File consists of correspondence, article in Dance Magazine entitled "Deer Dances I Have Seen", schedule of Craftsmen at Work for Cooperative Crafts Exhibition, Arts and Industries Building. List features Vernon Owens.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
David S. Rubin papers, 1960-2017. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.
Jehu-Wong Gallery (San Francisco, Calif.) Search this
Container:
Box 3, Folder 8
Type:
Archival materials
Date:
1980-1982
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jehu-Wong Gallery, Jehu Gallery, and Upper Market Street Gallery records, 1956-1983. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Over 600 subject files containing Mann's research on the history of photography; and an extensive interview conducted by Mann with Imogen Cunningham.
REELS 1860-1872: 630 files cover photographers, photo exhibitions, societies, publications, and collections and contain biographical information, correspondence, published and unpublished transcripts by Mann, exhibition catalogs and announcements, price lists, photographs, organization records, clippings and printed material along with Mann's interviews of Wynn Bullock, Imogen Cunningham (partial), and Edward Ruscha. Photographs are by Linda Connor, Imogen Cunningham (includes one of dancer Martha Graham), Judy Dater (of Cunningham), Robert Heinecken, Anne Noggle, Leland Rice, Charles Swedlund, Arthur Tress, Jerry Uelsmann, Todd Walker, Jack Welpott, and Brett Weston.
REEL 5051 (fr. 390-600): Interview (232 p. transcript from 3 sound reels, 3 in.) of Imogen Cunningham conducted by Mann, 1960-1973, in preparation for her book, Imogen Cunningham: Photographs. Cunningham speaks of the sale and exhibition of her prints; being a "darkroom slave"; portrait photography; photographs as documents; the "soft-focus era"; teaching; and the f/64 Group. Cunningham comments on 104 of her photographs, including her portraits of Edward Weston and Margrethe Mather, Martha Graham, Cary Grant, Alfred Stieglitz, Upton Sinclair, Adedee Ozenfant, Frieda Kahlo Rivera, Getrude Stein, Shen Yao, Lyonel Feininger, Morris Graves, Anna Freud, and Minor White. She recalls Diane Arbus, Arthur Fellig, Paul Strand, and others.
Biographical / Historical:
Photographer, photography historian and critic; Davis, Calif.
Related Materials:
Files of Margery Mann, 1919-1977, are also located at the National Gallery of Australia.
Provenance:
The Cunningham interview was donated by Mann in 1975; the remainder by Mann's husband, Thomas K. Vasey, 1978.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
