ph.D. from the University of Pennsylvania in 1934. In 1947 he began teaching at Oberlin College in the Department of Sociology and Anthropology. In addition to teaching classes, Simpson served on numerous committees and as department chair.

Simpson conducted fieldwork in the Caribbean, specifically Haiti, Jamaica and Trinidad, and Nigeria. He focused primarily on Caribbean religions such as Vodun in Haiti, Rastafarianism in Jamaica, and the Spiritual Baptists in Trinidad. His fieldwork has been documented in numerous articles and books, including "The Vodun Service in Northern Haiti", "The Shango Cult in Nigeria and Trinidad", and Black Religions in the New World. He occasionally collaborated on articles with fellow anthropologists Joseph G. Moore and J. Milton Yinger. He also served as a visiting professor at several leading universities.

He was the recipient of numerous honors and awards including the Wellcome Medal for Anthropological Research, the Anisfield-Wolf Award in Race Relations (with J. Milton Yinger), Doctor of Humane Letters – Oberlin College, and Doctor of Humane Letters – Coe College.

Local Call Number(s):

NAA Photo Lot 93-14

Related Materials:

Additional photographs from Simpson are held in National Anthropological Archives Photo Lot 2001-24.

The George Eaton Simpson Film Study of Plaisance, Haiti, 1937, accession No. 92.12.1 in the Smithsonian Institution Human Film Studies Archives contains silent black and white film footage of Plaisance, Haiti shot by Simpson and his colleagues. The footage contains events also depicted in the photograph collection including work coumbites, marketplace scenes, a wedding ceremony, a funeral, drumming and dancing at a social gathering, and a dancing demonstration. Included in this accession are 21 audiotapes recorded by Simpson and Joseph G. Moore during their fieldwork in Jamaica and Trinidad.

The Joseph G. Moore Collection: Jamaican Revival and Kumina, 1957-1958, accession No. 92.1.1 in the Smithsonian Institution Human Film Studies Archives contains related material to Simpson's study of Jamaican Revival Zion and Kumina. The collection contains film footage of Morant Bay and West Kingston, Jamaica shot in 1957. The footage was originally intended for the "Odyssey" program or possibly a short feature. Some of the it ended up being featured on the CBS program "Lamp Unto My Feet" which also includes interviews with Joseph G. Moore and George Eaton Simpson. There is over 10 hours of footage, and in 1992 Simpson, Smithsonian Institution Human Film Studies Archives Director John Homiak, and research associate Ken Bilby recorded approximately 10 hours of commentary about the footage. This collection also contains audio recordings made in 1993 of a discussion between Simpson, Homiak, and Bilby concerning the relation of Jamaican Revival with Rastafari.

Sound recordings by Simpson held in the Ralph Rinzler Folklife Archives and Collections in the Folkways Records Collection and the Moses and Frances Asch Collection.

Oberlin College has a manuscript collection of George Eaton Simpson's papers (RG 30/64) that document Simpson's research and academic work.

Provenance:

The collection was donated to the National Anthropoligical Archives by George E. Simpson in 1992.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

The negatives are in cold storage and require advanced notice to access.

Rights:

Contact the repository for terms of use.

Topic:

Dwellings  Search this

Spiritual Baptist -- Trinidad and Tobago  Search this

Orisha religion  Search this

Revivals  Search this

Rastafari movement  Search this

Voodooism  Search this

Schools  Search this

Agriculture  Search this

Fishing  Search this

Markets  Search this

Dance  Search this

Medicine  Search this

Cooking  Search this

Drummers (Musicians)  Search this

Christian sects  Search this

Religion  Search this

Genre/Form:

Photographs

Lantern slides

Citation:

Photo Lot 93-14, George Eaton Simpson photographs, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.93-14

See more items in:

George Eaton Simpson photographs

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw32ecd25e2-dd4c-4949-bc7d-18089b72a92d

EDAN-URL:

ead_collection:sova-naa-photolot-93-14

Creator:

Walinska, Anna  Search this

Names:

Guild Art Gallery  Search this

Avery, Milton, 1885-1965  Search this

Beata, Welsing  Search this

Hacohen, Bracha  Search this

Littlefield, William Horace, 1902-1969  Search this

Nevelson, Louise, 1899-1988  Search this

Walinsky, Louis Joseph, 1908-2001  Search this

Extent:

2.1 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Interviews

Photographs

Scrapbooks

Sketchbooks

Sketches

Transcripts

Travel diaries

Place:

Europe -- description and travel

Israel -- Description and Travel

Date:

1927-2002

bulk 1935-1980

Summary:

The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Scope and Contents:

The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Biographical material consists of awards, certificates, curriculum vitae, biographical outlines, exhibition lists, passports and other material. There is a partial transcript from a radio interview of Anna Walinska. Also included are limited financial records.

Correspondence includes Anna Walinska's letters to her family from her 1954-1955 trip abroad to multiple countries in Asia, the Middle East, and Europe. There is personal and professional correspondence with friends, artists and art institutions. Notable correspondents include Milton Avery, Louise Nevelson, Beata Welsing, Bracha Hacohen, William Littlefield, and Walinska's brother Louis Walinsky.

Writings consist of Walinska's notes, notebooks, lectures, essays, and a handwritten prospectus for Guild Art Gallery. There is one folder of writings by others about Walinska at the end of the series. There are four travel diaries that describe Walinska's trip around the world from 1954-1955, during which she traveled to many countries, and later trips to locations such as Israel and Trinidad.

Printed Material include clippings about Anna Walinska, group and solo exhibition catalogs, announcements, event invitations, and course catalogs for the Master Institute of United Art in New York City, where Walinska taught painting and drawing classes.

There are three scrapbooks: one scrapbook is about Guild Art Gallery, the second scrapbook is about the Holocaust exhibition, the third oversized scrapbook documents Walinska's career and activities overall.

Artwork consists of two bound sketchbooks as well as drawings and sketches in a variety of mediums from pencil and ink to watercolors and oils.

Photographs are of Walinska, friends, family, artists, artwork, exhibition installations, and other subjects. One album includes photos of Anna Walinska and her travels, along with images of friends and colleagues. The second album includes photographs of Walinska's solo exhibition at Sunken Meadow Gallery (1959). There is also one folder of photocopies of photos of assorted artwork by Walinska.

Arrangement:

The collection is arranged as 8 series.

Series 1: Biographical Material, 1927-2002 (Box 1; 11 folders)

Series 2: Correspondence, 1949-1995 (Box 1; 0.4 linear feet)

Series 3: Writings, circa 1935-circa 1983 (Box 1; 8 folders)

Series 4: Travel Diaries, 1954-1973 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1942-2002 (Boxes 1-2; 0.4 linear feet)

Series 6: Scrapbooks, circa 1929-1980 (Boxes 2, 4; 0.5 linear feet)

Series 7: Artwork, circa 1929-1963 (Box 3; 5 folders)

Series 8: Photographs, circa 1932-1980 (Box 3; 0.3 linear feet)

Biographical / Historical:

Anna Walinska (1906-1997) was a New York artist, teacher and gallery director who traveled widely and is most well known for her paintings related to the subject of the Holocaust.

Anna Walinska was born in London, England in 1906 to labor organization leader Ossip Walinsky and poet Rosa Newman Walinska. She had two siblings, Emily and Louis. The family immigrated to New York City in 1914, and Anna Walinska began studying at the Art Students League in 1918. In 1926, she travelled to Paris and studied art at the Academie de Grande Chaumier with Andre L'Hote. France was her primary residence until 1930.

In 1935, Walinska and artist Margaret Lefranc co-founded the Guild Art Gallery at West 57th Street in New York and gave Arshile Gorky his first solo exhibition in the city. The gallery closed its doors in 1937. In 1939, Walinska was the Assistant Creative Director of the Contemporary Art Pavilion at the New York World's Fair. During this time, Walinska also pursued her own art and exhibited work in numerous group shows.

From 1954 to 1955, Walinska traveled around the world, visiting the capitals and major cities of many countries in Asia, the Middle East and Europe. Places she went included Japan, Burma (now known as Myanmar), Pakistan, Greece, Italy, France and Spain. During her four month stay in Burma, she painted a portrait of Prime Minister U Nu and she later became a highly respected portrait artist who painted numerous illustrious subjects such as First Lady Eleanor Roosevelt, artists Louise Nevelson and Mark Rothko, and many others.

In 1957, Walinska became the artist-in-residence at the Riverside Museum where she also taught and exhibited with other artists. That same year, she had her first retrospective at the Jewish Museum in New York City.

Walinska exhibited widely and often. Holocaust: Paintings and Drawings, 1953-1978, which opened at the Museum of Religious Art at the Cathedral of St. John the Divine in New York City, is probably the most well-known of her exhibitions and it traveled across the country to several other sites such as the War Memorial Building in Baltimore and Mercy College of Detroit. Works from this exhibition were acquired by multiple museums to become part of their permanent collections.

Walinkska died on December 19, 1997 at the age of 91 in New York City. In 1999, there was a retrospective of her work titled Echoes of the Holocaust: Paintings, Drawings, and Collage, 1940-1989 held at Clark University's Center for Holocaust Studies. The Onisaburo Gallery at New York's Interfaith Center also held a solo exhibition titled Portraits of Faith (2000). Her art is part of the collections at the Denver Art Museum, National Portrait Gallery, National Museum of Women in the Arts, the Rose Art Museum, and other museums.

Related Materials:

The Archives of American Art also has the Guild Art Gallery records, which consists of material related to the gallery that was co-founded by Anna Walinska.

Provenance:

The papers were donated by Anna Walinska in two installations in 1976 and 1981. Rosina Rubin, Anna Walinska's niece, made a third donation of material in 2017.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., research center.

Occupation:

Gallery directors -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Topic:

Drawing--Study and teaching  Search this

Holocaust, Jewish (1939-1945), in art  Search this

Painting -- New York (State) -- New York  Search this

Asia--Description and travel  Search this

Middle East--Description and travel  Search this

Trinidad and Tobago--Description and travel  Search this

Women painters  Search this

Women artists  Search this

Women educators  Search this

Genre/Form:

Drawings

Interviews

Photographs

Scrapbooks

Sketchbooks

Sketches

Transcripts

Travel diaries

Citation:

Anna Walinska papers, 1927-2002, bulk 1935-1980. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by Rosina Rubin.

Identifier:

AAA.walianna

See more items in:

Anna Walinska papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9995d1f6a-668f-4e1e-8abe-bb24edfb016b

EDAN-URL:

ead_collection:sova-aaa-walianna

Collection Creator:

Walinska, Anna  Search this

Container:

Box 1, Folder 77

Type:

Archival materials

Date:

1973

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., research center.

Collection Citation:

Anna Walinska papers, 1927-2002, bulk 1935-1980. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by Rosina Rubin.

See more items in:

Anna Walinska papers

Anna Walinska papers / Series 4: Travel Diaries

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94422e479-65e4-4425-babd-ef9ba9a4c92b

EDAN-URL:

ead_component:sova-aaa-walianna-ref81

Creator:

Schneider, Harold Kenneth, 1925-1987  Search this

Collection Correspondent:

Fallers, Lloyd  Search this

Evans-Pritchard, Edward Evans  Search this

Forde, Cyril Daryll, 1902-  Search this

Godelier, Maurice  Search this

Fortes, Meyer  Search this

Hansen, Judith  Search this

Goody, Jack  Search this

Humphrey, Hubert H. (Hubert Horatio), 1911-1978  Search this

Herskovits, Melville J. (Melville Jean), 1895-1963  Search this

Merriam, Alan P. (Alan Parkhurst), 1923-1980  Search this

Fenton, William N. (William Nelson), 1908-2005  Search this

Winter, Edward H.  Search this

Tax, Sol, 1907-1995  Search this

Southall, Aidan, 1920-2009  Search this

Richards, Audrey  Search this

Peristiany, John  Search this

Narroll, Raoul  Search this

Murdock, George Peter, 1897-1985  Search this

Moore, Joseph G.  Search this

Bascom, William Russell, 1912-1981  Search this

Collection Creator:

Schneider, Harold Kenneth, 1925-1987  Search this

Extent:

1 Reel (7 inch, 3 3/4 ips)

Type:

Archival materials

Reels

Scope and Contents:

Side One: 011-1 Jesus Lover of My Soul (Trinidad) Spiritual Baptist Church,Hershoruts Celbibiu[?]; 043-2 Emenyou Kaloo (Nandi) Hureni and Joseph, East of Sound Studios, Jambo Novoli EA 241; 080-3 Achome Olinyan; 120-4 Kipsigis-Part 1; 152-5 Kypsigis-Part @; 184-6 Abaibai Mary (jazzy); 220-7 Achamin Telentum[?] (Brahms Lullaby); 260-8 Otiga Kotkmal, (droyging camp song)( Suh style); 297-9 Pogkumba; 335-10 Tuwaitui Cheboyongo; 365-11 Tuikikombet Bumuru; 400-12 Akyem Fua Katakyi; 448-13 Mode Sika Abeyemi; 495-14 Nkamkaw Sem; 545-15 Mennko Odede (see words); 597-16 Ambrose Pedsanso; 655-17 Asafo Omi Yenko; 716-18 Otamfo; 784-19 Lamle; 854-20 Home of the BlueLiqtls[?]. Side Two: 011 I'll Remember April, MGM, George Shearing Quintet; 028-22 Royal Garden Blues[?], Tommy Dorsey; 058-23 Jazzwerong[?], Will Hodson; 088-24 Solitude, Duke Ellington; 125-25 In a Little Spanish Tower, Albert Ammons; 158-26 Can Can Boogie, Freddie Slock; 196-27 The Crash of the Hindenberg, narrators, eyewitnesses told by Herb Morrison and Charles Nehluss, 7-08-76 1937; 28 Native Brazilian music(Columbia, supervised by Leopold Slatrowecki); 275-29 Caboclo Do Matto. Samba with vocal ensemble, Celutia Marimba-Rgionals Arbuta[?], 36504, C83-4; 310-30 Bambo du Bamba, samba with vocal refrain, with Ernesto dos Santos and orchestra, C83-6, 36504; 342-31 K Keri K K, samba with vocal ensemble, Yood Marchada Cuda j- Regionals Arbuta[?] C 83-8, 36504; 377-32 Macumba de Inhancan, macumba with vocal ensemble Jose Espinguila, Grupo do Rae Alufa; 417-33 Macumba dee Ochoche, macumba with vocal ensemble, Jose Espinguila, Grupo do rae alufa, 36503, C83-1; 447-35 SEU Mane e Luiz, samba with vocal duet, Emerlados[?], Santos, Guarda Vahlo Orchestra; 525-36 Samba Concao, samba with vocal refrain, Wossan Donga, Regional Orchestra

Local Numbers:

Schneider Sound Recording 2

Collection Restrictions:

The Harold K. Schneider papers are open for research.

Access to the Harold K. Schneider papers requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Topic:

Folk dance music -- Africa.  Search this

Folk dance music -- Brazil.  Search this

Language and languages -- Documentation  Search this

Dance  Search this

Citation:

Harold Kenneth Schneider Papers, Sound Recordings, National Anthropological Archives, Smithsonian Institution

Sponsor:

Digitization and preparation of a portion of these materials for online access has been funded through generous support from the Arcadia Fund

See more items in:

Harold K. Schneider papers

Harold K. Schneider papers / Series 6: SOUND RECORDINGS / Audio Cabinets / Afro-American Music (East Africa., West Africa., Congo, New World). Two 7-inch reels. 3 3/4 ips (list included with reels)

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3614cb521-0353-4138-9967-c33434ef789d

EDAN-URL:

ead_component:sova-naa-1994-19-ref772

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

459 Sound tape reels (approximate)

Type:

Collection descriptions

Archival materials

Sound tape reels

Plans (drawings)

Audiotapes

Digital images

Memorandums

Audiocassettes

Negatives

Photographic prints

Sound recordings

Business records

Notes

Videotapes

Video recordings

Slides (photographs)

Contracts

Correspondence

Cha-chas (music)

Lindy (dance)

Place:

Caribbean Area

Trinidad and Tobago

Puerto Rico

Cuba

Date:

July 3-14, 1974

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1974 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 9 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: African Diaspora

Series 3: Children's Program

Series 4: Family Folklore

Series 5: Festival Stage

Series 6: Native Americans

Series 7: Old Ways in the New World

Series 8: Regional America

Series 9: Working Americans

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1974 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

With the 1974 Festival of American Folklife (July 3-7 and July 10-14, 1974), the seven programs that would constitute the Bicentennial Festival were all in place. As in 1973, the Festival took place in the western part of the National Mall alongside the Reflecting Pool, between 17th and 23rd Streets, and between Constitution Avenue N.W. and Independence Avenue S.W. (see site plan). It was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher) and the National Park Service (Ronald H. Walker, Director). Ralph Rinzler was Director of the Folklife Program and the Festival.

The 1974 Festival included seven programs, with a Festival Stage bringing together performers from other programs and, in the second week, its own participants. The 1974 Program Book was supplemented by daily folios with additional information on that day's programs.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:

Smithsonian Folklife Festival records: 1974 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk art  Search this

Folk festivals  Search this

Food habits  Search this

Folk music  Search this

Folklore  Search this

arts and crafts  Search this

World music  Search this

occupational folklore  Search this

Orisha religion  Search this

African diaspora  Search this

Afro-Caribbeans  Search this

Steel bands (Music)  Search this

Calypso (Music)  Search this

Mambos (Music)  Search this

Jitterbug (Dance)  Search this

Genre/Form:

Plans (drawings)

Audiotapes

Digital images

Memorandums

Audiocassettes

Negatives

Photographic prints

Sound recordings

Business records

Notes

Videotapes

Video recordings

Slides (photographs)

Contracts

Correspondence

Cha-chas (Music)

Lindy (Dance)

Citation:

Smithsonian Folklife Festival records: 1974 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1974

See more items in:

Smithsonian Folklife Festival records: 1974 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5c04ee5c0-e362-495e-8db1-3073cf7c17af

EDAN-URL:

ead_collection:sova-cfch-sff-1974

Creator:

Cook Labs  Search this

Cook, Emory, 1913-2002  Search this

Names:

Cook Labs  Search this

Extent:

6.3 Cubic feet (Phonograph albums)

63.5 Cubic feet (Open-reel tapes)

8.75 Cubic feet (Business records)

78.55 Cubic feet

Culture:

Afro-Caribbean cults  Search this

10th Naval District Steel Band  Search this

Almerico, Tony, 1905-  Search this

American Indians  Search this

Audio Engineering Society  Search this

Ast, Anita  Search this

Bach, Johann Sebastian, 1685-1750  Search this

Beethoven, Ludwig van, 1770-1827  Search this

Big Shell Band  Search this

Boston Chorale  Search this

Brahms, Johannes, 1833-1897  Search this

Brokenshire, Norman, 1898-1965  Search this

Brundage, Al (Alfred)  Search this

Brute Force Band  Search this

Camp, Red  Search this

Carroll, Jimmy  Search this

Crowley, Daniel J., 1921-  Search this

Type:

Collection descriptions

Archival materials

Audiotapes

Photographic prints

Business records

Artifacts

Contracts

Phonograph records

Correspondence

Christmas music

Place:

Cuba

West Indies -- Lesser Antilles

Caribbean Area

Antigua

Barbuda

Amazon River Region

Benítez (Venezuela)

Baja California (Mexico : Peninsula)

Brazil

Connecticut

Cuba

Haiti

Date:

1908-2002, bulk 1948-1965

Summary:

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

Scope and Contents note:

There are two primary components of the Cook Labs records: the records, master tapes and other audio recordings, and the related paper files.

The Cook Labs records contains about 150 of the 200 released Cook recordings, and 739 master tapes. In addition, there are 330 unpublished tapes.

The the paper files include acquisition materials; business correspondence; recording reports; various production notes on records produced; news articles both about and by Emory Cook and Cook Labs; copyright, licensing, and trademark materials; photographs, correspondence, contracts, and other materials relating to recording artists; production materials for each Cook Labs release; and other miscellany. Many contracts are signed by both Cook Labs and the artist. Correspondence is primarily between business associates.

Two interviews were done with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer; both interviews are included in the Cook Labs records.

There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

Arrangement note:

Many of the items in this list have been assigned an accession number, and like materials have been grouped together to create seven series:

Series 1: Business Papers, 1939-1990

Series 2: Recording Artists, 1949-1981, bulk 1950-1959

Series 3: Photographs, undated, 1957

Series 4: Production files, 1948-1995, bulk 1952-1963

Series 5: Objects, undated, 1908-1964

Series 6: Audio Interviews, 1990

Series 7: Audio Recordings

Biographical/Historical note:

Emory Cook (1913-2002) is widely regarded as a highly influencial audio engineer. Born and raised in Albany, New York, he joined the Army Air Corps in 1932. After his discharge in 1934 he obtained his degree from Cornell University and began working for Western Electric in the Audio Engineering Force. During World War II, while still at Western Electric, Cook supervised the creation of a fire-controlled radar "Trainer," for which he received a Commendation from the Service.

In the late 1940's, convinced he could do better than what was on the market, Cook began experimenting with making his own audio equipment. Cook Laboratories was started in 1945 when he developed a new cutting head to be used in record production. Future development of equipment brought about the discovery that he could record frequencies as high as 20,000 hertz, more than any other recording company at the time. He cut a record of piano and organ music to demonstrate this discovery, and took it to the 1949 Audio Fair in New York. When he demonstrated the record with the hopes to sell the recording equipment, he found that people were much more interested in buying the record itself. Shortly after, Sounds of Our Times, later called Cook Records, was born.

Cook Records collected many different sounds and was mostly aimed at the devoted high-fidelity listener. Cook believed that hearing was a sense often overlooked by people, and he wanted listeners of his albums to be able to hear things they might otherwise miss. In a New Yorker profile by Daniel Lang in 1956, Cook claimed that hearing was "always being kicked aside in favor of sight… There's a time and a place for everything, and that includes sound." In order to encourage listening, he put out many albums full of everyday sounds, such as Voice of the Sea, an album of noises of the ocean and Eye of the Storm, recorded during a thunderstorm. One of the most successful albums was Rail Dynamics, an album of steam trains pulling in and out of a station.

Cook Records also produced traditional music albums from its plant in Stamford, Connecticut. The label produced everything from organ music to folk, flamenco guitar, calypso and steel band. Cook had little interest in name musicians and instead searched high and low for anything he thought might be an interesting contribution to his label. He even invited listeners to send in their favorite sounds, some of which he eventually recorded.

Cook had such a large interest in Calypso music that he set up a second pressing plant in Port-of-Spain, Trinidad. There he pressed calypso and steel band music for both a Trinidadian and American audience, and most albums sold well in both countries.

In addition to the wide range of music Cook recorded, he was also an inventor. It was Cook who first came up with the idea of pressing records with powdered, rather than solid, vinyl, a technique he dubbed "microfusion." This technique not only saved money, but cut out many of the traditional crackles and pops associated with records.

He also developed the binaural system of recording and playing records, which he thought was superior to the more commonly used stereo method. Binaural was more precise than stereo, and it required placing two microphones six inches apart, approximately the space between two ears, during the recording. It was then played back with a special two-needle playing arm. Binaural recordings were thought by Cook to best duplicate the original sound.

Emory Cook died at the age of 89 in 2002 after a long hospitalization.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

COOK RECORDINGS - NUMERICAL LISTING:

001 20,000 Cycle Demo (1949) COOK00001

002 Night Rain and Surf COOK00002

003 Specimen Heart Beats COOK00003

004 Katydids, Frogs and Forrest Birds

E101 Grenada Stories and Songs (1957-58) COOK00101

E102 Amazon Sound: Yacu River Tribes (Rituals and Rites) (1954) COOK00102

E103 Music of St. Lucia (1953) COOK00103

E104 Rada (1958) COOK00104

E105 JOSE RAMON FORTUNE AND OLGA MAYNARD Nancy Stories (1956) COOK00105

106 Afro-West Indian Cultural Practices (1957-58) COOK00106

107 ESCOLA DE SAMBA DE BRAZIL The Boli, The Cocolute, and Brazil (1957-58) COOK00107

901 Steelband Jump Up Boys Town, Tropical Harmony, Silvertone COOK00901

904 THE ESSO STEEL BAND Esso Steelband of Bermuda (1958) COOK0904

906 LORD MELODY Lord Melody Sings Calypso (1958-59) COOK00906

911 TOM CHARLES AND HIS SYNCOPATER ORCHESTRA Fete for So! (1959) COOK00911

914 LORD MELODY Again! Lord Melody Sings Calypso (1957-58) COOK00914

916 Calypso Cross Section Young Killer, The Mighty Bomber, Small Island Pride, The Mighty Wrangler (1957-58) COOK00916

920 THE MIGHTY SPARROW King Sparrow's Calypso Carnival (1959) COOK00920

927 LORD MELODY Calypso through the Looking Glass (1959) COOK00927

928 CLARENCE CURVAN His Drums, His Orchestra COOK00928

930 Belly to Belly Clarence Curvan, Johnny Gomez, Tom Charles, Fitz Vaughn Bryan (1960-61) COOK00930

931 LORD MELODY Lord Melody, 1962 COOK0931

1000 TITUS MOODY DDDs of Binaural (1952) COOK01000

1011 The Christmas Music Box (1950) COOK01011

1012 Music Boxes of Long Ago (1950) COOK01012

1013 CHARLIE MAGNANTE Accordion Pops Concert (1954-55) COOK01013

1014 CHARLIE MAGNANTE AND LaVERGNE SMITH His and Hers (1954-55) COOK01014

1020 SAM ESKIN Sam Eskin's Songs of All Time COOK01020

1021 GROUPE MI-O Un Ti Bo (1958) COOK01021

1022 LAVINIA WILLIAMS' GROUPE FOLKLORIQUE Haiti Confidential (1958) COOK01022

1023 The Ramayana (Hindu Ceremony) (1961) COOK01023

1024 GUSTAVO ZEPOLI Concert Guitar (1954) COOK01024

1025 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (1950) COOK01025

1026 ANITA AST AND THE VIENNA KONZERTSCHRAMMEREIN Inside Vienna (1952) COOK01026

1027 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (1952) COOK01027

1028 CARLOS MONTOYA Montoya (1952) COOK01028

1030 EDWARD VITO The Harp (1951) COOK01030

1031 EDWARD AND JOSEPH VITO Dual Harp (1951) COOK01031

1032 RUTH WELCOME AND DICK MARTA Zither and Cimbalom (1951) COOK01032

1035 Barrelhouse Piano (1950) COOK01035

1036 FRANK GLAZER Liszt's Paganini Variations (1952) COOK01036

1037 GRETA AND JOSEF DICHLER Two Famous European Pianos (1952) COOK01037

1038 SAMUEL SORIN Piano: The Romantic Fabric (1953) COOK01038

1039 LEONID HAMBRO A Perspective of Beethoven (1953) COOK01039

1040 Steel Band Clash Brute Force Steel Band, Big Shell Band, and Hell Gate Band (1955)

1041 JIMMY CARROLL PERCUSSION EMSEMBLE WITH RED CAMP Speed the Parting Guest (1953) and The Hot Tempered Clavichord (1957) COOK01041

1042 BRUTE FORCE STEEL BAND Brute Force Steel Band of Antigua with Big Shell Band (1955) COOK01042

1043 Three Rituals (1955) COOK01043

1044 The Compleat In Fidelytie: Sounds Natural and Unnatural (1956) COOK01044

1045 Drums of Trinidad (1956) COOK01045

1046 Champion Steel Bands of Trinidad The Highlanders, Southern All Stars, The Katzenjammers, others (1957) COOK01046

1047 THE KATZENJAMMERS The Enchanted Steelband (1957) COOK01047

1048 BRUTE FORCE STEEL BAND Music to Awaken the Ballroom Beast (1957) COOK01048

1049 BRUTE FORCE STEEL BAND Beauty and the Brute Force (1957) COOK01049

1050 MICHAEL CHESHIRE The Pipe Organ, volume 1 (1952) COOK01050

1051 MICHAEL CHESHIRE The Pipe Organ, volume 2 (1952) COOK01051

1052 REGINALD FOORT Percussion and Pedal, volume 3 (1952) COOK01052

1053 REGINALD FOORT Reginald Foort at the Mosque, volume 4 (1952) COOK01053

1054 REGINALD FOORT Organ in Symphony Hall, volume 1 (1954) COOK01054

1055 REGINALD FOORT Organ in Symphony Hall, volume 2 (1954) COOK01055

1056 ALFONSO VEGA NUÑEZ Morelia Cathedral Organ (1954) COOK01056

1057 REGINALD FOORT Foort Pops (1956) COOK01057

1058 REGINALD FOORT Waltz and Ballet: The Mosque Organ (1956) COOK01058

1059 REGINALD FOORT Intermission at the Mosque (1956) COOK01059

1060 NEW ORCHESTRAL SOCIETY OF BOSTON Brahms First Symphony (1954) COOK01060

1061 FESTIVAL CASALS ORCHESTRA Hector Campos Parsi (1958) COOK01061

1062 NEW ORCHESTRAL SOCIETY OF BOSTON Stravinsky, Villa Lobos, and Bach (1955) COOK01062

1063 NEW ORCHESTRAL SOCIETY OF BOSTON Debussy (1955) COOK01063

1064 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance (1955) COOK01064

1065 NEW ORCHESTRAL SOCIETY OF BOSTON Mozart Symphony No. 40 (1955) COOK01065

1066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Theater (1955) COOK01066

1067 NEW ORCHESTRAL SOCIETY OF BOSTON Beethoven Symphony No. 5 (1955) COOK01067

1068 NEW ORCHESTRAL SOCIETY OF BOSTON New Orchestral Society of Boston (1966) COOK01068

1069 NEW ORCHESTRAL SOCIETY OF BOSTON Haydn Symphony No. 100: Military (1966) COOK01069

1070 Rail Dynamics: Steam Locomotives and Train Sounds (1950-54) COOK01070

1071 Burlesque Uncensored (1954) COOK01071

1072 Jump-up Carnival: Calypso Tent (1956) COOK01072

1073 Holy Week: Malaga (Spain) (1961) COOK01073

1074 Benevolent Society for the Preservation of Ancient Rhymes and Limerix Limerick Party COOK01074

1075 Voices of the Sky: Propellers and Jets (1957) COOK01075

1077 Voice of the Storm (1957-58) COOK01077

1078 A Double Barrel Blast: High Cost of Dying and Computer Conversations (1962) COOK01078

1079 Tour of High Fidelity (1965) COOK01079

1080 TRIO LEONES Trio Leones of Cabrito (1954) COOK01080

1081 LaVERGNE SMITH LaVergne Smith (01014B plus) (1954) COOK01081

1082 Le Jazz Primitif from Trinidad Rupert Clemendore and John Buddy Williams (1961) COOK01082

1083 Jawbone of an Ass: Musica de Cuba (1955) COOK01083

1084 SID DAVILLA AND FREDDIE KOHLMAN'S BAND WITH RED CAMP Blowout at Mardi Gras (1955) COOK01084

1085 TONY ALMERICO'S PARISIAN ROOM BAND Clambake on Bourbon Street (1954-55) COOK01085

1086 WILLIE RODRIGUEZ The Drums of Rodriguez (1953) COOK01086

1087 RED CAMP Camp Inventions: Jazz Piano and Zither Music (1955) COOK01087

1088 RED CAMP Red Camp Horizontal (1954) COOK01088

1089 RED CAMP Red Camp Upright (1954) COOK01089

1090 ARTHUR BILLINGS HUNT Arthur Billings Hunt Sings Hymns (1950) COOK01090

1091 ARTHUR BILLINGS HUNT Hunt Sings Old Favorites (1950) COOK01091

1092 HUFSTADER SINGERS Hufstader Singers (1953) COOK01092

1094 REGINALD FOORT AND THE BOSTON CHORALE The Seven Last Words of Christ (1954) COOK01094

1095 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Christmas (Spring Valley, New York) (1961) COOK01095

1096 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Easter Midnight Service (Spring Valley, New York) (1961) COOK01096

1097 ST. JOHN'S RUSSIAN ORTHODOX CHOIR St. John's Russian Orthodox Choir (1961) COOK01097

1101 THE INVADERS FROM ST. CROIX Steel Band in San Juan (1964) COOK01101

1102 10TH NAVAL DISTRICT STEEL BAND New Paths for Steel Band (1965) COOK01102

1120 BENITEZ-VALENCIA TRIO Ecuador (1958) COOK01120

1121 Island in the Moonlight Trio Los Rubies, Grupo Paquito Lopez Cruz, Las Hermanas Colón, Martita Cuadrado (1958) COOK01121

1122 Hellish Calypso King Fighter, The Mighty Bomber, others (1962) COOK01122

1123 Calypso Atrocities King Fighter, The Mighty Bomber, others COOK01123

1124 HAYWIRE MAC McCook LabsINTOCK Haywire Mac (1951) COOK01124

1125 LORD MYRTLE, CECIL MITCHEL, AND JAMES CONVERY Calypso Jamaica (1960) COOK01125

1126 THE MIGHTY SPARROW Sparrow in Hi-Fi (1963) COOK01126

1127 STEVE CAMACHO Folk and Other Songs (1962) COOK01127

1131 BRUCE PRINCE-JOSEPH The Pedal Harpsichord (1953) COOK01131

1132 SHINCHI YUIZE The Japanese Koto (1955) COOK01132

1133 RED CAMP The New Clavichord (1957) COOK01133

1134 LUIS BONFA Guitar in Brazil (1959) COOK01134

1140 Steelband Promenade Brute Force Steel Band, The Merrymakers, Southern All Stars (1958) COOK01140

1150 BILL FLOYD The King of Organs (1957) COOK01150

1151 REGINALD FOORT The Theatre Organ, volume 2 COOK01151

1152 REGINALD FOORT The Theatre Organ, volume 3 COOK01152

1154 REGINALD FOORT The Theatre Organ, volume 5 COOK01154

1155 REGINALD FOORT The Theatre Organ, volume 6 COOK01155

1156 REGINALD FOORT The Baroque Organ, volume 1 COOK01156

1157 REGINALD FOORT The Baroque Organ, volume 2 COOK01157

1169 NEW ORCHESTRAL SOCIETY OF BOSTON Tchaikovsky: Romeo and Juliet, Serenade for Strings (1962) COOK01169

1180 Dance Calypso Johnny Gomez Band, Small Island Pride, Dictator, others (1956) COOK01180

1181 LIZZIE MILES Lizzie Miles Buglin' Sam DeKemel and the Parisian All Stars (1954-55) COOK01181

1182 LIZZIE MILES Moans and Blues Red Camp and Tony Almerico's All Stars (1956) COOK01182

1183 LIZZIE MILES Hot Songs My Mother Taught Me Red Camp, Tony Almerico's All Stars, Albert French (1956) COOK01183

1184 LIZZIE MILES Torchy Lullabies My Mother Sang Me Red Camp and Tony Almerico's All Stars (1956) COOK01184

1185 Calypso Kings and Pink Gin: Trinidad Carnival Tent Lord Melody, The Might Sparrow, others (1957) COOK01185

1186 ENSEMBLE AUX CALEBASSES Meringue (1958) COOK01186

1187 A Night at the Tropicoro Juan Luis, Oswaldo Seda, and Lito Peña Band (1959) COOK01187

1188 Dirty Jazz from Down South: Trinidadian Instrumentals (1958) COOK01188

1189 Calypso Exposed Lord Melody, Brute Force Steel Band, King Sparrow, The Mighty Cypher, and Skipper (1961) COOK01189

1280 Caribbean Limbo Music Rupert Clemendore Orchestra, Cyril Diaz Orchestra, others COOK01280

1281 Songs from the Garden of Love Jefferson-Jones' Orchestra COOK01281

1282 Italian Moom Jefferson-Jones' Orchestra COOK01282

2004 Tour of Stereo (1958) COOK02004

2066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance, volume 3 COOK02066

2070 Aboard a Fast Express / Jet Dynamics COOK02070

4057 REGINALD FOORT The Theater Organ COOK04057

4069 NEW ORCHESTRAL SOCIETY OF BOSTON Hayden Military Symphony COOK04069

5001 American Storytellers, Volume 1 Harry Wass, Master Marriner's Association (1952) COOK05001

5002 K.C. DOUGLAS K.C. Douglas (1952) COOK05002

5003 Caribeana: Hidden Music from the Caribbean (1949) COOK05003

5004 TIRORO Tiroro: Haitian Drummer (1948) COOK05004

5005 RED CAMP Camp Has a Ball (1954) COOK05005

5006 AL BRUNDAGE Square Dance (1951) COOK05006

5007 Mexican Marimba Band (1954) COOK05007

5008 American Storytellers, Volume 2 John Hawley Cook (1954) COOK05008

5009 American Storytellers, Volume 3 Captain Charles A. Chace, Matthew Richards (1954) COOK05009

5010 Calliope, Carousel, and Hand Organ (1953) COOK05010

5011 Voice of the Sea (1954) COOK05011

5012 Earthquake (1953) COOK05012

5013 Ionosphere (1955) COOK05013

5014 Mariachi Music of Mexico (1954) COOK05014

5015 Mexican Firecrackers (1951) COOK05015

5016 Calypso Lore and Legend (1956) COOK05016

5017 Bamboo-tamboo, Bongo, and Belair (1956) COOK05017

5018 East Indian Drums of Tunapuna, Trinidad (1956) COOK05018

5019 ALONZO CRUZ Blind Troubadour of Oaxaca (1956) COOK05019

5020 Epilogue to the String Band Tradition (1956) COOK05020

5022 ABCs of Hi Fi COOK05022

5025 BUCKMINSTER FULLER Buckminster Fuller Speaks His Mind COOK05025

5050 NORMAN BROKENSHIRE Radio Moscow and the Western Hemisphere COOK05050

5051 FRANKLIN D. ROOSEVELT The Four Inaugural Addresses COOK05051

6061 BUCKMINSTER FULLER The Clock Is Stopping COOK06061

8374 BUCKMINSTER FULLER Dymaxion Ditties: Buckminster Fuller Sings COOK08374

10001 Sound Effects, volume 1 COOK10001

10002 Sound Effects, volume 2 COOK10002

10003 Sound Effects, volume 3 COOK10003

10120 Music Boxes, Carousels, and Hand Organs (01012 and 05010) (1950-53) COOK10120

10248 The Voice of Mexico Gustavo Zepoli, Trio Leones (01024 and 01080) (1954) COOK10248

10251 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (01025 plus solos) (1950-53) COOK10251

10271 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (selections from 01027 and 01028) (1952) COOK10271

10289 CARLOS MONTOYA Montoya (selections from 01028 plus) (1952) COOK10289

10301 EDWARD AND JOSEPH VITO The Harp (selections from 01030 and 01031 plus) (1951-54) COOK10301

10326 Cafe Continental Ruth Welcome, Dick Marta, and Anita Ast (selections from 01026 and 01032) (1951-52) COOK10326

10350 Nickelodion and Calliope (selections from 01035 and 05010) (1950-53) COOK10350

10500 REGINALD FOORT The Theater Organ COOK10500

10501 MICHAEL CHESHIRE Pipe Organ in the Mosque (selections from 01050 and 01051) (1952) COOK10501

10523 REGINALD FOORT Percussion and Pedal (selections from 01052 and 01053) (1952) COOK10523

10545 REGINALD FOORT The Organ at Symphony Hall (01054 plus) (1954) COOK10545

10579 REGINALD FOORT Foort Pops (selections from 01057 and 01058) (1956) COOK10579

10646 NEW ORCHESTRAL SOCIETY OF BOSTON Tempo Vivace: Symphonic Masterpieces of Dance & Theater (selections from 01064 and 01066) (1955-56) COOK010646

10657 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Beethoven Symphony No. 5 (01065 and 01067) (1955) COOK10657

10659 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Haydn Symphony No. 100 (01065 and 01069) (1955-56) COOK10659

10683 NEW ORCHESTRAL SOCIETY OF BOSTON Modern Orchestral Textures (01068 and 01063) (1955) COOK10683

10850 RUPERT Cook LabsEMENDORE BAND Le Jazz Trinidad COOK10850

10867 Before and After Willie Rodriguez (selections from 01086 and 05007) (1953-54) COOK010867

10889 RED CAMP Horizontal & Upright & Downright & Dunright (01088 and 01089) (1954) COOK10889

10890 The Castiliane Johnny Gomez Band, John Buddy Williams Band, Girl Pat Steel Band, And Grand Curacaye String Orchestra (1956) COOK10890

11312 BRUCE PRINCE-JOSEPH AND HUFSTADER SINGERS The Forgotten Pedal Harpsichord and Hufstader Singers (01131 and 01092) (1953) COOK11312

11815 TONY ALMERICO'S PARISIAN ROOM BAND AND LIZZIE MILES Clambake on Bourbon Street (1954-55) COOK11815

50130 Tour of Cook Labs COOK50130

70889 RED CAMP Popular Piano and Combo COOK70889

80134 LUIZ BONFA Waterfall: Guitar COOK80134

80417 MARIMBA ORCHESTRA Waterfall: Children's Music COOK80417

80680 NEW ORCHESTRAL SOCIETY OF BOSTON Waterfall: Symphonic COOK80680

XX1 Audio Follies Sampler COOK00XX1

XX2 Calypso Jazz Sampler COOK00XX2

Series 10 Cook Series 10 COOK_Series10

Series 30 Cook Series 30 COOK_Series30

Series 60 Cook Series 60 COOK_Series60

Series 70 Cook Series 70 COOK_Series70

Series 80 Cook Series 80 COOK_Series80

Series 90 Cook Series 90 COOK_Series90

Series 100 Cook Series 100 COOK_Series100

Series 300 Cook Series 300 COOK_Series300

Series 301 Cook Series 301 COOK_Series301

Series 302 Cook Series 302 COOK_Series302

Series 303 Cook Series 303 COOK_Series303

Provenance:

The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired the Cook Labs Records in 1990, when Emory and Martha Cook donated their company records to the Center for Folklife and Cultural Heritage. Anthony Seeger, then Director of Smithsonian Folkways Records, received a call from Mr. Cook in the summer of 1989 offering to donate the Cook label to the Smithsonian. Dr. Seeger visited him in August of that year to view the contents of the collection, and the Smithsonian received custody of the collection in May 1990. In return for the donation from Mr. Cook, the Center for Folklife and Cultural Heritage agreed to keep the record titles available and to store the papers in the archives.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Popular music -- 20th century -- United States  Search this

Wit and humor  Search this

Calypso (Music)  Search this

Folk music -- Caribbean Area  Search this

Folk music  Search this

Sounds  Search this

Music -- 18th century  Search this

Folk music -- United States  Search this

Jazz -- Louisiana -- New Orleans  Search this

Jazz  Search this

Accordion music  Search this

Airplane sounds  Search this

Animal sounds  Search this

Audio equipment industry  Search this

Blues (Music)  Search this

Bonfá, Luiz  Search this

Calypso (Music)  Search this

Burlesque (Theater)  Search this

Calliope music  Search this

Calypso (Music)--Trinidad and Tobago  Search this

Campos Parsi, Héctor, 1922-  Search this

Catholicism  Search this

Christianity  Search this

Christmas  Search this

Cimbalom and zither music  Search this

Clavichord  Search this

Clemendore, Rupert  Search this

Drum  Search this

Genre/Form:

Audiotapes

Photographic prints

Business records

Artifacts

Contracts

Phonograph records

Correspondence

Christmas music

Citation:

Cook Labs records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.COOK

See more items in:

Cook Labs records

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk50980aef1-30c4-4f77-9de4-97337007b9f0

EDAN-URL:

ead_collection:sova-cfch-cook

Collection Creator:

Sanford, Marion  Search this

Container:

Box 2, Folder 4

Type:

Archival materials

Date:

1931-1965

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Marion Sanford and Cornelia Chapin papers, 1929-1988. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. Funding for the preservation of the Cornelia Chapin Home Movies was provided by the National Film Preservation Foundation.

See more items in:

Marion Sanford and Cornelia Chapin papers

Marion Sanford and Cornelia Chapin papers / Series 2: Printed Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c42a69e6-a6e0-4897-b4b8-67b6fda80dca

EDAN-URL:

ead_component:sova-aaa-sanfmari-ref28

Collection Creator:

De Forest, Roy, 1930-2007  Search this

Container:

Box 1, Folder 12

Type:

Archival materials

Date:

2007

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.

Collection Citation:

Roy De Forest papers, 1916-2015. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by Gerald and Bente Buck. Funding for the digitization of this collection was provided by Gloria Marchant.

See more items in:

Roy De Forest papers

Roy De Forest papers / Series 1: Biographical Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9371409f7-438e-474c-be89-db9df494d412

EDAN-URL:

ead_component:sova-aaa-deforoy-ref22

Creator:

Wiseman, Frederick J., 1875-1961  Search this

Names:

Early Birds of Aviation (Organization).  Search this

Wiseman-Peters (Fred Wiseman and J. W. Peters) (Aircraft manufacturer)  Search this

Extent:

0.59 Cubic feet (1 flatbox)

Type:

Collection descriptions

Archival materials

Photographs

Tickets

Correspondence

Clippings

Date:

1909-1968

bulk [ca. 1910s, 1950s]

Summary:

Fred Wiseman, along with J. W. Peters and D.C. Prentiss, built a biplane named the Wiseman-Peters. During July 1910, both Peters and Wiseman flew the Wiseman-Peters and the following year Wiseman entered the 1911 Aviation Meet at Selfridge Field, Michigan. On February 17, 1911, Wiseman made the first airplane-carried mail flight officially sanctioned by any local U.S. post office and made available to the public when he carried mail, a bundle of newspapers and a sack of groceries from Petaluma, CA, to Santa Rosa, CA. After the 1911 season, Wiseman gave up flying.

This collection consists of a large scrapbook. Inside the scrapbook are newspaper clippings, correspondence, 1st Day Covers, race tickets, and photographs chronicling both Wiseman's automobile and aviation careers.

Scope and Contents:

This collection consists of a large scrapbook. Inside the scrapbook are newspaper clippings, correspondence, 1st Day Covers, race tickets, and photographs chronicling both Wiseman's automobile and aviation careers.

Note: The digital images in this finding aid were repurposed from scans made by an outside contractor for a commercial product and may show irregular cropping and orientation in addition to color variations resulting from damage to and deterioration of the original objects.

Arrangement:

Materials are in the order the donor attached them to the scrapbook. Correspondence is often located within the envelope that is attached to the scrapbook. Some materials are loose and have been left in the arrangement in which they were found, unless a portion of a newspaper article could be matched to its other parts.

Biographical / Historical:

Fred Wiseman (1875-1961) was born in Santa Rosa, California, and after attending local schools he engaged in both the bicycle and automotive businesses. Wiseman won considerable fame racing Stoddard-Dayton cars on the West Coast as well as in the Chicago area. He became interested in aviation after attending the Wright brothers' homecoming celebration in 1909 and the first Los Angeles aviation meet at Dominguez Field in 1910.

After these two events, Wiseman was convinced he wanted to learn to fly and so he returned to his home in Santa Rosa and persuaded Ben Noonan to put up $10,000 to build a plane. Wiseman, along with J. W. Peters and D.C. Prentiss, built a biplane named the Wiseman-Peters. During July 1910, both Peters and Wiseman flew the Wiseman-Peters and the following year Wiseman entered the 1911 Aviation Meet at Selfridge Field, Michigan.

On February 17, 1911, Wiseman made the first airplane-carried mail flight officially sanctioned by any local U.S. post office and made available to the public when he carried mail, a bundle of newspapers and a sack of groceries from Petaluma, CA, to Santa Rosa, CA. (The first air mail flight sanctioned by the U.S. Post Office in Washington, D.C., took place on September 23, 1911, when Earle Ovington carried mail from Garden City, Long Island, to Mineola; and the first continuously scheduled U.S. air mail service began on May 15, 1918, with routes between Washington, Philadelphia, and New York.)

During 1911, Wiseman had an active season of exhibition work, including flying for one week at the California State Fair. However, after this season Wiseman gave up flying because he thought there was no future in it. He sold his plane and returned to the automobile business. He later worked for Standard Oil Company of California. Wiseman was a member of the Early Birds of Aviation, an organization of pilots who flew solo in an aircraft prior to December 17, 1916.

Weldon Cooke, another pioneer aviator from California, bought and modified the Wiseman-Peters aircraft, renaming it the Wiseman-Cooke. Cooke flew the Wiseman-Cooke for exhibition and air mail flights. The Wiseman-Cooke aircraft is currently part of the Smithsonian Institution's collections.

Provenance:

No donor information, Gift?, unknown, XXXX-0618, unknown

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Topic:

Automobile racing  Search this

Air mail service  Search this

Aeronautics, Commercial  Search this

Aeronautics -- Exhibitions  Search this

Airplane racing  Search this

Aeronautics -- Competitions  Search this

Aeronautics -- 1903-1916  Search this

Aeronautics  Search this

Air pilots  Search this

Wiseman-Peters #2 Biplane (1910)  Search this

Genre/Form:

Photographs

Tickets

Correspondence

Clippings

Citation:

Fred Wiseman Scrapbook, Acc. NASM.XXXX.0618, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.XXXX.0618

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2b1a6ef9c-06ed-414f-adc3-98f31de066e0

EDAN-URL:

ead_collection:sova-nasm-xxxx-0618

Biogeographical Region:

85 - Southern South America  Search this

Collector:

Teodoro Rojas  Search this

Place:

Trinidad. Carapeguá. Campo pendiente de loma, Calistro., Asuncion, Paraguay, South America

Collection Date:

Apr 1919

Taxonomy:

Plantae Monocotyledonae Poales Poaceae Panicoideae

Published Name:

Schizachyrium tenerum Nees

Barcode:

04357330

USNM Number:

1063399

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/3cb82d56f-d5f1-45de-9d0f-b06e49943708

EDAN-URL:

edanmdm:nmnhbotany_16202839

Biogeographical Region:

85 - Southern South America  Search this

Collector:

-- Pavetti  Search this

Rojas, --  Search this

Place:

Trinidad. Pradera Quinta Pavetti., Asuncion, Paraguay, South America

Collection Date:

Feb 1943

Taxonomy:

Plantae Monocotyledonae Poales Poaceae Chloridoideae

Published Name:

Eragrostis lugens Nees

Barcode:

04374929

USNM Number:

1868827

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/397f054de-bd5d-4120-8b46-986e68242a57

EDAN-URL:

edanmdm:nmnhbotany_16224519

Biogeographical Region:

81 - Caribbean  Search this

Collector:

Nathaniel L. Britton  Search this

Place:

British West Indies, Coastal bank, Vicinity of Brighton, Trinidad and Tobago, West Indies - Neotropics

Collection Date:

12 Apr 1921

Taxonomy:

Plantae Dicotyledonae Asterales Asteraceae Asteroideae

Published Name:

Emilia fosbergii Nicolson

Barcode:

01842994

USNM Number:

1194549

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/3e9488a2b-af08-423f-822e-1be9bc1ff714

EDAN-URL:

edanmdm:nmnhbotany_12969734

Biogeographical Region:

85 - Southern South America  Search this

Collector:

Teodoro Rojas  Search this

Place:

Trinidad-Asuncion. San Bernardino., Paraguay, South America

Collection Date:

Feb 1915

Taxonomy:

Plantae Pteridophyte Polypodiales Pteridaceae

Published Name:

Adiantum latifolium Lam.

Barcode:

01470437

USNM Number:

2427287

See more items in:

Botany

Flowering plants and ferns

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/37957702f-cc3a-4e05-8227-72e8e12c6ec2

EDAN-URL:

edanmdm:nmnhbotany_12327416

Biogeographical Region:

North Pacific Boreale  Search this

Collector:

E. Yale Dawson  Search this

Place:

College Cove, north side of Trinidad Head, Humboldt County, California, United States, North America

Collection Date:

14 Jul 1965

Taxonomy:

Chromista Ochrophyta Phaeophyceae Laminariales Alariaceae

Published Name:

Alaria marginata Postels & Rupr.

Alaria nana

Barcode:

00195661

USNM Number:

31771

See more items in:

Botany

Algae

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/33d84f780-8721-42bf-861c-1cbc7e4725d8

EDAN-URL:

edanmdm:nmnhbotany_2237154

Biogeographical Region:

South American Terrestrial  Search this

Collector:

Vernon W. Proctor  Search this

Place:

Rio Mamore, 15 miles west of Trinidad, Beni, Bolivia, South America - Neotropics

Taxonomy:

Plantae Charophyta Charales Characeae

Published Name:

Chara drouetii

Chara sejuncta

Barcode:

00192516

USNM Number:

44807

See more items in:

Botany

Algae

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/3dbbdc8ca-f64f-4c36-be34-6416b496e587

EDAN-URL:

edanmdm:nmnhbotany_2251543

Biogeographical Region:

North Pacific Boreale  Search this

Collector:

E. Yale Dawson  Search this

Place:

Off Trinidad Head, Humboldt County, California, United States, North America

Collection Date:

25 Jul 1965

Taxonomy:

Chromista Ochrophyta Phaeophyceae Laminariales Alariaceae

Published Name:

Alaria marginata Postels & Rupr.

Alaria nana

Barcode:

00195663

USNM Number:

32103

See more items in:

Botany

Algae

Data Source:

NMNH - Botany Dept.

GUID:

http://n2t.net/ark:/65665/327c2b1b5-624e-4ef5-9ef5-7c0e53840594

EDAN-URL:

edanmdm:nmnhbotany_2251863