Search Results

Maker:

Bausch & Lomb Optical Company  Search this

Physical Description:

wood, mahogany? (overall material)

glass (overall material)

metal, brass (overall material)

metal (overall material)

brown, reddish (overall color)

ivory (overall color)

red (overall color)

arts and crafts (overall style)

Measurements:

overall: 83.5 cm x 87 cm x 41 cm; 32 7/8 in x 34 1/4 in x 16 5/32 in

Object Name:

Trial Lens Set

Other Terms:

Trial Lens Set; Refraction, Ocular; Interior Design and Furnishing

Place made:

United States: New York, Rochester

Associated place:

United States: Maryland, Baltimore

Associated dates:

1978 10 27 / 1978 10 27

Credit Line:

Eugene R. Barenburg in the name of the family of the late J. W. Barenburg, M.D.

ID Number:

1978.2269.01

Catalog number:

1978.2269.01

Accession number:

1978.2269

See more items in:

Medicine and Science: Medicine

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a9-0ed7-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1069101

Object Name:

optical trial frames

Credit Line:

Eugene R. Barenburg in the name of the family of the late J. W. Barenburg, M.D.

ID Number:

1978.2269.03

Catalog number:

1978.2269.03

Accession number:

1978.2269

See more items in:

Medicine and Science: Medicine

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746ad-c531-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1438471

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Blog posts

Smithsonian staff publications

Conversations and talks

Blog posts

Published Date:

Thu, 31 Aug 2023 18:57:00 GMT

Topic:

Cultural property  Search this

See more posts:

Festival Blog

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

EDAN-URL:

edanmdm:posts_5e822ea5a49cbd0d6c16519215a365c8

Former owner:

Robinson, Stewart, Mrs.  Search this

Devins, Harry  Search this

Devins, Harry, Mrs.  Search this

Landscape architect:

Smith, Elise Keely  Search this

Gardener:

Vaccaro, Michele  Search this

Provenance:

Garden Club of Allegheny County  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Topiary Folly (Sewickley, Pennsylvania)

United States of America -- Pennsylvania -- Allegheny -- Sewickley

Scope and Contents:

The folder includes worksheets and a photocopy of an article.

General:

The fenced one-acre property had a sloping terraced garden on three levels with a woodlands in back and a circa 1955 house with French-influenced styling. The holly foundation hedge was diseased, an arbor vitae hedge had grown out of bounds, the perennials and flowering shrubs on the terraces had become unsightly, and the woodlands, which were populated by deer, needed clearing and shaping. The first project was the woodlands: a meandering path and brick seating area were installed and the cleared understory was replanted with azaleas, rhododendrons and oak leaf hydrangeas. Below the woodlands a 30 by 60 feet open space was a trial area for roses and hydrangeas but now is planted with a circle of clipped boxwood surrounding yellow roses and an antique iron urn, with an outer circle of clipped white azaleas surrounding topiary balls.

The three terraces are marked off by low dry stone walls and feature alternating shapes of topiary boxwood and arbor vitae in beds approximately 100 feet long, separated by gravel paths. Occasional statues and planted containers enhance the formality of the terrace garden. At the end of these rows there is a rose arbor that marks the beginning of another garden, perpendicular to the terraces, that has more topiary shapes, roses, perennials and occasionally annuals planted in rows. In front of the house the foundation beds are planted with various shaped topiary, too.

Persons associated with the garden include: Mrs. Stewart Robinson (former owner, 1955-1974); Mr. and Mrs. Harry Devins (former owners, 1974-2006); Elise Keely Smith (woodland designer, 2006); Michele Vaccaro (gardening services, 2006).

Related Materials:

Topiary Folly related holdings consist of 1 folder (13 digital images)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Pennsylvania -- Sewickley  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File PA739

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6efcbe440-0c16-4a8b-80c7-12914d569ee8

EDAN-URL:

ead_component:sova-aag-gca-ref16577

Owners:

Houston Independent School District  Search this

Creator:

Karavias, Kellie  Search this

Burton, Carol  Search this

Provenance:

Garden Club of Houston  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Texas -- Houston -- Houston

Gregory Lincoln Education Center (Houston, Texas)

Scope and Contents:

16 digital images (2015-2017) and 1 file folder.

General:

Gregory-Lincoln Education Center is a fine arts magnet pre-K through 8th grade school on a 15- acre campus with many low-income and food-insecure students. In the 2011-2012 school year 14 raised gardens beds for vegetables, berries and herbs were installed and planted; the curriculum is called the Cultivated Classroom. Students grow organic food that they prepare and eat while learning about sustainability, science, math, reading, social studies and nutrition. Staple crops include squashes, tomatoes, cruciferous vegetables such as cabbage and cauliflower, berries, lettuces, beans and okra, some flowers and herbs. Other vegetables are planted each year on a trial basis. The initial garden has been expanded to include four more raised beds, 20 fruit trees, a chicken coop called The Chick-Inn, a grape arbor at the entrance, and a pollinator garden. The lay-out includes a reading circle, tool shed, compost center, picnic tables, a wash station and benches. Learning about healthy eating is an important aspect of the program, including acquiring food preparation skills for a lifetime, and cooking and learning about careers in the food industry at a nearby restaurant. Helpers in the garden include school staff, Urban Harvest employees, parents, and neighborhood volunteers who participate in a monthly "dig-it" day of weeding, mulching, and additional planting. The Garden Club of Houston supports this program through financial contributions to Urban Harvest, a non-profit that promotes community gardens.

Persons associated with the garden include: Houston Independent School District (owners, 1966- ); Urban Harvest (sponsor, 2011- ); Kellie Karavias (culinary arts teacher, 2011- ); Carol Burton (Urban Harvest coordinator, 2011- ) Names (role and dates of ownership/involvement). Example: Metropolitan District Commission (playground, Victory Garden, 1953- ); City of Cambridge (Morse School, 1953- ); Carl Koch (1912-1998) (architect, 1955); Design Partnership of Cambridge (renovation architects, 1999); Jane Hirschi, Director of City Sprouts (non-profit assisting in creating and maintaining school garden, 2001- ); Patricia Beggy (Morse school principal, 2004- ); Juliet and György Kepes (enamel panels artists, 1957); Tomie Arai (silk-screened mural artist, 1999).

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Texas -- Houston  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File TX199

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Texas

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb647c315c9-ec7a-475e-9a9e-7766fe89f17c

EDAN-URL:

ead_component:sova-aag-gca-ref32840

Colorist:

Van Altena, Edward  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Lantern slide (col., 3.25 x 4 in.)

Type:

Archival materials

Lantern slides

Place:

Mexico -- Mexico City -- Tlalpan

Mexico -- Mexico City -- Mexico City -- Tlalpan

Date:

1937 Jan.

General:

Mount reads: "Edward Van Altena, 71-79 W. 45th St., N.Y.C."

Historic plate number: "35."

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Ruins  Search this

Doorways  Search this

Columns  Search this

Arches  Search this

Genre/Form:

Lantern slides

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item MX022001

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 2: International Garden Images / Mexico / MX022: Mexico City -- Casa Chata

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb67ee2a6a1-41cc-4709-814a-cb0c114c5d8c

EDAN-URL:

ead_component:sova-aag-gca-ref4382

Collection Collector:

Archives Center, National Museum of American History  Search this

Collection Donor:

Becker, John M.  Search this

Gay Officers Action League. GOAL  Search this

Heritage of Pride (HOP)  Search this

Rohrbaugh, Richard  Search this

Atlantic States Gay Rodeo Association (ASGRA)  Search this

Collection Creator:

Hirsch, Leonard  Search this

Guest, Barbara  Search this

Barna, Joseph T.  Search this

Guest, Michael E.  Search this

Cruse, Howard, 1944-2019  Search this

Container:

Box 26, Folder 1

Type:

Archival materials

Date:

1979-05-06

Collection Restrictions:

The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 5: Biren, Joan E. (JEB) / 5.2: Posters and Oversize Advertisements

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8aefe7d1f-3c23-44c2-90cb-9a46897efa0e

EDAN-URL:

ead_component:sova-nmah-ac-1146-ref1783

Collection Creator:

Adler, Abigail  Search this

Extent:

65 Negatives (photographic) (Black and white, 35mm)

Container:

Box 1, Sheet 15-17

Type:

Archival materials

Negatives

Negatives (photographic)

Date:

1979 October 27

Collection Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Some images restricted: Cultural Sensitivity

Collection Citation:

Identification of specific item; Date (if known); Abigail Adler Diné (Navajo) photographs, NMAI.AC.373 catalog #; National Museum of the American Indian Archive Center, Smithsonian Institution.

See more items in:

Abigail Adler Diné (Navajo) Photographs

Abigail Adler Diné (Navajo) Photographs / Series 2: Diné (Navajo) Community and Events Photographs [Photographic Negatives] / 2.2: Miscellaneous

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4e722c9ff-7d8c-4d6f-82c1-ca20d7860d2b

EDAN-URL:

ead_component:sova-nmai-ac-373-ref40

Creator:

Greenberg, Clement, 1909-1994  Search this

Names:

Caro, Anthony, 1924-  Search this

Emmerich, André  Search this

Noland, Kenneth, 1924-  Search this

Olitski, Jules, 1922-2007  Search this

Smith, David, 1906-1965  Search this

Extent:

8.6 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Date:

1937-1983

Summary:

The papers of influential New York author and art critic Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the papers consists of letters from art critics, artists, family, friends, curators, collectors, publishers, galleries, and museums, with scattered letters from Greenberg. Also found are Greenberg's business and financial records along with small amounts of biographical material, printed material, and writings consisting of two reports.

Scope and Content Note:

The papers of influential New York author and art critic Clement Greenberg measure 8.6 linear feet and date from 1937 to 1983. The bulk of the papers consists of letters from art critics, artists, family, friends, curators, collectors, publishers, galleries, and museums, with scattered letters from Greenberg. Also found are Greenberg's business and financial records along with small amounts of biographical material, printed material, and writings consisting of two reports.

Correspondence includes letters to Greenberg, often documenting the lives and careers of many of the correspondents in significant detail, and scattered copies of Greenberg's replies. Much of the correspondence is rich and substantive, and is indicative of Greenberg's influence in the art world. Correspondents include Darby Bannard, Ethel Baziotes, Anthony Caro, Richard Diebenkorn, Piero Dorazio, Andre Emmerich, Paul Feeley, Sam Francis, Helen Frankenthaler, Robert Goodnough, Adolf Gottleib, Hans Hofmann, Philippe Hosiasson, Jacob Kainen, Rosalind Krauss, Robert Motherwell, Ken Moffett, Barnett Newman, Kenneth Noland, Jules Olitski, Beverly Pepper, Ludwig Sander, David Smith, Kimber Smith, Clyfford Still, Anne Truitt, Leslie Waddington and many others.

Biographical material includes notes from an interview with Greenberg conducted by Deborah Solomon in 1983. Greenberg's personal business and financial records include correspondence and other documentation related to Greenberg's appearances, such as for lectures and on television, and documents relating to Greenberg's testimony at the Mark Rothko Trial in 1974.

Artwork consists of one etching by Kurt Wisenski. Although the papers contain very few of Greenberg's writings about art, there are lists of artists and reports written by Greenberg on the state of art in Japan and India in 1967 which are probably related to his membership in the American Committee for Cultural Freedom. Printed material includes scattered clippings concerning art and exhibition announcements.

One series of access restricted papers contains documents relating to Greenberg's role as executor for the David Smith estate.

Arrangement:

The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Information, circa 1968-1983 (Box 1; 2 folders)

Series 2: Business and Financial Records, 1939-1983 (Box 1; 0.4 linear feet)

Series 3: Correspondence, 1937-1983 (Boxes 1-8, 11; 7 linear feet)

Series 4: Artwork, 1973 (Box 8; 1 folder)

Series 5: Writings and Notes, 1967-1983 (Box 8; 3 folders)

Series 6: Printed Material, 1950-1982 (Box 8; 2 folders)

Series 7: David Smith Estate Materials, 1965-1982 (Boxes 9-11; 1.1 linear feet)

Biographical Note:

New York City author Clement Greenberg, was one of the most influential art critics of the twentieth century, primarily from the 1940s-1960s. He was an advocate of modern art, particularly the Abstract Expressionist movement, and was one of the first critics to recognize the significance of Jackson Pollock's work.

Greenberg was born in 1909 to Russian immigrants in Bronx, New York. After graduating from Syracuse University in 1930, he married and had a child, David. He settled in New York City while working at the United States Customs Department as an appraiser.

In the late 1930s, Clement Greenberg attended a meeting of the U.S. Works Progress Administration and heard Hans Hofmann speak of avant-garde art. In 1939, he wrote one of his first important critical pieces "Avant-Garde and Kitsch" for the Partisan Review. Greenberg argued that the avant-garde art movement rose out of the need to defend and maintain high art standards against the decline in taste brought about by America's consumerist and capitalist culture.

In 1940 Greenberg joined Partisan Review as an editor. He became art critic for the Nation in 1942 and was associate editor of Commentary from 1945 until 1957. In December 1950, he joined the CIA-fronted American Committee for Cultural Freedom.

Throughout the 1940s through the 1960s Greenberg continued to write essays and articles in which he promoted the work of the abstract expressionists, among them Jackson Pollock, Willem de Kooning, Hans Hofmann, Barnett Newman, and Clyfford Still. He particularly championed Jackson Pollock. Greenberg wrote several seminal essays that defined his views on art history in the twentieth century, with "Greenberg on Collage" being one of his most important.

Greenberg's views on pop art were mixed. He also became less enamored with the second generation of abstract expressionists over time, while developing an interest in the Color-Field and Hard-Edge painters.

Through the 1960s Greenberg's views informed a younger generation of art critics including Michael Fried and Rosalind E. Krauss. Some writers maintain that Greenberg's views were so well-respected that he held too much of an influence in the art world. In time, Greenberg's antagonism to postmodernist theories and other modern art movements caused him to lose much of his credibility among both artists and art critics.

Greenberg was a long-time champion of sculptor David Smith's work and he became an executor of Smith's estate when the artist died suddenly in 1965. Greenberg resigned as executor in 1979 following controversy over his decision to strip white paint from five of Smith's outdoor sculptures, insisting that Smith had never intended to leave them white.

Greenberg died at the age of eighty-five in 1994. Since his death, letters edited by Greenberg's widow, Janice Van Horne, and a re-evaluation of his writings have helped to restore his reputation in the art world.

Related Material:

The Portland Art Museum holds Clement Greenberg's private art collection as well as a library of exhibition catalogs.

Separated Material:

The Archives of American Art also holds microfilm of material lent for microfilming (reels N69-91, N70-7, and N737). Most, but not all, of these papers were later donated by Greenberg. Loaned materials not donated at a later date are not described in the container listing of this finding aid.

Provenance:

Clement Greenberg initially lent material for microfilming in 1968-1969. He donated most of this material to the Archives of American Art with additional papers in several accretions between 1984 to 1991.

Restrictions:

This collection is open for research. Portions of the collection are access restricted including: documents relating to the estate of David Smith; some correspondence with Peter Fuller, Nuala O'Faolain, the Greenberg family, and other correspondents; and sales records and loan agreements. Written permission is required. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art critics -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Topic:

Abstract expressionism  Search this

Genre/Form:

Interviews

Citation:

The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art. Funding for the digitization of the papers was provided in part by The Walton Family Foundation.

Identifier:

AAA.greeclep

See more items in:

Clement Greenberg papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9583b0d2a-ad31-4fa9-a3b5-eacce3cb0313

EDAN-URL:

ead_collection:sova-aaa-greeclep

Collection Creator:

Greenberg, Clement, 1909-1994  Search this

Extent:

0.4 Linear feet (Box 1)

Type:

Archival materials

Date:

1939-1983

Scope and Contents note:

Records include correspondence and other documents relating to Greenberg's testimony at the Mark Rothko trial including a subpoena for Greenberg and scattered correspondence; requests for lectures and seminars; receipts and acknowledgements for Greenberg's donations; requests for Greenberg's writings including articles, essays, and television and radio appearances; royalty statements; and queries for Greenberg from students.

Collection Restrictions:

This collection is open for research. Portions of the collection are access restricted including: documents relating to the estate of David Smith; some correspondence with Peter Fuller, Nuala O'Faolain, the Greenberg family, and other correspondents; and sales records and loan agreements. Written permission is required. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art. Funding for the digitization of the papers was provided in part by The Walton Family Foundation.

Identifier:

AAA.greeclep, Series 2

See more items in:

Clement Greenberg papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d529b147-0997-405c-ac0e-8dc10f490ef0

EDAN-URL:

ead_component:sova-aaa-greeclep-ref20

Collection Creator:

Greenberg, Clement, 1909-1994  Search this

Container:

Box 1, Folder 9

Type:

Archival materials

Date:

1974

Collection Restrictions:

This collection is open for research. Portions of the collection are access restricted including: documents relating to the estate of David Smith; some correspondence with Peter Fuller, Nuala O'Faolain, the Greenberg family, and other correspondents; and sales records and loan agreements. Written permission is required. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art. Funding for the digitization of the papers was provided in part by The Walton Family Foundation.

See more items in:

Clement Greenberg papers

Clement Greenberg papers / Series 2: Business and Financial Records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94e8849c5-f455-4056-be44-b480b79706b2

EDAN-URL:

ead_component:sova-aaa-greeclep-ref27

Collection Creator:

Greenberg, Clement, 1909-1994  Search this

Container:

Box 6, Folder 9

Type:

Archival materials

Date:

1962-1983

Series Restrictions:

Correspondence between Peter Fuller, Andre Emmerich, and Clement Greenberg; correspondence with Nuala O'Faolain; Greenberg family letters; and additional individual letters from a variety of correspondents are access restricted. Written permission is required. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art. Funding for the digitization of the papers was provided in part by The Walton Family Foundation.

See more items in:

Clement Greenberg papers

Clement Greenberg papers / Series 3: Correspondence

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dbb95845-de97-4f73-adfe-3fa7562ae175

EDAN-URL:

ead_component:sova-aaa-greeclep-ref363

Biogeographical Region:

Australasian  Search this

Collector:

[Not Stated]  Search this

Prep Count:

4

Preparation:

Pinned

Sex:

Worker

Stage:

Adult

Type Citation:

Entomologische Mitteilungen. Berlin-Dahlem. 14 (2): 141.

Type Status:

Syntype

Place:

Trial Bay, [Not Stated], New South Wales, Australia

Collection Date:

[Not Stated]

Taxonomy:

Animalia, Arthropoda, Insecta, Hymenoptera, Formicidae, Formicinae

Published Name:

Camponotus (Myrmophyma) nitidiceps Viehmeyer, 1925

Barcode:

00531623

Other Numbers:

Inquire SerNum : 80430

SELGEM Serial Number : A201469

USNM Type Number : 201469

USNM Number:

USNMENT00531623

See more items in:

Entomology Types

Data Source:

NMNH - Entomology Dept.

GUID:

http://n2t.net/ark:/65665/381a9a0f4-d5a7-405c-894d-fa483038faec

EDAN-URL:

edanmdm:nmnhentomology_9179979

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

YouTube Videos

Uploaded:

2020-12-17T01:11:42.000Z

YouTube Category:

Entertainment  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_A67nY6D2nqk

Creator:

National Postal Museum  Search this

Type:

YouTube Videos

Uploaded:

2023-09-28T13:04:31.000Z

YouTube Category:

Education  Search this

Topic:

Postal service;Letter mail handling;Stamp collecting  Search this

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SmithsonianNPM

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National Postal Museum

YouTube Channel:

SmithsonianNPM

EDAN-URL:

edanmdm:yt_X4npNmHyBpI

Creator:

Smithsonian American Art Museum  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2021-03-17T15:13:12.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

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americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_5be7yWJEVQQ

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2012-01-18T17:46:51.000Z

YouTube Category:

Entertainment  Search this

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smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_07Vui5Vy8wc

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2018-01-12T16:30:01.000Z

YouTube Category:

Entertainment  Search this

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smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_0lTLBaAtuNM

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2014-03-12T13:13:43.000Z

YouTube Category:

Entertainment  Search this

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smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_0w3nsAaOpq4

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2013-04-10T19:35:07.000Z

YouTube Category:

Entertainment  Search this

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smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_14DyBpYzwP4